Charles H. Mackie Sold at Auction Prices

Charles Hodge Mackie (Scotland, 1862-1920), Grazing near the Water of Leith, oil on canvas, 24 x 32in (60 x 80cm)

Charles Hodge Mackie (Scotland, 1862-1920) Grazing near the Water of Leith oil on canvas signed faintly lower right C.H. Mackie

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920)

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) BASSANO BRIDGE Colour woodcut, signed and indistinctly inscribed lower right the image 49cm x 51.5cm (19.25in x 20.25in) Mackie portrays the Bridge of the Alpini in Bassano del Grappa near Venice. Fourteen blocks were required to create ‘Bassano Bridge’, and Mackie printed each by hand using different colours, resulting in striking variations between each print.

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920)

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) THE DUCAL PALACE, VENICE Colour woodcut, signed and indistinctly inscribed ‘…imp.’ lower right the image 41.5cm x 53.25cm (16.25in x 21in) In this theatrical composition Mackie portrays the Venetian Gothic-style Doge’s Palace in Venice. His use of broad planes of colour is believed to have been inspired by his contact with the work of Paul Gauguin and Paul Sérusier, whom Mackie encountered in France in 1891.

CHARLES HODGE MACKIE, (1862-1920), Wild Hyacinths (1910), colour woodblock, 22 x 26.5cm

CHARLES HODGE MACKIE (1862-1920) Wild Hyacinths (1910) colour woodblock signed lower right

Charles Hodge Mackie RSA, RSW (1862-1920)

Charles Hodge Mackie RSA, RSW (1862-1920) On the Rocks signed in the plate and bearing the dedication 'To Walter Sickert' (lower left) woodblock 30 x 43.5cm

Charles Hodge Mackie RSA, RSW (1862-1920)

Charles Hodge Mackie RSA, RSW (1862-1920) The [XX] Post signed 'Charles Mackie' (lower left) woodblock 21 x 22cm

Charles Hodge Mackie RSA, RSW (1862-1920)

Charles Hodge Mackie RSA, RSW (1862-1920) Coastal Study signed 'Charles H Mackie' (lower right) and bearing the dedication 'To Walter Sickert' woodblock 21 x 23cm

Charles Hodge Mackie RSA, RSW (1862-1920)

Charles Hodge Mackie RSA, RSW (1862-1920) Return of the Flock signed 'Charles H Mackie' (lower centre) and bearing the dedication 'To Walter Sickert' woodblock 31 x 35cm

Charles Hodge Mackie RSA, RSW (1862-1920)

Charles Hodge Mackie RSA, RSW (1862-1920) Donkey signed 'Charles Mackie' (lower left) and bearing the dedication 'To Walter Sickert' woodblock 23.5 x 29cm

Charles Hodge Mackie RSA, RSW (1862-1920)

Charles Hodge Mackie RSA, RSW (1862-1920) The Ducal Palace, Venice, 1911 signed in the plate and bearing the dedication 'To Walter Sickert' woodblock 42 x 54cm Despite his strong connection to Edinburgh, travel served as a crucial wellspring of inspiration for the Scottish artist, Charles Hodge Mackie. In the early stages of his career, financial constraints initially confined his excursions to the local countryside. As his financial circumstances improved, he extended his explorations to rural areas in East Lothian, Fife and the Borders where he engaged in direct landscape painting from nature. By the 1890s, Mackie's artistic horizons underwent further expansion. A pivotal moment occurred in 1892 when he ventured to Brittany and encountered Paul Sérusier, the leader of Les Nabis. This encounter propelled him to subsequent visits to Paris, where he engaged with prominent Symbolist artists, prompting Mackie to experiment with Symbolism in his own artistic practice. Between 1903 and 1904, Mackie embarked on a tour of Spain and increased his time spent in France, portraying scenic farms in Normandy and Picardy. In contrast to his Symbolist period, these later works showcased a more nuanced treatment of color and light, aligning with the preferences of the discerning Scottish art market. However, Venice emerged as a profound fascination for Mackie, marking a significant juncture in his career during his inaugural visit in 1908. Supported by patrons such as Andrew Carnegie, Ernest Auldjo Jamieson, and John James Cowan, Mackie embarked on several extended trips to Venice between 1908 and 1914. During these visits, he produced an extensive body of work, including oil paintings, watercolors, and a notable series of three colored woodcut prints inspired by Venetian vistas. In addition to his versatile artistic portfolio, influenced by his extensive travels and collaborative spirit with fellow artists, Mackie is also esteemed for his contributions to the local artistic community. As a founder member and chairman of the Society of Scottish Artists, he played a pivotal role in fostering and shaping the artistic landscape in his region.

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) RETURN OF THE FLOCK

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) RETURN OF THE FLOCK Coloured woodblock, no. 44, signed to plate lower left, numbered in pencil lower right (the image 31cm x 35cm (12in x 13.75in))

Mackie (Charles Hodge, 1862-1920). Woodland Glade

Mackie (Charles Hodge, 1862-1920). Woodland Glade * Mackie (Charles Hodge, 1862-1920). Woodland Glade, oil on canvas, signed lower right, canvas size 56 x 47 cm (22 x 18 1/2 ins), label to verso of frame with title and artist in blue ink, in ornate frame (70 x 59.5 cm) QTY: (1)

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) BASSANO BRIDGE

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) BASSANO BRIDGE Coloured woodblock, bears signature lower right (48.5cm x 51cm (19in x 20in)) Exhibited: The Scottish Gallery, Scottish Master Prints, 8 May - 9 June 1993, cat.no.9

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) A STREET IN FRANCE

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) A STREET IN FRANCE Signed, oil on board (38cm x 38cm (15in x 15in)) Note: Please note that this work is oil on board, rather than oil on canvas laid down on board as previously catalogued.

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) POTATO GATHERING, PEFFERMILL

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) POTATO GATHERING, PEFFERMILL Signed and dated 1880, oil on canvas (51cm x 76cm (20in x 30in)) Exhibited: Royal Scottish Academy, Edinburgh, Annual Exhibition, 1881, no.260

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) STUDYING TINTORETTO IN THE DUCAL PALACE

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) STUDYING TINTORETTO IN THE DUCAL PALACE Signed, inscribed verso, oil on panel (53cm x 65cm (20.75in x 25.5in)) Exhibited: Royal Scottish Academy, Edinburgh, 1920, no. 47 This work was created as a result of Mackie's painting trips to Venice before 1914. He exhibited it in the Royal Scottish Academy's Annual Exhibition of 1920, shortly before his death. In their first review of the exhibition, The Scotman's art critic singled Mackie out for praise, writing that his 'Venetian and Spanish night scenes are marked by rich colour and accomplished artistry' going on to describe the present painting as a 'finely handled study of an apartment in the Doge’s Palace, with its superb decorations by Tintoretto.' The paper's fourth notice about the show declared of Mackie that 'with him design is not so much imposed upon an observed effect as a process which, taking up that effect, accentuates it by stressing the light and shade, by controlling it, and by emphasizing the main colour harmony by regulating the quantities and, if need be by enriching them by contrast, discord or extension of the scale in a selected direction. This is seen very felicitously in the Spanish night scene...and more obviously, although still very happily in Studying Tintoretto in the Ducal Palace.' We are grateful to Pat Clark, author of 'People, Places & Piazzas: The Life & Art of Charles H. Mackie', Sansom & Company, Bristol, 2016, for her assistance in researching this work.

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) CROSSING THE FORD

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) CROSSING THE FORD Signed and dated 1888, oil on canvas (51cm x 91cm (20in x 36in)) A related, smaller painting is in a private collection. It was part of a consignment of work which Mackie sent to his brother in Melbourne, Australia in 1893, hoping to garner some sales. We are grateful to Pat Clark, author of 'People, Places & Piazzas: The Life & Art of Charles H. Mackie', Sansom & Company, Bristol, 2016, for her assistance in researching this work.

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) CA' D'ORO, VENICE

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) CA' D'ORO, VENICE Signed, inscribed with title verso, oil on panel (73cm x 61cm (28.75in x 24in)) Footnote: Note: A painting with this title was exhibited at the R.S.A. 1915, no.102 The work of Charles Hodge Mackie was recently celebrated in a major exhibition at the City Art Centre, Edinburgh. It revealed the importance of Venice to him as a rich source of subject matter, as seen in Ca d'Oro, Venice. Curator Dr. Helen Scott wrote that his time in the city 'resulted in a compelling group of oil paintings, watercolours and woodcuts, which capture the city at its most atmospheric.' This can be seen in the present work. A bridge, glimpses of gondolas and boats with unfurled sails dominate the foreground and right-hand side of the composition. They give way to a delicately realised expanse of the Grand Canal, in which Mackie has skilfully captured the effect of light and reflections on its surface. In the background the finely-wrought facade of the magnificent titular palace is seen, under a mixture of shadow and sunshine. It is possible that Ca d'Oro, Venice is the untraced painting mentioned in Pat Clark's 2016 monograph about Mackie. She wrote 'It is disappointing to say that Mackie's painting of one of the most magnificent buildings in Venice, shown at the Royal Scottish Academy in 1915, has not been traced. The subject was the Ca' d'Oro or House of Gold....He exhibited the painting again at the Royal Glasgow Institute in 1916, asking a mere £63, but there is no record of sale. it was also shown at the Royal Academy in London the next year. It must have found an appreciative buyer since it was loaned to the 1921 Memorial Exhibition by 'Sir P. Jeffrey Mackie Barr'...Perhaps it will surface again.' (Pat Clark, People, Places and Piazzas: The Life and Art of Charles H. Mackie, Bristol 2016, p. 116).

CHARLES HODGE MACKIE R.S.A.,R.S.W.,P.S.S.A. (SCOTTISH 1862-1920) THE BASSANO BRIDGE

CHARLES HODGE MACKIE R.S.A.,R.S.W.,P.S.S.A. (SCOTTISH 1862-1920) THE BASSANO BRIDGE Woodcut, signed and inscribed (49.5cm x 52cm (19.5in x 20.5in))

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) GIRL IN RED

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) GIRL IN RED Signed with a monogram, oil on canvas (48cm x 36cm (18in x 14in))

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) CASTEL SANT'ANGELO AND THE RIVER TIBER, ROME BY MOONLIGHT

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) CASTEL SANT'ANGELO AND THE RIVER TIBER, ROME BY MOONLIGHT Signed, oil on canvas (81cm x 102cm (32in x 40in))

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) THE GEAN TREE, GARTOCHARN

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) THE GEAN TREE, GARTOCHARN Signed, inscribed verso, oil on board (23cm x 20cm (9in x 8in))

Charles Hodge Mackie (Scottish, 1862-1920)

Charles Hodge Mackie RSA RSW (Scottish, 1862-1920) A GIRL HERDING COWS BESIDE A RIVER Signed and dated 1888 l.r., oil on canvas 51 x 91cm

Charles Hodge Mackie ...

(Aldershot 1862 - Edimburgo 1920) "Riposo" olio su tela (cm 56x46) Monogramma in basso a sinistra In cornice (difetti)

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) WATERMILL, AUTUMN 31cm x 41cm (12in x 16in)

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) WATERMILL, AUTUMN Signed with monogram, oil on canvas 31cm x 41cm (12in x 16in)

Charles Hodge Mackie (1862-1920) British. "The Prospect beyond the Grave", Oil on Canvas laid down, Signed 'CHM to JM' and Inscribed, 9" x 5.75". Provenance: Bourne Fine Art, Edinburgh.

Charles Hodge Mackie (1862-1920) British. "The Prospect beyond the Grave", Oil on Canvas laid down, Signed 'CHM to JM' and Inscribed, 9" x 5.75". Provenance: Bourne Fine Art, Edinburgh.

Charles Hodge Mackie (1862-1920) British. "The Prospect beyond the Grave", Oil on Canvas laid down, Signed 'CHM to JM' and Inscribed, 9" x 5.75". Provenance: Bourne Fine Art, Edinburgh.

Charles Hodge Mackie (1862-1920) In The Borghese Gardens 17 x 22in.

Charles Hodge Mackie (1862-1920) woodblock print In The Borghese Gardens signed and numbered ''32, Bourne Fine Art label verso 17 x 22in.

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) THE INCOMING TIDE 36cm x 36cm (14in x 14in)

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) THE INCOMING TIDE signed, watercolour 36cm x 36cm (14in x 14in)

CHARLES HODGE MACKIE WATERCOLOR ON PAPER (United K

CHARLES HODGE MACKIE WATERCOLOR ON PAPER (United Kingdom, 1862-1920) "Runswick," England, landscape and bay with red roofed houses. Image measures 15" x 15". Signed "C.H. Mackie" lower center and titled. In a gilt wood and gesso frame, 25.5" x 25.5" overall.

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) THE BASSANO BRIDGE 50cm x 52.5cm (19.75in x 20.5in)

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) THE BASSANO BRIDGE Signed, colour woodblock print 50cm x 52.5cm (19.75in x 20.5in)

Charles Hodge Mackie (1862-1920) The Thames at Night, 22.5 x 17.5in.

Charles Hodge Mackie (1862-1920) oil on canvas, The Thames at Night, signed and dated 1905, Fine Art Society label verso, 22.5 x 17.5in.

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) THE GEAN TREE OF GARTOCHARN 24cm x 21.5cm (9.5in x 8.5in)

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) THE GEAN TREE OF GARTOCHARN Signed, inscribed verso, oil on panel 24cm x 21.5cm (9.5in x 8.5in)

CHARLES HODGE MACKIE R.S.A., R.S.W. (BRITISH 1862-1920) BLUEBELL WOOD 22cm x 26.5cm (8.75in x 10.5in)

CHARLES HODGE MACKIE R.S.A., R.S.W. (BRITISH 1862-1920) BLUEBELL WOOD Colour woodblock print 22cm x 26.5cm (8.75in x 10.5in)

Charles Hodge Mackie R.S.A., R.S.W., (1862-1920),

Charles Hodge Mackie R.S.A., R.S.W., (1862-1920), Figure Seated by a Copse, signed lower right, watercolour, framed. 40cm square £300-500. Note: born in Aldershot, Mackie was of Scots descent and attended Edinburgh University and The Royal Scottish Academy School. He exhibited widely in Glasgow, Edinburgh and elsewhere and was President of the Scottish Society of Artists.

CHARLES HODGE MACKIE R.S.A., R.S.W. (SCOTTISH 1862-1920) THE RETURN OF THE FLOCK 305cm x 35.5cm (12in x 14in)

CHARLES HODGE MACKIE R.S.A., R.S.W. (SCOTTISH 1862-1920) THE RETURN OF THE FLOCK Signed and inscribed in plate, woodblock print 305cm x 35.5cm (12in x 14in)

CHARLES HODGE MACKIE R.S.A., R.S.W. (SCOTTISH 1862-1920) THE RETURN OF THE FLOCK TO THE FOLD 152.5cm x 152.5cm (60in x 60in)

CHARLES HODGE MACKIE R.S.A., R.S.W. (SCOTTISH 1862-1920) THE RETURN OF THE FLOCK TO THE FOLD Signed, oil on canvas 152.5cm x 152.5cm (60in x 60in)

CHARLES HODGE MACKIE R.S.A., R.S.W. (SCOTTISH 1862-1920) THE RETURN OF THE FLOCK 305cm x 35.5cm (12in x 14in)

CHARLES HODGE MACKIE R.S.A., R.S.W. (SCOTTISH 1862-1920) THE RETURN OF THE FLOCK Signed and inscribed in plate, woodblock print 305cm x 35.5cm (12in x 14in)

CHARLES HODGE MACKIE R.S.A., R.S.W. (SCOTTISH 1862-1920) THE RETURN OF THE FLOCK 305cm x 35.5cm (12in x 14in)

CHARLES HODGE MACKIE R.S.A., R.S.W. (SCOTTISH 1862-1920) THE RETURN OF THE FLOCK Signed and inscribed in plate, woodblock print 305cm x 35.5cm (12in x 14in)

CHARLES HODGE MACKIE R.S.A. R.S.W. (SCOTTISH 1862-1920) CHILDREN PLAYING, VENICE 43cm x 58cm (17in x 22.75in)

CHARLES HODGE MACKIE R.S.A. R.S.W. (SCOTTISH 1862-1920) CHILDREN PLAYING, VENICE Signed, coloured woodblock print 43cm x 58cm (17in x 22.75in)

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A (SCOTTISH 1862-1920) ST.PETER'S, ROME 28cm x 33cm (11in x 13in)

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A (SCOTTISH 1862-1920) ST.PETER'S, ROME Signed, inscribed verso, oil on board 28cm x 33cm (11in x 13in)

CHARLES HODGE MACKIE R.S.A. R.S.W. (SCOTTISH 1862-1920) CHILDREN PLAYING, VENICE 32.5cm x 48.5cm (12.75in x 19in)

CHARLES HODGE MACKIE R.S.A. R.S.W. (SCOTTISH 1862-1920) CHILDREN PLAYING, VENICE Signed, coloured woodblock print 32.5cm x 48.5cm (12.75in x 19in)

Charles Hodge Mackie, RSA RSW PSSA (British, 1862-1920) The Ducal Palace 43.5 x 55.5 cm. (17 1/8 x 21 7/8 in.)

The Ducal Palace numbered 49 in pencil in margin (lower left) colour woodblock print 43.5 x 55.5 cm. (17 1/8 x 21 7/8 in.)

CHARLES HODGE MACKIE (1862-1920), A DONKEY BY A

CHARLES HODGE MACKIE (1862-1920), A DONKEY BY A CART, coloured woodcut, studio stamp lower left, framed. 25cm by 29cm

Charles Hodge Mackie RSA, RSW (1862 - 1920) West

Charles Hodge Mackie RSA, RSW (1862 - 1920) West Coast Seascape Watercolour Signed 24 x 51cm

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) THE JAPANESE DOLL 50cm x 46cm (19.75in x 18in)

CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920) THE JAPANESE DOLL Signed, oil on canvas 50cm x 46cm (19.75in x 18in)

Charles Hodge Mackie, RSA RSW PSSA (British, 1862-1920) Coastal Village

Coastal Village oil on board 11 x 20cm (4 5/16 x 7 7/8in).

Charles Hodge Mackie, RSA RSW PSSA (British, 1862-1920) The Sandstone Quarry

The Sandstone Quarry Signed "C H Mackie" (Lower left) Oil on canvas 49 x 66.5cm (19 5/16 x 26 3/16in).