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Antonio Mancini Auction Price Results

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Antonio Mancini (1852-1930), ‘Il Santone’, circa 1900

Estimate: €6,400 - €8,000

Description: Oil on paper, laid down on canvasItaly, circa 1900Antonio Mancini (1852- 1930) – Italian painterSigned lower left, ‘A. Mancini / Rome’Inscribed verso on the stretcher, ‘Il Santone di Mancini Antonio’Dimensions: 55.5 x 39 cmProvenance: Swiss private collectionAntonio Mancini was a master of portraiture. The auction record for a painting by Mancini lies at more than 460,000 eurosThe present painting entitled ‘Il Santone’ (= the saint) is the work of Antonio Mancini and dates around 1900. The artist mainly focused on portraiture, and was influenced by Impressionism and the Italian “Verismo” movement. Turning away from the academic doctrine of portraiture, the present portrait is characterized by an immediate and dynamic brushwork, which seems to bring to life the devotional, almost ecstatic posture of the sitter.The painting is signed lower left, ‘A. Mancini Rome’. The stretcher is inscribed on the back, ‘Il Santone di Mancini Antonio’. The paper, on which the portrait is painted, was laid down on canvas. The paint surface shows a few small color losses and scratches. The paint surface has lifted from the paper in part. A few little areas of retouching are visible. The stretcher frame measures 55.5 x 39 cm. The painting is unframed.Antonio Mancini (1852-1930)Born in the province of Rome, Antonio Mancini is considered one of the most important Italian painters of modern times. As a 12-year-old, he was admitted to the Accademia di Belle Arti in Naples. In 1870, Mancini presented two paintings at the Salon de Paris. Three years later, he opened a studio in Rome. There, he joined the ‘Verismo’, a movement, which focused on the representation of daily reality, in contrast from the traditional doctrines. In 1877, he traveled to France and met the Impressionists Edgar Degas, and Édouard Manet. Their works had an impact on Mancini's late output. As well, his friend, the painter John Singer Sargent strongly influenced him. In 1881, Mancini moved to Rome. After the First World War, he took on a job as an art teacher at the Accademia d'Italia. Today, Mancini's works are on display in major museum collections, including the Musée d' Orsay in Paris, the National Gallery and the Tate Gallery in London, and the Galleria Nazionale d'Arte Moderna e Contemporanea in Rome. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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ANTONIO MANCINI | The little ballerina

Estimate: $100,000 - $150,000

Description: oil on canvas

Condition Report: The following condition report was kindly provided by Simon Parkes Art Conservation, Inc.: This work has an old glue lining, which is stabilizing the paint layer without affecting the heavy impasto throughout. There is some restoration down the right edge which fluoresces normally. There is also a band of very fluorescent paint in the background on the right above the table top and another along the left edge, which do not seem to be retouching. There is a 1 ½ inch restoration in the tabletop on the right side, and a few retouches in the lower right corner on the right edge. There are a series of small retouches running across the dress of the figure through her knees into her right hand, where there are slightly more retouches. There are no retouches in the face, torso or arms. The restoration is very good, and the paint layer is very fresh. The work should be hung as is. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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ANTONIO MANCINI | Woman in a straw hat

Estimate: $100,000 - $150,000

Description: oil on canvas

Condition Report: The following condition report was kindly provided by Simon Parkes Art Conservation, Inc.: This work is in lovely condition. The canvas is unlined. The surface is stable and fresh. The work is clean. The only retouches are a few spots in the upper left background beneath the inscription. The work should be hung as is. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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Antonio Mancini (1852 - 1930), 'Il Santone', circa 1900

Estimate: €24,000 - €30,000

Description: Oil on paper, laid down on canvas Italy, circa 1900 Antonio Mancini (1852 - 1930) - Italian painter Signed lower left, 'A. Mancini / Rome' Inscribed verso on the stretcher, 'Il Santone di Mancini Antonio' Dimensions: 55.5 x 39 cm Provenance: Swiss private collection Antonio Mancini was a master of portraiture. The auction record for a painting by Mancini lies at more than 460,000 euros The present painting entitled 'Il Santone' (= the saint) is the work of Antonio Mancini and dates around 1900. The artist mainly focused on portraiture, and was influenced by Impressionism and the Italian "Verismo" movement. Turning away from the academic doctrine of portraiture, the present portrait is characterized by an immediate and dynamic brushwork, which seems to bring to life the devotional, almost ecstatic posture of the sitter. The painting is signed lower left, 'A. Mancini Rome'. The stretcher is inscribed on the back, 'Il Santone di Mancini Antonio'. The paper, on which the portrait is painted, was laid down on canvas. The paint surface shows a few small color losses and scratches. The paint surface has lifted from the paper in part. A few little areas of retouching are visible. The stretcher frame measures 55.5 x 39 cm. The painting is unframed. Antonio Mancini (1852 - 1930) Born in the province of Rome, Antonio Mancini is considered one of the most important Italian painters of modern times. As a 12-year-old, he was admitted to the Accademia di Belle Arti in Naples. In 1870, Mancini presented two paintings at the Salon de Paris. Three years later, he opened a studio in Rome. There, he joined the 'Verismo', a movement, which focused on the representation of daily reality, in contrast from the traditional doctrines. In 1877, he traveled to France and met the Impressionists Edgar Degas, and Édouard Manet. Their works had an impact on Mancini's late output. As well, his friend, the painter John Singer Sargent strongly influenced him. In 1881, Mancini moved to Rome. After the First World War, he took on a job as an art teacher at the Accademia d'Italia. Today, Mancini's works are on display in major museum collections, including the Musée d' Orsay in Paris, the National Gallery and the Tate Gallery in London, and the Galleria Nazionale d'Arte Moderna e Contemporanea in Rome. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Antonio Mancini (1852-1930), 'Il Santone', circa 1900

Estimate: €14,400 - €18,000

Description: Oil on paper, laid down on canvas Italy, circa 1900 Antonio Mancini (1852- 1930) - Italian painter Signed lower left, 'A. Mancini / Rome' Inscribed verso on the stretcher, 'Il Santone di Mancini Antonio' Dimensions: 55.5 x 39 cm Provenance: Swiss private collection Antonio Mancini was a master of portraiture. The auction record for a painting by Mancini lies at more than 460,000 euros The present painting entitled 'Il Santone' (= the saint) is the work of Antonio Mancini and dates around 1900. The artist mainly focused on portraiture, and was influenced by Impressionism and the Italian "Verismo" movement. Turning away from the academic doctrine of portraiture, the present portrait is characterized by an immediate and dynamic brushwork, which seems to bring to life the devotional, almost ecstatic posture of the sitter. The painting is signed lower left, 'A. Mancini Rome'. The stretcher is inscribed on the back, 'Il Santone di Mancini Antonio'. The paper, on which the portrait is painted, was laid down on canvas. The paint surface shows a few small color losses and scratches. The paint surface has lifted from the paper in part. A few little areas of retouching are visible. The stretcher frame measures 55.5 x 39 cm. The painting is unframed. Antonio Mancini (1852-1930) Born in the province of Rome, Antonio Mancini is considered one of the most important Italian painters of modern times. As a 12-year-old, he was admitted to the Accademia di Belle Arti in Naples. In 1870, Mancini presented two paintings at the Salon de Paris. Three years later, he opened a studio in Rome. There, he joined the 'Verismo', a movement, which focused on the representation of daily reality, in contrast from the traditional doctrines. In 1877, he traveled to France and met the Impressionists Edgar Degas, and Édouard Manet. Their works had an impact on Mancini's late output. As well, his friend, the painter John Singer Sargent strongly influenced him. In 1881, Mancini moved to Rome. After the First World War, he took on a job as an art teacher at the Accademia d'Italia. Today, Mancini's works are on display in major museum collections, including the Musée d' Orsay in Paris, the National Gallery and the Tate Gallery in London, and the Galleria Nazionale d'Arte Moderna e Contemporanea in Rome. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Antonio Mancini (Rome, 14 novembre 1852 – Rome, 28 dicembre 1930) 17abstract dishes
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Antonio MANCINI (Albano Laziale, 1852 – Rome, 1930)

Estimate: €5,500 - €6,500

Description: Antonio MANCINI (Albano Laziale, 1852 – Rome, 1930) PORTRAIT DE JEUNE ÉCOLIER Huile sur toile Signé en haut à gauche et daté 1874 49,5 x 37 cm

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Antonio Mancini (1852-1930), 'Il Santone', circa 1900

Estimate: €9,600 - €12,000

Description: Oil on paper, laid down on canvasItaly, circa 1900Antonio Mancini (1852- 1930) - Italian painterSigned lower left, 'A. Mancini / Rome'Inscribed verso on the stretcher, 'Il Santone di Mancini Antonio'Dimensions: 55.5 x 39 cmProvenance: Swiss private collectionAntonio Mancini was a master of portraiture. The auction record for a painting by Mancini lies at more than 460,000 eurosThe present painting entitled 'Il Santone' (= the saint) is the work of Antonio Mancini and dates around 1900. The artist mainly focused on portraiture, and was influenced by Impressionism and the Italian "Verismo" movement. Turning away from the academic doctrine of portraiture, the present portrait is characterized by an immediate and dynamic brushwork, which seems to bring to life the devotional, almost ecstatic posture of the sitter.The painting is signed lower left, 'A. Mancini Rome'. The stretcher is inscribed on the back, 'Il Santone di Mancini Antonio'. The paper, on which the portrait is painted, was laid down on canvas. The paint surface shows a few small color losses and scratches. The paint surface has lifted from the paper in part. A few little areas of retouching are visible. The stretcher frame measures 55.5 x 39 cm. The painting is unframed.Antonio Mancini (1852-1930)Born in the province of Rome, Antonio Mancini is considered one of the most important Italian painters of modern times. As a 12-year-old, he was admitted to the Accademia di Belle Arti in Naples. In 1870, Mancini presented two paintings at the Salon de Paris. Three years later, he opened a studio in Rome. There, he joined the 'Verismo', a movement, which focused on the representation of daily reality, in contrast from the traditional doctrines. In 1877, he traveled to France and met the Impressionists Edgar Degas, and Édouard Manet. Their works had an impact on Mancini's late output. As well, his friend, the painter John Singer Sargent strongly influenced him. In 1881, Mancini moved to Rome. After the First World War, he took on a job as an art teacher at the Accademia d'Italia. Today, Mancini's works are on display in major museum collections, including the Musée d' Orsay in Paris, the National Gallery and the Tate Gallery in London, and the Galleria Nazionale d'Arte Moderna e Contemporanea in Rome. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good - if a protection as an original work of art or photography is given - starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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Antonio Mancini (1852-1930), Testolina al sole

Estimate: €4,000 - €5,000

Description: pastello, cm 48x38, firmato in basso a destra, Pubblicato su “L’arte nelle collezioni private. La raccolta di Luigi Frugone” alla tavola 17, con testo di Enrico Somarè, ed. dell’esame, Milano

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Antonio Mancini 1852-1930

Estimate: €2,000 - €2,400

Description: Antonio Mancini 1852-1930 San Giovannino Terra di siena su mattonella 20x20cm Autentica dottoressa Cinzia Virno

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Antonio Mancini 1852-1930

Estimate: €20,000 - €25,000

Description: Antonio Mancini 1852-1930 Il Brindisi olio su tela 102x76cm Firma e dedica al retro

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ANTONIO MANCINI | Portrait of W.B. Yeats

Estimate: £8,000 - £12,000

Description: coloured chalks on paper

Condition Report: The sheet has some losses to the left and right edges. Cockles slightly. A faint stain in centre of lower edge. Otherwise appears sound overall and would benefit from remounting. Held under glass in an ebony frame; unexamined out of frame. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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Antonio Mancini 1852-1930

Estimate: €25,000 - €28,000

Description: Antonio Mancini 1852-1930 Costume olio su tela 141x100cm firma e data in basso a destra 1923

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Antonio Mancini 1852-1930

Estimate: €1,800 - €2,200

Description: Antonio Mancini 1852-1930 Maternità tecnica mista di carboncino e biacca 34x48cm Firma in basso a destra

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Antonio Mancini 1852-1930

Estimate: €22,000 - €28,000

Description: Antonio Mancini 1852-1930 Volto di ragazza olio su tela 31,5x26,5 cm non firmato; Autentica Dottoressa Cinzia Virno

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SELVAGGIO MANCINI Antonio,  1921-2008 [ES]. -

Estimate: CHF400 - CHF500

Description: SELVAGGIO MANCINI Antonio, 1921-2008 [ES]. "Paris", (19)54, huile sur toile marouflée sur panneau (29 x 39 cm). Signé, daté et intitulé b. d.

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SELVAGGIO MANCINI Antonio,  1921-2008 [ES]. - Terrasse à Barcelone, (19)94,

Estimate: CHF500 - CHF700

Description: SELVAGGIO MANCINI Antonio, 1921-2008 [ES]. Terrasse à Barcelone, (19)94, huile sur toile (81 x 65 cm). Signé et daté b. d.

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SELVAGGIO MANCINI Antonio,  1921-2008 [ES]. - Nature morte aux fruits, (20)06,

Estimate: CHF1,000 - CHF1,500

Description: SELVAGGIO MANCINI Antonio, 1921-2008 [ES]. Nature morte aux fruits, (20)06, huile sur toile (54 x 65 cm). Signé et daté b. d.

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Antonio Mancini  (1852 - 1930) Charcoal/Paper

Estimate: $400 - $800

Description: Antonio Mancini (1852 - 1930) Charcoal/Paper. Signed lower right. Sight size: 5.5 x 3.5 inches. Antonio Mancini was only twelve years old when he was admitted to the Academy of Fine Arts. He mainly painted genre and portraits of girls, acrobats and musicians. In 1873, he left Naples for Paris where he befriended Degas and Manet. He moved several times, back to Naples, then London and Paris, and then Italy again. He died in 1930 in Rome. The first exhibition in the U.S. devoted exclusively to Mancini's work was at the Philadelphia Museum of Art, October 20, 2007 - January 20, 2008.

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ANTONIO MANCINI, Italian 1852-1930, “Young Girl Selling Grapes”, oil on canvas,           36” x 28”, signed lower left, in a period decorative frame.  Craquelure throughout.  Painting would greatly benefit with a professional lining.

Estimate: $4,000 - $6,000

Description: ANTONIO MANCINI, Italian 1852-1930, “Young Girl Selling Grapes”, oil on canvas, 36” x 28”, signed lower left, in a period decorative frame. Craquelure throughout. Painting would greatly benefit with a professional lining.

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ANTONIO MANCINI; ANTONIO MANCINI,

Estimate: €1,300 - €1,800

Description: ANTONIO MANCINI; ANTONIO MANCINI, Roma 1852 - 1930, Pescone landscape1925, Oil on woodboard cm 26 x 36, Signed and dedicated lower right, Provenance, Private collection Naples label on the back, Private collection Rapallo written on the back, Galleria d'Arte Giosi, Naples 1967 stamp on the back, Exhibitions, L'arte nella vita e nel Mezzogiorno d'Italia Rome 1953, Label on the back, Literature, A. Mancini by Alfredo Schettini

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Ritratto femminile.

Estimate: €1,500 - €1,800

Description: MANCINI ANTONIO (1852 - 1930) Ritratto femminile. . Sanguigna su carta . Cm 47,50 x 32,00. Firma in basso a destra. Cornice presente

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Antonio Mancini (Roma 1852 - 1930)

Estimate: €50,000 - €80,000

Description: Il cappello di paglia, 1880

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Antonio Mancini (Roma 1852 - 1930)

Estimate: €18,000 - €25,000

Description: Autoritratto

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Antonio Mancini (Roma 1852 – 1930)

Estimate: €18,000 - €25,000

Description: Ragazza con mandola

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Antonio Mancini (Roma 1852 – 1930)

Estimate: €10,000 - €15,000

Description: Ritratto del padre, 1910

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Antonio Mancini (Roma 1852 – 1930)

Estimate: €800 - €1,400

Description: Figura femminile

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Antonio Mancini (Roma 1852 – 1930)

Estimate: €1,500 - €2,500

Description: Madonna col Bambino

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Antonio Mancini (Roma 1852 – 1930)

Estimate: €800 - €1,400

Description: Figura femminile di profilo

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Antonio Mancini (Roma 1852 – 1930)

Estimate: €800 - €1,400

Description: Figura femminile

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Antonio Mancini (Roma 1852 – 1930)

Estimate: €400 - €800

Description: Composizione con volti

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Antonio Mancini (Roma 1852 – 1930)

Estimate: €400 - €800

Description: Donna seduta

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Antonio Mancini (Roma 1852 – 1930)

Estimate: €800 - €1,400

Description: Figura femminile di profilo

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Antonio Mancini (Roma 1852 - 1930)

Estimate: €800 - €1,400

Description: Ritratto del nipote Alfredo

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Antonio Mancini (Roma 1852 – 1930)

Estimate: €900 - €1,600

Description: Volti di donna

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Antonio Mancini (Roma 1852 - 1930)

Estimate: €35,000 - €50,000

Description: La modellina /  Primavera  olio su tela, cm 141 x 80,5 firmato in alto a destra: Mancini Sul retro: sul telaio, cartellino a stampa della XVI Esposizione Internazionale d'Arte tenutasi a Venezia nel 1928, con numero di riferimento (649); sulla cornice, cartellino a stampa della mostra L'Arte nella vita del Mezzogiorno di Italia, tenutasi a Roma nel 1953, con riferimenti al dipinto. PROVENIENZA: La Rocca, Roma. ESPOSIZIONI: Venezia, XVI Esposizione Internazionale d'Arte, 1928; Roma, Prima Quadriennale, 1931; Roma, Palazzo delle Esposizioni, L'Arte nella vita del Mezzogiorno di Italia (fuori catalogo – come da etichetta al verso), 1953.   BIBLIOGRAFIA: XVI Esposizione Internazionale d’Arte della città di Venezia, Venezia, 1928, catalogo della mostra, Venezia 1928, Sala 15, p. 55, n. 19 (La modellina); Prima Quadriennale d’arte Nazionale sotto gli auspici di S.E. il Capo del Governo, Catalogo, Gennaio - Giugno 1931 - anno IX, Palazzo delle Esposizioni, Via Nazionale, Roma 1931,  s.n.p., n. 17. Opera registrata presso l’Archivio Antonio Mancini con il codice 95(8)0598AV. L’opera è inserita nel Catalogo Ragionato dei dipinti di Antonio Mancini di imminente pubblicazione, a cura di Cinzia Virno, De Luca Editori d’Arte, Roma. 1

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Antonio Mancini (Roma 1852 – 1930)

Estimate: €35,000 - €45,000

Description: Nudo di uomo con turbante olio su tela, cm 100 x 76firmato in basso a sinistra: A Mancini / Roma Provenienza:Eredi Mancini.ESPOSIZIONI:1921 Firenze1921 Milano1930 MilanoBIBLIOGRAFIA:La Fiorentina primaverile. Prima Esposizione Nazionale dell’opera e del lavoro d’arte nel Palazzo del Parco San Gallo di Firenze, Firenze, 8 aprile-31 luglio 1921, catalogo della mostra, Casa editrice d’arte valori plastici, Roma, 1921, p.138, n. 1, ripr. tav. f.t.; Galleria Pesaro, Arte italiana contemporanea, Milano, ottobre- novembre 1921, catalogo della mostra a cura di U. Ojetti, V. Bucci, ed. Alfieri e Lacroix, Milano, 1921, ripr. ap. 65; Mostra di Cinque Maestri Italiani: G. Casciaro, G. Grosso, V. Irolli, A. Mancini, G. A. Sartorio, Galleria Montenapoleone, Milano 4 maggio-29 maggio 1930, catalogo della mostra a cura di G. Orsini, Arti GraficheE. Calamandrei, Milano, 1930, p. 11, n.7, ripr. f.t..; V. Guzzi, Antonio Mancini - Quaderni d’arte a cura di Emilio Cecchi - 7, Tumminelli, Roma 1943, ripr. tav. 43; M. Quesada in M. Quesada, M. Nicoletti, P.P. Pancotto, Museo d’ Arte italiana di Lima, Marsilio editori, Venezia, 1994, p. 164.; Finarte. Asta a Roma, Quattordici dipinti del XIX secolo provenienti da una nobile famiglia romana, Roma, 24 marzo 2004, n. 10 ripr. (Nudo di uomo con turbante giallo – Ritratto del nipote Alfredo); P. Manazza, in “CorrierEconomia”, 2004, ripr.; G. L. Marini, Il Valore dei dipinti italiani dell’ Ottocento e del primo Novecento, XXII edizione (2004/2005), Allemandi & C., Torino, 2004, p. 503 ripr. (Ritratto del nipote Alfredo).Realizzata nel 1921, quest’opera è esposta nello stesso anno, prima alla Galleria Pesaro di Milano, poi a Firenze, presso la Fiorentina Primaverile.Viene eseguita nella casa - studio di viale Parioli 7 a Roma, dove il pittore era andato a vivere con la famiglia: il fratello Giovanni, con la moglie Adele ed i loro figli: Alfredo Enrica e Domenica. I tre nipoti diventano da quel momento i modelli più utilizzati. Qui a posare è Alfredo, che nel 1918 era rientrato dal fronte.Fatta eccezione per il rosso vivo di un panneggio posto nella zona superiore, il dipinto è una modulazione omogenea di tinte chiare tra il bianco argenteo il giallo e il marrone rosato. Alfredo è nudo, ma porta, curiosamente, un ampio turbante sulla testa. Questo elemento, posto al centro del quadro risulta il fulcro dell’intera composizione. Il corpo del giovane è visto di tre quarti da dietro. Il volto è appena girato verso lo spettatore. L’abbozzo del nudo si ripete, come specchiato, sulla sinistra in una forma più evanescente e volutamente incerta.Le pennellate cariche di colore che costruiscono i volumi per giustapposizione e alcuni particolari delineati con pochi tratti come la mano in primo piano, sottolineano quella modernità che è tipica dell’ultimo Mancini e di cui quest’opera rappresenta un esempio particolarmente originale.L’opera è documentata presso gli eredi del pittore fino alla fine degli anni Quaranta del Novecento.Cinzia VirnoOpera registrata presso l’Archivio Antonio Mancini con il codice 95(8)0600AVL’opera è inserita nel Catalogo Ragionato dei dipinti di Antonio Mancini di imminente pubblicazione, a cura di Cinzia Virno, De Luca Editori d’Arte, Roma.

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Antonio Mancini (Roma 1852 - 1930) Donna di profilo a figura intera

Estimate: €400 - €600

Description: gessetto bianco, sanguigna e carboncino su cartoncino, cm 46,2 x 29,4 Firmato in basso a sinistra: Mancini ANTONIO MANCINI (ROME 1852 - 1930) A WOMAN, FULL LENGHT, WHITE CHALK, RED PENCIL AND CHARCOAL ON CARDBOARD, 46.2 X 29.4 CM, SIGNED

Condition Report: Opera archiviata da Cinzia Virno nell'ambito della Catalogazione Generale dell'opera di Antonio Mancini.Codice di archiviazione: 56(1)0243AV

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ANTONIO MANCINI (ITALIAN 1852-1930), INK ON PAPER, YOUNG WOMAN, SIGNED. SIGHT 10 1/2 X 7 1/4

Estimate: $300 - $500

Description: ANTONIO MANCINI (ITALIAN 1852-1930), INK ON PAPER, YOUNG WOMAN, SIGNED. SIGHT 10 1/2 X 7 1/4"

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ANTONIO MANCINI, (Italian, 1852-1930), STUDY OF ELEANORA DUSE, oil on panel;, 16 x 11 1/2 in. (25 x 21 in.)

Estimate: $2,000 - $4,000

Description: ANTONIO MANCINI (Italian, 1852-1930) STUDY OF ELEANORA DUSE oil on panel; signed A. Mancini, l.l.; 16 x 11 1/2 in. (25 x 21 in.)

Condition Report: overall good condition; no issues to note.

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A Mancini/Still Life of Flowers/signed/oil on board, 20cm x 24cm

Estimate: £60 - £80

Description: A Mancini/Still Life of Flowers/signed/oil on board, 20cm x 24cm

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No Image Available

Estimate: €15,000 - €25,000

Description: JUNGE FRAU MIT BLUMEN Öl auf Leinwand. Doubliert. 55 x 75 cm. Unten rechts signiert. Verso Restaurierungsvermerk vom 27.07.1990. Beigegeben eine Expertise von Piero Dini vom 10. Februar 1991 liegt vor. Dieser erkennt in dem Gemälde, welches er als "Giovane donna con fiori" betitelt ein eigenhändiges Werk des Künstlers Antonio Mancini. In einem unbestimmten, jedoch elegant eingerichteten Ambiente, die nach rechts gerichtete halbfigurige Darstellung einer jungen Dame in blau-grünem Kleid mit von Rosen geschmückten Hut und großen Ohrringen, die die Form der in den Hut gesteckten Rosen wieder aufnehmen. In ihren Händen ein kleines Bouquet von weißen und roten Blumen. (1131831) Antonio Mancini, 1852 Albano Laziale – 1930 Rome YOUNG WOMAN WITH FLOWERS Oil on canvas. Relined. 55 x 75 cm. Signed lower right. Restoration note dated 27 July 1990 on the reverse. Accompanied by an expert's report by Piero Dini dated 10 February 1991 is enclosed. Dini regards the painting as a work by Mancini's own hand and gives it the title "Giovane donna con fiori" [Young woman with flowers].

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ANTONIO MANCINI (ITALIAN 1852-1930)

Estimate: $3,000 - $5,000

Description: ANTONIO MANCINI (ITALIAN 1852-1930)The Italian Beauty, oil on canvas48.3 x 37.5 cm (19 x 14 3/4 in.)signed lower leftPLEASE NOTEIf you will be bidding live on auction day, please note that Session I of the Auction (Russian Fine & Decorative Art), starts at 10:00 AM New York Time and goes from Lot 1 through Lot 234. Session II of the Auction (European, American and International Fine & Decorative Art) starts at 2:00 PM New York Time and goes from Lot 500 through Lot 657. We sell approximately 70 lots per hour.

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ANTONIO MANCINI 1852-1930

Description: Oil on canvas, signed lower right recto. 28.74 x 22 in.

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MANCINI, ANTONIO/MANCINI, ANTONIO

Description: (1852-1930)"Joven de perfil"Pastel sobre papel, firmado.Medidas: 60 x 45 cm

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Antonio Mancini - Portrait of Miss Elizabeth Williamson

Estimate: £20,000 - £30,000

Description: Antonio Mancini (Italian, 1852-1930) Portrait of Miss Elizabeth Williamson, aged 12 signed upper right "A Mancini 1908" oil on canvas h:124 w:66 cm Provenance: A gift from the sitter, Miss Elizabeth Williamson, to Sir Richard Stone, and by descent Other Notes: Elizabeth Williamson was the grand-daughter of Mrs Charles Hunter, a society hostess who owned the Villa Barbaro in Venice, and was friends with Henry James and Edith Wharton. Mrs Hunter was a collector and philanthropist of the arts, and a close friend of Sargent who painted her. It was Sargent who introduced Mancini to Mrs Hunter, and she commissioned the portrait of her grandaughter Elizabeth. Elizabeth's mother, Phyllis, was one of the three beautiful Misses Hunter painted by Sargent in 1902 and now in the Tate Gallery. 'Once you have stood in front of a Mancini painting you never forget it' - this daring claim was made by Ulrich W. Hiesinger, author of 'Antonio Mancini', in the sought-after catalogue for the Philadelphia Museum of Art's Antonio Mancini exhibition in 2009. The present cherubic portrait of twelve year old Elizabeth Williamson is evidence of this. Antonio Mancini was a tortured and impoverished artist who was born in Rome but brought up in Naples. In his day his neighbours called him "Il pittore pazzo" - the crazy painter, because of his passion for art and his disregard for social convention. In 1893 one of his contemporaries wrote: 'Mancini is … nuts, but he's a nice nut … the fact is he has a fly buzzing around in his skull'. Despite this he was considered John Singer Sargent's favourite artist and it was on Sargent's recommendation that Mancini ventured to England where his social inadequacies were spotlighted. Mrs Hunter, sister of the noted composer Dame Ethel Amyth and wife of coal magnate Charles Hunter acted as his sponsor and protector. Mrs Hunter was a prolific supporter of artists, writers and musicians and joked that her lifetime's goal was to spend her husband's vast fortune. American writer Edith Wharton, a close friend of Mary Hunter's, describes the weekends that Mary would gather society around her as life 'on a large scale'. Mancini, with his poor command of English and unconquerable shyness, would become impenetrably silent in this grand environment and would retreat to his room to paint self portraits, many of which he later destroyed. Mary Hunter introduced Mancini to Hugh Lane who became a great patron of Mancini's and several works are now in the Hugh Lane Gallery, Ireland. The portraits there share the marks of Mancini's graticola - or perspective grid - as shown in the present portrait of Elizabeth Williamson. The grid-like marks that show themselves across the surface of the lower parts of the painting are tributes to Mancini's obsession with perspective and the elements of tone. Mancini would construct a grid in front of the sitter and then another over his work and painted between the blocks. Perhaps due to his unconfident nature, Mancini never relinquished his grids and his thick impasto strokes are a modern, almost proto-Cubist, innovation. Mancini takes great care over Elizabeth's rosy-cheeked face which is highlighted by white. The paint on her clothes is laid on with much more aggressive lumps of paint, the result of which suggests the conversion of light into a solid form. The painting of Elizabeth's hands and legs shows how far Mancini has moved away from his early meticulous figurative paintings in favour of work that shows his passion and anguish in every stroke. Elizabeth was said to be a good sitter and in fact Mancini has painted her three times and her brother Charles. Oral tradition says Mancini became so aggravated by the children's governess fussing over them that he threw a tube of paint at the poor lady. Elizabeth responded in her best beginner's Italian: ' Piano … Piano, Signore !' before resuming her pose with an air of gentle scorn. The artist was so touched by her maturity that he fell on his knees to beg her forgiveness.

Condition Report: Mancini's graticola (string) technique is visible on the painting. The painting is in its original state and has not been cleaned.

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MANCINI, ANTONIO - MANCINI, ANTONIO

Description: (1852-1930) "Dama con sombrero" Pastel sobre papel, firmado. Medidas: 72 x 53 cm

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Antonio Mancini (1852 - 1930)[attribuito a], Ritratto di D'Orsi. 1895

Estimate: €1,500 - €3,000

Description: Olio su cartone intelato. Diametro: cm 42. Interessante ritratto attribuibile ad Antonio Mancini e recante l'autentica di Alceste Campriani, che lo identifica come effigie dello scultore Achille D'Orsi, datandolo al 1895.

Condition Report: SI AGGIUNGE: Cornice moderna.

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Testa di ragazzo con berretto.

Estimate: €240 - €480

Description: Inchiostro sanguigna acquerellato su cartoncino. mm 410x310. Firmato in basso a destra: "A. Mancini".

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Antonio Mancini (Italian, 1852-1930) - The artist's mother, Maria Mancini signed along the bottom edge

Estimate: £800 - £1,200

Description: Antonio Mancini (Italian, 1852-1930) The artist's mother, Maria Mancini signed along the bottom edge "Mancini" charcoal heightened with white on buff paper h:48 w: 33 cm Provenance: Private collection and by descent within an Italian family Other Notes: Antonio Mancini was born in Rome and showed precocious ability as an artist. At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823–1901), a painter of historical scenes who favoured dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi (Italian,1818-1899) who founded the Naples Società Promotrice di Belle Arti in 1861. Mancini worked at the forefront of the Verismo movement, an indigenous Italian response to 19th-century Realist aesthetics. His usual subjects included children of the poor, juvenile circus performers, and musicians he observed in the streets of Naples. His portrait of a young acrobat in Il Saltimbanco (1877–78) exquisitely captures the fragility of the boy whose impoverished childhood is spent entertaining pedestrian crowds. While in Paris in the 1870s, Mancini met the Impressionist painters Edgar Degas and Édouard Manet. Mancini devised his own method of portraiture known as his string technique, in which he used this method to square up before starting a portrait. He became friends with John Singer Sargent, who famously pronounced him to be the greatest living painter.

Condition Report: Paper is crinkling under the glass.

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