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Carlo Maratti Sold at Auction Prices

Painter, Etcher, b. 1625 - d. 1713

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  • Carlo Maratta, Maratti, Birth of the virgin.
    Apr. 17, 2025

    Carlo Maratta, Maratti, Birth of the virgin.

    Est: €550 - €750

    Birth of the virgin. Etching made by Carlo Maratta, Maratti (1625-1713) ca 1635- 1713. References: Bartsch XXI.89.1 rare first state before the address engraved: "Carolus Maratus inven. et fecit Romae", Bellini L'Opera Incisa di Carlo Maratti 6 I (2) first state of two. Rare first state Italian baroque etching printed on thin laid paper with 2-3 mm margins. In excellent condition. Mounted on another laid paper with a good watermark.

    Old Master Print
  • Carlo Maratta, 1625 Camerano – 1713 Rom, zugeschrieben
    Mar. 27, 2025

    Carlo Maratta, 1625 Camerano – 1713 Rom, zugeschrieben

    Est: €8,000 - €12,000

    DIE DREI MARIEN MIT MUTTER GOTTES UND DORNENKRANZ VOR GOLGOTA Öl auf Leinwand. 72,5 x 59,5 cm. Verso auf der Leinwand alte Sammlungsnummer „262“ und auf dem Keilrahmen mit vermuteter Künstlernennung Carlo Dolci. In ebonisiertem Profilrahmen. Carlo Maratta, der auch als „Carletto delle Madonne“ bekannt war, stellt auf dieser Leinwand den Besuch der drei Marien am leeren Grab Christi dar, die von der Jungfrau Maria begleitet werden (Mk 16,6-7). Ein Engel nähert sich und zeigt der Mutter die Dornenkrone, das Symbol für die Passion ihres Sohnes. Von der hier angebotenen Darstellung gibt es mindestens zwei weitere Versionen, die als autograph angesehen werden: Die eine war für Papst Alexander VIII Ottoboni bestimmt, wurde aber dem gleichnamigen Kardinal übergeben, da der Pontifex inzwischen verstorben war, während die andere Version für Niccolò Maria Pallavicini bestimmt war. Andere Künstler wie Sebastiano Conca und Francesco Trevisiani bezogen sich in ihren Werken auf diese Komposition, die für den römischen Barock so bezeichnend ist. Der Maler war einer der Hauptmeister der klassizistischen Strömung des Hochbarock in Rom, stark beeinflusst durch seinen Lehrer Andrea Sacchi (1599-1661). Anmerkung: Eine vergleichbare Version in Auktion bei Sotheby‘s, Mailand, 30. November 2004, Lot 76 (86 x 71,5 cm). Die Version in der Fondazione Sorgente Group, Rom, mit dem Gutachten von Giancarlo Sestieri vom 15. Juni 2005, der darauf hinweist, dass es von dieser Komposition mindestens zwei autographe Versionen gibt. Desweiteren soll es eine Version in Melbourne Hall, Derby, Großbritannien geben. (1430175) (11)

    Hampel Fine Art Auctions
  • Carlo Maratti, 1625 Camerano – 1713 Rom, Werkstatt
    Mar. 27, 2025

    Carlo Maratti, 1625 Camerano – 1713 Rom, Werkstatt

    Est: €8,000 - €12,000

    JUDITH MIT DEM HAUPT DES HOLOFERNES Öl auf Leinwand. Doubliert. 93 x 72 cm. Verso auf dem Keilrahmen mit Künstlerzuweisung an Carlo Maratti. Ungerahmt. Darstellung der nach oben blickenden Judith, in ihrer linken Hand das Haupt des Holofernes über einer getriebenen Schüssel haltend. Nach hinten durch ein Ehrentuch geschlossen. Die Tötung des Holofernes wird im Buch Judith im Alten Testament berichtet. Nach etlichem Brandschatzen und Morden im gesamten Vorderen Orient, gelangt Holofernes nach Betulia, wo es Judith gelingt, ihn und sein Gefolge in ein Gelage zu verwickeln. Sie und ihre Magd nutzen seine Trunkenheit aus und enthaupten ihn. Anmerkung: Eine an allen Seiten im Bildmotiv etwas beschnittene, ansonsten sehr ähnliche Version wurde bei Christie‘s (25.1.2011 als Werk des Maratta Schülers Giuseppe Chiari angeboten und zeigt eindeutige Parallelen mit dem gleichnamigen Werk des Guido Reni (Sammlung Sedlmayer, Genf) Von diesem ist zum Beispiel auch eine Kopie von Maratta im Palazzo die Conservatori in Rom bekannt. (1431781) (13)

    Hampel Fine Art Auctions
  • ENTOURAGE DE CARLO MARATTI (CAMERANO 1625-1713 ROME). Étude de quatre têtes
    Mar. 26, 2025

    ENTOURAGE DE CARLO MARATTI (CAMERANO 1625-1713 ROME). Étude de quatre têtes

    Est: €2,000 - €3,000

    ENTOURAGE DE CARLO MARATTI (CAMERANO 1625-1713 ROME). Étude de quatre têtes et d'une main. plume et encre brune, silhouetté14,8 x 9,9 cm (5 7/8 x 4 in.).

    Christie's
  • C. MARATTA (1625-1713), Annunciation of the Virgin Mary, Etching
    Mar. 22, 2025

    C. MARATTA (1625-1713), Annunciation of the Virgin Mary, Etching

    Est: €450 - €600

    Carlo Maratta (1625 Camerano - 1713 Rom): Annunciation with the angel Gabriel and the Virgin Mary, 17th century, Etching Technique: Etching on Paper, relined on Paper Inscription: lower left signed in the printing plate: "[Carolus Ma]ratus in. et fecit Romae.". Date: 17th century Description: The artwork illustrates a scene of the Annunciation. The angel Gabriel, floating on clouds, addresses the kneeling Virgin Mary. Highly symbolic elements such as the Holy Spirit in the form of a dove and heavenly clouds in the background reinforce the theological complexity and narrative structure of this iconographic depiction from the Christian tradition. Keywords: Annunciation; Angel Gabriel; Virgin Mary; Holy Spirit; Christian iconography; heavenly clouds; religious art; Renaissance; dove; theological discourse; Christian tradition; prayer position; female figure; prayer desk; angelic figure; symbolism; art history; allegory; sacred art; Madonna, 17th century, Baroque, Biblical, Italy, Size: Paper: 21,1 cm x 14,5 cm (8,3 x 5,7 in)

    Fichter Kunsthandel
  • Maratta (Carlo, 1625-1713). Portrait of Cosimo III de'Medici, oil on canvas
    Mar. 12, 2025

    Maratta (Carlo, 1625-1713). Portrait of Cosimo III de'Medici, oil on canvas

    Est: £2,000 - £3,000

    Maratta (Carlo, 1625-1713). Portrait of Cosimo III de'Medici, oil on canvas * Circle of Carlo Marratta (Camerano, 1625-1713, Rome). Portrait of Cosimo III de' Medici, Grand Duke of Tuscany (1642-1723), oil on canvas, full length portrait of the Grand Duke of Tuscany in the vestments of a canon of St. Peter's, Rome, with the ducal crown on a table beside him, surface scratch to lower right corner with small loss of paint, printed label of W. Freeman & Son Ltd, picture restorers to verso with handwritten note on the picture by Michael Jaffé 'Cardinal Giacomo Carlo di Medici a son of Grand Duke Cosimo II as Canon of the Lateron', older handwritten address label '23 Bramley H[ill], Croydon', and auction stencil 'XESS7', further auction identification in white chalk '165 9 July 08', and Christie's printed label for Old Masters & 19th Century Art, 26 October 2011, lot 145, all to verso, 46 x 29.5 cm (18 1/8 x 11 6/8 ins), old gilded and patterned wood frame (55 x 39 cm) QTY: (1) NOTE: Provenance: Christie's London, Important Old Master & British Pictures Day Sale including Property from the Collection of the Princely House of Liechtenstein, 9th July 2008, lot 165; Christie's London, Old Masters & 19th Century Art, Wednesday 26th October 2011, lot 145; Estate of Michael Jaffé (1923-1997), art historian and former director of the Fitzwilliam Museum, Cambridge. The prototype for this portrait (Florence, Uffizi) was executed by Maratti during Cosimo's visit to Rome in early June 1700, when Pope Innocent XII appointed him a Canon of San Giovanni in Laterano. On his return to Florence, Cosimo placed the picture in his villa at Castello. It is possible that Cosimo himself commissioned the present copy - perhaps even from Anton Domenico Gabbiani (1651-1726) - as agift for a fellow ruler, cardinal, or prestigious guest. This might explain the addition of the carved gilt table, draped, in the lower right, with an enormous Medici coat-of-arms propped against it and the grand-ducal crown on the marble top, which act as to emphasise his rank and descent, in a particularly delicate diplomatic moment. (From the note to the Christie's catalogue entry in 2011).

    Dominic Winter Auctions
  • Carlo Maratta,  The Holy Family with Angels 
    Mar. 12, 2025

    Carlo Maratta,  The Holy Family with Angels 

    Est: £200 - £250

    Carlo Maratta,  Italian 1625-1713-  The Holy Family with Angels;  etching on laid paper, bears inscriptions 'Carol. Marata.' (lower left) and '1499d' (lower right), bears indistinct inscriptions verso, 17.4 x 12.9 cm. (unframed / mounted).  Provenance:  Property of the Late Professor Eric Gerald Stanley, FBA (1923-2018) (https://en.wikipedia.org/wiki/Eric_Stanley). 

    Roseberys
  • Follower of Carlo Maratta,  Female head study 
    Mar. 12, 2025

    Follower of Carlo Maratta,  Female head study 

    Est: £600 - £800

    Follower of Carlo Maratta,  Italian 1625-1713-  Female head study;  oil on canvas, 31.5 x 25.3 cm.  Provenance:  Private Collection, UK.  Note: This finely executed head study recalls, to a certain extent, the head of the angel supporting the book presented by St Ignatius Loyala in Carlo Maratta’s celebrated altarpiece, 'The Madonna and Child Adored by St. Carlo Borromeo and St. Ignatius Loyala and Angels', c.1675, in the Capella Spada, Santa Maria in Vallicella, Rome.

    Roseberys
  • Attrib. to Carlo Maratti, Italian 1625-1713, Roman Father Preaching Virtue to his Family, Graphite on Paper
    Mar. 05, 2025

    Attrib. to Carlo Maratti, Italian 1625-1713, Roman Father Preaching Virtue to his Family, Graphite on Paper

    Est: $250 - $350

    Attrib. to Carlo Maratti Italian, 1625-1713 Roman Father Preaching Virtue to his Family Graphite on Paper In other hand, inscribed signature l.r., inscribed "Il Mano del maestro" l.l.

    Nye & Company
  • Segundo original de Carlo MARATTI (1625-1713) Fuga para o Egipto Óleo sobre tela Não assinado Dim. aprox.: 83 x 71 cm.;
    Feb. 24, 2025

    Segundo original de Carlo MARATTI (1625-1713) Fuga para o Egipto Óleo sobre tela Não assinado Dim. aprox.: 83 x 71 cm.;

    Est: €800 - €1,600

    Segundo original de Carlo MARATTI (1625-1713) Fuga para o Egipto Óleo sobre tela Não assinado Dim. aprox.: 83 x 71 cm.; Dim. total aprox.:109 x 98 cm. Restauros e craquelé. Emoldurado.

    Palácio do Correio Velho
  • Kopist Maratti (spätes 18. Jahrhundert) Heilige Nacht, um 1900, Öl auf Leinwand
    Feb. 22, 2025

    Kopist Maratti (spätes 18. Jahrhundert) Heilige Nacht, um 1900, Öl auf Leinwand

    Est: €300 - €600

    Kopist Maratti (spätes 18. Jahrhundert) Heilige Nacht, um 1900, Öl auf Leinwand Nach dem Original von Carlo Maratti/Maratta (1625-1713), das 1656 entstand. Es hängt in der Gemäldegalerie Dresden. Das vorliegende Werk entstand wohl um 1900. Sehr guter Zustand mit hoher Strahlkraft. Leinwand 83 x 90 cm, im Rahmen 104 x 97 cm. Copist Maratti (late 18th century) Holy Night, around 1900, oil on canvas After the original by Carlo Maratti/Maratta (1625-1713), which was painted in 1656. It hangs in the Gemäldegalerie Dresden. The present work was probably created around 1900. Very good condition with high radiance. Canvas 83 x 90 cm, in frame 104 x 97 cm.

    Auktionshaus Karrenbauer
  • CARLO MARATTA (CAMERANO, ITALY, 1625 - ROME, 1713)
    Feb. 20, 2025

    CARLO MARATTA (CAMERANO, ITALY, 1625 - ROME, 1713)

    Est: €4,500 - €6,000

    Carlo Maratta (Camerano, Italy, 1625 - Rome, 1713) ”The Virgin Mary in contemplation” Oil on canvas. Relined. 46,5 x 35 cm. Canvas  in a small format, filled by mystical intensity through the artist's sfumato that enveloped his characters in heavenly air , embuing them with religious mystery.  This Virgin Mary in contemplation is very reminiscent of one of the paintings in the Prado Museum, part of the collection of the painter's work that the monarch Philip V bought from the artist's daughter, Faustina Maratta, to decorate the walls of La Granja, still under construction at that time (1722).  The pictorial and portrait work of Carlos Maratta stands out for its solid, sober and noble aspect, in contrast to the somewhat frivolous effect of decorative baroque and its excessive taste for details, accessories and a certain weakness in the treatment of the drapery.  A fine psychological portrait of the face of the Mother of God, austere and contained, transforming into profound prayer.

    La Suite Subastas
  • Madonna Reading Surrounded by Musical Angels
    Feb. 06, 2025

    Madonna Reading Surrounded by Musical Angels

    Est: $10,000 - $15,000

    Carlo Maratta and Workshop Camerano 1625 - 1713 Madonna Reading Surrounded by Musical Angels oil on canvas canvas: 27 ¾ by 22 ⅜ in.; 70.5 by 57.0 cm framed: 35 ¼ by 30 in.; 89.5 by 76.0 cm

    Sotheby's
  • CARLO MARATTI (CAMERANO 1625-1713 ROME). Christ attended by the angels. red
    Feb. 04, 2025

    CARLO MARATTI (CAMERANO 1625-1713 ROME). Christ attended by the angels. red

    Est: $10,000 - $15,000

    CARLO MARATTI (CAMERANO 1625-1713 ROME). Christ attended by the angels. red chalk, pen and brown ink, partially incised10 ¾ x 8 ¾ in. (27.5 x 22 cm).

    Christie's
  • CARLO MARATTI (CAMERANO 1625-1713 ROME). Studies of putti and drapery. red
    Feb. 04, 2025

    CARLO MARATTI (CAMERANO 1625-1713 ROME). Studies of putti and drapery. red

    Est: $2,000 - $3,000

    CARLO MARATTI (CAMERANO 1625-1713 ROME). Studies of putti and drapery. red and black chalk, heightened with white on blue paper, upper left corner made up10 ¾ x 16 ½ in. (27 x 42 cm).

    Christie's
  • Carlo Maratta: Maria mit dem Christuskind und Johannes
    Jan. 30, 2025

    Carlo Maratta: Maria mit dem Christuskind und Johannes

    Est: €500 - €800

    MARATTA, CARLO 1625 Camerano - 1713 Rom Umkreis Titel: Maria mit dem Christuskind und Johannes. Technik: Rötelzeichnung auf Papier. Montierung: Montiert. Maße: 25 x 19,5cm. Am unteren Rand Prägestempel der Sammlung Herbert List (1903-1975). Provenienz: Privatbesitz, Deutschland. Estimated shipping costs for this lot: Germany: 23,53 Euro plus 4,47 Euro VAT EU: 33,61 Euro plus 6,39 Euro VAT Worldwide: 58,82 Euro plus 11,18 Euro VAT additional shipping insurance Explanations to the Catalogue Carlo Maratta Italian School Mannerism 17th/18th C. Watercolour / Drawings Life of Virgin Mary Drawing

    Van Ham Kunstauktionen
  • After MARATTA (*1625), Honouring the sciences, Etching
    Jan. 25, 2025

    After MARATTA (*1625), Honouring the sciences, Etching

    Est: €300 - €400

    After Carlo Maratta (1625 Camerano - 1713 Rom): Honouring the sciences, , Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "La recompense des Sciences, par Charles Maratte". Date: Description: Allegorical depiction with discussing men in antique-style costume. On the left, a young man measures a distance with a compass. In the background, Fama crowns a walking man. Keywords: Antiquity, Science, Teaching, Artes Liberales, Knowledge, 18th century, Classicism, Professions, France, Size: Paper: 30,5 cm x 22,6 cm (12 x 8,9 in), Plate: 25,1 cm x 19,0 cm (9,9 x 7,5 in), Depiction: 22,9 cm x 17,3 cm (9 x 6,8 in)

    Fichter Kunsthandel
  • SPANISH SCHOOL (Late 18th century - Early 19th century) "The Child Jesus with Saint John and angels"
    Jan. 22, 2025

    SPANISH SCHOOL (Late 18th century - Early 19th century) "The Child Jesus with Saint John and angels"

    Est: €2,700 - €3,600

    Oil on canvas. Signed and dated "Velazquez pinxit 1800". Following the original model by the painter Carlo Maratta (1625-1713). Measurements: 85 x 74 cm.

    Ansorena
  • SPANISH SCHOOL (18th / 19th century) "Virgin and Child"
    Jan. 22, 2025

    SPANISH SCHOOL (18th / 19th century) "Virgin and Child"

    Est: €600 - €800

    Oil on copper. Following the model of Carlo Maratta (1625-1712). Measurements: 38 x 28 cm.

    Ansorena
  • CARLO MARATTA
    Jan. 05, 2025

    CARLO MARATTA

    Est: CHF900 - CHF1,400

    (Camerano 1625–1713 Rom) Kopie des 18.Jhs. Madonna mit Kind. Öl auf Leinwand. 97,8x81 cm. Ohne Rahmen. - Doubliert.

    Schuler Auktionen
  • After CARLO MARATTI (Camerano, 1625 - Roma, 1713) "Portrait of Pope Clement IX"
    Dec. 18, 2024

    After CARLO MARATTI (Camerano, 1625 - Roma, 1713) "Portrait of Pope Clement IX"

    Est: €150 - €200

    After CARLO MARATTI (Camerano, 1625 - Roma, 1713) "Portrait of Pope Clement IX" Engraving 52 x 38,5 cm 150 - 200 €

    Bayeu Subastas
  • Carlo Maratta 1625 Camerano-1713 Roma, copia da Vestale Tuccia
    Dec. 12, 2024

    Carlo Maratta 1625 Camerano-1713 Roma, copia da Vestale Tuccia

    Est: €3,000 - €4,000

    olio su tela

    Cambi Casa d'Aste
  • Hilly landscape.
    Dec. 12, 2024

    Hilly landscape.

    Est: €400 - €500

    Pencil, brown ink and wash, 20,5 x 33,2 cm, laid paper, signed and dated "Carlo Maratti 1711" (some spots, tape traces and sm. tears on edges). - Carlo Maratti (1625-1713) was a leading painter in Late Baroque Rome.

    Arenberg Auctions
  • Segundo original de Carlo MARATTI (1625-1713) Fuga para o Egipto Óleo sobre tela Não assinado Dim. aprox.: 83 x 71 cm.;
    Dec. 10, 2024

    Segundo original de Carlo MARATTI (1625-1713) Fuga para o Egipto Óleo sobre tela Não assinado Dim. aprox.: 83 x 71 cm.;

    Est: €1,000 - €2,000

    Segundo original de Carlo MARATTI (1625-1713) Fuga para o Egipto Óleo sobre tela Não assinado Dim. aprox.: 83 x 71 cm.; Dim. total aprox.:109 x 98 cm. Restauros e craquelé. Emoldurado.

    Palácio do Correio Velho
  • After MARATTA (*1625), Homage to Raphael, Red chalk drawing
    Dec. 07, 2024

    After MARATTA (*1625), Homage to Raphael, Red chalk drawing

    Est: €1,800 - €2,400

    After Carlo Maratta (1625 Camerano - 1713 Rom): Homage to Raphael Epitaph with portrait of the artist surrounded by female figures and attributes and allegory of the Fama, 17th century, Red chalk drawing Technique: Washed Red chalk drawing on Paper Stamp: Verso Collector's stamp, Lugt no.: 2675. Carl von Zepharovich. Vienna. 19th century Inscription: Inscribed by the artist's hand: "D. O. M. Raphaeli. Sanctio. Ioan. F. Urbinat. Pictori Eminentiss. Veterumq. Aemulo. Cuius. Spiranteis. Prope. Imagineis [...]". Date: 17th century Description: Formerly attributed to Carlo Maratti. Person: Depicted: Raffael; Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom) Keywords: Raffaello; Raphael; Epitaph; Tomb; Commemoration; Tribute; Homage; Mourning; Allegory; Architecture; Architecture; Painting; Painting; Drawing; Disegno; Putti; Putto; Geometry, 17th century, Rococo, Depiction of Artists, Italy, Size: Paper: 31,2 cm x 38,8 cm (12,3 x 15,3 in)

    Fichter Kunsthandel
  • The Vision of Joachim and Anne
    Dec. 05, 2024

    The Vision of Joachim and Anne

    Est: £20,000 - £30,000

    Carlo Maratta Camerano 1625–1713 The Vision of Joachim and Anne oil on canvas unframed: 71.9 x 58.4 cm.; 28¼ x 23 in. framed: 90.8 x 77.1 cm.; 35¾ x 30⅜ in.

    Sotheby's
  • Carlo Maratta, 1625 Camerano – 1713 Rom, Umkreis des
    Dec. 05, 2024

    Carlo Maratta, 1625 Camerano – 1713 Rom, Umkreis des

    Est: €6,000 - €8,000

    Hauptmeister des klassizistischen römischen Hochbarock.CUPIDO ZIEHT VENUS EINEN DORN AUS DEM FUSS Öl auf Leinwand. Doubliert. 74 x 98 cm. In reliefiertem Rahmen. In einer hügeligen römischen Landschaft treibt rechts ein Hirte sein Vieh durch eine Furth. Im Vordergrund jedoch die in der Nähe eines jungen Baumes lagernde Venus bar fast jeden Sichtschutzes. Begleitet wird sie von einem Cupiden, der ihr eben einen Dorn aus der Ferse gezogen hat, und zwei weiteren Cupiden, die eine Taube einmal festhalten und einmal an einer Leine fliegen lassen; am Boden Köcher und Bogen. (1420642) (13)

    Hampel Fine Art Auctions
  • CARLO MARATTA
    Dec. 05, 2024

    CARLO MARATTA

    Est: CHF900 - CHF1,400

    (Camerano 1625–1713 Rom) Kopie des 18.Jhs. Madonna mit Kind. Öl auf Leinwand. 97,8x81 cm. Ohne Rahmen. - Doubliert.

    Schuler Auktionen
  • Attrib. to Carlo Maratti, Italian 1625-1713, Roman Father Preaching Virtue to his Family, Graphite on Paper
    Dec. 04, 2024

    Attrib. to Carlo Maratti, Italian 1625-1713, Roman Father Preaching Virtue to his Family, Graphite on Paper

    Est: $500 - $700

    Attrib. to Carlo Maratti Italian, 1625-1713 Roman Father Preaching Virtue to his Family Graphite on Paper In other hand, inscribed signature l.r., inscribed "Il Mano del maestro" l.l.

    Nye & Company
  • Maratta, Carlo: Die Verkündigung
    Nov. 27, 2024

    Maratta, Carlo: Die Verkündigung

    Est: €360 - €450

    Die Verkündigung. Radierung. 21,1 x 14,6 cm. B. 2, TIB (Commentary) .002 S2. Wz. Dreiberg mit Vogel im Kreis (?). Prachtvoller Druck knapp bis an die Plattenkante geschnitten. Verso geglättete vertikale und horizontale Mittelfalte, minimal nur angestaubt, fleckig, unten rechts winziger Randeinriss, verso Montierungsreste, sonst tadellos. Beigegeben von demselben die Radierung "Die Heimsuchung" (B. 3). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Carlo MARATTI (1625-1713) ? Umkreis/ Nachfolge
    Nov. 24, 2024

    Carlo MARATTI (1625-1713) ? Umkreis/ Nachfolge

    Est: €600 - €1,200

    Carlo MARATTI (1625-1713) ? Umkreis/ Nachfolge "Maria mit Kind" Gemälde - Öl auf Leinwand (altdoubliert), 79 cm x 65 cm, verso alter Klebezettel mit Künstlerangabe Carlo MARATTI (1625-1713) ? Circle/ Succession ‘Mary with Child’ Painting - oil on canvas (old doubling), 79 cm x 65 cm, verso old label with artist's inscription

    Auktionshaus Kloss
  • Maratta, Carlo: Das Martyrium des heiligen Andreas
    Nov. 22, 2024

    Maratta, Carlo: Das Martyrium des heiligen Andreas

    Est: €200 - €400

    Maratta, Carlo - The Martyrdom of St Andrew (Camerano 1625-1713 Rome) Etching after Domenichino. Sheet 29.6 x 43.5 cm. - Mounted on card in three places, soiled. - Thieme/Becker 24. // Maratta, Carlo Das Martyrium des heiligen Andreas (Camerano 1625-1713 Rom) Radierung nach Domenichino. Blatt 29,6 x 43,5 cm. - An drei Stellen auf Karton montiert, angeschmutzt. - Lit. Thieme/Becker 24.

    Kunstauktionshaus Schlosser
  • Carlo Maratta
    Nov. 16, 2024

    Carlo Maratta

    Est: €220 - €330

    Carlo Maratta 1625 Camerano nahe Ancona - 1713 Rom - Das Martyrium des Heiligen Andreas - Radierung/Papier. 30 x 45 cm (Passepartoutausschnitt). Passepartout. Unter Glas gerahmt. Gebräunt. Vereinzelt leicht stockfleckig.

    Das Kunst- und Auktionshaus Kastern GmbH & Co KG
  • Carlo Maratti Adoration of the Magi
    Nov. 14, 2024

    Carlo Maratti Adoration of the Magi

    Est: €300 - €500

    Etching, 207 x 137 mm (plate), 222 x 154 mm (sheet). State II of 2, with the inscription. Bartsch XXI.91.5, Bellini 11. Printed on laid paper. Sheet in very good condition.

    Bertolami Fine Art s.r.l.
  • Carlo Maratti The Assumption of the Virgin
    Nov. 14, 2024

    Carlo Maratti The Assumption of the Virgin

    Est: €300 - €400

    Etching, 213 x 145 mm. Bartsch XXI.92.8, Bellini 44 Very fine impression on thin laid paper. Proof with very thin margins, in good condition except for some stains.

    Bertolami Fine Art s.r.l.
  • Carlo Maratti (and assistants) Camerano 1625-Rome 1713 Madonna with book
    Nov. 13, 2024

    Carlo Maratti (and assistants) Camerano 1625-Rome 1713 Madonna with book

    Est: €20,000 - €30,000

    Carlo Maratti (and assistants) Camerano 1625-Rome 1713 Madonna with book On the reverse bears sealing wax stamp of the Corsini family oil on canvas 70x57 cm - with frame 100x90 cm

    Casa d'aste ARCADIA
  • Carlo Maratti (workshop) Camerano 1625-Rome 1713 Madonna with child
    Nov. 13, 2024

    Carlo Maratti (workshop) Camerano 1625-Rome 1713 Madonna with child

    Est: €2,000 - €4,000

    Carlo Maratti (workshop) Camerano 1625-Rome 1713 Madonna with child oil on canvas 73x61 cm - with frame 84x71 cm

    Casa d'aste ARCADIA
  • C. MARATTA (1625-1713), Annunciation, Etching
    Oct. 26, 2024

    C. MARATTA (1625-1713), Annunciation, Etching

    Est: €450 - €600

    Carlo Maratta (1625 Camerano - 1713 Rom): Annunciation with the angel Gabriel and the Virgin Mary, 17th century, Etching Technique: Etching on Paper, relined on Paper Inscription: lower left signed in the printing plate: "[Carolus Ma]ratus in. et fecit Romae.". Date: 17th century Description: The artwork illustrates a scene of the Annunciation. The angel Gabriel, floating on clouds, addresses the kneeling Virgin Mary. Highly symbolic elements such as the Holy Spirit in the form of a dove and heavenly clouds in the background reinforce the theological complexity and narrative structure of this iconographic depiction from the Christian tradition. Keywords: Annunciation; Angel Gabriel; Virgin Mary; Holy Spirit; Christian iconography; heavenly clouds; religious art; Renaissance; dove; theological discourse; Christian tradition; prayer position; female figure; prayer desk; angelic figure; symbolism; art history; allegory; sacred art; Madonna, 17th century, Baroque, Biblical, Italy, Size: Paper: 21,1 cm x 14,5 cm (8,3 x 5,7 in)

    Fichter Kunsthandel
  • W. MOTE (*1803) after MARATTA (*1625), Robert Spencer, Earl of Sutherland, Steel engraving
    Oct. 26, 2024

    W. MOTE (*1803) after MARATTA (*1625), Robert Spencer, Earl of Sutherland, Steel engraving

    Est: €60 - €100

    William Henry Mote (1803 - 1871 ) after Carlo Maratta (1625 Camerano - 1713 Rom): Portrait of Robert Spencer (1641-1702), Earl of Sutherland, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: Signed in printing plate below the image and titled with the sitter's name. Date: 19th century Description: Steel engraving on strong paper. After the original by Carlo Maratta (1625 Camerano - 1713 Rome). Keywords: 19th century, Romanticism, Portraits, United Kingdom, Size: Paper: 26,1 cm x 17,5 cm (10,3 x 6,9 in), Depiction: 12,7 cm x 9,9 cm (5 x 3,9 in)

    Fichter Kunsthandel
  • Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown
    Oct. 16, 2024

    Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown

    Est: £400 - £600

    Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown * Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown, pen, brown and black ink, grey wash heightened with white, on oval laid paper, with collector's mark of Alexandre-Humbert Chatelain (Lugt 135), 270 x 193 mm (10 5/8 x 7 5/8 ins), inlaid to modern backing paper, window-mounted QTY: (1) NOTE: Provenance: Alexandre-Humbert Chatelain (1778-1852), painter and critic, Lyon. Chatelain formed a fine collection of Old Master drawings, particularly of the French School, but including examples of the Dutch and Italian masters. His collection was sold in Lyon by A. Brun, January 30-February 9, 1872; Estate of Michael Jaffé (1923-1997), art historian and former director of the Fitzwilliam Museum, Cambridge.

    Dominic Winter Auctions
  • Monumental Complete Italian Calvary Scene from the 17th century, Possibly Carlo Maratta or Maratti (1625-1713), 181 x 130 cm
    Oct. 09, 2024

    Monumental Complete Italian Calvary Scene from the 17th century, Possibly Carlo Maratta or Maratti (1625-1713), 181 x 130 cm

    Est: €40,000 - €45,000

    Scene from Calvary, where we see the crucified Christ surrounded by figures displaying deep emotions, from pain to resignation. The details in the clothing and the composition suggest the hand of Carlo Maratta, or at least of his circle, highlighting the drama and chromatic richness.

    Templum Fine Art Auctions
  • Our Lady with the Child Jesus surrounded by angels
    Sep. 30, 2024

    Our Lady with the Child Jesus surrounded by angels

    Est: €4,400 - €6,600

    Our Lady with the Child Jesus surrounded by angels, oil on canvas according to the original painting by Carlo Maratta (1625-1713), which can be found at the Capella of Sylva, Sant'Isidoro a Capo le Case Church, Rome, Italian school, 17th/18th C., relined, restoration, grid replaced. Notes: vd. https://www.britishmuseum.org/collection/object/P_1974-0720-15 - consulted on 16-11-2023, at 16:37; and https://www.britishmuseum.org/collection/object/P_1874-0808-1689 - consulted on 16-11-2023, at 16:45., Dim. - 110 x 80 cm

    Cabral Moncada Leilões
  • CARLO MARATTA, 1625 CAMERANO – 1713 ROM, ZUGESCHRIEBEN
    Sep. 26, 2024

    CARLO MARATTA, 1625 CAMERANO – 1713 ROM, ZUGESCHRIEBEN

    Est: €8,000 - €12,000

    DIE DREI MARIEN MIT MUTTERGOTTES UND DORNENKRANZ VOR GOLGOTA Öl auf Leinwand. 72,5 x 59,5 cm. Verso auf der Leinwand alte Sammlungsnummer „262“. Auf dem Keilrahmen mit vermuteter Künstlernennung „Carlo Dolci“. In ebonisiertem Profilrahmen. Carlo Maratta, der auch als „Carletto delle Madonne“ bekannt war, stellt auf dieser Leinwand den Besuch der drei Marien am leeren Grab Christi dar, die von der Jungfrau Maria begleitet werden (Mk 16,6-7). Ein Engel nähert sich und zeigt der Mutter die Dornenkrone, das Symbol für die Passion ihres Sohnes. Von der vorliegenden Darstellung gibt es mindestens zwei weitere Versionen, die als autograf angesehen werden: Die eine war für Papst Alexander VIII Ottoboni bestimmt, wurde aber dem gleichnamigen Kardinal übergeben, da der Pontifex inzwischen verstorben war, während die andere Version für Niccolò Maria Pallavicini bestimmt war. Andere Künstler wie Sebastiano Conca und Francesco Trevisiani bezogen sich in ihren Werken auf diese Komposition, die für den römischen Barock so bezeichnend ist. Anmerkung: Eine vergleichbare Version war in Auktion bei Sotheby‘s, Mailand, 30. November 2004, Lot 76 (86 x 71,5 cm). Ebenso vergleichbar die Version in der Fondazione Sorgente Group, Rom, mit dem Gutachten von Giancarlo Sestieri vom 15. Juni 2005, der darauf hinweist, dass es von dieser Komposition mindestens zwei autografe Versionen gibt. Des Weiteren soll es eine Version in Melbourne Hall, Derby, Großbritannien geben. Der talentierte Maler wurde bereits mit zwölf Jahren Schüler des Andrea Sacchi (1599-1661). Um 1700 wurde Maratti Präsident der Accademia de San Luca in Rom und dann schließlich in den Ritterstand erhoben. Sein Gesamtwerk ist überwiegend von religiösen Themen geprägt.(13700211) (13) Carlo Maratta, 1625 Camerano – 1713 Rome, attributed THE THREE MARYS WITH THE VIRGIN MOTHER AND CROWN OF THORNS IN FRONT OF GOLGOTHA Oil on canvas. 72.5 x 59.5 cm.

    Hampel Fine Art Auctions
  • Maratti, Carlo
    Sep. 07, 2024

    Maratti, Carlo

    Est: -

    Maratti, Carlo 1625 Camerano - 1730 Rom, nach. Die Heilige Familie. Öl auf Leinwand (doubliert). Größe ca. 65 x 49 cm. In kapitalem Rahmen, teils vergoldet, ca. 90 x 74 cm. Leinwand doubliert, mit starkem Craquelé. Es handelt sich hier wohl um eine Interpretation des Originals von 1700-1705, welches sich heute im Toledo Museum of Art befindet. Maratti, Carlo 1625 Camerano - 1730 Rome, after. The Holy Family. Oil on canvas (relined). Size approx. 65 x 49 cm. In capital frame, partly gilt, ca. 90 x 74 cm. Canvas relined, with heavy craquelure. This is probably an interpretation of the original from 1700-1705, which is now in the Toledo Museum of Art.

    Auktionshaus Sieglin GmbH
  • Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown
    Jul. 25, 2024

    Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown

    Est: £500 - £800

    Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown * Attributed to Carlo Maratta (1625-1713). Winged Angel and Seated Figure with a Crown, pen, brown and black ink, grey wash heightened with white, on oval laid paper, with collector's mark of Alexandre-Humbert Chatelain (Lugt 135), 270 x 193 mm (10 5/8 x 7 5/8 ins), inlaid to modern backing paper, window-mounted QTY: (1) NOTE: Provenance: Alexandre-Humbert Chatelain (1778-1852), painter and critic, Lyon. Chatelain formed a fine collection of Old Master drawings, particularly of the French School, but including examples of the Dutch and Italian masters. His collection was sold in Lyon by A. Brun, January 30-February 9, 1872; Estate of Michael Jaffé (1923-1997), art historian and former director of the Fitzwilliam Museum, Cambridge.

    Dominic Winter Auctions
  • After MARATTA (*1625), Homage to Raphael, Red chalk drawing
    Jul. 06, 2024

    After MARATTA (*1625), Homage to Raphael, Red chalk drawing

    Est: €1,800 - €2,400

    After Carlo Maratta (1625 Camerano - 1713 Rom): Homage to Raphael Epitaph with portrait of the artist surrounded by female figures and attributes and allegory of the Fama, 17th century, Red chalk drawing Technique: Washed Red chalk drawing on Paper Stamp: Verso Collector's stamp, Lugt no.: 2675. Carl von Zepharovich. Vienna. 19th century Inscription: Inscribed by the artist's hand: "D. O. M. Raphaeli. Sanctio. Ioan. F. Urbinat. Pictori Eminentiss. Veterumq. Aemulo. Cuius. Spiranteis. Prope. Imagineis [...]". Date: 17th century Description: Formerly attributed to Carlo Maratti. Person: Depicted: Raffael; Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom) Keywords: Raffaello; Raphael; Epitaph; Tomb; Commemoration; Tribute; Homage; Mourning; Allegory; Architecture; Architecture; Painting; Painting; Drawing; Disegno; Putti; Putto; Geometry, 17th century, Rococo, Depiction of Artists, Italy, Size: Paper: 31,2 cm x 38,8 cm (12,3 x 15,3 in)

    Fichter Kunsthandel
  • After MARATTA (*1625), Death of Joseph, after 1676, Chalk
    Jul. 06, 2024

    After MARATTA (*1625), Death of Joseph, after 1676, Chalk

    Est: €1,050 - €1,400

    After Carlo Maratta (1625 Camerano - 1713 Rom): The Death of St Joseph, copy after Maratta's painting, after 1676, Chalk Technique: Washed Chalk on Paper, mounted on Cardboard Date: after 1676 Description: After the painting "Death of St Joseph" from 1676 in the Kunsthistorisches Museum in Vienna (Inv. No. Gemäldegalerie, 121) Keywords: Jesus Christ; Joseph; Mary; Deathbed; Father; Angel; Kunsthistorisches Museum Vienna, 17th century, Baroque, Religious, Italy, Size: Paper: 45,5 cm x 28,4 cm (17,9 x 11,2 in)

    Fichter Kunsthandel
  • Madonna reading surrounded by musical angels
    Jul. 04, 2024

    Madonna reading surrounded by musical angels

    Est: £20,000 - £30,000

    Carlo Maratta and workshop Camerano 1625–1713 Madonna reading surrounded by musical angels oil on canvas unframed: 70.5 x 57 cm.; 27¾ x 22⅜ in. framed: 89.5 x 76 cm.; 35¼ x 30 in.

    Sotheby's
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