WILLEM MIERIS (1662-1747) WATERCOLOUR ON IVORY depicting 'Cymon and Iphigenia' - mounted in a glazed gilt frame Ivory Act 2018 Exemption Submission Reference - LJ12A68Q
Willem Van Mieris the Elder (Leiden 1662-1747) Bacchus and Ariadne signed and dated 'WVan Mieris. Fec. Ano. 1730' (lower left) oil on canvas 76.2 x 83.8cm (30 x 33in).
ABENDGESELLSCHAFT Öl auf Leinwand. Doubliert. 49,5 x 41 cm. In breitem goldverziertem Rahmen. Inmitten eines barocken niederländischen Interieurs neben einem von Ionischen Säulen flankiertem Kamin mit figürlichem Relieffries mehrere Figuren in edler Kleidung in Seide, Samt und Pelzsäumen. (1432063) (2) (13)
WILLEM VAN MIERIS (Netherlands, 1662 - January 26, 1747) "Kitchen scene". Oil on panel. Signed in the lower right area. Measurements: 26,5 x 39 cm; 46,5 x 59 cm (frame). In this work two of the great genres of the Flemish and Dutch Baroque are combined: genre painting and still life. Thus, the still life is presented as part of a more complex composition, starring a large figure that also takes center stage in the foreground, integrating into the scenario, a distinctly baroque scenographic resource. The various foods are arranged in the foreground, in an open, asymmetrical and dynamic composition, typically baroque. While in the background a group of characters swirl behind the table. The still life with large figures of the Flemish school has its origins in the sixteenth century, in the works of Pieter Aertsen (1508-1575) and Joachim Beuckelaer (1533-1574). Both painters made great paintings that advanced the Baroque by their naturalism and scenographic value, although they still show the variegation of elements typical of Mannerism. Willem van Mieris was a Dutch painter belonging to the Golden Age of Dutch painting, the second son of Frans van Mieris the Elder and younger brother of Jan van Mieris. After training in his father's workshop, in 1683 he was admitted to the local artists' guild, the Sint Lucasgilde (St. Luke's Guild), where he came to play a prominent role for many years. Willem van Mieris devoted himself to genre and portrait painting, as well as landscape and historical subjects. From about 1700, he specialized in interior scenes and kitchen motifs, a genre highly prized in the Dutch tradition. He was a prolific painter, although he never achieved either the technical mastery or the notoriety of his father. Around 1694 he founded, together with Jacob Toorenvliet and Carel de Moor, an art academy for the training of young artists, including his own son Frans van Mieris the Younger. This institution functioned until 1736. In the last years of his life, Willem suffered a partial loss of vision.
The genre painting in the view through the stone arch is reminiscent of the works of Willem van Miers. The composition, tightly framed by the arch, often offered glimpses into various shops, pubs or even dentists' offices. Very often the illusion of a "peek" into a very lively or even conflicting situation is created. Willem, Jan and Frans II, direct descendants of the famous 17th century painter Frans I van Mieris, continued both the style and themes of the paintings and the prestige of the Miers name. Willem van Mieris achieved extraordinary popularity in the Netherlands and his paintings entered the collections of many prominent members of the new Dutch upper class and foreign nobility. Technique: oil on oak panel
toegeschreven aan Willem van Mieris (1662-1747) Vrolijke man met wijnglas, mogelijk Frans van Mieris II met op verso een schets van een kunstenaar bij zijn ezel, op verso de inscriptie in bruine inkt: 'dit is Frans Mieris/ geteekend door /W van Mieris', zwart en wit krijt op papier, 26,6 x 18,1 cm-Prov.: Veiling Christie's, Amsterdam, 9 nov. 1998, lot 152; Veiling Sotheby's, New York, 25 jan. 2023, lot 266-
(Leiden, 1662 - 1747) Bevitore Olio su tavola, cm 17,3X13 Provenienza: Londra, Sotheby's, 9 dicembre 1992, lotto 167 (come seguace di Willem Van Mieris) Collezione privata Bibliografia: RKD: https://rkd.nl/imageslite/539467
Öl auf Holz, "Fischhändlerin", verso Reste eines alten Papieraufklebers und auf Platte bezeichnet "Cert = Dr. m. J. Friedländer", ca. 20x16,5cm, gerahmt (35x31cm), Firnis, minimale Retusche, Galerieton
Mieris, Willem van (1662 Leiden - 1747 Leiden, Dutch genre, history and portrait painter who worked in the tradition of the Leiden school of fine painting founded by Gerard Dou) Circle, "Bacchantes with a billy goat", oil on wood, red wax seal on the reverse, 28 x 34 cm Mieris, Willem van (1662 Leiden - 1747 Leiden, niederländischer Genre-, Historien- und Porträtmaler, der in der Tradition der von Gerard Dou begründeten Leidener Feinmalerei-Schule arbeitete) Umkreis, "Bacchanten mit einem Ziegenbock", Öl auf Holz, rückseitig rotes Wachssiegel, 28 x 34 cm
Willem Van Mieris the Elder (Leiden 1662-1747) Bacchus and Ariadne signed and dated 'WVan Mieris. Fec. Ano. 1730' (lower left) oil on canvas 76.2 x 83.8cm (30 x 33in).
Personifikation der Malerei, begleitet von Minerva. Schwarzer Stift mit Weißhöhungen auf blauem Papier, in ein altes Sammlerpassepartout montiert. 51,4 x 42,1 cm. - Provenienz: Sammlung Allard de la Court und dessen Witwe Catharina de la Court-Backer, Leyden. Ihre Nachlassauktion, Leyden, Catalogus van een fraai cabinet teekeningen, fraaye drukken en wel geconditioneerde prent-konst..., am 23. April 1767, Kunstboek A, Nr. 46 oder 47. Auktion durch Jan Yver, Amsterdam, Catalogus van een uitmuntende collectie gecouleurde en ongecouleurde teekeningen, door de beroemste Italiaansche, Fransche, Engelsche en Nederlandsche meesters..., am 22. März 1802. J. L. Beijers, Utrecht, Auktion vom 5.-6. Mai 1946. Seither in niederländischem Privatbesitz - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Personifikation der Bildhauerei, an einer Büste des Apollon arbeitend. Schwarzer Stift mit Weißhöhungen auf blauem Papier, in ein altes Sammlerpassepartout montiert. 55,2 x 44,5 cm. - Provenienz: Sammlung Allard de la Court und dessen Witwe Catharina de la Court-Backer, Leyden. Ihre Nachlassauktion, Leyden, Catalogus van een fraai cabinet teekeningen, fraaye drukken en wel geconditioneerde prent-konst..., am 23. April 1767, Kunstboek A, Nr. 46 oder 47. Auktion durch Jan Yver, Amsterdam, Catalogus van een uitmuntende collectie gecouleurde en ongecouleurde teekeningen, door de beroemste Italiaansche, Fransche, Engelsche en Nederlandsche meesters..., am 22. März 1802. J. L. Beijers, Utrecht, Auktion vom 5.-6. Mai 1946. Seither in niederländischem Privatbesitz - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Signed and dated lower left: W Van Mieris fe 1725 Like his brother Jan van Mieris, Willem van Mieris continued working in the style of his famous father Frans van Mieris, whose studio he inherited upon the latter´s death in 1681. The figure of Pomona is highly reminiscent of a "Portrait of a Woman as a Shepherdess", attributed to the studio of Frans van Mieris (cf. O. Naumann, Frans van Mieris the Elder (1635-1681), Doornspijk 1981, II, cat. no. B 17 illus.).
Early Dutch Interior Painting On Copper In Manner Of Willem Van Mieris Dutch 1662-1747. Framed Art Measure 15" X 14", Sight 9.5" X 8". Provenance: One Person Private Estate Central Florida. RBFineArts CFL Inc. Shipping, Payment & Auction Policies: PLEASE MAKE SURE YOU HAVE READ THE TERMS AND CONDITIONS BEFORE YOU BID. Any registration and/or bid placed by you does guarantee RBFineArts CFL Inc. you have read and will abide by the following Terms and Conditions of the sale. All sales are recorded. These Terms and Conditions control this Auction in all regards and supersede all previous announcements, advertisements, catalogs, and published information however distributed. All announcements from the Auction block will take precedence over any Internet description or printed material. RBFineArts CFL Inc. internet descriptions and printed materials are meant merely as a guide. 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Early Dutch Interior Painting On Copper In Manner Of Willem Van Mieris Dutch 1662-1747. Framed Art Measure 15" X 14", Sight 9.5" X 8". Provenance: One Person Private Estate Central Florida. RBFineArts CFL Inc. Shipping, Payment & Auction Policies: PLEASE MAKE SURE YOU HAVE READ THE TERMS AND CONDITIONS BEFORE YOU BID. Any registration and/or bid placed by you does guarantee RBFineArts CFL Inc. you have read and will abide by the following Terms and Conditions of the sale. All sales are recorded. These Terms and Conditions control this Auction in all regards and supersede all previous announcements, advertisements, catalogs, and published information however distributed. All announcements from the Auction block will take precedence over any Internet description or printed material. RBFineArts CFL Inc. internet descriptions and printed materials are meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, condition, description, weight, count, or measure of any of the lots specified herein. We are not an authentication service. We can only declare the work as attributed to based upon the factors mentioned in the specific lot listed. Please make yourself familiar with the merchandise you are bidding on, and again, the Terms and Conditions of the sale. RBFineArts CFL Inc., in its role as sales agent for individuals, estates, trusts, public and private institutions, and other individuals and entities, sells consigned property. Bidders are encouraged to carefully inspect all items prior to bidding. All items offered for sale are available for preview and inspection prior to the sale. By registering for a sale and bidding on an item or items in a lot or entire lot, you are representing that you or your agent have examined the item as fully as you desire and that you are specifically waiving any rights to rescind your final bid after the item(s) or lot is declared sold or to rescind the contract created as a result of the Auction sale. The items sold are often of considerable age and will exhibit wear, show usage, and/or damage often NOT LISTED IN THE CATALOG ENTRY. The absence of condition remarks in the catalog entry DOES NOT mean the item is in perfect condition. PLEASE ASK FOR A CONDITION REPORT AND MORE PICTURES IF YOU HAVE QUESTIONS ABOUT THE ITEM. Please determine condition, genuineness, and/or authenticity BEFORE you bid as all items are sold AS-IS, Where-is! ALL SALES ARE FINAL! WE DO NOT GIVE REFUNDS ON A SOLD ITEM. All sales are final, and all property is sold "as is." RBFineArts CFL Inc. does not give refunds. *We reserve the right to amend our terms and conditions at any time without notice.* PAYMENT: Auction purchases must be paid in full within 3 Business days of the auction. Please let us know if you have a problem making payments as we will work with buyers. Processing fees on invoices are charged as a convenience fee to pay your invoice. There is a processing fee via platform payments that is reflective on the invoice, please see the individual invoice. Please contact RBFineArts CFL Inc about receiving a credit card authorization form. A 3.7% processing fee is required to run the card. *ALL PRECIOUS METALS (INCLUDING BUT NOT LIMITED TO: JEWELRY, GOLD, AND SILVER), GEMSTONES, WATCHES, VEHICLES, WEAPONS (INCLUDING BUT NOT LIMITED TO FIREARMS AND KNIVES), AND DECORATIVE WEAPONRY MUST BE PAID VIA BANK WIRE TRANSFER OR CERTIFIED CHECK. ANY INVOICE OVER $3000.00 REQUIRES A BANK WIRE TRANSFER OR CERTIFIED CHECK. ALL INTERNATIONAL BUYERS ARE REQUIRED TO PAY VIA BANK WIRE TRANSFER OR CERTIFIED CHECK. THERE ARE NO EXCEPTIONS TO THIS POLICY.* *PLEASE NOTE, WE WILL ALLOW 72 HOURS FOR FULL PAYMENTS, WE WILL CALL YOU AND IF THERE IS NO CONTACT, WE WILL EMAIL YOU DIRECTLY WITH A FINAL NOTICE. WE WILL THEN PROCEED TO FILE AN UNPAID CASE ON ALL ACCOUNTS WITH NO EXCEPTION UNLESS ARRANGEMENTS ARE MADE OTHERWISE!* We accept: Bank Wire Transfer: Fees are not included in the invoice. || Zelle: [email protected] || PayPal: We DO NOT use Friends and Family invoicing. || Certified Checks || Credit Cards: Visa, MasterCard, American Express, Discover Autopay: If you have a card on file with Live Auctioneers, it will be automatically charged 72 hours after you receive your invoice. The buyer is responsible for communicating with RBFineArts CFL Inc. if they are paying with an eCheck, bank wire or other means so your credit card is not processed with autopay. SALES TAX: Online purchases from RBFineArts CFL Inc. may be subject to sales tax. Please see the following for more details. If you are tax-exempt, you can submit your tax-exempt certificate to prevent the collection of tax. a) Out of state taxes: As a result of recent and ongoing legislation, most U.S. states now require businesses to collect and remit sales tax on online purchases made from their states. Regardless of where sellers are located, they are required to charge tax on internet orders if the state mandates it. Each state has different requirements and thresholds on what is taxed and how much. Note that purchases shipped to or picked up in states that do not impose sales tax will not be subject to tax. b) Sales Tax Exemption: Lake County Florida state sales tax is 7%. Applicable Sales or use taxes will be added to the purchase price of taxable purchases. To be sales tax exempt, a current sales tax exemption certificate, including sales tax exemption number, must be presented to RBFineArts CFL Inc to avoid paying sales tax. AUCTION CATALOGS: Catalogs, brochures, and internet descriptions are guides only based on information from sources believed to be reliable, but their accuracy cannot be guaranteed or warranted. The auctioneer will not be liable for any errors or omissions. Statements made by Auctioneer and/or staff of Auctioneer whether oral or written, are only opinions and should not be construed as statements of fact. All measurements are approximate. a) Rugs: RBFineArts CFL Inc does not guarantee the names or patterns of any Oriental rugs. 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Mieris, Willem van (1662-1747) attr. "Fishmonger", oil/wood, verso inscr. a.o. "Cert= Dr. M.J. Friedländer", 19,6x16,2cm (w.f. 34,8x31cm) Mieris, Willem van (1662-1747) zugeschr. "Fischhändlerin", Öl/Holz, verso bez. u.a. "Cert= Dr. M.J. Friedländer", 19,6x16,2cm (m.R. 34,8x31cm)
(Leiden, 1662 - 1747) Bevitore Olio su tavola, cm 17,3X13 Provenienza: Londra, Sotheby's, 9 dicembre 1992, lotto 167 (come seguace di Willem Van Mieris) Collezione privata Bibliografia: RKD: https://rkd.nl/imageslite/539467
Mieris, Willem van (1662-1747). (Atalanta receiving the head of a boar by Meleager). Drawing, black chalk, on vellum, 21x26,5 cm., signed "W. van Mieris Fe Ano 1706". = SEE ILLUSTRATION PLATE LXXXVIII.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Willem Van Mieris (Manner of) (German, 1662-1747) WINDOW SCENE, WOMAN WITH PITCHER oil on panel, framed, unsigned H12 3/4" W10 1/8" Provenance: Estate of Everett Douglas Chism
Property from a Connecticut Collection, Sold Without Reserve Willem van Mieris Leiden 1662 - 1747 Village Road with Horses, Townsfolk, and Children Playing signed and dated lower center: W. vans Mieris Fet Ano 1731 oil on copper, mounted on board copper: 7 ⅜ by 9 in.; 18.7 by 22.9 cm. framed: 21 ¼ by 23 in.; 54.0 by 58.4 cm.
Willem van Mieris, Art des 1662 Leiden - 1747 ebenda Music-making company Inscribed with the monogram W.v.M upper right. Adhesive label numbered 34542 verso. Oil auf panel. 38.5 x 31 cm. Restored. Minor damage. Minor damage to frame (54 x 46.5 cm). provenance: private collection, South Germany.
Die Dame bei der Geflügelhändlerin. -- Schwarze und weiße Kreide auf blauem Papier. 25,4 x 22,1 cm. Um 1707. -- -- Bei der Zeichnung handelt es sich nach Einschätzung von Ulrike Middendorf um ein charakteristisches Werk des Leidener Malers Willem van Mieris. Die Zeichnung ist eine Vorstudie für ein Gemälde mit demselben Motiv, das am 19. Juni 1992 bei Sotheby's in Monaco (Los 42) versteigert wurde. Das Gutachten von Ulrike Middendorf vom September 2005 ist in Kopie vorhanden. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Mieris, Willem van (1662-1747). (The personification of Painting, assisted by Minerva, surrounded by putti). (The personification of Sculpture working on a bust of Apollo, surrounded by putti). Two drawings, black and white chalk, 52x42 and 55x45 cm., on blue laid paper. - Both sl. browned; first drawing waterstain and horizontal tear (±5 cm.) in upper right corner; sm. tear near centre left edge and in lower right corner; vague vertical crease; white-blue stains near lower edge; 2nd drawing horizontal fold and few diagonal creases; a few tiny tears along edges. = Provenance: sold in auction at Beijers, Utrecht in November 1946, in Amsterdam, 22 March 1802 and in april 1767 (auction De la court-de Backer, no.46 and 47, boek A) in Leyden. SEE ILLUSTRATION ON THE FRONTCOVER and ON PLATE CXXVII.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Willem van Mieris of Leiden is considered one of the most talented representatives of "Fijnschilder" (fine painter) painting, one of the artistic movements of the Dutch Golden Age that continued into the 18th century. The present painting, which is in excellent condition, is the counterpart of another work by Willem van Mieris depicting another scene from the Joseph story (Genesis 30-50), namely "Joseph and Potiphar's Wife", a painting dated 1694, which was sold at auction in New York in 2007 (Sotheby's, 26.01.2007, lot 436, $72,000). Van Mieris also made small-format versions of both compositions in watercolor on parchment, which were offered by Bob Haboldt in 2001: “Joseph and Potiphar's Wife” is now in the Pierpont Morgan Library & Museum in New York, the second sheet apparently in a private collection. A further version of “Joseph and Potiphar’s Wife” by Willem van Mieris, also executed in oil, is part of the holdings of the Staatliche Kunsthalle in Karlsruhe. The present painting probably also dates from the mid-1690s. It is defined by the stauesque calm emanating from the central figure of Joseph in the classic rhetorical pose. The counterpart, “Joseph and Potiphar’s Wife,” on the other hand, is characterised by movement and action. We would like to thank Dr Albert Elen for his valuable support in cataloguing this work.
DAME VOR DEM SPIEGEL Öl auf Kupfer. 45 x 33 cm. Wir danken Guido Janssens für freundliche Hinweise bezüglich der Identifizierung des Künstlers. In den Bildmaßen identische Wiederholung der Bilddarstellung des von Frans van Mieris d. Ä. um 1670 auf Eichenholz gemalten Originalgemäldes, das sich in der Alten Pinakothek in München befindet und ursprünglich aus der Kurfürstlichen Galerie stammt. (Invent.Nr. 219). Der Maler des vorliegenden Bildes hat die Farben leuchtender gewählt und auf den im Original sichtbaren oberen dunklen Bogen verzichtet, ansonsten wurden die Details übernommen. Die sehr beliebte Darstellung, ein Musterbeispiel für die Feinmalerei, wurde schon früh vielfach wiederholt. Die vorliegende Fassung zeigt hohe Malqualität, besonders in der Wiedergabe des Stofflichen. A.R. (13621213) (11) Willem van Mieris, 1662 – 1747, attributed LADY IN FRONT OF A MIRROR Oil on copper. 45 x 33 cm. We would like to thank Guido Janssens for kind advice regarding the attribution. In the dimensions identical repetition of the picture depiction of the original painted by Frans van Mieris the. Ä. ca. 1670 on oak wood, which is in the Alte Pinakothek in Munich and originally came from the Kurfürstliche Galerie. (Bayer. Staatsgemäldesammlungen, Inv. No. 219). The present version shows high painting quality, especially in the rendering of the material.
WILLEM VAN MIERIS (1662-1747), attribué Cléopâtre Cléopâtre Dessin au crayon et lavis d'encre de Chine sur papier portant une étiquette de vente aux enchères au dos et une attribution à Willem Van Mieris. Dimensions : 33,5 x 27 cm
Willem van Mieris Leiden 1662 - 1747 Portrait of a man with white feathered hat; Portrait of a man with feathered beret the former signed and dated lower left: W. Van Mieris / Ao 16… a pair, both oil on panel both panel: 4 1/8 by 3 3/8 in.; 10.5 by 8.5 cm. both framed: 7 ¼ by 6 ½ in.; 18.4 by 16.5 cm.
MIERIS, WILLEM VAN Leiden 1662 - 1747 Title: Portrait of a Noble Lady. Technique: Oil. Height: 22cm. Notation: Signed and dated lower left: W. van Mieris / Fecit Anno 1690. Pedestal: Framed. Verso: On the panel an adhesive label with details of provenance. Provenance: Private ownership, Germany. The present painting is by Willem van Mieris, an important representative of Dutch fine painting. Even during his lifetime, the artist possessed a brilliance that led to his becoming a member of the important St Luke's Guild immediately after his apprenticeship in the studio of his father, who was also a painter, and repeatedly serving as Guild Captain. Contrary to tradition, he did not specialise in just one genre of painting but produced history paintings and portraits as well as genre paintings. The portrait offered here combines various genres and is therefore one of the artist's important paintings. It shows a wealthy lady who reflects the characteristic features of fine painting. Shiny fabrics surrounding the lady shimmer in the incident light. Her precious dress lifts her slightly as she looks directly at the viewer. Numerous gemstones adorn not only her gold and silver dress but also her body. The preciousness and material of the fabrics can be felt in their tactile qualities through the realistic depiction. Van Mieris' paintings adorn the rooms of the most renowned European museums. The Dresden Gemälde Galerie der Alten Meister and the Wallace Collection in London, for example, are among the proud owners of the artist's rare works. Explanations to the Catalogue
Willem Van Mieris the Elder (Leiden 1662-1747) A trumpeter at a casement window with another figure holding an upturned wine glass signed and dated 'W van Mieris. Fe. 1689' (lower right) oil on panel 24.1 x 19.6cm (9 1/2 x 7 11/16in).
Tableaux VAN MIERIS Willem (1662 - 1747). D'après. Huile sur panneau de chêne "Vanité à la bulle de savon". D'après Willem van Mieris. Ecole hollandaise. Epoque : fin XVIIème. Dim. : +/- 32,5x23,5 cm.
Willem Van Mieris (1662-1747) Le jugement de Pâris, fusain sur vélin, signé et daté 1669, 19x24 cm. Provenance: Louis Deglatigny (1854-1936); sa vente, Paris, Hôtel Drouot, 14-15 juin 1937, lot 149; Henry Baraty (mort en 1941), Paris; sa vente, Paris, Hôtel Drouot, 17 juillet 1941, lot 21; Michel Segoura, Paris; couple d'amateurs en Suisse
Willem VAN MIERIS (1662-1747) Portret of a gentleman. Oil on panel, signed on the back of the frame. Portret van een gentleman. Olie op paneel, getekend achterzijde kader
Attributed to Willem van Mieris (Dutch, 1662-1747) Interior of Van Dyck's studio, the artist at work on a portrait of Charles I Oil on canvas 21-1/2 x 25-1/2 inches (54.6 x 64.8 cm) Signed lower left: W. Mieris PROVENANCE: Christie's, London, November 24, 1961, lot unknown. HID01801242017
MIERIS, Willem van zugeschrieben oder Werkstatt(1662 Leiden - 1747 ebd.) Dame mit Hündchen Öl/Holz. Unsigniert. Um 1700. 39,5 x 30 cm. Gerahmt55 x 47 cm. Bildnis einer jungen Frau im gelben Kleid mit einem Schoßhündchen in ihrem Gemach neben silbernem Kerzenleuchter, Paradiesvogel und einem Diener Altersspuren. Wenn Willem van Mieris, dann: Holländischer Genre- und Bildnismaler, Schüler seines Vaters Frans. Literatur: Thieme/Becker.
VAN MIERIS WILLEM (1662-1747) 'Ritratto di grassone intento a bere da una botte davanti ad una donna che gli mostra una sogliola' olio su tavola f.to e d.to 1709 sul cerchio più basso della botte cm.22x25 autentica su fotografia del prof.Ferdinando Arisi
Willem van Mieris (Dutch, 1662-1747) Willem van Mieris (Dutch, 1662-1747) Portrait of a young gentleman, head and shoulders indistinctly signed and dated 'W Van Mieris F. 1707' l.r., oil on copper 9.5 x 7.5cm, oval
