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Willem van Mieris Sold at Auction Prices

Genre Painter, Portrait painter, Modelleur, Etcher, Flower painter, b. 1662 - d. 1747

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    • Mieris, Willem van (1662-1747) attr. "Fishmonger", oil/wood, verso inscr. a.o. "Cert= Dr. M.J. Friedländer", 19,6x16,2cm (w.f. 34,8x31cm)
      Jun. 01, 2024

      Mieris, Willem van (1662-1747) attr. "Fishmonger", oil/wood, verso inscr. a.o. "Cert= Dr. M.J. Friedländer", 19,6x16,2cm (w.f. 34,8x31cm)

      Est: -

      Mieris, Willem van (1662-1747) attr. "Fishmonger", oil/wood, verso inscr. a.o. "Cert= Dr. M.J. Friedländer", 19,6x16,2cm (w.f. 34,8x31cm) Mieris, Willem van (1662-1747) zugeschr. "Fischhändlerin", Öl/Holz, verso bez. u.a. "Cert= Dr. M.J. Friedländer", 19,6x16,2cm (m.R. 34,8x31cm)

      Kendzia
    • Mieris, Willem van (1662-1747). (Atalanta receiving the head of a boar by Meleager).
      May. 17, 2024

      Mieris, Willem van (1662-1747). (Atalanta receiving the head of a boar by Meleager).

      Est: €1,500 - €2,500

      Mieris, Willem van (1662-1747). (Atalanta receiving the head of a boar by Meleager). Drawing, black chalk, on vellum, 21x26,5 cm., signed "W. van Mieris Fe Ano 1706". = SEE ILLUSTRATION PLATE LXXXVIII.

      Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
    • Willem van Mieris, Art des Music-making company
      Dec. 07, 2023

      Willem van Mieris, Art des Music-making company

      Est: €1,000 - €1,200

      Willem van Mieris, Art des 1662 Leiden - 1747 ebenda Music-making company Inscribed with the monogram W.v.M upper right. Adhesive label numbered 34542 verso. Oil auf panel. 38.5 x 31 cm. Restored. Minor damage. Minor damage to frame (54 x 46.5 cm). provenance: private collection, South Germany.

      Neumeister
    • Mieris, Willem van: Die Dame bei der Geflügelhändlerin
      Dec. 01, 2023

      Mieris, Willem van: Die Dame bei der Geflügelhändlerin

      Est: €900 - €1,200

      Die Dame bei der Geflügelhändlerin. -- Schwarze und weiße Kreide auf blauem Papier. 25,4 x 22,1 cm. Um 1707. -- -- Bei der Zeichnung handelt es sich nach Einschätzung von Ulrike Middendorf um ein charakteristisches Werk des Leidener Malers Willem van Mieris. Die Zeichnung ist eine Vorstudie für ein Gemälde mit demselben Motiv, das am 19. Juni 1992 bei Sotheby's in Monaco (Los 42) versteigert wurde. Das Gutachten von Ulrike Middendorf vom September 2005 ist in Kopie vorhanden. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

      Galerie Bassenge
    • Mieris, Willem van (1662-1747). (The personification of Painting, assisted by Minerva, surrounded by putti). (The personification of Sculpture working
      Nov. 24, 2023

      Mieris, Willem van (1662-1747). (The personification of Painting, assisted by Minerva, surrounded by putti). (The personification of Sculpture working

      Est: €7,000 - €9,000

      Mieris, Willem van (1662-1747). (The personification of Painting, assisted by Minerva, surrounded by putti). (The personification of Sculpture working on a bust of Apollo, surrounded by putti). Two drawings, black and white chalk, 52x42 and 55x45 cm., on blue laid paper. - Both sl. browned; first drawing waterstain and horizontal tear (±5 cm.) in upper right corner; sm. tear near centre left edge and in lower right corner; vague vertical crease; white-blue stains near lower edge; 2nd drawing horizontal fold and few diagonal creases; a few tiny tears along edges. = Provenance: sold in auction at Beijers, Utrecht in November 1946, in Amsterdam, 22 March 1802 and in april 1767 (auction De la court-de Backer, no.46 and 47, boek A) in Leyden. SEE ILLUSTRATION ON THE FRONTCOVER and ON PLATE CXXVII.

      Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
    • Willem van Mieris, Joseph Interpreting Pharaoh's Dreams
      Nov. 18, 2023

      Willem van Mieris, Joseph Interpreting Pharaoh's Dreams

      Est: €40,000 - €50,000

      Willem van Mieris of Leiden is considered one of the most talented representatives of "Fijnschilder" (fine painter) painting, one of the artistic movements of the Dutch Golden Age that continued into the 18th century. The present painting, which is in excellent condition, is the counterpart of another work by Willem van Mieris depicting another scene from the Joseph story (Genesis 30-50), namely "Joseph and Potiphar's Wife", a painting dated 1694, which was sold at auction in New York in 2007 (Sotheby's, 26.01.2007, lot 436, $72,000). Van Mieris also made small-format versions of both compositions in watercolor on parchment, which were offered by Bob Haboldt in 2001: “Joseph and Potiphar's Wife” is now in the Pierpont Morgan Library & Museum in New York, the second sheet apparently in a private collection. A further version of “Joseph and Potiphar’s Wife” by Willem van Mieris, also executed in oil, is part of the holdings of the Staatliche Kunsthalle in Karlsruhe. The present painting probably also dates from the mid-1690s. It is defined by the stauesque calm emanating from the central figure of Joseph in the classic rhetorical pose. The counterpart, “Joseph and Potiphar’s Wife,” on the other hand, is characterised by movement and action. We would like to thank Dr Albert Elen for his valuable support in cataloguing this work.

      Kunsthaus Lempertz KG
    • Willem van Mieris: Portrait of a Noble Lady
      May. 15, 2023

      Willem van Mieris: Portrait of a Noble Lady

      Est: €15,000 - €20,000

      MIERIS, WILLEM VAN Leiden 1662 - 1747 Title: Portrait of a Noble Lady. Technique: Oil. Height: 22cm. Notation: Signed and dated lower left: W. van Mieris / Fecit Anno 1690. Pedestal: Framed. Verso: On the panel an adhesive label with details of provenance. Provenance: Private ownership, Germany. The present painting is by Willem van Mieris, an important representative of Dutch fine painting. Even during his lifetime, the artist possessed a brilliance that led to his becoming a member of the important St Luke's Guild immediately after his apprenticeship in the studio of his father, who was also a painter, and repeatedly serving as Guild Captain. Contrary to tradition, he did not specialise in just one genre of painting but produced history paintings and portraits as well as genre paintings. The portrait offered here combines various genres and is therefore one of the artist's important paintings. It shows a wealthy lady who reflects the characteristic features of fine painting. Shiny fabrics surrounding the lady shimmer in the incident light. Her precious dress lifts her slightly as she looks directly at the viewer. Numerous gemstones adorn not only her gold and silver dress but also her body. The preciousness and material of the fabrics can be felt in their tactile qualities through the realistic depiction. Van Mieris' paintings adorn the rooms of the most renowned European museums. The Dresden Gemälde Galerie der Alten Meister and the Wallace Collection in London, for example, are among the proud owners of the artist's rare works. Explanations to the Catalogue

      Van Ham Kunstauktionen
    • Tableaux VAN MIERIS Willem (1662 - 1747). D'après. Huile sur panneau de chêne "Vanité à la bul
      Nov. 15, 2022

      Tableaux VAN MIERIS Willem (1662 - 1747). D'après. Huile sur panneau de chêne "Vanité à la bul

      Est: €800 - €1,200

      Tableaux VAN MIERIS Willem (1662 - 1747). D'après. Huile sur panneau de chêne "Vanité à la bulle de savon". D'après Willem van Mieris. Ecole hollandaise. Epoque : fin XVIIème. Dim. : +/- 32,5x23,5 cm.

      Vanderkindere
    • WILLEM VAN MIERIS (LEIDEN 1662-1747) Cimon and Iphigenia oil on canvas 27 x
      Oct. 07, 2022

      WILLEM VAN MIERIS (LEIDEN 1662-1747) Cimon and Iphigenia oil on canvas 27 x

      Est: $20,000 - $30,000

      WILLEM VAN MIERIS (LEIDEN 1662-1747) Cimon and Iphigenia oil on canvas 27 x 23 1/2 in. (68.5 x 59.7 cm.)

      Christie's
    • MIERIS, WILLEM VAN
      Dec. 17, 2021

      MIERIS, WILLEM VAN

      Est: CHF15,000 - CHF25,000

      (1662 Leiden 1747) Der Kindermord zu Bethlehem. Wohl 1696. Öl auf Holz. Unten links signiert. Verso nummeriert 339 und Wachssiegel. 37x47 cm.

      Schuler Auktionen
    • Attributed to Willem van Mieris (Dutch, 1662-1747) Interior of Van Dyck's studio
      Nov. 11, 2021

      Attributed to Willem van Mieris (Dutch, 1662-1747) Interior of Van Dyck's studio

      Est: $2,000 - $3,000

      Attributed to Willem van Mieris (Dutch, 1662-1747) Interior of Van Dyck's studio, the artist at work on a portrait of Charles I Oil on canvas 21-1/2 x 25-1/2 inches (54.6 x 64.8 cm) Signed lower left: W. Mieris PROVENANCE: Christie's, London, November 24, 1961, lot unknown. HID01801242017

      Heritage Auctions
    • MIERIS, Willem van zugeschrieben oder Werkstatt (1662 Leiden - 1747 ebd.). Dame mit Hündchen.
      Oct. 30, 2021

      MIERIS, Willem van zugeschrieben oder Werkstatt (1662 Leiden - 1747 ebd.). Dame mit Hündchen.

      Est: -

      MIERIS, Willem van zugeschrieben oder Werkstatt(1662 Leiden - 1747 ebd.) Dame mit Hündchen Öl/Holz. Unsigniert. Um 1700. 39,5 x 30 cm. Gerahmt55 x 47 cm. Bildnis einer jungen Frau im gelben Kleid mit einem Schoßhündchen in ihrem Gemach neben silbernem Kerzenleuchter, Paradiesvogel und einem Diener Altersspuren. Wenn Willem van Mieris, dann: Holländischer Genre- und Bildnismaler, Schüler seines Vaters Frans. Literatur: Thieme/Becker.

      Auktionshaus Wendl
    • VAN MIERIS WILLEM
      Sep. 27, 2021

      VAN MIERIS WILLEM

      Est: €5,000 - €5,600

      VAN MIERIS WILLEM (1662-1747) 'Ritratto di grassone intento a bere da una botte davanti ad una donna che gli mostra una sogliola' olio su tavola f.to e d.to 1709 sul cerchio più basso della botte cm.22x25 autentica su fotografia del prof.Ferdinando Arisi

      Aste Boetto SRL
    • Willem van Mieris Umkreis Köchin und Gehilfe mit Geflügel in einer Nische
      Jul. 07, 2021

      Willem van Mieris Umkreis Köchin und Gehilfe mit Geflügel in einer Nische

      Est: €1,500 - €3,000

      Willem van Mieris Umkreis Cook and assistant with poultry in a niche oil on panel 33 x 27 cm private property, Austria

      Im Kinsky
    • MIERIS, Willem van zugeschrieben oder Werkstatt (1662 Leiden - 1747 ebd.). Mieris, Willem van zugeschrieben oder Werkstatt: Dame mit Hündchen.
      Jun. 26, 2021

      MIERIS, Willem van zugeschrieben oder Werkstatt (1662 Leiden - 1747 ebd.). Mieris, Willem van zugeschrieben oder Werkstatt: Dame mit Hündchen.

      Est: -

      MIERIS, Willem van zugeschrieben oder Werkstatt(1662 Leiden - 1747 ebd.) Dame mit Hündchen Öl/Holz. Unsigniert. Um 1700. 39,5 x 30 cm. Framed : 55 x 47 cm. Bildnis einer jungen Frau im gelben Kleid mit einem Schoßhündchen in ihrem Gemach neben silbernem Kerzenleuchter, Paradiesvogel und einem Diener . Altersspuren. Wenn Willem van Mieris, dann: Holländischer Genre- und Bildnismaler, Schüler seines Vaters Frans. Literature: Thieme/Becker.

      Auktionshaus Wendl
    • Willem van Mieris: Portrait of Catharina van der Voort
      Jun. 02, 2021

      Willem van Mieris: Portrait of Catharina van der Voort

      Est: €10,000 - €12,000

      MIERIS, WILLEM VAN Leiden 1662 - 1747 Title: Portrait of Catharina van der Voort. Technique: Oil on wood. Measurement: 50,5 x 40cm. Frame/Pedestal: Framed. Verso: On the panel old details of the portrayed woman. Literature: O. Naumann: Frans van Mieris (1635-1681) the Elder, Davaco 1981, p. 180f, no. C 174. Provenance: Private ownership, Germany. The painting is documented in the database of the RKD, The Hague, under the ill. no. 14436. Catharina van der Voort (1622-74) was the second wife of Pieter de la Court, a well-known businessman and philosopher from Leiden. De la Court, who was a close friend of the politician Johan de Witt, first married his sister-in-law Elisabeth Tollenaar in 1657 and then Catharina in 1661, who came from a wealthy Amsterdam merchant family and was related to Johan de Witt. The couple had two children, Magdalena and Pieter, and moved to Amsterdam in 1665. There are several portraits of Pieter de la Court and Catharina van der Voort, both as a single figure and as a group, the most famous of which is the large double portrait by Ferdinand Bol of 1661 (Koninklijk Museum voor Schone Kunsten, Antwerp). In 1667, husband and wife were portrayed again, but this time separately, by Abraham van den Tempel (the two portraits are in the Rijksmuseum, Amsterdam). The portrait of Catharina van der Voort is particularly distinguished by the glitter of the precious fabrics and the rich, delicate polychromy. The two portraits by van de Tempel went to Pieter de la Court's daughter Magdalena in 1685, after his death. In the same year, her brother Pieter de la Court van der Voort had copies of these portraits made by Willem van Mieris (for three hundred guilders each) in order to exchange them with his sister for her originals. The portrait of Pieter de la Court is still in Amsterdam today, in a private collection, while the portrait of Catharina van der Voort, which is the present painting, has been in a private collection in Germany for several decades. We are grateful to Nadja Garthoff, RKD, The Hague, for confirming the attribution of the present painting on the basis of a high-resolution digital photograph.

      Van Ham Kunstauktionen
    • WILLEM VAN MIERIS (Northern Netherlands., 1662-1747). "Venus and Adonis". Oil on oak panel.
      Jun. 01, 2021

      WILLEM VAN MIERIS (Northern Netherlands., 1662-1747). "Venus and Adonis". Oil on oak panel.

      Est: €30,000 - €35,000

      WILLEM VAN MIERIS (Northern Netherlands., 1662-1747). "Venus and Adonis". Oil on oak panel. French period frame in carved and gilded wood. Measurements: 49.5 x 37 cm; 60 x 52 cm (frame). Willem Van Mieris embodies in this composition the new classicist trend of Dutch art in the 17th century. With a delicate and subtle style that sinks its roots in Classical Antiquity, Van Mieris offers us the myth of Venus and Adonis worked with the finesse and elegance that characterized his extensive artistic production. In it we can observe features completely identifying his style: the idealization of the female nude, an aspect deeply rooted in his studies of classical sculpture; the influence that the sculptor Van Bossuit (1635-1692) exerted on him, appreciable in the softly modeled figures; the influence of the painting of the fijnschilders or the search for absolute perfection in the details and the refinement of the features, among other aspects. Son of Frans Van Mieris, one of the most famous Dutch painters of the late seventeenth century (whose popularity crossed the border of the Netherlands, being highly appreciated by Cosimo de Medici and the Grand Duke of Tuscany), Willem Van Mieris was introduced and trained in the painting of his father. As a result of the artistic context in which he developed his work, Willem Van Mieris was greatly influenced by the ideas of the fijnschilders, a term for Dutch painters who, between 1630 and 1710, strove to represent reality with the utmost precision. However, Van Mieris' vision went further, focusing on genre painting and depicting scenes of upper-class life. Van Mieris represented the human figure based on how it should be according to the classical canons of beauty (a theory directly taken from the treatise of the Amsterdam art theorist Gerard Lairesse), and which he was able to develop because he was in contact with the works of Francis Van Bossuit, a sculptor who had previously lived and worked in Italy. Thus, Van Mieris borrowed some of his poses for his paintings. Among Van Mieris' most important pupils were the portraitist Hieronymous van der Mij, and his own son, Frans van Mieris the Younger. Throughout his career as an artist, Van Mieris achieved remarkable popularity in the Netherlands, with paintings in the collections of many eminent members of the new Dutch aristocracy, as well as foreign nobles such as the Duke of Mecklenburg-Schwerin. Van Mieris is currently represented in the most important art galleries worldwide, including the British Museum, the Metropolitan Museum of Art, the Museum Boijamns Van Beuningen, the Museo Nacional Thyssen-Bornemisza, the Pinacoteca de Brescia, the RISD Museum or the Walters Art Museum, among others.

      Setdart Auction House
    • WILLEM VAN MIERIS (Northern Netherlands., 1662-1747). "Venus and Adonis". Oil on oak panel. French period frame in carved and gilded wood.
      Mar. 11, 2021

      WILLEM VAN MIERIS (Northern Netherlands., 1662-1747). "Venus and Adonis". Oil on oak panel. French period frame in carved and gilded wood.

      Est: €25,000 - €30,000

      WILLEM VAN MIERIS (Northern Netherlands., 1662-1747). "Venus and Adonis". Oil on oak panel. French period frame in carved and gilded wood. Measurements: 49.5 x 37 cm; 60 x 52 cm (frame). Willem Van Mieris embodies in this composition the new classicist trend of Dutch art in the 17th century. With a delicate and subtle style that sinks its roots in Classical Antiquity, Van Mieris offers us the myth of Venus and Adonis worked with the finesse and elegance that characterized his extensive artistic production. In it we can observe features completely identifying his style: the idealization of the female nude, an aspect deeply rooted in his studies of classical sculpture; the influence that the sculptor Van Bossuit (1635-1692) exerted on him, appreciable in the softly modeled figures; the influence of the painting of the fijnschilders or the search for absolute perfection in the details and the refinement of the features, among other aspects. Son of Frans Van Mieris, one of the most famous Dutch painters of the late seventeenth century (whose popularity crossed the border of the Netherlands, being highly appreciated by Cosimo de Medici and the Grand Duke of Tuscany), Willem Van Mieris was introduced and trained in the painting of his father. As a result of the artistic context in which he developed his work, Willem Van Mieris was greatly influenced by the ideas of the fijnschilders, a term for Dutch painters who, between 1630 and 1710, strove to represent reality with the utmost precision. However, Van Mieris' vision went further, focusing on genre painting and depicting scenes of upper-class life. Van Mieris represented the human figure based on how it should be according to the classical canons of beauty (a theory directly taken from the treatise of the Amsterdam art theorist Gerard Lairesse), and which he was able to develop because he was in contact with the works of Francis Van Bossuit, a sculptor who had previously lived and worked in Italy. Thus, Van Mieris borrowed some of his poses for his paintings. Among Van Mieris' most important pupils were the portraitist Hieronymous van der Mij, and his own son, Frans van Mieris the Younger. Throughout his career as an artist, Van Mieris achieved remarkable popularity in the Netherlands, with paintings in the collections of many eminent members of the new Dutch aristocracy, as well as foreign nobles such as the Duke of Mecklenburg-Schwerin. Van Mieris is currently represented in the most important art galleries worldwide, including the British Museum, the Metropolitan Museum of Art, the Museum Boijamns Van Beuningen, the Museo Nacional Thyssen-Bornemisza, the Pinacoteca de Brescia, the RISD Museum or the Walters Art Museum, among others.

      Setdart Auction House
    • Willem Van Mieris the Elder (Leyden 1662-1747) Venus and Adonis
      Dec. 17, 2020

      Willem Van Mieris the Elder (Leyden 1662-1747) Venus and Adonis

      Est: £18,000 - £25,000

      Willem Van Mieris the Elder (Leyden 1662-1747) Venus and Adonis oil on canvas 90.2 x 110.6cm (35 1/2 x 43 9/16in). For further information on this lot please visit the Bonhams website

      Bonhams
    • Willem Van Mieris. Writting a letter
      Oct. 29, 2020

      Willem Van Mieris. Writting a letter

      Est: -

      Óleo sobre tabla. Firmado en el ángulo inferior derecho.

      Duran Arte y Subastas
    • ATTRIBUTED TO WILLEM VAN MIERIS (LEIDEN 1662-1747),
      Oct. 20, 2020

      ATTRIBUTED TO WILLEM VAN MIERIS (LEIDEN 1662-1747),

      Est: $25,000 - $35,000

      ATTRIBUTED TO WILLEM VAN MIERIS (LEIDEN 1662-1747) A man in Oriental costume oil on copper, unframed 5 x 4 in. (12.8 x 10.2 cm.) ,

      Christie's
    • Mieris I, Frans van (Leiden 1635 - 1681) / Mieris, Willem van (Leiden 1662 - 1747), Werkstatt oder Umkreis, ''Die Heilige Familie'', in der Schreinerwerkstatt, Öl auf Holz, undeutlich signiert oben rechts ... van Mieris, 33.5 x 43 cm, verso altes Wac
      Oct. 02, 2020

      Mieris I, Frans van (Leiden 1635 - 1681) / Mieris, Willem van (Leiden 1662 - 1747), Werkstatt oder Umkreis, ''Die Heilige Familie'', in der Schreinerwerkstatt, Öl auf Holz, undeutlich signiert oben rechts ... van Mieris, 33.5 x 43 cm, verso altes Wac

      Est: -

      Mieris I, Frans van (Leiden 1635 - 1681) / Mieris, Willem van (Leiden 1662 - 1747), Werkstatt oder Umkreis, ''Die Heilige Familie'', in der Schreinerwerkstatt, Öl auf Holz, undeutlich signiert oben rechts ... van Mieris, 33.5 x 43 cm, verso altes Wachssiegel A.W.F. Danenberg und altes Klebeetikett Stichting Nederlands Kunstbezit, kleine Bereibungen bzw. Kratzer. Das Gemälde wurde individuell mit dem Datenbestand des Art Loss Register abgeglichen; es ist dort nicht als gestohlen oder vermisst registriert. Sowohl Otto Naumann als auch C. Hofstede de Groot erwähnen verschiedene Versionen bzw. Wiederholungen des Gemäldes ''Heilige Familie'' von 1681, welches von Frans van Mieris im Auftrag des Marquis von Béthune begonnen und von seinem Sohn Willem van Mieris nach dem Tod des Vaters vollendet wurde. Die Autorschaft des hier angebotenen Gemäldes konnte nicht eindeutig geklärt werden. Es ist zu vermuten, dass es in der Literatur und verschiedenen Auktionskatalogen zu Vermischungen der Provenienzangaben der verschiedenen Versionen gekommen ist. Provenienz des hier angebotenen Gemäldes: Auktion Lepke, Berlin 16 März 1930 Lot 9; Auktion Lempertz, Köln 1-2 Februar 1940 Lot 68; Stichting Nederlands Kunstbezit Inv.Nr.1407; ausgeliehen an das Museum Lakenhal Leiden, 1948-1949; 1949 an einen unbekannten Besitzer restituiert; seit mindestens den 1970er Jahren in Familienbesitz. Literatur: Vgl. C. Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke des hervorragendsten hollänidschen Maler des XVII. Jahrhunderts, Somerset House, Teaneck 1976, Vols 9-19, Nr. 7 Frans van Mieris und Nr. 27 Willem van Mieris. Vgl. Otto Naumann, Monographs on Dutch & Flemish Painting I, Frans van Mieris, Davaco, 1981, Nr. 12.

      Auktionshaus Plückbaum
    • Willem van Mieris, 1662 – 1747, zug./ Kreis des
      Sep. 25, 2020

      Willem van Mieris, 1662 – 1747, zug./ Kreis des

      Est: €4,000 - €6,000

      EDEL GEKLEIDETER MANN MIT WEINGLAS Öl auf Holz. 24,5 x 19 cm. In dekorativem Rahmen. Seitlich von einer Hauswand stehend, mit dem linken Arm auf eine Brüstung gelehnt, ein Mann in blau-grauer Kleidung mit goldfarbenen Ärmeln mit dunklen Streifen, dazu ein großer weißer Kragen und auf dem Kopf einen Hut mit roter Feder tragend. Er hält in seiner rechten Hand ein glänzendes großes Weinglas, während er sich mit seiner linken Hand an die Brust fasst. Auf dem Podest vor ihm ein kleines Stück Brot liegend. Im Hintergrund rechts, hinter einer Mauer, eine Landschaft unter dem leuchtenden rot-blauen Himmel. Mit seinem geröteten Gesicht, dem Oberlippenbärtchen und seinen braunen Augen schaut der Mann leicht kritisch zur Seite. Kleine Kratzspur. (12414738) (18)

      Hampel Fine Art Auctions
    • Willem van Mieris, 1662 Leiden – 1747 ebenda
      Jul. 03, 2020

      Willem van Mieris, 1662 Leiden – 1747 ebenda

      Est: €4,000 - €6,000

      BRUSTBILDNIS EINES HERREN IN DUNKELBLAUEM SEIDENMANTEL Öl auf Eichenholz, im Hochoval. 13 x 9,8 cm. Auf der Steinlisene rechts mittig die Signatur „W. van Mieris fecit 1697“, verso alter Nummernaufkleber. In oktagonalem Rahmen. Der Maler gehört einer mehrköpfigen Malerfamilie an: Sein Vater war der bekannte Dou-Schüler Frans van Mieris d. Ä. (1635-1681), sein älterer Bruder war Jan van Mieris (1660-1690) und Frans van Mieris d. J. (1689-1763) war sein Sohn. Willem arbeitete ebenfalls in der Tradition der Leidener Feinmalerei-Schule. In den Jahren ab 1697 bis etwa 1708 wirkte er als Gildenhauptmann und zuletzt Gildenvorsitzender. Werke seiner Hand in zahlreichen öffentlichen Sammlungen wie etwa Museum der Bildenden Künste Leipzig, Jagdschloss Grunewald, Schloss Caputh etc.      Das Bildnis des eleganten Mannes nach rechts mit langen dunkelbraunen Allonge-Locken. Er trägt eine weiße Krawatte und einen glänzenden dunkelblauen Seidenmantel. Sein ernster Blick ist auf den Betrachter gerichtet. Im Hintergrund rechts eine beige Steinlisene. Das Licht fällt von vorne links auf das Gesicht des Mannes und verschattet leicht seine andere Gesichtshälfte. Feine Malerei in zurückhaltender Farbgebung mit besonderer Herausstellung des Gesichtes. (12301023) (18)

      Hampel Fine Art Auctions
    • Willem van Mieris (Leiden 1662-1747) Vertumnus and Pomona
      Jun. 19, 2020

      Willem van Mieris (Leiden 1662-1747) Vertumnus and Pomona

      Est: $7,000 - $10,000

      Willem van Mieris (Leiden 1662-1747) Vertumnus and Pomonasigned and dated 'W Van Mieris Fet 1725' (lower left) oil on panel10 x 81⁄2 in. (25.4 x 21.6 cm.)

      Christie's
    • MIERIS, WILLEM VAN
      Apr. 07, 2020

      MIERIS, WILLEM VAN

      Est: CHF40,000 - CHF50,000

      (1662 Leiden 1747) Der Kindermord zu Bethlehem. Wohl 1696. Öl auf Holz. Unten links signiert. Verso nummeriert 339 und Wachssiegel. 37x47 cm.

      Schuler Auktionen
    • MIERIS, WILLEM VAN
      Mar. 27, 2020

      MIERIS, WILLEM VAN

      Est: CHF40,000 - CHF50,000

      (1662 Leiden 1747) Der Kindermord zu Bethlehem. Wohl 1696. Öl auf Holz. Unten links signiert. Verso nummeriert 339 und Wachssiegel. 37x47 cm.

      Schuler Auktionen
    • WILLEM VAN MIERIS (ATTRIBUTED TO) (Leiden 1662-1747 Leiden) Vanitas.
      Nov. 05, 2019

      WILLEM VAN MIERIS (ATTRIBUTED TO) (Leiden 1662-1747 Leiden) Vanitas.

      Est: $1,000 - $1,500

      WILLEM VAN MIERIS (ATTRIBUTED TO) (Leiden 1662-1747 Leiden) Vanitas. Black chalk with white lead highlights (oxidized) on light tan laid paper. 234x199 mm; 9 1/4x8 inches. Signed or inscribed "Van Mieris" in black chalk, ower left recto.

      Swann Auction Galleries
    • Willem van Mieris (Leiden 1662-1747) - Portrait of a young lady with a spaniel, possibly Dina Margareta de Bye...
      Oct. 29, 2019

      Willem van Mieris (Leiden 1662-1747) - Portrait of a young lady with a spaniel, possibly Dina Margareta de Bye...

      Est: $30,000 - $50,000

      Willem van Mieris (Leiden 1662-1747) Portrait of a young lady with a spaniel, possibly Dina Margareta de Bye... oil on panel 11 x 9 1/8 in. (27.9 x 23 cm.)

      Christie's
    • MIERIS, WILLEM VAN
      Oct. 01, 2019

      MIERIS, WILLEM VAN

      Est: CHF50,000 - CHF70,000

      (1662 Leiden 1747) Der Kindermord zu Bethlehem. Wohl 1696. Öl auf Holz. Unten links signiert. Verso nummeriert 339 und Wachssiegel. 37x47 cm. RefFin5919

      Schuler Auktionen
    • MIERIS, WILLEM VAN
      Sep. 20, 2019

      MIERIS, WILLEM VAN

      Est: CHF50,000 - CHF70,000

      (1662 Leiden 1747) Der Kindermord zu Bethlehem. Wohl 1696. Öl auf Holz. Unten links signiert. Verso nummeriert 339 und Wachssiegel. 37x47 cm. RefFin5919

      Schuler Auktionen
    • WILLEM VAN MIERIS THE ELDER (LEYDEN 1662-1747) - Sylvia freed by Aminta
      Jul. 03, 2019

      WILLEM VAN MIERIS THE ELDER (LEYDEN 1662-1747) - Sylvia freed by Aminta

      Est: £15,000 - £20,000

      WILLEM VAN MIERIS THE ELDER (LEYDEN 1662-1747) Sylvia freed by Aminta signed ‘W van Mieris’ (lower left) oil on panel 37.5 x 45.5cm (14 3/4 x 17 15/16in).

      Bonhams
    • WILLEM VAN MIERIS THE ELDER (LEYDEN 1662-1747) - Bacchus and Ariadne
      Jul. 04, 2018

      WILLEM VAN MIERIS THE ELDER (LEYDEN 1662-1747) - Bacchus and Ariadne

      Est: £60,000 - £80,000

      WILLEM VAN MIERIS THE ELDER (LEYDEN 1662-1747) Bacchus and Ariadne signed and dated ‘WVan Mieris. Fec. Ano. 1730’ (lower left) oil on canvas 76.2 x 83.8cm (30 x 33in).

      Bonhams
    • WILLEM VAN MIERIS | Cephalus and Procris
      Jul. 04, 2018

      WILLEM VAN MIERIS | Cephalus and Procris

      Est: £6,000 - £9,000

      Black chalk on vellum; signed and dated in black chalk, lower centre:  W. Van. Mieris F. 1730

      Sotheby's
    • VAN MIERIS, WILLEM (1662 - 1747). "Escribiendo una carta". Óleo sobre tabla. Firmado en el ángulo inferior derecho. 39 x 30 cm
      May. 24, 2018

      VAN MIERIS, WILLEM (1662 - 1747). "Escribiendo una carta". Óleo sobre tabla. Firmado en el ángulo inferior derecho. 39 x 30 cm

      Est: -

      VAN MIERIS, WILLEM (1662 - 1747). "Escribiendo una carta". Óleo sobre tabla. Firmado en el ángulo inferior derecho. 39 x 30 cm

      Duran Arte y Subastas
    • WILLEM VAN MIERIS: "GERMAN SCHOLAR"
      May. 20, 2018

      WILLEM VAN MIERIS: "GERMAN SCHOLAR"

      Est: $1,000 - $1,500

      oil on wood panel 7 3/4 x 5 3/4 inches

      Abell Auction
    • Willem van Mieris (Leida, 1662 - 1747), attr.Concert on a palace terrace Oil on canvas, cm 90x130. FramedThe present painting comes with a certificate issued by Didier Bodart
      May. 16, 2018

      Willem van Mieris (Leida, 1662 - 1747), attr.Concert on a palace terrace Oil on canvas, cm 90x130. FramedThe present painting comes with a certificate issued by Didier Bodart

      Est: €10,000 - €15,000

      Willem van Mieris (Leida, 1662 - 1747), attr. Concert on a palace terrace Oil on canvas, cm 90x130. Framed The present painting comes with a certificate issued by Didier Bodart

      Bertolami Fine Arts s.r.l.
    • WILLEM VAN MIERIS (LEIDEN 1662-1747) Vertumnus and Pomona signed and dated 'W Van Mie
      Apr. 19, 2018

      WILLEM VAN MIERIS (LEIDEN 1662-1747) Vertumnus and Pomona signed and dated 'W Van Mie

      Est: $12,000 - $16,000

      WILLEM VAN MIERIS (LEIDEN 1662-1747) Vertumnus and Pomona signed and dated 'W Van Mieris Fet 1725' (lower left) oil on panel 10 x 8 1/2 in. (25.4 x 21.6 cm.)

      Christie's
    • Willem Van Mieris. Writing a letter
      Feb. 22, 2018

      Willem Van Mieris. Writing a letter

      Est: -

      VAN MIERIS, WILLEM (1662 - 1747). "Escribiendo una carta". Óleo sobre tabla. Firmado en el ángulo inferior derecho. 39 x 30 cm

      Duran Arte y Subastas
    • Willem Van Mieris. Writing a letter
      Nov. 23, 2017

      Willem Van Mieris. Writing a letter

      Est: -

      VAN MIERIS, WILLEM (1662 - 1747). "Escribiendo una carta". Óleo sobre tabla. Firmado en el ángulo inferior derecho. 39 x 30 cm

      Duran Arte y Subastas
    • Willem VAN MIERIS (1662-1747), d'après, Cérès, huile sur panneau, 20x15 cm
      May. 06, 2017

      Willem VAN MIERIS (1662-1747), d'après, Cérès, huile sur panneau, 20x15 cm

      Est: CHF500 - CHF700

      Willem van Mieris (1662-1747), d'après, Cérès, huile sur panneau, monogramée, 20x15 cm TABLEAUX - Paintings - Fine Art, ANCIENS

      Piguet Hôtel des Ventes | Genève
    • WILLEM VAN MIERIS THE ELDER (LEYDEN 1662-1747) A lady at her toilette signe
      Nov. 02, 2016

      WILLEM VAN MIERIS THE ELDER (LEYDEN 1662-1747) A lady at her toilette signe

      Est: £8,000 - £12,000

      WILLEM VAN MIERIS THE ELDER (LEYDEN 1662-1747) A lady at her toilette signed, inscribed and dated ‘W.van Mieris F. Amst 1738’ (on chair, lower right) oil on panel 47.1 x 37.1cm (18 9/16 x 14 5/8in).

      Bonhams
    • WILLEM VAN MIERIS
      Sep. 24, 2016

      WILLEM VAN MIERIS

      Est: -

      WILLEM VAN MIERIS 1662 Leiden - 1747 Leiden (Nachfolger) TRINKENDER MANN IM WIRTSHAUS Öl auf Holz. 25,5 cm x 19 cm. Verso: Holztafel mit zwei Wachssiegel. Part. min. rest. Rahmen.

      Hargesheimer Kunstauktionen Düsseldorf
    • Willem Van Mieris the Elder (Leyden 1662-1747) Portrait of
      Dec. 09, 2015

      Willem Van Mieris the Elder (Leyden 1662-1747) Portrait of

      Est: -

      Willem Van Mieris the Elder (Leyden 1662-1747) Portrait of a young man, bust-length, in blue and white, before a landscape

      Bonhams
    • Willem Van MIERIS attributed (Dutch, 1662 - 1747)
      Dec. 02, 2015

      Willem Van MIERIS attributed (Dutch, 1662 - 1747)

      Est: $3,000 - $5,000

      UNTITLED: The Music Lesson or Duet oil painting on panel, unsigned. Panel size: 11 3/4" x 10" / 29.9cm x 25.4cm. Framed: 17 1/2" x 16" / 44.5cm x 40.6cm. Luc de Bakker letter of authenticity.

      A. H. Wilkens Auctions & Appraisals
    • WILLEM VAN MIERIS (1662-1747): DAVID AND BATHSHEBA
      Oct. 24, 2015

      WILLEM VAN MIERIS (1662-1747): DAVID AND BATHSHEBA

      Est: $800 - $1,200

      WILLEM VAN MIERIS (1662-1747): DAVID AND BATHSHEBA Chalk on velum, unsigned. 11 x 9 5/8 in. (sheet), 21 1/4 x 20 in. (frame). Provenance: Sold Sotheby's, NY, January 27, 1999, lot 82.

      STAIR
    • The sleeping hurdy-gurdy player
      Oct. 06, 2015

      The sleeping hurdy-gurdy player

      Est: €50,000 - €70,000

      Willem van Mieris (Leiden 1662-1747) The sleeping hurdy-gurdy player signed and dated 'W . Van . Mieris Ft Anno 1690.' (upper left) oil on panel 24.5 x 20.5 cm. with additions of circa 0.55 cm. along all outer edges

      Christie's
    • MIERIS, WILLEM VAN (UMKREIS)(1662 L
      Sep. 18, 2015

      MIERIS, WILLEM VAN (UMKREIS)(1662 L

      Est: CHF8,000 - CHF10,000

      MIERIS, WILLEM VAN (UMKREIS) (1662 Leiden 1747) Bildnis eines Mohrenmädchens mit Perlenkette und Federturban. Öl auf Holz. 18 x 14,7 cm (oval). Provenienz: - Sammlung Familie Herbert, Lords of Pembroke, England. - Durch Schenkung, Sammlung David Herbert. - Bei obigem erworben, Sammlung Donald Angus, ab 1972. - Europäische Privatsammlung. - Schweizer Privatsammlung. Dieses äusserst fein gemalte Porträt eines Mohrenmädchens mit Perlenkette und Federturban war ursprünglich in Besitz des alten englischen Adelsgeschlechts Herbert, Earls of Pembroke, bis es 1972 von einem Nachkommen der Familie verkauft wurde. Deren Anwesen, Wilton House in der Grafschaft Wiltshire, wurde von König Heinrich VIII. (1491-1547) an seinen Schwager, Wiliam Herbert (1501-1570) verschenkt und kann heute teilweise besichtigt werden. Die Earls of Pembroke waren für ihre ausgezeichneten Kunstsammlungen, insbesondere holländischer Meister des 17. Jahrhunderts, bekannt. Solche kleinformatigen, ovalen Kopfstudien auf Holz, wie das hier angebotene Gemälde, sogenannte Tronie, finden sich oft im Oeuvre Willem van Mieris, wie beispielsweise das 1688 datierte Porträt von Brigitta Catharina Backer (1670-1751), das sich heute im Museum Amsterdam befindet (Inv. Nr. SB 4139, 13,5 x 10 cm). Auch der Vater des Malers, Frans van Mieris, malte häufig solche kleinen Tronie, wie beispielsweise das 1658 datierte Porträt einer jungen Dame, heute im Städel (Inv. Nr. 1234, 11 x 8,4 cm). Das hier angebotene Gemälde ist im RKD, Den Haag, als Willem van Mieris zugeschriebenes Werk archiviert. CIRCLE OF MIERIS, WILLEM VAN (1662 Leiden 1747) Portrait of a young African woman with pearl necklace and feather turban. Oil on panel. 18 x 14.7 cm (oval). Provenance: - Collection of the Herbert family, Lords of Pembroke, England. - Collection of David Herbert, acquired as gift. - Collection of Donald Angus, from 1972, acquired from the above. - European private collection. - Swiss private collection. The present work is archived at the RKD, The Hague, as a work attributed to Willem van Mieris.

      Koller Auctions
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