Otto Modersohn Sold at Auction Prices

Painter, Landscape painter

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  • MODERSOHN, Otto, UMKREIS (painter, 19th/20th century), "Thatched Houses Behind a Hedge by the Road," 1889,
    Sep. 26, 2026

    MODERSOHN, Otto, UMKREIS (painter, 19th/20th century), "Thatched Houses Behind a Hedge by the Road," 1889,

    Est: €4,000 - €6,000

    MODERSOHN, Otto, UMKREIS (painter, 19th/20th century), “Thatched Houses Behind a Hedge by the Road,” 1889, dated 1889 lower left, oil on canvas mounted on a backing board, HxW: approx. 26.5 x 34.5 cm (40 x 48 cm with frame). Slight signs of aging and wear, restored. Framed. SHIPPING TO THE USA MUST BE ARRANGED BY THE BUYER.

    Auktionshaus Eppli
  • Modersohn, Otto (Soest, Rotenburg/Wümme 1865-1943)
    Sep. 24, 2026

    Modersohn, Otto (Soest, Rotenburg/Wümme 1865-1943)

    Est: €9,000 - €10,800

    Überschwemmung (an der Wilhelmshauser Brücke) Monogr. OM (in Rot). Öl auf Malpappe. Ca. 35×50 cm. Rücks. handgeschriebene Aufstellung verschiedener Malfarben und bez. „Tille“. (Rücks. Wasserränder). R. Provenienz: Nachlass Otto Modersohn; Mathilde Modersohn, Bremen, Badenweiler; Stiftung Paula Modersohn-Becker, Bremen; Privatbesitz Berlin. Wir danken Herrn Rainer Noeres, Otto-Modersohn-Museum, Fischerhude, für ergänzende und bestätigende Informationen. (61973)

    Leo Spik
  • Modersohn, Otto (Soest, Rotenburg/Wümme 1865-1943)
    Sep. 24, 2026

    Modersohn, Otto (Soest, Rotenburg/Wümme 1865-1943)

    Est: €12,000 - €14,400

    „Abendsonne im Moor“ (Torfhaufen) Sign. (eingeritzt) sowie monogr. u. dat. VIII (19)05. Öl auf Malpappe. 39×56,5 cm. Rücks. betit. u. bez. mit „K 3694“ sowie handgeschriebene Echtheitsbestätigung von Tille (Mathilde 1907-1998), der Tochter des Künstlerpaars, datiert April 1948. (Karton wellig, rücks. fleckig). R. Ausstellung: Paula Modersohn-Becker, Otto Modersohn, Bernhard Hoetger. Kunsthandel Wolfgang Werner, Berlin, 12.2.-28.5.2005, Kat.-Nr. 22. Provenienz: Nachlass Otto Modersohn; Mathilde Modersohn, Bremen, Badenweiler; Stiftung Paula Modersohn-Becker, Bremen; Privatbesitz Berlin. Wir danken Herrn Rainer Noeres, Otto-Modersohn-Museum, Fischerhude, für ergänzende und bestätigende Informationen. (61973)

    Leo Spik
  • Otto Modersohn, 1865 Soest – 1943 Rotenburg
    Sep. 24, 2026

    Otto Modersohn, 1865 Soest – 1943 Rotenburg

    Est: €25,000 - €30,000

    Mitbegründer der Künstlerkolonie Worpswede. Wurde einer der bekanntesten deutschen Landschaftsmaler. WINTER AN DER WÜMME, UM 1915 Öl auf Leinwand. 36,5 x 49,5 cm. Rechts unten signiert „O Modersohn“. Beigegeben eine Expertise vom Otto-Modersohn- Museum, Herrn Rainer Noeres, Fischerhude, 24. Januar 2019. Blick auf die verschneiten Häuser und auf die teils freien Wege eines Dorfes mit kahlen Bäumen bei diesigem Licht in überwiegend grau-braunen und weißen Farbtönen. Provenienz: Martha Vogeler, Haus im Schluh, Worpswede; Müller-Gerlach, Grasberg. (1490741) (18) Otto Modersohn, 1865 Soest – 1943 Rotenburg WINTER ON THE WÜMME, CA. 1915 Oil on canvas. 36.5 x 49.5 cm. Signed “O Modersohn” lower right. Accompanied by an expert’s report by Otto-Modersohn-Museum, Mr Rainer Noeres, Fischerhude, 24 January 2019. Provenance: Martha Vogeler, Haus im Schluh, Worpswede. Müller-Gerlach, Grasberg.

    Hampel Fine Art Auctions
  • Otto Modersohn
    Sep. 05, 2026

    Otto Modersohn

    Est: €1,200 - €2,400

    (1865 Soest - 1943 Rotenburg) "Dunkle Wolken über der Surheide". Originaltitel Um 1940 geschaffene Landschaftsstudie Modersohns, die durch ihren dynamischen und kraftvollen Duktus und verdichteten Linienführung die Rauheit und den Kontrastreichtum der Natur beeindruckend festhält. Modersohn gründete 1889 zusammen mit Fritz Mackensen und Hans am Ende die Worpsweder Künstlerkolonie, der auch seine Frau Paula Modersohn-Becker angehörte. Nach deren Tod zog der Künstler 1908 in das nahegelegene, idyllische Dorf Fischerhude, dessen Umgebung - die überschwemmten Wümmewiesen und -ufer, die Surheide und die Moorlandschaft - im Wechsel der Jahres- und Tageszeiten, fortan die Hauptmotive seines Schaffens bildet. Kohle und Kreide/Papier. 14 cm x 21,8 cm. Rahmen. Beiliegend Bestätigung der Authentizität/Expertise von Christian Modersohn (Sohn des Künstlers). Charcoal and chalk on paper. Accompanied by a confirmation of authenticity by Christian Modersohn (the artist’s son).

    Kunstauktionshaus Schloss Ahlden
  • OTTO MODERSOHN
    Jun. 26, 2026

    OTTO MODERSOHN

    Est: CHF8,000 - CHF12,000

    OTTO MODERSOHN (Soest 1865–1943 Rotenburg) Bäuerin am Wümmewehr. 1908. Oil on cardboard. 56.5 × 74 cm. Provenance: - Estate Otto Modersohn/Johanna Eissler/Christian Modersohn. - Private collection Switzerland, acquired directly from the above in 1996 and by descent to the present owners. The authenticity of the work was confirmed by Christian Modersohn, 15 December 1996 (verso with handwritten note on the label of the Otto Modersohn Gesellschaft). We thank Rainer Noeres for the scholarly support. ------------------------------------------------- OTTO MODERSOHN (Soest 1865–1943 Rotenburg) Bäuerin am Wümmewehr. 1908. Öl auf Karton. 56,5 × 74 cm. Provenienz: - Nachlass Otto Modersohn/Johanna Eissler/Christian Modersohn. - Privatsammlung Schweiz, 1996 direkt von Obigen erworben und durch Erbschaft an die heutigen Besitzer. Die Authentizität des Werks wurde durch Christian Modersohn bestätigt, 15.12.1996 (verso mit handschriftlicher Notiz auf dem Etikett der Otto Modersohn Gesellschaft). Wir danken Rainer Noeres für die wissenschaftliche Unterstützung.

    Koller Auctions
  • Modersohn, Otto (Soest, Rotenburg/Wümme 1865-1943)
    Jun. 25, 2026

    Modersohn, Otto (Soest, Rotenburg/Wümme 1865-1943)

    Est: €600 - €720

    „Dunkle Wolken über der Heide“ um 1930 Kreide auf bräunlichem Papier. (An vier Ecken auf Passepartoutkarton montiert). Ca. 11×16,2 cm. Rücks. Echtheitsbestätigung von Christian Modersohn, Fischerhude 18.3.67. Provenienz: Nachlass Otto Modersohn / Christian Modersohn / seit 1967 Privatbesitz Berlin, Geschenk von Christian Modersohn. Wir danken Herrn Rainer Noeres, Otto-Modersohn-Museum, Fischerhude, für freundliche Hinweise. (61848)

    Leo Spik
  • Modersohn, Otto (Soest, Rotenburg/Wümme 1865-1943)
    Jun. 25, 2026

    Modersohn, Otto (Soest, Rotenburg/Wümme 1865-1943)

    Est: €600 - €720

    „An der Wümme“ um 1925 Kreide auf gelblichem Papier (an vier Ecken auf Passepartoutkarton montiert). 13,2×20,2 cm. Rücks. Echtheitsbestätigung von Christian Modersohn, Fischerhude 18.3.67. Provenienz: Nachlass Otto Modersohn / Christian Modersohn / seit 1967 Privatbesitz Berlin, Geschenk von Christian Modersohn. Wir danken Herrn Rainer Noeres, Otto-Modersohn-Museum, Fischerhude, für freundliche Hinweise. (61848)

    Leo Spik
  • Modersohn, Otto (Soest, Rotenburg/Wümme 1865-1943)
    Jun. 25, 2026

    Modersohn, Otto (Soest, Rotenburg/Wümme 1865-1943)

    Est: €12,000 - €14,400

    Bäume am Wasser um 1926 Sign. Öl auf Lwd. 70×50 cm. (Kl. Retuschen, minimaler Farbverlust). R. Provenienz: Nachlass Otto Modersohn / Christian Modersohn / seit Juni 1966 Privatbesitz Berlin. Ausstellungen: Otto Modersohn, Soest/Westf., Rathaus 2.-30. Juni 1966; Worpswede, Große Kunstschau, Bestandsausstellung Herbst/Winter 1966/67. Wir danken Herrn Rainer Noeres, Otto-Modersohn-Museum, Fischerhude, für ergänzende und bestätigende Informationen. (61848)

    Leo Spik
  • Otto Modersohn, 1865 Soest – 1943 Rotenburg
    Jun. 25, 2026

    Otto Modersohn, 1865 Soest – 1943 Rotenburg

    Est: €35,000 - €50,000

    WINTERLANDSCHAFT, UM 1926 Öl auf Leinwand. 64,8 x 90 cm. Rechts unten signiert „O. Modersohn“. In dekorativem Rahmen. Beigegeben eine Expertise vom Otto Modersohn Museum, Herrn Rainer Noeres, Fischerhude, 31. März 2017. Von erhöhtem Standpunkt geht der Blick auf eine flache verschneite Felderlandschaft, durch die vom Vordergrund links ein diagonal verlaufender, brauner Weg zu einem größeren Gehöft führt. Auf dem Weg ein von zwei Pferden gezogener Karren, drei Figuren und eine Brücke, die über einen kleinen Fluss führt. Die Felder teils mit kleinen zugefrorenen Wasserflächen unter grauem Himmel. Malerische Darstellung, die Stimmung eines kalten trüben Wintertages vermittelnd. Otto Modersohn war Mitbegründer der Künstlerkolonie Worpswede und wurde einer der bekanntesten deutschen Landschaftsmaler. (1481264) (18) Otto Modersohn, 1865 Soest – 1943 Rotenburg WINTER LANDSCAPE, CA. 1926 Oil on canvas. 64.8 x 90 cm. Signed “O. Modersohn” lower right. Accompanied by an expert’s report by Otto Modersohn Museum, Rainer Noeres, Fischerhude, dated 31 March 2017.

    Hampel Fine Art Auctions
  • OTTO MODERSOHN (1865–1943), PROMINE
    Jun. 24, 2026

    OTTO MODERSOHN (1865–1943), PROMINE

    Est: -

    Otto Modersohn (1865–1943), prominent landscape painter of the Worpswede artists’ colony, Two Women Walking with a Dog, 1930s, oil on canvas, unsigned, with a certificate of authenticity by his son Christian Modersohn dated 1964 on the reverse, 61 x 50.2 cm, framed 70.5 x 49 cm

    Historia Auctionata
  • Modersohn, Otto (1865 Soest - 1943 Rotenburg a.d. Wümme, initially studied at the KA Düsseldorf and later in Karlsruhe. Co-founder of the Worpswede artists' colony from 1889. There he worked with Fritz Mackensen and Heinrich Vogeler, among others. M
    Jun. 20, 2026

    Modersohn, Otto (1865 Soest - 1943 Rotenburg a.d. Wümme, initially studied at the KA Düsseldorf and later in Karlsruhe. Co-founder of the Worpswede artists' colony from 1889. There he worked with Fritz Mackensen and Heinrich Vogeler, among others. M

    Est: -

    Modersohn, Otto (1865 Soest - 1943 Rotenburg a.d. Wümme, initially studied at the KA Düsseldorf and later in Karlsruhe. Co-founder of the Worpswede artists' colony from 1889. There he worked with Fritz Mackensen and Heinrich Vogeler, among others. Modersohn specialised in landscape painting, particularly North German moorland landscapes, meadows, birch trees and skies. Initially naturalistic, his style developed into simplified forms, muted colours and a calm, atmospheric mood, partly influenced by Expressionism without fully belonging to it. Married to Paula Modersohn-Becker, she had a decisive influence on his artistic style. Otto Modersohn is considered one of the most important representatives of the Worpswede artists' colony and a pioneer of modern landscape painting in Germany), "Überschwemmte Wümmewiesen/An der Wümme", around 1940, chalk, coloured pencil and charcoal on paper (paper from the magazine Atlantis), 15 x 23 cm, framed under glass, paper browned, fixed to the cardboard at all four corners. We would like to thank the Otto Modersohn Museum in Fischerhude for confirming the authenticity on the basis of high-resolution photographs. Modersohn, Otto (1865 Soest - 1943 Rotenburg a.d. Wümme, studierte zunächst an der KA Düsseldorf und später in Karlsruhe. Ab 1889 Mitbegründer der Künstlerkolonie Worpswede. Dort arbeitete er unter anderem mit Fritz Mackensen und Heinrich Vogeler zusammen. Modersohn spezialisierte sich auf Landschaftsmalerei, insbesondere norddeutsche Moorlandschaften, Wiesen, Birken und Himmel. Anfangs naturalistisch, entwickelte sich sein Stil zu vereinfachten Formen, gedämpften Farben und einer ruhigen, stimmungsvollen Atmosphäre, teilweise beeinflusst vom Expressionismus, ohne vollständig dazu zu gehören. Verheiratet mit Paula Modersohn-Becker, prägte diese seinen künstlerischen Stil maßgeblich. Otto Modersohn gilt als einer der wichtigsten Vertreter der Worpsweder Künstlerkolonie und als Wegbereiter der modernen Landschaftsmalerei in Deutschland), "Überschwemmte Wümmewiesen/An der Wümme", um 1940, Kreide-, Bunt- und Kohlestift auf Papier (Papier der Zeitschrift Atlantis), 15 x 23 cm, unter Glas gerahmt, Papier gebräunt, an allen vier Ecken am Karton fixiert. Wir danken dem Otto Modersohn Museum in Fischerhude für die Bestätigung der Authentizität anhand hochauflösender Fotografien.

    Auktionshaus Plückbaum
  • Otto Modersohn (1865 Soest - Rotenburg 1943) – Gailenberg mit Blick auf Hindelang (Gailenberg with a view of Hindelang)
    Jun. 12, 2026

    Otto Modersohn (1865 Soest - Rotenburg 1943) – Gailenberg mit Blick auf Hindelang (Gailenberg with a view of Hindelang)

    Est: €5,000 - €7,000

    Oil on canvas. (19)32. Approx. 49.5 x 68.5 cm. Signed and dated lower left. On the reverse of the canvas, a dedication by the artist to “Pastor Schmidt in memory, Gailenberg, July 34”.

    Karl & Faber
  • Otto Modersohn: Weg an der Surheide
    Jun. 11, 2026

    Otto Modersohn: Weg an der Surheide

    Est: €6,000 - €8,000

    MODERSOHN , OTTO 1865 Soest–1943 Rotenburg Title: Weg an der Surheide. Date: 1926. Technique: Oil on chipboard. Measurement: 30 x 40 cm. Notation: Signed and dated lower right: O Modersohn 26. Frame: Framed. We are grateful to Mr Rainer Noeres, Otto-Modersohn-Museum Fischerhude/Ottersberg, for the kind scientific support. Provenance: - Private collection Cologne (by inheritance) Estimated shipping costs for this lot: Inland: 36.97 Euro plus 7.02 Euro VAT EU: 58.82 Euro plus 11.18 Euro VAT Third country: 100.84 Euro plus 19.16 Euro VAT additional shipping insurance Shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. #Otto Modersohn #Expressionism #Berlin Secession #Germany #Modern Art #1920s #Oil #Modern Art.

    Van Ham Kunstauktionen
  • Otto Modersohn: Sommer in den Feldern
    Jun. 11, 2026

    Otto Modersohn: Sommer in den Feldern

    Est: €6,000 - €8,000

    MODERSOHN , OTTO 1865 Soest–1943 Rotenburg Title: Sommer in den Feldern. Date: 1926. Technique: Oil on chipboard. Measurement: 32 x 41 cm. Notation: Signed and dated lower right: O Modersohn 26. The photo shows the Surheide, located not far from the artist's studio. We are grateful to Rainer Noeres, Otto-Modersohn-Museum Fischerhude/Ottersberg, for the kind scientific support. Provenance: - Private collection North Rhine-Westphalia - Private collection North Rhine-Westphalia (as a gift) Estimated shipping costs for this lot: Inland: 36.97 Euro plus 7.02 Euro VAT EU: 58.82 Euro plus 11.18 Euro VAT Third country: 100.84 Euro plus 19.16 Euro VAT additional shipping insurance Shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. #Otto Modersohn #Expressionism #Berlin Secession #Germany #Modern Art #1920s #Modern Art.

    Van Ham Kunstauktionen
  • Otto Modersohn: Moorlandschaft mit Backofen
    Jun. 11, 2026

    Otto Modersohn: Moorlandschaft mit Backofen

    Est: €8,000 - €12,000

    MODERSOHN , OTTO 1865 Soest–1943 Rotenburg Title: Moorlandschaft mit Backofen. Date: 1937. Technique: Oil on canvas. Measurement: 50.5 x 70 cm. Notation: Signed and dated lower right: O Modersohn 37. Frame: Craftsman's frame. We are grateful to Mr Rainer Noeres, Otto-Modersohn-Museum Fischerhude/ Ottersberg, for the kind scientific support. Provenance: - Private collection North Rhine-Westphalia Estimated shipping costs for this lot: The lot is unsuitable for parcel shipping. Transport only by shipping company after consultation following the auction. additional shipping insurance Shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. #Otto Modersohn #Expressionism #Berlin Secession #Germany #Modern Art #1930s #Landscape #Painting #Modern Art. In accordance with §26 UrhG (German Copyright Act), VAN HAM is obliged to pay a statutory resale royalty on the sale proceeds of all original works of fine art and photography whose authors have not been deceased for 70 years prior to the end of the calendar year of the sale. The buyer shall contribute 1.5% of the hammer price to this fee.

    Van Ham Kunstauktionen
  • Otto Modersohn: Worpswede - Dorfansicht mit Weyerberg
    Jun. 11, 2026

    Otto Modersohn: Worpswede - Dorfansicht mit Weyerberg

    Est: €15,000 - €20,000

    MODERSOHN , OTTO 1865 Soest–1943 Rotenburg Title: Worpswede - Dorfansicht mit Weyerberg. Date: Ca. 1905. Technique: Oil on painting card. Mounting: Laid down on beaverboard. Measurement: 69.5 x 89 cm. Notation: Signed lower left: O Modersohn. Frame: Craftsman's frame. We are grateful to Mr Rainer Noeres, Otto-Modersohn-Museum Fischerhude/ Ottersberg, for the kind scientific support. Provenance: - Private collection North Germany - Jürgen Wegner Collection, Dresden/Fischerhude (1993-2000) - Villa Grisebach, Berlin, 79th auction, 26.5.2000, lot 6 - Bolland & Marotz, Bremen - Villa Grisebach, Berlin, 141th auction, 2.12.2006, lot 126 (label) - Private collection North Germany (acquired from the previous owner) Exhibitions: - Otto Modersohn Museum, Fischerhude 2007 Estimated shipping costs for this lot: The lot is unsuitable for parcel shipping. Transport only by shipping company after consultation following the auction. additional shipping insurance Shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. #Otto Modersohn #Expressionism #Berlin Secession #Germany #Modern Art #1900s #Landscape #Oil #Painting #Modern Art. In accordance with §26 UrhG (German Copyright Act), VAN HAM is obliged to pay a statutory resale royalty on the sale proceeds of all original works of fine art and photography whose authors have not been deceased for 70 years prior to the end of the calendar year of the sale. The buyer shall contribute 1.5% of the hammer price to this fee.

    Van Ham Kunstauktionen
  • Otto Modersohn: Rautendorfer Schiffgraben mit Bootschuppen
    Jun. 11, 2026

    Otto Modersohn: Rautendorfer Schiffgraben mit Bootschuppen

    Est: €25,000 - €35,000

    MODERSOHN , OTTO 1865 Soest–1943 Rotenburg Title: Rautendorfer Schiffgraben mit Bootschuppen. Date: Ca. 1927. Technique: Oil on canvas. Measurement: 71 x 100 cm. Notation: Signed Signed O Modersohn. Frame: Craftsman's frame. We are grateful to Mr Rainer Noeres, Otto-Modersohn-Museum Fischerhude/ Ottersberg for the kind scientific support.. Provenance: - Meyer-Dingräfe collection (directly from the artist) - Daniel Meyer-Dingräfe collection, London - Christie's London, 7355th auction, 7.2.2007, lot 266 - Privat ecollection North Germany - Co-founder of the legendary artist colony Worpswede - Work of the mature phase of creation of the 1920s - Balanced coposition and earthy colours - Characteristic moor landscape motif with poetic concept of nature Otto Modersohn is regarded as one of the defining landscape painters of German art around 1900. Following his studies at the art academies in Düsseldorf and Karlsruhe, he became a co-founder of the Worpswede artists’ colony in 1889. In engagement with the French Barbizon School, he developed there a distinctive approach to landscape painting, characterized by direct observation of nature and quiet introspection. For Modersohn, the landscape became an expression of inner emotion. Simplified forms, calm pictorial rhythms, and a subdued, harmonious palette lend his works a poetic, contemplative atmosphere. Around 1900, he received decisive inspiration from modern French painting, particularly from Paul Cézanne and Vincent van Gogh, as well as through artistic exchange with the painter Paula Modersohn-Becker, whom he married in 1901. As a result, he condensed his pictorial language into clearly structured, increasingly planar compositions, thereby bridging the naturalistic conception of landscape in the nineteenth century with modernism. The painting, created around 1927, belongs to the artist’s mature period. The viewer’s gaze follows a narrow drainage canal whose tranquil surface reflects the dynamic sky above. On the left bank stand simple, thatched boathouses, while to the right a path lined with slender trees recedes into the distance. A small bridge connects the banks and opens the view onto the expansive landscape of the Teufelsmoor. Only upon closer inspection does one discover two figures: a man standing on the bridge and a woman in a red coat among the trees at the right edge of the composition, moving toward one another with slightly inclined postures. The quiet moor landscape belongs to Modersohn’s central pictorial themes. In the balanced composition, the rhythmically arranged rows of trees, and the subdued coloration, nature is distilled into the calm, poetic pictorial world that characterizes his work of the 1920s. Estimated shipping costs for this lot: The lot is unsuitable for parcel shipping. Transport only by shipping company after consultation following the auction. additional shipping insurance Shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. #Otto Modersohn #Expressionism #Berlin Secession #Germany #Modern Art #1920s #Landscape #Oil #Painting #Modern Art. In accordance with §26 UrhG (German Copyright Act), VAN HAM is obliged to pay a statutory resale royalty on the sale proceeds of all original works of fine art and photography whose authors have not been deceased for 70 years prior to the end of the calendar year of the sale. The buyer shall contribute 1.5% of the hammer price to this fee.

    Van Ham Kunstauktionen
  • Modersohn, Otto (1865 - 1943)
    Jun. 10, 2026

    Modersohn, Otto (1865 - 1943)

    Est: €14,000 - €16,000

    Modersohn, Otto (1865 - 1943) Allgäu - Spring in the Little Forest at the Hirschbach, 1939 Oil on canvas Signed and dated lower left 22 x 29.1 in Rental Frame The painting Allgäu-Frühling im Wäldchen am Hirschbach was created during Modersohn's time on the Gailenberg near Hindelang in the Allgäu, where he bought a small farmhouse in 1930, where he lived and worked during the summer months. A brightly lit spring landscape is accompanied by the mountains, which are in the background of the picture. The then 65-year-old found great interest in the scenic tension between the Allgäu mountain landscape and the North German lowlands. It is a recurring motif in his artworks. The authenticity of the work was confirmed by Rainer Noeres and included in the internal catalogue raisonné of the Otto Modersohn Museum, Fischerhude (WV-OM-SW-1939, no. 72.).

    Lehner Kunstauktionen
  • Modersohn, Otto: Dunkler Tag im Moor
    Jun. 06, 2026

    Modersohn, Otto: Dunkler Tag im Moor

    Est: €500 - €700

    Dunkler Tag im Moor Kohle und farbige Kreide auf der Rückseite eines Briefumschlags. Um 1942. 14 x 19,2 cm. Auf dem Unterlagepapier vom Sohn des Künstlers mit Bleistift bestätigt "Für Otto Modersohn, Chr. M.". Die flache Landschaft mit ihren feuchten Wiesen und kahlen Bäumen und dem dicht an den Boden geduckten Haus schildert der Künstler mit vehementem Duktus und sicheren Linien der dunkeltonigen Kreiden. Seit 1936, als Modersohn auf dem rechten Auge erblindet war, malte er ausschließlich in seinem Atelier. Bei der vorliegenden Studie handelt es sich also um eine Naturerinnerung, um ein inneres Bild. Zeichnung auf der Rückseite eines an Modersohn adressierten, am 02.12.1941 abgestempelten Briefumschlags. - Provenienz: Familie des Künstlers Galerie Rosenbach, Hannover (1980) Hauswedell & Nolte, Hamburg, Auktion 11.12.2015, Lot 374 Privatbesitz Hessen - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Otto Modersohn, Blütenbäume hinter Frau Windisch mit unserem Haus, 1933
    Jun. 06, 2026

    Otto Modersohn, Blütenbäume hinter Frau Windisch mit unserem Haus, 1933

    Est: €9,000 - €12,000

    Signed and dated 'OModersohn 33.' in black lower right. With confirmation from the Otto-Modersohn-Museum, Fischerhude. The painting is recorded in the Modersohn archive under the number "WV-OM-SW-1933 Nr. 063: Blütenbäume hinter Fr. W. m. uns. Haus".

    Lempertz
  • Otto Modersohn, Sturm im Moor, Circa 1930/1931
    Jun. 06, 2026

    Otto Modersohn, Sturm im Moor, Circa 1930/1931

    Est: €9,000 - €12,000

    Signed 'O Modersohn.' in red lower right. Titled '[...]sturm i. Moor' verso on stretcher. With confirmation from the Otto-Modersohn-Museum, Fischerhude.

    Lempertz
  • Otto Modersohn, Tulpen, 1937
    Jun. 06, 2026

    Otto Modersohn, Tulpen, 1937

    Est: €6,000 - €8,000

    Monogrammed and dated 'OM 37' in dark blue lower left. With an export report from Christian Modersohn, Fischerhude, dated 15 Feb. 2007. The painting is registered in the Modersohn Archive under the number "WV-OM-SW 1937 Nr. 84: Tulpen".

    Lempertz
  • Otto Modersohn, Abend im Moor, Circa 1938
    Jun. 06, 2026

    Otto Modersohn, Abend im Moor, Circa 1938

    Est: €7,000 - €9,000

    Signed 'O Modersohn' in black lower right. With an expert report from the Otto-Modersohn-Museum, Fischerhude, dated 12 Feb. 2026.

    Lempertz
  • Otto Modersohn, Bauerngarten in der Abendsonne, 1907
    Jun. 06, 2026

    Otto Modersohn, Bauerngarten in der Abendsonne, 1907

    Est: €9,000 - €12,000

    Signed 'OModersohn' in blue lower right, and monogrammed 'OM' and dated '8 07' in pencil lower left. Inscribed twice "Herbstsonne" and "Nr. 21 Herbstsonne" verso by an unknown hand. With an expert report from Rainer Noeres, Otto-Modersohn-Museum Fischerhude, from 30 Jan. 2025

    Lempertz
  • Otto Modersohn (Soest 1865 - Fischerhude 1943). Moor Ditch.
    Jun. 05, 2026

    Otto Modersohn (Soest 1865 - Fischerhude 1943). Moor Ditch.

    Est: -

    1939. Oil/canvas. 57 x 74,5 cm. Lower right signed and dated O. Modersohn 39. - Expertise: The painting is listed at the Otto Modersohn Museum as WV-OM-SW-1939, Nr. 110 - Worpswede painter, main exponent of the Worpswede artist colony. He studied since 1884 at the Düsseldorf academy, thereafter in Munich a. Karlsruhe. Accompanied by F. Mackensen he visited Worpswede for the first time in 1889. Shortly after H. am Ende, F. Overbeck a. H. Vogeler joined them a. the artist's colony emerged. An exhibition in the Bremen Kunsthalle brought supra-regional attention, an exhibtion in the Munich Glaspalast the same year was the international break-thorugh. To keep his personal a. artistical freedom M. left the Worpswede Künstlervereinigung as soon as 1899. After the death of his wife Paula Modersohn-Becker he moved to the nearby Fischerhude, since 1922 he also travelled regularly to the Allgäu. In 1940 he was awarded the Goethe medal, an important German prize. M. developed the immediateness, the feeling for nature and the sense for colour of the classic plein air painting in direction of a reduced concreteness which concentrates the form of nature to compact masses a. makes the colour communicate the mood. Mus.: Munich (Neue Pinakothek), Fischerhude, Bremen, Hannover, Oldenburg, Prag, Breslau, Danzig a. others. Lit.: Thieme-Becker, Vollmer, Bénézit a. others.

    Auktionshaus Stahl
  • Otto Modersohn (Soest 1865 - Fischerhude 1943). Moor Canal in Autumn.
    Jun. 05, 2026

    Otto Modersohn (Soest 1865 - Fischerhude 1943). Moor Canal in Autumn.

    Est: -

    Around 1928. Oil/canvas. 56 x 74 cm. Lower right signed O. Modersohn, titled on the stretcher. Small inconspicuous restorations, signature traced. - Expertise: We thank the Otto Modersohn Museum for the recent confirmation of authenticity. - Provenance: Private collection Hamburg - Worpswede painter, main exponent of the Worpswede artist colony. He studied since 1884 at the Düsseldorf academy, thereafter in Munich a. Karlsruhe. Accompanied by F. Mackensen he visited Worpswede for the first time in 1889. Shortly after H. am Ende, F. Overbeck a. H. Vogeler joined them a. the artist's colony emerged. An exhibition in the Bremen Kunsthalle brought supra-regional attention, an exhibtion in the Munich Glaspalast the same year was the international break-thorugh. To keep his personal a. artistical freedom M. left the Worpswede Künstlervereinigung as soon as 1899. After the death of his wife Paula Modersohn-Becker he moved to the nearby Fischerhude, since 1922 he also travelled regularly to the Allgäu. In 1940 he was awarded the Goethe medal, an important German prize. M. developed the immediateness, the feeling for nature and the sense for colour of the classic plein air painting in direction of a reduced concreteness which concentrates the form of nature to compact masses a. makes the colour communicate the mood. Mus.: Munich (Neue Pinakothek), Fischerhude, Bremen, Hannover, Oldenburg, Prag, Breslau, Danzig a. others. Lit.: Thieme-Becker, Vollmer, Bénézit a. others.

    Auktionshaus Stahl
  • Otto Modersohn
    Apr. 25, 2026

    Otto Modersohn

    Est: €16,000 - €32,000

    (1865 Soest - 1943 Rotenburg) "Boote auf der Wümme - Überschwemmung". Originaltitel In erdigem Kolorit, breitem Pinselstrich und flächiger Komposition angelegte, um 1929 gemalte Impression Modersohns, die seine Faszination für die Rauheit und den Kontrastreichtum der Natur bemerkenswert widerspiegelt. Modersohn, der 1889 zusammen mit Fritz Mackensen und Hans am Ende die Worpsweder Künstlerkolonie gegründet hatte, siedelte nach dem Tod seiner Frau Paula Modersohn-Becker 1908 in das nahegelegene Fischerhude über, ein idyllisches Dorf in der Wümmeniederung, wo er die Landschaft und tief empfundene Natur in neuer, kontemplativer Weise erlebte. Fischerhude und seine Umgebung - die überschwemmten Wümmewiesen und -ufer, die Surheide und die Moorlandschaft - im Wechsel der Jahres- und Tageszeiten, werden die Hauptmotive seines Schaffens. Die ersten Fischerhuder Jahre 1908 - 1915 markieren zugleich einen künstlerischen Umbruch im Oeuvre Modersohns. Die Beschäftigung mit den Gemälden seiner 1907 verstorbenen Frau Paula Modersohn-Becker und der neuen französischen Kunst, insbesondere mit Cézanne und van Gogh, brachte ihm neue Einsichten und Einflüsse. Breit nebeneinander gesetzte, verwobene Pinselstriche bilden die Struktur flächig komponierter Gemälde, die das Gemeinsame der Stimmung einfangen. Öl/Lwd.; Verso Echtheitsbestätigung von Christian Modersohn (Sohn des Künstlers) vom 27.4.(19)44 sowie Etikett der Galerie Koch, Hannover. 45 cm x 70 cm. Rahmen. Wir danken Herrn Rainer Noeres, Otto-Modersohn-Museum in Fischerhude, für die freundliche Bestätigung der Authentizität. Beigefügt Expertise von Christian Modersohn vom 05. März 1998. Ausstellungen/Kataloge: Otto Modersohn - Fischerhude 1908-1930, 28.08-01.11.1992, Otto-Modersohn-Museum; C. Modersohn, R. Noerres, Otto Modersohn - Fischerhude 1908-1943, Fischerhude 1993, Nr. 78, Seite 119; Auktion 09.12. 1997, Sotheby’s, London, Los. 120, Seite 126. Provenienz: Liselotte Lessing, Bremen (bis 1988); Privatsammlung; Auktion Sotheby’s, London, 09.12.1997, Los 120; Galerie Koch, Hannover; Norddeutsche Privatsammlung (ab 2000). Oil on canvas. Handwritten confirmation of authenticity by Christian Modersohn (the artist’s son) and label by Galerie Koch Hannover on the reverse. The authenticity was confirmed by Rainer Noeres, Otto-Modersohn-Museum, Fischerhude. Expertise by Christian Modersohn, 1998.

    Kunstauktionshaus Schloss Ahlden
  • Otto Modersohn
    Apr. 25, 2026

    Otto Modersohn

    Est: €1,800 - €3,600

    (1865 Soest - 1943 Rotenburg/Wümme) Kate hinter Bäumen Motiv aus dem Teufelsmoor bei Worpswede bzw. aus Fischerhude. Der Mitbegründer der Worpsweder Künstlerkolonie zog 1908 nach dem Tod seiner Frau Paula Modersohn-Becker ins nahegelegene Fischerhude, wo er die stille Poesie des Dorfes und seiner Umgebung einfing. Schwarze u. farbige Kreide bzw. Rötel/Papier. Auf dem Hinterlegkarton von Christian Modersohn (Sohn des Künstlers) sign. "für Otto Modersohn Christian Modersohn". Knickfalten. 15 cm x 21,2 cm. Rahmen. Provenienz: Galerie Rosenbach, Hannover. Black and red chalk on paper. Signed by the artist's son Christian Modersohn. Creases.

    Kunstauktionshaus Schloss Ahlden
  • Otto Modersohn
    Mar. 21, 2026

    Otto Modersohn

    Est: €900 - €1,500

    Otto Modersohn 1865 Soest - 1943 Rotenburg - Garden at Weyerberg - Lovers - Red chalk and charcoal/paper. 14 x 25 cm (mount opening). 33.5 x 42 cm (dimensions with frame). With label (Graphisches Kabinett Kunsthandel Wolfgang Werner KG) on the reverse of the frame. Titled and dated there. Mount. Framed under glass. - We thank Mr. Rainer Noeres from the Otto Modersohn Museum, Fischerhude, for the kind confirmation and further scientific information. Otto Modersohn created two paintings corresponding in motif to this drawing.

    Das Kunst- und Auktionshaus Kastern GmbH & Co KG
  • Otto Modersohn (Soest 1865 - Fischerhude 1943). Man on the Moordam, Moonlit Night.
    Mar. 07, 2026

    Otto Modersohn (Soest 1865 - Fischerhude 1943). Man on the Moordam, Moonlit Night.

    Est: -

    Araound 1938. Charcoal and chalk pencil drawing. 15 x 20 cm. Framed under glass, uninspected out of frame. - Expertise: Expertise Otto Modersohn Museum 21.03.2015 - Provenance: Estate Otto Modersohn - Worpswede painter, main exponent of the Worpswede artist colony. He studied since 1884 at the Düsseldorf academy, thereafter in Munich a. Karlsruhe. Accompanied by F. Mackensen he visited Worpswede for the first time in 1889. Shortly after H. am Ende, F. Overbeck a. H. Vogeler joined them a. the artist's colony emerged. An exhibition in the Bremen Kunsthalle brought supra-regional attention, an exhibtion in the Munich Glaspalast the same year was the international break-thorugh. To keep his personal a. artistical freedom M. left the Worpswede Künstlervereinigung as soon as 1899. After the death of his wife Paula Modersohn-Becker he moved to the nearby Fischerhude, since 1922 he also travelled regularly to the Allgäu. In 1940 he was awarded the Goethe medal, an important German prize. M. developed the immediateness, the feeling for nature and the sense for colour of the classic plein air painting in direction of a reduced concreteness which concentrates the form of nature to compact masses a. makes the colour communicate the mood. Mus.: Munich (Neue Pinakothek), Fischerhude, Bremen, Hannover, Oldenburg, Prag, Breslau, Danzig a. others. Lit.: Thieme-Becker, Vollmer, Bénézit a. others.

    Auktionshaus Stahl
  • Otto Modersohn (Soest 1865 - Fischerhude 1943). Storm in the Moor.
    Mar. 07, 2026

    Otto Modersohn (Soest 1865 - Fischerhude 1943). Storm in the Moor.

    Est: -

    . Around 1939. Charcoal and chalk pencil drawing. 16.5 x 23cm. Framed under glass, uninspected out of frame. Margins irregular. . - Expertise: Expertise Otto Modersohn Museum 30.01.2024 - Exhibition: - Literature: - Provenance: Estate Otto Modersohn, estate Christian Modersohn - Worpswede painter, main exponent of the Worpswede artist colony. He studied since 1884 at the Düsseldorf academy, thereafter in Munich a. Karlsruhe. Accompanied by F. Mackensen he visited Worpswede for the first time in 1889. Shortly after H. am Ende, F. Overbeck a. H. Vogeler joined them a. the artist's colony emerged. An exhibition in the Bremen Kunsthalle brought supra-regional attention, an exhibtion in the Munich Glaspalast the same year was the international break-thorugh. To keep his personal a. artistical freedom M. left the Worpswede Künstlervereinigung as soon as 1899. After the death of his wife Paula Modersohn-Becker he moved to the nearby Fischerhude, since 1922 he also travelled regularly to the Allgäu. In 1940 he was awarded the Goethe medal, an important German prize. M. developed the immediateness, the feeling for nature and the sense for colour of the classic plein air painting in direction of a reduced concreteness which concentrates the form of nature to compact masses a. makes the colour communicate the mood. Mus.: Munich (Neue Pinakothek), Fischerhude, Bremen, Hannover, Oldenburg, Prag, Breslau, Danzig a. others. Lit.: Thieme-Becker, Vollmer, Bénézit a. others.

    Auktionshaus Stahl
  • Otto Modersohn (Soest 1865 - Fischerhude 1943). Late Summer at the Wümme.
    Mar. 07, 2026

    Otto Modersohn (Soest 1865 - Fischerhude 1943). Late Summer at the Wümme.

    Est: -

    1923. Oil/cardboard. 49 x 68,5 cm. Lower right mongrammed and dated OM X 23. - Expertise: Expertise by Otto-Modersohn-Museum 12.12.2019 - Exhibition: The painting was exhibited: Otto Modersohn. Worpswede - Fischerhude, 1977 - Literature: The painting is published: Otto Modersohn. Worpswede - Fischerhude, 1977, p. 223 - Provenance: Estate Otto Modersohn; Christian Modersohn, Fischerhude - Worpswede painter, main exponent of the Worpswede artist colony. He studied since 1884 at the Düsseldorf academy, thereafter in Munich a. Karlsruhe. Accompanied by F. Mackensen he visited Worpswede for the first time in 1889. Shortly after H. am Ende, F. Overbeck a. H. Vogeler joined them a. the artist's colony emerged. An exhibition in the Bremen Kunsthalle brought supra-regional attention, an exhibtion in the Munich Glaspalast the same year was the international break-thorugh. To keep his personal a. artistical freedom M. left the Worpswede Künstlervereinigung as soon as 1899. After the death of his wife Paula Modersohn-Becker he moved to the nearby Fischerhude, since 1922 he also travelled regularly to the Allgäu. In 1940 he was awarded the Goethe medal, an important German prize. M. developed the immediateness, the feeling for nature and the sense for colour of the classic plein air painting in direction of a reduced concreteness which concentrates the form of nature to compact masses a. makes the colour communicate the mood. Mus.: Munich (Neue Pinakothek), Fischerhude, Bremen, Hannover, Oldenburg, Prag, Breslau, Danzig a. others. Lit.: Thieme-Becker, Vollmer, Bénézit a. others.

    Auktionshaus Stahl
  • Otto Modersohn (Soest 1865 - Fischerhude 1943). Flood, view from the studio window.
    Mar. 07, 2026

    Otto Modersohn (Soest 1865 - Fischerhude 1943). Flood, view from the studio window.

    Est: -

    Around 1926. Oil/canvas. 50,5 x 80,5 cm. Low right signed O. Modersohn. Small retouching mainly around the edges. - Expertise: Expertise by Otto-Modersohn-Museum 28. 08. 2013 - Exhibition: The painting was exhibited: Otto Modersohn. Fischerhude 1926 bis 1932, Otto-Modersohn-Museum 2021/22 - Provenance: Private collection northern Germany - Worpswede painter, main exponent of the Worpswede artist colony. He studied since 1884 at the Düsseldorf academy, thereafter in Munich a. Karlsruhe. Accompanied by F. Mackensen he visited Worpswede for the first time in 1889. Shortly after H. am Ende, F. Overbeck a. H. Vogeler joined them a. the artist's colony emerged. An exhibition in the Bremen Kunsthalle brought supra-regional attention, an exhibtion in the Munich Glaspalast the same year was the international break-thorugh. To keep his personal a. artistical freedom M. left the Worpswede Künstlervereinigung as soon as 1899. After the death of his wife Paula Modersohn-Becker he moved to the nearby Fischerhude, since 1922 he also travelled regularly to the Allgäu. In 1940 he was awarded the Goethe medal, an important German prize. M. developed the immediateness, the feeling for nature and the sense for colour of the classic plein air painting in direction of a reduced concreteness which concentrates the form of nature to compact masses a. makes the colour communicate the mood. Mus.: Munich (Neue Pinakothek), Fischerhude, Bremen, Hannover, Oldenburg, Prag, Breslau, Danzig a. others. Lit.: Thieme-Becker, Vollmer, Bénézit a. others.

    Auktionshaus Stahl
  • Otto Modersohn (Soest 1865 - Fischerhude 1943). Bunch of Flowers.
    Mar. 07, 2026

    Otto Modersohn (Soest 1865 - Fischerhude 1943). Bunch of Flowers.

    Est: -

    1940. Oil/canvas. 74,5 x 57 cm. Lower right signed and dated O. Modersohn 40. Retouchings. - Expertise: Expertise by Otto-Modersohn-Museum 28.02.2018 - Exhibition: The painting was exhibited: Otto Modersohn. Blumenstilleben. Otto-Modersohn-Museum Fischerhude, Mai - Juli 2022 - Worpswede painter, main exponent of the Worpswede artist colony. He studied since 1884 at the Düsseldorf academy, thereafter in Munich a. Karlsruhe. Accompanied by F. Mackensen he visited Worpswede for the first time in 1889. Shortly after H. am Ende, F. Overbeck a. H. Vogeler joined them a. the artist's colony emerged. An exhibition in the Bremen Kunsthalle brought supra-regional attention, an exhibtion in the Munich Glaspalast the same year was the international break-thorugh. To keep his personal a. artistical freedom M. left the Worpswede Künstlervereinigung as soon as 1899. After the death of his wife Paula Modersohn-Becker he moved to the nearby Fischerhude, since 1922 he also travelled regularly to the Allgäu. In 1940 he was awarded the Goethe medal, an important German prize. M. developed the immediateness, the feeling for nature and the sense for colour of the classic plein air painting in direction of a reduced concreteness which concentrates the form of nature to compact masses a. makes the colour communicate the mood. Mus.: Munich (Neue Pinakothek), Fischerhude, Bremen, Hannover, Oldenburg, Prag, Breslau, Danzig a. others. Lit.: Thieme-Becker, Vollmer, Bénézit a. others.

    Auktionshaus Stahl
  • OTTO MODERSOHN (1865-1943), WORPSWEDE PAIN
    Jan. 28, 2026

    OTTO MODERSOHN (1865-1943), WORPSWEDE PAIN

    Est: -

    Otto Modersohn (1865-1943), Worpswede painter and draughtsman, Moorgraben und Bäume (Moors and Trees), composition drawing in charcoal and chalk on paper, circa 1930, unsigned, expertise with confirmation of authenticity by Christian Modersohn available, 14.7 x 20.5 cm, framed in passe-partout behind glass 33.5 x 38.5 cm

    Historia Auctionata
  • OTTO MODERSOHN (1865-1943), WORPSWEDE PAIN
    Jan. 28, 2026

    OTTO MODERSOHN (1865-1943), WORPSWEDE PAIN

    Est: -

    Otto Modersohn (1865-1943), Worpswede painter and draughtsman, Dark clouds over the Surheide, composition drawing in charcoal and chalk on paper, ca. 1940, unsigned, expertise with confirmation of authenticity by Christian Modersohn available, 14 x 21.5 cm, framed in passe-partout behind glass 32.5 x 40 cm

    Historia Auctionata
  • OTTO MODERSOHN (1865-1943), LANDSCAPE, CHA
    Jan. 28, 2026

    OTTO MODERSOHN (1865-1943), LANDSCAPE, CHA

    Est: -

    Otto Modersohn (1865-1943), Landscape, charcoal drawing on brown paper, inscribed and dated ''O. Modersohn 1920,'' inscribed lower left ''Brücke mit Wasserträgerin,'' stamped on the reverse by the Modersohn House and handwritten confirmation by Christian Modersohn, 12 x 22 cm, framed behind glass and passe-partout 39 x 45 cm

    Historia Auctionata
  • OTTO MODERSOHN (1865-1943), LANDSCAPE, CHA
    Jan. 28, 2026

    OTTO MODERSOHN (1865-1943), LANDSCAPE, CHA

    Est: -

    Otto Modersohn (1865-1943), Landscape, chalk drawing in brown and black on handmade paper, unsigned, handwritten confirmation by Christian Modersohn on the reverse on a label from the Otto Modersohn Museum, 12 x 19 cm, framed behind glass and passe-partout 37 x 45 cm

    Historia Auctionata
  • Vorfrühling (Anemonen) (Early Spring (Anemones))
    Dec. 10, 2025

    Vorfrühling (Anemonen) (Early Spring (Anemones))

    Est: €60,000 - €80,000

    Property from an Important Private Collection, Northern Germany Otto Modersohn 1865 - 1943 Vorfrühling (Anemonen) (Early Spring (Anemones)) signed and dated 1904 (lower right) oil on canvas 92.4 by 135.5 cm. 36⅜ by 53⅜ in. Executed in 1904. The authenticity of this work has been confirmed by Rainer Noeres, Otto-Modersohn-Museum, Fischerhude.

    Sotheby's
  • Otto Modersohn (1865 Soest - Rotenburg 1943)
    Dec. 06, 2025

    Otto Modersohn (1865 Soest - Rotenburg 1943)

    Est: €500 - €700

    Sommerlandschaft mit Regenwolken. Kreide auf Graupapier. Verso mit einem Etikett des Nachlass-Museums. Dort mit Echtheitsbestätigung. Blattmaß: 14 x 24 cm. Im Leinen-Passepartout freigestellt und unter Glas gerahmt: 27 x 36 cm.

    AaG Auktionshaus am Grunewald
  • Otto Modersohn
    Dec. 06, 2025

    Otto Modersohn

    Est: €7,000 - €14,000

    (1865 Soest - 1943 Rotenburg) "An der Wassermühle in Fischerhude". Originaltitel Mit energischen, schnellen Strichen ausgeführter Blick auf eine Wassermühle in Fischerhude. Modersohn zog 1908 von Worpswede nach Fischerhude, wo er die stille Poesie des Dorfes und seiner Umgebung einfing. Entstanden 1925, stammt es aus der mittleren Fischerhuder Schaffensperiode Modersohns. Künstlerisch markierte Fischerhude einen Neubeginn für Modersohn. Seine Malerei entwickelte sich in intensiver Beschäftigung mit Cézanne hin zu flächigen, ganz transparent aufgebauten, dicht miteinander verwobenen Bildräumen, die er als Ganzheit gestaltete. Ein signiertes Ölgemälde mit der Ansicht derselben Wassermühle befindet sich in einer Norddeutschen Privatsammlung (angeboten bei Dr. Nöth, Ansbach, mit Exp. des Modersohn Museum, 2009). Öl/Malpappe. R. u. sign. u. dat. (19)25. Verso: "Ich bestätige, daß (sic!) dieses Bild von der Hand meines Vaters stammt / Christian Modersohn, Fischehude", darunter ein Stempel des Modersohn Museum, Fischerhude. 60 cm x 50 cm. Rahmen. Wir danken Herrn Rainer Noeres, Otto-Modersohn-Museum in Fischerhude, für die freundliche Bestätigung der Authentizität. Lit. Galerie Rosenbach, Kat. 21, Zwischen Tradition und Moderne, Hannover, S. 25, Nr. 274. Provenienz: Norddeutsche Privatsammlung, Galerie Rosenbach Hannover, Christian Modersohn, Otto Modersohn Nachlass. Oil on cardboard. Signed and dated (19)25. The authenticity was confirmed by Rainer Noeres, Otto-Modersohn-Museum in Fischerhude.

    Kunstauktionshaus Schloss Ahlden
  • Otto Modersohn
    Dec. 06, 2025

    Otto Modersohn

    Est: €9,000 - €18,000

    (1865 Soest - 1943 Rotenburg) "Sommertag". Originaltitel Mit lockerem, schnellem, weich pastosem Duktus gemalte Darstellung eines Fachwerkhofes mit Stallung und einer Person im Mittelpunkt, wohl ein Gehöft in Fischerhude mit Pappelallee im Hintergrund. Mit der Datierung 1908 stammt das Werk aus dem Beginn Modersohns Schaffensphase in Fischerhude. Ein idyllisches Dorf in der Wümmeniederung, in das der Künstler, Mitbegründer der Worpsweder Künstlerkolonie nach dem Tod seiner Frau Paula Modersohn-Becker, 1908 gezogen war. Dort brachte ihm die intensive Beschäftigung mit Van Gogh und Cézanne neue Einsichten und Einflüsse für sein Werk. Breit nebeneinander gesetzte, verwobene Pinselstriche bilden die Struktur flächig komponierter Gemälde, die das Gemeinsame der Stimmung einfangen. Öl/Malpappe. L. u. sign. und dat. "VIII" (1908). 57,5 cm x 41,5 cm. Rahmen. Malstil und Farbigkeit vergleichbar mit: "Bauerngarten mit Brücke" von Otto Modersohn, um 1908 entstanden, heute in der Kunsthalle Worpswede. Provenienz: Norddeutsche Privatsammlung, ersteigert Kunstauktionshaus Schloss Ahlden GmbH, Auktion Nr.8, 09.09.1978, Lot 990. Wir danken Herrn Rainer Noeres, Otto-Modersohn-Museum in Fischerhude, für die freundliche Bestätigung der Authentizität. Oil on cardboard. Signed and dated "VIII" (1908). The authenticity was confirmed by Rainer Noeres, Otto-Modersohn-Museum in Fischerhude.

    Kunstauktionshaus Schloss Ahlden
  • Otto Modersohn, Frühling in den Wümmewiesen - Büsche und Bäume hinter Brelings, 1925
    Dec. 05, 2025

    Otto Modersohn, Frühling in den Wümmewiesen - Büsche und Bäume hinter Brelings, 1925

    Est: €9,000 - €12,000

    Signed and dated 'OModersohn 25.' in red lower left. With an expert report from the Otto-Modersohn Museum, Fischerhude, from 27 March 2024.

    Lempertz
  • Otto Modersohn: Blumenstillleben
    Dec. 04, 2025

    Otto Modersohn: Blumenstillleben

    Est: €5,000 - €7,000

    MODERSOHN, OTTO 1865 Soest - 1943 Rotenburg Title: Blumenstillleben. Date: 1933. Technique: Oil on canvas. Measurement: 61 x 50cm. Notation: Signed and dated lower left: OModersohn 33. Frame/Pedestal: Craftman's frame. We are grateful to Mr. Rainer Noeres, Otto Modersohn Museum Fischerhude/Ottersberg, for his kind scientific support. Provenance: - Private collection New Mexico/USA Estimated shipping costs for this lot: Germany: 52,94 Euro plus 10,06 Euro VAT EU: 79,83 Euro plus 15,17 Euro VAT Worldwide: 138,66 Euro plus 26,34 Euro VAT additional shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. Explanations to the Catalogue Otto Modersohn Germany Berlin Secession Modern Art 1930s Craftman's frame Still Life Painting Oil Flowers

    Van Ham Kunstauktionen
  • Otto Modersohn: Sommer in den Feldern
    Dec. 04, 2025

    Otto Modersohn: Sommer in den Feldern

    Est: €6,000 - €8,000

    MODERSOHN, OTTO 1865 Soest - 1943 Rotenburg Title: Sommer in den Feldern. Date: 1926. Technique: Oil on chipboard. Measurement: 32 x 41cm. Notation: Signed and dated lower right: O Modersohn 26. The painting depicts the Surheide, located not far from the artist's studio. We are grateful to Mr. Rainer Noeres, Otto Modersohn Museum Fischerhude/Ottersberg, for his kind scientific support. Provenance: - Private collection North Rhine-Westphalia - Private collection North Rhine-Westphalia (by donation) Estimated shipping costs for this lot: Germany: 36,97 Euro plus 7,03 Euro VAT EU: 58,82 Euro plus 11,18 Euro VAT Worldwide: 100,84 Euro plus 19,16 Euro VAT additional shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. Explanations to the Catalogue Otto Modersohn Germany Berlin Secession Modern Art 1920s Landscape Painting Oil

    Van Ham Kunstauktionen
  • Otto Modersohn: Sommerliche Felder
    Dec. 04, 2025

    Otto Modersohn: Sommerliche Felder

    Est: €8,000 - €12,000

    MODERSOHN, OTTO 1865 Soest - 1943 Rotenburg Title: Sommerliche Felder. Date: Ca. 1912. Technique: Oil on canvas. Measurement: 46,5 x 70cm. Notation: Signed lower left: O Modersohn. Frame/Pedestal: Framed. This work is accompanied by a certificate from Rainer Noeres, Otto Modersohn Museum, Fischerhude, dated 2nd June 2016. We are grateful to Mr. Rainer Noeres, Otto Modersohn Museum Fischerhude/Ottersberg, for his kind scientific support. Provenance: - Estate of Otto Modersohn - Mathilde Modersohn - Hüppel Collection, Bremen - Neher Gallery, Essen (adhesive label) - Private collection Lower Saxony (acquired from previous owner in 1988) Estimated shipping costs for this lot: Germany: 77,31 Euro plus 14,69 Euro VAT EU: 100,84 Euro plus 19,16 Euro VAT Worldwide: 159,66 Euro plus 30,34 Euro VAT additional shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. Explanations to the Catalogue Otto Modersohn Germany Berlin Secession Modern Art 1910s Framed Landscape Painting Oil Cornfield

    Van Ham Kunstauktionen
  • Otto Modersohn: Louise Modersohn-Breling in den Wümmewiesen
    Dec. 04, 2025

    Otto Modersohn: Louise Modersohn-Breling in den Wümmewiesen

    Est: €10,000 - €15,000

    MODERSOHN, OTTO 1865 Soest - 1943 Rotenburg Title: Louise Modersohn-Breling in den Wümmewiesen. Date: 1910. Technique: Oil on card. Mounting: Mounted on wood. Measurement: 41,5 x 57,5cm. Notation: Monogrammed lower right: OM. Dated lower left: XIO. Verso lower right equipped with the estate stamp. Frame/Pedestal: Framed. This work is accompanied by expert reports by Christian Modersohn, Otto Modersohn Museum, Fischerhude, dated 12th March 1999, and by Detlev Rosenbach, Hanover, dated 16th March 1999. We are grateful to Mr. Rainer Noeres, Otto Modersohn Museum Fischerhude/Ottersberg, for his kind scientific support. Provenance: - Christian Modersohn, Fischerhude - Galerie Rosenbach, Hanover - Private collection North Rhine-Westphalia (acquired from previous owner in 1999) Estimated shipping costs for this lot: Germany: 52,94 Euro plus 10,06 Euro VAT EU: 79,83 Euro plus 15,17 Euro VAT Worldwide: 138,66 Euro plus 26,34 Euro VAT additional shipping insurance up to total invoice amount of 25,000 Euros: max. 41.65 Euro over a total invoice amount of 25,000 Euros: 1.8 o/oo USA by individual arrangement after the auction. Explanations to the Catalogue Otto Modersohn Germany Berlin Secession Modern Art 1910s Framed Woman Painting Oil Landscape

    Van Ham Kunstauktionen
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