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Henry (1898) Moore Sold at Auction Prices

Sculptor, b. 1898 - d. 1986

(born 30 July 1898 Castleford, Yorkshire, England; died 31 August 1986 Much Hadham, Hertfordshire, England) British sculptor. As a prominent artist that produced truly unique sculpture, Henry Moore is considered one of the greatest sculptors of the twentieth century. Moore began working as a teacher, but after he went to fight in World War I he decided to go back to school and pursue his dream of becoming a sculptor; he attended the Leeds School of Art and later received a Royal Exhibition Scholarship to the Royal Academy of Art in London in 1921. In 1925 he traveled to Italy and France, where he was able to visit the works of the Old Masters. However instead of incorporating classicism into his work Moore rejected it; he preferred studying the ancient Egyptian, Mexican and African sculpture at the British Museum. He also preferred the avant-garde, modernist sculpture of such artists as Jean Arp. In 1925 he became an instructor of sculpture at the Royal Academy where he taught until 1932; afterwards teaching at the Chelsea School of Art from 1932-9. In 1928 Moore had his first solo show at the Warren Gallery in London. At first carving directly from wood and stone, Moore paid extra attention to the material he was working with; emphasizing the qualities of those materials and making it a key aspect of his work. Later in his career Moore produced works in bronze, which enabled him to make multiple copies. Moore’s portfolio varied from the concrete to the abstract, however his work is distinct since almost every piece can be linked to the human figure. Although never officially part of the movement, Moore became associated with Surrealism when he participated in the International Surrealist Exhibition at the New Burlington Galleries in London in 1936. During World War II Moore was assigned by the War Artists Advisory Committee to record life in underground bomb shelters, at which time Moore solely focused on drawing. During this time he had his first retrospective at Temple Newsam in Leeds, England, followed by his first major retrospective at the Museum of Modern Art in New York in 1946. In 1948 Moore received the International Prize for Sculpture at the Venice Biennale and the British Order of Merit in 1963. He has held numerous positions at various art institutions as well, including being a trustee at the Tate Gallery (1941-56), the National Gallery (1956-1986), a member of the Art Panel of the Arts Council (1945-51), and member of the Royal Fine Art Commission (1947-1986). Toward the end of his life Moore gave many of his sculptures to the Tate Gallery in London.

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  • Henry Moore (1898-1986), Seated Figures
    Sep. 15, 2026

    Henry Moore (1898-1986), Seated Figures

    Est: $600 - $1,000

    Lithograph in colors on Arches paper, printed by Mourlot, Paris, published by Berggruen et Cie., Paris, 1957. Edition 89/200. Signed lower right margin. 20 3/4" x 14" (image size); 30" x 23 1/2" (frame)

    Caza Sikes
  • Henry Moore "Two Women Bathing Child", 1975
    Sep. 10, 2026

    Henry Moore "Two Women Bathing Child", 1975

    Est: $600 - $800

    Henry Moore (English, 1898-1986), "Two Women Bathing Child", Lithograph in Colors, 1975, from "An American Portrait 1776-1976", Part I [Your Huddled Masses], signed in pencil lower right, numbered edition "21/50" lower left, printed by Curwen Press, London, published by Transworld Art, New York with blindstamp, black frame. Image: 14.5" H x 16.5" W; sheet: 19.75" H x 25.5" W; frame: 22" H x 28" W x 1" D. Provenance: From a New York City Estate. Keywords: Prints, Multiples, American Bicentennial, Figural group, Figurative, Abstraction, Abstract, Genre scene, Modernist, Modernism, Post-War and Contemporary Art, 20th Century Art

    Auctions at Showplace
  • HENRY MOORE (BRITISH, 1898 - 1986)
    Sep. 09, 2026

    HENRY MOORE (BRITISH, 1898 - 1986)

    Est: $800 - $1,200

    Henry Moore (British, 1898 - 1986) Seated Figure, Etching on paper, Signature lower right. Image, H: 6 3/4 x W: 6 1/2 in. Number 31/50. H: 18 1/8 W: 16 1/8 in.

    Gray's Auctioneers
  • HENRY MOORE (BRITISH, 1898 - 1986)
    Sep. 09, 2026

    HENRY MOORE (BRITISH, 1898 - 1986)

    Est: $1,000 - $2,000

    Henry Moore (British, 1898 - 1986) Seven Sculptured Ideas II, Aquatint on paper, Signed lower left in print and pencil. Image, H: 15 x W: 11 in. Number 39/50. H: 29 W: 25 in.

    Gray's Auctioneers
  • Henry Moore (1898-1986) Sculptures Dark Interior (Cramer 373)
    Sep. 09, 2026

    Henry Moore (1898-1986) Sculptures Dark Interior (Cramer 373)

    Est: £500 - £700

    Henry Moore (1898-1986) Sculptures Dark Interior (Cramer 373) Lithograph, 1977, signed in pencil, numbered from the edition of 75, printed and published by Curwen Prints Ltd., London, on wove paper, with full margins, sheet 432 x 516mm (17 x 20 1/4in) (framed)  Framed dimensions: 51 x 61cm This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

    Forum Auctions - UK
  • Henry Moore,  British, 1898-1986 -  Two Standing Figures in
    Sep. 08, 2026

    Henry Moore,  British, 1898-1986 -  Two Standing Figures in

    Est: £3,000 - £5,000

    Henry Moore,  British, 1898-1986 -  Two Standing Figures in Landscape, c.1970;  ink on headed paper, signed in pencil lower right 'Moore', 23 x 14 cm (mounted/unframed) (ARR)  Provenance:  with Schubert Gallery, Milan;  Private Collection, purchased from the above in 1996 (by repute)  Literature:  A. Garrould, ed., 'Henry Moore, vol. IV, Complete Drawings 1950-76', London, 2003, no.AG 70.6;  The Henry Moore Foundation Artwork Catalogue, cat.no.HMF 3274a 

    Roseberys
  • HENRY MOORE (1898–1986), BRITISH SCULPTOR
    Sep. 02, 2026

    HENRY MOORE (1898–1986), BRITISH SCULPTOR

    Est: -

    Henry Moore (1898–1986), British sculptor and printmaker, *Eight Draped Reclining Figures*, etching with plate tone, 1967, one of 10 artist’s proofs, signed “Moore” in pencil lower right and Roman numerals II/X, label from the Albert White Gallery in Toronto on the back of the frame with details about the print, framed under glass with a mat, 57.5 x 49 cm, mat cutout 38 x 31 cm, includes a Moore monograph edited by John Hedgecoe. Henry Spencer Moore. 524 pp., with numerous photographs by John Hedgecoe and texts by Henry Moore, illustrated. Original cloth binding (slightly scuffed) in original illustrated slipcase (slightly bumped), Simon & Schuster, New York, 1968, 34.5 x 25 cm.

    Historia Auctionata
  • HENRY MOORE (English, 1898-1986)
    Sep. 01, 2026

    HENRY MOORE (English, 1898-1986)

    Est: $600 - $800

    "Two Forms" (1967) Lithograph, no. 54/65 Signed and dated lower right Sigh H. 13 1/4in x W. 18 1/2in (34.8cm x 47cm)

    A. H. Wilkens Auctions & Appraisals
  • HENRY MOORE (English, 1898-1986)
    Sep. 01, 2026

    HENRY MOORE (English, 1898-1986)

    Est: $1,000 - $1,500

    Reclining Figure (1978) Artist's Proof VIII/X Signed & dated backwards lower left Signed frontwards lower right Sight H. 11 1/2in x W. 15 1/4in (29.2cm x 38.7cm)

    A. H. Wilkens Auctions & Appraisals
  • Henry MOORE (1898-1986), 8 reclining figures, lithograph, signed, numbered 89/300 and dated 1963
    Aug. 31, 2026

    Henry MOORE (1898-1986), 8 reclining figures, lithograph, signed, numbered 89/300 and dated 1963

    Est: €300 - €500

    Henry MOORE (1898-1986), 8 reclining figures, lithograph, signed, numbered 89/300 and dated 1963 Henry MOORE (1898-1986), 8 reclining figures, lithografie, gesigneerd, genummerd 89/300 en gedateerd 1963

    Maison Jules Veilinghuis
  • HENRY MOORE, Britain (1898 - 1986), Sisters with Children, 1979, lithograph in 5 colours, ed. 8/50, 33 x 49.5 cm. (12.99 x 19.48 in.), frame: 65 x 79 x 3 cm. (25.58 x 31.10 x 1.17 in.)
    Aug. 31, 2026

    HENRY MOORE, Britain (1898 - 1986), Sisters with Children, 1979, lithograph in 5 colours, ed. 8/50, 33 x 49.5 cm. (12.99 x 19.48 in.), frame: 65 x 79 x 3 cm. (25.58 x 31.10 x 1.17 in.)

    Est: $1,000 - $2,000

    HENRY MOORE Britain, (1898 - 1986) Sisters with Children, 1979 lithograph in 5 colours, ed. 8/50 signed lower right: Moore titled and dated to Rex Irwin Art Dealer label verso

    Lawsons
  • Henry Moore, British (1898-1986), Reclining Woman IV, 1980/81, lithograph in twelve colors on Rives, 21"H x 25 3/4"W(sight), 28 1/2"H x 33 1/4"W(frame)
    Aug. 22, 2026

    Henry Moore, British (1898-1986), Reclining Woman IV, 1980/81, lithograph in twelve colors on Rives, 21"H x 25 3/4"W(sight), 28 1/2"H x 33 1/4"W(frame)

    Est: $2,000 - $4,000

    Henry Moore British, (1898-1986) Reclining Woman IV, 1980/81 lithograph in twelve colors on Rives Pencil signed lower right, numbered 16/50. Evelyn Aimis Fine Art, FL label verso. (there were also 15 proofs in Roman numerals), published/printed by Raymond Spencer Company, Much Hadham/Curwen Prints, London, with full margins. Biography from RoGallery: Born in Castleford, Yorkshire in 1898, Henry Moore was celebrated as a sculptor, but was strongly influenced in his formative years by painters such as Giotto, Masaccio, Blake, Turner and Picasso, as well as the painter/sculptor Michelangelo. He attended Leeds School of Art from 1919-21. In 1921 Moore won a Royal Exhibition Scholarship to study sculpture at the Royal College of Art, London. He taught at the Royal College from 1924-31 and at Chelsea School of Art from 1932-39. He was given his first one-man show in 1928 by the Warren Gallery and in the same year he gained his first public commission - to carve a relief in stone for a façade of the new Underground Building, London. Moore was a member of the Seven and Five Society from 1931, and in 1933 he was invited to join 'Unit One'; a group of seven painters and five sculptors whose members included Edward Burra, Barbara Hepworth, Ben Nicholson and Edward Wadsworth. During the Second World War, as an Official War Artist, he made a series of drawings of people sheltering in the London Underground, as well as studies of miners at the coal-face. In these pictures he frequently used watercolour over wax crayon employed as a resist. In 1946, Moore was given his first overseas retrospective at the Museum of Modern Art in New York. In 1948, he won the International Sculpture Prize at the Venice Biennale. 1948 also saw him begin the bronze family group for the Barclay School of Art, Stevenage which was to be his first life-size bronze. He had a retrospective exhibition at the Tate Gallery, London in 1951 and 1968. In 1952 he began work on the stone screen and bronze Draped Reclining Figure, both for the Time-Life Building, London. He was First prize winner at the Sao Paulo Biennale, Brazil in 1953. Moore was a Trustee of the National Gallery, London from 1955-74. In 1956, he received a commission for the UNESCO headquarters in Paris. He was given a one-man exhibition at the Forte di Belvedere in Florence in 1972; the first of numerous outdoor exhibitions held in capital cities throughout the world. In 1977, he formed the Henry Moore Foundation at Much Hadham in Hertfordshire. In 1978 he made a gift of 36 sculptures to the Tate Gallery, London. In 1986 he was given major retrospectives in Hong Kong and Japan. He was notable throughout his career for his output of graphic art (drawings, watercolours, etchings, lithographs), not necessarily closely related to the development of individual works in sculpture. These unusually for a sculptor, often used colour and often established a complete pictorial setting for figures or for imaginary sculptural objects, in a manner recalling the work of De Chirico or Max Ernst. (He exhibited in the International Surrealist exhibition in 1936). In 1986 Moore died, aged 88, at Much Hadham, where he had lived since the 1940's.

    Ripley Auctions
  • Henry Moore, British (1898-1986), Six Reclining Figures with Red Background, 1981, color lithograph, 18 1/2"H x 19 1/4"W (frame)
    Aug. 22, 2026

    Henry Moore, British (1898-1986), Six Reclining Figures with Red Background, 1981, color lithograph, 18 1/2"H x 19 1/4"W (frame)

    Est: $1,000 - $1,500

    Henry Moore British, (1898-1986) Six Reclining Figures with Red Background, 1981 color lithograph lithograph in eleven colors, on T.H. Saunders paper, signed in pencil lower right, numbered 47/50 lower left, matted and framed. Printed at Curwen Studio, London, published by Raymond Spencer Co. Ltd. Biography from RoGallery: Born in Castleford, Yorkshire in 1898, Henry Moore was celebrated as a sculptor, but was strongly influenced in his formative years by painters such as Giotto, Masaccio, Blake, Turner and Picasso, as well as the painter/sculptor Michelangelo. He attended Leeds School of Art from 1919-21. In 1921 Moore won a Royal Exhibition Scholarship to study sculpture at the Royal College of Art, London. He taught at the Royal College from 1924-31 and at Chelsea School of Art from 1932-39. He was given his first one-man show in 1928 by the Warren Gallery and in the same year he gained his first public commission - to carve a relief in stone for a façade of the new Underground Building, London. Moore was a member of the Seven and Five Society from 1931, and in 1933 he was invited to join 'Unit One'; a group of seven painters and five sculptors whose members included Edward Burra, Barbara Hepworth, Ben Nicholson and Edward Wadsworth. During the Second World War, as an Official War Artist, he made a series of drawings of people sheltering in the London Underground, as well as studies of miners at the coal-face. In these pictures he frequently used watercolour over wax crayon employed as a resist. In 1946, Moore was given his first overseas retrospective at the Museum of Modern Art in New York. In 1948, he won the International Sculpture Prize at the Venice Biennale. 1948 also saw him begin the bronze family group for the Barclay School of Art, Stevenage which was to be his first life-size bronze. He had a retrospective exhibition at the Tate Gallery, London in 1951 and 1968. In 1952 he began work on the stone screen and bronze Draped Reclining Figure, both for the Time-Life Building, London. He was First prize winner at the Sao Paulo Biennale, Brazil in 1953. Moore was a Trustee of the National Gallery, London from 1955-74. In 1956, he received a commission for the UNESCO headquarters in Paris. He was given a one-man exhibition at the Forte di Belvedere in Florence in 1972; the first of numerous outdoor exhibitions held in capital cities throughout the world. In 1977, he formed the Henry Moore Foundation at Much Hadham in Hertfordshire. In 1978 he made a gift of 36 sculptures to the Tate Gallery, London. In 1986 he was given major retrospectives in Hong Kong and Japan. He was notable throughout his career for his output of graphic art (drawings, watercolours, etchings, lithographs), not necessarily closely related to the development of individual works in sculpture. These unusually for a sculptor, often used colour and often established a complete pictorial setting for figures or for imaginary sculptural objects, in a manner recalling the work of De Chirico or Max Ernst. (He exhibited in the International Surrealist exhibition in 1936). In 1986 Moore died, aged 88, at Much Hadham, where he had lived since the 1940's.

    Ripley Auctions
  • EXHIBITION POSTERS: PICASSO AND HENRY MOORE
    Aug. 20, 2026

    EXHIBITION POSTERS: PICASSO AND HENRY MOORE

    Est: £150 - £250

    EXHIBITION POSTERS: PICASSO AND HENRY MOORE Exhibition posters: Jacqueline Reading, Picasso, Galerie Herbage, Cannes, France, 1982; Apollinaire e l'Avenguardia, Picasso, Souvenir of Le Havre, Rome, 1980; Henry Moore, Standing Figure, Storm Sky, Cannes, France, 1981 All framed (Largest: 96.5cm x 63.5cm) Qty: (3)

    Elstob Auctioneers
  • HENRY MOORE, Mother & Child XXVIII, etching with aquatint and roulette printed in colour, ed. HC 12/15, 35 x 27 cm. (13.77 x 10.63 in.), frame: 94 x 84 x 6 cm. (37.00 x 33.07 x 2.35 in.)
    Aug. 17, 2026

    HENRY MOORE, Mother & Child XXVIII, etching with aquatint and roulette printed in colour, ed. HC 12/15, 35 x 27 cm. (13.77 x 10.63 in.), frame: 94 x 84 x 6 cm. (37.00 x 33.07 x 2.35 in.)

    Est: $1,000 - $1,500

    HENRY MOORE Mother & Child XXVIII etching with aquatint and roulette printed in colour, ed. HC 12/15 inscribed to margin lower right: MOORE

    Lawsons
  • Henry Moore, Reclining Nude (from the San Lazzaro et ses amis portfolio)
    Aug. 14, 2026

    Henry Moore, Reclining Nude (from the San Lazzaro et ses amis portfolio)

    Est: $600 - $800

    Henry Moore Reclining Nude (from the San Lazzaro et ses amis portfolio) 1975 lithograph in colors image: 8.5 h x 11 w in (22 x 28 cm) sight: 9.25 h x 12 w in (23 x 30 cm) Signed and numbered to lower edge '32/75 Moore'. This work is number 32 from the edition of 75 published by XXe Siecle, Paris. Literature: Cramer books 1080 This work will ship from Chicago, Illinois.

    Rago Arts and Auction Center
  • Henry Moore, Five Reclining Figures
    Aug. 14, 2026

    Henry Moore, Five Reclining Figures

    Est: $500 - $700

    Henry Moore Five Reclining Figures 1979 / 1980 lithpgraph in colors on T.H. Saunders image: 10.5 h x 16.75 w in (27 x 43 cm) sheet: 18.75 h x 25.5 w in (48 x 65 cm) Signed and numbered to lower edge 35/50 Moore'. This work is number 35 from the edition of 50 published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, England. Literature: Cramer 536 This work will ship from Los Angeles, California.

    Rago Arts and Auction Center
  • HENRY MOORE (1898-1986) Four Figures
    Jul. 31, 2026

    HENRY MOORE (1898-1986) Four Figures

    Est: $1,000 - $2,000

    (2) Examples. lithographs in color (green) 15 x 18 3/4 inches the second on a full sheet 21 x 28 inches each with printing suggestions by the artist. Together with an un-annotated black and white example printed on 30 1/2 x 22 1/2 inches

    John McInnis Auctioneers
  • HENRY MOORE (1898-1986) Les Poetes 1976
    Jul. 31, 2026

    HENRY MOORE (1898-1986) Les Poetes 1976

    Est: $1,000 - $2,000

    "Les Poetes / Art et Poesie" lithograph in colors. On Arches paper 22 x 32 inches - folded 22 x 16 inches (two works) signed. H.M. in pencil, Together with (2) 18 1/2 x 15 inches on Arches paper (1) with Art et Poesie cut and applied below

    John McInnis Auctioneers
  • Henry Moore (1898-1986); Meditations on the Effigy;
    Jul. 29, 2026

    Henry Moore (1898-1986); Meditations on the Effigy;

    Est: $7,000 - $10,000

    Henry Moore (1898-1986) Meditations on the Effigy (Cramer 66-79), 1966-67 The complete portfolio, comprising 14 prints (12 lithographs and 2 etchings, with 11 in colors) on japon nacré, chine appliqué or wove papers hinged to gray Ingres Fabriano board (as issued), each signed in pencil, dated and numbered 15/50, from the deluxe Edition de Tête with the two additional lithographs numbered 15/20, published by Marlborough Fine Art, London, lithographs printed by J E Wolfensberger, Zurich, etchings printed by Lacourière-Frélaut, Paris, with title, text and justification page, contained in original leather case and gray linen board. gray boards 32 x 23 1/4in (81.3 x 59.1cm) portfolio 33 3/4 x 25 1/2 x 2 3/4in (85.7 x 64.1 x 7cm)

    Bonhams
  • ▲ Henry Moore OM CH FBA (British, 1898-1986) 'Fledgling', 1960
    Jul. 27, 2026

    ▲ Henry Moore OM CH FBA (British, 1898-1986) 'Fledgling', 1960

    Est: £12,000 - £18,000

    ▲ Henry Moore OM CH FBA (British, 1898-1986) 'Fledgling', 1960 bronze with a brown patina, signed and numbered 'Moore 4/9' and stamped with foundry mark to base (18cm wide, 8cm deep, 9cm high; 10.5cm high overall, on a stone base) Provenance: Christie's, London, 2 March 2021, lot 115. Footnote: Literature: Alan Bowness (ed.), 'Henry Moore, Complete Sculpture: 1955-64, Vol. 3', London, 1986, p. 39, no. 446, another cast illustrated. Conceived in 1960 and cast by Hermann Noack, Berlin, in 1960. Condition Report: Light dust and dirt to the crevices. Natural wear to the patina in raised areas as would be expected. Overall in good aesthetic condition. A couple of tiny chips to the corners of the base. For a more detailed report and additional images please contact the department.

    Sworders
  • MOORE Henry (British 1898-1986), 'Pallas Heads', Lithograph 20/50, 34.5x28cm (image)
    Jul. 26, 2026

    MOORE Henry (British 1898-1986), 'Pallas Heads', Lithograph 20/50, 34.5x28cm (image)

    Est: $400 - $700

    MOORE, Henry (British 1898-1986) 'Pallas Heads' Signed lower right. Lithograph 20/50 34.5x28cm (image) PROVENANCE: Deceased Estate, Queensland.

    Davidson Auctions
  • Henry Moore OM CH FBA, (1898-1986), ‘Two Reclining Figures’
    Jul. 21, 2026

    Henry Moore OM CH FBA, (1898-1986), ‘Two Reclining Figures’

    Est: £600 - £800

    § Henry Moore OM CH FBA (1898-1986) ‘Two Reclining Figures' from the 'Reclining Figures' portfolio, 1973, signed, dated and numbered 22/50 in pencil to the margin, nine-colour lithograph on Arches paper, printed by Curwen Studios, published by Société Internationale d'Art XXe Siècle, Paris, the image 42.5cm x 33.5cm

    Gorringes
  • Henry Moore OM CH FBA, (1898-1986), 'Two Reclining Figures on striped background’
    Jul. 21, 2026

    Henry Moore OM CH FBA, (1898-1986), 'Two Reclining Figures on striped background’

    Est: £600 - £800

    § Henry Moore OM CH FBA (1898-1986) 'Two Reclining Figures on striped background' from the 'Reclining Figures' portfolio, 1973, signed, dated and numbered 22/50 in pencil to the margin, five-colour lithograph on Arches paper, printed by Curwen Studios, published by Société Internationale d'Art XXe Siècle, Paris, the image 46cm x 33cm

    Gorringes
  • Henry Moore (British, 1898-1986)
    Jul. 19, 2026

    Henry Moore (British, 1898-1986)

    Est: $600 - $800

    Henry Moore (British, 1898-1986) Lullaby Sketches, 1973. Lithograph in black and grey on wove paper, signed and numbered 23/25 in pencil, published/printed by Petersburg Press/Curwen Prints, London, the full sheet, framed. 20 x 15in. (51 x 38cm/sheet). 28 x 21 1/2in. (71 x 54.5cm/frame). Literature: Cramer 270. In apparently good condition, not examined out of frame.

    Fine Estate Inc.
  • Print, Henry Moore
    Jul. 17, 2026

    Print, Henry Moore

    Est: $800 - $1,200

    Henry Moore (British, 1898-1986), "Mother and Child XX," etching and aquatint, pencil signed lower right, edition 58/65, catalog raisonne number CGM 690, image: 9.5"h x 7"w, overall (with frame): 23.25"h x 20"w

    Clars Auctions
  • Henry Moore (British, 1898-1986) Standing Girl, 1981
    Jul. 15, 2026

    Henry Moore (British, 1898-1986) Standing Girl, 1981

    Est: $12,000 - $18,000

    Henry Moore (British, 1898-1986) Standing Girl, 1981 bronze stamped Moore, numbered 6/9, and with foundry stamp NOACK BERLIN Height: 8 inches. This lot is located in Philadelphia.

    Freeman’s
  • Moore (Henry, 1898-1986). Thirteen Standing Figures, 1958, colour lithograph
    Jul. 15, 2026

    Moore (Henry, 1898-1986). Thirteen Standing Figures, 1958, colour lithograph

    Est: £200 - £300

    Moore (Henry, 1898-1986). Thirteen Standing Figures, 1958, colour lithograph Moore (Henry, 1898-1986). Thirteen Standing Figures, 1958, colour lithograph on heavy pale cream wove paper, watermarked Henry Moore, printed by Curwen Studio, sheet size 47 x 32 cm (18 1/2 x 12 1/2 ins), as issued in Heads, Figures, and Ideas, with a comment by Jeffrey Grigson, published by George Rainbird in 1958, original cloth-backed boards, in dust-jacket (lightly rubbed and with some marginal fraying and small tears), large folio (48 x 33.5 cm) QTY: (1) NOTE: Cramer 41.

    Dominic Winter Auctions
  • Online - Modern and Contemporary Art Britische Moderne Henry Moore
    Jul. 11, 2026

    Online - Modern and Contemporary Art Britische Moderne Henry Moore

    Est: €350 -

    Online - Modern and Contemporary Art Britische Moderne Moore, Henry Six Reclining Figures with Blue Background. 1980. Farblithografie auf Velin. 24,8 x 26,5 cm (40 x 39,7 cm). Mit unbeschnittenen Passkreuzen am linken und rechten Blattrand. - Das Papier teils leicht gebräunt und vereinzelt mit kleinen Braunflecken. Minimal knickspurig. Insgesamt sehr gut. Prachtvoller, kontrastreicher Druck. Cramer 579. Probedruck vor der Auflage. Gedruckt bei Curwen Prints Ltd, London, für die Raymond Spencer Company Ltd (Much Hadham). Lithograph in colors on wove paper. With the uncropped registration marks on the left and right margins.- The paper partly slightly toned and with occasional small foxing marks. Minimally creased. Overall very good. Splendid, high-contrast impression. - Catalogue raisonné no. 579. Trial proof before the edition. Printed by Curwen Prints Ltd, London, for the Raymond Spencer Company Ltd (Much Hadham).

    Jeschke Jádi Auctions Berlin GmbH
  • Henry Moore (Castleford 1898 - Perry Green 1986) - Three Reclining Figures with Land Background, 1973/74
    Jul. 09, 2026

    Henry Moore (Castleford 1898 - Perry Green 1986) - Three Reclining Figures with Land Background, 1973/74

    Est: €300 - €500

    lithograph in colours, numbered 54/75 cm 38 x 48.3 (sheet size) Signed in pencil lower right Printer Curwen Prints Ltd, London Publisher Fischer Fine Art Ltd, London LITERATURE G. Cramer, A. Grant, D. Mitchinson, Henry Moore: Catalogue of Graphic Work, Vol. II, Ed. Cramer, Geneva 1976, n. CGM 302

    Finarte
  • λ HENRY MOORE (BRITISH 1898-1986), RECLINING FIGURE CURVED, ROUGH
    Jul. 07, 2026

    λ HENRY MOORE (BRITISH 1898-1986), RECLINING FIGURE CURVED, ROUGH

    Est: £15,000 - £25,000

    λ HENRY MOORE (BRITISH 1898-1986)RECLINING FIGURE CURVED, ROUGHBronzeSigned and numbered 7/9 (to base verso)13 x 21 x 13cm (5 x 8¼ x 5in.)Conceived in 1976Literature:This work is recorded in the Henry Moore Foundation's online Henry Moore Artwork Catalogue under reference LH 687I want to be quite free of having to find a 'reason' for doing the Reclining Figures, and freer still of having to find a 'meaning' for them. The vital thing for an artist is to have a subject that allows to try out all kinds of formal ideas - things that he doesn't yet know about for certain but wants to experiment with...- HENRY MOORE

    Dreweatts 1759 Fine Sales
  • Henry Moore (1898–1986), Three Family Groups
    Jul. 06, 2026

    Henry Moore (1898–1986), Three Family Groups

    Est: $15,000 - $25,000

    Gouache on paper Dimensions (excluding frame): 15 × 33 cm Dimensions (including frame): 45 × 56 cm Signed and dated lower right Notes: Accompanied by a certificate of authenticity Provenance: Private Collection, Tel Aviv Condition: For a detailed condition report, please email: info@hammersite.com

    Hammersite
  • Henry Moore OM CH FBA,  British 1898-1986,  Seven Sculptural Ideas, 1973;  monochrome lith
    Jul. 01, 2026

    Henry Moore OM CH FBA,  British 1898-1986,  Seven Sculptural Ideas, 1973;  monochrome lith

    Est: £600 - £800

    Henry Moore OM CH FBA,  British 1898-1986,  Seven Sculptural Ideas, 1973;  monochrome lithograph on pale yellow paper,  signed in pencil and dated, and inscribed 'Artist's proof',  sheet: 68 x 53 cm,  (framed)  (ARR) 

    Roseberys
  • Henry Moore
    Jun. 28, 2026

    Henry Moore

    Est: $7,000 - $10,000

    Seated Girl, Ink on paper, 48x31 cm, Signed.

    Tiroche Auction House
  • Henry MOORE "Man and Woman..." Lithograph
    Jun. 27, 2026

    Henry MOORE "Man and Woman..." Lithograph

    Est: $600 - $800

    Henry Moore (English, 1898–1986) "Man and Woman Three-Quarter Figures", 1978, lithograph on paper, edition 17/50, signed Moore in graphite to lower right, in a frame. [Framed: 26" H x 29" W]. Condition to work is good.

    Roland Auctions NY
  • HENRY MOORE
    Jun. 26, 2026

    HENRY MOORE

    Est: CHF7,000 - CHF10,000

    HENRY MOORE (Castleford 1898–1986 Much Hadham) Two Women. 1972. Felt-tip pen, watercolour and collage with tissue paper on paper. Signed lower right: Moore. Verso inscribed: Mary. 36.2 × 31.1 cm. Provenance: - Private collection Great Britain. - Galleria Pieter Coray, Lugano. - Galerie Hauser & Wirth, Zurich (verso with label). - Swiss private collection, acquired in the above gallery and by descent to the present owners. Exhibited: Lugano 1993, Henry Moore. Disegni. Sculture. Grafica, Galleria Pieter Coray, April–May 1993, no. 31. Literature: Ann Garrould (ed.): Henry Moore. Complete drawings. 1950–76, London 2003, vol. IV, p. 255, no. AG 72.103 (with ill.). ------------------------------------------------- HENRY MOORE (Castleford 1898–1986 Much Hadham) Two Women. 1972. Filzstift, Aquarell und Collage mit Seidenpapier auf Papier. Unten rechts signiert: Moore. Verso bezeichnet: Mary. 36,2 × 31,1 cm. Provenienz: - Privatsammlung Grossbritannien. - Galleria Pieter Coray, Lugano. - Galerie Hauser & Wirth, Zürich (verso mit Etikett). - Schweizer Privatsammlung, in obiger Galerie erworben und durch Erbschaft an die heutigen Besitzer. Ausstellung: Lugano 1993, Henry Moore. Disegni. Sculture. Grafica, Galleria Pieter Coray, April–Mai 1993, Nr. 31. Literatur: Ann Garrould (Hrsg.): Henry Moore. Complete drawings. 1950–76, London 2003, Bd. IV, S. 255, Nr. AG 72.103 (mit Abb.).

    Koller Auctions
  • HENRY MOORE
    Jun. 26, 2026

    HENRY MOORE

    Est: CHF6,000 - CHF8,000

    HENRY MOORE (Castleford 1898–1986 Much Hadham) Ideas for sculptures. c. 1939. Verso: Searchlight Sketch. 1940. Chalk, charcoal, wax crayon and ink on paper. Signed and dated lower right: Moore / 39. Inscribed upper centre: Upright Lead figures. Verso inscribed: War The War / Blitzkrieg / Night bombing / Searchlights – AA barrage / Contrast of one & other. 21.5 × 13.7 cm. Provenance: - Irina Moore, Much Hadham. - The Moore Danowski Trust, Great Britain. - Galerie Hauser & Wirth, Zurich (verso with label). - Swiss private collection, acquired in the above gallery and by descent to the present owners. Exhibited: - Florence 1972, Henry Moore, Forte di Belvedere, May–September 1972, no. 225. - Madrid/Lisbon/Barcelona 1981/82, Henry Moore, Museo Español de Arte Contemporáneo, 20 May–25 July 1981, no. D73/Fundação Calouste Gulbenkian, September–November 1981, no. D73/Fundació Joan Miró, December 1981–February 1982. Literature: - Ann Garrould (ed.): Henry Moore. Complete drawings. 1940–49, London 2001, vol. I, p. 228, no. AG 39–40.1 (with ill.). - Robert Melville: Henry Moore. Sculpture and Drawings. 1921–69, London 1970, plate XII. The inscription on the reverse refers to the bombing of London in the autumn of 1940. ------------------------------------------------- HENRY MOORE (Castleford 1898–1986 Much Hadham) Ideas for sculptures. Um 1939. Verso: Searchlight Sketch. 1940. Kreide, Kohle, Wachskreide und Tusche auf Papier. Unten rechts signiert und datiert: Moore / 39. Oben mittig bezeichnet: Upright Lead figures. Verso bezeichnet: War The War / Blitzkrieg / Night bombing / Searchlights – AA barrage / Contrast of one & other. 21,5 × 13,7 cm. Provenienz: - Irina Moore, Much Hadham. - The Moore Danowski Trust, Grossbritannien. - Galerie Hauser & Wirth, Zürich (verso mit Etikett). - Schweizer Privatsammlung, in obiger Galerie erworben und durch Erbschaft an die heutigen Besitzer. Ausstellungen: - Florenz 1972, Henry Moore, Forte di Belvedere, Mai–September 1972, Nr. 225. - Madrid/Lissabon/Barcelona 1981/82, Henry Moore, Museo Español de Arte Contemporáneo, 20.5.–25.7.1981, Nr. D73/Fundação Calouste Gulbenkian, September–November 1981, Nr. D73/Fundació Joan Miró, Dezember 1981–Februar 1982, Nr. D61. - Hong Kong 1986, The Art of Henry Moore, Hong Kong Museum of Art, 4.4.–4.5.1986, Nr. 30. - Tokio/Fukuoka 1986, The Art of Henry Moore. Sculptures, drawings and graphics 1921–1984, Metropolitan Art Museum, April–Juni 1986/Fukuoka Art Museum, Juni–Juli 1986, Nr. 37. Literatur: - Ann Garrould (Hrsg.): Henry Moore. Complete drawings. 1940–49, London 2001, Bd. I, S. 228, Nr. AG 39–40.1 (mit Abb.). - Robert Melville: Henry Moore. Sculpture and Drawings. 1921–69, London 1970, Tafel XII. - Alan G. Wilkinson: The drawings of Henry Moore, London 1984, Bd. IV, S. 289 (mit Abb. Tafel 225). Die rückseitige Bezeichnung bezieht sich auf die Bombardierung Londons im Herbst 1940.

    Koller Auctions
  • Henry Moore, 1898 Castleford/ Yorkshire – 1986 Much Hadham
    Jun. 25, 2026

    Henry Moore, 1898 Castleford/ Yorkshire – 1986 Much Hadham

    Est: €30,000 - €50,000

    ANIMAL FORM Höhe: 34,5 cm. Breite: 26,5 cm. Tiefe: 16 cm. Signatur rechts an der Basis „Moore“; auf Sockelunterseite Plakette „THE ZOOLOGICAL SOCIETY OF LONDON THE STAMFORD RAFFLES AWARD for contributions to ZOOLOGY awarded to Claude W. Wright 1964“. Bronze, gegossen, mit leuchtend malachitgrüner und brauner Patina. Konzipiert 1959; Exemplar aus einer Auflage von 8, Guss aus den 1960er-Jahren. Sockel und Figur separat gegossen und verschraubt. Der Aufbau zeigt einen längsziehenden Sockel als Basis mit allseitig vorstehender Platte, auf der die abstrahierte Form gleichsam aufbäumend hochragt. Henry Moore beschäftigte sich seit den 1930er-Jahren intensiv mit organischen Naturformen, Knochen, Steinen und Tierkörpern. Die kleinen Tierplastiken und „Animal Forms“ entstanden vor allem in den 1950er- und 1960er-Jahren und stehen in engem Zusammenhang mit seinem Interesse an natürlichen Wachstumsformen sowie an archaischer, universeller Skulpturensprache. Die Bronzeplastiken verbinden abstrahierte Tiergestalten mit weichen fließenden Volumen und durchbrochenen Formen – typisch für Moores biomorphen Stil. Trotz der Abstraktion bleiben Gewicht, Ruhe und Körperlichkeit der Tiere spürbar. Viele dieser Arbeiten wirken zugleich monumental und intim. Innerhalb seines Oeuvres nehmen die Tierdarstellungen eine wichtige Nebenlinie zu den berühmten „Reclining Figures“ und Mutter-Kind-Gruppen ein. Sie zeigen besonders deutlich Moores Interesse an Naturbeobachtung, innerer Spannung der Form und der Verbindung von Figur und Landschaft. Bronze eignete sich dafür ideal, da Moore damit komplexe Oberflächen und plastische Übergänge differenziert ausarbeiten konnte. Provenienz: Verliehen an Claud William Wright, C.B., als Stamford-Raffles-Preis für Verdienste um die Zoologie durch den Duke of Edinburgh im Namen der Zoological Society of London im Jahr 1965. Seither durch Erbfolge an die Nachkommen. Christie‘s London, 10. Februar 2011, Lot 519. Bedeutende süddeutsche Privatsammlung. Anmerkungen: Ab 1962 wurden insgesamt sieben Güsse dieses Motivs als Auszeichnungen der Zoological Society vergeben. Der vorliegende Guss gehört zu dieser Edition des sogenannten Stamford-Raffles-Preises, der an Amateurzoologen für Verdienste um die Zoologie oder an professionelle Zoologen für Leistungen verliehen wurde, die über ihr jeweiliges Fachgebiet hinausgingen. Literatur: Alan Bowness (Hrsg.), Henry Moore. Sculpture and drawings. Sculpture 1955-64, Bd. 3, London 1965, Tafel 77, Nr. 443, siehe Folgeseite für Informationen zum Werk. Vgl. Henry Moore, Über die Plastik. Ein Bildhauer sieht seine Kunst, München 1972. Vgl. Wilfried Seipel (Hrsg.), Henry Moore 1898–1986. Eine Retrospektive zum 100. Geburtstag, Ausstellungskatalog (Palais Harrach, Wien, 16. März – 09. August 1998), Mailand 1998. (14817920) (14) Henry Moore, 1898 Castleford/ Yorkshire – 1986 Much Hadham ANIMAL FORM Height: 34.5 cm. Width: 26.5 cm. Depth: 16 cm. Signed on the base, right side, “Moore”; plaque on the underside of the base: “THE ZOOLOGICAL SOCIETY OF LONDON THE STAMFORD RAFFLES AWARD for contributions to ZOOLOGY awarded to Claude W. Wright 1964”. Bronze. Designed in 1959; cast from an edition of 8, executed in the 1960s. From the 1930s onwards, Henry Moore intensively studied organic natural forms, bones, stones, and animal bodies. His small animal sculptures and “animal forms” were created primarily in the 1950s and 1960s and are closely related to his interest in natural growth patterns and an archaic, universal sculptural language. Provenance: Awarded to Claud William Wright, C.B., as the Stamford Raffles Prize for services to zoology, presented by the Duke of Edinburgh on behalf of the Zoological Society of London in 1965. Thereafter by descent within the family. Christie’s London, 10 February 2011, lot 519. Private collection, Germany. Notes: From 1962 onwards, a total of seven casts of this motif were awarded as prizes of the Zoological Society. The present cast belongs to this edition of the so-called Stamford Raffles Prize, which was awarded to amateur zoologists for services to zoology or to professional zoologists for achievements extending beyond their immediate field of expertise. Literature: Alan Bowness (ed.), Henry Moore. Sculpture and drawings. Sculpture 1955-64, vol. 3, London 1965, pl. 77, no. 443, see the following page for information about the work.

    Hampel Fine Art Auctions
  • Henry Moore, 1898-1986, Eight Sculptural Ideas Girl Writing
    Jun. 24, 2026

    Henry Moore, 1898-1986, Eight Sculptural Ideas Girl Writing

    Est: CHF500 - CHF700

    XVII/ XXXV. Signed. (Frame).

    Germann Auction House Ltd
  • Henry Moore, 1898-1986, Reclining Nude
    Jun. 24, 2026

    Henry Moore, 1898-1986, Reclining Nude

    Est: CHF600 - CHF800

    54/75. Signed. (Frame).

    Germann Auction House Ltd
  • Henry Moore, 1898-1986, Four Draped Figures
    Jun. 24, 2026

    Henry Moore, 1898-1986, Four Draped Figures

    Est: CHF1,000 - CHF1,200

    29/50. Signed. (Frame).

    Germann Auction House Ltd
  • Henry Moore (1898-1986) Portfolio 80th Anniversary (1975-1976)
    Jun. 24, 2026

    Henry Moore (1898-1986) Portfolio 80th Anniversary (1975-1976)

    Est: €3,000 - €5,000

    Henry Moore (1898-1986) Portfolio 80th Anniversary (1975-1976) Le portfolio, comprenant 9 lithographies en couleurs sur papier vélin, chacune signée au crayon, dont six numérotées 28/50 et trois numérotées 28/40, avec marges complètes, en feuilles libres telles que publiées, est accompagné d’un livre relié en cuir, numéroté 28 et signé au crayon par Henry Moore, publié/imprimé par Orde Levinson/Curwen Studio et Roy Crossett, Londres, le tout conservé dans le portfolio original en toile de lin beige. Le livre contient des citations extraites d’une conversation avec Henry Moore ainsi que des photographies prises à cette occasion. Le « Henry Moore 80th Anniversary Portfolio » est publié par Orde Levinson à l’occasion du 80ᵉ anniversaire de l’artiste, le 30 juillet 1978. Le tirage est limité à quarante exemplaires numérotés, plus dix exemplaires de dédicace. Les lithographies sont montées et, avec le livre, présentées dans un portfolio relié en toile. Le portfolio mesure 61 x 50 x 7 cm Provenance: Collection privée, Belgique 

    Aguttes
  • Henry Moore O.M., C.H. (British, 1898-1986) Studies for Sculpture 29 x 23.8 cm (11 2/5 x 9 2/5 in)
    Jun. 24, 2026

    Henry Moore O.M., C.H. (British, 1898-1986) Studies for Sculpture 29 x 23.8 cm (11 2/5 x 9 2/5 in)

    Est: £6,000 - £8,000

    Henry Moore O.M., C.H. (British, 1898-1986) Studies for Sculpture signed and dated 'Moore/59 (lower right) chalk, coloured crayon and wash 29 x 23.8 cm (11 2/5 x 9 2/5 in)

    Bonhams
  • Henry Moore O.M., C.H. (British, 1898-1986) Square Forms 38 x 40.6 cm (14 9/10 x 15 9/10 in)
    Jun. 24, 2026

    Henry Moore O.M., C.H. (British, 1898-1986) Square Forms 38 x 40.6 cm (14 9/10 x 15 9/10 in)

    Est: £8,000 - £12,000

    Henry Moore O.M., C.H. (British, 1898-1986) Square Forms signed and dated twice '36/Moore/36.' (lower right) crayon, pastel, wash, pen and ink 38 x 40.6 cm (14 9/10 x 15 9/10 in)

    Bonhams
  • HENRY MOORE, Mother & Child XXVIII, etching with aquatint and roulette printed in colour, ed. HC 12/15, 35 x 27 cm. (13.77 x 10.63 in.), frame: 94 x 84 x 6 cm. (37.00 x 33.07 x 2.35 in.)
    Jun. 24, 2026

    HENRY MOORE, Mother & Child XXVIII, etching with aquatint and roulette printed in colour, ed. HC 12/15, 35 x 27 cm. (13.77 x 10.63 in.), frame: 94 x 84 x 6 cm. (37.00 x 33.07 x 2.35 in.)

    Est: $1,000 - $1,500

    HENRY MOORE Mother & Child XXVIII etching with aquatint and roulette printed in colour, ed. HC 12/15 inscribed to margin lower right: MOORE

    Lawsons
  • Henry Moore (British, 1898-1986) Three Seated Figures in Setting, 1975
    Jun. 23, 2026

    Henry Moore (British, 1898-1986) Three Seated Figures in Setting, 1975

    Est: $1,000 - $1,500

    Henry Moore (British, 1898-1986) Three Seated Figures in Setting, 1975 lithograph in colors on Arches signed and numbered 35/75 in pencil 8 1/2 x 13 3/4 inches. The Estate of the Honorable Sandra Schultz Newman This lot is located in Philadelphia.

    Freeman’s
  • Henry Moore
    Jun. 23, 2026

    Henry Moore

    Est: -

    Henry Moore (CASTLEFORD 1898 - PERRY GREEN 1986). Pisello baccello, 1980. Acquatinta, acquaforte, puntasecca su carta, firma e data in basso a destra, es.n.12/20 e timbro della 2RC. cm33,5x53,5; mis.tot.cm67x93,5 (lievi macchie al supporto)

    Eurantico Casa d'Aste
  • Henry Moore O.M., C.H. (British, 1898-1986) Meditations on the Effigy (Edition de Tête) The complete portfolio, 1966-67, comprising 14 prints (12 lithographs and 2 etchings), on various papers, each hinged to grey boards (as issued), with tit...
    Jun. 23, 2026

    Henry Moore O.M., C.H. (British, 1898-1986) Meditations on the Effigy (Edition de Tête) The complete portfolio, 1966-67, comprising 14 prints (12 lithographs and 2 etchings), on various papers, each hinged to grey boards (as issued), with tit...

    Est: £5,000 - £7,000

    Henry Moore O.M., C.H. (British, 1898-1986) Meditations on the Effigy ( Edition de Tête) (Cramer 66-79) The complete portfolio, 1966-67, comprising 14 prints (12 lithographs and 2 etchings), on various papers, each hinged to grey boards (as issued), with title, text and justification page, twelve prints signed, dated and numbered 16/50 in pencil, from the Edition de Tête (deluxe edition), the two additional lithographs numbered 16/20, lithographs printed by J. E. Wolfensberger, Zurich, etchings printed by Lacourière-Frélaut, Paris, published in 1968 by Marlborough Fine Art, London, housed within original leather case and grey linen board Sheet 770 x 570mm (31 1/4 x 22 1/4 in)(and similar)(14) Portfolio 855 x 645 x 70mm (33 1/2 x 25 3/8 x 2 1/2in)

    Bonhams
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