Luc Albert MOREAU (1882-1948) Le Roi Lear Huile sur toile Signée en bas à droite 80 x 60 cm Encadrée PROVENANCE : Collection particulière parisienne NOTICE Luc-Albert Moreau (1882-1948) fut un peintre, graveur et illustrateur français dont l’œuvre se situe à la croisée du symbolisme finissant et du modernisme naissant. Élève de Charles Guérin, il se rapproche d’abord de la « Bande noire » avant de fréquenter les artistes de la « Section d’or » et de nouer une amitié durable avec André Dunoyer de Segonzac. Son œuvre, nourrie d’une profonde humanité, s’attache à dépeindre les scènes de la vie parisienne et les combats de boxe, thèmes qu’il aborde avec un sens aigu du mouvement et de la lumière. Exposé dès 1908 au Salon des Indépendants puis au Salon d’Automne de 1912, il s’impose comme une figure singulière de l’entre-deux-guerres. Ses estampes, aujourd’hui conservées à la Bibliothèque nationale de France et dans plusieurs musées européens, témoignent d’une sensibilité proche de Jean-Louis Boussingault, Jacques Villon ou encore Dunoyer de Segonzac. Luc Albert MOREAU (1882-1948) King Lear Oil on canvas Signed lower right 80 x 60 cm Framed PROVENANCE : Private collection, Paris NOTICE Luc-Albert Moreau (1882-1948) was a French painter, engraver and illustrator whose work lies at the crossroads of late Symbolism and early Modernism. A pupil of Charles Guérin, he first became close to the "Bande noire" before joining the artists of the "Section d'or" and forming a lasting friendship with André Dunoyer de Segonzac. His work, nourished by a profound humanity, focuses on depicting scenes of Parisian life and boxing matches, themes he tackles with a keen sense of movement and light. Exhibited as early as 1908 at the Salon des Indépendants, then at the Salon d'Automne in 1912, he established himself as a singular figure of the interwar period. His prints, now in the Bibliothèque nationale de France and several European museums, bear witness to a sensibility close to that of Jean-Louis Boussingault, Jacques Villon and Dunoyer de Segonzac. Luc Albert MOREAU (1882-1948) Rey Lear Óleo sobre lienzo Firmado abajo a la derecha 80 x 60 cm Enmarcado PROCEDENCIA : Colección privada en París AVISO Luc-Albert Moreau (1882-1948) fue un pintor, grabador e ilustrador francés cuya obra se sitúa en la encrucijada del simbolismo tardío y del primer modernismo. Alumno de Charles Guérin, se acercó primero a la "Bande noire" antes de asociarse con los artistas de la "Section d'or" y entablar una amistad duradera con André Dunoyer de Segonzac. Su obra, impregnada de un profundo sentido de la humanidad, se centra en la representación de escenas de la vida parisina y combates de boxeo, temas que aborda con un agudo sentido del movimiento y de la luz. Expuesto a partir de 1908 en el Salon des Indépendants y luego en el Salon d'Automne en 1912, se impuso como una figura singular del periodo de entreguerras. Sus grabados, conservados en la Biblioteca Nacional de Francia y en varios museos europeos, dan testimonio de una sensibilidad próxima a la de Jean-Louis Boussingault, Jacques Villon y Dunoyer de Segonzac.
Luc Albert MOREAU (1882-1948) "À Ronsard" Huile sur toile Signée en bas à droite, titrée et contresignée au dos 55 x 46 cm Encadrée PROVENANCE Collection particulière parisienne Luc Albert MOREAU (1882-1948) "To Ronsard Oil on canvas Signed lower right, titled and countersigned on the back 55 x 46 cm Framed PROVENANCE Private collection, Paris Luc Albert MOREAU (1882-1948) "A Ronsard Óleo sobre lienzo Firmado abajo a la derecha, titulado y refrendado al dorso 55 x 46 cm Enmarcado PROCEDENCIA Colección privada en París Luc Albert MOREAU (1882-1948) "An Ronsard" (À Ronsard) Öl auf Leinwand Unten rechts signiert, auf der Rückseite betitelt und gegengezeichnet. 55 x 46 cm Gerahmt PROVENTION Pariser Privatsammlung Luc Albert MOREAU (1882-1948) "A Ronsard Olio su tela Firmato in basso a destra, titolato e controfirmato sul retro 55 x 46 cm Incorniciato PROVENIENZA Collezione privata a Parigi 吕克-阿尔伯特-莫罗（1882-1948） "致隆萨 布面油画 右下方有签名，背面有标题和会签 55 x 46 厘米 已装裱 出处 巴黎私人收藏
Luc Albert MOREAU (1882-1948) Le Roi Lear Huile sur toile Signée en bas à droite 80 x 60 cm Encadrée PROVENANCE Collection particulière parisienne NOTICE Luc-Albert Moreau (1882-1948) fut un peintre, graveur et illustrateur français dont l’œuvre se situe à la croisée du symbolisme finissant et du modernisme naissant. Élève de Charles Guérin, il se rapproche d’abord de la « Bande noire » avant de fréquenter les artistes de la « Section d’or » et de nouer une amitié durable avec André Dunoyer de Segonzac. Son œuvre, nourrie d’une profonde humanité, s’attache à dépeindre les scènes de la vie parisienne et les combats de boxe, thèmes qu’il aborde avec un sens aigu du mouvement et de la lumière. Exposé dès 1908 au Salon des Indépendants puis au Salon d’Automne de 1912, il s’impose comme une figure singulière de l’entre-deux-guerres. Ses estampes, aujourd’hui conservées à la Bibliothèque nationale de France et dans plusieurs musées européens, témoignent d’une sensibilité proche de Jean-Louis Boussingault, Jacques Villon ou encore Dunoyer de Segonzac. Luc Albert MOREAU (1882-1948) King Lear Oil on canvas Signed lower right 80 x 60 cm Framed PROVENANCE Private collection, Paris NOTICE Luc-Albert Moreau (1882-1948) was a French painter, engraver and illustrator whose work lies at the crossroads of late Symbolism and early Modernism. A pupil of Charles Guérin, he first became close to the "Bande noire" before joining the artists of the "Section d'or" and forming a lasting friendship with André Dunoyer de Segonzac. His work, nourished by a profound humanity, focuses on depicting scenes of Parisian life and boxing matches, themes he tackles with a keen sense of movement and light. Exhibited as early as 1908 at the Salon des Indépendants, then at the Salon d'Automne in 1912, he established himself as a singular figure of the interwar period. His prints, now in the Bibliothèque nationale de France and several European museums, bear witness to a sensibility close to that of Jean-Louis Boussingault, Jacques Villon and Dunoyer de Segonzac. Luc Albert MOREAU (1882-1948) Rey Lear Óleo sobre lienzo Firmado abajo a la derecha 80 x 60 cm Enmarcado PROCEDENCIA Colección privada en París AVISO Luc-Albert Moreau (1882-1948) fue un pintor, grabador e ilustrador francés cuya obra se sitúa en la encrucijada del simbolismo tardío y del primer modernismo. Alumno de Charles Guérin, se acercó primero a la "Bande noire" antes de asociarse con los artistas de la "Section d'or" y entablar una amistad duradera con André Dunoyer de Segonzac. Su obra, impregnada de un profundo sentido de la humanidad, se centra en la representación de escenas de la vida parisina y combates de boxeo, temas que aborda con un agudo sentido del movimiento y de la luz. Expuesto a partir de 1908 en el Salon des Indépendants y luego en el Salon d'Automne en 1912, se impuso como una figura singular del periodo de entreguerras. Sus grabados, conservados en la Biblioteca Nacional de Francia y en varios museos europeos, dan testimonio de una sensibilidad próxima a la de Jean-Louis Boussingault, Jacques Villon y Dunoyer de Segonzac. Luc Albert MOREAU (1882-1948) König Lear Öl auf Leinwand Signiert in der unteren rechten Ecke. 80 x 60 cm Gerahmt PROVENTION Pariser Privatsammlung NOTIZ Luc-Albert Moreau (1882-1948) war ein französischer Maler, Grafiker und Illustrator, dessen Werk an der Schnittstelle zwischen dem ausgehenden Symbolismus und der aufkommenden Moderne angesiedelt ist. Als Schüler von Charles Guérin näherte er sich zunächst der "Bande noire" an, bevor er mit den Künstlern der "Section d'or" verkehrte und eine dauerhafte Freundschaft mit André Dunoyer de Segonzac schloss. Sein Werk, das von einer tiefen Menschlichkeit geprägt ist, konzentriert sich auf die Darstellung von Szenen aus dem Pariser Leben und von Boxkämpfen - Themen, die er mit einem ausgeprägten Sinn für Bewegung und Licht behandelt. Er wurde ab 1908 im Salon des Indépendants und 1912 im Salon d'Automne ausgestellt und etablierte sich als eine einzigartige Figur der Zwischenkriegszeit. Seine Drucke, die heute in der Bibliothèque nationale de France und in mehreren europäischen Museen aufbewahrt werden, zeugen von einer Sensibilität, die Jean-Louis Boussingault, Jacques Villon oder Dunoyer de Segonzac nahesteht. Luc Albert MOREAU (1882-1948) Re Lear Olio su tela Firmato in basso a destra 80 x 60 cm Incorniciato PROVENIENZA Collezione privata a Parigi NOTIZIE Luc-Albert Moreau (1882-1948) è stato un pittore, incisore e illustratore francese la cui opera si colloca all'incrocio tra il tardo simbolismo e il primo modernismo. Allievo di Charles Guérin, si avvicinò dapprima alla "Bande noire" prima di associarsi agli artisti della "Section d'or" e di stringere una duratura amicizia con André Dunoyer de Segonzac. Il suo lavoro, pervaso da un profondo senso di umanità, si concentra sulla rappresentazione di scene di vita parigina e di incontri di pugilato, temi che affronta con uno spiccato senso del movimento e della luce. Esposto dal 1908 al Salon des Indépendants e poi al Salon d'Automne nel 1912, si affermò come figura singolare del periodo tra le due guerre. Le sue stampe, oggi conservate alla Bibliothèque nationale de France e in diversi musei europei, testimoniano una sensibilità vicina a quella di Jean-Louis Boussingault, Jacques Villon e Dunoyer de Segonzac. 吕克-阿尔伯特-莫罗（1882-1948） 李尔王 布面油画 右下方有签名 80 x 60 厘米 已装裱 出处 巴黎私人收藏 说明 吕克-阿尔贝-莫罗（1882-1948 年）是法国画家、雕刻家和插图画家，其作品处于晚期象征主义和早期现代主义的交汇点。他是夏尔-盖朗（Charles Guérin）的学生，最初与 "黑帮 "关系密切，后来与 "Section d'or "的艺术家们交往，并与安德烈-杜诺耶-德-塞贡扎克（André Dunoyer de Segonzac）建立了持久的友谊。他的作品充满深厚的人文气息，主要描绘巴黎的生活场景和拳击比赛，他对运动和光线有着敏锐的感觉。从 1908 年起，他的作品先后在印度沙龙和 1912 年的法国春季沙龙展出，他也因此成为了二战期间的杰出人物。他的版画作品现藏于法国国家图书馆和多家欧洲博物馆，见证了他与让-路易-布辛戈（Jean-Louis Boussingault）、雅克-维庸（Jacques Villon）和杜诺耶-德-塞贡扎克（Dunoyer de Segonzac）相近的感性。
Moreau, Luc Albert (zugeschrieben). Ohne Titel. (Amour Homoérotique). Kohle auf Velin (Trockenstempel links unten). Um 1928. Blattmaße: 32 x 24 cm. Trägerkarton: 40 x 30 cm. Explizite homoerotische Szene von Luc Albert Moreau (1882-1948), der schon in seinen Illustrationen zu Francis Carcos "Images Cachées" (Paris, Éditions De La Roseraie, 1928) und "Tableau de l'Amour Vénal" (Paris, Éditions de la Nouvelle Revue Française, 1924) sein Gespür für pikante Tête-à-Têtes beweisen konnte. - Die Zeichnung auf Karton aufgezogen, dieser schwach gebräunt und knickspurig. - Provenienz: Aus der Sammlung von Hans-Jürgen Döpp.
Des Courières, Édouard. Physiologie de la Boxe. VII, 1 Bl., 108 S., 2 Bl. Mit 60 (einschl. Frontispiz) Originallithographien, davon 20 ganzseitig sowie 2 Extrasuiten dieser Illustrationen von Luc-Albert Moreau. 40,5 x 29,5 cm. Lose Bogen bzw. Blatt in 2 Pappdecken mit RTitel, zusammen in (stark beschädigtem) OPappschuber. Paris, Librairie Floury, 1929. -- Monod 3667. – Eines von 60 nummerierten Exemplaren (Gesamtauflage: 251 Ex.) auf Japon Impérial mit zwei Extrasuiten auf Japon ancien und Montval. Die Lithographien wurden bei A. Clot gefertigt, der Text gedruckt bei R. Coulouma. Die opulente Abhandlung über den Boxsport leitete Montherlant mit einem umfassenden Vorwort ein. – Vereinzelt etwas stockfleckig. Gutes Exemplar, der Schuber jedoch nur noch in einzelnen Teilen vorhanden.
Moreau, Luc Albert (zugeschrieben). Ohne Titel. (Amour Homoérotique). Kohle auf Velin (Trockenstempel links unten). Um 1928. Blattmaße: 32 x 24 cm. Trägerkarton: 40 x 30 cm. Explizite homoerotische Szene von Luc Albert Moreau (1882-1948), der schon in seinen Illustrationen zu Francis Carcos "Images Cachées" (Paris, Éditions De La Roseraie, 1928) und "Tableau de l'Amour Vénal" (Paris, Éditions de la Nouvelle Revue Française, 1924) sein Gespür für pikante Tête-à-Têtes beweisen konnte. - Die Zeichnung auf Karton aufgezogen, dieser schwach gebräunt und knickspurig. - Provenienz: Aus der Sammlung von Hans-Jürgen Döpp.
This description has been translated automatically: Luc Albert MOREAU (1882-1948) Painter and African art (Virginia), 1930 Original lithograph (Ducros and Colas workshop) Signed in the plate On Arches vellum 28 x 22 cm Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Luc Albert MOREAU (1882-1948) Peintre et art africain (Virginie), 1930 Lithographie originale (atelier Ducros et Colas) Signée dans la planche Sur vélin Arches 28 x 22 cm Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Luc Albert MOREAU (1882-1948) Painter and African art (Virginia), 1930 Original lithograph (Ducros and Colas workshop) Signed in the plate On Arches vellum 28 x 22 cm Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Luc Albert MOREAU (1882-1948) Peintre et art africain (Virginie), 1930 Lithographie originale (atelier Ducros et Colas) Signée dans la planche Sur vélin Arches 28 x 22 cm Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
"Portrait of Erik SATIE" Charcoal drawing on thick paper 28.5 x 23 cm located and dated upper right "Erik Satie chez la princesse Bass Versailles (19)19" and signed lower right. Provenance: Bernard Villaret, nephew of Luc-Albert Moreau. Exhibition: “Satie in the salons” Arturo Lopez Cultural Center – Neuilly-sur-Seine 1985. Catalog n°12. Bibliography: “My musical friends” by Hélène Jourdan-Morhange, Editeurs Français Réunis 1955. Provenance: Ornella VOLTA (1927-1920) author of nine books and countless articles on Érik SATIE, she created the Érik SATIE Foundation in 1981. Delivery of the lots without transport costs to Paris (rue Drouot), Lyon or Marseille a few days after the sale or dispatch at the buyer's expense by the carrier of their choice. "Portrait d’Erik SATIE" Dessin au fusain sur papier épais 28,5 x 23 cm situé et daté en haut à droite "Erik Satie chez la princesse Bass Versailles (19)19" et signé en bas à droite. Provenance : Bernard Villaret neveu de Luc-Albert Moreau. Exposition : "Satie dans les salons" Centre Culturel Arturo Lopez – Neuilly-sur-Seine 1985. Catalogue n°12. Bibliographie : "Mes amis musiciens" d’Hélène Jourdan-Morhange, Editeurs Français Réunis 1955. Provenance : Ornella VOLTA (1927-1920) auteur de neuf livres et d’innombrables articles sur Érik SATIE, elle a créé la Fondation Érik SATIE en 1981. Remise des lots sans frais de transport à Paris (rue Drouot), Lyon ou Marseille quelques jours après la vente ou l'envoi à la charge de l’acheteur par le transporteur de son choix.
Paris, Les Bibliophiles du Palais, 1938. In 4th. Loose leaves, with an introduction by Francis Carco and the 37 lithographs by Luc-Albert Moreau, including the frontispiece with the portrait of Mallarmé, at the end of the volume 5 drawings by Moreau, mm. 260 x 210, signed by the artist on the lower right, editorial cover in ivory cardboard with title in black and editorial frieze in color on the front cover, cover and case in brown leather, slight defects.
Luc-Albert MOREAU 1882-1948 Le joueur de banjo - 1914 Huile sur toile Signée en bas à gauche "Luc Albert Moreau" h: 65 w: 54 cm Provenance : Ancienne collection Claude Roger-Marx, Paris Collection particulière, France Bibliographie : R. Allard, Luc-Albert Moreau, Les Peintres français nouveaux , N°3, Editions de La Nouvelle Revue Française, 1920, reproduit en noir et blanc pl.43 Commentaire : Oil on canvas ; signed lower left Estimation 1 200 - 1 800 €
LUC-ALBERT MOREAU (FRENCH, 18821948), LITHOGRAPH ON CHINE-COLLE, ON WOVE PAPER H 10.5 W 17.25 THE FALLEN BOXER Signed in pencil lower right and annotated 'Epreuve d'artiste 12/12' in the lower left (an artist's proof, aside from the edition, size unknown), with full margins.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Moreau, L.A. (1882-1948). Little Titch - Réception à la Cour. Lithograph on chine collé, 37x26 cm., signed "Luc Albert Moreau" and "8/50" in pencil, published by H. Petiet, Paris. - Partly foxed, especilally in blank margins. AND 2 other lithographs by the same, both showing boxers, 1x signed in pencil.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc Albert Moreau original lithograph. Unsigned, identified on labels which are affixed to the separate folio. Measures 5.5" x 4" (plate size) and 15.75" x 11.5" (sheet size). Overall condition Ex/Ex+. Unframed, loose and not mounted or glued down. Provenance: Amity Art Foundation, Inc. collection. We ship all items in this auction in-house with the most fair shipping charges possible.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
LUC - ALBERT MOREAU (1882-1948) LE BIBLIOPHILE Lithographie originale sur chine appliqué. Épreuve numérotée47/50 et signée. Quelques taches, bonnes marges. On joint: - DEUX CHEVAUX GRIS POMMELES. Lithographie par GERICAULT et Léon COGNIET. Jaunie avec de nombreuses rousseurs, quelques déchirures dans les petites marges. Ensemble 2 planches. Feuillet: 505 x 430mm - 370 x 490mm; Sujets: 350 x 260mm - 288 x 418mm € 150-250
LUC - ALBERT MOREAU (1882-1948) COMBAT DE BOXE – BOXEUR NOIR AU TAPIS, Vers 1930 Deux lithographies sur simili Japon signées, numérotées42/50, 42/60. Quelques frottements et légères amincissures dans les bonnes marges. Feuillets: 460 x 610mm; Sujets: 345 x 450mm - 335 x 450mm On joint: MONOGRAMME P.B. AVIRON - BOXE Deux lithographies en couleurs éditées par Sagot sur vélin. Quelques taches de plis, petites déchirures dans les bords. Bonnes marges. Feuillet: 523 x 528mm; Sujet: 416 x 405mm. € 200-300
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
Luc-Albert Moreau [French Painter, 1882-1948]. In 1907 Luc-Albert Moreau shared a studio with Andre Dunoyer de Segonzac and Jean-Louis de Boussingault. Moreau exhibited as a painter with the Cubists in 1912, but soon reverted to a more traditional style. His closest artistic allies were Dunoyer de Segonzac, Boussingault, Valdo-Barbey, and Villeboeuf. Luc-Albert Moreau's lithographs of Parisian bars, restaurants, nightclubs, music halls, brothels and circuses reveal a comprehensive knowledge of the lively Paris underworld. In the 1920s Moreau created lithographs of the many aspects of boxing, which he considered a noble sport. Offered here is an original lithograph, unsigned, circa 1928, image approx. 10-1/2 x 8-1/4 in. plus margins. Very good condition.
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