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Jill Moser Sold at Auction Prices

b. 1956 -

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    • Jill Moser, Acrobat
      Jul. 24, 2024

      Jill Moser, Acrobat

      Est: $700 - $900

      Jill Moser Acrobat 2009 screenprint in colors image: 30.25 h x 30.25 w in (77 x 77 cm) sheet: 37.375 h x 36.25 w in (95 x 92 cm) Signed, dated and numbered to lower edge 'PP 4/9 Moser 2009'. This work is printer's proof 4 of 9 apart from the edition of 117 printed by Brand X Editions, New York and published by Lincoln Center for the Performing Arts, New York to commemorate their 50th anniversary. This work will ship from Lambertville, New Jersey.

      Toomey & Co. Auctioneers
    • Jill Moser Aquatint Grey Stills
      Mar. 14, 2024

      Jill Moser Aquatint Grey Stills

      Est: $400 - $500

      Jill Moser (American, 1956-). Spitbite aquatint, Grey Stills. Artist initialed, dated 05, titled and numbered 23/30 in pencil in the lower margin. Sheet 22 1/2" x 19 3/4" (with frame 26 1/4" x 26").

      Willow Auction House
    • Jill Moser, New York (b.1956), Untitled, 1994, ink on paper, 52"H x 21"W (sight), 59 3/4"H x 28 1/2"W (frame)
      Dec. 16, 2023

      Jill Moser, New York (b.1956), Untitled, 1994, ink on paper, 52"H x 21"W (sight), 59 3/4"H x 28 1/2"W (frame)

      Est: $1,500 - $2,000

      Jill Moser New York, (b.1956) Untitled, 1994 ink on paper Label verso: Black & Greenberg Gallery, NY, NY. Biography from the Archives of askART: The following information was submitted by Ingrid Fox, curator:Moser was born in 1956 and grew up in the environs of New York City. She reports that she took full advantage of everything that city had to offer — the museums, the galleries, the repertory film houses — before heading off to Brown to study what she says would today be considered cultural theory, under the auspices of the anthropology department. She graduated in 1978, but not before picking up a brush. Back in New York, a short-lived program at the Brooklyn Museum gave her studio space for a year before she began graduate work at Hunter College, earning an MFA in 1981. She's taught at the State University of New York, New Paltz, at Princeton and at the School of Visual Arts in New York, among other institutions, as well as holding several visiting residencies. She now lives and works in New York City. Though Moser's career began in the 1980s (the first group exhibition listed on her CV is in 1983; the first solo show, 1987), her work, current and prior, isn't of that decade, a period when the New York art world realized that the death of painting had been greatly exaggerated and began promoting the works of Jean-Michel Basquiat, David Salle, Julian Schnabel, Francesco Clemente, et al. Instead, her paintings, drawings and prints keep faith with the process artists of the 1970s, people like Eva Hesse, Alan Saret, Dorothea Rockburne, William Anastasi, and Marcia Hafif, to name a few, artists not usually associated with painting who, in their time, were seeking ways past the two opposing poles of the previous decade, minimalism and pop. When in the interview in the accompanying catalogue Moser talks about mark-making as a self-fulfilling activity, one of discovery in which "the image is active in the process of describing itself," and speaks of her process as improvisatory but not random, she echoes the concerns and interests of those earlier artists who concentrated on mark-making as well, improvising and experimenting with the process of making art in an attempt to get back to the basics as an escape from preconceived notions of what art had to be. Source: Excerpts from: Jill Moser at Wade Wilson by John Devine February 2007

      Ripley Auctions
    • Jill Moser, New York (b.1956), Untitled, 1994, ink on paper, 52"H x 21"W (sight), 59 3/4"H x 28 1/2"W (frame)
      Oct. 28, 2023

      Jill Moser, New York (b.1956), Untitled, 1994, ink on paper, 52"H x 21"W (sight), 59 3/4"H x 28 1/2"W (frame)

      Est: $1,000 - $2,000

      Jill Moser New York, (b.1956) Untitled, 1994 ink on paper Label verso: Black & Greenberg Gallery, NY, NY. Biography from the Archives of askART: The following information was submitted by Ingrid Fox, curator:Moser was born in 1956 and grew up in the environs of New York City. She reports that she took full advantage of everything that city had to offer — the museums, the galleries, the repertory film houses — before heading off to Brown to study what she says would today be considered cultural theory, under the auspices of the anthropology department. She graduated in 1978, but not before picking up a brush. Back in New York, a short-lived program at the Brooklyn Museum gave her studio space for a year before she began graduate work at Hunter College, earning an MFA in 1981. She's taught at the State University of New York, New Paltz, at Princeton and at the School of Visual Arts in New York, among other institutions, as well as holding several visiting residencies. She now lives and works in New York City. Though Moser's career began in the 1980s (the first group exhibition listed on her CV is in 1983; the first solo show, 1987), her work, current and prior, isn't of that decade, a period when the New York art world realized that the death of painting had been greatly exaggerated and began promoting the works of Jean-Michel Basquiat, David Salle, Julian Schnabel, Francesco Clemente, et al. Instead, her paintings, drawings and prints keep faith with the process artists of the 1970s, people like Eva Hesse, Alan Saret, Dorothea Rockburne, William Anastasi, and Marcia Hafif, to name a few, artists not usually associated with painting who, in their time, were seeking ways past the two opposing poles of the previous decade, minimalism and pop. When in the interview in the accompanying catalogue Moser talks about mark-making as a self-fulfilling activity, one of discovery in which "the image is active in the process of describing itself," and speaks of her process as improvisatory but not random, she echoes the concerns and interests of those earlier artists who concentrated on mark-making as well, improvising and experimenting with the process of making art in an attempt to get back to the basics as an escape from preconceived notions of what art had to be. Source: Excerpts from: Jill Moser at Wade Wilson by John Devine February 2007

      Ripley Auctions
    • Jill MOSER (Née en 1956) Hat trick - 2008 Huile sur toile
      Jun. 09, 2022

      Jill MOSER (Née en 1956) Hat trick - 2008 Huile sur toile

      Est: €3,500 - €4,500

      Jill MOSER (Née en 1956) Hat trick - 2008 Huile sur toile Signée et datée deux fois et titrée au dos "Jill Moser, 2008, Hat Trick, Moser, 2008" h: 76,50 w: 76,50 cm Provenance : Lennon Weinberg Inc., New York Acquis directement auprès de cette dernière par l'actuel propriétaire en 2008 Commentaire : Oil on canvas; signed and dated twice and titled on the reverse Estimation 3 500 - 4 500 €

      Artcurial
    • Jill Moser ACROBAT Color screenprint
      Jul. 15, 2021

      Jill Moser ACROBAT Color screenprint

      Est: $400 - $600

      Jill Moser (b. 1956) ACROBAT Color screenprint, 2009, on wove paper, signed, dated and numbered 24/117 in pencil, with full margins, framed. Image 30 x 30 inches; 762 x 762 mm. Sheet 36 3/8 x 35 3/4 inches; 924 x 908 mm. Frame 38 1/4 x 39 3/8 inches; 972 x 1000 mm. C Property from a Private Collection

      DOYLE Auctioneers & Appraisers
    • JILL MOSER (American b. 1956) A PAINTING, "Deluge," 2009,
      Feb. 06, 2021

      JILL MOSER (American b. 1956) A PAINTING, "Deluge," 2009,

      Est: $1,000 - $2,000

      JILL MOSER (American b. 1956) A PAINTING, "Deluge," 2009, acrylic and oil on canvas, verso signed and dated on canvas and titled at stretcher. 50" x 50" Provenance: Personal Collection of Nora Grossman, Houston, Texas.

      Simpson Galleries, LLC
    • JILL MOSER | Acrobat
      Oct. 22, 2018

      JILL MOSER | Acrobat

      Est: $200 - $300

      Screenprint in colors, 2009, signed in pencil, dated and numbered 85/117 (total edition includes 18 artist's proofs), on wove paper, with the blindstamp of the printer, Brand X Editions, New York, published by Lincoln Center for the Performing Arts, Inc., New York

      Sotheby's
    • JILL MOSER (b. 1956): ACROBAT, FOR LINCOLN CENTER FIFTIETH ANNIVERSARY
      Dec. 05, 2015

      JILL MOSER (b. 1956): ACROBAT, FOR LINCOLN CENTER FIFTIETH ANNIVERSARY

      Est: $100 - $300

      JILL MOSER (b. 1956): ACROBAT, FOR LINCOLN CENTER FIFTIETH ANNIVERSARY Screenprint in colors on wove paper, 2009, with full margins, signed and dated in pencil, numbered 'AP 16/18' (the edition was 108). 37 X 36 in., unframed.

      STAIR
    • Jill Moser (b. 1956): Acrobat
      Jul. 25, 2015

      Jill Moser (b. 1956): Acrobat

      Est: $100 - $300

      Jill Moser (b. 1956): Acrobat Screenprint in colors on wove paper, 2009, with full margins, signed and dated in pencil, inscribed 'For Delmar with appreciation' (apart from the edition of 108). 37 x 36 in. (sheet), 37 1/2 x 36 1/2 in. (frame). Provenance: Gift of the artist.

      STAIR
    • Jill Moser American, b. 1956 Untitled: Two
      Aug. 06, 2014

      Jill Moser American, b. 1956 Untitled: Two

      Est: $400 - $600

      Jill Moser American, b. 1956 Untitled: Two Each pastel on paper Each sight 24 x 39 inches C 

      DOYLE Auctioneers & Appraisers
    • Jill Moser American, b. 1956 Untitled: Two
      Mar. 11, 2014

      Jill Moser American, b. 1956 Untitled: Two

      Est: $800 - $1,200

      Jill Moser American, b. 1956 Untitled: Two Each pastel on paper Each sight 24 x 39 inches C 

      DOYLE Auctioneers & Appraisers
    • JILL MOSER
      Mar. 08, 2012

      JILL MOSER

      Est: $3,000 - $4,000

      THIS LOT WILL BE OFFERED WITHOUT RESERVE. Two Works: i) Untitled; ii) Dawn i) Signed and dated "JM 95" lower right. Further signed and dated "J Moser 1995" on the reverse. ii) Signed, titled and dated "Dawn, J Moser, 2001" on the reverse.

      Phillips
    • Jill Moser (American, b. 1956) Two works of art:
      May. 16, 2009

      Jill Moser (American, b. 1956) Two works of art:

      Est: $1,200 - $1,800

      Jill Moser (American, b. 1956) Two works of art: North Fork, 1995; Ink and casein on paper (framed); 30'' x 22'' (sheet); Untitled, 1996; Ink and casein on paper (framed); 29 3/4'' x 22'' (sheet); Provenance: Private Collection

      Rago Arts and Auction Center
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