Jill Moser Paintings & Artwork for Sale | Jill Moser Art Value Price Guide

May. 30, 2026
Jill MOSER: "Mobius".
Est: $400 - $600
Jill MOSER (American, b. 1956): "Mobius". Color lithograph on wove paper, 2012. Reference: Lemon/Cvikota p.615, JM-09-07. Published by Landfall Press, with their stamp on verso, as usual. Signed, dated, and annotated TP in pencil. Image size: 24 x 24 inches. Sheet size: 30 1/4 x 30 inches.
Armstrong Fine Art
Apr. 24, 2026
Jill Moser (American, b. 1956), "Untitled", 2004
Est: $500 - $800
Jill Moser (American, b. 1956) "Untitled", 2004 screenprint in colors pencil-initialed and dated lower right, numbered "24/24" lower left. Float-mounted, glazed and framed.
New Orleans Auction Galleries
Sep. 30, 2025
Jill Moser, Untitled
Est: $1,000 - $1,500
Jill Moser Untitled 1997 oil on canvas 30 h x 30.125 w in (76 x 77 cm) Signed and dated to verso 'J Moser 97'. Provenance: Acquired directly from the artist in 2004 by the present owner This work will ship from Lambertville, New Jersey.
Rago Arts and Auction Center
Jul. 24, 2024
Jill Moser, Acrobat
Est: $700 - $900
Jill Moser Acrobat 2009 screenprint in colors image: 30.25 h x 30.25 w in (77 x 77 cm) sheet: 37.375 h x 36.25 w in (95 x 92 cm) Signed, dated and numbered to lower edge 'PP 4/9 Moser 2009'. This work is printer's proof 4 of 9 apart from the edition of 117 printed by Brand X Editions, New York and published by Lincoln Center for the Performing Arts, New York to commemorate their 50th anniversary. This work will ship from Lambertville, New Jersey.
Toomey & Co. Auctioneers
Mar. 14, 2024
Jill Moser Aquatint Grey Stills
Est: $400 - $500
Jill Moser (American, 1956-). Spitbite aquatint, Grey Stills. Artist initialed, dated 05, titled and numbered 23/30 in pencil in the lower margin. Sheet 22 1/2" x 19 3/4" (with frame 26 1/4" x 26").
Willow Auction House
Dec. 16, 2023
Jill Moser, New York (b.1956), Untitled, 1994, ink on paper, 52"H x 21"W (sight), 59 3/4"H x 28 1/2"W (frame)
Est: $1,500 - $2,000
Jill Moser New York, (b.1956) Untitled, 1994 ink on paper Label verso: Black & Greenberg Gallery, NY, NY. Biography from the Archives of askART: The following information was submitted by Ingrid Fox, curator:Moser was born in 1956 and grew up in the environs of New York City. She reports that she took full advantage of everything that city had to offer — the museums, the galleries, the repertory film houses — before heading off to Brown to study what she says would today be considered cultural theory, under the auspices of the anthropology department. She graduated in 1978, but not before picking up a brush. Back in New York, a short-lived program at the Brooklyn Museum gave her studio space for a year before she began graduate work at Hunter College, earning an MFA in 1981. She's taught at the State University of New York, New Paltz, at Princeton and at the School of Visual Arts in New York, among other institutions, as well as holding several visiting residencies. She now lives and works in New York City. Though Moser's career began in the 1980s (the first group exhibition listed on her CV is in 1983; the first solo show, 1987), her work, current and prior, isn't of that decade, a period when the New York art world realized that the death of painting had been greatly exaggerated and began promoting the works of Jean-Michel Basquiat, David Salle, Julian Schnabel, Francesco Clemente, et al. Instead, her paintings, drawings and prints keep faith with the process artists of the 1970s, people like Eva Hesse, Alan Saret, Dorothea Rockburne, William Anastasi, and Marcia Hafif, to name a few, artists not usually associated with painting who, in their time, were seeking ways past the two opposing poles of the previous decade, minimalism and pop. When in the interview in the accompanying catalogue Moser talks about mark-making as a self-fulfilling activity, one of discovery in which "the image is active in the process of describing itself," and speaks of her process as improvisatory but not random, she echoes the concerns and interests of those earlier artists who concentrated on mark-making as well, improvising and experimenting with the process of making art in an attempt to get back to the basics as an escape from preconceived notions of what art had to be. Source: Excerpts from: Jill Moser at Wade Wilson by John Devine February 2007
Ripley Auctions
Oct. 28, 2023
Jill Moser, New York (b.1956), Untitled, 1994, ink on paper, 52"H x 21"W (sight), 59 3/4"H x 28 1/2"W (frame)
Est: $1,000 - $2,000
Jill Moser New York, (b.1956) Untitled, 1994 ink on paper Label verso: Black & Greenberg Gallery, NY, NY. Biography from the Archives of askART: The following information was submitted by Ingrid Fox, curator:Moser was born in 1956 and grew up in the environs of New York City. She reports that she took full advantage of everything that city had to offer — the museums, the galleries, the repertory film houses — before heading off to Brown to study what she says would today be considered cultural theory, under the auspices of the anthropology department. She graduated in 1978, but not before picking up a brush. Back in New York, a short-lived program at the Brooklyn Museum gave her studio space for a year before she began graduate work at Hunter College, earning an MFA in 1981. She's taught at the State University of New York, New Paltz, at Princeton and at the School of Visual Arts in New York, among other institutions, as well as holding several visiting residencies. She now lives and works in New York City. Though Moser's career began in the 1980s (the first group exhibition listed on her CV is in 1983; the first solo show, 1987), her work, current and prior, isn't of that decade, a period when the New York art world realized that the death of painting had been greatly exaggerated and began promoting the works of Jean-Michel Basquiat, David Salle, Julian Schnabel, Francesco Clemente, et al. Instead, her paintings, drawings and prints keep faith with the process artists of the 1970s, people like Eva Hesse, Alan Saret, Dorothea Rockburne, William Anastasi, and Marcia Hafif, to name a few, artists not usually associated with painting who, in their time, were seeking ways past the two opposing poles of the previous decade, minimalism and pop. When in the interview in the accompanying catalogue Moser talks about mark-making as a self-fulfilling activity, one of discovery in which "the image is active in the process of describing itself," and speaks of her process as improvisatory but not random, she echoes the concerns and interests of those earlier artists who concentrated on mark-making as well, improvising and experimenting with the process of making art in an attempt to get back to the basics as an escape from preconceived notions of what art had to be. Source: Excerpts from: Jill Moser at Wade Wilson by John Devine February 2007
Ripley Auctions
Jun. 09, 2022
Jill MOSER (Née en 1956) Hat trick - 2008 Huile sur toile
Est: €3,500 - €4,500
Jill MOSER (Née en 1956) Hat trick - 2008 Huile sur toile Signée et datée deux fois et titrée au dos "Jill Moser, 2008, Hat Trick, Moser, 2008" h: 76,50 w: 76,50 cm Provenance : Lennon Weinberg Inc., New York Acquis directement auprès de cette dernière par l'actuel propriétaire en 2008 Commentaire : Oil on canvas; signed and dated twice and titled on the reverse Estimation 3 500 - 4 500 €
Artcurial
Jul. 15, 2021
Jill Moser ACROBAT Color screenprint
Est: $400 - $600
Jill Moser (b. 1956) ACROBAT Color screenprint, 2009, on wove paper, signed, dated and numbered 24/117 in pencil, with full margins, framed. Image 30 x 30 inches; 762 x 762 mm. Sheet 36 3/8 x 35 3/4 inches; 924 x 908 mm. Frame 38 1/4 x 39 3/8 inches; 972 x 1000 mm. C Property from a Private Collection
DOYLE Auctioneers & Appraisers
Feb. 06, 2021
JILL MOSER (American b. 1956) A PAINTING, "Deluge," 2009,
Est: $1,000 - $2,000
JILL MOSER (American b. 1956) A PAINTING, "Deluge," 2009, acrylic and oil on canvas, verso signed and dated on canvas and titled at stretcher. 50" x 50" Provenance: Personal Collection of Nora Grossman, Houston, Texas.
Simpson Galleries, LLC
Oct. 22, 2018
JILL MOSER | Acrobat
Est: $200 - $300
Screenprint in colors, 2009, signed in pencil, dated and numbered 85/117 (total edition includes 18 artist's proofs), on wove paper, with the blindstamp of the printer, Brand X Editions, New York, published by Lincoln Center for the Performing Arts, Inc., New York
Sotheby's
Dec. 05, 2015
JILL MOSER (b. 1956): ACROBAT, FOR LINCOLN CENTER FIFTIETH ANNIVERSARY
Est: $100 - $300
JILL MOSER (b. 1956): ACROBAT, FOR LINCOLN CENTER FIFTIETH ANNIVERSARY Screenprint in colors on wove paper, 2009, with full margins, signed and dated in pencil, numbered 'AP 16/18' (the edition was 108). 37 X 36 in., unframed.
STAIR
Jul. 25, 2015
Jill Moser (b. 1956): Acrobat
Est: $100 - $300
Jill Moser (b. 1956): Acrobat Screenprint in colors on wove paper, 2009, with full margins, signed and dated in pencil, inscribed 'For Delmar with appreciation' (apart from the edition of 108). 37 x 36 in. (sheet), 37 1/2 x 36 1/2 in. (frame). Provenance: Gift of the artist.
STAIR
Aug. 06, 2014
Jill Moser American, b. 1956 Untitled: Two
Est: $400 - $600
Jill Moser American, b. 1956 Untitled: Two Each pastel on paper Each sight 24 x 39 inches C
DOYLE Auctioneers & Appraisers
Mar. 11, 2014
Jill Moser American, b. 1956 Untitled: Two
Est: $800 - $1,200
Jill Moser American, b. 1956 Untitled: Two Each pastel on paper Each sight 24 x 39 inches C
DOYLE Auctioneers & Appraisers
Mar. 08, 2012
JILL MOSER
Est: $3,000 - $4,000
THIS LOT WILL BE OFFERED WITHOUT RESERVE. Two Works: i) Untitled; ii) Dawn i) Signed and dated "JM 95" lower right. Further signed and dated "J Moser 1995" on the reverse. ii) Signed, titled and dated "Dawn, J Moser, 2001" on the reverse.
Phillips
May. 16, 2009
Jill Moser (American, b. 1956) Two works of art:
Est: $1,200 - $1,800
Jill Moser (American, b. 1956) Two works of art: North Fork, 1995; Ink and casein on paper (framed); 30'' x 22'' (sheet); Untitled, 1996; Ink and casein on paper (framed); 29 3/4'' x 22'' (sheet); Provenance: Private Collection
Rago Arts and Auction Center