Jan Muller Paintings & Artwork for Sale | Jan Muller Art Value Price Guide

May. 22, 2026
[Portraits]. Muller, Jan (1571-1628). (Portrait of Dirck Coornhert).
Est: €150 - €250
[Portraits]. Muller, Jan (1571-1628). (Portrait of Dirck Coornhert). Engraving after Cornelis CORNELISZOON VAN HAARLEM, 18,3x12,7 cm., monogrammed in the plate. - Backed. = Hollstein 83; New Hollstein 34, 2nd state of 2.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Apr. 20, 2026
Bohemian Mannerist Master, 17th Century- Lot and His Daughters
Est: €4,000 - €6,000
After a drawing by Jan Harmensz Müller (1571-1628) Lot and His Daughters This painting is a captivating interpretation of an engraving by Jan Harmensz Müller, an artist from the intellectual and artistic circle of Emperor Rudolf II's court in Prague. The work depicts the biblical scene of "Lot and His Daughters" from the Book of Genesis. The painting’s style, with its elongated figures and complex, sinuous poses (figura serpentinata), is strongly reminiscent of Bartholomäus Spranger, a central figure of Northern Mannerism. The presence of grapes and the act of pouring wine allude to the biblical narrative, where Lot's daughters intoxicate their father to preserve their lineage. This painting is a testament to the influence of Müller's engravings, which were crucial in disseminating the sophisticated Mannerist style of the Prague court throughout Europe. The rare technique of oil on paper further suggests that this was a valuable piece intended for a discerning collector. Oil on paper, laid on canvas Dimensions: 33.5 x 43.5 cm
Fine Antiques Prague s.r.o.
Apr. 16, 2026
Bartholomeus Spranger, Jan Muller - Hercules on the crossroads - 1591
Est: €500 - €750
Hercules being shown the mountainous road to the temple of immortal fame in the company of Minerva and Mars; Hercules, brandishing his club and wearing a lion pelt, holds the hand of Minerva, who, in turn, holds the hand of Mars who has a spear; a putti hovers overhead, holding a caduceus, and points towards a temple at the top of the mountain. Signed In top right corner of the design "B.[us] Sprangers inventor. / J. Muller sculpsit" and in lower right corner "HMuller excud. Amster." Engraving by Jan Harmensz. Muller (1571-1628) from circa 1591 after the design by Bartholomeus Spranger (1546-1611). Related drawings by Spranger in red chalk in Cologne and Stockholm. Jan Muller was one of the best engravers during the mannerist period and combined an elegant and virtuoso line style with an energetic and expressive design.
Old Master Print
Apr. 16, 2026
Jan Harmensz. Muller - Minerva - Proof state - RRR
Est: €600 - €1,200
A magnificent and extremely rare engraving by Jan Harmensz. Muller after a design by Bartholomeus Spranger, court painter to Rudolf II in Prague.The composition depicts Minerva standing in full armour, holding her lance and shield bearing the head of Medusa.This print is an unfinished proof state evidenced by absence of background shading at right and bottom side. Also the imperfections of the oval scratches upper left and the bended scratch left to the Medusa shield would not be allowed in a finished state. There are no further finished states known. This trial/proof state was probably published in only a very limited number of impressions.The present impression is exceptionally early. This characteristic is clearly visible when compared with the impression in the Rijksmuseum. Moreover, this impression predates the example in the British Museum by a considerable margin and corresponds closely to the Rijksmuseum impression, including the distinctive oval scratches in the upper left corner.Jan Harmensz. Muller is regarded as one of the most sensitive and technically accomplished engravers of his time. In this superb early, velvety, and richly inked impression, his extraordinary precision and artistic subtlety results in a work of remarkable vitality that brings the goddess to life.The print is of the utmost rarity. Only one auction result has been traced by us over the past 25 years (Tajan, 2014, USD 8,445), for a later impression similar to the one in Paris.
Old Master Print
Apr. 16, 2026
Jan Harmensz. Muller - Christ Carrying the Cross - After Lucas van Leyden,
Est: €160 - €220
Christ Carrying the Cross; Christ at center buckled to his knees under the weight of the cross as he walks to the right; Veronica kneels beside him to the left raising a cloth to wipe his face; St John and the Virgin Mary walk behind him and a crowd gathers behind them. A print made in the early 17th century by Jan Harmensz. Muller (1571-1628) after the passion series by Lucas van Leyden from 1521.
Old Master Print
Apr. 01, 2026
JAN HARMENSZ. MULLER (1571-1628)
Est: €400 - €600
Description EN 'Serenissimo et Potentissimo Alberto Austriae Archiduci..', 1615. Engraving. Description FR 'Serenissimo et Potentissimo Alberto Austriae Archiduci..', 1615. Gravure au burin. D'après un tableau de P.-P. Rubens (1577-1640). Signé dans la marge. Grandes marges, impression claire et nette. Beschrijving NL 'Serenissimo et Potentissimo Alberto Austriae Archiduci..', 1615. Burijngravure. Naar een (verloren gegaan) portret van P.-P. Rubens (1577-1640). Getekend in marge. Grote marges, heldere en scherpe afdruk.
Bernaerts Auctioneers
Dec. 09, 2025
Jan Muller - Belshazzar's feast - C. 1598
Est: €800 - €1,400
Belshazzar's feast; Belshazzar sits in a large dark room illuminated by candles at the head of a long table accompanied by his noble guests; Belshazzar's queen sits under a canopy at left; hanging from the ceiling is an elaborate candlelight comprising of three candles and three naked female figurines holding torches giving the whole a wonderful chiaroscuro effect, Inscriptions: "Joannes Muller: fecit." and "Nic: Viβcher excu.
Old Master Print
Dec. 09, 2025
Michael Jansz van Mierevelt, Jan Harmensz Muller, Portrait of Ambrosius Spinola
Est: €650 - €850
Portrait of Ambrosius Spinola. Engraving after a drawing/painting of Michael Jansz van Mierevelt (1566-1641). Engraving made by Jan Harmensz Muller (1571-1628) ca 1615, Published by Harmen Jansz Muller (1539-1617) ca 1615. References: New Hollstein 59 3(3). Good dark impression, printed on laid paper with margins, with a watermark. A restored tear at the left below not visible in front, otherwise excellent.
Old Master Print
Nov. 28, 2025
[Portraits]. Passe the Younger, Crispijn (van) de (1594-1670). (Portrait of remonstrant preacher Carolus Niellus).
Est: €100 - €150
[Portraits]. Passe the Younger, Crispijn (van) de (1594-1670). (Portrait of remonstrant preacher Carolus Niellus). Engraving after T. KEYSER, 30x20 cm., ±1652 (tiny tear in left margin). Muller, Jan Harmensz. (1571-1628). (Portrait of Everard van Reyd). Engraving, 20,7x14 cm., 1602. (somewhat foxed and tipped onto mount). - AND ±25 others, almost all engravings/ etchings, mainly of Dutch artists, theologians, public figures etc., 17th-18th century. - Mostly tipped onto mount, occas. w. glue visible on recto. = Portraits of i.a. Johannes BECIUS (by D. van HOOGSTRATEN), Johannes POLYANDER (by W. DELFF), Philips MARNIX VAN SANT-ALDEGONDE, Nicolaas BULLIUS (by J. MATHAM) and Comte de BUFFON (by J. HOUBRAKEN).
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 18, 2025
JAN HARMENSZ MULLER (NETHERLANDS / DUTCH 1571 - 1628) - Sine Cerere et Baccho friget Venus (according to Spranger)
Est: -
1597 / 18th century print | technique: engraving on paper | 470 x 350 mm | loose leaf
Einszwei Gallery
Sep. 29, 2025
Bohemian Mannerist Master, 17th Century- Lot and His Daughters
Est: €3,000 - €5,000
After a drawing by Jan Harmensz Müller (1571-1628) Lot and His Daughters This painting is a captivating interpretation of an engraving by Jan Harmensz Müller, an artist from the intellectual and artistic circle of Emperor Rudolf II's court in Prague. The work depicts the biblical scene of "Lot and His Daughters" from the Book of Genesis. The painting’s style, with its elongated figures and complex, sinuous poses (figura serpentinata), is strongly reminiscent of Bartholomäus Spranger, a central figure of Northern Mannerism. The presence of grapes and the act of pouring wine allude to the biblical narrative, where Lot's daughters intoxicate their father to preserve their lineage. This painting is a testament to the influence of Müller's engravings, which were crucial in disseminating the sophisticated Mannerist style of the Prague court throughout Europe. The rare technique of oil on paper further suggests that this was a valuable piece intended for a discerning collector. Oil on paper, laid on canvas Dimensions: 33.5 x 43.5 cm
Fine Antiques Prague s.r.o.
Jun. 26, 2025
Jan Harmensz. Muller 1571 Amsterdam – 1628, zugeschrieben
Est: €3,000 - €5,000
LOTH UND SEINE TÖCHTER Öl auf Papier. Hinterlegt. 32,5 x 43 cm. In profiliertem und vergoldetem Rahmen. Eine sehr ähnliche Komposition wurde bei Sotheby‘s New York am 27. Januar 2005 unter Lot 114 verkauft (RKD 115769). Diese Studie zeigt die Töchter des Loth, die ihren Vater im Begriff sind trunken und damit gefügig zu machen (Genesis 19:30-38), um die Nachkommenschaft zu sichern. Im Hintergrund Durchblick auf die brennende Stadt Sodom. (14415913) (13)
Hampel Fine Art Auctions
May. 20, 2025
Jan Harmensz Muller (1571-1628) after Cornelis van Haarlem (1562-1638), ‘Portrait of Dirck Volckertsz. Coornhert’ (1590) B. 34 (II (III))
Est: €300 - €600
Jan Harmensz Muller (1571-1628) after Cornelis van Haarlem (1562-1638), ‘Portrait of Dirck Volckertsz. Coornhert’ (1590) B. 34 (II (III)) unsigned. Literature: B. 34, Hollstein 83, state two of three. Watermark: Coat of arms (cf. Briquet 1074). Annotated in the plate: 'Obijt esfo. 1590' & 'CC pinx' top left 'Ætat: fua 68' top right & THEORDORVS COORNHERTIVS AMSTELREDAMVS / Quid valeant Bataui linguâ, ingenioque Batauo, / Rara inter Batauos lux, Theodore, doces. / Quis posthàc crassam Batauis affinxerit aurems. [s superscirpt] / Dispeream, si quis tale quid ausus erit' bottom center. Before the address of Francisco Hoeius. Literature: Fred. Muller, Cat. v. 7000 Portraits, no. 1116.
Vendu Rotterdam
Dec. 12, 2024
Jan Harmensz. Muller - Joannes Neyt with skull - 1608
Est: €440 - €650
Portrait of Joannes Neyn (1560–1612), half-length to right, wearing a crucifix (resting on the table before him) and resting his hand on a skull, a winged hour-glass on a ledge beyond. Jan Neyen was a Franciscan friar and diplomat from the Habsburg Netherlands, who was involved in negotiating the Twelve Years Truce of 1609–1621'. At the bottom a handwritten text that emphasize his courage and perseverance to realize this treaty. On te wall on top the date of te portrait 'Aetat XXXIIX °° IDC IIX' So he shoud have been 38 years in 1608 but that does not really match with his given date of birth and his physiognomy. More likely he was 48 years and the engraver missed an X in the date. Here a fourth state fourth state signed below and at right of inscription in lower margin: "M. à Mierevelt pinxit." and "J. Muller sculpsit" and "Cum privil Sexen. / Ordin. Holland.". The engraving dates from 1608.
Old Master Print
Sep. 20, 2024
JAN HARMENSZ MULLER
Est: CHF1,000 - CHF1,500
JAN HARMENSZ MULLER (1571 Amsterdam 1628) Minerva and Mercury hand Perseus his weapons and attach the wings to his shoes. After Bartholomäus SPRANGER. 1604. Copper engraving on laid paper with watermark: crowned coat of arms with three lilies and inscribed: POYLEVE, see Churchill 386, circa 1636. Signed twice in the plate in lower margin: Muller excud. Amstelodami; lower left: L.M.Q.D.D. Janus Muller Sculptor. Sheet sizes: 57 x 40 cm (slightly unevenly trimmed). Provenance: - Private collection, West Switzerland. Bartsch 69; Hollstein 59; Filedt Kok (New Hollstein) 69 III (of III). - Very fine, strong, clear and even impression with full text margin. Mostly with fine margins around the image or trimmed to the image in places. Fully laid down on Japan paper. Isolated minor tears in the margins, several printer's creases in the paper. The buttocks of Perseus with restored tear and tiny loss in the paper. A larger backed thin area in the centre of the image, isolated small thin areas in the corners and margins. Smoothed creases running vertically in the upper margin. The paper is somewhat discoloured and shows slight signs of wear and age. Individual tiny holes and minor rubbing. Despite the aforementioned defects, still good overall impression. ------------------------------------------------- JAN HARMENSZ MULLER (1571 Amsterdam 1628) Minerva und Merkur übergeben Perseus die Waffen und befestigen die Flügel an seinen Schuhen. Nach Bartholomäus SPRANGER. 1604. Kupferstich auf Bütten mit Wz. Bekröntes Wappen mit drei Lilien und mit Beischrift: POYLEVE, vgl. Churchill 386, um 1636. Im unteren Schriftrand zweimal gestochen signiert: Muller excud. Amstelodami; unten links: L.M.Q.D.D. Janus Muller Sculptor. Bogengrösse: 57 x 40 cm (leicht unregelmässig beschnitten). Provenienz: - Westschweizer Privatsammlung. Bartsch 69; Hollstein 59; Filedt Kok (New Hollstein) 69 III (von III). - Sehr schöner, kräftiger, klarer und gleichmässiger Druck mit dem vollen Schriftrand. Überwiegend mit feinem Rändchen um die Darstellung bzw. stellenweise bis an diese beschnitten. Ganzflächig mit Japanpapier hinterlegt. Vereinzelte kleinere Einrisse in den Rändern, mehrere Quetschfalten im Papier. Das Gesäss des Perseus mit restauriertem Einriss und winziger Fehlstelle im Papier. Grössere hinterlegte Dünnstelle in der Bildmitte, vereinzelte kleine Dünnstellen in den Ecken und Randbereichen. Am oberen Rand mit vertikal verlaufenden, geglätteten Knitterfalten. Das Papier ist etwas nachgedunkelt und mit leichten Gebrauchs- und Altersspuren. Einzelne winzige Löchlein und kleinere Bereibungen. Trotz der genannten Mängel noch guter Gesamteindruck.
Koller Auctions
Jul. 25, 2024
Muller (Jan Harmensz., 15711628). Venus and Mercury, after Bartholomeus Spranger
Est: £200 - £300
Muller (Jan Harmensz., 15711628). Venus and Mercury, after Bartholomeus Spranger * Muller (Jan Harmensz., 15711628). Venus and Mercury, after Bartholomeus Spranger, engraving on laid paper, 39.8 x 27.3 cm (15 5/8 x 10 3/4 ins) mount aperture, framed and glazed (56 x 42 cm), together with Preisler (Johann Martin, 1715-1794). Silenus, after Johann Just Preisler, engraving on laid paper, 33 x 18.7 cm (13 x 7 3/8 ins) plate size, framed and glazed (48.5 x 36.5 cm), plus Balliu (Pieter de, 1613-1660). Lucy Percy, after Van Dyck, engraving on laid paper, 24 x 18.5 cm (9 1/2 x 7 1/4 ins) mount aperture, framed and glazed (30 x 26 cm), and one other (Jacob's Dream, after Raphael, lithograph, published in The Lawrence Gallery, published by Samuel and Allen Woodburn, 1841), framed and glazed (37.5 x 47.5 cm) QTY: (4)
Dominic Winter Auctions
Jun. 07, 2024
Leyden - Muller, Jan Harmensz (Amsterdam 1571-1628 ebda.),
Est: €220 - €330
Die Passion Christi. 6 Kupferstiche nach L. van Leyden. In den Platten monogr. "L" und dat. 1521. Je ca. 11,6 x 7,5 cm. (4) - Hollstein XIV, 106, 27, 29-33: "Deceptive copies after Lucas van Leyden; B(artsch) [aus] 43-56". - Vgl. Hollstein X (Leyden), 96: "same sizes, also with the initial and date". - Aus der 14blättrigen Folge der Passion, die Abzüge von Muller um 1620. - Nur in winzigen Details von den Blättern Leydens abweichend, so z. B. das letzte Blatt der Folge mit der Darstellung der Auferstehung bei Muller mit der Initiale von Leyden in weißer Tafel ohne den Strich an der linken und rechten Seite.
Zisska & Lacher
May. 17, 2024
Muller, Jan Harmensz (1571-1628) (after). "Hendrick Goltzius."
Est: €200 - €300
Muller, Jan Harmensz (1571-1628) (after). "Hendrick Goltzius." Large drawing, pen and brown ink, 55,5x41,5 cm., largely titled in the image, on laid paper showing large watermark w. fleur-de-lys. - Cut on/ just within the drawn borderline; a few tiny holes and sm. tears in the image; some marginal tears affecting the image; part of paper strengthened in left edge; some vague stains. = Provenance: Van der Willigen auction (1829). Cf. New Hollstein 92, 2nd state of 3.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Mar. 20, 2024
Sine Cerere et Baccho friget Venus
Est: -
Graver engraving by Jan Muller (Amsterdam, 1571-1628). Very short of margins.
Duran Arte y Subastas
Mar. 08, 2024
MULLER, Jan (1571-1628)
Est: €450 - €700
Serenissimo et potentissimo Alberto Austriae / Serenissimae Isabellae Clarae Eugeniae Hollstein 62/63. Jan Muller, son of an Amsterdam printer, printmaker and publisher, was one of the most sought-after Mannerist printmakers at the end of the sixteenth century, who developed a style modelled on that of Hendrick Goltzius, the leading draughtsman and printmaker in the northern Netherlands. At the beginning of the seventeenth century, he began to engrave portraits, mostly of important political figures, reproducing painted portraits by various artists. Among the largest and most complex are the portraits of Joannes Neyen, Prince Maurits, and the present work, Albert and Isabella of Austria Two engravings (2 x 40 x 29.5 cm) by Jan Muller after P.P. Rubens (1577-1640), printed in 1615, narrow margins, 2 small repaired tears in border, very fine impressions of the 3th state of four (2)
Auctions Van de Wiele
Oct. 28, 2023
MULLER JACQUES (1930-1997)
Est: €30 - €100
'Town Bridge vu du London Bridge'
Campo & Campo
Oct. 25, 2023
Prague School, early 17th Century
Est: €20,000 - €30,000
Venus and Mercury, oil on panel, 64.5 x 50 cm, framed Provenance: Private collection, The Netherlands, since the 1950s The composition of this striking panel follows a print by Jan Harmensz. Muller (1571–1628) of circa 1600 (New Holl., 68), after a drawing by Bartholomeus Spranger (1546–1611) now in the Yale University Art Gallery, New Haven, Connecticut (inv. no. 1974.38). Another version, of larger measurements, dated 1601, was sold in these rooms (see sale, Dorotheum, Vienna, 9 November 2022, lot 8). The latter and the present panel are very early examples of the Prague school of painting, demonstrating all the characteristics of the mannerist taste of Emperor Rudolph II, such as the intertwined bodies and the overall sensual mood. The date of the present panel has been confirmed by the dendrochronological analysis of the oak support by Peter Klein. As stated in his report dated 23 February 2023, the support consists of two wooden boards taken from the same tree, whereby the youngest heartwood ring dates from 1581 – allowing the earliest possible felling date to 1588 and the earliest possible creation of the painting to 1590. Mercury and Venus as lovers is rarely depicted as a mythological subject. More common is Venus’ depiction of the love affair with Mars.
Dorotheum
Oct. 19, 2023
Jan Harmensz von Muller "Two engraves representing Adriaen de Vries' sculpture" (504x254 mm.) framed (defects)...
Est: €250 - €300
(Amsterdam 1571 - 1628) "Two engraves representing Adriaen de Vries' sculpture" (504x254 mm.) framed (defects) IT Gruppo di due incisioni al bulino raffiguranti la scultura dell'artista Adriaen de Vries "Mercurio rapisce Psiche" (mm 504x254 al visibile) in cornice (difetti)
Il Ponte Auction House
Jul. 20, 2023
Muller (Jan, 15711628). Archduke Albert of Austria, after Rubens, 1615, copper engraving
Est: £300 - £500
Muller (Jan, 15711628). Archduke Albert of Austria, after Rubens, 1615, copper engraving * Muller (Jan Harmensz., 15711628). Portrait of Archduke Albert of Austria, after Peter Paul Rubens, 1615, fine copper engraving on laid paper, the fourth and final state (with the privilege), laid down on modern backing card, plate size 42.5 x 30 cm, with narrow margins, sheet size 44 x 31.2 cm (17 1/4 x 12 1/4 ins), framed and glazed (67.5 x 54 cm) QTY: (1) NOTE: Bartsch 62; Hollstein 62 IV; Filedt Kok (New Hollstein) 62 IV. Jan Muller, son of an Amsterdam printer, printmaker and publisher, was one of the most sought-after Mannerist printmakers at the end of the sixteenth century, who developed a style modelled on that of Hendrick Goltzius, the leading draughtsman and printmaker in the northern Netherlands. At the beginning of the seventeenth century, he began to engrave portraits, mostly of important political figures, reproducing painted portraits by various artists. Among the largest and most complex are the portraits of Joannes Neyen, Prince Maurits, and the present work, Albert, Archduke of Austria.
Dominic Winter Auctions
May. 25, 2023
Jan Harmensz. Muller (1571 - Amsterdam - 1628) – Amor und Psyche (Cupid and Psyche)
Est: €2,400 - €2,800
Copperplate engraving after Bartholomäus Spranger, on firm laid paper with indistinct watermark “shield with Strasbourg bend?” (Around 1600).
Karl & Faber
Apr. 27, 2023
Jan Harmensz. Muller (1571-1628) - Virgin and Child with carnation
Est: €1,000 - €2,500
Tenderly, the Virgin Mary holds the Christian child in her arms and looks down on him. She is adorned with a circular halo, while the child has a rhombic halo, analogous to the cross. Christ looks forward and blesses with his right hand, in his left he holds a carnation. The scene is surrounded by a bell-shaped frame. Rare, one other found on the art market, a first trimmed state sold for 16,000 USD in 2014.
Old Master Print
Feb. 28, 2023
Jan Harmensz Muller (1571-1628) De Sabijnse maagdenroof naar een beeld van Adriaan de Vries, gesigne
Est: €300 - €400
Jan Harmensz Muller (1571-1628) De Sabijnse maagdenroof naar een beeld van Adriaan de Vries, gesigneerd in de druk, kopergravure, 42,5 x 28,5 cm, uitgever: Louis Renard, circa 1710 -vergelijk Rijksmuseum nr. RP-P-OB-32.210-
Veilinghuis Van Spengen
Jan. 11, 2023
JAN HARMENSZ MULLER (AMSTERDAM 1571-1628), AFTER BARTHOLOMEUS SPRANGER
Est: £600 - £800
JAN HARMENSZ MULLER (AMSTERDAM 1571-1628), AFTER BARTHOLOMEUS SPRANGER JAN HARMENSZ MULLER (AMSTERDAM 1571-1628), AFTER BARTHOLOMEUS SPRANGER Perseus armed by Mercury and Minerva, 1604 Lettered in the image B. Sprangers inventor (lower left). Dedicated below the image to Hendrick Spiegel and signed L.M.Q.D.D. Ianus Muller Sculptor (lower left); Muller excud. Amstelodami/.M.D.C.IV; and in the center four lines of Latin text in two columns. engraving, trimmed just along or within the plate sheet: 556 x 390 mm framed LITERATURE: New Hollstein, II.189.69.iii/iii
Chiswick Auctions
Dec. 15, 2022
Jan Harmensz. Muller (1571-1628) - The planet Jupiter and its children
Est: €280 - €320
Jupiter drives his chariot across the sky, pulled by two peacocks. The signs of Sagittarius and Pisces indicate which people belong to the sphere of influence of Jupiter. The people born under this zodiac sign are secular or ecclesiastical rulers. An emperor is crowned by the Pope, who is surrounded by cardinals and bishops. On the left a judge on his throne. Hunting in the background. In the bottom margin a text in Latin about the children of Jupiter. From the series of the seven planets, circa 1566-1570. First state with the publishers address of Hieronymus Cock.
Old Master Print
Dec. 13, 2022
grafiek; Jan Harmensz Muller (1571-1628) De Sabijnse maagdenroof naar een beeld van Adriaan de Vr
Est: €300 - €400
grafiek; Jan Harmensz Muller (1571-1628) De Sabijnse maagdenroof naar een beeld van Adriaan de Vries, gesigneerd in de druk, kopergravure, 42,5 x 28,5 cm, uitgever: Louis Renard, circa 1710 -vergelijk Rijksmuseum nr. RP-P-OB-32.210-
Veilinghuis Van Spengen
Nov. 18, 2022
Jan Harmensz. Muller – Amor und Psyche (Cupid and Psyche)
Est: €3,000 - €4,000
Copperplate engraving after Bartholomäus Spranger, on firm laid paper with indistinct watermark “shield with Strasbourg bend?” (Around 1600). 38.4 x 52.1 cm (sheet size).
Karl & Faber
Nov. 18, 2022
Jan Harmensz. Muller – Das Martyrium des hl. Sebastian (The martyrdom of Saint Sebastian)
Est: €1,300 - €1,500
Copperplate engraving on laid paper after Hans von Aachen. (Around 1600). 53 x 34.8 cm (sheet size).
Karl & Faber
Jul. 05, 2022
JAN HARMENSZ MULLER (1571-1628) AFTER BARTHOLOMÄUS SPRANGER (1546-1611) Am
Est: £7,000 - £10,000
JAN HARMENSZ MULLER (1571-1628) AFTER BARTHOLOMÄUS SPRANGER (1546-1611) Amor and Psyche Sheet 382 x 522 mm.
Christie's
Mar. 03, 2022
Jan Harmensz Muller, Venus honoured by the nymphs, Bartholomeaus Spranger, Clement de Jonghe
Est: €750 - €950
Engraving by Jan Harmensz Muller (1571-1628), first made in 1589, Venus honoured by the nymphs, after a painting/drawing of Bartholomeaus Spranger (1546-1611), published in Amsterdam by Clement de Jonghe (1624-1677) ca 1656-1677, after the edition of Cornelis Danckertsz. New Hollstein Dutch 73-5(5). A good dark grey impression, in excellent good condition, printed on a wide margined thin laid paper, 10-20 mm margins. With a good watermark: fools head.
Old Master Print
Mar. 03, 2022
Jan Muller (1571-1628) - The baptism of Christ
Est: €800 - €1,200
The baptism of Christ; Christ stands in the water up to his thighs and St John baptizes Him with water poured from a scallop shell; a variety of figures, including angels, stand by the river's edge; above amongst clouds, a host of angels play instruments (lute, harp, organ and cello) surrounded by putti and cherubim. Signed Muller fecit in the bottom left corner. Engraving circa 1590 by Jan muller.
Old Master Print
Dec. 14, 2021
Jan Muller (1571-1628) - The Raising of Lazarus
Est: €1,200 - €1,600
The Raising of Lazarus. Christ standing at centre by Lazarus and raising His arm, Lazarus semi-naked looking at Christ and placing his hands together in prayer, two startled gravediggers with their spades on either side, a youth peering at the miracle from behind a column at upper left; second state with lettering; after Bloemaert. c.1600 Engraving made by: Jan Harmensz. Muller, After: Abraham Bloemaert, Published by: Harmen Jansz. Muller. Abrahamus Blommaert / inventor". "Joan. Muller sculpsit" and "Harman: Muller excud". Lettered in Latin in lower margin, two lines in three columns
Old Master Print
Oct. 23, 2021
2 Etchings, incl. Jan Harmensz Muller & Francesco Bart
Est: $200 - $250
Two (2) European etchings, including Jan Harmensz Muller and Francesco Bartolozzi. 1st item: Jan Harmensz Muller (Dutch, 1571-1628) engraving after Hendrick Goltzius of male putto or cherub holding onto a winged sea creature. Plate - 6 3/4" H x 7 1/4" W. Sight - 8 1/2" H x 9 5/8" W. Framed - 9 1/2" H x 10 1/2" W. Likely a 19th century restrike. 2nd item: Francesco Bartolozzi (Italian, 1727-1815), etching after Guercino (Giovanni Francesco Barbieri), St. Anne, the Virgin and Jesus, depicting St. Anne, seated on a pedestal, holding the Christ child in her right arm, with the Virgin Mary seated on a chair, leaning towards Jesus. Originally published by J. Boydell, c. 1768; this is a later edition. Framed under glass in a narrow molded giltwood frame. Sight - 17 1/2" H x 13 7/8" W. Framed - 18 5/8" H x 15 1/8" W.
Case Antiques, Inc. Auctions & Appraisals
Oct. 23, 2021
JAN HARMENSZ MULLER 1571 - Amsterdam - 1628: Das letzte Abendmahl. Blatt 1 der Folge „Die Passion“.
Est: €100 - €140
JAN HARMENSZ MULLER 1571 - Amsterdam - 1628 1571 - Amsterdam - 1628 Das letzte Abendmahl. Blatt 1 der Folge „Die Passion“. Kupferstich nach der 1521 entstandenen gleichnamigen Folge von Lucas van Leyden, um 1615/20. Bartsch 42. New Hollstein 42, IV. Vgl. New Hollstein (Leyden) 43. - Mit dem Monogramm van Leydens und Datum „1521“ sowie den Verlegeradressen von J. Muller und C. de Jonghe in der Platte. Auf Bütten. 11,6 x 7,7 cm. Bis zum Plattenrand beschnitten bzw. mit winzigem Rändchen. Rechts unten mit leichter Papierquetschfalte. Schwach stockfleckig. [ms]
Winterberg-Kunst
Sep. 30, 2021
Jan Harmensz Muller, Venus honoured by the nymphs, Bartholomeaus Spranger, Harmen Jansz Muller.
Est: €1,250 - €1,500
Engraving by Jan Harmensz Muller (1571-1628), Venus honoured by the nymphs, after a painting/drawing of Bartholomeaus Spranger (1546-1611), published ina Amsterdam by Harmen Jansz Muller (1539-1617) ca 1589-1593. Very rare second state, the first edition with the text and names, New Hollstein Dutch 73-2(5). A very strong dark well inked impression, in excellent good condition, printed on a widemargined thin laid paper, 10-23 mm margins. With a very good watermark: Baslerstab with three balls ca 1567-1591. Very rare.
Old Master Print
Jun. 19, 2021
'Das große Glück', Jan Harmensz Muller (1571 Amsterdam - 1628 ibid) 'Das gro
Est: -
'Das große Glück', Jan Harmensz Muller (1571 Amsterdam - 1628 ibid) 'Das große Gluck', copperplate engraving on paper, ca. 1590, 50.5 cm x 45 cm sheet size, signed in the print, with old restorations, mounted on paper, minor foxing and tears,
Wettmann
Apr. 24, 2021
JAN HARMENSZ MULLER 1571 - Amsterdam - 1628: Das …
Est: - €200
JAN HARMENSZ MULLER 1571 - Amsterdam - 1628 Das letzte Abendmahl. Blatt 1 der Folge „Die Passion“. Kupferstich nach der 1521 entstandenen gleichnamigen Folge von Lucas van Leyden, um 1615/20. Bartsch 42. New Hollstein 42, IV. Vgl. New Hollstein (Leyden) 43. - Mit dem Monogramm van Leydens und Datum „1521“ sowie den Verlegeradressen von J. Muller und C. de Jonghe in der Platte. Auf Bütten. 11,6 x 7,7 cm. Bis zum Plattenrand beschnitten bzw. mit winzigem Rändchen. Rechts unten mit leichter Papierquetschfalte. Schwach stockfleckig. [ms]
Winterberg-Kunst
Mar. 24, 2021
Nach Jan Muller – Bacchus, Ceres und Venus
Est: €300 - €400
Kupferstich nach Bartholomeus Spranger auf Bütten mit Wz. „Lilie im Rund mit Beizeichen“. 48,2 x 35,1 cm (Blattgröße).
Karl & Faber - Timed
Jan. 31, 2021
2 Etchings: Jan Harmensz Muller and Francesco Bartolozzi
Est: $300 - $400
Two (2) European etchings, including Jan Harmensz Muller and Francesco Bartolozzi. 1st item: Jan Harmensz Muller (Dutch, 1571-1628) engraving after Hendrick Goltzius of male putto or cherub holding onto a winged sea creature. Plate - 6 3/4" H x 7 1/4" W (174 mm x 180 mm). Sight - 8 1/2" H x 9 5/8" W (220 mm x 245 mm). Framed - 9 1/2" H x 10 1/2" W (244 cm x 270 cm). Likely a 19th century restrike. 2nd item: Francesco Bartolozzi (Italian, 1727-1815), etching after Guercino (Giovanni Francesco Barbieri), St. Anne, the Virgin and Jesus, depicting St. Anne, seated on a pedestal, holding the Christ child in her right arm, with the Virgin Mary seated on a chair, leaning towards Jesus. Originally published by J. Boydell, c. 1768; this is a later edition. Framed under glass in a narrow molded giltwood frame. Sight - 17 1/2" H x 13 7/8" W. Framed - 18 5/8" H x 15 1/8" W. Provenance: The estates of sculptor Olen Bryant and late Vanderbilt University art professor Thomas Brumbaugh, Clarksville/Cottontown, Tennessee.
Case Antiques, Inc. Auctions & Appraisals
Dec. 12, 2020
Muller, Jan Harmensz.
Est: €240 - €360
(1571 Amsterdam 1628). Bildnis Joannis Neyen mit Totenschädel u. Stundenglas. Kupferstich auf feinem Bütten um 1608. Blgr.32,5 x 22,7 cm. Auf Plattenkante geschn. Alt aufgezogen. Unter Passep. mont. New Ho. 60 IV (von V). Ausgezeichn. zeitgenöss. Abdruck des IV. Zustands. - Gebrauchssp., sonst gut erhalten. - D
Kiefer Buch- und Kunstauktionen
Nov. 08, 2020
Nach Jan Muller - Bacchus, Ceres und Venus
Est: €400 - €500
Kupferstich nach Bartholomeus Spranger auf Bütten mit Wz. „Lilie im Rund mit Beizeichen“. 48,2 x 35,1 cm (Blattgröße). Ganz ausgezeichneter, gleichmäßiger Druck von Raphael Guidi nach Jan Harmensz Muller. An drei Seiten mit einem feinen Rändchen um die Einfassungslinie, unten innerhalb dieser geschnitten. – Winzige Braunfleckchen, zwei horizontale geglättete Mittelfalten. Ein hinterlegtes Löchlein links neben der Hand des Bacchus. Die obere Kante ungleich geschnitten. Verso mit Spuren und Resten von alter Montierung, ansonsten gutes Exemplar.
Karl & Faber - Timed
Sep. 11, 2020
[HOUSE OF ORANGE] – MULLER, J.H. (Jan Harmensz.) (1571-1628). “Illustrissimo Mauritio Principi Arausionensium, Comiti Nassauiae, [..]”.
Est: €250 - €350
[HOUSE OF ORANGE] – MULLER, J.H. (Jan Harmensz.) (1571-1628). “Illustrissimo Mauritio Principi Arausionensium, Comiti Nassauiae, [..]”. Engraving with five-line Latin caption after M.J. van Mierevelt. (Published ca. 1608). Ca. 41 x 28,5 cm. Behind passepartout & framed (behind glass). , ¶ Provenance: The property of the descendants of Anton Philips (1874-1951). Wurzbach II, p. 205 (“Ausgezeichnetes Meisterwerk”). Muller (Portretten) 113g. Rare large-sized engraving depicting a portrait of Maurice, Prince of Orange (1567-1625) based on a painting by the Dutch artist Michiel Jansz. van Mierevelt (1566-1641). – Outer blank margins partly cropped to the borderline, tiny burnt hole in lower part, but nevertheless in good condition (not examined out of frame).
Venduehuis der Notarissen
Jul. 15, 2020
JAN HARMENSZ. MULLER (1571-1628) AFTER CORNELIS CORNELISZ. VAN HAARLEM (1562-1638) - Arion on a Dolphin
Est: £5,000 - £7,000
JAN HARMENSZ. MULLER (1571-1628) AFTER CORNELIS CORNELISZ. VAN HAARLEM (1562-1638) Arion on a Dolphin engraving , circa 1590, on laid paper, watermark Shield with Strasbourg Bend and pendant Letters WR (Muller 1a; similar to Haewood 141, circa 1598) , a fine impression of New Hollstein's rare first state (of two) Sheet 350 x 355 mm.
Christie's
May. 19, 2020
Jan Harmensz Muller, Lucas van Leyden, Crown of thorns.
Est: €200 - €350
Crown of thorns, engraved by Jan Harmensz Muller (1571-1628) ,after the engraving of Lucas van Leyden (1494-1533). New Hollstein Dutch 48-2(2).
Old Master Print