Theobald Reinhold von (Freiherr) Oër Paintings & Artwork for Sale | Theobald Reinhold von (Freiherr) Oër Art Value Price Guide

Mar. 22, 2025
T. OER (1807-1885), Figure studies. Women in traditional costumes, Pencil
Est: €300 - €400
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Female figure studies Women in traditional costumes with braided hairstyle, bonnet and sitting full figure, 19th century, Pencil Technique: Pencil on Paper, mounted on Paper Stamp: Collector's stamp, Lugt no.: 3549. Erhard Oskar Kaps. Leipzig. 20th century, 19th century Verso Collector's stamp, Lugt no.: 3951. Unknown/not identified. Mark: "Sammlung Scharfen". unknown. 20th century Date: 19th century Description: The fine sketches are characterised by a sweeping dynamic line. The name Theobald Reinhold von Oër is today primarily associated with the painting Weimar Court of the Muses, which shows the most important representatives of Weimar Classicism, Johann Wolfgang von Goethe, Friedrich Schiller, Christoph Martin Wieland and Johann Gottfried Herder, gathered around the Duchess Anna Amalia in Tiefurt Park. The large-format painting was created in 1860, when von Oër, a pupil of Johann Friedrich Matthäi at the Dresden Art Academy and of Wilhelm von Schadow in Düsseldorf, had long enjoyed his reputation as a respected history painter in Dresden. Before he settled there, however, he made a trip to Italy from 1837 to 1839. In doing so, he joined the veritable artistic exodus towards Italy that depopulated the European art academies in the first half of the 19th century. It was a common phenomenon that scholarship holders sent to Italy did not want to return to their alma mater. Stamped "EK" in a circle on verso (Erhard Oskar Kaps Collection, Leipzig, L.3549) and round stamp: "Sammlung Scharfen" (L. 3549). Keywords: Düsseldorf School, noble family Oer, genre sketch, traditional costume, plait, braided hairstyle, bonnet, figure study, portrait study, peasant woman, maid, 19th century, Biedermeier, Nature, Germany, Size: Paper: 19,3 cm x 11,3 cm (7,6 x 4,4 in)
Fichter Kunsthandel
Oct. 26, 2024
T. OER (1807-1885), Charles V on his deathbed, Pencil
Est: €450 - €600
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Charles V on his deathbed with confessor Bartolomé de Carranza, Archbishop of Toledo, 19th century, Pencil Technique: Pencil on Transparent paper, mounted on Paper Inscription: Verso inscribed by another person: "Th. v. Oer / Carl V.". Date: 19th century Verso: Another figure scene Keywords: Deathbed, absolution, history, 19th century, Romanticism, People, Germany, Size: Transparent paper: 20,7 cm x 17,0 cm (8,1 x 6,7 in)
Fichter Kunsthandel
Sep. 28, 2024
T. OER (1807-1885), Genre sketches. Mother with child, Pencil
Est: €300 - €400
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Genre sketches Mother with child and maid with hat and basket on her back, 19th century, Pencil Technique: Pencil on Paper, mounted on Paper Stamp: Collector's stamp, Lugt no.: 4641. Dr. Rainer Kaps (geb. 1945). Leipzig. 20th century Date: 19th century Description: The two fine sketches are characterised by a sweeping, dynamic line. Today, the name Theobald Reinhold von Oër is primarily associated with the painting Weimar Court of the Muses, which shows the most important representatives of Weimar Classicism, Johann Wolfgang von Goethe, Friedrich Schiller, Christoph Martin Wieland and Johann Gottfried Herder, gathered around Duchess Anna Amalia in Tiefurt Park. The large-format painting was created in 1860, when von Oër, a pupil of Johann Friedrich Matthäi at the Dresden Academy of Art and Wilhelm von Schadow in Düsseldorf, had long enjoyed a reputation as a respected history painter in Dresden. Before settling there, however, he travelled to Italy from 1837 to 1839. In doing so, he joined the veritable artistic exodus to Italy that depopulated European art academies in the first half of the 19th century. It was a common phenomenon that scholarship holders sent to Italy did not want to return to their alma mater. Keywords: Düsseldorf School, noble family Oer, genre sketch, domesticity, motherly love, motherly care, maid, labourer, bonnet, 19th century, Biedermeier, Costumes, Germany, Size: Paper: 19,0 cm x 11,0 cm (7,5 x 4,3 in)
Fichter Kunsthandel
Sep. 28, 2024
T. OER (1807-1885), Sketches. Landscape Grafenberg, 1835, Pencil
Est: €300 - €400
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Various sketches Landscape near Grafenberg; maid reaching for a branch; profile of a man in uniform, 1835, Pencil Technique: Pencil on Paper, mounted on Paper Stamp: Collector's stamp, Lugt no.: 4641. Dr. Rainer Kaps (geb. 1945). Leipzig. 20th century Date: 1835 Description: With a sketch of a painting of a landscape in a decorative frame on the reverse. The fine sketches are characterised by a sweeping, dynamic line. Today, the name Theobald Reinhold von Oër is primarily associated with the painting Weimar Court of the Muses, which shows the most important representatives of Weimar Classicism, Johann Wolfgang von Goethe, Friedrich Schiller, Christoph Martin Wieland and Johann Gottfried Herder, gathered around Duchess Anna Amalia in Tiefurt Park. The large-format painting was created in 1860, when von Oër, a pupil of Johann Friedrich Matthäi at the Dresden Academy of Art and Wilhelm von Schadow in Düsseldorf, had long enjoyed a reputation as a respected history painter in Dresden. Before settling there, however, he travelled to Italy from 1837 to 1839. In doing so, he joined the veritable artistic exodus to Italy that depopulated European art academies in the first half of the 19th century. It was a common phenomenon that scholarship holders sent to Italy did not want to return to their alma mater. Keywords: Düsseldorf School, noble family Oer, landscape sketch, military person, genre sketch, picture within a picture, headpiece study, 19th century, Biedermeier, Nature, Germany, Size: Paper: 11,0 cm x 19,0 cm (4,3 x 7,5 in)
Fichter Kunsthandel
Aug. 17, 2024
T. OER (1807-1885), Figure studies. Women in traditional costumes, Pencil
Est: €300 - €400
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Female figure studies Women in traditional costumes with braided hairstyle, bonnet and sitting full figure, 19th century, Pencil Technique: Pencil on Paper, mounted on Paper Stamp: Collector's stamp, Lugt no.: 3549. Erhard Oskar Kaps. Leipzig. 20th century, 19th century Verso Collector's stamp, Lugt no.: 3951. Unknown/not identified. Mark: "Sammlung Scharfen". unknown. 20th century Date: 19th century Description: The fine sketches are characterised by a sweeping dynamic line. The name Theobald Reinhold von Oër is today primarily associated with the painting Weimar Court of the Muses, which shows the most important representatives of Weimar Classicism, Johann Wolfgang von Goethe, Friedrich Schiller, Christoph Martin Wieland and Johann Gottfried Herder, gathered around the Duchess Anna Amalia in Tiefurt Park. The large-format painting was created in 1860, when von Oër, a pupil of Johann Friedrich Matthäi at the Dresden Art Academy and of Wilhelm von Schadow in Düsseldorf, had long enjoyed his reputation as a respected history painter in Dresden. Before he settled there, however, he made a trip to Italy from 1837 to 1839. In doing so, he joined the veritable artistic exodus towards Italy that depopulated the European art academies in the first half of the 19th century. It was a common phenomenon that scholarship holders sent to Italy did not want to return to their alma mater. Stamped "EK" in a circle on verso (Erhard Oskar Kaps Collection, Leipzig, L.3549) and round stamp: "Sammlung Scharfen" (L. 3549). Keywords: Düsseldorf School, noble family Oer, genre sketch, traditional costume, plait, braided hairstyle, bonnet, figure study, portrait study, peasant woman, maid, 19th century, Biedermeier, Nature, Germany, Size: Paper: 19,3 cm x 11,3 cm (7,6 x 4,4 in)
Fichter Kunsthandel
Mar. 23, 2024
T. OER (1807-1885), Portrait of Gustav Harkort, Pencil
Est: €600 - €800
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Portrait of the German entrepreneur Gustav Harkort (1795-1865), railway pioneer in Leipzig, 19th century, Pencil Technique: Pencil on Paper Inscription: Lower right inscribed: "Harkort". Verso further inscription: "v. Oer". Date: 19th century Description: Even today, the memorial to Gustav Harkort (1797 Harkotten near Hagen Westphalia - 1865 Leipzig) at Leipzig's main railway station commemorates his services to the city of Leipzig. Gustav Harkort was the brother of Friedrich Harkort, the founder of the machine and iron works in Wetter and Olpe. Wetter and Olpe. Together with his brother Karl, he founded a trading and export house for English yarns in Leipzig with branches in Norway, North America and China. Gustav became known beyond the borders of Leipzig for his services to the expansion of railway lines in Germany. As a city deputy and head of the railway company in Leipzig, he ensured the expansion of the rail link between Leipzig and Dresden together with the national economist Friedrich List. His close relations with the Leipzig banking industry formed the essential basis for the financing of the railway line, which opened in 1838. Theobald von 0er, who trained at the Düsseldorf Academy under Wilhelm von Schadow, returned from Italy in 1839 and settled in Dresden. Von 0er maintained close ties with Leipzig through the Leipzig publisher Georg Wigand - for whose publication he provided illustrations. He will have portrayed Gustav Harkort in the forties at the height of his reputation. The age of the sitter and the style of the drawing with the somewhat dissolving stroke of the pencil speak for this. A drawing of the Vollard family made in Rome (Liesborn, Abbey Museum) attests to a similar style of drawing. The drawing comes from the Blome Collection in Bremen. In this collection there are further works by v. Oer, which are now kept in the graphic collection of the Bremen Kunsthalle. Provenance: Keywords: 19th century, Biedermeier, Portraits, Germany,
Fichter Kunsthandel
Dec. 30, 2023
T. OER (1807-1885), Charles V on his deathbed, Pencil
Est: €450 - €600
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Charles V on his deathbed with confessor Bartolomé de Carranza, Archbishop of Toledo, 19th century, Pencil Technique: Pencil on Transparent paper, mounted on Paper Inscription: Verso inscribed by another person: "Th. v. Oer / Carl V.". Date: 19th century Verso: Another figure scene Keywords: Deathbed, absolution, history, 19th century, Romanticism, People, Germany,
Fichter Kunsthandel
Sep. 30, 2023
T. OER (1807-1885), Portrait of Gustav Harkort, Pencil
Est: €600 - €800
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Portrait of the German entrepreneur Gustav Harkort (1795-1865), railway pioneer in Leipzig, 19th century, Pencil Technique: Pencil on Paper Inscription: Lower right inscribed: "Harkort". Verso further inscription: "v. Oer". Date: 19th century Description: Even today, the memorial to Gustav Harkort (1797 Harkotten near Hagen Westphalia - 1865 Leipzig) at Leipzig's main railway station commemorates his services to the city of Leipzig. Gustav Harkort was the brother of Friedrich Harkort, the founder of the machine and iron works in Wetter and Olpe. Wetter and Olpe. Together with his brother Karl, he founded a trading and export house for English yarns in Leipzig with branches in Norway, North America and China. Gustav became known beyond the borders of Leipzig for his services to the expansion of railway lines in Germany. As a city deputy and head of the railway company in Leipzig, he ensured the expansion of the rail link between Leipzig and Dresden together with the national economist Friedrich List. His close relations with the Leipzig banking industry formed the essential basis for the financing of the railway line, which opened in 1838. Theobald von 0er, who trained at the Düsseldorf Academy under Wilhelm von Schadow, returned from Italy in 1839 and settled in Dresden. Von 0er maintained close ties with Leipzig through the Leipzig publisher Georg Wigand - for whose publication he provided illustrations. He will have portrayed Gustav Harkort in the forties at the height of his reputation. The age of the sitter and the style of the drawing with the somewhat dissolving stroke of the pencil speak for this. A drawing of the Vollard family made in Rome (Liesborn, Abbey Museum) attests to a similar style of drawing. The drawing comes from the Blome Collection in Bremen. In this collection there are further works by v. Oer, which are now kept in the graphic collection of the Bremen Kunsthalle. Provenance: Keywords: 19th century, Biedermeier, Portraits, Germany,
Fichter Kunsthandel
Aug. 26, 2023
T. OER (1807-1885), Italian musician, Pencil
Est: €600 - €800
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Italian musician with mandolin and listening lady, 19th century, Pencil Technique: Pencil on Paper Inscription: Verso numbered: "1657". Date: 19th century Description: The name Theobald Reinhold von Oër is today primarily associated with the painting Weimar Court of the Muses, which shows the most important representatives of Weimar Classicism, Johann Wolfgang von Goethe, Friedrich Schiller, Christoph Martin Wieland and Johann Gottfried Herder, gathered around the Duchess Anna Amalia in Tiefurt Park. The large-format painting was created in 1860, when von Oër, a pupil of Johann Friedrich Matthäi at the Dresden Art Academy and of Wilhelm von Schadow in Düsseldorf, had long enjoyed his reputation as a respected history painter in Dresden. Before he settled there, however, he made a trip to Italy from 1837 to 1839. In doing so, he joined the veritable artistic exodus towards Italy that depopulated the European art academies in the first half of the 19th century. It was a common phenomenon that scholars sent to Italy did not want to return to their alma mater. Oër's fine pencil drawing expresses his admiration for Mediterranean life. Depicted is an intimate union of a mandolin player and a singer sitting on a rock. While she, her hands folded in her lap, turns towards the musician, he seems completely absorbed in his playing. This is how one imagines Italian country life, the illusion is complete. Added to this are the technical means, such as the pure line, which is sweeping enough to make the work seem dynamic, and the balanced arrangement of the figures. All this immediately brings to mind the Nazarenes, in whose work the line always serves the ideal. As a pupil of Schadow, Oër knew how to draw on the tradition of his great models by using Nazarene means of expression to give his figures a pious aura, even if the motif is entirely secular. Keywords: Travel sketch, Italy, Naples, artist trip, Grand Tour, 19th century, Romanticism, Costumes, Italy,
Fichter Kunsthandel
Aug. 19, 2023
T. OER (1807-1885), Genre sketches. Mother with child, Pencil
Est: €300 - €400
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Genre sketches Of mother with child and maid with hat and basket on her back, 19th century, Pencil Technique: Pencil on Paper, mounted on Paper Stamp: Collector's stamp, Lugt no.: 4641. Dr. Rainer Kaps (geb. 1945). Leipzig. 20th century Date: 19th century Description: The two fine sketches are characterised by a sweeping dynamic line. The name Theobald Reinhold von Oër is today primarily associated with the painting Weimar Court of the Muses, which shows the most important representatives of Weimar Classicism, Johann Wolfgang von Goethe, Friedrich Schiller, Christoph Martin Wieland and Johann Gottfried Herder, gathered around the Duchess Anna Amalia in Tiefurt Park. The large-format painting was created in 1860, when von Oër, a pupil of Johann Friedrich Matthäi at the Dresden Art Academy and of Wilhelm von Schadow in Düsseldorf, had long enjoyed a reputation as a respected history painter in Dresden. Before he settled there, however, he made a trip to Italy from 1837 to 1839. In doing so, he joined the veritable artistic exodus towards Italy that depopulated the European art academies in the first half of the 19th century. It was a common phenomenon that scholars sent to Italy did not want to return to their alma mater. Stamped "Dr. R.K." in a circle on verso (collection Dr. Rainer Kaps (b. 1945), son Erhard Kaps, L. 4641). Keywords: Düsseldorf School, noble family Oer, genre sketch, domesticity, motherly love, motherly care, maid, worker, bonnet, 19th century, Biedermeier, Costumes, Germany,
Fichter Kunsthandel
Aug. 19, 2023
T. OER (1807-1885), Figure studies. Women in traditional costumes, Pencil
Est: €300 - €400
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Female figure studies Women in traditional costumes with braided hairstyle, bonnet and sitting full figure, 19th century, Pencil Technique: Pencil on Paper, mounted on Paper Stamp: Collector's stamp, Lugt no.: 3549. Erhard Oskar Kaps. Leipzig. 20th century, 19th century Date: 19th century Description: The fine sketches are characterised by a sweeping dynamic line. The name Theobald Reinhold von Oër is today primarily associated with the painting Weimar Court of the Muses, which shows the most important representatives of Weimar Classicism, Johann Wolfgang von Goethe, Friedrich Schiller, Christoph Martin Wieland and Johann Gottfried Herder, gathered around the Duchess Anna Amalia in Tiefurt Park. The large-format painting was created in 1860, when von Oër, a pupil of Johann Friedrich Matthäi at the Dresden Art Academy and of Wilhelm von Schadow in Düsseldorf, had long enjoyed his reputation as a respected history painter in Dresden. Before he settled there, however, he made a trip to Italy from 1837 to 1839. In doing so, he joined the veritable artistic exodus towards Italy that depopulated the European art academies in the first half of the 19th century. It was a common phenomenon that scholarship holders sent to Italy did not want to return to their alma mater. Stamped "EK" in a circle on verso (Erhard Oskar Kaps Collection, Leipzig, L.3549) and round stamp: "Sammlung Scharfen" (L. 3549). Keywords: Düsseldorf School, noble family Oer, genre sketch, traditional costume, plait, braided hairstyle, bonnet, figure study, portrait study, peasant woman, maid, 19th century, Biedermeier, Nature, Germany,
Fichter Kunsthandel
Aug. 19, 2023
T. OER (1807-1885), Sketches. Landscape Grafenberg, 1835, Pencil
Est: €300 - €400
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Various sketches Landscape near Grafenberg; maid reaching out for a branch; profile of a uniformed man, 1835, Pencil Technique: Pencil on Paper, mounted on Paper Stamp: Collector's stamp, Lugt no.: 4641. Dr. Rainer Kaps (geb. 1945). Leipzig. 20th century Date: 1835 Description: On the reverse with a sketch of a painting of a landscape in a decorative frame. The fine sketches are characterised by a sweeping dynamic line. The name Theobald Reinhold von Oër is today primarily associated with the painting Weimar Court of the Muses, which shows the most important representatives of Weimar Classicism, Johann Wolfgang von Goethe, Friedrich Schiller, Christoph Martin Wieland and Johann Gottfried Herder, gathered around the Duchess Anna Amalia in Tiefurt Park. The large-format painting was created in 1860, when von Oër, a pupil of Johann Friedrich Matthäi at the Dresden Art Academy and of Wilhelm von Schadow in Düsseldorf, had long enjoyed a reputation as a respected history painter in Dresden. Before he settled there, however, he made a trip to Italy from 1837 to 1839. In doing so, he joined the veritable artistic exodus towards Italy that depopulated the European art academies in the first half of the 19th century. It was a common phenomenon that scholars sent to Italy did not want to return to their alma mater. Stamped "Dr. R.K." in a circle on verso (collection Dr. Rainer Kaps (b. 1945), son Erhard Kaps, L. 4641). Keywords: Düsseldorf School, noble family Oer, landscape sketch, military person, genre sketch, picture in picture, headpiece study, 19th century, Biedermeier, Nature, Germany,
Fichter Kunsthandel
Mar. 11, 2023
T. OER (1807-1885), Italian musician, Pencil
Est: €600 - €800
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Italian musician with mandolin and listening lady, 19th century, Pencil Technique: Pencil on Paper Inscription: Verso numbered: "1657". Date: 19th century Description: The name Theobald Reinhold von Oër is today primarily associated with the painting Weimar Court of the Muses, which shows the most important representatives of Weimar Classicism, Johann Wolfgang von Goethe, Friedrich Schiller, Christoph Martin Wieland and Johann Gottfried Herder, gathered around the Duchess Anna Amalia in Tiefurt Park. The large-format painting was created in 1860, when von Oër, a pupil of Johann Friedrich Matthäi at the Dresden Art Academy and Wilhelm von Schadow in Düsseldorf, had long enjoyed his reputation as a respected history painter in Dresden. Before he settled there, however, he made a trip to Italy from 1837 to 1839. In doing so, he joined the veritable artistic exodus towards Italy that depopulated the European art academies in the first half of the 19th century. It was a common phenomenon that scholars sent to Italy did not want to return to their alma mater. Oër's fine pencil drawing expresses his admiration for Mediterranean life. Depicted is an intimate union of a mandolin player and a singer sitting on a rock. While she, her hands folded in her lap, turns towards the musician, he seems completely absorbed in his playing. This is how one imagines Italian country life, the illusion is complete. Added to this are the technical means, such as the pure line, which is sweeping enough to make the work seem dynamic, and the balanced arrangement of the figures. All this immediately brings to mind the Nazarenes, in whose work the line always serves the ideal. As a pupil of Schadow, Oër knew how to draw on the tradition of his great models by using Nazarene means of expression to give his figures a pious aura, even if the motif is entirely secular. Keywords: Travel sketch, Italy, Naples, artist trip, Grand Tour, 19th century, Romanticism, Costumes, Italy,
Fichter Kunsthandel
Jan. 06, 2023
T. OER (1807-1885), Genre sketches. Mother with child, Pencil
Est: €300 - €400
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Genre sketches Of mother with child and maid with hat and basket on her back, 19th century, Pencil Technique: Pencil on Paper, mounted on Paper Stamp: Collector's stamp, Lugt no.: 4641. Dr. Rainer Kaps (geb. 1945). Leipzig. 20th century Date: 19th century Description: The two fine sketches are characterised by a sweeping dynamic line. The name Theobald Reinhold von Oër is today primarily associated with the painting Weimar Court of the Muses, which shows the most important representatives of Weimar Classicism, Johann Wolfgang von Goethe, Friedrich Schiller, Christoph Martin Wieland and Johann Gottfried Herder, gathered around the Duchess Anna Amalia in Tiefurt Park. The large-format painting was created in 1860, when von Oër, a pupil of Johann Friedrich Matthäi at the Dresden Art Academy and Wilhelm von Schadow in Düsseldorf, had long enjoyed his reputation as a respected history painter in Dresden. Before he settled there, however, he made a trip to Italy from 1837 to 1839. In doing so, he joined the veritable artistic exodus towards Italy that depopulated the European art academies in the first half of the 19th century. It was a common phenomenon that scholars sent to Italy did not want to return to their alma mater. Stamped "Dr. R.K." in a circle on verso (collection Dr. Rainer Kaps (b. 1945), son Erhard Kaps, L. 4641). Keywords: , 19th century, Biedermeier, Costumes, Germany,
Fichter Kunsthandel
Jan. 06, 2023
T. OER (1807-1885), Figure studies. Women in traditional costumes, Pencil
Est: €300 - €400
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Female figure studies Women in traditional costumes with braided hairstyle, bonnet and sitting full figure, 19th century, Pencil Technique: Pencil on Paper, mounted on Paper Stamp: Collector's stamp, Lugt no.: 3549. Erhard Oskar Kaps. Leipzig. 20th century, 19th century Date: 19th century Description: The fine sketches are characterised by a sweeping dynamic line. The name Theobald Reinhold von Oër is today primarily associated with the painting Weimar Court of the Muses, which shows the most important representatives of Weimar Classicism, Johann Wolfgang von Goethe, Friedrich Schiller, Christoph Martin Wieland and Johann Gottfried Herder, gathered around the Duchess Anna Amalia in Tiefurt Park. The large-format painting was created in 1860, when von Oër, a pupil of Johann Friedrich Matthäi at the Dresden Art Academy and of Wilhelm von Schadow in Düsseldorf, had long enjoyed his reputation as a respected history painter in Dresden. Before he settled there, however, he made a trip to Italy from 1837 to 1839. In doing so, he joined the veritable artistic exodus towards Italy that depopulated the European art academies in the first half of the 19th century. It was a common phenomenon that scholarship holders sent to Italy did not want to return to their alma mater. Stamped "EK" in a circle on verso (Erhard Oskar Kaps Collection, Leipzig, L.3549) and round stamp: "Sammlung Scharfen" (L. 3549). Keywords: Düsseldorf School, noble family Oer, genre sketch, traditional costume, plait, braided hairstyle, bonnet, figure study, portrait study, peasant woman, maid, 19th century, Biedermeier, Nature, Germany,
Fichter Kunsthandel
Jan. 06, 2023
T. OER (1807-1885), Sketches. Landscape Grafenberg, 1835, Pencil
Est: €300 - €400
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Various sketches Landscape near Grafenberg; maid reaching out for a branch; profile of a uniformed man, 1835, Pencil Technique: Pencil on Paper, mounted on Paper Stamp: Collector's stamp, Lugt no.: 4641. Dr. Rainer Kaps (geb. 1945). Leipzig. 20th century Date: 1835 Description: On the reverse with a sketch of a painting of a landscape in a decorative frame. The fine sketches are characterised by a sweeping dynamic line. The name Theobald Reinhold von Oër is today primarily associated with the painting Weimar Court of the Muses, which shows the most important representatives of Weimar Classicism, Johann Wolfgang von Goethe, Friedrich Schiller, Christoph Martin Wieland and Johann Gottfried Herder, gathered around the Duchess Anna Amalia in Tiefurt Park. The large-format painting was created in 1860, when von Oër, a pupil of Johann Friedrich Matthäi at the Dresden Art Academy and Wilhelm von Schadow in Düsseldorf, had long enjoyed his reputation as a respected history painter in Dresden. Before he settled there, however, he made a trip to Italy from 1837 to 1839. In doing so, he joined the veritable artistic exodus towards Italy that depopulated the European art academies in the first half of the 19th century. It was a common phenomenon that scholars sent to Italy did not want to return to their alma mater. Stamped "Dr. R.K." in a circle on verso (collection Dr. Rainer Kaps (b. 1945), son Erhard Kaps, L. 4641). Keywords: Düsseldorf School, noble family Oer, landscape sketch, military person, genre sketch, picture in picture, headpiece study, 19th century, Biedermeier, Nature, Germany,
Fichter Kunsthandel
Mar. 19, 2022
T.OER (1807-1885), Charles V on his deathbed, Pencil
Est: €600 - €800
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig): Charles V on his deathbed, 19th century, Pencil Technique: Pencil on Transparent paper, mounted on Paper Inscription: Verso inscribed by another person: "Th. v. Oer / Carl V.". inscribed on verso: "Th . v. Oer Karl V." Date: 19th century Verso: Another figure scene Keywords: Deathbed, Absolution, History, 19th century, Romanticism, People, Germany, Size: 20,7 cm x 17,0 cm (8,1 x 6,7 in) Condition: Rather good condition. Creased and stained at the glue spots at the corners. Vertical centre crease.
Fichter Kunsthandel
Nov. 21, 2021
T.OER (1807-1885), Portrait of Gustav Harkort, Pencil
Est: €750 - €1,000
Theobald Reinhold Anton Freiherr von Oer (1807 Nottbeck - 1885 Coswig), Portrait of Gustav Harkort, 19th century, Pencil Technique: Pencil on Paper Provenance: Sammlung Blome Inscription: inscribed lower right: "Harkort", inscribed verso: "v. Oer". Date: 19th century Description: Even today, the memorial to Gustav Harkort (1797 Harkotten near Hagen Westphalia - 1865 Leipzig) at Leipzig's main railway station commemorates his services to the city of Leipzig. Gustav Harkort was the brother of Friedrich Harkort, the founder of the machine and iron works in Wetter and Olpe. Wetter and Olpe. Together with his brother Karl, he founded a trading and export house for English yarns in Leipzig with branches in Norway, North America and China. Gustav became known beyond the borders of Leipzig for his services to the expansion of railway lines in Germany. As a city deputy and head of the railway company in Leipzig, he ensured the expansion of the rail link between Leipzig and Dresden together with the national economist Friedrich List. His close relations with the Leipzig banking industry formed the essential basis for the financing of the railway line, which opened in 1838. Theobald von 0er, who trained at the Düsseldorf Academy under Wilhelm von Schadow, returned from Italy in 1839 and settled in Dresden. Von 0er maintained close ties with Leipzig through the Leipzig publisher Georg Wigand - for whose publication he provided illustrations. He will have portrayed Gustav Harkort in the forties at the height of his reputation. The age of the sitter and the style of the drawing with the somewhat dissolving stroke of the pencil speak for this. A drawing of the Vollard family made in Rome (Liesborn, Abbey Museum) attests to a similar style of drawing. The drawing comes from the Blome Collection in Bremen. In this collection there are further works by v. Oer, which are now kept in the graphic collection of the Bremen Kunsthalle. Keywords: 19th century, Biedermeier, Portraits, Germany, Size: 19,1 cm x 14,5 cm Condition: Good Condition. Horizontal centre crease, pierced, blackened on verso
Fichter Kunsthandel
Sep. 18, 2021
Theobald von Oer "Costume di frascati. Roma". Um 1838/ 1839.
Est: €240 - €280
Theobald von Oer 1807 Nottbeck – 1885 Coswig Bleistiftzeichnung, partiell koloriert. U.re. in Blei bezeichnet "Costume di frascati. Roma" und undeutlich datiert. Verso mit dem Nachlassstempel "Aus dem Nachlasse des Künstlers Professor Th. Frhr. v. Oer, Dresden." Im Passepartout hinter Glas gerahmt. Provenienz: Sammlung Prof. Dr. Fritz G. Altmann, Zittau und Hannover.
Schmidt Kunstauktionen Dresden OHG
Apr. 23, 2016
THEOBALD REINHOLD FREIHERR VON OER, Nottbeck 1807 - 1885 Coswig bei Dresden: Historische Szenen: Die Franzosen in der Pfalz 1689, Der Tod Friedrichs I. von Preußen, Napoleon u.a.
Est: €300 - €480
THEOBALD REINHOLD FREIHERR VON OER Nottbeck 1807 - 1885 Coswig bei Dresden Historische Szenen: Die Franzosen in der Pfalz 1689, Der Tod Friedrichs I. von Preußen, Napoleon u.a. 9 Bll. Bleistiftzeichnungen, -skizzen und -pausen (davon 1 mit Tuschfeder, 1 in Grau laviert und mit eigenhändiger Tektur des Künstlers), teils mehrere Varianten zu einem Thema. Auf versch. Papieren. Je ca. 15 x 19,5 cm. Beide Pausen an den Rändern auf Unterlage aufgezogen. Teils gering fleckig und vereinzelt mit winzigen Einrissen und Fehlstellen. Entwürfe des in Düsseldorf von W. Schadow ausgebildeten und in Dresden tätigen Künstlers, bei denen man den künstlerischen Entstehungsprozess nachvollziehen kann. [ms]
Winterberg-Kunst
Apr. 23, 2016
THEOBALD REINHOLD FREIHERR VON OER, Nottbeck 1807 - 1885 Coswig bei Dresden: Raoul de Toulouse und Clemence Isaure, Kaiser Karl V. auf der Flucht und weitere figürliche Szenen.
Est: €250 - €380
THEOBALD REINHOLD FREIHERR VON OER Nottbeck 1807 - 1885 Coswig bei Dresden Raoul de Toulouse und Clemence Isaure, Kaiser Karl V. auf der Flucht und weitere figürliche Szenen. Konvolut von 15 Bll. Bleistift- (davon 3 in Grau bzw. Braun laviert, 2 über Quadratur und 2 mit Tektur des Künstlers) und 1 lavierte Federzeichnung in Grau über Bleistift (mit Deckweißkorrekturen). Je 1 Bl. mit Bezeichnung in bzw. handschriftlichen Bleistiftnotizen unterhalb der Darstellung und 1 Bl. mit weiterer Bleistiftzeichnung (Architekturstudie). Auf versch. Papieren. 17,5 x 14,2 bis 30 x 17,5 cm (Blatt). 1 Bl. mit geglätteter Mittelfalte. Meist minimal bis leicht fleckig (1 Bl. mit farb. Wachsspuren), teils gering angestaubt bzw. mit winzigen Randläsuren. Die Bll. haben meist freie Textfelder, daher wohl als Illustrationsvorlagen vorgesehen. [ms]
Winterberg-Kunst
Apr. 23, 2016
THEOBALD REINHOLD FREIHERR VON OER, Nottbeck 1807 - 1885 Coswig bei Dresden: Blick auf Schloss Rochsburg in Sachsen.
Est: €240 - €300
THEOBALD REINHOLD FREIHERR VON OER Nottbeck 1807 - 1885 Coswig bei Dresden Blick auf Schloss Rochsburg in Sachsen. Bleistiftzeichnung. Bezeichnet „Rochsburg“. Auf Vélin. 21 x 32,7 cm. Gering angestaubt. Ecken mit teils durchscheinenden Klebespuren und dünnen Papierstellen. [bg]
Winterberg-Kunst
Nov. 28, 2015
Theobald von Oer, 1807 Nottbeck nearby Stromberg i W. 1885
Est: €2,000 - €4,000
Theobald von Oer, 1807 Nottbeck nearby Stromberg i W. 1885 Coswig near Dresden, studied in Dresden under F. Matthai and in Dusseldorf under W. Schadow, here: burial in Algeria, so on the back titled, oil / wood, restored , minimal color damages, signed at the bottom on the right, dated, approx 31x43.5cm,#painting/picture/image/old/art/fine/century . German Description: Theobold von Oer, 1807 Nottbeck bei Stromberg i. W.-1885 Coswig bei Dresden, studierte in Dresden unter F. Matthäi und in Düsseldorf unter W. Schadow, hier: Begräbnis in Algerien, so rückseitig betitelt, Öl/Holz, restauriert, minimale Farbschäden, rechts unten signiert und datiert, ca. 31x43.5cm
Henry's Auktionshaus
Mar. 23, 2013
OER, THEOBALD REINHOLD VON 1807 Nottbeck - Coswig 1885
Est: - €1,000
OER, THEOBALD REINHOLD VON 1807 Nottbeck - Coswig 1885 Winter am Fluss vor Stadtkulisse und Burgruine Öl auf Leinwand (doubl.), 68,5 cm x 96 cm, unten links monogrammiert und datiert ‚T. O. (18)49', Rahmen.
Hargesheimer Kunstauktionen Düsseldorf
Jun. 19, 2012
Theobald Reinhold von Oër (Nottbeck 1807-1885 Coswig)
Est: €2,000 - €3,000
Theobald Reinhold von Oër (Nottbeck 1807-1885 Coswig) A winter woodland with a man and his dog and a woman gathering wood signed with monogram 'TvO' and dated '1853' (lower right) oil on canvas, unframed 35.7 x 49.1 cm.
Christie's
Nov. 26, 2010
Oer, Theobald von: Orientalische Nomaden in einer Landschaft
Est: €300 - €400
Orientalische Nomaden in einer Landschaft mit Ruinen. Bleistift auf Velin. 17 x 14 cm. Unten bez. und datiert "Rome 17/11 (18)36". Mit dem Nachlaßstempel des Künstlers. Beigegeben von S. Sierra eine Zeichnung "Blick in das Hauptschiff einer Kirche bei den Titus-Thermen".
Galerie Bassenge
Jun. 12, 2010
Theobald von Oer, Interieur (Kinderspiel). 1868.
Est: €300 - €360
Pencil drawing, partiell aquarelliert und weiß gehöht. In Graphit u.re. signiert "Th.v.Oer" und datiert. Auf festes Untersatzpapier geheftet.Äußerst frisch erhaltene, lebendige Darstellung familiären Lebens.
Schmidt Kunstauktionen Dresden OHG
May. 09, 2009
THEOBALD REINHOLD FREIHERR VON OER Historische Szenen. Die Franzosen in der Pfalz 1689, der Tod Friedrich I. von Preußen, Napoleon u.a.
Est: - €900
THEOBALD REINHOLD FREIHERR VON OER Nottbeck 1807 - 1885 Coswig bei Dresden Historische Szenen. Die Franzosen in der Pfalz 1689, der Tod Friedrich I. von Preußen, Napoleon u.a. 9 Bll. Bleistiftskizzen und -pausen (davon 1 mit Tuschfeder, 1 in Grau laviert und mit eigenhändiger Tektur des Künstlers), teils mehrere Varianten zu einem Thema. Auf versch. Papieren. Je ca. 15 x 19,5 cm. Pausen an den Rändern auf Unterlage aufgezogen. Teils gering fleckig und vereinzelt mit winzigen Einrissen und Fehlstellen. Skizzen des in Düsseldorf von W. Schadow ausgebildeten und in Dresden tätigen Künstlers, bei denen man den künstlerischen Entstehungsprozess nachvollziehen kann. [sg]
Winterberg-Kunst
May. 09, 2009
THEOBALD REINHOLD FREIHERR VON OER Das Schloß am Meer - Die Überraschung. König und Königin auf ihrem Schloß an felsiger Steilküste bzw. Paar mit Hund in einer Stube wird von zwei hereinstürmenden Männern überrascht.
Est: - €380
THEOBALD REINHOLD FREIHERR VON OER Nottbeck 1807 - 1885 Coswig bei Dresden Das Schloß am Meer - Die Überraschung. König und Königin auf ihrem Schloß an felsiger Steilküste bzw. Paar mit Hund in einer Stube wird von zwei hereinstürmenden Männern überrascht, vor den Hausmauern allegorische Gestalten im Dunkeln. Illustrationsvorlagen. 2 Bl. lavierte Federzeichnungen in Grau. Beide monogrammiert. Verso von fremder Hand betitelt. Auf gelblichem Velin. Je 18,7 x 12,2 cm. Vereinzelt schwach fleckig. Detailreich ausgeführte Zeichnungen, vermutlich für Buchillustrationen. [sg]
Winterberg-Kunst
May. 09, 2009
THEOBALD REINHOLD FREIHERR VON OER Blick auf das Rheintal bei Remagen mit der Burgruine Ockenfels - Blick auf die Burg Altenahr.
Est: - €300
THEOBALD REINHOLD FREIHERR VON OER Nottbeck 1807 - 1885 Coswig bei Dresden Blick auf das Rheintal bei Remagen mit der Burgruine Ockenfels - Blick auf die Burg Altenahr. Bleistiftzeichnung bzw. Aquarell 1832/35. Beide signiert und ortsbezeichnet "Remagen...Erpel Ockenfels 11/7 32" (teils undeutlich, teils nur noch schwach sichtbar) bzw. "Altenahr 11.10.35" sowie Bl. 2 verso mit weiterer kleiner Zeichnung: Felsige Landschaft. Auf gelblichem Velin, Bl. 2 zusammengesetzt. 16 x 26,3 und 19,5 x 45 cm. Vereinzelt minimal stockfleckig sowie Bl. 2 mit kleinen Klebespuren und Bereibungen. [sg]
Winterberg-Kunst
Feb. 28, 2009
Monogrammist T. O. eventuell Theobald Reinhold
Est: - €1,200
Monogrammist T. O. eventuell Theobald Reinhold Freiherr von Oer (1807 Nottbeck bis 1885 Coswig bei Dresden), dt. Historien- u. Genremaler, Illustrator u. Radierer, Schüler von F. Matthäi in Dresden u. W. Schadow in Düsseldorf, 1837-39 Romaufenthalt, seit 1839 in Dresden tätig, Lit. vgl. Th.B. oder Otho (Maler d. 19. Jh., tätig in Perlin in Mecklenburg), abendliche Winterlandschaft mit Holzfrau u. Wanderern unter knorrigen Eichen vorm Dorf mit Kirchturm, Romantiker, fein lasierende, biedermeierliche Malerei mit wenigen pastosen Effekten, Öl/Lwd./Keilrahmen, re. u. monogr. "TO" (ligiert), (vgl. Monogrammlexikon Nagler u. Goldstein) u. undeut. dat. 1833 o. 1853, Craquelure, min. rest.bed., ungerahmt, 36 x 49 cm. ...weitere Informationen
Auktionshaus Mehlis GmbH
Oct. 29, 2007
Theobald Freiherr von Oer German, 1807-1885 , Rübezahl, the mountain spirit of the Giant Mountains, along the border between Poland and the Czech Republic oil on canvas
Est: €10,000 - €15,000
signed and dated 1874 l.r. oil on canvas
Sotheby's
Oct. 29, 2007
Theobald Freiherr von Oer German, 1807-1885 , an Italian peasant girl in traditional dress oil on paper laid down on board
Est: €5,000 - €7,000
inscribed and dated Roja Scioilini, Civitella 12/9 37 l.r. oil on paper laid down on board Quantity: 2
Sotheby's