Loading Spinner

Orlan Sold at Auction Prices

Installation Artist

See Artist Details

0 Lots

Sort By:

Categories

        Auction Date

        Seller

        Seller Location

        Price Range

        to
        • ORLAN (*1947), CONTEMPORARY FRENCH A
          Aug. 29, 2023

          ORLAN (*1947), CONTEMPORARY FRENCH A

          Est: -

          Orlan (*1947), contemporary French artist, representative of body art and performance art. Complete set of 6 Cibachrome prints ''Self-hybridations précolombiennes''. Each signed on verso and typographically inscribed, 40 x 26.5 cm.

          Historia Auctionata
        • Orlan, born 1947, is a French artist and important
          Apr. 21, 2023

          Orlan, born 1947, is a French artist and important

          Est: €200 - €400

          Orlan, born 1947, is a French artist and important representative of body art and performance art. She herself describes her method as a new form of self-portrait, implemented with today's technologies, Here: Photography: Cibachrome on glossy photo paper,signed on the reverse, num. 55/100, sheet approx. 61x50.5 cm, frame approx. 83x63cm . German Description: Orlan, geb. 1947, ist eine französische Künstlerin und wichtige Vertreterin des Body-art und Perfomance-Kunst. Sie selbst beschreibt ihre Methode als neue Form des Selbstporträts, umgesetzt mit Technologien der Gegenwart, Hier: Fotografie: Cibachrome auf Hochglanz-Fotopapier, verso handsign., num. 55/100, Blatt ca. 61x50,5 cm, R. ca. 83x63cm

          Henry's Auktionshaus
        • Orlan, born 1947 6 photographs, Cibachrome print on
          Mar. 17, 2023

          Orlan, born 1947 6 photographs, Cibachrome print on

          Est: €400 - €800

          Orlan, born 1947 6 photographs, Cibachrome print on thick PE paper, each signed by hand on the reverse, title: Refiguration, from 1997, sheet size. each 40 x 26.2 cm, Orlan is a French artist and representative of body artand performance art, she describes her art as a new form of self-portraits, she lives and works in New York and Paris . German Description: Orlan, geb. 1947 6 Fotografien, Cibachrome-Abzug auf dickem PE-Papier, rückseitig jeweils handsigniert, Titel: Refiguration, aus 1997, Blattgr. je 40 x 26.2 cm, Orlan ist eine französische Künstlerin und Vertreterin der Body-Art und Perfomance-Kunst, sie selbst beschreibt ihre Kunst als neue Form der Selbstporträts, sie lebt und arbeitet in New York und Paris

          Henry's Auktionshaus
        • Orlan (b. 1947), contemporary Frenc
          Jan. 24, 2023

          Orlan (b. 1947), contemporary Frenc

          Est: -

          Orlan (b. 1947), contemporary French artist, representative of body art and performance art. Complete set of 6 Cibachrome prints ''Self-hybridations précolombiennes''. Each verso handsigned u. typogr. inscribed, 40 x 26.5 cm.

          Historia Auctionata
        • Orlan (*1947) "Refiguration - Selfhybridation no 4" 1997/1999, Fotografie (Cibachrome), Griffelkunst, verso sign./bez., 40x26,2cm
          Nov. 19, 2022

          Orlan (*1947) "Refiguration - Selfhybridation no 4" 1997/1999, Fotografie (Cibachrome), Griffelkunst, verso sign./bez., 40x26,2cm

          Est: -

          Orlan (*1947) "Refiguration - Selfhybridation no 4" 1997/1999, Fotografie (Cibachrome), Griffelkunst, verso sign./bez., 40x26,2cm Orlan (*1947) "Refiguration - Selfhybridation no 4" 1997/1999, photograph (Cibachrome), Griffelkunst, verso sign./inscr., 40x26,2cm

          Kendzia
        • ORLAN (Saint-Étienne, France, 1947). Disfiguration-Refiguration, Precolumbian Self-Hybridization No. 12", 1999. Photography. Issue 2/7. Presents moisture and damage to the frame. Signed and titled on the back.
          Nov. 15, 2022

          ORLAN (Saint-Étienne, France, 1947). Disfiguration-Refiguration, Precolumbian Self-Hybridization No. 12", 1999. Photography. Issue 2/7. Presents moisture and damage to the frame. Signed and titled on the back.

          Est: €2,000 - €2,500

          ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photograph. Copy 2/7. Dampness and damage to the frame. Signed, justified and titled on the back. Size: 100 x 100 cm; 104 x 104 cm (frame). In this photograph, Orlan continues to question the social and cultural pressures exerted on the body and its representation in the media. Orlan has created a new image in this work, literally combining pre-Columbian and African icons with his own image; the resulting hybridisations create a complex narrative that blurs distinctions between time and place, real and unreal. He has created a new image to produce new images: Self-Hybridizations. The work contains evidence of past tribal rites and rituals associated with beautification which, together with the artist's own modifications through plastic surgery, argue over salient issues in recent history such as collective identity, tragedy and exclusivity. The self-hybridations also act as portraits of a potential future humanity, in which interbreeding between humans of diverse origins gives rise to new bodies, with nomadic and mutant identities. ORLAN's career as a performance artist began in 1964, when he performed Marches au ralenti (slow-motion walks) in his hometown of Saint-Étienne. During these performances, he walked as slowly as possible between two central parts of the city. In 1965, ORLAN produced MesuRages, in which he used his own body as a measuring instrument. With his "ORLAN-body" as a unit of measurement, he assessed how many people could fit into a given architectural space. This was the first time he used his body in a performance piece. ORLAN reused this concept in several subsequent projects. Between 1964 and 1966, ORLAN produced Vintages, a series of black and white photographic works. She destroyed the original negatives of these pieces and today only one copy of each photograph remains. In this series, she posed nude in various yoga-like positions. One of the most famous images from this series is ORLAN accouche d'elle m'aime.Between 1967 and 1975, ORLAN produced a body of work entitled Tableaux Vivants. He based them on the works of baroque artists such as El Greco and Gericault. He used inmates as models, wore exaggerated imitation baroque costumes and was inspired by Caravaggesque stereotypes. In 1971, ORLAN "christened itself" Sainte-ORLAN, adorning itself in black corrugated vinyl and white faux leather. Colour photographs of Sainte-ORLAN were subsequently incorporated into photo-collages, videos and films tracing a fictitious hagiography. During the 1977 FIAC International Contemporary Art Fair in Paris, ORLAN performed the controversial performance piece The Artist's Kiss (Le baiser de l'artiste). Outside the Grand Palais in Paris, a life-size photo of his torso was turned into a slot machine. Spectators could watch the coin inserted into the torso descend into a groin before receiving a kiss from the artist.ORLAN founded the International Performance Symposium in Lyon. In 1982, he collaborated with artist Frédéric Develay to create the first online contemporary art magazine, Art-Accès-Revue, on the French precursor of the Internet, the Minitel. In 1990, ORLAN initiated the Reincarnation of Sainte-ORLAN. This is a series of plastic surgeries through which the artist transformed herself into elements of famous paintings and sculptures of women. As part of her manifesto "Carnal Art", these works were filmed and shown in institutions around the world, such as the Centre Georges Pompidou in Paris and the Sandra Gehring Gallery in New York. ORLAN's aim in these surgeries is to acquire the ideal of feminine beauty as depicted by male artists. When it is completed

          Setdart Auction House
        • Orlan (*1947), contemporary F
          Nov. 07, 2022

          Orlan (*1947), contemporary F

          Est: -

          Orlan (*1947), contemporary French artist, representative of body art and performance art. Complete set of 6 Cibachrome prints ''Self-hybridations précolombiennes''. Each signed and typographically inscribed on verso, 40 x 26.5 cm.

          Historia Auctionata
        • Orlan (1947) - Self-Hybridation prècolombienne n. 6, 1998
          Apr. 28, 2022

          Orlan (1947) - Self-Hybridation prècolombienne n. 6, 1998

          Est: €250 - €350

          Cibachrome vintage print on aluminium Studio Lattuada didactic label and credit stamp on the verso of the frame Framed This lot is subject to Artists Resale Rights

          Finarte
        • Orlan born 1947 St. Etienne France, photography:
          Apr. 22, 2022

          Orlan born 1947 St. Etienne France, photography:

          Est: €400 - €800

          Orlan born 1947 St. Etienne France, photography: Cibachrome (C-Print) on high gloss, photo paper, signed on the back and numbered 44/100, 61 x 50.5 cm, under glass, frame . German Description: Orlan geb. 1947 St. Etienne Frankreich, Fotografie: Cibachrome ( C-Print) auf Hochglanz, Fotopapier, rückseitig handsigniert und nummeriert 44/100, 61 x 50.5 cm, unter Glas, Rahmen

          Henry's Auktionshaus
        • Orlan born 1947 St. Etienne France, photography:
          Apr. 22, 2022

          Orlan born 1947 St. Etienne France, photography:

          Est: €400 - €800

          Orlan born 1947 St. Etienne France, photography: Cibachrome (C-Print) on high gloss, photographic paper, signed on the back and numbered 44/100, 61 x 50.5 cm, under glass, frame approx. 83 x 63 cm . German Description: Orlan geb. 1947 St. Etienne Frankreich, Fotografie: Cibachrome ( C-Print) auf Hochglanz, Fotopapier, rückseitig handsigniert und nummeriert 44/100, 61 x 50.5 cm, unter Glas, Rahmen ca. 83 x 63 cm

          Henry's Auktionshaus
        • Orlan (1947) - Parodie make-up aux miroir, 1997
          Mar. 17, 2022

          Orlan (1947) - Parodie make-up aux miroir, 1997

          Est: €4,000 - €6,000

          Light box Edition 1 of 8 Lattuada Studio label signed in black marker and Lattuada Studio stamp on the verso This lot is subject to Artists Resale Rights

          Finarte
        • ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Pre-Columbian Self-hybridizations, No. 21", 1999. Photography. Issue 3/7. Work reproduced on the artist's website. Signed, dated, justified and titled on the back.
          Feb. 15, 2022

          ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Pre-Columbian Self-hybridizations, No. 21", 1999. Photography. Issue 3/7. Work reproduced on the artist's website. Signed, dated, justified and titled on the back.

          Est: €2,000 - €2,500

          ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Pre-Columbian Self-hybridizations, No. 21, 1999. Photograph. Copy 3/7. Work reproduced on the artist's website. With a bump on the frame. Signed, dated, justified and titled on the back. Size: 90 x 57 cm; 125 x 94 cm (frame). Orlan is known for intervening her own body, carrying out different aesthetic operations on herself. In this particular case, the piece preserves this idea of body modification and manipulation, however, in this work, the artist goes a step further. She not only questions her own identity, but also appropriates another culture. To do so, she makes use of an iconography associated with different pre-Columbian vestiges, such as the necklace, the shape of the hairstyle, the facial tattoos, and even the physiognomy of the nose, which is reminiscent of some profiles found in Aztec reliefs. ORLAN's career as a performance artist began in 1964, when he performed Marches au ralenti (slow motion walks) in his hometown of Saint-Étienne. During these performances, he walked as slowly as possible between two central parts of the city. In 1965, ORLAN produced MesuRages, in which he used his own body as a measuring instrument. With his "ORLAN-body" as a unit of measurement, he assessed how many people could fit into a given architectural space. This was the first time he used his body in a performance piece. ORLAN reused this concept in several subsequent projects. Between 1964 and 1966, ORLAN produced Vintages, a series of black and white photographic works. She destroyed the original negatives of these pieces and today only one copy of each photograph remains. In this series, she posed nude in various yoga-like positions. One of the most famous images from this series is ORLAN accouche d'elle m'aime.Between 1967 and 1975, ORLAN produced a body of work entitled Tableaux Vivants. He based them on the works of baroque artists such as El Greco and Gericault. He used inmates as models, wore exaggerated imitation baroque costumes and was inspired by Caravaggesque stereotypes. In 1971, ORLAN "christened itself" Sainte-ORLAN, adorning itself in black corrugated vinyl and white faux leather. Colour photographs of Sainte-ORLAN were subsequently incorporated into photo-collages, videos and films tracing a fictitious hagiography. During the 1977 FIAC International Contemporary Art Fair in Paris, ORLAN performed the controversial performance piece The Artist's Kiss (Le baiser de l'artiste). Outside the Grand Palais in Paris, a life-size photo of his torso was turned into a slot machine. Spectators could watch the coin inserted into the torso descend into a groin before receiving a kiss from the artist.ORLAN founded the International Performance Symposium in Lyon. In 1982, he collaborated with artist Frédéric Develay to create the first online contemporary art magazine, Art-Accès-Revue, on the French precursor of the Internet, the Minitel. In 1990, ORLAN initiated the Reincarnation of Sainte-ORLAN. This is a series of plastic surgeries through which the artist transformed herself into elements of famous paintings and sculptures of women. As part of her manifesto "Carnal Art", these works were filmed and shown in institutions around the world, such as the Centre Georges Pompidou in Paris and the Sandra Gehring Gallery in New York. ORLAN's goal in these surgeries is to acquire the ideal of female beauty as depicted by male artists. When the surgeries are completed, she will have the chin of Botticelli's Venus, the nose of Jean-Léon Gérôme's Psyche, the lips of François Boucher's Europe, the eyes of Diana (and the forehead of Leonardo da Vinci's Mona Lisa. ORLAN chose these characters, "not because of the canons of beauty they represent... but because of the stories associated with them".

          Setdart Auction House
        • ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photograph. Specimen 2/7.
          Oct. 19, 2021

          ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photograph. Specimen 2/7.

          Est: €2,000 - €2,500

          ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photograph. Specimen 2/7. Dampness and damage to the frame. Signed, justified, and titled on the back. Measurements: 100 x 100 cm; 104 x 104 cm (frame). In this photograph, Orlan continues to question the social and cultural pressures exerted on the body and its representation in the media. Orlan has created a new image in this work, literally combining pre-Columbian and African icons with his own image; the resulting hybridizations create a complex narrative that blurs distinctions between time and place, real and unreal. He has created a new image to produce new images: Self-Hybridizations. The work contains evidence of past tribal rites and rituals associated with beautification that, along with her own modifications through plastic surgery, argue over salient issues in recent history such as collective identity, tragedy and exclusivity. The self-hybridizations also act as portraits of a potential future humanity, in which interbreeding between humans of diverse origins gives rise to new bodies, with nomadic and mutant identities. ORLAN's career as a performance artist began in 1964, when he performed Marches au ralenti (slow-motion walks) in his hometown of Saint-Étienne. During these performances, he walked as slowly as possible between two central parts of the city. In 1965, ORLAN produced MesuRages, in which he used his own body as a measuring instrument. With his "ORLAN-body" as a unit of measurement, he assessed how many people could fit into a given architectural space. This was the first time he used his body in a performance piece. ORLAN reused this concept in several subsequent projects. Between 1964 and 1966, ORLAN produced Vintages, a series of black and white photographic works. She destroyed the original negatives of these pieces and today only one copy of each photograph remains. In this series, she posed nude in various yoga-like positions. One of the most famous images from this series is ORLAN accouche d'elle m'aime.Between 1967 and 1975, ORLAN produced a body of work entitled Tableaux Vivants. He based them on the works of Baroque artists such as El Greco and Gericault. He used inmates as models, wore exaggerated imitation Baroque costumes and drew inspiration from Caravaggesque stereotypes. In 1971, ORLAN "christened itself" Sainte-ORLAN, adorning itself in black corrugated vinyl and white faux leather. Color photographs of Sainte-ORLAN were subsequently incorporated into photo-collages, videos and films tracing a fictional hagiography. During the 1977 FIAC International Contemporary Art Fair in Paris, ORLAN performed the controversial performance piece The Artist's Kiss (Le baiser de l'artiste). Outside the Grand Palais in Paris, a life-size photo of his torso was turned into a slot machine. Spectators could watch the coin inserted into the torso descend into a groin before receiving a kiss from the artist.ORLAN founded the International Performance Symposium in Lyon. In 1982, he collaborated with artist Frédéric Develay to create the first online contemporary art magazine, Art-Accès-Revue, on the French precursor to the Internet, the Minitel. In 1990, ORLAN initiated the Reincarnation of Sainte-ORLAN. This is a series of plastic surgeries through which the artist transformed herself into elements of famous paintings and sculptures of women. As part of her manifesto "Carnal Art", these works were filmed and shown in institutions around the world, such as the Georges Pompidou Center in Paris and the Sandra Gehring Gallery in New York. ORLAN's goal in these surgeries is to acquire the ideal of feminine beauty as depicted by male artists.

          Setdart Auction House
        • Orlan (1947) - Viso Orlan, 1997
          Oct. 15, 2021

          Orlan (1947) - Viso Orlan, 1997

          Est: €2,000 - €3,000

          Light box Edition 4 of 8 Signed in black ink on the verso This lot is subject to Artists Resale Rights

          Finarte
        • Orlan (geb. 1947 in Saint-Étienne), eigentlich Mireille Suzanne Francette Porte
          Jun. 19, 2021

          Orlan (geb. 1947 in Saint-Étienne), eigentlich Mireille Suzanne Francette Porte

          Est: €120 - €140

          Portrait aus einer Sechser-Serie. Cibachrome-Abzug (min. Druckstelle), verso sign. und Stempel, Edition hors commerce, Griffelkunst 295. Wahl, III. Quartal 1999. Blattmaß ca. 40x 26,8 cm.

          Dannenberg
        • ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photography. Issue 2/7. Presents moisture and damage to the frame. Signed and titled on the back.
          Jun. 17, 2021

          ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photography. Issue 2/7. Presents moisture and damage to the frame. Signed and titled on the back.

          Est: €2,000 - €2,500

          ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photography. Issue 2/7. Presents moisture and damage to the frame. Signed and titled on the back. Measures: 100 x 100 cm; 104 x 104 cm (frame). In this photograph, Orlan continues to question the social and cultural pressures exerted on the body and its representation in the media. Orlan has created a new image in this work, literally combining pre-Columbian and African icons with his own image; the resulting hybridizations create a complex narrative that blurs distinctions between time and place, real and unreal. He has created a new image to produce new images: Self-Hybridizations. The work contains evidence of past tribal rites and rituals associated with beautification that, along with her own modifications through plastic surgery, argue over salient issues in recent history such as collective identity, tragedy and exclusivity. The self-hybridizations also act as portraits of a potential future humanity, in which interbreeding between humans of diverse origins gives rise to new bodies, with nomadic and mutant identities. ORLAN's career as a performance artist began in 1964, when he performed Marches au ralenti (slow-motion walks) in his hometown of Saint-Étienne. During these performances, he walked as slowly as possible between two central parts of the city. In 1965, ORLAN produced MesuRages, in which he used his own body as a measuring instrument. With his "ORLAN-body" as a unit of measurement, he assessed how many people could fit into a given architectural space. This was the first time he used his body in a performance piece. ORLAN reused this concept in several subsequent projects. Between 1964 and 1966, ORLAN produced Vintages, a series of black and white photographic works. She destroyed the original negatives of these pieces and today only one copy of each photograph remains. In this series, she posed nude in various yoga-like positions. One of the most famous images from this series is ORLAN accouche d'elle m'aime.Between 1967 and 1975, ORLAN produced a body of work entitled Tableaux Vivants. He based them on the works of Baroque artists such as El Greco and Gericault. He used inmates as models, wore exaggerated imitation Baroque costumes and drew inspiration from Caravaggesque stereotypes. In 1971, ORLAN "christened itself" Sainte-ORLAN, adorning itself in black corrugated vinyl and white faux leather. Color photographs of Sainte-ORLAN were subsequently incorporated into photo-collages, videos and films tracing a fictional hagiography. During the 1977 FIAC International Contemporary Art Fair in Paris, ORLAN performed the controversial performance piece The Artist's Kiss (Le baiser de l'artiste). Outside the Grand Palais in Paris, a life-size photo of his torso was turned into a slot machine. Spectators could watch the coin inserted into the torso descend into a groin before receiving a kiss from the artist.ORLAN founded the International Performance Symposium in Lyon. In 1982, he collaborated with artist Frédéric Develay to create the first online contemporary art magazine, Art-Accès-Revue, on the French precursor to the Internet, the Minitel. In 1990, ORLAN initiated the Reincarnation of Sainte-ORLAN. This is a series of plastic surgeries through which the artist transformed herself into elements of famous paintings and sculptures of women. As part of her manifesto "Carnal Art", these works were filmed and shown in institutions around the world, such as the Georges Pompidou Center in Paris and the Sandra Gehring Gallery in New York. ORLAN's goal in these surgeries is to acquire the ideal of feminine beauty as depicted by male artists. When it is compl

          Setdart Auction House
        • ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Pre-Columbian Self-hybridizations, No. 21", 1999. Photography. Issue 3/7. Work reproduced on the artist's website. Signed, dated, justified and titled on the back.
          Jun. 17, 2021

          ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Pre-Columbian Self-hybridizations, No. 21", 1999. Photography. Issue 3/7. Work reproduced on the artist's website. Signed, dated, justified and titled on the back.

          Est: €2,000 - €2,500

          ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Pre-Columbian Self-hybridizations, No. 21", 1999. Photography. Issue 3/7. Work reproduced on the artist's website. Signed, dated, justified and titled on the back. Measures: 90 x 57 cm; 125 x 94 cm (frame). Orlan is known for intervening her own body, performing different aesthetic operations on herself. In this particular case, the piece preserves the idea of body modification and manipulation, however, in this work, the artist goes a step further. She not only questions her identity, but also appropriates another culture. To do so, she makes use of an iconography associated with different pre-Columbian vestiges, such as the necklace, the shape of the hairstyle, the facial tattoos, and even the physiognomy of the nose, which is reminiscent of some profiles found in Aztec reliefs. ORLAN's career as a performance artist began in 1964, when he performed Marches au ralenti (slow motion walks) in his hometown of Saint-Étienne. During these performances, he walked as slowly as possible between two central parts of the city. In 1965, ORLAN produced MesuRages, in which he used his own body as a measuring instrument. With his "ORLAN-body" as a unit of measurement, he assessed how many people could fit into a given architectural space. This was the first time he used his body in a performance piece. ORLAN reused this concept in several subsequent projects. Between 1964 and 1966, ORLAN produced Vintages, a series of black and white photographic works. She destroyed the original negatives of these pieces and today only one copy of each photograph remains. In this series, she posed nude in various yoga-like positions. One of the most famous images from this series is ORLAN accouche d'elle m'aime.Between 1967 and 1975, ORLAN produced a body of work entitled Tableaux Vivants. He based them on the works of Baroque artists such as El Greco and Gericault. He used inmates as models, wore exaggerated imitation Baroque costumes and drew inspiration from Caravaggesque stereotypes. In 1971, ORLAN "christened itself" Sainte-ORLAN, adorning itself in black corrugated vinyl and white faux leather. Color photographs of Sainte-ORLAN were subsequently incorporated into photo-collages, videos and films tracing a fictional hagiography. During the 1977 FIAC International Contemporary Art Fair in Paris, ORLAN performed the controversial performance piece The Artist's Kiss (Le baiser de l'artiste). Outside the Grand Palais in Paris, a life-size photo of his torso was turned into a slot machine. Spectators could watch the coin inserted into the torso descend into a groin before receiving a kiss from the artist.ORLAN founded the International Performance Symposium in Lyon. In 1982, he collaborated with artist Frédéric Develay to create the first online contemporary art magazine, Art-Accès-Revue, on the French precursor to the Internet, the Minitel. In 1990, ORLAN initiated the Reincarnation of Sainte-ORLAN. This is a series of plastic surgeries through which the artist transformed herself into elements of famous paintings and sculptures of women. As part of her manifesto "Carnal Art", these works were filmed and shown in institutions around the world, such as the Georges Pompidou Center in Paris and the Sandra Gehring Gallery in New York. ORLAN's goal in these surgeries is to acquire the ideal of feminine beauty as depicted by male artists. When the surgeries are completed, she will have the chin of Botticelli's Venus, the nose of Jean-Léon Gérôme's Psyche, the lips of François Boucher's Europe, the eyes of Diana, and the forehead of Leonardo da Vinci's Mona Lisa. ORLAN chose these characters, "not because of the canons of beauty they represent... but because of the stories associated with them".

          Setdart Auction House
        • DIGITAL PHOTOGRAPH BY ORLAN 2000
          Apr. 14, 2021

          DIGITAL PHOTOGRAPH BY ORLAN 2000

          Est: €400 - €600

          ORLAN (Saint-Étienne 1947) Self Hybridation, 2000 Stampa digitale a colori, ex. H.C. Misure cm. 39 x 26 In cornice

          Casa d'Aste Babuino
        • ORLAN (Née en 1947) - SANS TITRE
          Feb. 04, 2021

          ORLAN (Née en 1947) - SANS TITRE

          Est: €200 - €300

          ORLAN (Née en 1947) SANS TITRE De la série Refiguration, Self-hybridization, circa 1998 Tirage chromogénique Signé et numéroté 86/100 au dos 61,2 x 50,7 cm

          Cornette de Saint-Cyr
        • Orlan (1947) - Viso Orlan, 1997
          Oct. 16, 2020

          Orlan (1947) - Viso Orlan, 1997

          Est: €3,000 - €4,000

          Light box Edition 4 of 8 Signed in black ink on the verso This lot is subject to Artists Resale Rights

          Finarte
        • ORLAN (NEE EN 1947) - L'ORIGINE DE LA GUERRE, 2011
          Jul. 07, 2020

          ORLAN (NEE EN 1947) - L'ORIGINE DE LA GUERRE, 2011

          Est: €200 - €300

          ORLAN (NEE EN 1947) L'ORIGINE DE LA GUERRE, 2011 Impression pigmentaire sur papier Signée, datée et numérotée 100/120 27 x 38 cm

          Cornette de Saint-Cyr
        • Pour Orlan : enlever «(Paulette du Brouet dit) - > SANS TITRE
          Jul. 06, 2020

          Pour Orlan : enlever «(Paulette du Brouet dit) - > SANS TITRE

          Est: €300 - €500

          Pour Orlan : enlever «(Paulette du Brouet dit) SANS TITRE De la série Refiguration, Self-hybridization, circa 1998 Tirage photographique Signé et numéroté 86/100 au dos 61,2 x 50,7 cm

          Cornette de Saint-Cyr
        • Refiguration - Selfhybridation no 1 (1977)
          May. 16, 2020

          Refiguration - Selfhybridation no 1 (1977)

          Est: €170 -

          Verso signiert und typographische Bezeichnung. Gedruckt 1999. Griffelkunst 295 B1. Literatur: Orlan, Refiguration, Self-hybridations, Série Précolombienne, Al Dante, Paris 2001. -- Cibachrome-Abzug. Printed 1999. Verso signed. Griffelkunst 295 B1. Literature: Orlan, Refiguration, Self-hybridations, Série Précolombienne, Al Dante, Paris 2001..

          Doebele Kunstauktionen
        • ORLAN (FRA/1947) Joconde, 1994 Tirage cibachrome 40 x 60 cm
          Apr. 05, 2019

          ORLAN (FRA/1947) Joconde, 1994 Tirage cibachrome 40 x 60 cm

          Est: €800 - €1,200

          ORLAN (FRA/1947) Joconde, 1994 Tirage cibachrome 40 x 60 cm Signé et numéroté en bas à droite Cibachrome print 15 3/4 x 23 5/8 in Signed and numbered lower right

          Leclere - Maison de ventes
        • ORLAN (FRA/1947) Sourire de plaisir: il est maintenant possible de ne pas souffrir pendant la Septième operation chirurgicale, 1993 Tirage cibachrome 40 x 60 cm
          Apr. 05, 2019

          ORLAN (FRA/1947) Sourire de plaisir: il est maintenant possible de ne pas souffrir pendant la Septième operation chirurgicale, 1993 Tirage cibachrome 40 x 60 cm

          Est: €800 - €1,200

          ORLAN (FRA/1947) Sourire de plaisir: il est maintenant possible de ne pas souffrir pendant la Septième operation chirurgicale, 1993 Tirage cibachrome 40 x 60 cm Signé et numéroté en bas à droite Cibachrome print 15 3/4 x 23 5/8 in Signed and numbered lower right

          Leclere - Maison de ventes
        • ORLAN (FRA/1947)
          Dec. 14, 2018

          ORLAN (FRA/1947)

          Est: €800 - €1,200

          ORLAN (FRA/1947) Sourire de plaisir : il est maintenant possible de ne pas souffrir pendant la Septième operation chirurgicale, 1993 Tirage cibachrome 40 x 60 cm Signé et numéroté en bas à droite

          Leclere - Maison de ventes
        • ORLAN (FRA/1947)
          Dec. 14, 2018

          ORLAN (FRA/1947)

          Est: €800 - €1,200

          ORLAN (FRA/1947) Joconde, 1994 Tirage cibachrome 40 x 60 cm Signé et numéroté en bas à droite

          Leclere - Maison de ventes
        • ORLAN, Diane Orlan from the series Self-Hybridization
          Oct. 23, 2018

          ORLAN, Diane Orlan from the series Self-Hybridization

          Est: €3,500 - €4,500

          ORLAN (1947) Diane Orlan from the series Self-Hybridization 1997 Cibachrome print in a lightbox, exemplar 7/8, Edizioni Lattuada Studio, Milan 48 x 46 cm PROVENANCE: Studio Lattuada, Milan (label on the reverse) Private collection, Rome

          Art-Rite
        • ORLAN (NE EN 1947) - LES PARFUMs DU BAISER DE L'ARTISTE, 2007
          Jun. 20, 2018

          ORLAN (NE EN 1947) - LES PARFUMs DU BAISER DE L'ARTISTE, 2007

          Est: €120 - €150

          ORLAN (NE EN 1947) LES PARFUMs DU BAISER DE L'ARTISTE, 2007 Coffret contenant 3 flacons enchâssés de parfums crées par l'artiste 30 x 21 x 7 cm (l'emboîtage)

          Cornette de Saint-Cyr
        • * ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION
          Apr. 10, 2018

          * ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION

          Est: €2,000 - €3,000

          * ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZATION PRE-COLUMBIAN N°23, 1998 Cibachrome Signé au dos du montage Contresigné sur le cartel de la Stefan Stux Gallery au dos du montage Exemplaire 1/3 Cette oeuvre est répertoriée dans les archives de l’artiste sous le numéro OR-017 149 x 96 cm 58.66 x 37.79 in. Cibachrome Signed at the back of the mount Countersigned on a Stefan Stux Gallery’s label at the back of the mount

          Cornette de Saint-Cyr
        • * ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION
          Apr. 10, 2018

          * ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION

          Est: €2,000 - €3,000

          * ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZATION PRE-COLUMBIAN N°13, 1998 Cibachrome Signé au dos du montage Contresigné sur le cartel de la Stefan Stux Gallery au dos du montage Exemplaire 3/3 Cette oeuvre est répertoriée dans les archives de l’artiste sous le numéro OR-013 149 x 96 cm 58.66 x 37.79 in. Cibachrome Signed at the back of the mount Countersigned on a Stefan Stux Gallery’s label at the back of the mount

          Cornette de Saint-Cyr
        • * ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION
          Apr. 10, 2018

          * ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION

          Est: €1,000 - €2,000

          * ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZATION PRE-COLUMBIAN N°4, 1998 Cibachrome Signé au dos du montage Contresigné sur le cartel de la Stefan Stux Gallery au dos du montage Exemplaire 4/7 Cette oeuvre est répertoriée dans les archives de l’artiste sous le numéro OR-010 89 x 59 cm 35.03 x 23.22 in. Cibachrome Signed at the back of the mount Countersigned on a Stefan Stux Gallery’s label at the back of the mount

          Cornette de Saint-Cyr
        • ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION / SELF-HYBRIDIZA
          Dec. 14, 2017

          ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION / SELF-HYBRIDIZA

          Est: €2,000 - €3,000

          ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION / SELF-HYBRIDIZATION PRECOLUMBIAN N°38, 1998 Cibachrome Signé au dos du montage Contresigné sur le cartel de la Stefan Stux Gallery au dos du montage Exemplaire 2/3 Cette œuvre est répertoriée dans les archives de l’artiste sous le numéro OR-22 149 x 96 cm 58.66 x 37.79 in. Cibachrome, signed at the back of the mount, countersigned on a Stefan Stux Gallery's label at the back of the mount

          Cornette de Saint-Cyr
        • ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZAT
          Dec. 14, 2017

          ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZAT

          Est: €2,000 - €3,000

          ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZATION PRE-COLUMBIAN N°18, 1998 Cibachrome Signé au dos du montage Contresigné sur le cartel de la Stefan Stux Gallery au dos du montage Exemplaire 2/3 Cette œuvre est répertoriée dans les archives de l’artiste sous le numéro OR-016 161 x 108,5 cm 63.4 x 42.7 in. Cibachrome, signed at the back of the mount, countersigned on a Stefan Stux Gallery's label at the back of the mount

          Cornette de Saint-Cyr
        • ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZAT
          Dec. 14, 2017

          ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZAT

          Est: €2,000 - €3,000

          ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZATION PRE-COLUMBIAN°34,1998 Cibachrome Signé au dos du montage Contresigné sur le cartel de la Stefan Stux Gallery au dos du montage Exemplaire 2/3 Cette œuvre est répertoriée dans les archives de l’artiste sous le numéro OR-021 161 x 108,5 cm 63.4 x 42.7 in. Cibachrome, signed at the back of the mount, countersigned on a Stefan Stux Gallery's label at the back of the mount

          Cornette de Saint-Cyr
        • Orlan (1947)
          Apr. 20, 2017

          Orlan (1947)

          Est: €1,600 - €2,000

          Selfportrait, 1997/'98 Stampa vintage cibachrome. Firmata a penna nera al versocm 40 x 26,2 Vintage cibachrome print. Signed in black ink on the verso

          Finarte Roma
        • ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT)
          Jun. 10, 2016

          ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT)

          Est: €3,000 - €5,000

          ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°34,1998 Tirage Cibachrome sur papier Signé au dos du montage Contresigné sur un cartel au dos du montage Exemplaire numéro 2 / 3 161 x 108,5 cm - 63.4 x 42.7 in. Provenance : - Stefan Stux Gallery, New York - Collection particulière, New York Exposition : - Orlan, Digital Photographs and Sculptures, Refiguration / Self Hybridization: The PreColumbian and African Series, Stefan Stux Gallery, New York, 2005

          Cornette de Saint-Cyr
        • ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) DEFIGURATION-REFIGURATION, SELF-HYBRIDATION
          Jun. 10, 2016

          ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) DEFIGURATION-REFIGURATION, SELF-HYBRIDATION

          Est: €3,000 - €5,000

          ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°18, 1998 Tirage Cibachrome sur papier Signé au dos du montage Contresigné sur un cartel au dos du montage Exemplaire numéro 2 / 3 161 x 108,5 cm - 63.4 x 42.7 in. Provenance : - Stefan Stux Gallery, New York - Collection particulière, New York Exposition : - ORLAN, Digital Photographs and Sculptures, Refiguration / Self Hybridization: The PreColumbian and African Series, Stefan Stux Gallery, New York, 2005

          Cornette de Saint-Cyr
        • *ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°28,
          Apr. 06, 2016

          *ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°28,

          Est: €3,000 - €5,000

          *ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°28, 1998 Tirage Cibachrome sur papier Signé au dos du montage Contresigné sur un...

          Cornette de Saint-Cyr
        • *ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°8,
          Apr. 06, 2016

          *ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°8,

          Est: €3,000 - €5,000

          *ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°8, 1998 Tirage Cibachrome sur papier Signé au dos du montage Contresigné sur un...

          Cornette de Saint-Cyr
        • *ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°5,
          Apr. 06, 2016

          *ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°5,

          Est: €3,000 - €5,000

          *ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°5, 1998 Tirage Cibachrome sur papier Signé au dos du montage Contresigné sur un...

          Cornette de Saint-Cyr
        • ¤ ORLAN (Née en 1947) DEFIGURATION-REFIGURATION/SELF-HYBRIDATION PRE-COLOMBIENNE N°18 - 1998 Cibachrome collé sur aluminium
          Oct. 20, 2014

          ¤ ORLAN (Née en 1947) DEFIGURATION-REFIGURATION/SELF-HYBRIDATION PRE-COLOMBIENNE N°18 - 1998 Cibachrome collé sur aluminium

          Est: €4,000 - €5,000

          ORLAN (Née en 1947) DEFIGURATION-REFIGURATION/SELF-HYBRIDATION PRE-COLOMBIENNE N°18 - 1998 Cibachrome collé sur aluminium Signé et numéroté au dos "Orlan, n°2/3" h: 149 w: 98 cm Provenance : Stefan Stux Gallery, New York Collection particulière, USA Bibliographie : "Orlan", Editions Flammarion, Paris, 2004, reproduit en couleur p.170 (un exemplaire similaire) Commentaire : CIBACHROME PRINT MOUNTED ON ALUMINIUM; SIGNED AND NUMBERED ON THE REVERSE

          Artcurial
        • ¤ ORLAN (Née en 1947) DEFIGURATION-REFIGURATION/SELF-HYBRIDATION PRE-COLOMBIENNE N°5 - 1998 Cibachrome collé sur aluminium
          Oct. 20, 2014

          ¤ ORLAN (Née en 1947) DEFIGURATION-REFIGURATION/SELF-HYBRIDATION PRE-COLOMBIENNE N°5 - 1998 Cibachrome collé sur aluminium

          Est: €4,000 - €5,000

          ORLAN (Née en 1947) DEFIGURATION-REFIGURATION/SELF-HYBRIDATION PRE-COLOMBIENNE N°5 - 1998 Cibachrome collé sur aluminium Signé et numéroté au dos "Orlan, n°3/3" h: 149 w: 98 cm Provenance : Stefan Stux Gallery, New York Collection particulière, USA Commentaire : CIBACHROME PRINT MOUNTED ON ALUMINIUM; SIGNED AND NUMBERED ON THE REVERSE

          Artcurial
        • ORLAN Née en 1947 L'ORIGINE DE LA GUERRE - 2012
          Oct. 01, 2014

          ORLAN Née en 1947 L'ORIGINE DE LA GUERRE - 2012

          Est: €500 - €501

          ORLAN Née en 1947 L'ORIGINE DE LA GUERRE - 2012 Impression digitale en couleurs sur papier Signé, daté et numéroté en bas "Orlan, 2012, 76/120" h: 23 w: 28 cm

          Artcurial
        • ¤ ORLAN (née en 1947) REFIGURATION/SELF-HYBRIDATION PRE-COLUMBIAN N°13 - 1998 Cibachrome collé sur aluminium
          Jun. 05, 2014

          ¤ ORLAN (née en 1947) REFIGURATION/SELF-HYBRIDATION PRE-COLUMBIAN N°13 - 1998 Cibachrome collé sur aluminium

          Est: €4,000 - €5,000

          ORLAN (née en 1947) REFIGURATION/SELF-HYBRIDATION PRE-COLUMBIAN N°13 - 1998 Cibachrome collé sur aluminium Signé et numéroté au dos "Orlan, n°3/3" h: 149 w: 98 cm Provenance : Stefan Stux Gallery, New York Collection particulière, USA Commentaire : CIBACHROME PRINT MOUNTED ON ALUMINIUM; SIGNED AND NUMBERED ON THE REVERSE "Orlan opère avec ces photographies une métamorphose de son visage en lui infligeant des déformations crâniennes précolombiennes". "With these photographs, Orlan carries out a metamorphosis of her face, submitting it to pre-Columbian cranial deformations".

          Artcurial
        • ¤ ORLAN (née en 1947) REFIGURATION/SELF-HYBRIDATION PRE-COLUMBIAN N°23 - 1998 Cibachrome collé sur aluminium
          Jun. 05, 2014

          ¤ ORLAN (née en 1947) REFIGURATION/SELF-HYBRIDATION PRE-COLUMBIAN N°23 - 1998 Cibachrome collé sur aluminium

          Est: €4,000 - €5,000

          ORLAN (née en 1947) REFIGURATION/SELF-HYBRIDATION PRE-COLUMBIAN N°23 - 1998 Cibachrome collé sur aluminium Signé et numéroté au dos "Orlan, n°1/3" h: 161,30 w: 108 cm Provenance : Stefan Stux Gallery, New York Collection particulière, USA Commentaire : CIBACHROME PRINT MOUNTED ON ALUMINIUM; SIGNED AND NUMBERED ON THE REVERSE "Orlan opère avec ces photographies une métamorphose de son visage en lui infligeant des déformations crâniennes précolombiennes". "With these photographs, Orlan carries out a metamorphosis of her face, submitting it to pre-Columbian cranial deformations".

          Artcurial
        • ¤ ORLAN (née en 1947) DEFIGURATION-REFIGURATION - SELF-HYBRIDATION PRECOLOMBIENNE N°27 - 1998-99 Tirage cibachrome collé sur aluminium
          Apr. 01, 2014

          ¤ ORLAN (née en 1947) DEFIGURATION-REFIGURATION - SELF-HYBRIDATION PRECOLOMBIENNE N°27 - 1998-99 Tirage cibachrome collé sur aluminium

          Est: €4,000 - €5,000

          ORLAN (née en 1947) DEFIGURATION-REFIGURATION - SELF-HYBRIDATION PRECOLOMBIENNE N°27 - 1998-99 Tirage cibachrome collé sur aluminium Signé et numéroté au dos "Orlan, n°3/3" h: 149 w: 98 cm Provenance : Stefan Stux Gallery, New York Collection particulière, USA Bibliographie : Carquefou, FRAC, "Orlan - Eléments Favoris", novembre 2002-février 2003, reproduit en noir et blanc p. 171 (un exemplaire similaire) Paris, Centre National de la Photographie, "Orlan, Méthodes de l'Artiste", mars-juin 2004, reproduit en noir et blanc p. 171 (un exemplaire similaire) Commentaire : DEFIGURATION-REFIGURATION - SELF-HYBRIDATION PRECOLOMBIENNE N°27; COLOUR PHOTOGRAPH ON ALUMINIUM; SIGNED AND NUMBERED ON THE REVERSE

          Artcurial
        • ¤ ORLAN (née en 1947) DEFIGURATION-REFIGURATION - SELF-HYBRIDATION PRECOLOMBIENNE N°32 - 1998 Tirage cibachrome collé sur aluminium
          Apr. 01, 2014

          ¤ ORLAN (née en 1947) DEFIGURATION-REFIGURATION - SELF-HYBRIDATION PRECOLOMBIENNE N°32 - 1998 Tirage cibachrome collé sur aluminium

          Est: €4,000 - €5,000

          ORLAN (née en 1947) DEFIGURATION-REFIGURATION - SELF-HYBRIDATION PRECOLOMBIENNE N°32 - 1998 Tirage cibachrome collé sur aluminium Signé et numéroté au dos "Orlan, n° 1/3" h: 149 w: 98 cm Provenance : Stefan Stux Gallery, New York Collection particulière, USA Commentaire : DEFIGURATION-REFIGURATION - SELF-HYBRIDATION PRECOLOMBIENNE N°32; COLOUR PHOTOGRAPH ON ALUMINIUM; SIGNED AND NUMBERED ON THE REVERSE

          Artcurial
        Lots Per Page: