Ramon Orlina Sold at Auction Prices

b. 1944 -

Born in the Philippines, Ramon Orlina studied architecture before moving to sculpture in the 1970s. Ramon Orlina sculptures are made from glass, as the artist felt this was the material that best reflected the images he wanted to express. Ramon Orlina's artwork is always multi-faceted, allowing light to pass through at different angles, and this effect is reached through many hours of grinding and reshaping. Ramon Orlina sculptures can be enjoyed from various perspectives, as this gives the viewer the freedom to interpret and discover them in many different ways.

Ramon Orlina's art for sale includes abstract pieces and graceful depictions of the female form. If you're looking to add similarly impressive pieces to your art collection, browse Invaluable's superb selection of glass sculptures for sale at auction online.

Read Full Artist Biography

0 Lots

Sort By:

Categories

Auction Date

Seller

Seller Location

Price Range

to
  • Ramon Orlina (b. 1944)
    Sep. 12, 2026

    Ramon Orlina (b. 1944)

    Est: ₱700,000 - ₱910,000

    Reverie in Amber signed and dated 2016 carved peach amber crystal H: 9 1/2" (24 cm) L: 4" (10 cm) W: 7 3/4" (20 cm)   Accompanied by a certificate signed by the artist confirming the authenticity of this lot   A striking example of his beautiful glass masterpieces, Ramon Orlina presents his Reverie in Amber as his signature glass sculpture. Decorating it with overlapping geometric forms allows viewers to experience unique perspectives as they observe shape, transparency, and reflection from different points of view. Made from brilliant carved peach amber crystal, Orlina’s masterpiece emphasizes movement, decorated with twists, folds, and layers that play with reflections by bouncing light in different directions. These shifts in reflection encourage viewers to look into and through the object, offering closer observations of how its forms slowly turn one's view into fragments of thought or dream. Each shape makes it difficult to settle on one fixed reading, so the viewer is compelled to change position. Different positions offer different paces and reflections, each unique viewing on its own. Reverie in Amber, in its core, can be seen as a masterpiece where dreams were translated into crystal. Through its complex details and constantly shifting reflections, Orlina demonstrates his ability to make light itself an integral part of his sculpture. This creates a beautifully energetic, almost spontaneous composition. (Mark John Castañeda)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Sep. 12, 2026

    Ramon Orlina (b. 1944)

    Est: ₱1,400,000 - ₱1,820,000

    Love the Nose signed and dated 1999 carved asahi glass H: 15" (38 cm) L: 8 1/4" (21 cm) W: 11" (28 cm)   Accompanied by a certificate signed by the artist confirming the authenticity of this lot PROVENANCE Private collection, Manila   Amasterpiece that highlights his ability to turn something solid into something that feels soft, organic, and alive, Ramon Orlina presents Love the Nose as something that combines sturdier solidity with flowing sculptural forms to playfully tackle themes of individuality and human imperfection. Featuring a compressed human face, simplified into a single massive form with clearly visible eyes on both sides, Orlina carves the large dominating nose with smooth, flowing curves. The transparent nature of the glass creates a point of view that goes through the superficial details of the sculpture. This allows one’s eyes to glance through the inside of the glass, which kind of fits the main theme of the art piece. Orlina designed it in such a way that there are signs of humor and affection embedded into the work. The title itself—Love the Nose—already sounds playful and encouraging. It evokes an essence that encourages appreciation for imperfection rather than treating it as something that needs to be corrected. (Mark John Castañeda)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Sep. 12, 2026

    Ramon Orlina (b. 1944)

    Est: ₱300,000 - ₱390,000

    Mother and Child Holding Hands signed and dated 2008 carved moss green glass H: 10 1/2" (27 cm) L: 9" (23 cm) W: 5 1/2" (14 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot Abeautiful sculpture that demonstrates his distinct approach to sculpting glass as an abstract and architectural form, Ramon Orlina’s featured masterpiece exemplifies his skill in turning solid glass into a complex artistic and architectural piece. Carved into sharp, angular shapes, Orlina utilizes overlapping geometric surfaces that look like pieces of crystal compressed into one another, creating a glass sculpture that has a strong architectural quality. The contrast between sharp edges and the overall compact form makes the piece feel solid, while its transparency makes it feel light and fluid. Carved into sharp, angular shapes, Orlina utilizes overlapping geometric surfaces that look like pieces of crystal compressed into one another, creating a glass sculpture that has a strong architectural quality. The contrast between sharp edges and the overall compact form makes the piece feel solid, while its transparency makes it feel light and fluid.

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Jun. 13, 2026

    Ramon Orlina (b. 1944)

    Est: ₱800,000 - ₱1,040,000

    Ning-Ning XVII signed and dated 1990 carved republic-asahi glass 10" x 6 1/4" x 6 1/2" (25.5 cm x 16 cm x 16.5 cm)   Accompanied by a certificate signed by the artist confirming the authenticity of this lot   After the success of his first one-man show, Reflections, in 1975, Ramon Orlina immediately mounted another exhibition of glass paintings the following year, titled Paintings on Glass. This event marked yet another turning point in his artistic journey as introduced him to Victor A. Lim, the president of Republic Glass Corporation (now Asahi Glass Philippines). The latter recognized Orlina's talents and offered him a scholarship to study glassmaking abroad. However, Orlina politely declined and instead asked Lim to let him study glassmaking at their facilities, to which the president readily agreed. Thus, with the company's engineers and technicians' help and the liberty to use their materials and equipment, Orlina began sculpting glasses. Aside from his artistic vision and forged relationship with glass, it is also his kind soul that solidified his name in the art scene. This kindheartedness is evident in his interactions with people around him and also manifests in his works. Ning-Ning XVII is a carved republicasahi glass, a tribute to both motherhood and his early beginnings in glass sculpting. Dated 1990, this creation is part of his Ning-Ning series, a collection of glassworks depicting a female breast, which draws inspiration from the sight of his twoyear- old daughter still breastfeeding, and whose nickname the series was named after. Therefore, Orlina's Ning-Ning series invariably pays homage to the beauty of motherhood, from pregnancy and childbirth to the joy of watching them grow. (Jessica Magno)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Feb. 14, 2026

    Ramon Orlina (b. 1944)

    Est: ₱5,000,000 - ₱6,500,000

    Family United signed and dated 2020 carved peridot glass 17" x 20 3/4" x 20 1/2" (43 cm x 53 cm x 52 cm)   Accompanied by a certificate signed by the artist confirming the authenticity of this lot   The Orlinas are now a mainstay in the Philippine art scene. The patriarch Ramon Orlina began his career in 1975 when he pivoted to glass art from architecture, laboriously chipping away at a cold block of glass instead of the usual hot technique. He pioneered glass art in the country, developing even the technique himself as he had no predecessor to look up to. “I even manufactured my own equipment,” he told Thelma Sioson in a 2023 The Diarist interview. Talent and passion for glass run in the family, as two of his children follow in his footsteps. Anna and Michael Orlina now forge their own paths in the art world, finding clientele not just with their father’s patrons but also within their own generations. Ramon Orlina’s 2020 Family United is a testament to the family’s aptitude with glass as told by its first artist. Many of Orlina’s works reflect his family life as he depicts mothers and their children fashioned after his wife Lay Ann and their children Naesa, Monina, Anna, and Michael. Family United, while subtler in its approach to family dynamics, bears the undercurrent of Orlina’s past works. Depicting a cluster of finely cut glass, Orlina plays around with perspective and height, creating an interestingly dynamic work that considers light and distance. Depending on where one stands, one could see vastly different images from Orlina’s work and the light that passes through the semi-translucent adds another layer to the interactivity of Orlina’s works. The Orlinas are synonymous with glass art sculpture in the Philippines. The work of the patriarch’s Family United brings to the forefront not just their family’s harmony both personally and professionally as an artist but the whole of the Philippines’ familial-focused values. Family United sheds light on this unique and encompassing virtue, a shared lifeblood that flows through the country, from one family to the next. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Feb. 14, 2026

    Ramon Orlina (b. 1944)

    Est: ₱1,200,000 - ₱1,560,000

    PROPERTY OF A DISTINGUISHED LADY   A Mother's Love II signed and dated 2003 asahi glass H: 13” (33 cm) L: 10 3/4” (27 cm) W: 5 3/4” (15 cm)   Accompanied by a certificate signed by the artist confirming the authenticity of this lot   “It is Ramon Orlina’s use of modern tools like high-speed grinders, diamond cutters and sand blasters which imparts a unique imprint on the glass material. It is also the mode which sets him apart from other glass artists (working on the hot process).”   —C I D R E Y E S , R A M O N O R L I N A : V I S I O N S I N G L A S S , 2024   The art of sculpting is a familiar concept in Philippine art history. It was, in fact, one of the country's pioneering art forms. Philippine sculpture, which began with the pre-Hispanic practice of carving anitos in wood, stone, or molding them in clay, underwent a series of modifications in subjects and materials. To this day, artists have experimented with glass, brass, and even ice sculpting. Ramon Orlina, with his premier glass sculptures, is among the most celebrated sculptors of this era. Glass sculptures, regardless of their size, are a sight to behold. However, behind these refined and elegant art pieces lies a meticulous and tedious process that demands dedication and effort. Made from a hard, brittle material, creating glass sculptures requires patience and careful handling. The traditional hammer and chisel method will not work and may even damage it. Glass sculptures are typically made through the hot glass process, which involves working with molten glass at high temperatures. But with Orlina's in-depth studying and experience with glass, he already acquired substantial knowledge on the material and devised a different way of glass sculpting, called the coldworking technique. This process involves cutting and shaping glass with high-speed machines, grinders, and sandblasters, which pulverize the material rather than shattering it, and then smoothing and polishing to finish it. While this technique is initially used in metallurgy and has been around for some time, Orlina is the leading figure in Philippine glass sculpture who practices this method, setting his works apart from his peers and earning him the distinction as the "Father of Philippine Glass Sculpture." Beyond his technical mastery with glass, Orlina's works often explore themes of family and compassion, reflecting his personal values and Filipino cultural ideals, as evidenced in this 2003 piece. Made of Asahi glass, this work depicts two figures in a warm embrace, exemplifying the artist's tendency to focus on love and connection. These works evoke a sense of comfort and remind viewers of the importance of human relationships, whether family or not. (Jessica Magno)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Feb. 14, 2026

    Ramon Orlina (b. 1944)

    Est: ₱800,000 - ₱1,040,000

    Ningning in Optical Glass signed and dated 2017 carved clear optical glass H: 10 3/4" (27 cm) W: 7 1/2" (19 cm) L: 7 1/4" (18 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot PROVENANCE Acquired directly from the artist A play on the nickname of his second daughter, Ramon Orlina’s Ningning series encapsulates the joy, struggles, and triumphs of motherhood and nourishment. Inspired by the sight of his two-yearold daughter still breastfeeding, the female body became a source of inspiration and exultation. As art critic Eric Torres succinctly described Ningning’s fascinating attributes: “The female breast Orlina exhorts is no mere object of voyeuristic prurience. [...] It is also a salute to the curve and the sphere as with an eye to perfection of form and finish. Orlina goes beyond the sensuous in the metaphysical.” (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Jan. 31, 2026

    Ramon Orlina (b. 1944)

    Est: ₱400,000 - ₱520,000

    PROPERTY OF A DISTINGUISHED LADY Untitled signed and dated 1991 asahi glass H: 10 1/2” (27 cm) L: 6 1/4” (16 cm) W: 5 1/4” (13 cm)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Jan. 31, 2026

    Ramon Orlina (b. 1944)

    Est: ₱300,000 - ₱390,000

    PROPERTY OF A DISTINGUISHED LADY Untitled signed and dated 2008 asahi glass H: 8 1/2” (22 cm) L: 5 1/4” (13 cm) W: 5 1/2” (14 cm) These elegantly beautiful glass sculptures highlight Ramon Orlina’s mastery of his artistic craft. A pioneer in Glass Sculpture in the Philippine art scene, he uses specialized tools to intricately carve directly into solid glass blocks, each with a different design, before grinding and polishing until a perfect balance between transparency and structure is revealed. With each sculpture featuring different patterns, ranging from sharp, angular pieces to curved, soft-surfaced designs, Orlina’s masterpieces invite multiple interpretations as viewers’ eyes move around them, offering a variety of unique viewing experiences that make each glass sculpture special in its own right. (Mark John Castañeda)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Dec. 06, 2025

    Ramon Orlina (b. 1944)

    Est: ₱700,000 - ₱910,000

    Changing Hues signed and dated 2023 carved apple green glass H: 12" (30 cm) W: 8" (20 cm) L: 5 1/2" (14 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot Ramon Orlina is intimately aware of the way light reflects off many of his glass masterpieces. With his magnificent three-dimensional works, his oeuvre can be viewed from multiple angles —a privilege few works of art can pull off. His 2023 Changing Hues echoes the beautiful interplay between the carved apple green glass and the sunlight. Professor and art critic Alice Guillermo perfectly describes glass’s adaptability as a medium, writes Cid Reyes in Orlina’s monograph: “The uniqueness of glass as a sculptural material lies in its interplay with light, as, according to its particular form, it reflects, absorbs, and refracts, the points catching light in tiny bursts or sending out linear trajectories.” Indeed, Orlina’s glass sculptures balance the artist’s architectural precision and artistic vision, an exacting standard met with instinct and curiosity. Following whatever the glass dictates him to do, Changing Hues plays with the imprecise nature of sunlight streaming through the semi-transparent sculpture, a creative process that is as spontaneous as it is meticulous. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Dec. 06, 2025

    Ramon Orlina (b. 1944)

    Est: ₱1,000,000 - ₱1,300,000

    Interlude signed and dated 2008 carved green glass H: 12 1/2" (32 cm) W: 11" (28.5 cm) L: 9 1/4" (24 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot   Elegant, Fluid, Luminous, and Powerful; these words essentially describe Ramon Orlina's work of art, which has earned him recognition as a pioneer in contemporary glass sculpture in the Philippines. His masterful sculpting technique in glass sculptures exemplifies his signature style—fusing architectural precision with organic fluidity, creating smoothly biomorphic sculptures that are both highly sophisticated and uniquely elegant. Carved and polished from clear emerald-colored glass blocks, Orlina utilizes the transparency and internal reflections of the glass to create a dynamic interplay of light, color, and shadow. The surface was shaped into twisting planes that flow into one another effortlessly— creating a uniquely magnificent sculpture that has no strict symmetry yet feels balanced. (Mark John Castañeda)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Dec. 06, 2025

    Ramon Orlina (b. 1944)

    Est: ₱3,000,000 - ₱3,900,000

    a.) Tranquil signed and dated 2018 carved mediterranean crystal H: 7 1/2" (19 cm) W: 6" (15 cm) L: 4 1/2" (12 cm) b.) Compelling signed and dated 2018 carved mediterranean crystal H: 8 1/2" (22 cm) W: 6" (16 cm) L: 4" (10 cm) c.) Magnificence in Blue II - 2011 signed and dated 2011 carved azure blue crystal H: 11 1/2" (29 cm) W: 7 1/2" (20 cm) L: 5" (13 cm) d.) Indomitable signed and dated 2018 carved mediterranean crystal H: 8" (21 cm) W: 6" (16 cm) L: 4 1/2" (12 cm) e.) Radiant signed and dated 2018 carved mediterranean crystal H: 7 1/2" (19 cm) W: 6" (16 cm) L: 4" (10 cm) Each piece is accompanied by a certificate signed by the artist confirming the authenticity of this lot There is something almost magical about the works of Ramon Orlina. A master of glass sculpture, an Orlina piece must be viewed from all angles to truly appreciate, with sunlight a central tenet to be considered. “With glass, I am not only making sculptures in-the-round but sculpture inside the round,” he says in this book, Visions of Glass. “[Then] when I am actually cutting the glass, I must play with the light. See the effects inside and react to whatever is discovered along the way. The creative process is unpredictable and spontaneous.” This lot of Orlina sculptures, created in the span between 2011 and 2018, contains five pieces done in vivid blue. Entitled Tranquil, Compelling, Magnificence in Blue II – 2011, Indomitable, and Radiant, these pieces portray the best of Orlina. The sharp edges of the sculptures are perfectly shaped to catch the stray sunlight, illuminating the piece almost from within. A true master of glass, Orlina’s works inspire reverence. This lot is a veritable testament of the artist’s skill, a talent that maestros of other mediums acknowledge — As National Artist for Sculpture Napoleon V. Abueva said: “I can do anything in sculpture with whatever material...except one — glass! For that, you have to go to Ramon Orlina. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Dec. 06, 2025

    Ramon Orlina (b. 1944)

    Est: ₱700,000 - ₱910,000

    La Familia signed and dated 1999 carved glass H: 12 1/4" (31 cm) W: 11 3/4" (30 cm) L: 7 3/4" (20 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot PROVENANCE Private collection, USA Glass sculptures, regardless of their size, are a sight to behold. However, behind these refined and elegant art pieces is a meticulous and tedious process that demands dedication and effort. Made from a material that is both hard and brittle, creating glass sculptures requires patience and attentive handling. Ramon Orlina, with his architectural background, boundless creativity, and diligent attitude towards his craft, has carved out a niche in Philippine art with his premier glass sculptures. La Familia, created in 1999, is a testament to Orlina's proficiency and disciplined craftsmanship. Peculiarly, despite the absence of actual figures, you can make out the form of a child cradled between his parents' sweet embrace in this particular piece. It embodies the Filipinos' close familial relationships and evokes memories of our childhood years, the feeling of immense protection and contentment in the comfort of our family and homes. (Jessica Magno)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Sep. 13, 2025

    Ramon Orlina (b. 1944)

    Est: ₱1,500,000 - ₱1,950,000

    A Mother's Dream signed and dated 2014 carved peach amber crystal H: 15 1/2" (39 cm) L: 7" (18 cm) W: 11 1/2" (29 cm)   Accompanied by a certificate signed by the artist confirming the authenticity of this lot   Recognized as the "Father of Philippine Glass Sculpture," Ramon Orlina's technical precision is a marvel to behold in his premier sculptures, solidifying his reputable position in the art scene. His skilled craftsmanship and understanding of space allow him to create sublime glass sculptures that showcase a creative interplay between transparent and translucent areas, polished, matte, and frosted surfaces, or prismatic areas and smooth planes. Amber, a hard, translucent fossilized tree resin with a yellowish-brown hue, embodies ancient energy and natural warmth. It is renowned for its healing and cleansing properties. This 2014 masterpiece is one of Orlina's few carved peach amber pieces, a captivating rendition of the mother and child theme. It depicts a mother cradling her child close to her chest, right where her heart is. His use of amber in A Mother's Dream pays tribute to a mother's love and protection, skillfully leveraging the material's distinctive qualities to symbolize motherhood. Certainly affectionate and awe-inspiring, this Orlina piece serves as a mother's warm embrace, offering protection from harm and negative energy, and healing for our hearts and souls. (Jessica Magno)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Sep. 13, 2025

    Ramon Orlina (b. 1944)

    Est: ₱1,600,000 - ₱2,080,000

    Double Eight II -07 signed and dated 2007 carved asahi glass H: 19 3/4" (50 cm) L: 9" (24 cm) W: 13 3/4" (35 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot Ramon Orlina's sculpture showcases his mastery in transforming glass into magnificent and iconic pieces of art that are uniquely his. Created in 2007, the artpiece made from thick glass was precisely cut, carved, and polished to highlight its dynamic curves, reflective surface, and depth. The piece provides an aquagreen hue that interacts magnificently with light, creating a shifting tone as observers view it from different angles. The title itself (the term Double Eight) may hint at the interlocking forms of flows and voids that resemble the number eight, tightly knitted with infinity, harmony, and balance. The two circular holes and swerving contours reinforce the feeling of fluidity and continuity that the piece seems to emulate through its texture and form. Orlina is often hailed as the "Father of Philippine Glass Sculpture” and has earned acclaim for pioneering the cold-cutting technique—a method that involves cutting, carving, and polishing, rather than the traditional hotblown method, allowing geometric and organic complexity in form. His signature style really shines with the piece as the sculpture balances organic softness with geometric precision. The interplay of concave and convex surfaces guides the eaves on the surface, while the polished edges reflect light like crystals, resulting in a finished work that is both sculptural and architectural—a literal fusion of change and stability. (Mark John Castañeda)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Sep. 13, 2025

    Ramon Orlina (b. 1944)

    Est: ₱4,000,000 - ₱5,200,000

    Garden of Eden signed and dated 2007 carved asahi glass H: 10 1/2" (27 cm) L: 5" (13 cm) W: 33 3/4" (86 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot Religion plays a central role in the works of Ramon Orlina. His mother, Paulina Gahol Orlin, is a devout Catholic who faithfully served the Minor Basilica of St. Martin De Tours Basilica and Our Lady of Caysasay in their hometown of Taal, Batangas. Active in renovation projects for her churches, Paulina was a staunch advocate for the preservation of old churches. She often found herself in disagreements with figures of authority, passionate in her mission for religious and historical artifacts. This left a strong effect on the impressionable Orlina, who inherited his mother's dedication and passion for restoration. This 2007 Garden of Eden finds its inspiration from the Biblical place Orlina is probably knowledgeable about. Though he is better known for his large-scale religious sculptures like those in the Greenbelt Chapel, he has also created small-scale sculptures drawn from Biblical inspiration. While it is often religious figures, Orlina took a step back and instead portrayed a Biblical place. Using carved asahi glass, Orlina’s Garden of Eden is a five-pillared creation, with each pillar featuring different cuts on every side. At first glance, his Garden of Eden may elude some of its viewers, but the beauty of his sculptures is that one may see a completely different image if they stand in a different position at a different time. Slowly but surely, these pillars turn into the majestic hills and plains of the Garden of Eden, its entrance hidden by a solemn and faithful guardian. “The audience drawn to Orlina’s religious works is edified and blessed with a moral and spiritual understanding of one’s faith that goes beyond any branding or labeling,” Cit Reyes says in his book entitled ‘Ramon Orlina: Visions in Glass’. “These delightfully uplifting sculptures find their cherished place in the heart of a Catholic home.” Indeed, Ramon Orlina’s Garden of Eden gives a refreshing look into a subject many Christians find themselves fascinated by. Despite that new look, Orlina’s religious works still echo his faithful reverences to the subject, opening up religion and its theology to the next generation through art, sculpture, and ideas that transcend belief and borders. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Sep. 13, 2025

    Ramon Orlina (b. 1944)

    Est: ₱2,400,000 - ₱3,120,000

    Sierra Madre signed and dated 2007 carved asahi glass H: 16" (41 cm) L: 9 3/4" (25 cm) W: 34 1/2" (88 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot The town of Taal, Batangas holds the key at the start of Ramon Orlina’s prolific art journey. With a lineage that boasts magnificent artistry, Orlina’s works drew great inspiration from the world around him, from mountain ranges to animals and his family members. His works carry a sense of Filipino-ness that comes from his unique, never-before-seen technique. This 2007 Sierra Madre finds itself amongst Orlina’s Mountain Series. A series of peaks and summits made from various colored glasses, his Mountain Series is emblematic of Orlina and his tumultuous journey in glass sculpting. A lone artist on his journey, the Mountain Series did what Orlina did for his career — to vanquish and conquer great heights. Often referred to as the “Backbone of Luzon,” the Sierra Madre Mountains are the longest mountain range in the Philippines. Bordering the eastern side of the country, the Sierra Madre is central to the protection of the Northern Philippines from its various yearly typhoons. From Cagayan to Quezon, Sierra Madre and its peaks and summits remain a fierce protector of its biodiversity and beyond. Even more so, Sierra Madre is a cultural haven for many of the indigenous communities residing within its terrains. The Aeta and Ilongot communities have found refuge, community, and livelihood in the mountains. Their lasting indigenous knowledge led to the continuous flourishing of the flora and fauna around them, a give-and-take relationship that sustained both the Sierra Madre and the indigenous tribes throughout the years. In that same spirit, Orlina’s Sierra Madre takes after the mountain ranger’s jagged yet lush terrains. The greenness of the carved asahi glass encapsulates Sierra Madre’s lush greenery, while the uneven peaks of the sculpture emphasize rather than distract from the unruly beauty of the mountains. Hailing from Taal, Batangas, it is no surprise that Orlina takes great inspiration from nature. In a 2013 interview with ANC for the program 'Green Living,' Orlina delved deep into his various ecological engagements aside from his artworks. "I belong to the group named 'Ramon.' We plant trees...I think right now we have maybe planted more than 300,000 trees all over the Philippines," Orlina shares. "I was also a member of the 'COCAP.' It's the 'Concerned Citizens Against Pollution.' We lobby Congress not to continue with the incinerator because [this is] against our Mother Earth." Indeed, like many of his nature-inspired works, Sierra Madre is a testament to Orlina’s dedication to leave a lasting legacy in the ecological department. This threedimensional impression of the Sierra Madre sheds light on the robustness of Mother Nature, emphasizing the importance of collectivity in our quest to create a better future. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    May. 03, 2025

    Ramon Orlina (b. 1944)

    Est: ₱280,000 - ₱364,000

    Wisdom signed and dated 2010 carved lime green crystal H: 6 1/4” (16 cm) L: 4 1/2” (11 cm) W: 3” (8 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot

    Leon Gallery
  • Ramon Orlina (b. 1944)
    May. 03, 2025

    Ramon Orlina (b. 1944)

    Est: ₱1,200,000 - ₱1,560,000

    Flying Kick - 2021 signed and dated 2021 carved green glass 10 1/2” x 11 1/4” x 4 1/4” (27 cm x 29 cm x 10 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot

    Leon Gallery
  • RAMON ORLINA (BORN 1944) Untitled (Sculpture)1999cut and polished cast glass, etched 'ORLINA '99'height 12in (30.5cm); width 7 3/4in (19.7cm); depth 10 3/4in (27.3cm)
    Mar. 26, 2025

    RAMON ORLINA (BORN 1944) Untitled (Sculpture)1999cut and polished cast glass, etched 'ORLINA '99'height 12in (30.5cm); width 7 3/4in (19.7cm); depth 10 3/4in (27.3cm)

    Est: $10,000 - $15,000

    RAMON ORLINA (BORN 1944) Untitled (Sculpture) 1999 cut and polished cast glass, etched 'ORLINA '99' height 12in (30.5cm); width 7 3/4in (19.7cm); depth 10 3/4in (27.3cm)

    Bonhams
  • Ramon Orlina (b. 1944) - Family United
    Feb. 22, 2025

    Ramon Orlina (b. 1944) - Family United

    Est: ₱7,000,000 - ₱9,100,000

    Ramon Orlina (b. 1944) Family United signed and dated 2020 carved peridot glass 17" x 20 3/4" x 20 1/2" (43 cm x 53 cm x 52 cm)   Accompanied by a certificate signed by the artist confirming the authenticity of this lot Statement in Glass By a Modern Master   The Orlinas are now a mainstay in the Philippine art scene. The patriarch Ramon Orlina began his career in 1975 when he pivoted to glass art from architecture, laboriously chipping away at a cold block of glass instead of the usual hot technique. He pioneered glass art in the country, developing even the technique himself as he had no predecessor to look up to.   “I even manufactured my own equipment,” he told Thelma Sioson in a 2023 The Diarist interview.   Talent and passion for glass run in the family, as two of his children follow in his footsteps. Anna and Michael Orlina now forge their own paths in the art world, finding clientele not just with their father’s patrons but also within their own generations.   Ramon Orlina’s 2020 Family United is a testament to the family’s aptitude with glass as told by its first artist. Many of Orlina’s works reflect his family life as he depicts mothers and their children fashioned after his wife Lay Ann and their children Naesa, Monina, Anna, and Michael.   Family United, while subtler in its approach to family dynamics, bears the undercurrent of Orlina’s past works. Depicting a cluster of finely cut glass, Orlina plays around with perspective and height, creating an interestingly dynamic work that considers light and distance. Depending on where one stands, one could see vastly different images from Orlina’s work and the light that passes through the semi-translucent adds another layer to the interactivity of Orlina’s works.   The Orlinas are synonymous with glass art sculpture in the Philippines. The work of the patriarch’s Family United brings to the forefront not just their family’s harmony both personally and professionally as an artist but the whole of the Philippines’ familial-focused values. Family United sheds light on this unique and encompassing virtue, a shared lifeblood that flows through the country, from one family to the next. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944) - Indomitable Spirit
    Feb. 22, 2025

    Ramon Orlina (b. 1944) - Indomitable Spirit

    Est: ₱900,000 - ₱1,170,000

    Ramon Orlina (b. 1944) Indomitable Spirit signed and dated 2020 carved green glass Height: " 11 3/4" (30 cm) Length: 6 3/4" (17 cm) Width: 8 1/2" (22 cm)   Accompanied by a certificate signed by the artist confirming the authenticity of this lot Ramon Orlina is a veritable legend in the Philippine art history. His history with glass goes way back, in the confines of his ancestral home in Taal, Batangas. His great-grandfather Antonio Medina was an artist himself, making hand-painted room panel dividers adorned with glass. He watched as sunlight bounced off and into pieces of glass, malleable and versatile despite the glass’s hard quality.   His 2020 Indomitable Spirit echoes Orlina’s rough journey to mastering glass. Following his early works full of sharp edges and straight lines, Indomitable Spirit feels like Orlina’s life story and his journey to becoming the Father of Philippine Glass Sculpture.   Orlina first ventured out into the art world as an architect, and perhaps that is the reason for the practicality of his glass sculpture. “Form over function,” he was taught at the University of Santo Tomas.   “You must have a good design but if it cannot be built then you will have a problem. In architecture, function is as important as the design; it’s no good if it doesn’t work”, Orlina recounts in a 2018 article in The Phil Biz News entitled Ramon Orlina: Shattering the glass ceiling.   However, when he left architecture and ventured into creating glass sculpture, he was stumped. Stepping into the cold-cutting method of glass creation instead of hot blowing technique left Orlina with virtually no one to teach him the way. He was the pioneer of this art method and he had no choice but to blindly feel his way as he conceptualized, cut, ground, and polished a block of glass. He was baptized not in the fire but through the cold, unforgiving surface of the glass.   Indomitable Spirit could best describe Orlina’s early works. Being a trailblazer meant forging your own path, armed not by any mentor for there is none but with your own wits and talents.   “No one in this country, the Philippines, Asia, or anywhere on the entire planet ever did what he did,” Cid Reyes wrote in Visions in Glass. “Artists like Michaelangelo, Auguste Rodin, Henry Moore, and Constantin Brancusi never ventured into the world of glass sculpture as Orlina did.”   Indeed, Orlina’s indomitable spirit spurred him on an uncharted path. He was however rewarded for his unprecedented gamble as Orlina’s works survived the tempering of time and hailed him as an innovator in his field second to none. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Jan. 25, 2025

    Ramon Orlina (b. 1944)

    Est: ₱300,000 - ₱390,000

    Optical Sensation VIII signed and dated 2001 carved asahi glass "H: 7 1/2" (19 cm) L: 4"(10 cm) W: 6 1/2" (17 cm)"   Accompanied by a certificate signed by the artist confirming the authenticity of this lot

    Leon Gallery
  • Ramon Orlina (b. 1944) - Modern Eve-2017
    Nov. 30, 2024

    Ramon Orlina (b. 1944) - Modern Eve-2017

    Est: ₱2,000,000 - ₱2,600,000

    Modern Eve-2017 signed and dated 2017 carved clear optical glass 19 1/2" x 8 1/2" x 7 1/2" (49 cm x 21 cm x 19 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot Ramon Orlina’s work with glass was a magnificent and groundbreaking ordeal. Eschewing the hot glass-blowing technique, he uses a coldcutting method for his pieces, painstakingly chipping away at a block of glass with accurate precision and steady hands, a method that earned him the well-deserved moniker “Father of Philippine Glass Sculpture.” In this 2017 work Modern Eve-2017, Orlina returns to a favored subject: the human anatomy. In a style that resembles his earlier, more jagged works, the woman’s body takes shape – here lies her small waist, her breasts, her torso. By using clear optical glass (as opposed to his usual colored glasses), the viewer is free to stare straight through her, the light passing through the sculpture's torso creating a vivid and varying image in every possible angle. “A master of the curvilinear form, Orlina can articulate the female form by the mere virtue of a series of sleek undulating lines, with all the eroticism sublimated within the energy and fluidity of the line,” Cid Reyes writes in a 2016 article, one year before Modern Eve-2017 is created. "The female breast Orlina exhorts is no mere object of voyeuristic prurience,” adds art critic Eric Torres. Indeed, Orlina’s Modern Eve-2017 is a hymn for every woman, celebrating not just their bodies but their characters, the praise made physical through every painstaking curve and the sensuous yet sensitive attunement to her form. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944) - Flying Kick - 2021
    Nov. 30, 2024

    Ramon Orlina (b. 1944) - Flying Kick - 2021

    Est: ₱1,500,000 - ₱1,950,000

    Flying Kick - 2021 signed and dated 2021 carved green glass 10 1/2" x 11 1/4" x 4 1/4" (27 cm x 29 cm x 10 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot The leading artist in Philippine glass sculpture, Ramon Orlina’s groundbreaking cold-cutting method of glass earned him the title of the “Father of Philippine Glass Sculpture.” His expertise in this method is evident in this 2021 glass sculpture, which echoes his early works with its sharp, jagged edges that are expertly crafted with light, form, and translucency in mind. With an intimate knowledge of light and depth, he creates a truly interesting experience that can be viewed from every possible angle. It is a dialogue between the sculptor and the audience, a harmonious connection between light, shadow, and luminosity to create every possible sensory effect. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944) - Intergalactic
    Nov. 30, 2024

    Ramon Orlina (b. 1944) - Intergalactic

    Est: ₱2,000,000 - ₱2,600,000

    Intergalactic signed and dated 2017 carved pink crystal 17 1/2" x 9" x 3" (44.5 cm x 23 cm x 8 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot PROVENANCE: Private collection, Manila Life Through Rose-Colored Glass An Orlina Masterwork A graduate of Architecture from the University of Santo Tomas, Ramon Orlina’s precise creation of lines and forms is highly manifested in his premier glass sculptures, earning him a reputable place in the art scene. Orlina’s eccentric handiwork and profound understanding of space allow him to create sublime glass sculptures with a creative interplay between transparent and translucent areas, polished, matte, and frosted surfaces, or prismatic areas and smooth planes. This 2017 piece, bearing an unconventional aesthetic appearance of clear and frosted surfaces of irregular forms and his experimental use of pink crystal, results in a transcendental imagery of the world beyond us. A powerful demonstration of Orlina’s ingenious artistry, Intergalactic is a rare and unique pink crystal work, a privilege to behold, crafted by the masterful hands of the celebrated “Father of Philippine Glass Sculpture.” (Jessica Magno)

    Leon Gallery
  • Ramon Orlina (b. 1944) - Double Eight - II
    Sep. 14, 2024

    Ramon Orlina (b. 1944) - Double Eight - II

    Est: ₱880,000 - ₱1,100,000

    Ramon Orlina (b. 1944) Signed and dated '06' (2006, lower half) Carved asahi glass 27 x 18 x 15 cm (10 3/4 x 7 x 6 in)

    Salcedo Auctions
  • Ramon Orlina (b. 1944) - Heart’s Embrace
    Sep. 14, 2024

    Ramon Orlina (b. 1944) - Heart’s Embrace

    Est: ₱1,800,000 - ₱2,340,000

    Heart’s Embrace signed and dated 2012 carved blue green glass H: 14 1/2” (37 cm) L: 10 1/2” (27 cm) W: 13 1/2” (34 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot WRITE UP When Ramon Orlina started his sculpting career in the 1970s – the first of his kind as he cut into it instead of heating and blowing his glass like the usual glassmaking techniques used to do– his works veer more into the angular, all sharp edges and static curves. However, later works incorporated fluid movements and graceful arches, as evidenced by the 1977 Heart’s Desire. Heart’s Desire incorporates the curves that would emerge in his later works but still retains the sharp edges of his early oeuvres. What makes Orlina’s work so captivating is the three-dimensionality of his pieces. As he takes into account that the piece could be viewed from every possible angle, he incorporates light, shadow, and dimension as he crafts his masterpieces. With Heart’s Desire, one could look at the piece and see the softness of the curves or the harsh lines the base creates. Is your heart’s desire truly what you want or could it be a double-edged sword that would cut you in the end? The beauty of Orlina’s works is that they are experiential. One could never fully experience viewing it the exact same way as another wood, as his consideration for every vantage point creates a truly unique experience for every viewer – the light, shadows, and angle with which one views his works change, and with that, the viewer’s perception and interpretation too. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944) - Fantasie II
    Sep. 14, 2024

    Ramon Orlina (b. 1944) - Fantasie II

    Est: ₱1,600,000 - ₱2,080,000

    PROPERTY FROM THE ROBERTO T. VILLANUEVA COLLECTION Fantasie II signed and dated 1977 carved republic glass 14 1/2” x 10 1/4” x 4 1/2” (37 cm x 26 cm x 11 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot WRITE UP The Earliest Orlina to Come to Auction by HANNAH VALIENTE Ramon Orlina’s 1977 Fantasie II echoes the characteristics of his early works. A pioneer in his craft, Orlina’s glass-cutting method varies from the usual hot-blowing technique – instead, his is a cold method, taking to a block of glass as a sculptor would a marble, minutely chipping away to create a vision in the fragile, easily breakable glass. The result is, for the start of his career, an oeuvre that boasts of sharp edges and cutting slopes. A master of incorporating light, shadows, and depth in his works, Orlina takes great inspiration from his childhood; growing up in Taal, Batangas opened his eyes up to the iridescence of the waters and the rocks, with artistry flowing in his blood as both his great-great-grandfather and his uncle are artists. Fantasie II features the sharp lines of his early works, and yet there are traces of the curves that would be featured in his later works. Just as the name suggests, Orlina mimics the fantastical elements of the unknown as he carves through the fragile glass with ease. Looking at Orlina’s works means taking into consideration the way the light filters through the translucent glass, the layers with which he incorporates in his piece. The fantasy of his works lies in the experience of it – one can never truly view an Orlina piece the exact same way another would. As one gazes at Fantasie II, they couldn’t help but wonder what are the others seeing, connecting the viewers and with Orlina himself, with each interpretation just as valid as the one that came before it.

    Leon Gallery
  • Ramon Orlina (b. 1944) - Ning-Ning 2M -16
    Sep. 14, 2024

    Ramon Orlina (b. 1944) - Ning-Ning 2M -16

    Est: ₱500,000 - ₱650,000

    Untitled signed and dated 2001 carved asahi glass H: 10" (25 cm) L: 6 1/2" (17 cm) W: 10 1/4" (26 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot WRITE UP Ramon Orlina's depiction of the female body veers away from the sensual and into the nourishing. As is with this 2001 untitled sculpture, Orlina fashions the glass into the shape of a breast, and yet it holds no erotica in its portrayal. “A master of the curvilinear form, Orlina can articulate the female form by the mere virtue of a series of sleek undulating lines, with all the eroticism sublimated within the energy and fluidity of the line.” Cid Reyes writes in a 2016 Inquirer article entitled Orlina draws optimal light from optical glass. Indeed, Orlina’s sculpture exalts not just the female body but the sustenance they bring to the child they bore into the world. Motherhood and familial bonds are favored subjects for Orlina and with this sculpture, it is evident just how high his respect is for the homemakers, putting into the spotlight the maternal care and intimacy that forms a solid foundation for the fruitful family life that the Filipino society extols. As art critic Eric Torres writes: "The female breast Orlina exhorts is no mere object of voyeuristic prurience. [It is] a hymn to every woman generously endowed by nature.” (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Jul. 27, 2024

    Ramon Orlina (b. 1944)

    Est: ₱450,000 - ₱585,000

    Untitled signed and dated 1978 carved green glass 9 1/2” x 4 1/2” x 4” (24 cm x 11 cm x 10 cm)

    Leon Gallery
  • RAMON ORLINA | Starburst
    Jun. 30, 2024

    RAMON ORLINA | Starburst

    Est: S$35,000 - S$55,000

    30 x 30 x 24 cm carved glass signed and dated 'Orlina 18' verso Provenance: Private collection, Singapore 拉蒙·奥利纳《星芒》2018年作 雕刻玻璃 款识：Orlina 18 来源：新加坡私人收藏

    33 Auction
  • Ramon Orlina (b. 1944) - Inspiration in Glass I
    Jun. 08, 2024

    Ramon Orlina (b. 1944) - Inspiration in Glass I

    Est: ₱500,000 - ₱650,000

    Inspiration in Glass I signed and dated 2010 carved green glass 8 1/4" x 5" x 6 1/4" (21 cm x 13 cm x 16 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot Ramon Orlina’s mastery of the glass cannot be understated. Selftaught, his proficiency with the cold-cutting technique was a series of trial and error; prior to Orlina, there was no one who did that kind of cutting technique. It was this pioneering act that earned Orlina the moniker “Father of Philippine Glass Sculpture.” This 2010 sculpture is Orlina at his finest – with an intimate knowledge of light and depth, he creates a truly interesting experience that can be viewed from every possible angle. It is a dialogue between sculptor and audience, a harmonious connection between light, shadow, and luminosity to create every possible sensory effect. “You know, glass is transparent so it is much harder to work with than something opaque or something you cannot see through,” said Orlina in a 2002 interview with Philstar Global. “Not only do you have to design it so that it looks good all around, but you have to think about what one side will look like from the other side because you can see through the glass.” (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944) - Tai-Chi
    Jun. 08, 2024

    Ramon Orlina (b. 1944) - Tai-Chi

    Est: ₱1,000,000 - ₱1,300,000

    Tai-Chi signed and dated 1984 carved green glass height: 10 1/2" (27 cm) width: 6" (15 cm) length: 5 1/2" (14 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot When Ramon Orlina first started his sculpting career in the 1970s (the first of its kind, as no one before him had done the cold method of cutting glass he would later be known for), his works were static and prismatic, their forms angular and sharp on the edges. However, as the years matured and the 1980s rolled in, he incorporated fluid curves and arcs into his works, mimicking the graceful curves of the human body. This is evident in this 1984 piece. The frosted glass creates a different (though no less impressive) illusion than Orlina’s usual clear glass and with the edges, it is not hard to see the slope of the shoulder and the tilt of the head from an angle. The three-dimensionality of his sculptures is among Orlina’s many assets – every angle is accounted for and every perspective yields a completely different result, making his works as experiential as visual arts can get. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Apr. 20, 2024

    Ramon Orlina (b. 1944)

    Est: ₱400,000 - ₱520,000

    Madonna con Nino V signed and dated 1995 carved green glass 8" x 7" x 6" (20 cm x 18 cm x 15 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Apr. 20, 2024

    Ramon Orlina (b. 1944)

    Est: ₱400,000 - ₱520,000

    Synergy - 1997 signed and dated 1997 carved green glass 8" x 7" x 4" (20 cm x 19 cm x 10 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot

    Leon Gallery
  • Ramon Orlina (b. 1944) - Optical Illusions
    Mar. 09, 2024

    Ramon Orlina (b. 1944) - Optical Illusions

    Est: ₱700,000 - ₱910,000

    Optical Illusions signed and dated 2023 (bottom) carved green glass 8" x 9" x 7" (20 cm x 24 cm x 15 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot WRITE UP: The works of Ramon Orlina should be viewed in person to be fully appreciated. A licensed architect, Orlina’s background manifests in his “form follows function” maxim, a principle commonly found in late 19th and early 20th-century architecture. Structure, form, light, and space are carefully considered and manipulated in pursuit of another Orlina masterpiece. The 2023 Optical Illusions shows the best of what Orlina can offer: from cold blocks of glass painstakingly cut and polished (rather than the commonly used glass-blowing technique), the piece offers a unique three-dimensional experience unlike any other. Optical Illusions, like many Orlina works, can be viewed from multiple angles simultaneously with each view yielding a different emotional response than the last. Ramon Orlina’s works are a multidimensional experience, a magnificent affair that befits the Father of Philippine Glass Sculpture. To see it personally is to marvel at the way the light passes through to translucent glass and its sharply cut edges, showing a masterfully structured piece. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Jan. 21, 2024

    Ramon Orlina (b. 1944)

    Est: ₱380,000 - ₱494,000

    Untitled signed and dated 1998 carved glass 8" x 8 1/4" x 5" (20 cm x 21 cm x 13 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Jan. 21, 2024

    Ramon Orlina (b. 1944)

    Est: ₱380,000 - ₱494,000

    Untitled signed and dated 1996 carved glass 6 1/4" x 5" x 4 1/2" (16 cm x 13 cm x 11 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot

    Leon Gallery
  • Ramon Orlina (b. 1944)
    Jan. 21, 2024

    Ramon Orlina (b. 1944)

    Est: ₱380,000 - ₱494,000

    Synergy signed and dated 2012 carved green glass 7" x 5 1/2" x 4 3/4" (19 cm x 14 cm x 12 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot

    Leon Gallery
  • LOT WITHDRAWN
    Jan. 20, 2024

    LOT WITHDRAWN

    Est: ₱50,000 - ₱65,000

    LOT WITHDRAWN

    Leon Gallery
  • Ramon Orlina (b. 1944) - Mabunga
    Dec. 02, 2023

    Ramon Orlina (b. 1944) - Mabunga

    Est: ₱1,800,000 - ₱2,340,000

    Mabunga signed and dated 2022 carved mediterranean blue glass heigth: 13 1/4” (34 cm) width: 13” (33 cm) length: 7” (18 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot WRITE UPIn art, the color blue is associated with a multitude of reasons. At first, it commonly denoted royalty and divinity as the scarcity of lapis lazuli meant blue is a hard color to get. It was only at the dawn of the Industrial Age that blue became widespread and with that, it became synonymous with many imagery. Blue now is typically a symbol of melancholy and sadness but also, it represents stability, wisdom, and faith. In Ramon Orlina’s 2022 Mabunga, he uses mediterranean blue glass to carve out this masterpiece. Pioneering glass sculpture in the Philippines, Orlina’s technique differs from the typical glassblowing technique. Instead of shaping the glass through heat, Orlina instead chips at a cold block of glass, painstakingly considering the depth needed for the sculpture as well as the way the light passes through the piece. In this sense, Orlina’s pieces are truly multidimensional ones. His viewers are able to see the piece at every angle and from it, deduce the meaning of the work that is wholly personal. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944) - Color of Amber V-07
    Dec. 02, 2023

    Ramon Orlina (b. 1944) - Color of Amber V-07

    Est: ₱700,000 - ₱910,000

    Color of Amber V-07 signed and dated 2007 carved amber glass height: 9 3/4” (25 cm) width: 8 1/2” (22 cm) length: 6” (15 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot WRITE UPFor many, Ramon Orlina’s name is synonymous with glass sculpture. Initially an architect, Orlina’s scientific background became the foundation of his sculpture. “I am not very mechanical but my science and architecture background are very important,” Orlina said. “If you don’t have the science and architectural background, you don’t know the practical limitations of your artwork. You must have a good design, but if it cannot be built, then you will have a problem. In architecture, function is as important as the design; it’s no good if it doesn’t work.” Orlina pioneered glass sculpture in the Philippines, working with cold slabs of glass instead of putting glass through fire. Using this impressive technique, Orlina manages to create soft curves and sharp edges to create a truly multidimensional piece. Glass is a unique medium that allows itself to be viewed from multiple angles and Orlina masterfully manipulates depth and perspective to create an interactive piece as seen with this 2017 piece entitled Color of Amber V-07. Orlina’s mastery of light, form, and space truly shines in this piece. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944) - Mt Zion
    Dec. 02, 2023

    Ramon Orlina (b. 1944) - Mt Zion

    Est: ₱7,000,000 - ₱9,100,000

    Mt Zion signed and dated 2011 carved green glass wtih metal lighted base height: 14” (36 cm) width: 34 1/2” (88 cm) length: 12 1/2” (32 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot EXHIBITED: Galerie Joaquin, Luminosity: The Manila Collection (Major Works by Ramon Orlina), San Juan City, July 13 - 27, 2011 WRITE UP

    Leon Gallery
  • Ramon Orlina (b. 1944) - Holy Family in Mediterranean Blue
    Dec. 02, 2023

    Ramon Orlina (b. 1944) - Holy Family in Mediterranean Blue

    Est: ₱2,000,000 - ₱2,600,000

    Holy Family in Mediterranean Blue signed and dated 2016 carved mediterranean blue crystal height: 20” (51 cm) width: 11” (28 cm) length: 11” (28 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot WRITE UP The Holy Family was a popular art subject in the early 16th century, finding its place in the Italian, Dutch, and Flemish Renaissance paintings. Jesus, Mary, and Joseph find themselves in many a canvas, depicted in the stable by many brilliant artists throughout history. However, Ramon Orlina’s Holy Family in Mediterranean Blue stands out, particularly because it was a sculpture carved from hard glass. Pioneering the Philippine glass sculpture industry, Orlina’s practice differs from the usual glassblowing technique. His process is one of abrasion rather than heat, diligently chipping away at a block of glass to create a masterpiece. Art critic Rod Paras-Perez notes that Orlina “molds the glass as a sculptor would a piece of marble or any stone. Often by painstakingly guiding each work into the shape or form he wants.” Deservedly, his work is not only acclaimed in the country but also abroad. In the 2016 Holy Family in Mediterranean Blue, Orlina depicts the family in his three-dimensional abstract style. The deep blue denotes a feeling of calm, a serenity that many religious followers attest to as they profess their faith. The Mediterranean blue is dynamic, turned even more brilliant when the light hits the glass. This piece is uniquely multidimensional with its ability to be viewed from all angles. For all intents and purposes, Holy Family in Mediterranean Blue displays everything that made Orlina a household name in the Philippine art scene: his aptitude for color, his prowess with light, and his mastery of depth. (Hannah Valiente)

    Leon Gallery
  • Ramon Orlina (b. 1944) - Tenderness III-09
    Dec. 02, 2023

    Ramon Orlina (b. 1944) - Tenderness III-09

    Est: ₱800,000 - ₱1,040,000

    Tenderness III-09 signed and dated 2009 carved blue green glass heigth: 11” (28 cm) width: 9” (23 cm) length: 8 1/2” (22 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot WRITE UPIn Ramon Orlina’s practice, unity and harmony extend beyond the mere coherence of sculptural forms, encompassing a holistic integration of the interior and exterior facets of the glass sculpture. He intentionally incorporates a multitude of perspectives and interpretations, intentionally avoiding a fixed viewing base for his glass sculptures. One such example would be this piece which, depending on the viewer and angle, may be interpreted as a mother child, lovers, or merely an intimate and platonic embrace. This deliberate approach encourages viewers to explore the artwork from various angles, enticing them into an infinite exploration. Orlina’s work pays homage to Philippine neorealism by distilling the form of his objects to their abstract and essential elements. Embracing an abstract-figurative style in his sculptures, he aims for universal accessibility and interpretation across diverse cultures, transcending cultural barriers for a broader audience reach. (Jed Daya)

    Leon Gallery
  • Ramon Orlina (b. 1944) - Optic Union VI
    Dec. 02, 2023

    Ramon Orlina (b. 1944) - Optic Union VI

    Est: ₱500,000 - ₱650,000

    Optic Union VI signed and dated 2000 carved glass height: 9” (24 cm) width: 6 3/4” (17 cm) length: 7 3/4” (20 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot WRITE UPRamon Orlina’s mastery over the medium of glass is undisputed; the prolific nature of his output over the last few decades has earned him a reputation for being one of the country’s most renowned contemporary artists. This glass sculpture dated 2000 bears the trademarks found in many of Orlina’s earlier works; a relentlessly angular structure, crystalline, staunch yet seemingly carved out of light. Within its tantalizing depths, one can clearly observe the artist’s mastery in how the reflection and refraction of light draws the eye to the sculpture’s glistening hues. The complexity of the work at hand is a visual marvel, utilizing sharp edges to seemingly warp the air surrounding it and inviting the viewer into the bends and folds of Orlina’s signature green glass. (Arman Lorenzo Burias)

    Leon Gallery
  • Ramon Orlina (b. 1944) - Ningning in Deep Amber
    Dec. 02, 2023

    Ramon Orlina (b. 1944) - Ningning in Deep Amber

    Est: ₱500,000 - ₱650,000

    Ningning in Deep Amber signed and dated 2014 carved deep amber crystal height: 16” (41 cm) width: 7” (18 cm) length: 7 1/2” (19 cm) Accompanied by a certificate signed by the artist confirming the authenticity of this lot WRITE UPHighly regarded as “The Father of Philippine Glass Sculpture,” Ramon Orlina first started his artistic career through architecture, flourishing and later incorporating glass in his design as his signature mark. He turned to glass sculpture, starting his baptism through fire and glass. In his four-decade long career, self-taught artist Orlina has created many masterpieces, with this 2014 work aligning with a favorite subject matter: the female anatomy. Made of brown asahi glass, this lot in hand resembles a singular female breast. Orlina does not depict the female body as inherently erotic; as art critic Eric Torres wrote, “The female breast Orlina exhorts is no mere object of voyeuristic prurience [...] Orlina goes beyond the sensuous into the metaphysical.” (Hannah Valiente

    Leon Gallery
Lots Per Page:

Similar Artists to Ramon Orlina

Popular Artists

Auction Houses Selling Works by Ramon Orlina

Devices

Get Invaluable on Your Phone

Download the app via text link to get instantly notified if you’re outbid and receive auction reminders so you never miss out!

Bid On-the-Go!

Download the Invaluable app and never miss an auction from your iOS or Android device.

App Store badgeGoogle Play badge
Invaluable Logo

As the world's leading online auction marketplace, thousands of auction houses use Invaluable to deepen relationships with millions of clients around the world. Stay connected to the things you love with curated items and auctions sent to your inbox.

You can unsubscribe at any time. View ourPrivacy Policy.

© 1986-2026 Invaluable, LLC. and participating auction houses. All Rights Reserved.

TermsSubscription AgreementPrivacy PolicyCopyrightGDPR InfoPrivacy ChoiceYour Privacy ChoicesSite Map