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Pedro Orrente Sold at Auction Prices

Painter, b. 1580 - d. 1645

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        • PEDRO ORRENTE Murcia (1580) / Valencia (1645) "Tobias and the angel"
          Sep. 24, 2024

          PEDRO ORRENTE Murcia (1580) / Valencia (1645) "Tobias and the angel"

          Est: €7,500 - €10,000

          Oil on canvas. Measurements: 45 x 57.5 cm.

          Ansorena
        • Important Great Saint Francis of Assisi in Meditation, Pedro de Orrente (Murcia, 1580-Valencia, 1645), Valencian Caravaggist school of the 17th century, Spanish school of the 17th century
          Sep. 12, 2024

          Important Great Saint Francis of Assisi in Meditation, Pedro de Orrente (Murcia, 1580-Valencia, 1645), Valencian Caravaggist school of the 17th century, Spanish school of the 17th century

          Est: €9,000 - €12,000

          Oil on canvas. Canvas measurements: 144 x 95 cm, framed measurements: 160 x 112 cm. (Murcia, 1580-Valencia, 1645). Spanish painter. Known as "the Spanish Bassano", he was a very successful artist in his time, admired as a follower of the formulas of the famous family of artists from Veneto, especially in the creation of series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving very young from his native Murcia to Toledo, where he was already in 1600. If the fame of the Bassano's works was enormous throughout Spain, the climate in the Castilian city must have been especially receptive. to his painting. The best masters who worked there left clear evidence of this: Juan Sánchez Cotán copied his works, while El Greco left in writing his admiration for Jacopo Bassano. It is not surprising that Orrente, who would travel to Italy shortly after, headed to Venice. He left for the transalpine country at the end of 1602 and in 1605 he was already in the lake city. It is quite reasonable to think about his time in the workshop of Leandro Bassano, who Jusepe Martínez classified as his teacher. Back in Spain he was in Murcia in 1607. He will once again combine stays in various cities, such as Toledo (where he will form a close friendship with El Greco's son, Jorge Manuel Theotocópuli) and Valencia. Reference bibliography: Valdivieso González, Enrique, «Three paintings by Pedro de Orrente», Spanish Art Archive, Madrid, 1974, pp. 333-334. It is quite reasonable to think about his time in the workshop of Leandro Bassano, who Jusepe Martínez classified as his teacher. Back in Spain he was in Murcia in 1607. He will once again combine stays in various cities, such as Toledo (where he will form a close friendship with El Greco's son, Jorge Manuel Theotocópuli) and Valencia. Reference bibliography: Valdivieso González, Enrique, «Three paintings by Pedro de Orrente», Spanish Art Archive, Madrid, 1974, pp. 333-334. It is quite reasonable to think about his time in the workshop of Leandro Bassano, who Jusepe Martínez classified as his teacher. Back in Spain he was in Murcia in 1607. He will once again combine stays in various cities, such as Toledo (where he will form a close friendship with El Greco's son, Jorge Manuel Theotocópuli) and Valencia. Reference bibliography: Valdivieso González, Enrique, «Three paintings by Pedro de Orrente», Spanish Art Archive, Madrid, 1974, pp. 333-334. "Three paintings by Pedro de Orrente", Spanish Art Archive, Madrid, 1974, pp. 333-334. "Three paintings by Pedro de Orrente", Spanish Art Archive, Madrid, 1974, pp. 333-334.

          Templum Fine Art Auctions
        • Important Great Saint Francis of Assisi in Meditation, Pedro de Orrente (Murcia, 1580-Valencia, 1645), Valencian Caravaggist school of the 17th century, Spanish school of the 17th century
          Jul. 18, 2024

          Important Great Saint Francis of Assisi in Meditation, Pedro de Orrente (Murcia, 1580-Valencia, 1645), Valencian Caravaggist school of the 17th century, Spanish school of the 17th century

          Est: €9,000 - €12,000

          Oil on canvas. Canvas measurements: 144 x 95 cm, framed measurements: 160 x 112 cm. (Murcia, 1580-Valencia, 1645). Spanish painter. Known as "the Spanish Bassano", he was a very successful artist in his time, admired as a follower of the formulas of the famous family of artists from Veneto, especially in the creation of series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving very young from his native Murcia to Toledo, where he was already in 1600. If the fame of the Bassano's works was enormous throughout Spain, the climate in the Castilian city must have been especially receptive. to his painting. The best masters who worked there left clear evidence of this: Juan Sánchez Cotán copied his works, while El Greco left in writing his admiration for Jacopo Bassano. It is not surprising that Orrente, who would travel to Italy shortly after, headed to Venice. He left for the transalpine country at the end of 1602 and in 1605 he was already in the lake city. It is quite reasonable to think about his time in the workshop of Leandro Bassano, who Jusepe Martínez classified as his teacher. Back in Spain he was in Murcia in 1607. He will once again combine stays in various cities, such as Toledo (where he will form a close friendship with El Greco's son, Jorge Manuel Theotocópuli) and Valencia. Reference bibliography: Valdivieso González, Enrique, «Three paintings by Pedro de Orrente», Spanish Art Archive, Madrid, 1974, pp. 333-334. It is quite reasonable to think about his time in the workshop of Leandro Bassano, who Jusepe Martínez classified as his teacher. Back in Spain he was in Murcia in 1607. He will once again combine stays in various cities, such as Toledo (where he will form a close friendship with El Greco's son, Jorge Manuel Theotocópuli) and Valencia. Reference bibliography: Valdivieso González, Enrique, «Three paintings by Pedro de Orrente», Spanish Art Archive, Madrid, 1974, pp. 333-334. It is quite reasonable to think about his time in the workshop of Leandro Bassano, who Jusepe Martínez classified as his teacher. Back in Spain he was in Murcia in 1607. He will once again combine stays in various cities, such as Toledo (where he will form a close friendship with El Greco's son, Jorge Manuel Theotocópuli) and Valencia. Reference bibliography: Valdivieso González, Enrique, «Three paintings by Pedro de Orrente», Spanish Art Archive, Madrid, 1974, pp. 333-334. "Three paintings by Pedro de Orrente", Spanish Art Archive, Madrid, 1974, pp. 333-334. "Three paintings by Pedro de Orrente", Spanish Art Archive, Madrid, 1974, pp. 333-334.

          Templum Fine Art Auctions
        • Pedro de Orrente, 1580 Mucia – 1645 Valencia, zugeschrieben
          Jun. 27, 2024

          Pedro de Orrente, 1580 Mucia – 1645 Valencia, zugeschrieben

          Est: €4,000 - €6,000

          VERKÜNDIGUNG AN DIE HIRTEN Öl auf Leinwand. Auf Platte aufgezogen. 94 x 120 cm. In hölzernem Profilrahmen. Inmitten einer bewaldeten Landschaft mehrere polychrom gekleidete Hirten, von links der Verkündigungsengel heranschwebend. Insgesamt dem Charakter Bassanos Nachtbilder entsprechend. Der spanische Künstler Orrente stand stark unter venezianischen Einfluss und so auch der Bassanos, das verhalf ihm zu seinem Kosenamen „spanischer Bassano“. Rest. (1400033) (13)

          Hampel Fine Art Auctions
        • Manera Pedro de Orrente (Murcia 1580 - Valencia 1645) - Spanish school of the 17th century
          Jun. 26, 2024

          Manera Pedro de Orrente (Murcia 1580 - Valencia 1645) - Spanish school of the 17th century

          Est: €5,000 - €7,000

          Oil on canvas measures: 165 x 110 cm measures with frame: 182 x 130 cm

          Templum Fine Art Auctions
        • PEDRO DE ORRENTE - La bendición de Jacob
          May. 21, 2024

          PEDRO DE ORRENTE - La bendición de Jacob

          Est: -

          PEDRO DE ORRENTE Murcia 1580 - Valencia 1644 La bendición de Jacob Óleo sobre lienzo Medidas 63 x 110 cm

          Subastas Segre
        • ATTRIBUTED TO PEDRO DE DE ORRENTE (1580 - 1645), PEASANTS AT WORK, SPANISH SCHOOL, 17TH CENTURY
          Apr. 25, 2024

          ATTRIBUTED TO PEDRO DE DE ORRENTE (1580 - 1645), PEASANTS AT WORK, SPANISH SCHOOL, 17TH CENTURY

          Est: €6,000 - €6,500

          Oil on canvas. Unframed measurements: 111 x 73. Framed measurements: 124 x 88. Views of the town with farmers picking fruit in the foreground. Attributed to Pedro de Orrente (1580 - 1645), Spanish Baroque painter known as the Spanish Bassano. His style is characterized by his twilight lighting in the landscapes, of Bassanesque inspiration, but with a clear predisposition towards tenebrist naturalism. Likewise, in his paintings we find a colorism based on ocher and earthy tones among which he makes bright red, green or white strokes stand out with great skill.

          Templum Fine Art Auctions
        • Attributed to Pedro de de Orrente (1580 - 1645), Peasants at work, Spanish school, 17th century
          Mar. 21, 2024

          Attributed to Pedro de de Orrente (1580 - 1645), Peasants at work, Spanish school, 17th century

          Est: €6,000 - €6,500

          Oil on canvas. Unframed measurements: 111 x 73. Framed measurements: 124 x 88. Views of the town with farmers picking fruit in the foreground. Attributed to Pedro de Orrente (1580 - 1645), Spanish Baroque painter known as the Spanish Bassano. His style is characterized by his twilight lighting in the landscapes, of Bassanesque inspiration, but with a clear predisposition towards tenebrist naturalism. Likewise, in his paintings we find a colorism based on ocher and earthy tones among which he makes bright red, green or white strokes stand out with great skill.

          Templum Fine Art Auctions
        • PEDRO DE ORRENTE - Pastoral scene with characters
          Mar. 19, 2024

          PEDRO DE ORRENTE - Pastoral scene with characters

          Est: -

          PEDRO DE ORRENTE Murcia 1580 - Valencia 1644 Pastoral scene with characters Oil on canvas Measurements 112.5 x 160.5 cm

          Subastas Segre
        • PEDRO DE ORRENTE - Departure of Jacob with his flocks
          Feb. 06, 2024

          PEDRO DE ORRENTE - Departure of Jacob with his flocks

          Est: -

          PEDRO DE ORRENTE Murcia 1580 - Valencia 1644 Departure of Jacob with his flocks Oil on canvas Measurements 95 x 145 cm Pedro de Orrente, better known as "the Spanish Bassano" popularized a series of canvases dedicated to the Old Testament that were very similar to what Leandro Bassano created in his prolific workshop in Venice in the first third of the 17th century. Despite the few documentary references that have survived to this day, it is very likely that Orrente traveled to Venice around 1602. Upon returning to Spain he specialized in this genre of paintings with a pastoral setting that was successfully received among the most important collections that include the real. We are faced with one of the best versions of the biblical theme made by Pedro de Orrente. Bibliography: - Angulo, Diego and Pérez Sánchez, Alfonso; "Toledan painting from the first third of the 17th century", Madrid, CSIC, 1973, p. 291.

          Subastas Segre
        • PEDRO ORRENTE Murcia (1580) / Valencia (1645) “Assumption of the Virgin”
          Dec. 18, 2023

          PEDRO ORRENTE Murcia (1580) / Valencia (1645) “Assumption of the Virgin”

          Est: €7,500 - €10,000

          Oil on canvas. Origin: Barcelona, ​​private collection. Orrente is a transcendental figure in the development of naturalistic painting in Murcia, Toledo and Valencia. His works, influenced by the Bassano style, show a loose brushstroke and Venetian-style coloring as seen in this composition that presents models similar to those made by the painter in the missing main altarpiece of Villarejo de Salvanes. Measurements: 147 x 79.5 cm.

          Ansorena
        • Workshop of PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Pastoral scene for a passage from the Old Testament". Oil on canvas.
          Oct. 18, 2023

          Workshop of PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Pastoral scene for a passage from the Old Testament". Oil on canvas.

          Est: €2,000 - €2,500

          Workshop of PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Pastoral scene for a passage from the Old Testament". Oil on canvas. Relined. Size: 57 x 69 cm; 76,5 x 88 cm (frame). During his stay in Venice, Pedro de Orrente must not only have learned the pictorial manners of the Bassano family, but he would also take on their conception of painting as a market-oriented activity. His treatment of sacred themes as genre scenes would be fundamental in this respect. These were, above all, lively series of biblical stories with which fans could be flattered by the variety and dynamism of the works, populated by a large number of characters set in landscapes and accompanied by all kinds of animals and everyday objects. In the present work we seem to recognise David by the harp resting at his side, but he is depicted as a shepherd with his sheep. This is a workshop work by the painter Pedro de Orrente. Known as "the Spanish Bassano", Pedro Orrente was a highly successful artist of his time, admired as a follower of the formulas of the famous Venetian family of artists, especially in his series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving from his native Murcia to Toledo at a very young age, where he was already in 1600. If the fame of the Bassano family's works was enormous throughout Spain, the climate in the Castilian city must have been particularly receptive to their painting, as the works of the best masters who worked there attest. It is therefore not surprising that Orrente, who shortly afterwards travelled to Italy, went to Venice, where we find him as early as 1605. It is quite reasonable to think that he passed through the workshop of Leandro Bassano, whom Jusepe Martínez classified as his master. In 1607 he was already back in Spain, settled in Murcia. He continued to visit other Spanish cities, especially Toledo and Valencia, although he must also have spent time in Madrid. During his stay in Venice he must not only have learnt the Bassano family's pictorial manner but also took on board their conception of painting as a market-oriented activity. Contemporary inventories cite a large number of works by Orrente, so we can deduce that in order to produce such a large output the painter must have had a very well-established workshop that repeated the models established by the master. This circumstance also explains the enormous differences in quality that can be found in the catalogued works of this artist. However, although he was already noted in ancient sources for his Bassanesque canvases, Orrente also demonstrated his expertise and versatility in other types of work. Having had first-hand knowledge of the creations of the great Venetian masters, he was able to adopt the teachings of Titian, Tintoretto and Veronese for his works. Furthermore, his possible visit to Rome placed him in a privileged position to become familiar with the development of Caravaggist painting and the interest in naturalism, characteristics that he was able to add to his own works. Works by Pedro Orrente are now in the Prado Museum, the Hermitage in Saint Petersburg, the Kunsthistorisches Museum in Vienna, the Metropolitan Museum in New York, the Fine Arts Museums of Bilbao and Valencia and the National Gallery of Denmark, among many others.

          Setdart Auction House
        • PEDRO ORRENTE, (Murcia, 1580 – Valencia, 1645). “Moses and the water from the rock.” Oil on canvas. Empire Framework.
          Oct. 17, 2023

          PEDRO ORRENTE, (Murcia, 1580 – Valencia, 1645). “Moses and the water from the rock.” Oil on canvas. Empire Framework.

          Est: €4,500 - €5,000

          PEDRO ORRENTE, (Murcia, 1580 - Valencia, 1645). "Moses and the water from the rock". Oil on canvas. Empire frame. Measurements: 90 x 111 cm; 103,5 x 126 cm (frame). Known as "the Spanish Bassano", Pedro Orrente was a very successful artist in his time, admired as a follower of the formulas of the famous family of artists from Venice, especially in the execution of series of Old Testament themes set in luxuriant landscapes. He lived in several Spanish cities, moving from his native Murcia to Toledo at a very young age, where he was already in 1600. If the fame of the Bassano family's works was enormous throughout Spain, the climate in the Castilian city must have been particularly receptive to their painting, as the works of the best masters who worked there attest. It is therefore not surprising that Orrente, who shortly afterwards travelled to Italy, went to Venice, where we find him as early as 1605. It is quite reasonable to think that he passed through the workshop of Leandro Bassano, whom Jusepe Martínez classified as his master. In 1607 he was already back in Spain, settled in Murcia. He continued to visit other Spanish cities, especially Toledo and Valencia, although he must also have spent time in Madrid. During his stay in Venice he must not only have learned the Bassano family's pictorial manner, but also their conception of painting as a market-oriented activity. His treatment of sacred themes as genre scenes would be fundamental in this respect. These were, above all, lively series of biblical stories with which enthusiasts could be flattered by the variety and dynamism of the works, populated by a large number of characters set in landscapes and accompanied by all kinds of animals and everyday objects. Works by Pedro Orrente are currently held in the Prado Museum, the Hermitage in St Petersburg, the Kunsthistorisches Museum in Vienna, the Metropolitan Museum in New York, the Fine Arts Museums of Bilbao and Valencia and the National Gallery of Denmark, among many others.

          Setdart Auction House
        • Attributed to PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645). "Supper at Emmaus". Oil on canvas.
          Oct. 17, 2023

          Attributed to PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645). "Supper at Emmaus". Oil on canvas.

          Est: €10,000 - €12,000

          Attributed to PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645). "Supper at Emmaus". Oil on canvas. Size: 107 x 71,5 cm; 119 x 83 cm (frame). Known as "the Spanish Bassano", Pedro Orrente was a very successful artist in his time, admired as a follower of the formulas of the famous family of Venetian artists, especially in the execution of series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving from his native Murcia to Toledo at a very young age, where he was already in 1600. If the fame of the Bassano family's works was enormous throughout Spain, the climate in the Castilian city must have been particularly receptive to their painting, as the works of the best masters who worked there attest. It is therefore not surprising that Orrente, who shortly afterwards travelled to Italy, went to Venice, where we find him as early as 1605. It is quite reasonable to think that he passed through the workshop of Leandro Bassano, whom Jusepe Martínez classified as his master. In 1607 he was already back in Spain, settled in Murcia. He continued to visit other Spanish cities, especially Toledo and Valencia, although he must also have spent time in Madrid. During his stay in Venice he must not only have learned the Bassano's pictorial manner but also their conception of painting as a market-oriented activity. His treatment of sacred themes as genre scenes would be fundamental in this respect. These were, above all, lively series of biblical stories with which fans could be flattered by the variety and dynamism of the works, populated by a large number of characters set in landscapes and accompanied by all kinds of animals and everyday objects. Contemporary inventories cite a large number of works by Orrente, so we can deduce that in order to produce such a large output the painter must have had a very well-established workshop that repeated the models established by the master. This circumstance also explains the enormous differences in quality that can be found in the catalogued works of this artist. However, although he was already noted in ancient sources for his Bassanesque canvases, Orrente also demonstrated his expertise and versatility in other types of work. Having had first-hand knowledge of the creations of the great Venetian masters, he was able to adopt the teachings of Titian, Tintoretto and Veronese for his works. Furthermore, his possible visit to Rome placed him in a privileged position to become familiar with the development of Caravaggist painting and the interest in naturalism at its height, characteristics that he was able to add to his own works. Works by Pedro Orrente are now in the Prado Museum, the Hermitage in Saint Petersburg, the Kunsthistorisches Museum in Vienna, the Metropolitan Museum in New York, the Fine Arts Museums of Bilbao and Valencia and the National Gallery of Denmark, among many others.

          Setdart Auction House
        • Important Great Saint Francis of Assisi in Meditation, Pedro de Orrente (Murcia, 1580-Valencia, 1645), Valencian Caravaggist school of the 17th century, Spanish school of the 17th century
          Sep. 27, 2023

          Important Great Saint Francis of Assisi in Meditation, Pedro de Orrente (Murcia, 1580-Valencia, 1645), Valencian Caravaggist school of the 17th century, Spanish school of the 17th century

          Est: €9,000 - €12,000

          Oil on canvas. Canvas measurements: 144 x 95 cm, framed measurements: 160 x 112 cm. (Murcia, 1580-Valencia, 1645). Spanish painter. Known as "the Spanish Bassano", he was a very successful artist in his time, admired as a follower of the formulas of the famous family of artists from Veneto, especially in the creation of series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving very young from his native Murcia to Toledo, where he was already in 1600. If the fame of the Bassano's works was enormous throughout Spain, the climate in the Castilian city must have been especially receptive. to his painting. The best masters who worked there left clear evidence of this: Juan Sánchez Cotán copied his works, while El Greco left in writing his admiration for Jacopo Bassano. It is not surprising that Orrente, who would travel to Italy shortly after, headed to Venice. He left for the transalpine country at the end of 1602 and in 1605 he was already in the lake city. It is quite reasonable to think about his time in the workshop of Leandro Bassano, who Jusepe Martínez classified as his teacher. Back in Spain he was in Murcia in 1607. He will once again combine stays in various cities, such as Toledo (where he will form a close friendship with El Greco's son, Jorge Manuel Theotocópuli) and Valencia. Reference bibliography: Valdivieso González, Enrique, «Three paintings by Pedro de Orrente», Spanish Art Archive, Madrid, 1974, pp. 333-334. It is quite reasonable to think about his time in the workshop of Leandro Bassano, who Jusepe Martínez classified as his teacher. Back in Spain he was in Murcia in 1607. He will once again combine stays in various cities, such as Toledo (where he will form a close friendship with El Greco's son, Jorge Manuel Theotocópuli) and Valencia. Reference bibliography: Valdivieso González, Enrique, «Three paintings by Pedro de Orrente», Spanish Art Archive, Madrid, 1974, pp. 333-334. It is quite reasonable to think about his time in the workshop of Leandro Bassano, who Jusepe Martínez classified as his teacher. Back in Spain he was in Murcia in 1607. He will once again combine stays in various cities, such as Toledo (where he will form a close friendship with El Greco's son, Jorge Manuel Theotocópuli) and Valencia. Reference bibliography: Valdivieso González, Enrique, «Three paintings by Pedro de Orrente», Spanish Art Archive, Madrid, 1974, pp. 333-334. "Three paintings by Pedro de Orrente", Spanish Art Archive, Madrid, 1974, pp. 333-334. "Three paintings by Pedro de Orrente", Spanish Art Archive, Madrid, 1974, pp. 333-334.

          Templum Fine Art Auctions
        • PEDRO ORRENTE
          Jun. 28, 2023

          PEDRO ORRENTE

          Est: €5,000 - €8,000

          (Murcia, 1580 ; Valencia, 1645) Il sacrificio di Isacco Olio su tela, cm 100,5X147,5 Provenienza: Colonia, Lempertz il 19 novembre 2016, lotto 1032 (come Pedro Orrente) Conosciuto come 'il Bassano spagnolo', Orrente riscosse un grande successo e fu ammirato quale abile seguace del famoso artista veneto, in particolare per le sue opere a soggetto bucolico e pastorale. La sua attività si svolse in diverse città iberiche, studiando i dipinti di Juan Sánchez Cotán ed El Greco per poi recarsi nel 1602 a Venezia dove è documentato fino al 1607. Durante questi anni il pittore si dedicò a dipingere storie dell'Antico e del Nuovo Testamento in cui i paesaggi di sapore bassanesco riflettono altresì l'influenza di Tintoretto e di Paolo Fiammingo. Il dipinto è corredato da una scheda critica di Filippo Pedrocco.

          Wannenes Art Auctions
        • PEDRO DE ORRENTE'S WORKSHOP S. XVII - Jacob's departure with his flocks
          Feb. 07, 2023

          PEDRO DE ORRENTE'S WORKSHOP S. XVII - Jacob's departure with his flocks

          Est: -

          PEDRO DE ORRENTE'S WORKSHOP 17th CENTURY Jacob's departure with his flocks Oil on canvas Size 104.5 x 181 cm

          Subastas Segre
        • PEDRO DE ORRENTE WORKSHOP S. XVII - Jacob at the well
          Feb. 07, 2023

          PEDRO DE ORRENTE WORKSHOP S. XVII - Jacob at the well

          Est: -

          PEDRO DE ORRENTE'S WORKSHOP 17th CENTURY Jacob at the well Oil on canvas Size 104.5 x 181 cm

          Subastas Segre
        • PEDRO DE ORRENTE - Assumption of the Virgin
          Dec. 13, 2022

          PEDRO DE ORRENTE - Assumption of the Virgin

          Est: -

          PEDRO DE ORRENTE Murcia 1580 - Valencia 1644 Assumption of the Virgin Oil on canvas Size 146 x 78 cm Origin: - Barcelona, private collection. It may be the lost canvas of this theme from the altarpiece of the Concepción de Murcia, in which Orrente paints four canvases with the following themes: Adoration of the Shepherds, Adoration of the Kings, Annunciation and Assumption of the Virgin. This work looks unfinished, which may be due to the fact that Orrente did not finish the commission when he suddenly moved to Valencia, leaving the commission in the hands of Lorenzo Suárez, also a painter; the latter had to complete the set with another four canvases of the Evangelists from the bank. The altarpiece was dismantled by the Fontes family, patrons of the chapel, and replaced by an altarpiece by Francisco Salzillo that was destroyed in 1931. Orrente's paintings remained in the hands of his descendants until Don José Fontes sold the Adoration of the Shepherds at the Museum of Murcia in 1929. The Annunciation (148 x 84 cm) fell to the other family branch in Madrid. Bibliography: - Diego Angulo Iñiguez and Alfonso E. Pérez Sánchez; Toledo painting. First half of the 17th century. Madrid, 1972, p. 254 -255.

          Subastas Segre
        • PEDRO ORRENTE Murcia (1580) / Valencia (1645) "Saint Jerome listening to the trumpet of the Last Judgment"
          Sep. 28, 2022

          PEDRO ORRENTE Murcia (1580) / Valencia (1645) "Saint Jerome listening to the trumpet of the Last Judgment"

          Est: €16,500 - €22,000

          Oil on canvas. Provenance: - Madrid, Adolfo de Arenaza collection; Madrid, private collection. Bibliography: - Angulo Íñiguez, D. and Pérez Sánchez, AE, History of Spanish painting. Toledo School of the first half of the 17th century, Madrid, Diego Velázquez Institute, CSIC, 1972, p. 334, no. 337, pl. 252. This is a piece of great quality, within the Orrentian production, in which the well-known passage of Saint Jerome listening to the trumpet of the Last Judgment is represented. The saint directs his gaze to heaven contemplating the heavenly vision, embodied in the group of musical angels of the upper register. He appears showing the rigors of penance in the desert, and next to it you can see some of its most characteristic iconographic attributes such as: the stone and the skull, alluding to meditation and penance, the lion that was able to tame by removing a thorn from its leg, and the scrolls that allude to both to his erudition as well as to his work of having translated the Bible into Latin. Within the extensive production of the Murcian painter, Pérez Sánchez underlined the originality of this work since no other copies are known that repeat this composition, in which The painter's passage through Venice is evident, specifically the Bassano workshop. This can be seen in the succinctly executed background landscape that occupies a large part of the composition, the stormy cloudscape in the background, the indulgence in the anatomy of the main figure and in his typically Venetian color palette,

          Ansorena
        • Workshop of PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Pastoral scene for a passage from the Old Testament". Oil on canvas.
          Jun. 22, 2022

          Workshop of PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Pastoral scene for a passage from the Old Testament". Oil on canvas.

          Est: €2,500 - €3,000

          Workshop of PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Pastoral scene for a passage from the Old Testament". Oil on canvas. Relined. Size: 57 x 69 cm; 76,5 x 88 cm (frame). During his stay in Venice, Pedro de Orrente must not only have learned the pictorial manners of the Bassano family, but he would also take on their conception of painting as a market-oriented activity. His treatment of sacred themes as genre scenes would be fundamental in this respect. These were, above all, lively series of biblical stories with which fans could be flattered by the variety and dynamism of the works, populated by a large number of characters set in landscapes and accompanied by all kinds of animals and everyday objects. In the present work we seem to recognise David by the harp resting at his side, but he is depicted as a shepherd with his sheep. This is a workshop work by the painter Pedro de Orrente. Known as "the Spanish Bassano", Pedro Orrente was a highly successful artist of his time, admired as a follower of the formulas of the famous Venetian family of artists, especially in his series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving from his native Murcia to Toledo at a very young age, where he was already in 1600. If the fame of the Bassano family's works was enormous throughout Spain, the climate in the Castilian city must have been particularly receptive to their painting, as the works of the best masters who worked there attest. It is therefore not surprising that Orrente, who shortly afterwards travelled to Italy, went to Venice, where we find him as early as 1605. It is quite reasonable to think that he passed through the workshop of Leandro Bassano, whom Jusepe Martínez classified as his master. In 1607 he was already back in Spain, settled in Murcia. He continued to visit other Spanish cities, especially Toledo and Valencia, although he must also have spent time in Madrid. During his stay in Venice he must not only have learnt the Bassano family's pictorial manner but also took on board their conception of painting as a market-oriented activity. Contemporary inventories cite a large number of works by Orrente, so we can deduce that in order to produce such a large output the painter must have had a very well-established workshop that repeated the models established by the master. This circumstance also explains the enormous differences in quality that can be found in the catalogued works of this artist. However, although he was already noted in ancient sources for his Bassanesque canvases, Orrente also demonstrated his expertise and versatility in other types of work. Having had first-hand knowledge of the creations of the great Venetian masters, he was able to adopt the teachings of Titian, Tintoretto and Veronese for his works. Furthermore, his possible visit to Rome placed him in a privileged position to become familiar with the development of Caravaggist painting and the interest in naturalism, characteristics that he was able to add to his own works. Works by Pedro Orrente are now in the Prado Museum, the Hermitage in Saint Petersburg, the Kunsthistorisches Museum in Vienna, the Metropolitan Museum in New York, the Fine Arts Museums of Bilbao and Valencia and the National Gallery of Denmark, among many others.

          Setdart Auction House
        • Attributed to PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645). "Supper at Emmaus". Oil on canvas.
          May. 25, 2022

          Attributed to PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645). "Supper at Emmaus". Oil on canvas.

          Est: €16,000 - €17,000

          Attributed to PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645). "Supper at Emmaus". Oil on canvas. Size: 107 x 71,5 cm; 119 x 83 cm (frame). Known as "the Spanish Bassano", Pedro Orrente was a very successful artist in his time, admired as a follower of the formulas of the famous family of Venetian artists, especially in the execution of series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving from his native Murcia to Toledo at a very young age, where he was already in 1600. If the fame of the Bassano family's works was enormous throughout Spain, the climate in the Castilian city must have been particularly receptive to their painting, as the works of the best masters who worked there attest. It is therefore not surprising that Orrente, who shortly afterwards travelled to Italy, went to Venice, where we find him as early as 1605. It is quite reasonable to think that he passed through the workshop of Leandro Bassano, whom Jusepe Martínez classified as his master. In 1607 he was already back in Spain, settled in Murcia. He continued to visit other Spanish cities, especially Toledo and Valencia, although he must also have spent time in Madrid. During his stay in Venice he must not only have learned the Bassano's pictorial manner but also their conception of painting as a market-oriented activity. His treatment of sacred themes as genre scenes would be fundamental in this respect. These were, above all, lively series of biblical stories with which fans could be flattered by the variety and dynamism of the works, populated by a large number of characters set in landscapes and accompanied by all kinds of animals and everyday objects. Contemporary inventories cite a large number of works by Orrente, so we can deduce that in order to produce such a large output the painter must have had a very well-established workshop that repeated the models established by the master. This circumstance also explains the enormous differences in quality that can be found in the catalogued works of this artist. However, although he was already noted in ancient sources for his Bassanesque canvases, Orrente also demonstrated his expertise and versatility in other types of work. Having had first-hand knowledge of the creations of the great Venetian masters, he was able to adopt the teachings of Titian, Tintoretto and Veronese for his works. Furthermore, his possible visit to Rome placed him in a privileged position to become familiar with the development of Caravaggist painting and the interest in naturalism at its height, characteristics that he was able to add to his own works. Works by Pedro Orrente are now in the Prado Museum, the Hermitage in Saint Petersburg, the Kunsthistorisches Museum in Vienna, the Metropolitan Museum in New York, the Fine Arts Museums of Bilbao and Valencia and the National Gallery of Denmark, among many others.

          Setdart Auction House
        • Workshop of PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Allegory of winter". Oil on canvas. It has overpaints and restorations. Presents frame following old models.
          Apr. 06, 2022

          Workshop of PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Allegory of winter". Oil on canvas. It has overpaints and restorations. Presents frame following old models.

          Est: €3,000 - €3,500

          Workshop of PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Allegory of Winter". Oil on canvas. It has repainting and restorations. It has a frame following ancient models. Sizes: 144 x 162 cm; 156 x 174 cm (frame). In the foreground, the author structures two groups of characters; in the right zone a young man climbed on a ladder gathers firewood, while in the lower zone another one seems to carry a bundle with the branches provided by his companion. At the other end of the image several people are gathered around a fire, two children, a woman and a man, all of them trying to keep warm. In the background, a couple distribute the food and finally three figures can be seen who appear to be hunting, one with a shotgun and two with falcons that facilitate this practice. Finally, the scene is completed with a landscape and a large mountain in the background. The figures are notable for their large size and the roundedness of their forms, making them stand out from the landscape. Due to the technical characteristics of the work, it should be mentioned that it is close to the workshop of Pedro Orrente. Known as "the Spanish Bassano", Pedro Orrente was a highly successful artist in his day, admired as a follower of the formulas of the famous family of Venetian artists, especially in his series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving from his native Murcia to Toledo at a very young age, where he was already in 1600. If the fame of the Bassano family's works was enormous throughout Spain, the climate in the Castilian city must have been particularly receptive to their painting, as the works of the best masters who worked there attest. It is therefore not surprising that Orrente, who shortly afterwards travelled to Italy, went to Venice, where we find him as early as 1605. It is quite reasonable to think that he passed through the workshop of Leandro Bassano, whom Jusepe Martínez classified as his master. In 1607 he was already back in Spain, settled in Murcia. He continued to visit other Spanish cities, especially Toledo and Valencia, although he must also have spent time in Madrid. During his stay in Venice he must not only have learned the Bassano family's pictorial manner, but also their conception of painting as a market-oriented activity. His treatment of sacred themes as genre scenes would be fundamental in this respect. These were, above all, lively series of biblical stories with which fans could be flattered by the variety and dynamism of the works, populated by a large number of characters set in landscapes and accompanied by all kinds of animals and everyday objects. Contemporary inventories cite a large number of works by Orrente, so we can deduce that in order to produce such a large output the painter must have had a very well-established workshop that repeated the models established by the master. This circumstance also explains the enormous differences in quality that can be found in the catalogued works of this artist. However, although he was already noted in ancient sources for his Bassanesque canvases, Orrente also demonstrated his expertise and versatility in other types of work. Having had first-hand knowledge of the creations of the great Venetian masters, he was able to adopt the teachings of Titian, Tintoretto and Veronese for his works. Furthermore, his possible visit to Rome placed him in a privileged position to become familiar with the development of Caravaggist painting and the interest in naturalism, characteristics that he was able to add to his own works. Works by Pedro Orrente are now in the Prado Museum, the Hermitage in Saint Petersburg, the Kunsthistorisches Museum in Vienna, the Metropolitan Museum in New York, etc.

          Setdart Auction House
        • Workshop of PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Allegory of winter". Oil on canvas.
          Jan. 26, 2022

          Workshop of PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Allegory of winter". Oil on canvas.

          Est: €4,500 - €5,500

          Workshop of PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Allegory of winter". Oil on canvas. It has overpaints and restorations. Presents frame following old models. Measures: 144x 162 cm; 156 x 174 cm (frame). In the foreground, the author structures two groups of characters; on the right, a young man on a ladder gathers firewood, while in the lower area, another seems to be carrying a bundle with branches provided by his companion. At the other end of the image several characters gather around a bonfire, two children, a woman and a man, all of them trying to get warm. In the background, a couple distributes the food and finally we can appreciate three characters that seem to be going hunting, one with his shotgun and two with falcons that facilitate this practice. Finally, the scene is completed with a landscape and a large mountain in the background. The figures stand out for their large dimensions and the rotundity of the forms, thus showing a great prominence with respect to the landscape. Due to the technical characteristics of the work, it should be mentioned that it is close to the workshop of Pedro Orrente. Known as "the Spanish Bassano", Pedro Orrente was an artist of great success in his time, admired as a follower of the formulas of the famous family of artists of Venice, especially in the realization of series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving at a very young age from his native Murcia to Toledo, where he was already in 1600. If the fame of the Bassano's works was enormous throughout Spain, the climate in the Castilian city must have been especially receptive to his painting, as evidenced by the works of the best masters who worked there. It is not surprising, therefore, that Orrente, who shortly afterwards would travel to Italy, went to Venice, where we find him as early as 1605. It is quite reasonable to think that he passed through the workshop of Leandro Bassano, whom Jusepe Martínez catalogued as his master. In 1607 he is already back in Spain, installed in Murcia. He continued to visit other Spanish cities, especially Toledo and Valencia, although he must have also spent time in Madrid. During his stay in Venice, he must not only have learned the pictorial manners of the Bassano family, but he would also assume their conception of painting as a market-oriented activity. In this sense, the treatment of sacred themes as genre scenes will be fundamental. These were, above all, lively series of biblical stories with which the amateurs could be flattered by the variety and dynamism of the works, populated by a large number of characters set in landscapes, and accompanied by all kinds of animals and everyday objects. Contemporary inventories cite a large number of works by Orrente, so we deduce that in order to produce such a large output, the painter must have had a very well-constituted workshop, which repeated the models established by the master. This circumstance also explains the enormous differences in quality that can be found in the catalogued works of this artist. But, although he was already noted in ancient sources for his Bassanesque canvases, Orrente also demonstrated his expertise and versatility in other types of work. Having had first-hand knowledge of the creations of the great Venetian masters, he knew how to adopt the teachings of Titian, Tintoretto and Veronese for his works. In addition, his more than possible passage through Rome would place him in a privileged situation to know in all its apogee the development of the Caravaggist painting and the interest for naturalism, characteristics that he knew how to add to his own works. Works by Pedro Orrente are currently preserved in the Prado Museum, the Hermitage in St. Petersburg, the Kunsthistorisches Museum in Vienna, the Metropolitan in New York, etc.

          Setdart Auction House
        • Pedro de Orrente and workshop. Two biblic scenes
          Dec. 28, 2021

          Pedro de Orrente and workshop. Two biblic scenes

          Est: -

          Dos óleos sobre lienzo.

          Duran Arte y Subastas
        • PEDRO ORRENTE. Flagellation of Christ.
          Dec. 16, 2021

          PEDRO ORRENTE. Flagellation of Christ.

          Est: €3,500 - €3,900

          Oil on canvas 42.5x33 cm.

          Balclis
        • PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Scene from the Old Testament. Oil on canvas.
          Oct. 20, 2021

          PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Scene from the Old Testament. Oil on canvas.

          Est: €5,000 - €5,500

          PEDRO DE ORRENTE (Murcia, 1580 - Valencia, 1645). "Scene from the Old Testament. Oil on canvas. Measurements: 92 x 135 cm; 98.5 x 142 cm (frame). During his stay in Venice, Pedro de Orrente not only had to learn the pictorial manners of the Bassano family, but he would also assume their conception of painting as a market-oriented activity. In this sense, the treatment of sacred themes as genre scenes would be fundamental. These were, above all, lively series of biblical stories with which the fans could be flattered by the variety and dynamism of the works, populated by a large number of characters set in landscapes, and accompanied by all kinds of animals and everyday objects. The work in question, starring a group of shepherds around their animals, could well be inspired by a scene from the Old Testament, probably a biblical episode of Jacob. Known as "the Spanish Bassano", Pedro Orrente was a very successful artist in his time, admired as a follower of the formulas of the famous Venetian family of artists, especially in the realization of series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving at a very young age from his native Murcia to Toledo, where he was already in 1600. If the fame of the Bassano's works was enormous throughout Spain, the climate in the Castilian city must have been especially receptive to his painting, as evidenced by the works of the best masters who worked there. It is not surprising, therefore, that Orrente, who shortly afterwards would travel to Italy, went to Venice, where we find him as early as 1605. It is quite reasonable to think that he passed through the workshop of Leandro Bassano, whom Jusepe Martínez catalogued as his master. In 1607 he is already back in Spain, installed in Murcia. He continued to visit other Spanish cities, especially Toledo and Valencia, although he must have also spent time in Madrid. During his stay in Venice, he must not only have learned the pictorial manners of the Bassano family, but he would also assume their conception of painting as a market-oriented activity. Contemporary inventories cite a large number of works by Orrente, so we deduce that in order to produce such a large output, the painter must have had a very well-constituted workshop, which repeated the models established by the master. This circumstance also explains the enormous differences in quality that can be found in the catalogued works of this artist. But, although he was already noted in ancient sources for his Bassanesque canvases, Orrente also demonstrated his expertise and versatility in other types of work. Having had first-hand knowledge of the creations of the great Venetian masters, he knew how to adopt the teachings of Titian, Tintoretto and Veronese for his works. In addition, his more than possible passage through Rome would place him in a privileged situation to know in all its apogee the development of the Caravaggist painting and the interest for naturalism, characteristics that he knew how to add to his own works. Works by Pedro Orrente are currently kept in the Prado Museum, the Hermitage in St. Petersburg, the Kunsthistorisches Museum in Vienna, the Metropolitan Museum in New York, the Fine Arts Museums of Bilbao and Valencia and the National Gallery of Denmark, among many others.

          Setdart Auction House
        • Attributed to PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645). "Genesis 23". Pair of oil paintings on canvas. They present restorations Measurements: 93 x 37 cm (x2); 114 x 90 cm (frames, x2).
          Oct. 20, 2021

          Attributed to PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645). "Genesis 23". Pair of oil paintings on canvas. They present restorations Measurements: 93 x 37 cm (x2); 114 x 90 cm (frames, x2).

          Est: €6,000 - €7,000

          Attributed to PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645). "Genesis 23". Pair of oil paintings on canvas. They present restorations Measurements: 93 x 37 cm (x2); 114 x 90 cm (frames, x2). This pair of canvases has been conceived with a similar composition, constructed through a succession of planes, dominated by the vegetation in the right area of each of the scenes. Both paintings depict scenes of genre scenes, but they differ from each other in that while in one picture the figures are doing their work, in the other they are gathered around a table and interacting in a relaxed manner. The ochre and warm tones are largely reminiscent of the palette used by Pedro Orrente. Furthermore, in the two apparently genre-themed works, the artist conceals religious themes, such as the passage from Genesis 23, which narrates Abraham's reaction after the death of his wife Sarah, while the other scene narrates the moment when Abraham converses with the sons of Heth. Known as "the Spanish Bassano", Pedro Orrente was a highly successful artist of his day, admired as a follower of the formulas of the famous Venetian family of artists, particularly in his series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving from his native Murcia to Toledo at a very young age, where he was already in 1600. If the fame of the Bassano family's works was enormous throughout Spain, the climate in the Castilian city must have been particularly receptive to their painting, as the works of the best masters who worked there attest. It is therefore not surprising that Orrente, who shortly afterwards travelled to Italy, went to Venice, where we find him as early as 1605. It is quite reasonable to think that he passed through the workshop of Leandro Bassano, whom Jusepe Martínez classified as his master. In 1607 he was already back in Spain, settled in Murcia. He continued to visit other Spanish cities, especially Toledo and Valencia, although he must also have spent time in Madrid. During his stay in Venice he must not only have learned the Bassano family's pictorial manner, but also their conception of painting as a market-oriented activity. His treatment of sacred themes as genre scenes would be fundamental in this respect. These were, above all, lively series of biblical stories with which fans could be flattered by the variety and dynamism of the works, populated by a large number of characters set in landscapes and accompanied by all kinds of animals and everyday objects. Contemporary inventories cite a large number of works by Orrente, so we can deduce that in order to produce such a large output the painter must have had a very well-constituted workshop that repeated the models established by the master. This circumstance also explains the enormous differences in quality that can be found in the catalogued works of this artist. However, although he was already noted in ancient sources for his Bassanesque canvases, Orrente also demonstrated his expertise and versatility in other types of work. Having had first-hand knowledge of the creations of the great Venetian masters, he was able to adopt the teachings of Titian, Tintoretto and Veronese for his works. Furthermore, his possible visit to Rome placed him in a privileged position to become familiar with the development of Caravaggist painting and the interest in naturalism, characteristics that he was able to add to his own works. Works by Pedro Orrente are now in the Prado Museum, the Hermitage in Saint Petersburg, the Kunsthistorisches Museum in Vienna, the Metropolitan Museum in New York, the Fine Arts Museums of Bilbao and Valencia and the National Gallery of Denmark, among many others.

          Setdart Auction House
        • PEDRO DE ORRENTE, (Murcia, 1580 - Valencia, 1645). "Scene from the Old Testament". Oil on canvas. Relining. It presents restorations.
          Sep. 21, 2021

          PEDRO DE ORRENTE, (Murcia, 1580 - Valencia, 1645). "Scene from the Old Testament". Oil on canvas. Relining. It presents restorations.

          Est: €1,600 - €1,800

          PEDRO DE ORRENTE, (Murcia, 1580 - Valencia, 1645). "Scene from the Old Testament". Oil on canvas. Relining. It presents restorations. Measurements: 64,5 x 58 cm. Immersed in an apparently desert landscape, several characters are inscribed. Arranged in such a way that they follow a completely baroque composition, like a zigzag, a characteristic that gives a great movement and depth to the scene. The image, in which animals and people merge, is presented in a pleasant manner, close to genre paintings in which the characters are defined by a multitude of activities. However, the clothing and even the presence of the camels invite the viewer to think of a biblical scene. In fact, both the dynamism of the composition and the thematic conception of the scene suggest that it can be related to biblical paintings by Pedro de Orrente, specifically Laban Seeks Idols, which is in the Museo del Prado collection. The museum scene features a large procession, populated by characters and camels, as in this case. The story tells the biblical tale of Laban catching up with Jacob's family. With the intention of searching for and recovering the idols that Rachel, Jacob's wife, had stolen. Known as "the Spanish Bassano", Pedro Orrente was a highly successful artist of his time, admired as a follower of the formulas of the famous Venetian family of artists, especially in his series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving from his native Murcia to Toledo at a very young age, where he was already in 1600. If the fame of the Bassano family's works was enormous throughout Spain, the climate in the Castilian city must have been particularly receptive to their painting, as the works of the best masters who worked there attest. It is therefore not surprising that Orrente, who shortly afterwards travelled to Italy, went to Venice, where we find him as early as 1605. It is quite reasonable to think that he passed through the workshop of Leandro Bassano, whom Jusepe Martínez classified as his master. In 1607 he was already back in Spain, settled in Murcia. He continued to visit other Spanish cities, especially Toledo and Valencia, although he must also have spent time in Madrid. During his stay in Venice he must not only have learnt Bassano's pictorial manner, but also took on board his conception of painting as a market-oriented activity. His treatment of sacred themes as genre scenes would be fundamental in this respect. These were, above all, lively series of biblical stories with which fans could be flattered by the variety and dynamism of the works, populated by a large number of characters set in landscapes and accompanied by all kinds of animals and everyday objects. Works by Pedro Orrente are currently held in the Prado Museum, the Hermitage in St Petersburg, the Kunsthistorisches Museum in Vienna, the Metropolitan Museum in New York, the Fine Arts Museums of Bilbao and Valencia, and the National Gallery of Denmark, among many others.

          Setdart Auction House
        • Pedro de Orrente
          Mar. 15, 2021

          Pedro de Orrente

          Est: €8,000 - €12,000

          The prayer in the garden oil on canvas, 163by109cm. Expertise by José Manuel Arnaiz, Centro de Estudios Pinacològicos de Madrid S.L.

          Bolli & Romiti s.r.l
        • Attributed to PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645). "Supper at Emmaus". Oil on canvas.
          Mar. 11, 2021

          Attributed to PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645). "Supper at Emmaus". Oil on canvas.

          Est: €16,000 - €17,000

          Attributed to PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645). "Supper at Emmaus". Oil on canvas. Measurements: 107 x 71.5 cm; 119 x 83 cm (frame). Known as "the Spanish Bassano", Pedro Orrente was an artist of great success in his time, admired as a follower of the formulas of the famous family of artists of Venice, especially in the realization of series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving at a very young age from his native Murcia to Toledo, where he was already in 1600. If the fame of the Bassano's works was enormous throughout Spain, the climate in the Castilian city must have been especially receptive to his painting, as evidenced by the works of the best masters who worked there. It is not surprising, therefore, that Orrente, who shortly afterwards would travel to Italy, went to Venice, where we find him as early as 1605. It is quite reasonable to think that he passed through the workshop of Leandro Bassano, whom Jusepe Martínez catalogued as his master. In 1607 he is already back in Spain, installed in Murcia. He continued to visit other Spanish cities, especially Toledo and Valencia, although he must have also spent time in Madrid. During his stay in Venice, he must not only have learned the pictorial manners of the Bassano family, but he would also assume their conception of painting as a market-oriented activity. In this sense, the treatment of sacred themes as genre scenes will be fundamental. These were, above all, lively series of biblical stories with which the fans could be flattered by the variety and dynamism of the works, populated by a large number of characters set in landscapes, and accompanied by all kinds of animals and everyday objects. Contemporary inventories cite a large number of works by Orrente, so we deduce that in order to produce such a large output, the painter must have had a very well-constituted workshop, which repeated the models established by the master. This circumstance also explains the enormous differences in quality that can be found in the catalogued works of this artist. But, although he was already noted in ancient sources for his Bassanesque canvases, Orrente also demonstrated his expertise and versatility in other types of work. Having had first-hand knowledge of the creations of the great Venetian masters, he knew how to adopt the teachings of Titian, Tintoretto and Veronese for his works. In addition, his more than possible passage through Rome would place him in a privileged situation to know in all its apogee the development of the Caravaggist painting and the interest for naturalism, characteristics that he knew how to add to his own works. Works by Pedro Orrente are currently kept in the Prado Museum, the Hermitage of St. Petersburg, the Kunsthistorisches Museum of Vienna, the Metropolitan of New York, the Fine Arts Museums of Bilbao and Valencia and the National Gallery of Denmark, among many others.

          Setdart Auction House
        • Attributed to Pedro Orrente (Montealegre del Castillo, 1580 - Valencia, 1645) "St. John the Baptist"
          Dec. 15, 2020

          Attributed to Pedro Orrente (Montealegre del Castillo, 1580 - Valencia, 1645) "St. John the Baptist"

          Est: €7,000 - €9,000

          Attributed to Pedro Orrente (Montealegre del Castillo, 1580 - Valencia, 1645) "St. John the Baptist" Oil on canvas 88 x 141 cm 7.000 - 9.000 €

          Goya Subastas
        • PEDRO DE ORRENTE Murcia 1580 - Valencia 1644
          Oct. 27, 2020

          PEDRO DE ORRENTE Murcia 1580 - Valencia 1644

          Est: -

          Saint John Baptist Oil on canvas Size 115.5 x 88 cm

          Subastas Segre
        • CIRCULO DE PEDRO ORRENTE (Murcia, 1580 Valencia, 1645) - "Escena del Antiguo Testamento"
          Jul. 15, 2020

          CIRCULO DE PEDRO ORRENTE (Murcia, 1580 Valencia, 1645) - "Escena del Antiguo Testamento"

          Est: €500 - €2,500

          CIRCULO DE PEDRO ORRENTE (Murcia, 1580 - Valencia, 1645) "Escena del Antiguo Testamento" Óleo sobre lienzo 101 x 136 cm

          Arte Subastas Bilbao
        • 17th century Spanish school. Circle of Pedro Orrente
          Jul. 08, 2020

          17th century Spanish school. Circle of Pedro Orrente

          Est: -

          Escuela española siglo XVII. Círculo de Pedro Orrente (Murcia, 1580- Valencia, 1645). "Pastores", óleo sobre lienzo, 67x69 cm.

          Sala de Ventas
        • Pedro Orrente (Murcia, 1580-Valencia, 1645)
          Jun. 25, 2020

          Pedro Orrente (Murcia, 1580-Valencia, 1645)

          Est: €6,000 - €12,000

          Pedro Orrente (Murcia, 1580-Valencia, 1645) “Jacob and his flocks" Oil on canvas. Signed. P.O. F (fecit), and with the inscription Gen 27, reference to the passage of the Bible, Genesis 27. This type of indications were typical of Orrente in his biblical themes. 111 x 155 cm. Relined. Painting.

          La Suite Subastas
        • ESCUELA VALENCIANA Primera mitad S.XVII / . - "Las lágrimas de San Pedro"
          Jan. 22, 2020

          ESCUELA VALENCIANA Primera mitad S.XVII / . - "Las lágrimas de San Pedro"

          Est: -

          ESCUELA VALENCIANA Primera mitad S.XVII / . "Las lágrimas de San Pedro" Obra que estilisticamente presenta muchas similitudes con algunas creaciones de Pedro de Orrente (Murcia, 1580 -Valencia, 1645) 76 x 56 cm Óleo sobre lienzo

          Ansorena
        • PEDRO DE ORRENTE (Murcia, 1580-Valencia, 1645) Jes…
          Jul. 10, 2019

          PEDRO DE ORRENTE (Murcia, 1580-Valencia, 1645) Jes…

          Est: -

          PEDRO DE ORRENTE (Murcia, 1580-Valencia, 1645) Jesus y la Samaritana Oleo sobre lienzo  de 80 x 100 cm. Necesita restauracion. English Translation PEDRO DE ORRENTE (Murcia, 1580-Valencia, 1645) Jesus and the Samaritan Woman. Oil on canvas.

          Sala Retiro Subastas
        • PEDRO DE ORRENTE - Jesús en el huerto de los olivos
          Jul. 02, 2019

          PEDRO DE ORRENTE - Jesús en el huerto de los olivos

          Est: -

          PEDRO DE ORRENTE Murcia 1580 - Valencia 1644 Jesús en el huerto de los olivos Oil on canvas Measurements 64 x 47 cm

          Subastas Segre
        • 17th century Spanish school. Circle of Pedro Orrente
          Jun. 01, 2019

          17th century Spanish school. Circle of Pedro Orrente

          Est: -

          Escuela Española siglo XVII. Círculo de Pedro Orrente (Murcia, 1580-Valencia, 1645). "Anuncio a los pastores", óleo sobre lienzo, 117x176 cm.

          Sala de Ventas
        • 17th century Spanish school. Circle of Pedro Orrente
          May. 16, 2019

          17th century Spanish school. Circle of Pedro Orrente

          Est: -

          Escuela Española siglo XVII. Círculo de Pedro Orrente (Murcia, 1580-Valencia, 1645). "Anuncio a los pastores", óleo sobre lienzo, 117x176 cm.

          Sala de Ventas
        • PEDRO DE ORRENTE - “Jesús en el huerto de los olivos”
          Apr. 02, 2019

          PEDRO DE ORRENTE - “Jesús en el huerto de los olivos”

          Est: €3,000 - €4,500

          PEDRO DE ORRENTE Murcia 1580 - Valencia 1644 “Jesús en el huerto de los olivos” Oil on canvas Measurements 64 x 47 cm

          Subastas Segre
        • Spanish School: Portrait of a Cleric
          Nov. 03, 2018

          Spanish School: Portrait of a Cleric

          Est: $4,000 - $6,000

          Oil on canvas, c. 1610, unsigned, lined.40 x 34 1/2 in., 49 x 43 1/2 in. (frame).Note: This painting is thought to be Circle of El Greco, possibly attributed to Luis Tristán, or Pedro Orrente (1580-1645).

          STAIR
        • PEDRO DE ORRENTE (Murcia, 1580-Valencia, 1645) Jesus y la Samaritana
          Apr. 25, 2018

          PEDRO DE ORRENTE (Murcia, 1580-Valencia, 1645) Jesus y la Samaritana

          Est: -

          Oil on canvas of 80 x 100 cm. It needs restoration.

          Sala Retiro Subastas
        • Workshop of Pedro de Orrente Murcia 1580 - Valencia 1645 Laban seeking his idols Oil on canvas 87x124 cm
          Mar. 15, 2018

          Workshop of Pedro de Orrente Murcia 1580 - Valencia 1645 Laban seeking his idols Oil on canvas 87x124 cm

          Est: €3,500 - €4,500

          Workshop of Pedro de Orrente Murcia 1580 - Valencia 1645 Laban seeking his idols Oil on canvas 87x124 cm

          Balclis
        • ORRENTE PEDRO (1580 - 1645) Attribuito a. San Giovanni nel deserto. Olio su tela . Cm 110x90. ProvenienzaGià collezione Brocca, Magenta.Collezione Medolago, Brescia.
          Dec. 06, 2017

          ORRENTE PEDRO (1580 - 1645) Attribuito a. San Giovanni nel deserto. Olio su tela . Cm 110x90. ProvenienzaGià collezione Brocca, Magenta.Collezione Medolago, Brescia.

          Est: €6,000 - €7,000

          ORRENTE PEDRO (1580 - 1645) Attribuito a. San Giovanni nel deserto. Olio su tela . Cm 90,00 x 110,00. Provenienza Già collezione Brocca, Magenta. Collezione Medolago, Brescia.

          Capitolium Art
        • TALLER PEDRO ORRENTE (1580-1645)
          Nov. 29, 2017

          TALLER PEDRO ORRENTE (1580-1645)

          Est: €4,600 - €5,980

          Partida de Jacob con sus rebaños Óleo sobre lienzo. 88 x 119 cms

          Subarna Subastas
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