Perin del Vaga Sold at Auction Prices

Madonna with children

Upper right the collector's mark Lugt 622 (presumably: Charles Prince de Ligne). On the reverse of the mount cardboard the collector's label Lugt 4484 (Duke of Saxony)

VAGA, PERINO DEL (BUONACCORSI, PIETRO), Zugeschrieben - Attributed: Männerprofil.

VAGA, PERINO DEL (BUONACCORSI, PIETRO) (Florenz 1501 - 1547 Rom); Zugeschrieben - Attributed : Männerprofil; Kreide auf Bütten; 9,8x7,6 cm (BG), gerahmt

PERINO DEL VAGA

PERINO DEL VAGA (Florence 1501–1547 Rome) Design for a grand vessel. Pen and brown ink. 9.2 x 12.5 cm. Provenance: -Private collection, Germany. Dr Catherine Goguel of the Département des Arts Graphiques, Louvre, Paris, confirmed the attribution of the drawing to Perino del Vaga in a letter to Prof. Dr Christel Thiem dated 9 September 2002. * The full tax is charged on this item marked * in the auction catalogue, i.e. VAT is charged on the sum of the bid price plus the surcharge for those items. The VAT will be refunded to Purchasers providing a validly stamped export declaration. ------------------------------------------------- PERINO DEL VAGA (Florenz 1501–1547 Rom) Entwurf zu einem Prunkgefäss. Feder in Braun. 9,2 x 12,5 cm. Provenienz: - Deutsche Privatsammlung. Dr. Catherine Goguel vom Département des Arts Graphiques, Louvre, Paris hat in einem Brief vom 9. Sept. 2002 an Prof. Dr. Christel Thiem die Zuschreibung der Zeichnung an Perino del Vaga bestätigt. Dieses mit * (Asterisk) bezeichnete Objekte ist vollumfänglich mehrwertsteuerpflichtig, d. h. bei diesen Objekten wird die MWST auf den Zuschlagspreis plus Aufgeld berechnet. Käufer, die eine rechtsgültig abgestempelte Ausfuhrdeklaration vorlegen, erhalten die MWST rückvergütet.

P. JOURDY (*1805) after VAGA (*1500), After the battle, around 1850, Lithography

Paul Jourdy (1805 Dijon - 1856 Paris) after Perino del Vaga (1500 Florence - 1547 Rom): After the battle, c. 1850, Lithography Technique: Lithography on Paper Date: c. 1850 Description: After the Battle", lithograph after a work by Perin del Vaga, also called Perino Buonacorsi, perino de Ceri or del Vaga (1501 - 1547). From the series: Pictures of the Romanesque School (Ecole de Florence). Inscribed: Jourdy del. Keywords: 19th century, Renaissance, Military, France,

PIERO BUONACCORSI, CALLED PERINO DEL VAGA (FLORENCE 1501-1547 ROME) A river

PIERO BUONACCORSI, CALLED PERINO DEL VAGA (FLORENCE 1501-1547 ROME) A river god holding a cornucopia pen and brown ink, brown wash, heightened with (partly oxidised) white, pen and brown ink framing lines 12.3 x 17.7 cm (4 7/8 x 6 7/8 in.)

ATTRIBUTED TO PERIN DEL VAGA. STUDY FOR CENTERPIECE DECORATED WITH MYTHOLOGICAL FIGURES.

PERIN DEL VAGA, Attribuito a. Studio per centrotavola decorato con figure mitologiche. 1501 - 1547 Disegno acquarellato su carta. 176x199mm. Penna e inchiostro. Il foglio con il disegno è stato ritagliato e incollato su foglio si supporto riquadrato a penna nera di 185 x 209 mm. Timbro di collezione. Buono stato di conservazione. Il centrotavola è decorato con figure mitologiche fantastiche, due sirene attorniate da putti in basso e una imponente sfinge accovacciata come coperchio. Disegni simili del celebre pittore fiorentino, allievo di Ridolfo del Ghirlandaio e collaboratore di Raffaello si trovano presso il MAK, Museum für angewandte Kunst, a Vienna.

DEL VAGA, PERINO (EIGENTL. PIETRO BUONACCORSI)

(Florenz 1501–1547 Rom), Umkreis des Studie zu einem Tischfuss (recto), Figurenstudien (verso). Braune Tuschfeder, laviert. 14,6x10,5 cm. - Mit nicht id. Sammlerstempel "D". - Etwas beschmutzt und minimale Knitterspuren.

PIERO BONACCORSI, CALLED PERINO DEL VAGA (FLORENCE 1501-1547 ROME) The Conv

PIERO BONACCORSI, CALLED PERINO DEL VAGA (FLORENCE 1501-1547 ROME) The Conversion of Saint Paul oil on panel 29 3/8 x 23 7/8 in. (74.5 x 60.7 cm.)

PITTORE ATTIVO A ROMA NEL XVI SECOLO

Sacra Famiglia Olio su tavola, cm 81,5X62 La tavola trova preciso riscontro illustrativo con quella realizzata da Perin del Vaga (Firenze, 1501 - Roma, 1547) e conservata alla National Gallery of Victoria di Melbourne in Australia. Un'altra redazione è segnalata da Federico Zeri sul mercato londinese nel 1974 (n. 15634), una seconda copia custodita alla Galleria Spada è riferita sempre da Zeri a Scuola Romana del XVI secolo e lo studioso, seguendo il suggerimento di Voss, ipotizza che sia da riferire a Nicolò Circignani (Pomarance, 1530 circa - 1597 circa). Roberto Longhi suggeriva anch'esso l'attribuzione ad un anonimo di fine '500 con influenze del Cavalier d'Arpino (n. 15636- Cfr. F. Zeri, La Galleria Spada, Firenze 1954, p. 117, n. 172). Tornando alla redazione qui presentata, rispetto alle altre versioni mostra le maggiori affinità qualitative con quella australiana, si notino ad esempio il diadema, l'accurata esecuzione delle ciglia e una simile impostazione della composizione e dei panneggi. A questo proposito si deve qui ricordare la tavola esitata presso Sotheby's di Firenze (cfr. catalogo Asta di Stampe, disegni e dipinti antichi, 14 novembre 1978, lotto 660), opera anch'essa riferita alla cerchia di Perino e che per i dati di stile e disegno si potrebbe riferire alla medesima mano (cfr. Jaffé 1992). Questi aspetti suggeriscono di conseguenza che il dipinto sia stato realizzato in stretta contiguità con la versione del Bonaccorsi e verosimilmente costruita impiegando un cartone preparatorio. L'esito è quindi da giudicare di alta qualità, suggerendo un'attribuzione alla stretta cerchia del maestro. Il dipinto è corredato da schede critiche di Stephen Pepper e Maurizio Marini con l'attribuzione a Perin del Vaga. Bibliografia di riferimento: D. Jaffé, The Melbourne Holy Family in the Chronology of Perino's Devotional Paintings, in Raffaello e l'Europa, Atti del IV Internazionale di Alta Cultura, Roma 1992, pp. 209-227, fig. 16 E. Parma Armani, Perin del Vaga. L'anello mancante, Genova 1986, p. 171, fig. 203

Holy Family

BUONACCORSI, PIETRO ('Perin del Vaga') 1501 Florence - 1547 Rome Circle Title: Holy Family. Technique: Oil on canvas. Mounting: Relined. Measurement: 81.5 x 65cm. Frame/Pedestal: Framed. Provenance: Private ownership, Germany. Explanations to the Catalogue

Pietro Buonaccorsi, called Perino del Vaga (Florence 1501-1547 Rome) A grou

Pietro Buonaccorsi, called Perino del Vaga (Florence 1501-1547 Rome) A group of male figures (recto); A map of the winds (verso) pen and brown ink, incised circles and a hole from a compass at the center of the circles (verso) 6 3/8 x 6 ½ in. (16.3 x 16.5 cm)

Pietro Buonaccorsi, called Perino del Vaga (Florence 1501-1547 Rome) Three

Pietro Buonaccorsi, called Perino del Vaga (Florence 1501-1547 Rome) Three standing male figures, one bearing a vessel black chalk, pen and brown ink, some traces of pen and black ink 10 x 6 7/8 in (25.4 x 17.5 cm)

Perino Del Vaga Old Master Pencil Drawing

Italy,1500-1547 Depicts a seated Catholic monk holding a book in one hand while scratching the top of his head.

Attributed to PERIN DEL VAGA. Study for centerpiece decorated with mythological figures.

PERIN DEL VAGA, Attribuito a. Studio per centrotavola decorato con figure mitologiche.1501 - 1547 Disegno acquarellato su carta. 176x199mm. Penna e inchiostro. Il foglio con il disegno è stato ritagliato e incollato su foglio si supporto riquadrato a penna nera di 185 x 209 mm. Timbro di collezione. Buono stato di conservazione. Il centrotavola è decorato con figure mitologiche fantastiche, due sirene attorniate da putti in basso e una imponente sfinge accovacciata come coperchio. Disegni simili del celebre pittore fiorentino, allievo di Ridolfo del Ghirlandaio e collaboratore di Raffaello si trovano presso il MAK, Museum für angewandte Kunst, a Vienna.

Perino Del Vaga Old Master Pencil Drawing

Pietro Buonaccorsi,Italy,1500-1547 Depicts a seated Catholic monk holding a book in one hand while scratching the top of his head. Graphite on paper,Sight 10 1/4" x 7",Frame 16 1/4" x 13 1/8" Signed "Perin Delvage" lower right corner. From the collection of a Cumberland, Rhode Island gentleman.

Perino de Vaga (1501-1547)-circle

Perino de Vaga (1501-1547)-circle, Allegory with figures in an arched doorway, in the background classical architecture, brown ink with grey wash on paper, old restoration, partly inscribed, framed, under glass.

Pierino del Vaga (1501-1547), "Le Pape Adrien VI et quatre Cardinaux," 16th or 17th c., etching, presented in a beaded gilt shadowbo...

Pierino del Vaga (1501-1547), "Le Pape Adrien VI et quatre Cardinaux," 16th or 17th c., etching, presented in a beaded gilt shadowbox frame, H.- 4 1/4 in., W.- 5 3/4 in.

ITALIAN SCHOOL, 16TH CENTURY AFTER PIETRO BUONACCORSI, CALLED PERINO DEL VAGA (FLORENCE 1501-1547 ROME) - The Fall of the Giants, Palazzo Doria, Genoa

ITALIAN SCHOOL, 16TH CENTURY AFTER PIETRO BUONACCORSI, CALLED PERINO DEL VAGA (FLORENCE 1501-1547 ROME) the Fall of the Giants, Palazzo Doria, Genoawith inscription '1540./ Perino del Vaga.' (recto) and 'Giove fulminante i Giganti,/ Disegno originale di Perino dell Vaga Principael [crossed out]/ fatto per suo depinto nel Palazzo Doria, in Genova./ vide Vasari; ook Karel van Mander' (verso) pen and brown ink, brown wash, heightened with white on blue paper 131⁄8 x 22 in. (33 x 56 cm)

Italienischer Maler des ausgehenden 16./ beginnenden 17. Jahrhunderts, nach Pierino del Vaga (1501-1547)

DIE HEILIGE FAMILIE Öl auf Leinwand. 34 x 24 cm. Verso mit alter Aufschrift „PIERIN(O) DEL VAGO“. Weit abgeänderte Bildversion des Gemäldes von Pierino del Vaga (um 1520/30), das sich im Metropolitan Museum of Art befindet. Im Unterschied zum Original ist hier das Jesuskind mit einem Buch gezeigt, die Josephsfigur im Hintergrund in völlig veränderter Komposition. (12111816) (3) (11)

Attributed to Perino del Vaga A Philosopher Holding a Book

Attributed to Perino del Vaga A Philosopher Holding a Book Inscribed Mano di Pulidoro da Caravaggio (lc) Brown ink and wash on paper laid to a second sheet Sight 7 x 3 7/8 inches (17.8 x 10 cm) Provenance: Hill-Stone Inc., New York Said to have belonged to the d''Oultremont collection. Estate of Robin R. Henry

Néréides, bouc, amours et poisson (étude d'après un sarcophage antique) Encre et lavis, sanguin

Néréides, bouc, amours et poisson (étude d'après un sarcophage antique) Encre et lavis, sanguine, rehauts de blanc 24,5 x 36 cm Provenance Collection Walpole Vente Kahn-Dumousset, Drouot, 31 mai 2012, lot 97 Nereids, goat, loves and fish (study based on an antique sarcophagus) Ink and wash, sanguine, white highlights 24.5 x 36 cm Provenance Collection Walpole Sale Kahn-Dumousset, Drouot, 31 May 2012, lot 97

ATTRIBUTED TO PIETRO BUONACCORSI, CALLED PERINO DEL VAGA (FLORENCE 1501-154

ATTRIBUTED TO PIETRO BUONACCORSI, CALLED PERINO DEL VAGA (FLORENCE 1501-1547 ROME) An eagle with attribution 'Rafaelle.' (on the mount) pen and brown ink, brown wash 8 3/8 x 6 3/8 in. (21.1 x 16.3 cm.)

Perino del Vaga (1501- 1547 )- attributed

Perino del Vaga (1501- 1547 )- attributed, the mystic marriage with saint Catherine, oil on walnut panel, on the reverse old descriptions, in a gilded classicistic frame.

ATTRIBUTED TO PIETRO BUONACCORSI, CALLED PERINO DEL VAGA | Madonna enthroned with the Christ Child, St. Peter and St. Paul 

Pen and brown ink and wash, heightened with white, on grey-blue paper, over traces of black chalk; arched top

Pietro Buonaccorsi, called Perino del Vaga (Florence 1501-1547 Rome) Jupiter handing a newborn boy to Diana

Pietro Buonaccorsi, called Perino del Vaga (Florence 1501-1547 Rome) Jupiter handing a newborn boy to Diana pen and brown ink, brown wash, heightened with yellow, on four joined sheets of light-brown prepared paper 14 ½ x 18 ¼ in. (36.8 x 46.2 cm)

Pietro Buonaccorsi, called Perino del Vaga (Florence 1501-1547 Rome) A griffin holding a coat of arms

Pietro Buonaccorsi, called Perino del Vaga (Florence 1501-1547 Rome) A griffin holding a coat of arms pen and brown ink 6 ¾ x 5 ¾ in. (17.3 x 13.8 cm)

CIRCLE OF PERINO DEL VAGA (1501-1547): FIGURES WASHING

CIRCLE OF PERINO DEL VAGA (1501-1547): FIGURES WASHING Ink and wash on paper, unsigned, with an ink and sanguine sketch on the reverse. 4 x 7 1/4 in. (sheet), 11 x 14 in. (frame).

PIERINO DEL VAGA (1501-1547) ENTOURAGE Scene mythologique

PIERINO DEL VAGA (1501-1547) ENTOURAGE Scene mythologique Dessin a l’ encre brune sur papier coupe hexagonal Taches de rousseur Dimensions : 12,5 x 20,5 cm

Perino del Vaga (1501-1547)-follower, Maria with J

Perino del Vaga (1501-1547)-follower, Maria with Jesus in front of roses in landscape; painted in oval form, surrounded by gilded ground; oil on wooden panel.

* Perion del Vaga, (Italian, 1501-1547), Urns

Perion del Vaga (Italian, 1501-1547) Urns ink and wash on paper 11 x 8 inches.

Vaga, Perino del: nach. Neptun zwischen zwei Seepferden

nach. Neptun zwischen zwei Seepferden. Kupferstich. 24,2 x 15,6 cm. Um 1560. Bartsch XV. 31.397 (III); Bellini F 20 III. Ursprünglich wurde das vorliegende Blatt Giorgio Ghisi zugeschrieben. Ausgezeichneter Druck mit sehr feinem Rändchen um die Einfassungslinie. Geringfügig stockfleckig und bestaubt, geglättete vertikale Mittelfalte, sonst in tadellosem Zustand.

Drawing, Perino del Vaga

Perino del Vaga (Italian, 1501-1547), Untitled (Battle Scene), ink and ink wash drawing, signed verso, sheet (unframed): 16.625"h x 15.5"w. Note: After Giulio Romano's famous mural in the Apostolic Palace, Vatican City, "The Battle of the Milvian Bridge." Del Vaga was a friend of Romano's. Provenance: Estate of William H. Crocker, San Francisco & Burlingame, by descent to the current owner, sold to benefit a California non-profit.

Pietro BUONACCORSI, dit Perino DEL VAGA (Florence 1501-1547 Rome)

Pietro BUONACCORSI, dit Perino DEL VAGA (Florence 1501-1547 Rome) >Un Dieu fleuve entouré de putti ; <i>et<i> Le triomphe de Marcus Furius Camillus >avec inscription 'trionfo di chamillo' (2) <br>plume et encre brune, lavis brun >29 x 78 mm. (1); 68 x 60 mm. (2) (sur le même montage) (2)<br>

PERINO DEL VAGA (1501-1574)

PERINO DEL VAGA (1501-1574) "Our Lady carrying Baby Jesus". Oil on wood attributed to Perino del Vaga also named Piero Buonaccorsi. Defects. Dim.: 91 x 73 cm.

Pietro BUONACCORSI, dit Perino del Vaga (Florence 1501-1547 Rome) Vierge à l'Enfant plume et encre brune sur papier bleu, coin supérieur gauche refait 101 x 72 mm.

VAGA, PERINO DEL(Florenz 1501 - 1547 Rom),

VAGA, PERINO DEL (Florenz 1501 - 1547 Rom), Nachfolger Studie zu einem Tischfuss. Verso: Studie zu zwei Karyatiden (beschnitten). Feder und Pinsel in Braun über schwarzer Kreide. 14,6 x 10,5 cm. Provenienz: - Francois Desmarais, nicht bei Lugt - Nouveau Drouot, 2.März 1984, Lot 97 - Sotheby's New York, 10. Jan. 1995, Lot 67 - Privatbesitz Schweiz Follower of VAGA, PERINO DEL (Florence 1501 - 1547 Rome), Study of a table leg. Verso: study for two caryatids (cut). Pen and brush in brown over black chalk. 14.6 x 10.5 cm. Provenance: - Francois Desmarais, not in Lugt - Nouveau Drouot, 2.March 1984, Lot 97 - Sotheby's New York, 10. Jan. 1995, Lot 67 - Private collection, Switzerland

PERINO DEL VAGA (Florence 1501-1547 Rome) Study for the Holy Family with the Infant St. John the Baptist and Studies of Architectural M

PERINO DEL VAGA (Florence 1501-1547 Rome) Study for the Holy Family with the Infant St. John the Baptist and Studies of Architectural Motifs. Pen and brown ink on cream laid paper. 205x146 mm; 8x5 3/4 inches.

PERINO DEL VAGA (CIRCLE OF) (Florence 1501-1547 Rome) King David Beholds the Ark of the Covenant.

PERINO DEL VAGA (CIRCLE OF) (Florence 1501-1547 Rome) King David Beholds the Ark of the Covenant. Pen and brown ink and wash on cream laid paper. 230x285 mm; 9x11 1/4 inches. Ex-collection Paul Sandby (Lugt 2112, lower center recto).

PIETRO BUONACCORSI, CALLED PERINO DEL VAGA

FLORENCE 1501 - 1547 ROME A DESIGN FOR THE FAÇADE OF A SMALL CHURCH WITH THE MADONNA AND CHILD AND TWO SAINTS AND THE COAT-OF-ARMS OF CLEMENT VII, MEDICI Pen and brown ink and brown wash heightened with (oxidized) white; inscribed: CLE PP VII:RESTAURAVIT...../PIETATEM .S. IULIANIANO - IU/-BILEI- and C L E. PP. VII; bears old attribution on the verso: de mano propria de Baldasar/ da Siena Pen and brown ink and wash, over traces of black chalk 521 by 310 mm; 20 1/2 by 12 1/4 in

ATTRIBUTED TO PIETRO BUONACCORSI, CALLED PERINO DEL VAGA

FLORENCE 1501 - 1547 ROME ST. PAUL Pen and brown ink and wash heightened with (oxidized) white, within brown ink framing lines; bears numberings, in brown ink: 16 (lower left) and 26 (lower right), and old attributions in pen and brown ink: Giorgio Vasari and Leonardo 264 by 130 mm; 10 3/8 by 5 1/8 in

CIRCLE OF PERINO DEL VAGA (1501-1547) "Giulliz",

CIRCLE OF PERINO DEL VAGA (1501-1547) "Giulliz", inscribed to the reverse with artist's name and title, pen and sepia ink, 4.25" x 6.25" Provenance: Sir Neville R Wilkinson, KCVO

PIETRO BUONACCORSI, CALLED PERINO DEL VAGA

PIETRO BUONACCORSI, CALLED PERINO DEL VAGA FLORENCE 1501 - 1547 ROME THE HOLY FAMILY WITH THE INFANT SAINT JOHN THE BAPTIST oil on panel 34 1/4 by 25 1/2 in.; 87 by 64.8 cm.

PIETRO BUONACCORSI, CALLED PERINO DEL VAGA

PIETRO BUONACCORSI, CALLED PERINO DEL VAGA FLORENCE 1501 - 1547 ROME JUPITER AND JUNO RECLINING IN AN ALCOVE ATTENDED BY AMORINI, TWO OTHERS HOLDING A HERALDIC SHIELD BELOW Pen and a dark shade of brown ink and brown and gray wash heightened with white (oxidized), squared with a stylus 435 by 404 mm; 17 1/8 by 15 7/8 in

Circle of Pietro Buonaccorsi, called Perino del Vaga (Florence 1501-1547 Rome)

Circle of Pietro Buonaccorsi, called Perino del Vaga (Florence 1501-1547 Rome) Design for the wall of a chapel, with a panel of the Madonna and Child, a further study of an allegorical female figure pen and brown ink, grey wash, unframed 6 x 5 in. (15.4 x 12.6 cm.)

PIETRO BUONACCORSI, CALLED PERINO DEL VAGA

PIETRO BUONACCORSI, CALLED PERINO DEL VAGA FLORENCE 1501 - 1547 ROME RECTO : TWO SAINTS AND A GROUP OF FOUR WOMEN; VERSO : A STANDING SAINT AND FOUR OTHER FIGURES Pen and brown ink and wash over black chalk, heightened with white, partly oxidised ( recto ); pen and brown ink and wash, some by a later hand ( verso ); the upper corners cut; bears attribution in pencil, lower centre of recto : P. Ligorio 123 by 199 mm

Painting manner of Perino del Vaga (1501-1547, Italian)

Painting manner of Perino del Vaga (1501-1547, Italian), Madonna and Child, oil on cradled panel, signed and inscribed in cartolino "Perino - Bonacori? - MDXXXIII", lower center left, also monogrammed "L-A", upper right, 48.5" x 35" (panel), unframed

CIRCLE OF PIETRO BUONACCORSI, CALLED PERINO DEL VAGA

MADONNA AND CHILD

Circle of Pietro Buonaccorsi, Perino del Vaga (Florence 1501-1547 Rome)

Circle of Pietro Buonaccorsi, Perino del Vaga (Florence 1501-1547 Rome) The Adoration of the Shepherds oil on panel, unframed 40 7/8 x 49 3/8 in. (101.9 x 125.4 cm.)