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Francesco Piranesi Sold at Auction Prices

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  • Francesco Piranesi, "Veduta del Pantheon d´Agrippa"
    Aug. 29, 2026

    Francesco Piranesi, "Veduta del Pantheon d´Agrippa"

    Est: -

    Francesco Piranesi, "Veduta del Pantheon d´Agrippa" Blick auf das Pantheon mit reichlicher Figurenstaffage im Vordergrund, im unteren Bereich betitelt "Veduta del Pantheon d´Agrippa" und ausführlich bezeichnet, Radierung, Ende 18. Jh., (späterer Abzug), in der Platte signiert "Piranesi F.", Erhaltungsmängel, hinter Glas gerahmt, Plattenmaße ca. 47,5 x 69 cm. Francesco Piranesi, "Veduta del Pantheon d’Agrippa" View of the Pantheon with a profusion of figures in the foreground; titled "Veduta del Pantheon d’Agrippa" at the bottom and described in detail, etching, late 18th century, (later print), signed “Piranesi F.” on the plate, with some damage, framed behind glass, plate dimensions approx. 47.5 x 69 cm.

    Auktionshaus Mehlis GmbH
  • Framed architectural etching titled "Fianco del Tempio di Vesta in Tivoli" (Side of the Temple of Vesta in Tivoli) originally drawn and published by Francesco Piranesi between 1780 and 1809, (continuing his father Giovan
    Aug. 11, 2026

    Framed architectural etching titled "Fianco del Tempio di Vesta in Tivoli" (Side of the Temple of Vesta in Tivoli) originally drawn and published by Francesco Piranesi between 1780 and 1809, (continuing his father Giovan

    Est: $350 - $700

    Framed architectural etching titled "Fianco del Tempio di Vesta in Tivoli" (Side of the Temple of Vesta in Tivoli) originally drawn and published by Francesco Piranesi between 1780 and 1809, (continuing his father Giovanni Battista Piranesi's work) 28 1/2" x 34 1/2" x 1 1/2" Framed architectural etching titled "Fianco del Tempio di Vesta in Tivoli" (Side of the Temple of Vesta in Tivoli) originally drawn and published by Francesco Piranesi between 1780 and 1809. The piece continues the work of his father, Giovanni Battista Piranesi. It features detailed architectural elements of the Temple of Vesta in Tivoli.

    Ripley Auctions
  • Piranesi, Francesco Rom 1758 - 1810 Paris, italienischer Kupferstecher und Architekt. Konvolut 7 Grafiken mit Ansichten von Rom: u. a. Mausoleum, Pyramide, Capitol, Kolosseum und Pantheon, in der Plat
    Jun. 26, 2026

    Piranesi, Francesco Rom 1758 - 1810 Paris, italienischer Kupferstecher und Architekt. Konvolut 7 Grafiken mit Ansichten von Rom: u. a. Mausoleum, Pyramide, Capitol, Kolosseum und Pantheon, in der Plat

    Est: €800 - €1,600

    Piranesi, Francesco Rom 1758 - 1810 Paris, italienischer Kupferstecher und Architekt. Konvolut 7 Grafiken mit Ansichten von Rom: u. a. Mausoleum, Pyramide, Capitol, Kolosseum und Pantheon, in der Platte bez., tlw. mit Wasserzeichen, Radierung/Papier, HxB: ca. 54/80,5 cm (Blattmaße). Part. fleckig, gewellt. Ungerahmt. Provenienz: ehemals Sammlung Prof. Dr. Rudolf Schnellbach (Direktor des Badischen Landesmuseums).

    Yves Siebers Auktionen GmbH
  • Francesco Piranesi - Roman ruins, 1700
    Jun. 25, 2026

    Francesco Piranesi - Roman ruins, 1700

    Est: €400 - €500

    contemporary etching, first state, 235 x 355 mm

    Finarte
  • Francesco Piranesi (1758-1810), The Farnese Bull
    Jun. 23, 2026

    Francesco Piranesi (1758-1810), The Farnese Bull

    Est: $400 - $600

    Property of Bliss Hebert and Allen Charles Klein Description: Francesco Piranesi (Italian, 1758-1810), Engraving of The Farnese Bull, inscribed "Francesco Piranese" upper right, with inscription at the bottom, depicting a mythological scene where Amphion and Zethus tie Dirce to a wild bull as a punishment, in a giltwood frame under glass. Frame size: 32 5/8 in. x 29 in. Measurements: Height: by sight 24 5/8 in. x Width: 22 in. Condition: Good to fair condition, staining and foxing especially to edges, with a horizontal fold crease at center and loss along the left edge, not viewed out of frame, wear to frame. Notice to bidders: The absence of a condition report does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the conditions of aging. PHOTOS MAY ALSO ACT AS A CONDITION REPORT. Please review all photos closely prior to bidding. Complete condition reports are available by request, no later than 24 hours prior to the live auction. All lots are offered and sold 'AS IS’, and Everard Auctions will not provide refunds based on condition. Timepiece movements, lighting and electrics have not been tested, and art has not been examined out of the frame unless otherwise stated. We do not guarantee the condition of frames. By placing a bid, either in person, by phone, absentee or via the Internet, you signify that you agree to be bound by the conditions of sale. Everard Auctions does not provide any shipping or packing services. We recommend that all potential buyers obtain pack/ship estimates prior to bidding. Please contact us for a list of recommended shippers.

    Everard Auctions and Appraisals
  • FRANCESCO PIRANESI: VEDUTA INTERNA DELLA VILLA DI MECENATE
    Jun. 17, 2026

    FRANCESCO PIRANESI: VEDUTA INTERNA DELLA VILLA DI MECENATE

    Est: €500 - €1,000

    Francesco Piranesi Veduta Interna della Villa di Mecenate copper etching on paper; framed 51.5 x 65.5 cm signed in the plate on the lower left: Francesco P. private property, Austria private property, Austria differential taxation

    Auction House im Kinsky
  • FRANCESCO PIRANESI: LANDSCHAFT MIT RUINEN
    Jun. 17, 2026

    FRANCESCO PIRANESI: LANDSCHAFT MIT RUINEN

    Est: €500 - €1,000

    Francesco Piranesi Landscape with Ruins copper etching on paper; framed 51.5 x 65.5 cm signed in the plate on the lower left: Francesco P. private property, Austria private property, Austria differential taxation

    Auction House im Kinsky
  • FRANCESCO PIRANESI Il teatro d'Ercolano. Rome: Stamperia Salomoni, 1783. An elegant collection of engravings by Francesco Piranesi, a splendid testimony to Roman theatrical architecture. The volume is dedicated to Gustav III of Sweden (174...
    Feb. 26, 2026

    FRANCESCO PIRANESI Il teatro d'Ercolano. Rome: Stamperia Salomoni, 1783. An elegant collection of engravings by Francesco Piranesi, a splendid testimony to Roman theatrical architecture. The volume is dedicated to Gustav III of Sweden (174...

    Est: €800 - €1,200

    Il teatro d'Ercolano. Rome: Stamperia Salomoni, 1783. An elegant collection of engravings by Francesco Piranesi, a splendid testimony to Roman theatrical architecture. The volume is dedicated to Gustav III of Sweden (1746-1792), described on the frontispiece as a “most munificent promoter of the fine arts”. Piranesi had begun a correspondence with Baron Carl Fredrik Fredenheim (1748-1803) to obtain an official assignment from the Swedish king, which he obtained in 1783. His assignments had the aim of finding works for the royal collection and of promoting artistic exchanges between Sweden and the Papal State. Folio (527 x 370mm). Half-title, engraved title with dedication to Gustav III of Sweden, 9 double-page plates (small restorations to at center of the plates, occasional light soiling). Modern half-calf on marbled paper, gilt title on spine, blue edges (slight wear). IT Il teatro d'Ercolano. Roma: Stamperia Salomoni, 1783. Elegante raccolta di incisioni di Francesco Piranesi, splendida testimonianza dell'architettura teatrale romana. Il volume è dedicato a Gustavo III di Svezia (1746-1792), definito al frontespizio come “promotore munificientissimo delle belle arti”. Piranesi aveva avviato una corrispondenza con il barone Carl Fredrik Fredenheim (1748-1803) per ottenere un incarico ufficiale dal re svedese, che ottenne nel 1783. I suoi incarichi avevano l'obiettivo di reperire opere per la collezione reale e di favorire gli scambi artistici tra la Svezia e lo Stato Pontificio. Folio (527 x 370mm). Occhiello, frontespizio inciso con dedica a Gustavo III di Svezia, 9 tavole a doppia pagina (piccoli restauri alle pieghe interne delle tavole, sporadiche lievi tracce di polvere). Mezza pelle moderna su carta marmorizzata, titolo in oro al dorso, tagli azzurri (lievi segni di usura).

    Il Ponte Auction House
  • G. B. PIRANESI - TWO STUDIES OF VASES, ETCHINGS
    Feb. 04, 2026

    G. B. PIRANESI - TWO STUDIES OF VASES, ETCHINGS

    Est: $600 - $800

    Giovanni Battista Piranesi (1720-1778) & Francesco Piranesi (1758-1810). Two uncolored copper engraving plates #58 and #72 from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi". Beaded silver gilt frames.

    Litchfield Auctions
  • Italy.- Piranesi (Francesco) Prospettiva della nuova Piazza di Padova, etching and engraving, 1786
    Jan. 29, 2026

    Italy.- Piranesi (Francesco) Prospettiva della nuova Piazza di Padova, etching and engraving, 1786

    Est: £1,500 - £2,000

    Italy.- Piranesi (Francesco) Prospettiva della nuova Piazza di Padova, etching and engraving on three sheets conjoined, total platemark approx. 585 x 1550 mm (23 x 61 in), the sheet 620 x 1580 mm (24 1/2 x 62 1/4 in), small but good complete margins, mounted onto conservation support, old folds with some associated splitting and and minor loss, minor discolouration and surface dirt, unframed, 1786 ⁂ Impressive grand panorama showing the Prato della Valle, Padua, on market day, after a painting by Giuseppe Subleyras (1745-1810). 

    Forum Auctions - UK
  • Piranesi Francesco
    Nov. 29, 2025

    Piranesi Francesco

    Est: CHF240 - CHF300

    Veduta del Ponte Molle (1762) Leicht gebräunt und stockfleckig. Piranesi, Gesamtkatalog der Radierungen. S. 715, Abb. 935. Gerahmt unter Passepartout Ausrufdatum: 29.11.2025 Ungefähre Ausrufzeit: 09:27

    Auktionshaus Zofingen
  • Architecture.- Piranesi (Francesco) and others. Collection of 12 folio prints of architecture, ornament and associated design, engravings, [mainly 18th century]
    Nov. 26, 2025

    Architecture.- Piranesi (Francesco) and others. Collection of 12 folio prints of architecture, ornament and associated design, engravings, [mainly 18th century]

    Est: £150 - £200

    Architecture.- Piranesi (Francesco) and others. Collection of 12 folio prints of architecture, ornament and associated design, including eight sheets printed in red ink from 'Galeriae Farnesianae Icones Romae' of baroque wall and ceiling frescos by Carracci and others, Piranesi's 'Sedia curule di marmo inprospettiva Essa conservasi nel Museo del Cavalier Piranesi...', and other Italian 18th century prints of Baroque interiors, engravings, various sizes, all unframed, [mainly 18th century]

    Forum Auctions - UK
  • Piranesi, Francesco: Bildnis Giovanni Battista Piranesi
    Nov. 26, 2025

    Piranesi, Francesco: Bildnis Giovanni Battista Piranesi

    Est: €500 - €750

    Bildnis Giovanni Battista Piranesi als Relief. Radierung nach Giuseppe Cades. 42,3 x 31 cm. 1779. Nicht bei Le Blanc, Wilton-Ely, S. 327. Vom Sohn Francesco ein Jahr nach dem Tod des Vaters radiert. Prachtvoller, kontrastreicher Druck mit breitem, an zwei Seiten dem vollen Rand. Schwach angeschmutzt im weißen Rand, dieser unten rechts leicht fingerfleckig sowie an der Unter- und Oberkante teils leicht wellig, sonst in sehr schöner Erhaltung. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Francesco Piranesi (Italian, 1758-1810) Etching on Watermarked Laid Paper, 'Vedutta Del Porto Di Ripetta', H 15.5" W 23.5" Frame Size: H 26.25" W 34.25"
    Sep. 12, 2025

    Francesco Piranesi (Italian, 1758-1810) Etching on Watermarked Laid Paper, 'Vedutta Del Porto Di Ripetta', H 15.5" W 23.5" Frame Size: H 26.25" W 34.25"

    Est: $500 - $1,000

    View of the Porto di Ripetta, Rome. Annotated with buildings of interest. Matted and framed under glass.  Provenance: Property from the Estate Collection of Robert Littman, Birmingham, MI Dimensions: 1 PC x H 15.5" W 23.5" Frame Size: H 26.25" W 34.25"

    DuMouchelles
  • Francesco Piranesi (Italian, 1758-1810) Etching on Watermarked Laid Paper, 'S. Saria Di Loreto And Santissimo Nmoe Di Maria', H 17" W 27.25" Frame Size: H 28" W 39"
    Sep. 12, 2025

    Francesco Piranesi (Italian, 1758-1810) Etching on Watermarked Laid Paper, 'S. Saria Di Loreto And Santissimo Nmoe Di Maria', H 17" W 27.25" Frame Size: H 28" W 39"

    Est: $400 - $800

    Depicting two churches near Trajan's column.  Provenance: Property from the Estate Collection of Robert Littman, Birmingham, MI Dimensions: 1 PC x H 17" W 27.25" Frame Size: H 28" W 39"

    DuMouchelles
  • FRANCESCO PIRANESI (1758-1810). ‘Roman armour’.
    Jul. 24, 2025

    FRANCESCO PIRANESI (1758-1810). ‘Roman armour’.

    Est: €300 - €700

    Print. It has a central fold mark. 53 x 38 cm (imprint); 59 x 45 cm (paper); 83 x 69 cm (frame).

    Subarna Subastas
  • FRANCESCO PIRANESI ARCHITECTURAL PRINT
    Jul. 10, 2025

    FRANCESCO PIRANESI ARCHITECTURAL PRINT

    Est: $300 - $500

    Francesco Piranesi Architectural Print. Son of Giambattista. Two plates on one sheet. Ornamental Capital and Column Base, Three fragments including a capital from Hadrian's Villa, Tivoli, and a funerary Urn. Etching from the Vasi, Candelabra... Wilton-Ely pages 1087-1088. Size: 26"T x 18.75"W Provenance: Private Suburban Philadelphia Estate Ex- David Tunick, Inc. Exhibition, 2009.

    Ashcroft and Moore
  • FRANCESCO PIRANESI ARCHITECTURAL PRINT
    Jul. 10, 2025

    FRANCESCO PIRANESI ARCHITECTURAL PRINT

    Est: $300 - $500

    Francesco Piranesi Architectural Print. Two plates, one sheet. Capital and Base. Size: 26"T x 18.75"W Provenance: Private Suburban Philadelphia EstateEx- David Tunick, Inc. Exhibition, 2009.

    Ashcroft and Moore
  • F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis, Pompeii, 1806, Etching
    Jun. 28, 2025

    F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis, Pompeii, 1806, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Temple of Isis, Pompeii, landscape of ruins in destroyed Pompeii with figures, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Vue de links'Aspect du Temple d'Isis [...]". Date: 1806 Description: The picture illustrates an ancient landscape of ruins, characterised by classical architecture and columns of the destroyed Temple of Isis in the middle of Pompeii. A central staircase leads to a raised platform; figures in contemporary clothing lend the scene a lively context. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Vesuvius; Ruins; Antiquity; Architecture; Classicism; Columns; Stairs; Pedestal; Figures; History; Culture; Drawing; Art; Engraving; Perspective; Trees; Sky; Shadow; Light; Materiality; Texture;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 93,7 cm (25,6 x 36,9 in), Plate: 53,6 cm x 78,0 cm (21,1 x 30,7 in), Depiction: 49,3 cm x 76,3 cm (19,4 x 30 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Inscription and mosaic of the Temple of Isis, Pompeii,
    Jun. 28, 2025

    F. PIRANESI (*1758) after PIRANESI (*1720), Inscription and mosaic of the Temple of Isis, Pompeii,

    Est: €600 - €800

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Inscription and mosaic of the Temple of Isis in destroyed Pompeii, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Pavé de Mosaique blanc, et noir qui orne la cellule du Temple d'Isis [...]". Date: 1806 Description: Precise image of the inscription in the cella of the Temple of Isis in Pompeii and the floor mosaic. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Historical; Mosaic; Inscription; Latin; French; Ornament; Representation; Border; Dedication; Graphics; Pattern; Art; Archaeology; Documentation; Antiquity; Black and white; Print; Aesthetics; Geometry; Culture;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 93,4 cm (25,6 x 36,8 in), Plate: 53,3 cm x 77,2 cm (21 x 30,4 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Interior of a house in Pompeii, 1804, Etching
    Jun. 28, 2025

    F. PIRANESI (*1758) after PIRANESI (*1720), Interior of a house in Pompeii, 1804, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Interior of a house in Pompeii Landscape of ruins in destroyed Pompeii with figures, 1804, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 12/1804". At the lower part inscribed in the printing plate: "Vue Interieure d'une Boutique dépendante de la derniere maison placée à droite en entrant dans la Ville de Pompeia". Date: 1804 Description: This etching shows an interior scene with two figures, one drawing, the other with a blank stare. The picture is dominated by darkness, emphasised by light-flooded accents and a wealth of detail in the deep black and white depiction. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Etching; Interior; Figures; Reading; View; Darkness; Light; Accents; Richness of detail; Black and white; Representation; Art; Composition; Texture; Shadow; Contrast; Drama; Scenery; Image analysis; Art history, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 93,0 cm (25,6 x 36,6 in), Plate: 42,7 cm x 57,2 cm (16,8 x 22,5 in), Depiction: 37,4 cm x 55,4 cm (14,7 x 21,8 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Atrium der Surgeon's House, Pompeji, 1805, Etching
    Jun. 28, 2025

    F. PIRANESI (*1758) after PIRANESI (*1720), Atrium der Surgeon's House, Pompeji, 1805, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Atrium of the Casa del Chirurgo, Pompeii, landscape of ruins in ruined Pompeii with figures, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 13/1805". At the lower part inscribed in the printing plate: "Vue de la Cour ou Cavedium Corinthien de la maison la plus remarquable après celle du Chirurgien indiquée [...]". Date: 1805 Description: View of the ruins of the Casa del Chirurgo in Pompeii. Two figures of shepherds with sheep are depicted in the foreground, adding to the grandeur of the site and emphasising the transience of human creativity. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Antiquity; ruins; columns; vegetation; engraving; art history; decay; archaeology; transience; perspective; sky; clouds; figures; animal; tree; light and shadow; contrast; tranquillity; history; sublimity;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 94,0 cm (25,6 x 37 in), Plate: 51,5 cm x 72,9 cm (20,3 x 28,7 in), Depiction: 47,3 cm x 71,4 cm (18,6 x 28,1 in)

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Simpulum, simpuvium, ladles from Pompeii, 1805, Etching
    Jun. 28, 2025

    F. PIRANESI (1758-1810), Simpulum, simpuvium, ladles from Pompeii, 1805, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris): Simpulum, Simpuvium, ladles from Pompeii, landscape of ruins in destroyed Pompeii, 1805, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Grandes patéres à manche, et ustensiles connus sous les noms de Simpulum ou de Simpuvium, servant à puiser les liquides à Pompeia". Date: 1805 Description: Various ladles (simpulum/simpuvium) from the ruins of Pompeii are depicted on a large scale. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Kitchen utensil; antiquity; statue; fountain; shields; crockery; curtains; masonry; engraving; art history; copper engraving; symbolism; water feature; relief; architecture; ornamentation; armour; inscription; art print; antiquity; ornamentation, 19th century, Classicism, Archeology, Italy, Pompeii (Campanian), Size: Paper: 65,1 cm x 91,8 cm (25,6 x 36,1 in), Plate: 53,6 cm x 66,0 cm (21,1 x 26 in), Depiction: 48,8 cm x 62,8 cm (19,2 x 24,7 in)

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Farming tools from Pompeii, 1805, Etching
    Jun. 28, 2025

    F. PIRANESI (1758-1810), Farming tools from Pompeii, 1805, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris): Ancient farming tools from Pompeii, 1805, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Outils de Macons et d'Agriculteurs trouves à Pompeia". Date: 1805 Description: The engraving shows a compilation of Roman tools from the ruins of Pompeii, skilfully arranged on a dark background. The detailed elaboration creates a vivid testimony to ancient craftsmanship. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Antiquity; tools; Roman Empire; artwork; engraving; archaeology; craftsmanship; attention to detail; illustration; historical; research; cultural history; material culture; Pompeii; agriculture; carpentry; metal tools; excavation finds; image interpretation; conservation;, 19th century, Classicism, Archeology, Italy, Pompeii (Campanian), Size: Paper: 65,2 cm x 91,9 cm (25,7 x 36,2 in), Plate: 54,3 cm x 66,5 cm (21,4 x 26,2 in), Depiction: 50,0 cm x 63,8 cm (19,7 x 25,1 in)

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Cooking utensils from Pompeii, 1805, Etching
    Jun. 28, 2025

    F. PIRANESI (1758-1810), Cooking utensils from Pompeii, 1805, Etching

    Est: €600 - €800

    Francesco Piranesi (1758 Rom - 1810 Paris): Ancient cooking and household utensils from the ruins of Pompeii, 1805, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Ustencilles de ménage, des anciens trouvés à Pompeia". Date: 1805 Description: The depiction shows four antique objects from the ruins of Pompeii, carefully arranged and captured in detail in a print. In the foreground a bowl and a jug, behind it a large plate ornament and a jug, surrounded by vegetative elements that suggest historical relics. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: printmaking; antique objects; bowl; jug; plate; ornamentation; vegetation; relics; historical; arrangement; richness of detail; artwork, 19th century, Classicism, Archeology, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 91,9 cm (25,6 x 36,2 in), Plate: 53,6 cm x 66,2 cm (21,1 x 26,1 in), Depiction: 50,0 cm x 63,5 cm (19,7 x 25 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Profile of the Ionic column order, 1805, Etching
    Jun. 28, 2025

    F. PIRANESI (*1758) after PIRANESI (*1720), Profile of the Ionic column order, 1805, Etching

    Est: €450 - €600

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Profile of the Ionic column order with details and sections Architectural image of the tomb of Mamia, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Grave par P. Piranesi". At the lower part inscribed in the printing plate: "Profils en grand de links'ordre Ionique, qui forme la partie supérieure du tombeau de Mamia". Lower right dated: "L'an 13/1805". Date: 1805 Description: The meticulous depiction shows architectural elements, including a frieze with acanthus decoration, an Ionic capital, detailed drawings and geometric design sketches. The composition is precise and clearly structured. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Via dei Sepolcri; Tomb of Mamia; Architectural detail; Frieze; Acanthus decoration; Ionic capital; Column; Design; Sketch; Geometry; Precision; Classicism; Drawing; Art history; Architecture; Structure; Plan; Design; Architecture; Ornamentation;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 64,9 cm x 46,6 cm (25,6 x 18,3 in), Plate: 56,7 cm x 38,8 cm (22,3 x 15,3 in), Depiction: 53,5 cm x 37,8 cm (21,1 x 14,9 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Figurine capital from Pompeii, 1806, Etching
    Jun. 28, 2025

    F. PIRANESI (*1758) after PIRANESI (*1720), Figurine capital from Pompeii, 1806, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Figural capital from Pompeii with male and female figures from the house opposite the basilica, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par P. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Plan perspectif du Chapiteau qui ornait links'entrée de la maison située vis-à-vis de la Basilique, marqué N. 13. à la Pl. XLIV.". Date: 1806 Description: This engraving shows three busts on the capital of an architecturally designed façade of a house in Pompeii. Keywords: Pompeii; Campania; Engraving; Busts; Balustrade; Arcade; Architecture; Classicism; Decoration; Art; Attention to detail; Cultural heritage; Design; Aesthetics; Structure; Motifs; Visualisation; Historical representation; Illustration; Art history; Graphics, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 46,7 cm x 65,0 cm (18,4 x 25,6 in), Plate: 36,5 cm x 54,2 cm (14,4 x 21,3 in), Depiction: 33,9 cm x 53,2 cm (13,3 x 20,9 in)

    Fichter Kunsthandel
  • FRANCESCO PIRANESI (ITALY, 1758-1810)
    Jun. 27, 2025

    FRANCESCO PIRANESI (ITALY, 1758-1810)

    Est: $600 - $800

    FRANCESCO PIRANESI (ITALY, 1758-1810) "Vue laterale du Temple de Junon", (Side view of the Temple of Juno…), 1778, engraving, signed in plate. From "Differentes Vues De Quelques Restes De Trois Grands Édifices Qui Subsistent Encore Dans Le Milieu De L'Ancienne Ville De Pesto.". / (G.B. and F. Piranesi.) [Roma, 1778-9] [pl.XIX]' unframed, loose in folio, vertical center crease as issued, toning, foxing.

    Thomaston Place Auction Galleries
  • FRANCESCO PIRANESI (1758-1810). ‘Roman armour’.
    Jun. 19, 2025

    FRANCESCO PIRANESI (1758-1810). ‘Roman armour’.

    Est: €400 - €700

    Print. It has a central fold mark. 53 x 38 cm (imprint); 59 x 45 cm (paper); 83 x 69 cm (frame).

    Subarna Subastas
  • Francesco Piranesi (1758-1810), Engraving
    Jun. 15, 2025

    Francesco Piranesi (1758-1810), Engraving

    Est: $200 - $400

    An engraving of "Anaglyphus Rome in villa Medicea" by Francesco Piranesi, plate XXXVII. Dimensions: sheet is 19 3/8" x 28 1/2" Provenance: From the Philadelphia Print Shop.

    Locati LLC
  • Francesco Piranesi (1758-1810), Engraving
    Jun. 15, 2025

    Francesco Piranesi (1758-1810), Engraving

    Est: $200 - $400

    A print from Raccolta de'Tepmi Antichi Prima Parte... Seconda Parte, Rome c. late 18th century, a second edition restrike c. 1870, Regio Calicographia blind stamp at the bottom right corner.  Dimensions: Sheet is 30 1/4" x 22" Provenance: From the Philadelphia Print Shop.

    Locati LLC
  • Francesco Piranesi (1758 - 1810), Etching
    Jun. 15, 2025

    Francesco Piranesi (1758 - 1810), Etching

    Est: $500 - $700

    "Veduta interna della Villa di Mecenate", an etching by Francesco Piranesi, signed in the plate at the lower left corner, from the first Paris edition c. 1800-07. Dimensions: sheet is 21" x 27 1/4"  Provenance: From the Philadelphia Print Shop.

    Locati LLC
  • F. PIRANESI (1758-1810), Decorations and fittings from Pompeii, 1806, Etching
    May. 31, 2025

    F. PIRANESI (1758-1810), Decorations and fittings from Pompeii, 1806, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris): Decorations and fittings from Pompeii, door knockers, hinges and door hinges, 1806, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Mains, heurtoirs, gonds et pentures en bronze qui ont servi aux portes des maisons à Pompeia". Date: 1806 Description: A detailed engraving shows a collection of metal fittings and decorative elements from the ruins of Pompeii in a symmetrical arrangement. In the centre are door handles in the shape of lions, flanked by geometrically shaped objects and decorative elements. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Engraving; metal fittings; architectural elements; symmetrical arrangement; door handles; lion's head; geometry; decoration; art history; craftsmanship; study; richness of detail; illustration; historical; object collection; design elements, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 92,5 cm (25,6 x 36,4 in), Plate: 54,0 cm x 65,5 cm (21,3 x 25,8 in), Depiction: 48,9 cm x 63,4 cm (19,3 x 25 in)

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Mirrors and hair rods from Pompeii, 1805, Etching
    May. 31, 2025

    F. PIRANESI (1758-1810), Mirrors and hair rods from Pompeii, 1805, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris): Mirrors and hair rods from Pompeii Utility objects from the ruins of Pompeii, 1805, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Miroirs métalliques de forme ronde et quadrangulaire, aiguilles de tète, épingles, et autres". Date: 1805 Description: Collage of some archaeological finds from the ruins of destroyed Pompeii. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Ladies' toilet; Mirror; Hand mirror; Antique; Monochrome; Shading; Depth of space; Architecture; Artefacts; Work of art; Engraving; Science; Museal; Representation, 19th century, Classicism, Archeology, Italy, Pompeii (Campanian), Size: Paper: 65,1 cm x 92,1 cm (25,6 x 36,3 in), Plate: 54,4 cm x 66,6 cm (21,4 x 26,2 in), Depiction: 49,0 cm x 64,4 cm (19,3 x 25,4 in)

    Fichter Kunsthandel
  • FRANCESCO PIRANESI (Italian, 1758-1810)
    May. 28, 2025

    FRANCESCO PIRANESI (Italian, 1758-1810)

    Est: $300 - $500

    Veduta interna del Panteon vulgarmente detto la Rotonda Engraving Measurements (sight): H. 19 1/4" x W. 27"

    A. H. Wilkens Auctions & Appraisals
  • Piranesi, Francesco: Grand Frontispice du Premier Volume des Antiquites de Pompeia
    May. 28, 2025

    Piranesi, Francesco: Grand Frontispice du Premier Volume des Antiquites de Pompeia

    Est: €900 - €1,200

    Grand Frontispice du Premier Volume des Antiquités de Pompeia. Radierung nach Giovanni Battista Piranesi. 63,5 x 84 cm. 1804. Le Blanc aus 12, Nagler aus 14. Bei dem beeindruckenden Blatt handelt es sich um den Titel der Antiquités de Pompeia aus der Serie der Antiquités de la Grande Grèce... Das umfangreiche Werk, das schließlich drei Bände und über 100 Tafeln umfassen sollte, basierte auf Zeichnungen, die Vater und Sohn bereits 1770-78 während mehrerer Besuche der Ausgrabungen von Pompeji angefertigt hatten. Das Titelblatt zeigt eine Kombination bildhauerischer und architektonischer Elemente Pompejis, aus deren Mitte Flammen lodern, und gibt den dokumentarischen Zweck der Sammlung an: "INCENDIO CONSUMPTUM RESTITUIT". Ganz ausgezeichneter Druck mit Rand um die Plattenkante. Teils minimal berieben, vollständig aufgezogen, im linken Rand drei größere ausgebesserte Löcher, Ausriss der rechten oberen Ecke im weißen Rand, reparierter Riss im rechten Rand, weitere Randmängel und Löchlein, geringfügig angestaubt und gebrauchsspurig, sonst schön. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Piranesi - Sciographia
    May. 24, 2025

    Piranesi - Sciographia

    Est: €3,000 - €4,000

    Architecture - Piranesi, Francisco. Sciographia quatuor templorum veterum. (Paris, Calcographie des Piranesi frères), c. 1800. With double-page engraved title and 44 (of 49; 29 double-page) copper plates and plans. Folio. Contemporary half leather (heavily rubbed and bumped, joints chipped) with spine label "Antiquites Romaine Supplem(ent)". Francesco Piranesi (ca. 1756-1810), Italian engraver and architect, was the son of the famous Giovanni Battista Piranesi. Like his father, he created etchings of ancient buildings and works of art in the city of Rome. In the eighties and nineties, numerous plates appeared, often based on unpublished models by his father. As staunch Jacobins, Francesco and his brother Pietro had to flee to Paris in 1799, but managed to take all the printing plates from their workshop with them. In Paris they now set up a new workshop, the "Calcographie des Piranesi frères", where from 1800-1807 "a carefully printed new edition of the complete graphic works in twenty-seven volumes was organized" (Wilton/Ely, p. 132).- The present volume 6 of the 27 volumes, which according to the catalog "Regia Calcografia di Roma" consists of the two parts of the "Raccolta de" Tempj Antichi" from 1780 and 1790. The plates partly dated (between 1780-90) and numbered I-XIII, I-VIII, II-VI, X-XXIIII and XXVI-XXVIII in Roman numerals, thus 5 plates missing.- Some foxing in the wide white outer margin, 1 plate with small marginal tear.- Nameplate of the Parisian bookbinder (Jean-Joseph) Tessier and of the architect Alexandre Dufour (architect of Louis XVIII; 1760-1835) on the flyleaf.- Original description in German: Architektur.- Piranesi, Francisco. Sciographia quatuor templorum veterum. (Paris, Calcographie des Piranesi frères), um 1800. Mit doppelblattgroß Kupferstichtitel u. 44 (von 49; 29 doppelblattgroß) Kupfertafeln u. -plänen. Folio. Halbleder der Zeit (stärker beschabt u. bestoßen, Gelenke angeplatzt) mit Rückenschild „Antiquites Romaine Supplem(ent)“. Francesco Piranesi (um 1756-1810), italienischer Kupferstecher und Architekt, war der Sohn des berühmten Giovanni Battista Piranesi. Wie sein Vater schuf er Radierungen von den antiken Bau- und Kunstwerken der Stadt Rom. In den achtziger und neunziger Jahren erschienen zahlreiche Tafeln, oft gestützt auf unveröffentlichte Vorlagen seines Vaters. Als überzeugte Jacobiner mussten Francesco und sein Bruder Pietro 1799 nach Paris fliehen, dabei gelang es ihnen, sämtliche Druckplatten ihrer Werkstatt mitzunehmen. In Paris richteten sie nun eine neue Werkstatt ein, die „Calcographie des Piranesi frères“, hier wurde von 1800-1807 „eine sorgfältig gedruckte neue Ausgabe des gesamten graphischen Werks in siebenundzwanzig Bänden veranstaltet“ (Wilton/Ely, S. 132).- Vorliegend Band 6 der 27 Bände, der laut dem Katalog „Regia Calcografia di Roma“ aus den beiden Teilen der „Raccolta de“ Tempj Antichi“ von 1780 und 1790 besteht.- Die Tafeln teils datiert (zwischen 1780-90) und römisch nummeriert I-XIII, I-VIII, II-VI, X-XXIIII und XXVI-XXVIII, somit fehlen 5 Tafeln.- Im breiten weißen Außenrand teils etwas stockfleckig, 1 Tafel mit kleinem Randeinriss.- Namensschild des Pariser Buchbinders (Jean-Joseph) Tessier sowie des Architekten Alexandre Dufour (Architekt von Ludwig XVIII.; 1760-1835) auf Spiegel.

    Auktionshaus Schramm
  • Francesco Piranesi Etching, View of Paestum, "Vue des 18 Colonnes..."
    May. 23, 2025

    Francesco Piranesi Etching, View of Paestum, "Vue des 18 Colonnes..."

    Est: $200 - $400

    Francesco Piranesi (Italian 1758-1810) View of Paestum,"Vue des 18 Colonnes..." showing the Temples of Hera or Neptune and the Temple of Athena. Etching, Regia Calcografia edition (1870-1945), with blind stamp lower right, matted and framed. Dimensions: 24 15.75 x 24.25 plate size Condition: Appears very good. Not examined out of frame.

    Neue Auctions
  • Francesco Piranesi (Roma 1758 - Parigi 1810)
    May. 21, 2025

    Francesco Piranesi (Roma 1758 - Parigi 1810)

    Est: €200 - €300

    Francesco Piranesi (Roma 1758 - Parigi 1810) Veduta del tempio di Giunone a Paestum Acquaforte su carta 475 x 670 mm Francesco Piranesi (Rome 1758 - Paris 1810) View of the Temple of Juno at Paestum Etching on paper 475 x 670 mm

    Lucas Aste
  • F. PIRANESI (1758-1810), Tripod with satyrs, find from Pompeii, Etching
    May. 17, 2025

    F. PIRANESI (1758-1810), Tripod with satyrs, find from Pompeii, Etching

    Est: €450 - €600

    Francesco Piranesi (1758 Rom - 1810 Paris): Tripod with satyrs, archaeological find from Pompeii, 19th century, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "F. Piranesi Del.Sc.". At the lower part inscribed in the printing plate: "Trepied de Satyres en bronze, trouvé à Pompeia". Date: 19th century Description: A detailed architectural drawing shows an antique bronze candelabra supported by three satyr figures. The symmetry and fine lines emphasise the artist's skilled craftsmanship. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Architectural drawing; Candelabra; Satyr; Bronze; Antiquity; Arts and crafts; Symmetry; Line management; Satyr figures; Support; Craftsmanship; Art history; Classicism; Drawing; Study; Sculpture; Attention to detail; Historical depiction, 19th century, Classicism, Mythology, Italy, Pompeii (Campanian), Size: Paper: 65,2 cm x 46,0 cm (25,7 x 18,1 in), Plate: 52,0 cm x 37,5 cm (20,5 x 14,8 in), Depiction: 45,7 cm x 31,5 cm (18 x 12,4 in)

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Tripod with sphinxes, find from Herculaneum, Etching
    May. 17, 2025

    F. PIRANESI (1758-1810), Tripod with sphinxes, find from Herculaneum, Etching

    Est: €450 - €600

    Francesco Piranesi (1758 Rom - 1810 Paris): Tripod with sphinxes, archaeological find from Herculaneum, 19th century, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "F. Piranesi Del.Sc.". At the lower part inscribed in the printing plate: "Trépied de Sphinx en bronze, trouvé à Herculaneum". Date: 19th century Description: The picture presents a finely detailed drawing of an antique, decorative table frame with sphinxes as supporting elements. It is a classicist depiction that combines both ornamental and figurative motifs. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Antique; Table frame; Sphinxes; Decorative; Drawing; Classicism; Ornaments; Figurative; Supporting elements; Style analysis; Motif; Art history; Richness of detail; Architectural component; Representation; Perspective; Two-dimensional; Work of art; Symmetry; Stylistics, 19th century, Classicism, Mythology, Italy, Herculaneum (Campanian), Size: Paper: 65,0 cm x 46,0 cm (25,6 x 18,1 in), Plate: 51,2 cm x 37,0 cm (20,2 x 14,6 in), Depiction: 45,3 cm x 31,5 cm (17,8 x 12,4 in)

    Fichter Kunsthandel
  • Piranesi, Francesco.
    May. 09, 2025

    Piranesi, Francesco.

    Est: €120 - €180

    (1756 Rom - Paris 1810). Veduta Interna della Camera Sepocrale, 1756. Radierung. 51 x 67,8 cm. (from Le Antichita Romane).

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco.
    May. 09, 2025

    Piranesi, Francesco.

    Est: €80 - €120

    (1756 Rom - Paris 1810). "Vue de l'interieur de la Ville de Pompeia", so in der Platte betitelt, Radierung, in d. Pl. sign. und dat. "L'an 12" (1804). Darstellung 42 x 55 cm.

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco.
    May. 09, 2025

    Piranesi, Francesco.

    Est: €120 - €180

    (1756 Rom - Paris 1810). Lucerna antica di bronzo che si conserva in Napoli. 1778. Radierung. 49,1 x 76,2 cm.

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco.
    May. 09, 2025

    Piranesi, Francesco.

    Est: €80 - €120

    (1756 Rom - Paris 1810). Carro o Biga di Metalo Antico Etrusco usato ne Giuochi Circensi, Ansichten eines etruskischen Pferdewagen aus der Sammlung Stefano Pazzaglia. Radierung 1778. Darstl. 38,8 x 52,5 cm.

    Kiefer Buch- und Kunstauktionen
  • F. PIRANESI (*1758) after PIROLI (*1752), Decorated helmet of a gladiator, Pompeii, 1805, Etching
    May. 03, 2025

    F. PIRANESI (*1758) after PIROLI (*1752), Decorated helmet of a gladiator, Pompeii, 1805, Etching

    Est: €600 - €800

    Francesco Piranesi (1758 Rom - 1810 Paris) after Tommaso Piroli (1752 Rom - 1824 ibid.): Decorated helmet of a gladiator, Pompeii Bronze ceremonial helmet with figurative decoration, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par T. Piroli / Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Casque en bronze dont on faisait usage dans les Spectacles, trouvé dans les fouilles de Pompeia". Date: 1805 Description: The print shows a carefully detailed copperplate engraving of a bronze helmet with allegorical depictions and scenes from ancient mythology. It epitomises both artistic skill and historical symbolism. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Thracian; fighting games; arena; gladiator; copper engraving; helmet; allegory; mythology; artistry; symbolism; historical; graphic; detail work; scene; antiquity; illustration, 19th century, Classicism, Military, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 92,0 cm (25,6 x 36,2 in), Plate: 53,9 cm x 65,2 cm (21,2 x 25,7 in), Depiction: 49,0 cm x 61,3 cm (19,3 x 24,1 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis and Egyptian temple in Pompeii, 1806, Et
    May. 03, 2025

    F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis and Egyptian temple in Pompeii, 1806, Et

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Temple of Isis and Egyptian temple in the ruins of Pompeii, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par F. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Perspective du Temple d'Isis, et du petit Temple Egyptien tels qu'ils se trouvent ajourdhuy[...]". Date: 1806 Description: Depiction of the ruins of Pompeii with the remains of two temples. Classical architectural elements such as columns, arches and beams are depicted in decay. Dramatic shadow play and finely detailed drawing emphasise the transience and grandeur of the scene. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Pompeii; Campania; Vesuvius; ruins; architecture; antiquity; columns; arches; decay; shadow play; drama; drawing; imaginary; sublimity; transience; classicism, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 93,9 cm (25,6 x 37 in), Plate: 53,4 cm x 77,8 cm (21 x 30,6 in), Depiction: 49,8 cm x 76,6 cm (19,6 x 30,2 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Portal to the Temple of Isis, Pompeii, 1805, Etching
    May. 03, 2025

    F. PIRANESI (*1758) after PIRANESI (*1720), Portal to the Temple of Isis, Pompeii, 1805, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Portal to the Temple of Isis in Pompeii, landscape of ruins with figures, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 13/1805". At the lower part inscribed in the printing plate: "Vue de la porte de links'enceinte du Temple d'Isis [...]". Date: 1805 Description: The meticulous etching shows a perspective interior view of a ruin with columns and frescoes. Three figures can be seen in the foreground, while architectural details and inscriptions define the space. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Pompeii; Vesuvius; Campania; etching; ruin; perspective; interior view; columns; frescoes; figures; historical; architectural; inscriptions; art history; depth of field; composition; linear perspective; light and shadow effects; stucco work; antiquity; archaeological depiction;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 93,2 cm x 64,9 cm (36,7 x 25,6 in), Plate: 73,2 cm x 51,0 cm (28,8 x 20,1 in), Depiction: 68,5 cm x 48,7 cm (27 x 19,2 in)

    Fichter Kunsthandel
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