Francesco Piranesi Sold at Auction Prices

copperplate engraver

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  • Piranesi (Francesco, 1758/59-1810). Two interior views of St. Peter's Basilica, etchings, 1787
    Mar. 12, 2025

    Piranesi (Francesco, 1758/59-1810). Two interior views of St. Peter's Basilica, etchings, 1787

    Est: £200 - £400

    Piranesi (Francesco, 1758/59-1810). Two interior views of St. Peter's Basilica, etchings, 1787 * Piranesi (Francesco, 1758/59-1810). Il Santo Padre in atto d'adorazione innanzi al Sacramento..., 1787, etching on paper, after a design by Louis-Jean Desprez (1743–1804), published by Firmin Didot Frères, Paris, a rich impression, central fold (as issued), with margins, mount aperture 88 x 60 cm (34 3/4 x 23 1/2 ins), with Prospetto interiore del Tempio Vaticano veduto nelle sere di Giovedi e del Venerdi Santi..., 1787, etching on paper, after a design by Louis-Jean Desprez, published by Firmin Didot Frères, Paris, central fold (as issued), with margins, mount aperture 86 x 58 cm (33 3/4 x 22 3/4 ins), both in modern good quality antique-style black and gilt frames, glazed. QTY: (2)

    Dominic Winter Auctions
  • Piranesi (Francesco, 1758/59-1810). Veduta del Piedestallo del' Apoteosi di Antonino Pio..., circa 1776-1779
    Mar. 12, 2025

    Piranesi (Francesco, 1758/59-1810). Veduta del Piedestallo del' Apoteosi di Antonino Pio..., circa 1776-1779

    Est: £200 - £400

    Piranesi (Francesco, 1758/59-1810). Veduta del Piedestallo del' Apoteosi di Antonino Pio..., circa 1776-1779 * Piranesi (Francesco, 1758/59-1810). Veduta del Piedestallo del' Apoteosi di Antonino Pio, e di Faustina sua moglie nella Piazza di Monte Citorio, circa 1776-1779, etching and engraving on heavy wove paper, with margins, a very good dark impression, very light soiling to outer blank margins, plate size 490 x 705 mm (19 1/4 x 27 3/4 ins), sheet size 520 x 735 mm (20 1/2 x 29 ins) QTY: (1) NOTE: Focillon 573; Wilton-Ely 713.

    Dominic Winter Auctions
  • Francesco Piranesi,  Prospetto dello stato pres[en]te del Panteon senza i Campanili Moderni 
    Mar. 12, 2025

    Francesco Piranesi,  Prospetto dello stato pres[en]te del Panteon senza i Campanili Moderni 

    Est: £200 - £300

    Francesco Piranesi,  Italian 1758-1820-  Prospetto dello stato pres[en]te del Panteon senza i Campanili Moderni;  etching on laid paper, signed 'Cav. Frnco. Piranesi del. ed inc. 1786' (within the plate, lower right), 39 x 53 cm.  Provenance:  Private Collection, UK.  Note:  Francesco Piranesi's etchings continue the tradition of his father, Giovanni Battista Piranesi (1720-1778), with whom he studied and worked during the early part of his career. The present work depicts a frontal view of the Pantheon without the bell towers, which were added in the 16th century and removed in 1883. 

    Roseberys
  • Art & architecture.- Piranesi (Francesco) Monumenti Degli Scipioni, first edition, [Rome], 1785; and 4 others art related, 18th century (5)
    Mar. 06, 2025

    Art & architecture.- Piranesi (Francesco) Monumenti Degli Scipioni, first edition, [Rome], 1785; and 4 others art related, 18th century (5)

    Est: £150 - £200

    Art & architecture.- Piranesi (Francesco) Monumenti Degli Scipioni, first edition, engraved vignette, 6 engraved plates, very small marginal worming throughout, generally single tiny wormhole, soiling, water-stained, gutter split, endpapers stained with loss, uncut in contemporary boards, lacking backstrip, very worn, [Rome], 1785; and 4 others art related, of which 3 disbound 18th century parliamentary Acts, one with mention of widow Jane Hogarth, v.s. (5)

    Forum Auctions - UK
  • F. PIRANESI (1758-1810), Decorations and fittings from Pompeii, 1806, Etching
    Feb. 15, 2025

    F. PIRANESI (1758-1810), Decorations and fittings from Pompeii, 1806, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris): Decorations and fittings from Pompeii, door knockers, hinges and door hinges, 1806, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Mains, heurtoirs, gonds et pentures en bronze qui ont servi aux portes des maisons à Pompeia". Date: 1806 Description: A detailed engraving shows a collection of metal fittings and decorative elements from the ruins of Pompeii in a symmetrical arrangement. In the centre are door handles in the shape of lions, flanked by geometrically shaped objects and decorative elements. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Engraving; metal fittings; architectural elements; symmetrical arrangement; door handles; lion's head; geometry; decoration; art history; craftsmanship; study; richness of detail; illustration; historical; object collection; design elements, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 92,5 cm (25,6 x 36,4 in), Plate: 54,0 cm x 65,5 cm (21,3 x 25,8 in), Depiction: 48,9 cm x 63,4 cm (19,3 x 25 in)

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Mirrors and hair rods from Pompeii, 1805, Etching
    Feb. 15, 2025

    F. PIRANESI (1758-1810), Mirrors and hair rods from Pompeii, 1805, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris): Mirrors and hair rods from Pompeii Utility objects from the ruins of Pompeii, 1805, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Miroirs métalliques de forme ronde et quadrangulaire, aiguilles de tète, épingles, et autres". Date: 1805 Description: Collage of some archaeological finds from the ruins of destroyed Pompeii. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Ladies' toilet; Mirror; Hand mirror; Antique; Monochrome; Shading; Depth of space; Architecture; Artefacts; Work of art; Engraving; Science; Museal; Representation, 19th century, Classicism, Archeology, Italy, Pompeii (Campanian), Size: Paper: 65,1 cm x 92,1 cm (25,6 x 36,3 in), Plate: 54,4 cm x 66,6 cm (21,4 x 26,2 in), Depiction: 49,0 cm x 64,4 cm (19,3 x 25,4 in)

    Fichter Kunsthandel
  • Piranesi, Francesco.
    Feb. 14, 2025

    Piranesi, Francesco.

    Est: €240 - €360

    (1756 Rom - Paris 1810). Die Cappella Paolina im Vatikan Die Cappella Paolina im Vatikan bei festlicher Beleuchtung während der Zeremonie der Quarant'Ore. Radierung nach Louis-Jean Desprez . 75,3 x 51 cm. 1787. - Ganz ausgezeichneter Druck mit feinem Rändchen um die Plattenkante, unten bis auf diese geschnitten.

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco.
    Feb. 14, 2025

    Piranesi, Francesco.

    Est: €200 - €300

    (1756 Rom - Paris 1810). Veduta Della Biblioteca Vaticana edificata... Radierung. 75,2 x 49,5 cm. 1767.

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco.
    Feb. 14, 2025

    Piranesi, Francesco.

    Est: €240 - €360

    (1756 Rom - Paris 1810). Veduta interno del Panteon volgarmente detto la Rotonda. Hind 136 III (von III). Radierung aus Vedute di Roma. Posthume Edition Firmin-Didot, Paris 1835-39. Blattgröße ca. 58 x 81,5 cm.

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco.
    Feb. 14, 2025

    Piranesi, Francesco.

    Est: €140 - €200

    (1756 Rom - Paris 1810). "Vue de l'interieur de la Ville de Pompeia", so in der Platte betitelt, Radierung, in d. Pl. sign. und dat. "L'an 12" (1804). Darstellung 42 x 55 cm.

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco.
    Feb. 14, 2025

    Piranesi, Francesco.

    Est: €240 - €360

    (1756 Rom - Paris 1810). Caraffe et vases de verre, avec gobelts en cristal taillés à facettes...Radierung. 54 x 37,8 cm. Dabei: Ders. 3 Radierungen, unter Passep. "Vaso Cinerraio Bl. 580a und 580b, - Sileni numero quattro...(stark stockfl.).

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco.
    Feb. 14, 2025

    Piranesi, Francesco.

    Est: €140 - €200

    (1756 Rom - Paris 1810). 4 Radierung auf einem Blatt. - Rovescio del Tempio di Pola in Istria. - Anfiteatro. - Arco di Pola. - ohne Titel. - In d. Ol. num. 373a-373d. Blgr. Qu.Gr.Folio.

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco.
    Feb. 14, 2025

    Piranesi, Francesco.

    Est: €120 - €180

    (1756 Rom - Paris 1810). Carro o Biga di Metalo Antico Etrusco usato ne Giuochi Circensi, Ansichten eines etruskischen Pferdewagen aus der Sammlung Stefano Pazzaglia. Radierung 1778. Darstl. 38,8 x 52,5 cm.

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco.
    Feb. 14, 2025

    Piranesi, Francesco.

    Est: €200 - €300

    (1756 Rom - Paris 1810). Veduta Interna del Colosseo. Radierung aus Vedute di Roma. Hind 137 III (von III). Posthume Edition, 2. Pariser Ausgabe, Firmin-Didot, Paris. 1835-39. Blattgröße ca. 58 x 81,5 cm.

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco.
    Feb. 14, 2025

    Piranesi, Francesco.

    Est: €180 - €270

    (1756 Rom - Paris 1810). Veduta Interna della Camera Sepocrale, 1756. Radierung. 51 x 67,8 cm. (from Le Antichita Romane).

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco.
    Feb. 14, 2025

    Piranesi, Francesco.

    Est: €180 - €270

    (1756 Rom - Paris 1810).Lucerna antica di bronzo che si conserva in Napoli. 1778. Radierung. 49,1 x 76,2 cm.

    Kiefer Buch- und Kunstauktionen
  • FRANCESCO PIRANESI Rome 1758 - Paris 1810 Inner U of the Tem
    Dec. 17, 2024

    FRANCESCO PIRANESI Rome 1758 - Paris 1810 Inner U of the Tem

    Est: -

    FRANCESCO PIRANESI Rome 1758 - Paris 1810 Inner U of the Temple of Neptune Etching on paper Signed and titled Dimensions 483 x 683 mm print; 555 x 765 mm paper Framed

    Subastas Segre
  • FRANCESCO PIRANESI Rome 1758 - Paris 1810 Auvre uve de la Fr
    Dec. 17, 2024

    FRANCESCO PIRANESI Rome 1758 - Paris 1810 Auvre uve de la Fr

    Est: -

    FRANCESCO PIRANESI Rome 1758 - Paris 1810 Auvre uve de la Francade du Pionaos Etching on paper Signed and titled Dimensions 490 x 716 mm print; 550 x 765 mm paper Framed

    Subastas Segre
  • FRANCESCO PIRANESI Rome 1758 - Paris 1810 See the two remain
    Dec. 17, 2024

    FRANCESCO PIRANESI Rome 1758 - Paris 1810 See the two remain

    Est: -

    FRANCESCO PIRANESI Rome 1758 - Paris 1810 See the two remains of the Temple of Neptune Aguafuerte on paper Signed and titled Measures 495 x 680 mm footprint; 555 x 765 mm paper Plate XVI Framed

    Subastas Segre
  • Piranesi, Francesco
    Dec. 06, 2024

    Piranesi, Francesco

    Est: €60 - €90

    (1756 Rom - Paris 1810). Oreste riconosciuto dalla sorella Elettra (Ludovisi-Gruppe). Kupferstich n. Tommaso Piroli, 1783. Aus der Folge: Choix des meilleures statues antiques. Plgr. 49,2 x 22,8 cm. Mit den Namenszügen i.d.Pl. Bis auf den Plattenrand beschnitten. - Etw. fl. R

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco: Grand Frontispice du Premier Volume des Antiquites de Pompeia
    Nov. 27, 2024

    Piranesi, Francesco: Grand Frontispice du Premier Volume des Antiquites de Pompeia

    Est: €1,500 - €1,800

    Grand Frontispice du Premier Volume des Antiquités de Pompeia. Radierung nach Giovanni Battista Piranesi. 63,5 x 84 cm. 1804. Le Blanc aus 12, Nagler aus 14. Bei dem beeindruckenden Blatt handelt es sich um den Titel der Antiquités de Pompeia aus der Serie der Antiquités de la Grande Grèce... Das umfangreiche Werk, das schließlich drei Bände und über 100 Tafeln umfassen sollte, basierte auf Zeichnungen, die Vater und Sohn bereits 1770-78 während mehrerer Besuche der Ausgrabungen von Pompeji nach freigelegten Gebäuden und Gegenständen sowie Plänen und Freskenrekonstruktionen angefertigt hatten. Das Titelblatt zeigt eine Kombination bildhauerischer und architektonischer Elemente Pompejis, aus deren Mitte Flammen lodern, und gibt den dokumentarischen Zweck der Sammlung an: "INCENDIO CONSUMPTUM RESTITUIT". Ganz ausgezeichneter Druck mit Rand um die Plattenkante. Teils minimal berieben, vollständig aufgezogen, im linken Rand drei größere ausgebesserte Löcher, Ausriss der rechten oberen Ecke im weißen Rand, reparierter Riss im rechten Rand, weitere Randmängel und Löchlein, geringfügig angestaubt und gebrauchsspurig, sonst schön. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Piranesi (Francesco), Follower of. Roman bronze Bisellium stool, found at Pompeii and kept in the Museo Archeologico, Naples, etching with watercolour, [c. 1800]
    Nov. 26, 2024

    Piranesi (Francesco), Follower of. Roman bronze Bisellium stool, found at Pompeii and kept in the Museo Archeologico, Naples, etching with watercolour, [c. 1800]

    Est: £200 - £300

    Piranesi (Francesco, 1758-1810), Follower of. Roman bronze Bisellium stool, found at Pompeii and kept in the Museo Archeologico, Naples, etching with full hand-colouring in watercolour and bodycolour, sheet 510 x 680 mm (20 x 26 3/4 in), under glass, some spotting and surface dirt, framed, [circa 1800 or later] Provenance: Collection of John and Eileen Harris

    Forum Auctions - UK
  • PIRANESI FRANCESCO (1758 - 1810) - After. Internal view of the ancient Temple of Bacchus
    Nov. 19, 2024

    PIRANESI FRANCESCO (1758 - 1810) - After. Internal view of the ancient Temple of Bacchus

    Est: €300 - €500

    PIRANESI FRANCESCO (1758 - 1810). After. Internal view of the ancient Temple of Bacchus. Sheet dimension: 49,5x72 cm.. 60 x 42 cm.

    Capitolium Art
  • PIRANESI FRANCESCO (1758 - 1810) - After. Another view of the temple of the Sibyl in Tivoli
    Nov. 19, 2024

    PIRANESI FRANCESCO (1758 - 1810) - After. Another view of the temple of the Sibyl in Tivoli

    Est: €300 - €500

    PIRANESI FRANCESCO (1758 - 1810). After. Another view of the temple of the Sibyl in Tivoli. Sheet dimension: 71,5x49,5 cm.. 43,50 x 61 cm.

    Capitolium Art
  • Francesco Piranesi (1758-1810) Etching
    Nov. 17, 2024

    Francesco Piranesi (1758-1810) Etching

    Est: $200 - $400

    Francesco Piranesi (1758-1810) Etching. Circa 1780, 'Gruppo Antico di Figure Do Volgarmen, il Toro Farnese'. With explanatory text at the lower margin.    Dimensions: the sheet size is 38in x 28in. 

    Locati LLC
  • Francesco Piranesi, i.d.Pl.sig.
    Nov. 16, 2024

    Francesco Piranesi, i.d.Pl.sig.

    Est: -

    Rom 1756/8 - 1810 Paris, 'Veduta del chiostro della Certosa nelle Terme Diocleziane', Radierung, 64 x 46 cm, gebräunt, Wasserschaden, knittrig */aus 6*

    Auktionshaus Arnold
  • Francesco Piranesi "Basilica di San Giovanni"
    Sep. 19, 2024

    Francesco Piranesi "Basilica di San Giovanni"

    Est: -

    Francesco Piranesi (1759-1810 Italy) "Basilica di San Giovanni in Laterano" Etching. Loose- 22.5x31". Heavy Toning and tears

    District Auction
  • Francesco Piranesi "Saint Peters" Etching
    Sep. 19, 2024

    Francesco Piranesi "Saint Peters" Etching

    Est: -

    Francesco Piranesi (1759-1810 Italy) "Saint Peters" Etching. Loose- 20.5x30". Heavy Toning

    District Auction
  • Francesco Piranesi (Italian, 1758-1810) After Louis Jean Desprez, Etching, Ca. 1790, "Fuoco Artificiale Detto La Girandola", H 30" W 20"
    Jul. 19, 2024

    Francesco Piranesi (Italian, 1758-1810) After Louis Jean Desprez, Etching, Ca. 1790, "Fuoco Artificiale Detto La Girandola", H 30" W 20"

    Est: $600 - $800

    Depicting fireworks display above the Castel Sant'Angelo, Rome. Catalogue Raisonne: Wollin 3. Sheet Size: H 36.5" W 26.5" Provenance: From a Prominent Print Collector, Clarkston, Michigan

    DuMouchelles
  • F. PIRANESI (*1758) after PIROLI (*1752), Decorated helmet of a gladiator, Pompeii, 1805, Etching
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIROLI (*1752), Decorated helmet of a gladiator, Pompeii, 1805, Etching

    Est: €600 - €800

    Francesco Piranesi (1758 Rom - 1810 Paris) after Tommaso Piroli (1752 Rom - 1824 ibid.): Decorated helmet of a gladiator, Pompeii Bronze ceremonial helmet with figurative decoration, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par T. Piroli / Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Casque en bronze dont on faisait usage dans les Spectacles, trouvé dans les fouilles de Pompeia". Date: 1805 Description: The print shows a carefully detailed copperplate engraving of a bronze helmet with allegorical depictions and scenes from ancient mythology. It epitomises both artistic skill and historical symbolism. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Thracian; fighting games; arena; gladiator; copper engraving; helmet; allegory; mythology; artistry; symbolism; historical; graphic; detail work; scene; antiquity; illustration, 19th century, Classicism, Military, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 92,0 cm (25,6 x 36,2 in), Plate: 53,9 cm x 65,2 cm (21,2 x 25,7 in), Depiction: 49,0 cm x 61,3 cm (19,3 x 24,1 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis and Egyptian temple in Pompeii, 1806, Et
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis and Egyptian temple in Pompeii, 1806, Et

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Temple of Isis and Egyptian temple in the ruins of Pompeii, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par F. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Perspective du Temple d'Isis, et du petit Temple Egyptien tels qu'ils se trouvent ajourdhuy[...]". Date: 1806 Description: Depiction of the ruins of Pompeii with the remains of two temples. Classical architectural elements such as columns, arches and beams are depicted in decay. Dramatic shadow play and finely detailed drawing emphasise the transience and grandeur of the scene. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Pompeii; Campania; Vesuvius; ruins; architecture; antiquity; columns; arches; decay; shadow play; drama; drawing; imaginary; sublimity; transience; classicism, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 93,9 cm (25,6 x 37 in), Plate: 53,4 cm x 77,8 cm (21 x 30,6 in), Depiction: 49,8 cm x 76,6 cm (19,6 x 30,2 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Portal to the Temple of Isis, Pompeii, 1805, Etching
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Portal to the Temple of Isis, Pompeii, 1805, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Portal to the Temple of Isis in Pompeii, landscape of ruins with figures, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 13/1805". At the lower part inscribed in the printing plate: "Vue de la porte de links'enceinte du Temple d'Isis [...]". Date: 1805 Description: The meticulous etching shows a perspective interior view of a ruin with columns and frescoes. Three figures can be seen in the foreground, while architectural details and inscriptions define the space. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Pompeii; Vesuvius; Campania; etching; ruin; perspective; interior view; columns; frescoes; figures; historical; architectural; inscriptions; art history; depth of field; composition; linear perspective; light and shadow effects; stucco work; antiquity; archaeological depiction;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 93,2 cm x 64,9 cm (36,7 x 25,6 in), Plate: 73,2 cm x 51,0 cm (28,8 x 20,1 in), Depiction: 68,5 cm x 48,7 cm (27 x 19,2 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis, Pompeii, 1806, Etching
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis, Pompeii, 1806, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Temple of Isis, Pompeii, landscape of ruins in destroyed Pompeii with figures, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Vue de links'Aspect du Temple d'Isis [...]". Date: 1806 Description: The picture illustrates an ancient landscape of ruins, characterised by classical architecture and columns of the destroyed Temple of Isis in the middle of Pompeii. A central staircase leads to a raised platform; figures in contemporary clothing lend the scene a lively context. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Vesuvius; Ruins; Antiquity; Architecture; Classicism; Columns; Stairs; Pedestal; Figures; History; Culture; Drawing; Art; Engraving; Perspective; Trees; Sky; Shadow; Light; Materiality; Texture;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 93,7 cm (25,6 x 36,9 in), Plate: 53,6 cm x 78,0 cm (21,1 x 30,7 in), Depiction: 49,3 cm x 76,3 cm (19,4 x 30 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Tavern on a street in Pompeii, 1804, Etching
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Tavern on a street in Pompeii, 1804, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Tavern on a street in Pompeii, landscape of ruins in destroyed Pompeii with figures, 1804, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 12/1804". At the lower part inscribed in the printing plate: "Vue de la Taverne de Pompeia, qui a pour enseigne un Priape. L'on appercoit l'interieur par les deux entrées". Date: 1804 Description: The artwork shows a detailed depiction of a landscape of ruins in the centre of Pompeii. In the foreground, two figures interact with a horse; behind them, a path lined with the remains of ancient architecture opens up with a quadriga rushing towards it. The atmosphere is characterised by the play of light and shadow and the dramatic cloudy sky. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Ruins; figures; architecture; antiquity; path; light; shadow; cloudy sky; artwork; interaction; atmosphere; richness of detail; perspective; scenery; engraving; cultural history; archaeology; decadence; historicism, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 67,9 cm x 97,4 cm (26,7 x 38,3 in), Plate: 57,0 cm x 78,3 cm (22,4 x 30,8 in), Depiction: 53,7 cm x 77,3 cm (21,1 x 30,4 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Atrium der Surgeon's House, Pompeji, 1805, Etching
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Atrium der Surgeon's House, Pompeji, 1805, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Atrium of the Casa del Chirurgo, Pompeii, landscape of ruins in ruined Pompeii with figures, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 13/1805". At the lower part inscribed in the printing plate: "Vue de la Cour ou Cavedium Corinthien de la maison la plus remarquable après celle du Chirurgien indiquée [...]". Date: 1805 Description: View of the ruins of the Casa del Chirurgo in Pompeii. Two figures of shepherds with sheep are depicted in the foreground, adding to the grandeur of the site and emphasising the transience of human creativity. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Antiquity; ruins; columns; vegetation; engraving; art history; decay; archaeology; transience; perspective; sky; clouds; figures; animal; tree; light and shadow; contrast; tranquillity; history; sublimity;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 94,0 cm (25,6 x 37 in), Plate: 51,5 cm x 72,9 cm (20,3 x 28,7 in), Depiction: 47,3 cm x 71,4 cm (18,6 x 28,1 in)

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Helmet and armour of a gladiator, Pompeii, 1806, Etching
    Jul. 06, 2024

    F. PIRANESI (1758-1810), Helmet and armour of a gladiator, Pompeii, 1806, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris): Helmet and armour of a gladiator, Pompeii Bronze greaves and ceremonial helmet from the ruins of Pompeii, 1806, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Casque et Jambières en bronze pour les gladiateurs [...]". Date: 1806 Description: Collage-like depiction of a gladiator's helmet and bronze greaves on a wall. Gladiator's armour from the ruins of Pompeii. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Armour; Thracian; Fighting games; Arena; Gladiator; Engraving; Helmet; Allegory; Mythology; Artistry; Symbolism; Historical; Graphic; Detail work; Scene; Antiquity; Illustration, 19th century, Classicism, Military, Italy, Pompeii (Campanian), Size: Paper: 65,2 cm x 91,6 cm (25,7 x 36,1 in), Plate: 63,4 cm x 83,3 cm (25 x 32,8 in), Depiction: 60,5 cm x 73,3 cm (23,8 x 28,9 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Figurine capital from Pompeii, 1806, Etching
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Figurine capital from Pompeii, 1806, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Figural capital from Pompeii with male and female figures from the house opposite the basilica, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par P. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Plan perspectif du Chapiteau qui ornait links'entrée de la maison située vis-à-vis de la Basilique, marqué N. 13. à la Pl. XLIV.". Date: 1806 Description: This engraving shows three busts on the capital of an architecturally designed façade of a house in Pompeii. Keywords: Pompeii; Campania; Engraving; Busts; Balustrade; Arcade; Architecture; Classicism; Decoration; Art; Attention to detail; Cultural heritage; Design; Aesthetics; Structure; Motifs; Visualisation; Historical representation; Illustration; Art history; Graphics, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 46,7 cm x 65,0 cm (18,4 x 25,6 in), Plate: 36,5 cm x 54,2 cm (14,4 x 21,3 in), Depiction: 33,9 cm x 53,2 cm (13,3 x 20,9 in)

    Fichter Kunsthandel
  • Piranesi, Francesco: Der Untergang Pompejis
    May. 29, 2024

    Piranesi, Francesco: Der Untergang Pompejis

    Est: €1,800 - €2,400

    Der Untergang Pompejis (Représentant l'horrible moment de la seconde destruction de la Ville de Pompeïa). Radierung nach Giovanni Battista Piranesi. 63,5 x 94 cm. Le Blanc aus 12, Nagler aus 14. Francesco Piranesi schuf diese beeindruckende Darstellung der Zerstörung Pompejis nach einer Zeichnung seines Vaters Giovanni Battista und als erste Tafel des ersten Bandes der Antiquités de la Grande Grèce, der 1804 erschien. Das umfangreiche Werk, das schließlich drei Bände und über 100 Tafeln umfassen sollte, basierte auf Zeichnungen, die Vater und Sohn bereits 1770-78 während mehrerer Besuche der Ausgrabungen von Pompeji nach freigelegten Gebäuden und Gegenständen sowie Plänen und Freskenrekonstruktionen angefertigt hatten. Das in seiner Inszenierung und dramatischen Beleuchtung fast modern wirkende Blatt liegt in einem prachtvollen, tief schwarz druckenden Abzug mit dem vollen Rand vor. Nicht gebundene Exemplare befinden sich in Amsterdam (Rijksmuseum, Inv. RP-P-2010-147) und Rom (Calcografia, Istituto Centrale per la Grafica, Inv. S-CL2424_19878), letzteres in deutlich schwächerer Druckqualität. Geringfügig angestaubt und minimal gebräunt, in den Rändern vereinzelte Fleckchen, sonst in vorzüglicher, originaler Erhaltung. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • FRANCESCO PIRANESI (ITALY, 1758-1810)
    May. 22, 2024

    FRANCESCO PIRANESI (ITALY, 1758-1810)

    Est: $300 - $500

    FRANCESCO PIRANESI (ITALY, 1758-1810) "Insegne Romane: Bassirilievi cavati dalla Colonna Trajana", copperplate engraving on wove paper, depicting the official standard carried in procession during the Trajan Caesari, in modern dark rippled frame, matted and glazed, OS: 32" x 25", impression: 21" x 15 1/4". Good condition.

    Thomaston Place Auction Galleries
  • Piranesi, Francesco
    May. 04, 2024

    Piranesi, Francesco

    Est: €650 - €1,000

    (1756 Rom - Paris 1810). Veduta della Basilica, e Piazza di S. Pietro in Vaticano. Radierung. (1748). 39,8:53,7 cm. Hind 3/IV (v. VII); Wilton-Ely Complete Etchings 136. - Mit den von Hind unerwähnten Schattierungen unterhalb des rechten Porticusendes zwischen der Kutsche und den beiden Geistlichen, ferner mit Adresse u. Preis. - Oben mittig bis zur Bildmitte reichender Einriß sorgfältig hinterlegt. Stellenweise leicht stockfleckig. Unter Passep. montiert. R

    Kiefer Buch- und Kunstauktionen
  • F. PIRANESI (*1758) after PIROLI (*1752), Decorated helmet of a gladiator, Pompeii, 1805, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIROLI (*1752), Decorated helmet of a gladiator, Pompeii, 1805, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Tommaso Piroli (1752 Rom - 1824 ibid.): Decorated helmet of a gladiator, Pompeii Bronze ceremonial helmet with figurative decoration, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par T. Piroli / Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Casque en bronze dont on faisait usage dans les Spectacles, trouvé dans les fouilles de Pompeia". Date: 1805 Description: The print shows a carefully detailed copperplate engraving of a bronze helmet with allegorical depictions and scenes from ancient mythology. It epitomises both artistic skill and historical symbolism. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Thracian; fighting games; arena; gladiator; copper engraving; helmet; allegory; mythology; artistry; symbolism; historical; graphic; detail work; scene; antiquity; illustration, 19th century, Classicism, Military, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis and Egyptian temple in Pompeii, 1806, Et
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis and Egyptian temple in Pompeii, 1806, Et

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Temple of Isis and Egyptian temple in the ruins of Pompeii, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par F. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Perspective du Temple d'Isis, et du petit Temple Egyptien tels qu'ils se trouvent ajourdhuy[...]". Date: 1806 Description: Depiction of the ruins of Pompeii with the remains of two temples. Classical architectural elements such as columns, arches and beams are depicted in decay. Dramatic shadow play and finely detailed drawing emphasise the transience and grandeur of the scene. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Pompeii; Campania; Vesuvius; ruins; architecture; antiquity; columns; arches; decay; shadow play; drama; drawing; imaginary; sublimity; transience; classicism, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Portal to the Temple of Isis, Pompeii, 1805, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Portal to the Temple of Isis, Pompeii, 1805, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Portal to the Temple of Isis in Pompeii, landscape of ruins with figures, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 13/1805". At the lower part inscribed in the printing plate: "Vue de la porte de links'enceinte du Temple d'Isis [...]". Date: 1805 Description: The meticulous etching shows a perspective interior view of a ruin with columns and frescoes. Three figures can be seen in the foreground, while architectural details and inscriptions define the space. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Pompeii; Vesuvius; Campania; etching; ruin; perspective; interior view; columns; frescoes; figures; historical; architectural; inscriptions; art history; depth of field; composition; linear perspective; light and shadow effects; stucco work; antiquity; archaeological depiction;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Elevation of the Temple of Isis, Pompeii, 1806, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Elevation of the Temple of Isis, Pompeii, 1806, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Elevation of the Temple of Isis, Pompeii, photograph of the ruins and reconstruction of the ancient Temple of Isis, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Coupes en long et en travers du Temple d'Isis à Pompeia [...]". Date: 1806 Description: The graphic illustrates architectural drawings of an ancient temple in Pompeii with detailed views of columns, arches and façades. Drawn with precision, these depictions of ancient heritage suggest construction techniques and stylistic elements of period architecture. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Cross-section; longitudinal section; Vesuvius; architecture; drawing; classicism; columns; arches; façade; antiquity; culture; architecture; construction plans; sectional drawings; detailed views; structural elements; stylistics; heritage; design; proportions; design; schematics; architectural representation, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis, Pompeii, 1806, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis, Pompeii, 1806, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Temple of Isis, Pompeii, landscape of ruins in destroyed Pompeii with figures, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Vue de links'Aspect du Temple d'Isis [...]". Date: 1806 Description: The picture illustrates an ancient landscape of ruins, characterised by classical architecture and columns of the destroyed Temple of Isis in the middle of Pompeii. A central staircase leads to a raised platform; figures in contemporary clothing lend the scene a lively context. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Vesuvius; Ruins; Antiquity; Architecture; Classicism; Columns; Stairs; Pedestal; Figures; History; Culture; Drawing; Art; Engraving; Perspective; Trees; Sky; Shadow; Light; Materiality; Texture;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), In the cella of the Temple of Isis, Pompeii, 1805, Etch
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), In the cella of the Temple of Isis, Pompeii, 1805, Etch

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): In the cella of the Temple of Isis, Pompeii, landscape of ruins in ruined Pompeii with figures, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 13/1805". At the lower part inscribed in the printing plate: "Vue interieure du Pronao, et de la cellule du Temple d'Isis". Date: 1805 Description: Depiction of a classical interior with imposing columns, ruins and masonry architectural elements inside the pronaos with a view of the cella of the Temple of Isis at Pompeii. A single figure, presumably clad in historical garments, sits reading in a corner. The play of light and shadow emphasises the spatial depth. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Classicism; Ruins; Columns; Architecture; Reading figure; Historical; Interior; Light and shadow; Spatiality; Walls; Antiquity; Contrast; Silence; Study; Scholarship; Timelessness; Education; Ambience, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Inscription and mosaic of the Temple of Isis, Pompeii,
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Inscription and mosaic of the Temple of Isis, Pompeii,

    Est: €600 - €800

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Inscription and mosaic of the Temple of Isis in destroyed Pompeii, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Pavé de Mosaique blanc, et noir qui orne la cellule du Temple d'Isis [...]". Date: 1806 Description: Precise image of the inscription in the cella of the Temple of Isis in Pompeii and the floor mosaic. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Historical; Mosaic; Inscription; Latin; French; Ornament; Representation; Border; Dedication; Graphics; Pattern; Art; Archaeology; Documentation; Antiquity; Black and white; Print; Aesthetics; Geometry; Culture;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Street at the entrance to Pompeii, 1804, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Street at the entrance to Pompeii, 1804, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Street at the entrance to Pompeii near the surgeon's house Landscape of ruins in destroyed Pompeii with figures, 1804, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 12/1804". At the lower part inscribed in the printing plate: "Vue de toutes les Boutiques de droite et de gauche [...]". Date: 1804 Description: The graphic shows an ancient street in the ruins of Pompeii, flanked by the ruins of columns and the remains of buildings and commercial premises. Individual figures move on the stones, immersed in the silence of past splendour. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: graphics; antiquity; street; column ruins; building remains; figures; stones; past; stillness; splendour; art history; architecture; ruins; historical; representation; depth perspective; attention to detail; cultural heritage, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
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