Camille Pissarro Sold at Auction Prices

Figure painter, Painter, Landscape painter, Porträtmaler, Flower painter, Lithographer, b. 1830 - d. 1903

A key figure in the Impressionist movement, Camille Pissarro with his artwork was an important influence as he mentored both Cézanne and Gauguin. Through Camille Pissarro's drawings and creations in other media, he continued to be open to new forms of art throughout his career, embracing Seurat and Pointillism for a period. His steadfast mentoring of younger artists and his encouragement in going against the establishment is credited for the popularization of Camille Pissarro paintings and impressionist and modern art in general.

Born in St. Thomas, Virgin Islands, in 1830, Camille Pissarro studied artwork in Paris at the Swiss Academy, which offered no formal classes but provided painters freedom to develop their own ideas about art through study with peers. The turning point came with his collaboration with Cézanne, where their influences on each other led to a remarkable collection of impressionist paintings for sale.

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sold
Sep. 28, 2023
Camille Pissarro, 1830 Charlotte Amalie, Dänisch-Westindien – 1903 Paris
Est: €450,000 - €550,000
FEMME ÉTENDANT DU LINGE, 1887 Öl auf Leinwand. 73,3 x 59,7 cm. Links unten monogrammiert. Beigegeben ein Zertifikat von Lionel Pissarro vom 6. März 2006, in Kopie. Verzeichnet bei Ventury Nr. 716 und Wildenstein Institute Nr. 853. Pissarro wählt einen ungewöhnlichen Bildaufbau, an den sich das Auge des Betrachters zuerst gewöhnen muss. In horizontal aufgebauten Bändern liegen Boden, Mauern und Himmel übereinander, ohne dass zunächst eine klare Tiefenräumlichkeit erzeugt wird. Einzig die niedrige Balustrade, vor der die Bäuerin ihre Wäsche aufhängt, erzeugt eine gewisse Perspektive und Raumtiefe. Dieser Effekt wird aber durch den gleichförmigen, mal dichter, mal weniger dicht gesetzten Pinselduktus relativiert. Einzig der Himmel macht hier eine Ausnahme mit seiner dunstig-flächigen Struktur ohne klar erkennbaren Duktus. Die warme Pallette wird von Rot- und Ockertönen dominiert, unterstützt durch vereinzelte Grüntöne. Dieses Farbschema wird einzig in der türkisfarbenen Schürze unterbrochen und lenkt damit den Blick des Betrachters auf die Protagonistin. Der Maler bedient sich der Farbe, um den Raum einerseits zu konstruieren, indem er die Farbflächen mittels der weißen Laken unterbricht, und auf der anderen Seite vereinheitlicht er ihn durch die völlig gleichmäßige Behandlung aller Elemente. Pissarro gehört zu den Gründern des Impressionismus. Obwohl zunächst für eine Karriere in der väterlichen Firma auf den Antillen vorgesehen, wandte sich Pissarro von diesem Weg ab und zog mit 25 Jahren nach Frankreich, wo er Unterricht an der École des Beaux-Arts in Paris nahm. Schnell lernte er Gustave Courbet (1819-1877), Charles-François Daubigny (1817-1878) und Jean-Baptiste Camille Corot (1796-1875) kennen und sah sich eine Zeit lang als deren Schüler. Zudem pflegte er Kontakt zu Paul Cézanne (1839-1906) und Claude Monet (1840-1926). Mit seinen häufigen Besuchen in Pontoise, wo er die anderen Impressionisten wieder traf, befand sich der bedeutende Maler stets im Epizentrum der Bewegung. Die Begegung mit Georges Seurat (1859-1891) 1885, zwei Jahre vor Entstehung des vorliegenden Gemäldes, veranlasste ihn, sich an der Technik des Pointilissmus zu versuchen. Das Gemälde „Femme étendant du linge“ legt dafür ein seltenes Zeugnis ab. Doch zerlegt Pissarro die Farbe nicht in kleine Pünktchen, sondern verwendet einen lebhafteren und zugleich wärmeren Duktus, womit er in dieser Technik einen völlig eigenen Ansatz findet und beschreitet. Literatur: Ausst.kat. Pioneering Modern Painting: Cézanne & Pissarro 1865 – 1885, by Joachim Pissarro, at The Museum of Modern Art, New York, June 26 - September 12, 2005, S. 64, Abb. 61. (13715311) (10) Camille Pissarro, 1830 Charlotte Amalie, Danish-West India – 1903 Paris FEMME ÉTENDANT DU LINGE, 1887 Oil on canvas. 73.3 x 59.7 cm. Monogrammed lower left. Accompanied by a certificate of authenticity by Lionel Pissarro dated 6 March 2006, in copy. Listed with Ventury under no. 716 and Wildenstein Institute under no. 853. Pissarro has chosen an unusual composition that takes some getting used to at first. The ground, walls and sky are laid horizontally on top of one another without creating any kind of obvious spatiality. A peasant woman is hanging up washing in front of a low balustrade, which is the only element creating a certain kind of perspective and three-dimensionality. This effect is, however, relativized by the uniform and alternatingly dense and less dense brushstrokes. The sky is the only area that is an exception with a flat misty structure and without any visible brushstrokes. The warm palette is dominated by hues of red and ochre and supported by scattered shades of green. This colour scheme is only broken up by the woman’s turquoise apron that directs the viewer’s gaze to the protagonist. The painter uses colour to construct space by breaking up colour fields through white sheets on the one hand and harmonizing it by treating all elements completely uniformly. Pissarro is a founding member of Impressionism. Although he was predestined to make his career in his father’s company on the Antilles, Pissarro went down a different path and moved to France aged 25 where he trained at the École des Beaux-Arts in Paris. He quickly became acquainted with Gustave Courbet (1819-1877), Charles-François Daubigny (1817-1878) and Baptiste Camille Corot (1796-1875) and perceived himself as their student for a long time. He was also in contact with Paul Cézanne (1839-1906) and Claude Monet (1840-1926). His frequent visits to Pontoise, the epicentre of the Impressionist movement brought him in close contact with fellow Impressionist colleagues. His acquaintance with Georges Seurat (1859-1891) in 1885, two years previous to the creation of the painting on offer in this lot, prompted him to try out the techniques of Pointillism. The present painting titled “Femme étendant du linge” bears witness to this. Pissarro does not break up the colour into small dots but uses livelier and at the same time warmer brushstrokes, giving this technique his own twist and pursuing his own style. Literature: Exhibition catalogue Pioneering Modern Painting: Cézanne & Pissarro 1865 – 1885, by Joachim Pissarro, at The Museum of Modern Art, New York, June 26 – September 12, 2005, p. 64, ill. 61. (†)
Hampel Fine Art Auctions
sold
Sep. 17, 2023
1892 Camille Pissarro 1892 Etching "Vue de Rouen"
Est: $1,200 - $1,800
Camille Pissarro (1830 - 1903). Vue de Rouen (View of Rouen). Hand Pulled Copper plate etching with drypoint, printed in Bistre ink, on cream laid paper after the original by Auguste Marie Lauzet (1865 - 1898). 1892 Edition: Limited to only 50 examples. Dimensions: Plate size 4 3/4 x 6 inches. Framed dimensions: Approximately 14 3/4 x 16 inches. Framing: This piece has been professionally matted and framed using all new materials. This artwork is accompanied by a Gallery Certificate of Authenticity and is Guaranteed as described.
KCM Galleries
sold
Sep. 16, 2023
CAMILLE PISSARRO (FRENCH 1830-1903 ) THE BOULEVARD
Est: $1,000 - $5,000
Camille Pissarro (French 1830-1903 ) The Boulevard Montmartre On a Winter Morning. Oil on Canvas, 1897 H ; 19 1/4 in ( 48.89 cm ) W : 16 1/4 in (41.28 cm) H : 19 1/4 in ( 48.89 cm ) W ; 16 1/4 in ( 41.27 cm )
Steven's Art & Antiques
sold
Sep. 03, 2023
1892 Camille Pissarro 1892 Etching "The Vigil"
Est: $1,000 - $2,000
Camille Pissarro (1830 - 1903). La Veillee (The Vigil). Hand Pulled Copper plate etching with drypoint, printed in Bistre ink, on cream laid paper after the original by Auguste Marie Lauzet (1865 - 1898). 1892 Edition: Limited to only 50 examples. Dimensions: Plate size 4 5/8 x 6 inches. Framed dimensions: Approximately 14 5/8 x 16 inches. Framing: This piece has been professionally matted and framed using all new materials. This artwork is accompanied by a Gallery Certificate of Authenticity and is Guaranteed as described.
KCM Galleries
sold
Aug. 20, 2023
1892 Camille Pissarro 1892 Etching "Vue de Rouen"
Est: $1,200 - $1,800
Camille Pissarro (1830 - 1903). Vue de Rouen (View of Rouen). Hand Pulled Copper plate etching with drypoint, printed in Bistre ink, on cream laid paper after the original by Auguste Marie Lauzet (1865 - 1898). 1892 Edition: Limited to only 50 examples. Dimensions: Plate size 4 3/4 x 6 inches. Framed dimensions: Approximately 14 3/4 x 16 inches. Framing: This piece has been professionally matted and framed using all new materials. This artwork is accompanied by a Gallery Certificate of Authenticity and is Guaranteed as described.
KCM Galleries
sold
Aug. 20, 2023
1892 Camille Pissarro 1892 Etching "Sydenham"
Est: $1,200 - $1,800
Camille Pissarro (1830 - 1903). Sydenham. Hand Pulled Copper plate etching with drypoint, printed in Bistre ink, on cream laid paper after the original by Auguste Marie Lauzet (1865 - 1898). 1892 Edition: Limited to only 50 examples. Dimensions: Plate size 4 1/4 x 5 7/8 inches. Framed dimensions: Approximately 14 1/4 x 15 7/8 inches. Framing: This piece has been professionally matted and framed using all new materials. This artwork is accompanied by a Gallery Certificate of Authenticity and is Guaranteed as described.
KCM Galleries
sold
Aug. 20, 2023
1892 Camille Pissarro 1892 Etching "Return from the Fields"
Est: $1,200 - $1,800
Camille Pissarro (1830 - 1903). Retour des Champs (Return from the Fields). Hand Pulled Copper plate etching with drypoint, printed in Bistre ink, on cream laid paper after the original by Auguste Marie Lauzet (1865 - 1898). 1892 Edition: Limited to only 50 examples. Dimensions: Plate size 4 5/8 x 6 inches. Framed dimensions: Approximately 14 5/8 x 16 inches. Framing: This piece has been professionally matted and framed using all new materials. This artwork is accompanied by a Gallery Certificate of Authenticity and is Guaranteed as described.
KCM Galleries
sold
Aug. 06, 2023
1892 Camille Pissarro 1892 Etching "Sydenham"
Est: $1,200 - $1,800
Camille Pissarro (1830 - 1903). Sydenham. Hand Pulled Copper plate etching with drypoint, printed in Bistre ink, on cream laid paper after the original by Auguste Marie Lauzet (1865 - 1898). 1892 Edition: Limited to only 50 examples. Dimensions: Plate size 4 1/4 x 5 7/8 inches. Framed dimensions: Approximately 14 1/4 x 15 7/8 inches. Framing: This piece has been professionally matted and framed using all new materials. This artwork is accompanied by a Gallery Certificate of Authenticity and is Guaranteed as described.
KCM Galleries
sold
Aug. 06, 2023
1892 Camille Pissarro 1892 Etching "The Vigil"
Est: $1,000 - $2,000
Camille Pissarro (1830 - 1903). La Veillee (The Vigil). Hand Pulled Copper plate etching with drypoint, printed in Bistre ink, on cream laid paper after the original by Auguste Marie Lauzet (1865 - 1898). 1892 Edition: Limited to only 50 examples. Dimensions: Plate size 4 5/8 x 6 inches. Framed dimensions: Approximately 14 5/8 x 16 inches. Framing: This piece has been professionally matted and framed using all new materials. This artwork is accompanied by a Gallery Certificate of Authenticity and is Guaranteed as described.
KCM Galleries
sold
Aug. 06, 2023
Camille Pissarro. "Marche a la Volaille". Initialed "C.P." lower right. Lugt #613e identified on Titus Fine Art Gallery label on verso. Graphite and watercolor (page from sketch book). Framed under glass. Sight: 5.5in...
Est: $5,000 - $7,000
Camille Pissarro. "Marche a la Volaille". Initialed "C.P." lower right. Lugt #613e identified on Titus Fine Art Gallery label on verso. Graphite and watercolor (page from sketch book). Framed under glass. Sight: 5.5in x 3.5in. Overall: 15 x 13in. Provenance: The Edith Schumann Trust.
Tremont Auctions
sold
Aug. 05, 2023
Camille Pissarro (1830-1903) French, MM/P
Est: $8,000 - $16,000
Camille Pissarro (1830-1903) French, MM/P. Mixed Media On Paper. Titled "Le Rassmblement" Pastel and black chalk on paper. Sketch of a crowd in center of town. Figure in center has red and blue. Most of the piece is in black chalk but there are hints of color. Overall Size: 29 1/2 x 33 1/2 in. Sight Size: 12 x 17 in. #6006 #4
Sarasota Estate Auction
sold
Jul. 29, 2023
Camille Pissarro (French, 1830-1903), "Eglise et ferme d'Eragny"
Est: $2,000 - $4,000
Camille Pissarro (French, 1830-1903) "Eglise et ferme d'Eragny", 1890 etching signed and annotated in pencil lower right, titled and inscribed "2e etat No.." lower left. (Delteil 96: II/VI). Matted, glazed and framed. sight 7-1/2" x 10", framed 17" x 19" Provenance: Hill-Stone, New York, New York.
New Orleans Auction Galleries
sold
Jul. 28, 2023
CAMILLE PISSARRO THE STUDIO OF MODERNISM
Est: $25 - $50
2021
Davis Brothers Auction
sold
Jul. 26, 2023
Camille Pissarro, L'Avocat
Est: $5,500 - $7,500
Camille Pissarro L'Avocat graphite on paper sight: 6 h x 3.5 w in (15 x 9 cm) Signed to lower right 'C.P.'. Provenance: Herman C. Goldsmith, New York | Private Collection This work will ship from Lambertville, New Jersey.
Toomey & Co. Auctioneers
sold
Jul. 24, 2023
Pencil on paper signed C. Pissarro
Est: $600 - $900
Pencil on paper "women working in field" signed C. Pissarro, attributed to Camille Pissarro (France, 1830-1903), 5.5"x7.75"
International Auction Gallery
sold
Jul. 13, 2023
PISSARRO CAMILLE: (1830-1903)
Est: €1,500 - €2,000
PISSARRO CAMILLE: (1830-1903) French Impressionist painter. A good A.L.S., C. Pissarro, two pages (written to the first and final sides of the bifolium), 8vo, Paris, 6th September 1891, to his wife ('Ma chere Julie'), in French. Pissarro states that they are looking forward to hearing news from his wife, and continues to send news of his own, explaining that he has visited Paul Gallimard who has arranged to make a book with Lucien, 'Il est convenu que M. Gallimard doit ecrire a Geffroy qui est absent pour lui prier de faire un conte que Lucien illustrera de gravures en couleurs et autres ce sera tres artistique et conviendra tout a fait.....c'est donc une chose arrangee.....il va donc pouvoir faire un livre dont le texte sera grave sur bois et illustre de gravures en couleurs a l'eau ce qui ne s'est jamais fait; j'espere que bien compris ce livre fera grand bien a Lucien. C'est une chance exceptionale que d'avoir trouve cette affaire' (Translation: 'It is agreed that Mr. Gallimard should write to Geffroy, who is absent, to ask him to write a story that Lucien will illustrate with colour engravings and the like. It will be very artistic and will suit perfectly…..so it's one thing arranged…..he will therefore be able to make a book whose text will be engraved on wood and illustrated with colour engravings in water, which has never been done; I hope that this book will do Lucien great good. It's an exceptional chance to have found this business'). Pissarro further remarks 'J'ai porte 5 tableaux chez Durand Ruel, j'attends une reponse, je ne sais encore si ces toiles lui plaisent il n'a pas souffle un mot' (Translation: 'I took 5 paintings to Durand Ruel, I'm waiting for an answer, I don't know yet if he likes these paintings, he hasn't said a word'). A letter of interesting content and artistic references. A few small, neat splits and minor tears to the edges, G Julie Pissarro (1838-1926) Wife of Camille Pissarro from 1871, with whom she had seven children. Lucien Pissarro (1863-1944) French landscape painter, printmaker, wood engraver, designer, and printer of fine books. The eldest son of Camille and Julie Pissarro, Lucien Pissarro published his first portfolio of prints, Twelve Woodcuts in Black and Colours, also known as The First Portfolio, in 1891. Paul Gallimard (1850-1929) French art collector and bibliophile, the father of publisher Gaston Gallimard. Gustave Geffroy (1855-1926) French journalist, art critic, historian and novelist. Paul Durand-Ruel (1831-1922) French art dealer associated with the Impressionists and the Barbizon School.
International Autograph Auctions Europe, S.L.
sold
Jul. 13, 2023
PISSARRO CAMILLE: (1830-1903)
Est: €500 - €800
PISSARRO CAMILLE: (1830-1903) French Impressionist painter. Autograph draft of a letter, unsigned, one page, slim 4to (written in pencil to the verso of one half of a printed death announcement), n.p., n.d. (c.1896), in French. Pissarro provides a frank answer to his correspondent's equally frank letter asking to work under the artist's direction and remarks 'Je ne crois pas qu'il soit profitable pour un jeune peintre de suivre exclusivement la direction d'un maitre. Vous avez dites-vous profitte de l'etude de mes oeuvres, il me semble que vous feriez sagement d'en suivre quelques autres afin de ne pas tomber dans une maniere personelle qui vous serait plutot nuisible. J'ai explique non facon de voir a tous ceux qui m'on demande mon assistance artistique et jusqu'a present je n'ai guere reussi a leur faire comprendre l'art qui ne s'enseigne pas personellement. Le meilleur moyen est encore de suivre l'enseignement que vous donnent les oeuvres divers des artistes de valeur. Je vous dis cela comme je le pense avec l'espoir que vous en saurez tirer profit, comme du reste nous tous nous avons fait en etudiant les Corot, Millet, Delacroix, Daumier, Courbet etc. etc. sans etre sous leur influence personelle' (Translation: 'I do not believe that it is profitable for a young painter to follow exclusively the direction of a master. You said you benefitted from the study of my works, it seems to me that you would be wise to follow some others in order not to fall into a personal way which would be rather harmful to you. I have explained my way of seeing to all those who have asked for my artistic assistance and so far I have hardly succeeded in making them understand the art which cannot be taught personally. The best way is still to follow the education given to you by the various works of valuable artists. I tell you this as I think it, with the hope that you will be able to take advantage of it, as all of us have done by studying Corot, Millet, Delacroix, Daumier, Courbet etc. etc. without being under their personal influence'). Part of the page features a list of five paintings executed by Pissarro in Rouen including Matin Brume, Soleil couchant Brumes, Matin apres la pluie Rouen and Port St-Sever a Rouen Brouillard. A draft of interesting content. Some light age wear, about VG
International Autograph Auctions Europe, S.L.
sold
Jul. 13, 2023
PISSARRO CAMILLE: (1830-1903)
Est: €1,200 - €1,800
PISSARRO CAMILLE: (1830-1903) French Impressionist painter & LUCIEN (1863-1944) French landscape painter, printmaker, wood engraver, designer, and printer of fine books, the eldest son of Camille and Julie Pissarro. A wonderful joint pair of A.Ls.S. by Camille and Lucien Pissarro to a bifolium, commencing with Lucien Pissarro's A.L.S., Lucien, one page, 8vo, Paris, 18th February 1888, to his mother ('Ma chere Mere'), in French. Lucien informs his mother, 'Voici 15 jours que je suis sans travail j'en ai profite pour dessiner un peu et pour tacher d'avoir quelques illustrations a faire - je dois aller voir ce soir a l'atelier si il y a quelque chose a faire. Je n'ai pas perdu mon temps car j'ai vu pas mal de monde et j'espere pouvoir a un moment donne avoir des dessins dans les journaux ou dans les livres, car la est l'avenir pour moi' (Translation: 'I've been out of work for 15 days now, so I took the opportunity to draw a little and try to have some illustrations to do - I have to go and see if there's anything to do at the studio tonight. I didn't waste my time because I saw a lot of people and I hope to be able to have drawings in the newspapers or in books at some point, because that is the future for me'). Lucien also adds that they received the basket that she had sent, and that Georges is very happy with his wood, concluding in affectionate terms, 'Au revoir, ma chere mere, embrasse bien tous les enfants pour moi, je t'embrasse aussi, ton fils qui t'aime' (Translation: 'Goodbye, my dear mother, kiss all the children for me, I kiss you too, your son who loves you'). Following to the inside of the bifolium appears Camille Pissarro's A.L.S., C. Pissarro, two pages, 8vo, Paris, 18th February 1888, to his wife ('Ma chere Julie'), in French. Pissarro informs his wife that he is sending her three hundred francs and asks that she write to him as soon as possible to let him know that she has received it, also enquiring if he should give one hundred francs to Amelie and commenting 'J'ai encore une petite affaire et une autre plus importante en train, si cela reussit je pourrai encore donner quelque chose a l'une des deux qui n'aura rien recu. Je faut que j'achette a Georges une paire de bottines et un parapluie etc.' (Translation: 'I still have some small business and another more important in the pipeline, if that succeeds I could still give something to one of the two who will not have received anything. I have to buy Georges a pair of boots and an umbrella etc.'), also remarking that he hopes to return to Eragny soon to prepare some paintings. A few very light, minor creases and some light dust staining to the lower half of the third page, not affecting the text or signature, otherwise VG Julie Pissarro (1838-1926) Wife of Camille Pissarro from 1871, with whom she had seven children. Georges Henri Manzana Pissarro (1871-1961) French artist who worked in Impressionist and Post-Impressionist styles and was also a designer of textiles, decorative objects, furniture and glassware.
International Autograph Auctions Europe, S.L.
sold
Jul. 09, 2023
1892 Camille Pissarro 1892 Etching "The Vigil"
Est: $1,000 - $2,000
Camille Pissarro (1830 - 1903). La Veillee (The Vigil). Hand Pulled Copper plate etching with drypoint, printed in Bistre ink, on cream laid paper after the original by Auguste Marie Lauzet (1865 - 1898). 1892 Edition: Limited to only 50 examples. Dimensions: Plate size 4 5/8 x 6 inches. Framed dimensions: Approximately 14 5/8 x 16 inches. Framing: This piece has been professionally matted and framed using all new materials. This artwork is accompanied by a Gallery Certificate of Authenticity and is Guaranteed as described.
KCM Galleries
sold
Jul. 04, 2023
Camille Pissarro: Marché aux légumes à Pontoise. - Faneuses d'Éragny. - Porteuses de Fagots
Est: CHF1,249 - CHF1,250
Camille Pissarro (Charlotte Amalie 1830 - 1903 Paris) Marché aux légumes à Pontoise. - Faneuses d'Éragny. - Porteuses de Fagots 2 Radierungen und 1 Lithographie / 2 etchings and 1 lithograph 1891; 1897 und 1896 32,7x25 cm; 32,5x24,5 cm und 33x36,2 cm, je Blattgrösse / 32.7x25 cm; 32.5x24.5 cm and 33x36.2 cm, each sheet size Werkverzeichnis / Catalogue Raisonné Delteil 97/II, 124/III und 153 Delteil 97/II, 124/III and 153 Zustand / Condition Alle drei Blätter auf Velin, eine Radierung mit Wasserzeichen "MBM", die Lithographie mit Wasserzeichen "VAN GELDER ZONEN". Die zwei Radierungen in schöner Erhaltung, die Lithographie leicht schmutzig All three sheets on wove paper (papier vélin), one etching with watermark "MBM", the lithograph with watermark "VAN GELDER ZONEN". The two etchings in fine condition, the lithograph slightly dirty. Konvolut / Group lot Zus. 3 Blatt Together: 3 sheets Erläuterungen / Comments Späte Drucke, mit zum Teil hohen Auflagen Late prints, some with large print runs Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 17:35 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)
Galerie Kornfeld Auktionen AG
sold
Jun. 30, 2023
Camille PISSARRO: "Hyde Park" - Giclee Print
Est: $100 - $200
Giclee print of Camille Pissarro's "Hyde Park London, 1890" painting depicting a colorful park with trees and benches full of people. [Art: 23 1/2" H x 29 1/2" W; Frame: 31" H x 37" W].
Roland Auctions NY
sold
Jun. 30, 2023
CAMILLE PISSARRO (1830-1903) Paysanne accroupie pastel on coloured paper 10
Est: £12,000 - £18,000
CAMILLE PISSARRO (1830-1903) Paysanne accroupie pastel on coloured paper 10 5/8 x 8 7/8 in. (27 x 22.6 cm.)
Christie's
sold
Jun. 30, 2023
CAMILLE PISSARRO (1830-1903) Paysannes assises gardant des vaches gouache o
Est: £150,000 - £250,000
CAMILLE PISSARRO (1830-1903) Paysannes assises gardant des vaches gouache on linen laid down on board 12 x 16 1/8 in. (30.5 x 41.1 cm.)
Christie's
sold
Jun. 29, 2023
Camille Pissarro (1830 St.-Thomas-des-Antilles - Paris 1903) – Effet de pluie (Effet de pluie)
Est: €8,000 - €10,000
Etching with aquatint on thin wove. (1879). Ca. 16 x 21.5 cm (sheet size ca. 27.5 x 34.5 cm). An “épreuve d’artiste” aside from the edition of 8-10 lifetime copies. Signed lower right.
Karl & Faber