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1792 London - 1859 Chelsea. Öl/Lw. Durch die tief verschneite Landschaft fahrende, vierspännige königliche Postkutsche. U.r. sign. u. 1826 dat. 49 x 67 cm. R.
Peege AuktionshausPOLLARD, James (1797-1867) Scenes during the Snow Storm, December 1836. London: Ackermann &...
Christie'sPOLLARD, James (1792–1867) Scenes on the Road; or, A Trip to Epsom and Back. London: R. Ackermann,...
Christie's[POLLARD, James (1792–1867)] [Epsom. London: Ackermann & Co., 1835-1836, plates with Whatman 1835...
Christie'sPOLLARD, James (1792-1867) The Aylesbury Grand Steeple Chase, The Light Weight Classic Stake....
Christie'sPOLLARD, James (1797-1867) British Horse Racing. London: Thomas M'Lean, 1836.
Christie'sJames Pollard (1792 - 1867)The Gold Cup at Doncaster (1839)Oil on canvasJames Pollard exhibited his works at the Royal Academy between 1821 and 1839, and at the British Institution between 1824 and 1844. He was the son of the Newcastle-born engraver and print publisher Robert Pollard (1755/6-1839), a pupil of Richard Wilson. He was trained as a painter and engraver by his father and also received instruction from the wood engraver Thomas Bewick, his fatherÐ¥s friend, also a Newcastle man. Pollard grew up in Islington, London, working for the family firm as a draughtsman and engraver. Living on a main coaching route undoubtedly influenced his choice of coaching scenes as his primary subject matter; he was particularly valued for his historical accuracy in evoking the spirit of the coaching age. In 1821, an event occurred that altered PollardÐ¥s future. The KingÐ¥s print seller Edward Orme commissioned Pollard to paint an inn signboard, showing a mail coach with horses and passengers. This signboard was first displayed in OrmeÐ¥s Bond Street shop window, where it was seen by the Austrian Ambassador Prince Esterhâ¡zy, who ordered a replica on canvas. Pollard was then promptly established as a painter of equestrian scenes in addition to coaches, and his rise to prominence began.ÐDimensions:(Canvas) 24 in. (H) x 54.5 in. (W)(Frame) 31 in. (H) x 61.5 in. (W)? (delta)
Sloane Street AuctionsJames Pollard (1792-1867) James Pollard (1792-1867) 'Moses' aquatint in colours, published by R Pollard & Sons, Holloway, London plate 37.5 x 47.5cm Condition Report: overall: 53 x 61cm Time staining with some light speckles of surface dirt.
SwordersJames Pollard (British, 1792-1867) "The Portsmouth Coach", ca. 1840 oil on wood panel verso affixed with an inscribed signature and title. Framed. 8-1/2" x 11-1/2", framed 13-1/2" x 16-1/2" Provenance: The Sword and Pen, North Wales, Pennsylvania.
New Orleans Auction GalleriesJames Pollard British, (1792 - 1867) Fly Fishing for Trout. Dedicated to the Members of the Waltonian Society by a Brother Angler hand colored etchign signed in plate
Link Auction GalleriesA Pair of Antique English James Pollard (1792-1867) Stagecoach Aquatints. a) Pair-Horse Short Stagecoach, printed and engraved by J. Pollard. 13" x 18 1/2" (sight). b) Stage Coach, printed by Pollard, engraved by DeBourg. 13" x 15" (sight). Each matted and framed.
Peterborough AuctionsJames Pollard (British, 1792-1867) etching with aquatint, Four in Hand. 15 3/4" x 22 1/2" (with frame: 24" x 30 1/2"). Not examined out of frame.
Willow Auction HouseSerie von vier Arbeiten: "Scenes on the Road, or a Trip to Epsom and back". In Farben gedruckte und handkolorierte Kupferstiche in Aquatintamanier nach James Pollard (1792 London - Chelsea 1867). Publiziert bei Ackermann, London 1838. 33x 50 cm, breitrandig. Je PP. und R. Beigegeben: Kaufbeleg vom 24.05.1985 über DM 10.500,-. (22-2292-VB)
DannenbergSerie von vier Arbeiten: "Scenes on the Road, or a Trip to Epsom and back". In Farben gedruckte und handkolorierte Kupferstiche in Aquatintamanier nach James Pollard (1792 London - Chelsea 1867). Publiziert bei Ackermann, London 1838. 33x 50 cm, breitrandig. Je PP. und R. Beigegeben: Kaufbeleg vom 24.05.1985 über DM 10.500,-. (22-2292-VB)
DannenbergAFTER JAMES POLLARD (British, 1792 - 1867). The Birmingham Tally-Ho! Coaches, 1828, Aquatint printed by G. Bentley depicting the stage coach passing the Crown Tea Garden, marked lower left corner "Printed by J. Pollard," in lower center "London Published by J. Brooke / Southampton Row," in lower right corner "Engraving by C. Bently." Framed. Not examined out of frame. - 21.5" X 30.25" ; frame: 29.5" X 30.25"
Sloans & Kenyon(British, 1792-1867) titled "A Mail Coach at the Turnpike at Night", signed l.l. "J. Pollard" and dated 1831 Overall: 18"h x 21-1/2"w Sight: 14"h x 17-1/2"w Provenance: Mrs. Paul Moore; Property from a Private East Coast Collection
Nye & CompanyJames Pollard (British, 1792-1867) etching with aquatint, Four in Hand. 15 3/4" x 22 1/2" (with frame: 24" x 30 1/2"). Not examined out of frame.
Willow Auction HouseAfter James Pollard (British, 1792-1867) "Epsom Races: Here they Come", aquatint partly hand coloured, printed by R.W. Smart and Charles Hunt, pub. by S. and J. Fuller, 1834, 19 ½ x 27 ¾in. (49.5 x 70.5cm.).
Martel MaidesJAMES POLLARD BRITISH, 1792-1867 THE ROYAL MAILS STARTING FROM THE GENERAL POST OFFICE, LONDON along with three other prints: Engraving "THE NEW LONDON ROYAL MAIL;" "THE FOUR-IN-HAND CLUB, HYDE PARK;" and "THE BLENHEIM, LEAVING THE STAR HOTEL, OXFORD" (4)
Potomack CompanyJAMES POLLARD (BRITISH C.1755-1838) AFTER DOMINIC SERRES (FRENCH 1722-1793) REVERSE GLASS PAINTED PRINT JAMES POLLARD (BRITISH C.1755-1838) AFTER DOMINIC SERRES (FRENCH 1722-1793) REVERSE GLASS PAINTED PRINT depicting The representation of His Majesty's Ship Mediator ... having taken & secured the Alexander 52 x 65 cm
Chiswick AuctionsJames Pollard (British, 1792-1867) etching with aquatint, Four in Hand. 15 3/4" x 22 1/2" (with frame: 24" x 30 1/2"). Not examined out of frame.
Willow Auction HouseJames Pollard (British, 1792-1867) and Robert Havell (British, 1769-1832), "Stage Coach Setting Off," etching and aquatint with watercolor, overall (with frame): 13.5"h x 19.5"w
Clars Auction GalleryJAMES POLLARD (BRITISH C.1755-1838) AFTER DOMINIC SERRES (FRENCH 1722-1793) REVERSE GLASS PAINTED PRINT JAMES POLLARD (BRITISH C.1755-1838) AFTER DOMINIC SERRES (FRENCH 1722-1793) REVERSE GLASS PAINTED PRINT depicting The representation of His Majesty's Ship Mediator ... having taken & secured the Alexander 52 x 65 cm
Chiswick AuctionsJames Pollard (British, 1792-1867) and Robert Havell (British, 1769-1832), "Stage Coach Setting Off," etching and aquatint with watercolor, overall (with frame): 13.5"h x 19.5"w
Clars Auction Gallery