Landscape painter, Etcher, Water color painter, b. 1887 - d. 1970
Henry Varnum Poor (September 30, 1887 – December 8, 1970) was an American architect, painter, sculptor, muralist, and potter. He was a grandnephew of the Henry Varnum Poor who was a founder of the predecessor firm to Standard & Poor's.
He was born in Chapman, Kansas on September 30, 1887,[1] to parents Alfred James Poor and Josephine Melinda Graham.
Poor attended Stanford University, where he graduated with a A.B. degree in 1910. He studied painting at the Slade School in London and under painter Walter Sickert, then attended the Académie Julian in Paris. He returned to the United States in 1911 and taught art at Stanford University before moving to San Francisco to teach at the San Francisco Art Association. From July 1919 to October 1923 Poor was married to a former student from Stanford (and a later known textile designer), Marion Dorn. Following military service in World War I, he settled in Rockland County, New York, and focused on ceramics. In 1925 he married journalist and writer Bessie Breuer.
In the late 1920s, Poor gained recognition as a painter and eventually turned to murals; he was commissioned to paint twelve murals in the U.S. Department of Justice and the mural Conservation of American Wild Life in the Department of the Interior during the 1930s. During World War II he was head of the War Art Unit of the Corps of Engineers. He served on the U.S. Commission of Fine Arts from 1944 to 1945. In 1946 Poor was one of the founders of the Skowhegan School of Painting and Sculpture and taught at Columbia University. Poor was a member of the American Academy of Arts and Letters and was a resident fellow in visual arts at the American Academy in Rome from 1950 to 1951.
Self-taught as an architect, Poor designed the "Crow House" on South Mountain Road in New City, New York for himself, and designed houses or home renovations for Kurt Weill and Lotte Lenya, John Houseman, Burgess Meredith and Maxwell Anderson.
He was also a potter, with ceramics in the permanent collections of the Art Institute of Chicago and the Metropolitan Museum of Art, and ceramics designed for Radio City Music Hall. He also has works in the collections of the Whitney Museum and the Phillips Collection. Poor's papers are in the Archives of American Art at the Smithsonian.
He died on December 8, 1970 in New City, New York.
Poor's pupils included the painter and printmaker Bertha Landers.
Henry Varnum Poor (1887-1970) Lady in Red Circa 1940 This likeness, painted in Social Realism style, resembles that of the writer Carson McCullers, a close friend of the artist and his family. The work is signed lower left front. Canvas measures 16 x 20 with a framed size of 24.25 x 28.25 inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
Henry Varnum Poor American, (1887 - 1970) Camp at the Rio Grande, 1937 ink wash and watercolor on paper Signed and dated lower right. Biography from Birger Sandzen Memorial Gallery: Henry Varnum Poor was born in Chapman, Kansas on September 30, 1887. Many sources, and even the artist himself, chronicled the date as 1888; however, census records and the Chapman newspaper confirm 1887. As a child growing up on the Kansas prairie, Poor developed a passionate love for nature and the outdoors - thanks in large part to the influence of his maternal grandfather, Simeon Graham. Graham, a man of Irish descent, came to Kansas after prospecting for gold in California and serving as a scout during the Civil War. He established his family in Chapman and eventually taught his grandson the ways of the Prairie - including how to make grasshopper and cornmeal pones and baked Prairie Hen. In 1896, the immediate Poor family, consisting of his industrious father Alfred James - who came from Andover, Maine, and was a nephew to the founder of Standard and Poor's - artistic mother Josephine, brother Herbert and sister Eva, moved from Chapman to Kansas City, Missouri. A. J. Poor, a grain dealer and banker, made the move on account of his increasing business interests and membership in the Kansas City Board of Trade. While in Kansas City, Henry Poor attended one of the earliest Manual Training Schools established in the United States: learning drafting, carpentry, and other industrial arts. He frequently returned to Chapman until moving with his mother and siblings to Palo Alto, California, so that his older brother could enroll in Stanford University. His father remained in Kansas City, attending to the family's business interests. Henry Poor graduated from Palo Alto High School and entered Stanford University in the fall of 1906, initially majoring in economics before switching to art his junior year. In 1910, he graduated Phi Beta Kappa and began a bicycling trip through Europe with former art professor Arthur B. Clark. Prolonging his stay there, he continued his art studies in London and Paris. In 1911 Poor accepted a one-year temporary position at Stanford. At its conclusion, he married fellow student Lena Wiltz and moved back to Kansas so he could manage his parents' farm approximately four miles north of Bonner Springs. While there a daughter, Josephine, was born. In the fall of 1913, he accepted a job back at Stanford and remained there until 1916, when his position was eliminated by the College president. Out of work, but still a productive artist, Poor and his young family moved north to San Francisco where he eventually resumed teaching at what would become the San Francisco Institute of Art. He was drafted in 1918 and served as a regimental artist with the 115th Engineers in France. During the War, he was divorced from Lena Wiltz and married Marion Dorn after his return in 1919. The newly wedded couple decided to relocate to New York in hopes of more success with their individual careers. They settled outside New York in New City, and Poor began constructing a home using local stone and hand-hewn timbers. The house became known as "Crow House" after the crows that congregated to watch him work. When the house was complete, he extended his artistic activities beyond painting and began working in ceramics. In the ensuing years, he made functional pottery, sculpture, architectural elements, fountains and tile murals in clay. While busy developing his ceramic work, he also began constructing houses for friends and associates in the region - including playwright Maxwell Anderson, and actors Burgess Meredith and John Houseman. Also in the 1920s, Poor remarried for the final time. He was divorced from Marion Dorn in 1923 and two years later married Bessie Freedman Breuer, an established writer and editor. Breuer had a daughter, Anne, whom Poor adopted, and in 1926 they had a son, Peter. After working extensively in ceramics throughout the 1920s he resumed painting in 1929. By the mid-1930s, his paintings drew as much attention as his ceramics. New York critics such as Emporia native Murdock Pemberton and Edward Alden Jewell championed Poor's paintings, placing his work at the forefront of American artists. Reviewing an exhibition in 1937, Jewell wrote in The New York Times: "For my part, I will pit Henry Varnum Poor against any living artist anywhere, yes, and against a lot of artists who have laid aside their brushes, quite confident that he can hold his own." Also, in the early 1930s, he began experimenting with traditional fresco painting. This eventually led to mural commissions for several public buildings. In 1938 Poor's increasing reputation facilitated an invitation to illustrate Edith Wharton's novel Ethan Frome, published by the Limited Editions Club. He later illustrated The Scarlet Letter by Nathaniel Hawthorne and The Call of the Wild by Jack London. During the Great Depression Poor became deeply involved in the organization and operation of the Treasury Department's Section of Fine Arts. He participated as an artist and juror. After America entered World War II, he encouraged artistic activity in the war effort. He authored and illustrated a book, An Artist Sees Alaska, recounting his travels along the Alaska coast as a visual art war correspondent. He later wrote and illustrated a book on ceramics titled A Book of Pottery: From Mud Into Immortality. Poor was generally reluctant to serve as a teacher following his time at Stanford and in San Francisco, but he did accept several positions in later years. His most dedicated effort as an instructor came in 1946 when he co-founded the Skowhegan School of Painting and Sculpture in Skowhegan, Maine. The last years of his life were spent primarily working in ceramics and pastels. He died from a heart attack on December 8, 1970. Submitted by Ron Michael, Curator, Birger Sandzen Memorial Gallery
Henry Varnum Poor (American 1887-1970) Still Life Plate with Watermelon and Pears, 1963 Glazed earthenware Signed and dated lower right "HP63" and "HVP" verso diameter 8 1/2 inches
Frame: 18L x 20H Etching: 13L x 15H Property of West Valley Art Museum, Peoria, AZ This signed portrait etching by Henry VarnumPoor offers a compelling portrayal of the subject, showcasing Poor's mastery of the medium. With intricate lines and careful shading, Poor captures the essence and character of the individual with remarkabledetail and sensitivity. The signature adds authenticity and value to the artwork, reflecting Poor's esteemed reputation as an artist. As an etching, this piece exemplifies Poor's skill and artistic vision, making ita prized addition to any art collection. Poor attended Stanford University, graduating with an A.B. degree in 1910. He furthered his studies in painting at the Slade School in London and under painter Walter Sickert,followed by attending the Académie Julian in Paris. Returning to the United States in 1911, he taught art at Stanford University and later at the San Francisco Art Association in San Francisco. From July 1919RH50284
Frame: 11L x 17H Lithograph: 9.5L x 13.5H Property of West Valley Art Museum, Peoria, AZ This signed Charcoal Portrait by Henry Varnum Poor portrays a captivating portrait, showcasing the artist's skill in capturing the essence of his subject. Poor's attention to detail and nuanced use of shading bring depth and character to the portrait,revealing the individual's personality and presence. The signature adds authenticity and value to the artwork, reflecting Poor's esteemed reputation as a renowned artist. Poor attended Stanford University, graduating with an A.B. degree in 1910. He furthered his studies in painting at the Slade School in London and under painter Walter Sickert, followed by attending the Académie Julian in Paris. Returning to the United States in1911, he taught art at Stanford University and later at the San Francisco Art Association in San Francisco. From July 1919 to October 1923, Poor was married to Marion Dorn, a former student from Stanford and aRH50284
Art Measure: 7w x 5h Frame Measure: 14w x 12h Property of West Valley Art Museum, Peoria, AZ Introducing a Signed Henry Varnum Poor "De Ma Fenetre" Watercolor on Paper, a captivating masterpiece that transports viewers into a serene landscape through delicate brushstrokes and vibrant colors. Signed in the bottom right corner, this watercolorpainting showcases Poor's mastery of capturing the essence of nature with remarkable precision and depth. The tranquil scene depicted in "De Ma Fenetre" invites viewers to immerse themselves in its beauty,evoking a sense of peace and serenity. This exquisite artwork is a testament to Poor's talent and skill as an artist, making it a cherished addition to any art collection. In good condition with wear commensurate withage and no major damage to notate.RH50284
Frame: 14.5L x 11.5H Lithograph: 10L x 7.5H Property of West Valley Art Museum, Peoria, AZ This signed landscape lithograph (originallymade in 1919) by Henry Varnum Poor showcases the artist's mastery of capturing natural beauty on paper. With meticulous detail and a nuanced use of light and shadow, Poor transports viewers into the serenetranquility of the landscape. His signature adds authenticity and value to the artwork, reflecting Poor's esteemed reputation as a renowned artist. As a lithograph, this piece exemplifies Poor's contribution to the worldof printmaking, making it a cherished addition to any art collection. Poor attended Stanford University, graduating with an A.B. degree in 1910. He furthered his studies in painting at the Slade Schoolin London and under painter Walter Sickert, followed by attending the Académie Julian in Paris. Returning to the United States in 1911, he taught art at Stanford University and later at the San Francisco ArtRH50284
Art Measure: 8w x 6h Frame Measure: 13w x 11h Property of West Valley Art Museum, Peoria, AZ Presenting a captivating Signed Henry VarnumPoor Lithograph, featuring the artist's signature elegantly placed in the bottom right corner. This remarkable piece showcases a stunning architectural landscape, meticulously rendered with finesse anddetail. With a masterful use of line, shape, and perspective, Poor brings to life a scene that exudes both grandeur and tranquility. Whether displayed in a sophisticated art collection or as a focal point in a refinedinterior space, this lithograph is sure to inspire admiration and appreciation for its timeless beauty and artistic craftsmanship. Poor attended Stanford University, graduating with an A.B. degree in 1910. He furtheredhis studies in painting at the Slade School in London and under painter Walter Sickert, followed by attending the Académie Julian in Paris. Returning to the United States in 1911, he taught art at Stanford UniversityRH50284
14L x 11H Property of West Valley Art Museum, Peoria, AZ This acrylic on board landscape painting by Henry Varnum Poor features a serene scenewith a large lake and mountains in the background. Poor's artistic style is evident in the portrayal of the natural elements with a unique perspective. Whether you are an art enthusiast or collector, this Henry VarnumPoor acrylic on board landscape painting offers a captivating depiction of nature, showcasing the artist's interpretation of a tranquil and picturesque setting. Poor attended Stanford University, graduating with an A.B. degree in 1910. He furthered his studies in painting at the Slade School in London and under painter Walter Sickert, followed by attending the Académie Julian in Paris. Returning to the United States in1911, he taught art at Stanford University and later at the San Francisco Art Association in San Francisco. From July 1919 to October 1923, Poor was married to Marion Dorn, a former student from Stanford and aRH50284
Frame: 21L x 16H Lithograph: 16L x 11H Property of West Valley Art Museum, Peoria, AZ This lithograph titled "Limey" by HenryVarnum Poor showcases the artist's distinctive style and mastery of the medium. Poor's use of bold lines and vibrant colors imbues the artwork with a sense of dynamism and vitality. The title "Limey" suggests aplayful and whimsical subject, adding depth to the narrative of the piece. As a lithograph, this artwork exemplifies Poor's contribution to the printmaking world, making it a valuable addition to any artcollection. Poor attended Stanford University, graduating with an A.B. degree in 1910. He furthered his studies in painting at the Slade School in London and under painter Walter Sickert,followed by attending the Académie Julian in Paris. Returning to the United States in 1911, he taught art at Stanford University and later at the San Francisco Art Association in San Francisco. From July 1919RH50284
Art Measure: 19w x 15h Frame Measure: 27w x 22h Property of West Valley Art Museum, Peoria, AZ Presenting a captivating Henry Varnum Poorlithograph, boasting a stunning pencil-like aesthetic that exudes timeless charm. Signed in the plate in the bottom left, this exquisite piece showcases the artist's masterful technique and attention to detail.With its elegant simplicity and intricate detailing, this lithograph promises to enrich any art collection with its enduring beauty and artistic excellence. In good condition with wear commensurate with age and no majordamage to notate. Born September 30, 1887 , Chapman, Kansas Died December 8, 1970, New City, New YorkFather, Alfred J. Poor (nephew of Henry Varnum Poor, founder of Standard & Poor); Mother, Josephine Graham Poor. Brother Herbert, sister Eva.RH50284
Art Measure: 15w x 19h Frame Measure: 20w x 24h Property of West Valley Art Museum, Peoria, AZ Introducing the Henry Varnum Poor"Lironville" lithograph, a captivating portrayal of this landmark in France. Printed with a signature in the bottom left corner, this lithograph exudes authenticity and charm. With its intricate details andmasterful composition, it offers a beautiful glimpse into the timeless allure of Lironville. The artwork's subdued color palette adds a sense of nostalgia and elegance, making it a perfect addition to any art collection. Whether displayed in a gallery or adorning the walls of a home, this lithograph is sure to evoke a sense of wonder and appreciation for the beauty of France's architectural heritage. In goodcondition with wear commensurate with age and no major damage to notate. Born September 30, 1887 , Chapman, Kansas Died December 8, 1970, New City, New YorkRH50284
Art Measure: 20w x 14h Frame Measure: 25w x 19h Property of West Valley Art Museum, Peoria, AZ Presenting the Signed Henry Varnum Poor"Verdun" lithograph, a remarkable piece signed discreetly in the bottom left corner, adding an authentic touch to its appeal. This lithograph features a captivating black and white color scheme that lends a timelessquality to the depiction of the beautiful city of Verdun. With its intricate details and expert craftsmanship, this artwork offers a mesmerizing glimpse into the historical significance and architectural splendor ofthe city. A must-have addition for collectors and enthusiasts alike, this lithograph promises to enrich any art collection with its elegance and charm. In good condition with wear commensurate with age and no majordamage to notate. Born September 30, 1887 , Chapman, Kansas Died December 8, 1970, New City, New YorkRH50284
Art Measure: 20w x 14h Frame Measure: 28w x 22h Property of West Valley Art Museum, Peoria, AZ Introducing a Vintage Signed Lithograph byHenry Varnum Poor, titled "Garden of the Gods". This captivating piece features Poor's signature in the bottom right corner, adding authenticity and value to the artwork. With intricate details and a mesmerizing depiction of a canyon landscape, this lithograph showcases Poor's mastery of the medium. Whether displayed in a home or office, this artwork is sure to captivate viewers with its timeless beauty and evocative portrayal ofnature's grandeur. In good condition with wear commensurate with age and no major damage to notate. Born September 30, 1887 , Chapman, KansasDied December 8, 1970, New City, New York Father, Alfred J. Poor (nephew of Henry Varnum Poor, founder of Standard & Poor); Mother, Josephine Graham Poor. BrotherRH50284
Art Measure: 19w x 14h Frame Measure: 24w x 19h Property of West Valley Art Museum, Peoria, AZ Presenting a Signed Lithigraph by HenryVarnum Poor titled "Verdun". This captivating piece, adorned with Poor's signature in the bottom right corner. With intricate details and an evocative composition, this artwork captures the essence of Verdun with depth and emotion. Whether displayed in a gallery or cherished in a private collection, this artwork is a testament to Poor's artistic talent, inviting viewers to appreciate its beauty and craftsmanship. In good conditionwith wear commensurate with age and no major damage to notate. Born September 30, 1887 , Chapman, Kansas Died December 8, 1970, New City, New York Father, Alfred J. Poor (nephew of Henry Varnum Poor, founder of Standard & Poor); Mother, Josephine Graham Poor. Brother Herbert, sister Eva.RH50284
Art Measure: 21w x 14h Frame Measure: 30w x 23h Property of West Valley Art Museum, Peoria, AZ Introducing a captivating Signed Lithographby Henry Varnum Poor. This piece, adorned with a signature in the bottom right corner, exudes a charming black and white sketch-like aesthetic. With its intricate details and masterful execution, this lithograph is atestament to Poor's artistic prowess and creative vision. Whether displayed in a gallery or as a focal point in your home, this artwork is sure to captivate viewers and spark conversation. It’s titled “Garden ofthe Gods". In good condition with wear commensurate with age and no major damage to notate. Born September 30, 1887 , Chapman, KansasDied December 8, 1970, New City, New York Father, Alfred J. Poor (nephew of Henry Varnum Poor, founder of Standard & Poor); Mother, Josephine Graham Poor. BrotherRH50284
Art Measure: 6w x 5h Frame Measure: 17w x 16h Property of West Valley Art Museum, Peoria, AZ Introducing a Henry Varnum Poor Etching,featuring a timeless composition rendered in black and white simplicity. Signed discreetly in the plate in the bottom right corner, this etching exudes elegance and sophistication. Poor's meticulous attentionto detail is evident in every line, capturing the essence of his subject matter with exquisite precision. Whether displayed alone or as part of a curated collection, this etching is sure to captivate viewers with its understated beauty and artistic integrity. In good condition with wear commensurate with age and no major damage to notate. Born September 30, 1887 , Chapman, KansasDied December 8, 1970, New City, New York Father, Alfred J. Poor (nephew of Henry Varnum Poor, founder of Standard & Poor); Mother, Josephine Graham Poor. BrotherRH50284
Art Measure: 13w x 11h Frame Measure: 18w x 14h Property of West Valley Art Museum, Peoria, AZ Presenting a Signed Henry Varnum Poor RuinsLithograph, adorned with the artist's signature in the bottom right corner. This captivating lithograph captures the essence of ancient ruins with exquisite detail and artistry. Each stroke of Poor's hand reflects a profound appreciation for history and architecture, inviting viewers to delve into the mysteries of the past. With its evocative imagery and masterful execution, this lithograph is a testament to Poor's talentand vision, making it a prized addition to any art collection. In good condition with wear commensurate with age and no major damage to notate.Born September 30, 1887 , Chapman, Kansas Died December 8, 1970, New City, New York Father, Alfred J. Poor (nephew of Henry Varnum Poor, founder of Standard & Poor);RH50284
Art Measure: 16w x 12h Frame Measure: 23w x 17h Property of West Valley Art Museum, Peoria, AZ Introducing a Signed Henry Varnum Poor “St.Mihiel" Lithograph, an exquisite piece of art signed elegantly in the bottom left corner. This lithograph exudes a captivating aura, skillfully crafted to resemble the delicate strokes of a pencil. Transport yourself tothe picturesque landscape of St. Mihiel, as captured by Poor's meticulous attention to detail and artistic finesse. With its timeless charm and impeccable craftsmanship, this lithograph is sure to elevate any artcollection and become a cherished focal point in your home or gallery. In good condition with wear commensurate with age and no major damage to notate.Born September 30, 1887 , Chapman, Kansas Died December 8, 1970, New City, New York Father, Alfred J. Poor (nephew of Henry Varnum Poor, founder of Standard & Poor);RH50284
Sizes in order from largest to smallest: 25L x 17.5H, 21L x 15H, 19.5L x 16.5H, 16L x 14H Property of West Valley Art Museum, Peoria, AZ This collection features four signed piecesof Henry Varnum Poor's Study Sketchings , each portraying a distinct scene created by the artist. With Henry Varnum Poor's signature, these artworks carry a personal touch and authentication. Each piece captures a unique environment, showcasing the artist's skill in conveying diverse scenes and atmospheres. Ideal for art collectors and those appreciating environmental artistry, this 4-piece collection by Henry Varnum Poorprovides a multifaceted exploration of different scenes through the artist's creative lens. He was born in Chapman, Kansas on September 30, 1887,[1] to parents Alfred James Poor and Josephine Melinda Graham. Poor attended Stanford University, where he graduated with a A.B. degree in 1910. He studied painting at the Slade School inRH50284
Henry Varnum Poor Coupe with birds USA, 1953 glazed earthenware 4.75 h x 5.875 dia in (12 x 15 cm) Incised signature and date to lower body and underside 'HP 53'. Literature: A Book of Pottery: From Mud Into Immortality, Poor, ppg. 118-119 illustrate preparatory drawings This work will ship from Lambertville, New Jersey.
Henry Varnum Poor (American, 1887-1970) Studio Art Pottery glazed ceramic panels, 1929, framed and comprising eight (8) sections within the border, with decorative borders flanking a reeded central section with a planter or fountain basin flanked by modeled pears, the sides with painted lemons and foliage, signed and dated "HVP '29" in upper left and lower right corners, all housed within a black rectangular wooden frame. 21" H x 38" W 2.75" D.
Henry Varnum Poor (American 1887 - 1970), "Fruit and Green Plant in Sun", 1962, oil on canvas board, still life depicting a bowl of apples and pears next to a potted plant, signed "HV Poor" and dated "62" lower right corner, in custom frame with red and gilt paint, inscriptions verso, wear consistent with age, ss: 24" h. x 30" w.
Henry Varnum Poor Portrait plate USA, 1966 glazed earthenware 1.25 h x 7.75 dia in (3 x 20 cm) Signed and dated to each side 'HVP 66'. Numbered to underside 'TV 3-E'. This work will ship from Lambertville, New Jersey.
Henry Varnum Poor (American 1887 - 1970), Landscape, watercolor and graphite on paper, 1919, loosely rendered scene of the French countryside, small village and hills, signed and lower right, framed and matted behind glass, wear consistent with age, ss: 5 1/2" h. x 7" w.
Henry Varnum Poor (American, 1887-1970) oil on panel wood board painting depicting a portrait of a figure wearing a white shirt, signed "HV Poor" lower left, housed in a gilt wood frame. Image: 15.5" H x 12.5" W; frame: 23" H x 19.75" W.
Henry Varnum Poor (1888-1970) Sleeping baby signed 'Henry V. Poor' (lower left); signed again (on the stretcher bars); initialed 'H.V.P.' (on the verso); and inscribed as titled (on a typed exhibition label affixed to the stretcher bar) oil on canvas 20 1/2 x 36in (52.1 x 91.4cm) Painted circa 1914. For further information on this lot please visit the Bonhams website
POOR, Henry Varnum, (American, 1887-1970): Palmettos in Florida, Mixed Media Watercolor and Pastel, 18.5" x 25", signed lower right and dated 1962, unframed.
POOR, Henry Varnum, (American, 1887-1970): Florida Landscape with Hedge, Watercolor, Gouache, Pastel and Graphite, 17.75" x 22.5", signed lower right and dated 1964, unframed.
Henry Varnum Poor American, 1887-1970 Landscape with Houses and Trees Signed HV Poor (lr) Oil on canvas laid to Masonite 15 x 18 inches (38.1 x 45.7 cm) C
Henry Varnum Poor (1887-1970) Indian Summer 1960 Signed lower right and dated '60, titled on the stretcher verso. As an artist, Henry Varnum Poor is most associated with California and New York but was born in Chapman, Kansas and grew up in Kansas City, Missouri. H.V. Poor was a very interesting individual capable of many things as an artist and otherwise. He worked in various mediums and produced a considerable body of work, though large pieces like this are scarce. Board measures 30 x 48 with a framed size of 31.5 x 49.5 inches. We happily provide seamless in-house packing and shipping services on nearly everything we sell.
HENRY VARNUM POOR New York/California, 1887-1970 Street scene. Signed lower right "H.V. Poor". Provenance: Purchased from the Keith Sheridan Gallery, Myrtle Beach, South Carolina. Mixed media on paper, 10.5" x 17.5" sight. Framed 19.5" x 23.5".
HENRY VARNUM POOR New York/California, 1887-1970 Street scene. Signed lower right "H.V. Poor". Provenance: Purchased from the Keith Sheridan Gallery, Myrtle Beach, South Carolina. Mixed media on paper, 10.5" x 17.5" sight. Framed 19.5" x 23.5".
HENRY VARNUM POOR New York/California, 1887-1970 Landscape, possibly Alaska. Signed lower right "H.V. Poor". Provenance: Purchased from the Keith Sheridan Gallery, Myrtle Beach, South Carolina. Watercolor on paper, 8.5" x 12.25" sight. Framed 14" x 17".
HENRY VARNUM POOR New York/California, 1887-1970 Two works, both signed lower right "H.V. Poor". 1) Street scene. Mixed media on paper, 10.5" x 17.5" sight. Framed 19.5" x 23.5". 2) Landscape, possibly Alaska. Watercolor on paper, 8.5" x 12.25" sight. Framed 14" x 17". Provenance: Both purchased from the Keith Sheridan Gallery, Myrtle Beach, South Carolina.
Henry Varnum Poor (1887-1970), landscape, mixed media, signed L/L, 20 3/4" x 22 1/4" (sight), frame 27" x 28 3/4". Provenance: From a Brighton, Massachusetts estate.
Henry Varnum Poor (1887-1970), portrait of an artist, very possibly a self portrait, oil on board, signed and dated '1944' L/L, titled verso 'The Painter in Tan Smock', 23 1/2" x 19 3/4", frame 30" x 26 1/2". Provenance: From a Brighton, Massachusetts estate.
Henry Varnum Poor (1887-1970), portrait of a small boy, oil on canvas laid down on wood panel, signed L/R, dated '1962', L/L, 17" x 15" unframed. Provenance: From a Brighton, Massachusetts estate.
Henry Varnum Poor Am. 1887-1970 "Houses on the Ridge" Oil on Canvas Title Inscribed on Back, Signed l.r 26" x 30" Actual Provenance: Private Collection Western Massachusetts
Lily Buds. Oil on paper, mid 20th century. Signed at lower right. Montross Gallery label on the verso. Sight size, 16 x 12 1/2 inches. Frame size 23 x 19 inches. Notice to bidders: Condition reports and additional photographs are provided by request as a courtesy to our clients, as such any condition report is only an opinion and should not be treated as a statement of fact. The absence of a condition report does not imply that the lot is in perfect condition or completely free of defects, imperfections, restoration, wear and tear, or the effects of aging. Capo Auction shall have no responsibility for any error or omission, additionally all lots are sold 'As Is' and in accordance with the conditions of sale.
