George Thompson Pritchard (New Zealand-American, 1878-1962). Autumn Cityscape. Oil on canvas, n.d. Signed at lower right. A luminous stillness settles over this riverbank cityscape, where delicate autumn trees and pale church spires dissolve into mist. Painted in soft tonal washes and warm earthen hues, the scene radiates a quiet lyricism that recalls the atmosphere-driven works of the Impressionists. George Thompson Pritchard, a lifelong student of landscape, captures not just a place but a mood - contemplative, fading, and gently luminous. His training in Paris at the Academie Julian likely informed the dappled palette and airy composition seen here. Like his French contemporaries, Pritchard was drawn to fleeting light and poetic silhouettes. Size of painting: 29.5" W x 24.5" H (74.9 cm x 62.2 cm); of frame: 34.5" W x 29.5" H (87.6 cm x 74.9 cm) Rather than focusing on architecture or narrative detail, he renders the townscape as a memory, softened by distance and shadow, where the sharp lines of buildings and trees melt into the gentle blur of a reflective riverbank. The oil surface bears fine textural strokes, especially in the foliage, which animate the foreground with painterly vitality. Behind it, spires rise like whispered refrains, echoing the spiritual hush of an early morning scene. The tonal range - all misty greens, subdued pinks, ochres, and taupes - creates a mellow harmony, subtly orchestrated like a piece of chamber music. Though best known for his California seascapes and his teaching career later in life, this work likely dates from an earlier period when Pritchard was actively painting in the eastern United States and absorbing Impressionist techniques. It reflects his preference for immersive natural scenes over bold theatricality - a mood piece more than a map. A lyrical ode to autumnal light and spatial memory, this work invites quiet attention, offering viewers the same serene retreat that may have drawn the artist to his easel in the first place. About the artist: Born in 1878 in Havelock, New Zealand to Alfred and Emily Pritchard, George Thompson Pritchard would become a globe-trotting painter whose brush captured the lyrical spirit of land and sea. Though his early ambition was to become a violinist, a life-altering injury that cost him his left forearm redirected his passion wholly toward art. This loss, rather than halting his creative journey, intensified it. Pritchard's formal training began at the Academy of Art in Auckland and continued at the Elam School of Art and the Melbourne Academy of Fine Arts. During his time in Australia, he supported himself by working in journalism, eventually rising to political editor of the Sydney Morning Herald. But painting pulled stronger than prose. In 1901, he traveled to Paris to study at the Academie Julian, immersing himself in European painting traditions just as Impressionism and Tonalism redefined the landscape genre. He immigrated to the United States in 1906, arriving in post-earthquake San Francisco. There, amid the ruins of a shaken city, he began a new chapter, producing canvases of remarkable resilience and atmosphere. After three years he moved to Milwaukee, where he established an art school before pursuing further studies at the Vanderheldt Academy in Amsterdam. By 1915, Pritchard had relocated to England, studied under Royal Academician Sir Alfred East, and married Valerie Lucy. They would have four children: Paul, Valerie, Gabrielle, and Vashti. During World War I, he worked as a production manager in a munitions factory, temporarily setting aside his art. He eventually resumed his practice and spent the 1920s moving between Canada, New York, and Virginia. While living in Richmond from 1925 to 1931, he lectured widely and saw strong sales through southern exhibitions. During this period, he also painted commercially for New York art houses, creating still lifes and florals under the name Jane Wilcox for department store distribution. Known for blasting music from his Victrola while painting vivid figures in the basement of his home, he approached even commercial work with energetic dedication. By the mid-1930s, he had settled in Southern California, where he founded studios in Glendale and Santa Monica. A beloved teacher, he remained active in the Glendale and Santa Monica Art Associations and numerous artistic circles in New Zealand, Australia, Holland, and across the United States. He retired from teaching in 1946, turning inward in his final years to paint and write privately. One of his late paintings, "Signing of the Bill of Rights," was donated to New Zealand's Parliament. Pritchard's favored subjects were landscapes, riverscapes, and seascapes - scenes that fused memory with mood, often rendered in a tonalist palette with Impressionist sensitivity to light and air. His works evoke not only the forms of nature but the inner stillness it offers. George Thompson Pritchard died in Reseda, California in 1962, a few weeks shy of his 84th birthday. He remains remembered as a painter of quiet depth, one who found poetry in atmosphere, resilience in beauty, and home wherever the light fell softest. Item # 195114
GEORGE THOMPSON PRITCHARD (CALIFORNIA, 1878-1962) OIL ON CANVAS OF A LANDSCAPE. American, 20th Century. Depicting a woodsy scene with a stream, signed "G. Thompson-Pritchard" at lower left, in a gilt wood frame. Canvas, 25"h. 30"w. Frame, 32"h. 37"w.
George Thompson Pritchard (1878-1962) "Autumn Glory" Oil on canvas Signed lower left: G. Thompson-Pritchard-; with a title preceded by the number "26." on a portion of a typed label affixed to the stretcher
George Thompson Pritchard (New Zealand-American, 1878-1962). Autumn Cityscape. Oil on canvas, n.d. Signed at lower right. A luminous stillness settles over this riverbank cityscape, where delicate autumn trees and pale church spires dissolve into mist. Painted in soft tonal washes and warm earthen hues, the scene radiates a quiet lyricism that recalls the atmosphere-driven works of the Impressionists. George Thompson Pritchard, a lifelong student of landscape, captures not just a place but a mood - contemplative, fading, and gently luminous. His training in Paris at the Academie Julian likely informed the dappled palette and airy composition seen here. Like his French contemporaries, Pritchard was drawn to fleeting light and poetic silhouettes. Size of painting: 29.5" W x 24.5" H (74.9 cm x 62.2 cm); of frame: 34.5" W x 29.5" H (87.6 cm x 74.9 cm) Rather than focusing on architecture or narrative detail, he renders the townscape as a memory, softened by distance and shadow, where the sharp lines of buildings and trees melt into the gentle blur of a reflective riverbank. The oil surface bears fine textural strokes, especially in the foliage, which animate the foreground with painterly vitality. Behind it, spires rise like whispered refrains, echoing the spiritual hush of an early morning scene. The tonal range - all misty greens, subdued pinks, ochres, and taupes - creates a mellow harmony, subtly orchestrated like a piece of chamber music. Though best known for his California seascapes and his teaching career later in life, this work likely dates from an earlier period when Pritchard was actively painting in the eastern United States and absorbing Impressionist techniques. It reflects his preference for immersive natural scenes over bold theatricality - a mood piece more than a map. A lyrical ode to autumnal light and spatial memory, this work invites quiet attention, offering viewers the same serene retreat that may have drawn the artist to his easel in the first place. About the artist: Born in 1878 in Havelock, New Zealand to Alfred and Emily Pritchard, George Thompson Pritchard would become a globe-trotting painter whose brush captured the lyrical spirit of land and sea. Though his early ambition was to become a violinist, a life-altering injury that cost him his left forearm redirected his passion wholly toward art. This loss, rather than halting his creative journey, intensified it. Pritchard's formal training began at the Academy of Art in Auckland and continued at the Elam School of Art and the Melbourne Academy of Fine Arts. During his time in Australia, he supported himself by working in journalism, eventually rising to political editor of the Sydney Morning Herald. But painting pulled stronger than prose. In 1901, he traveled to Paris to study at the Academie Julian, immersing himself in European painting traditions just as Impressionism and Tonalism redefined the landscape genre. He immigrated to the United States in 1906, arriving in post-earthquake San Francisco. There, amid the ruins of a shaken city, he began a new chapter, producing canvases of remarkable resilience and atmosphere. After three years he moved to Milwaukee, where he established an art school before pursuing further studies at the Vanderheldt Academy in Amsterdam. By 1915, Pritchard had relocated to England, studied under Royal Academician Sir Alfred East, and married Valerie Lucy. They would have four children: Paul, Valerie, Gabrielle, and Vashti. During World War I, he worked as a production manager in a munitions factory, temporarily setting aside his art. He eventually resumed his practice and spent the 1920s moving between Canada, New York, and Virginia. While living in Richmond from 1925 to 1931, he lectured widely and saw strong sales through southern exhibitions. During this period, he also painted commercially for New York art houses, creating still lifes and florals under the name Jane Wilcox for department store distribution. Known for blasting music from his Victrola while painting vivid figures in the basement of his home, he approached even commercial work with energetic dedication. By the mid-1930s, he had settled in Southern California, where he founded studios in Glendale and Santa Monica. A beloved teacher, he remained active in the Glendale and Santa Monica Art Associations and numerous artistic circles in New Zealand, Australia, Holland, and across the United States. He retired from teaching in 1946, turning inward in his final years to paint and write privately. One of his late paintings, "Signing of the Bill of Rights," was donated to New Zealand's Parliament. Pritchard's favored subjects were landscapes, riverscapes, and seascapes - scenes that fused memory with mood, often rendered in a tonalist palette with Impressionist sensitivity to light and air. His works evoke not only the forms of nature but the inner stillness it offers. George Thompson Pritchard died in Reseda, California in 1962, a few weeks shy of his 84th birthday. He remains remembered as a painter of quiet depth, one who found poetry in atmosphere, resilience in beauty, and home wherever the light fell softest. Provenance: private Grand Junction, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. Please note that buyers are responsible for understanding and complying with the import regulations of their destination country. While we carefully prepare and document all shipments, we cannot be held responsible for customs delays, clearance issues, additional duties or taxes, or any seizure of property. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.). PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #195114
**Originally Listed At $750** George Thompson Pritchard (New Zealand-American, 1878-1962). Autumn Cityscape. Oil on canvas, n.d. Signed at lower right. A luminous stillness settles over this riverbank cityscape, where delicate autumn trees and pale church spires dissolve into mist. Painted in soft tonal washes and warm earthen hues, the scene radiates a quiet lyricism that recalls the atmosphere-driven works of the Impressionists. George Thompson Pritchard, a lifelong student of landscape, captures not just a place but a mood - contemplative, fading, and gently luminous. His training in Paris at the Academie Julian likely informed the dappled palette and airy composition seen here. Like his French contemporaries, Pritchard was drawn to fleeting light and poetic silhouettes. Size of painting: 29.5" W x 24.5" H (74.9 cm x 62.2 cm); of frame: 34.5" W x 29.5" H (87.6 cm x 74.9 cm) Rather than focusing on architecture or narrative detail, he renders the townscape as a memory, softened by distance and shadow, where the sharp lines of buildings and trees melt into the gentle blur of a reflective riverbank. The oil surface bears fine textural strokes, especially in the foliage, which animate the foreground with painterly vitality. Behind it, spires rise like whispered refrains, echoing the spiritual hush of an early morning scene. The tonal range - all misty greens, subdued pinks, ochres, and taupes - creates a mellow harmony, subtly orchestrated like a piece of chamber music. Though best known for his California seascapes and his teaching career later in life, this work likely dates from an earlier period when Pritchard was actively painting in the eastern United States and absorbing Impressionist techniques. It reflects his preference for immersive natural scenes over bold theatricality - a mood piece more than a map. A lyrical ode to autumnal light and spatial memory, this work invites quiet attention, offering viewers the same serene retreat that may have drawn the artist to his easel in the first place. About the artist: Born in 1878 in Havelock, New Zealand to Alfred and Emily Pritchard, George Thompson Pritchard would become a globe-trotting painter whose brush captured the lyrical spirit of land and sea. Though his early ambition was to become a violinist, a life-altering injury that cost him his left forearm redirected his passion wholly toward art. This loss, rather than halting his creative journey, intensified it. Pritchard's formal training began at the Academy of Art in Auckland and continued at the Elam School of Art and the Melbourne Academy of Fine Arts. During his time in Australia, he supported himself by working in journalism, eventually rising to political editor of the Sydney Morning Herald. But painting pulled stronger than prose. In 1901, he traveled to Paris to study at the Academie Julian, immersing himself in European painting traditions just as Impressionism and Tonalism redefined the landscape genre. He immigrated to the United States in 1906, arriving in post-earthquake San Francisco. There, amid the ruins of a shaken city, he began a new chapter, producing canvases of remarkable resilience and atmosphere. After three years he moved to Milwaukee, where he established an art school before pursuing further studies at the Vanderheldt Academy in Amsterdam. By 1915, Pritchard had relocated to England, studied under Royal Academician Sir Alfred East, and married Valerie Lucy. They would have four children: Paul, Valerie, Gabrielle, and Vashti. During World War I, he worked as a production manager in a munitions factory, temporarily setting aside his art. He eventually resumed his practice and spent the 1920s moving between Canada, New York, and Virginia. While living in Richmond from 1925 to 1931, he lectured widely and saw strong sales through southern exhibitions. During this period, he also painted commercially for New York art houses, creating still lifes and florals under the name Jane Wilcox for department store distribution. Known for blasting music from his Victrola while painting vivid figures in the basement of his home, he approached even commercial work with energetic dedication. By the mid-1930s, he had settled in Southern California, where he founded studios in Glendale and Santa Monica. A beloved teacher, he remained active in the Glendale and Santa Monica Art Associations and numerous artistic circles in New Zealand, Australia, Holland, and across the United States. He retired from teaching in 1946, turning inward in his final years to paint and write privately. One of his late paintings, "Signing of the Bill of Rights," was donated to New Zealand's Parliament. Pritchard's favored subjects were landscapes, riverscapes, and seascapes - scenes that fused memory with mood, often rendered in a tonalist palette with Impressionist sensitivity to light and air. His works evoke not only the forms of nature but the inner stillness it offers. George Thompson Pritchard died in Reseda, California in 1962, a few weeks shy of his 84th birthday. He remains remembered as a painter of quiet depth, one who found poetry in atmosphere, resilience in beauty, and home wherever the light fell softest. Provenance: private Grand Junction, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #195114
Join us Christmas Day for our annual fundraising Charity Auction to support Community Food Share, a Feeding America Food Bank serving Boulder and Broomfield Counties in Colorado. This online-only timed auction is dedicated to helping feed the hungry, with Artemis donating $2,500 of proceeds from this sale. George Thompson Pritchard (New Zealand-American, 1878-1962). Autumn Cityscape. Oil on canvas, n.d. Signed at lower right. A luminous stillness settles over this riverbank cityscape, where delicate autumn trees and pale church spires dissolve into mist. Painted in soft tonal washes and warm earthen hues, the scene radiates a quiet lyricism that recalls the atmosphere-driven works of the Impressionists. George Thompson Pritchard, a lifelong student of landscape, captures not just a place but a mood - contemplative, fading, and gently luminous. His training in Paris at the Academie Julian likely informed the dappled palette and airy composition seen here. Like his French contemporaries, Pritchard was drawn to fleeting light and poetic silhouettes. Size of painting: 29.5" W x 24.5" H (74.9 cm x 62.2 cm); of frame: 34.5" W x 29.5" H (87.6 cm x 74.9 cm) Rather than focusing on architecture or narrative detail, he renders the townscape as a memory, softened by distance and shadow, where the sharp lines of buildings and trees melt into the gentle blur of a reflective riverbank. The oil surface bears fine textural strokes, especially in the foliage, which animate the foreground with painterly vitality. Behind it, spires rise like whispered refrains, echoing the spiritual hush of an early morning scene. The tonal range - all misty greens, subdued pinks, ochres, and taupes - creates a mellow harmony, subtly orchestrated like a piece of chamber music. Though best known for his California seascapes and his teaching career later in life, this work likely dates from an earlier period when Pritchard was actively painting in the eastern United States and absorbing Impressionist techniques. It reflects his preference for immersive natural scenes over bold theatricality - a mood piece more than a map. A lyrical ode to autumnal light and spatial memory, this work invites quiet attention, offering viewers the same serene retreat that may have drawn the artist to his easel in the first place. About the artist: Born in 1878 in Havelock, New Zealand to Alfred and Emily Pritchard, George Thompson Pritchard would become a globe-trotting painter whose brush captured the lyrical spirit of land and sea. Though his early ambition was to become a violinist, a life-altering injury that cost him his left forearm redirected his passion wholly toward art. This loss, rather than halting his creative journey, intensified it. Pritchard's formal training began at the Academy of Art in Auckland and continued at the Elam School of Art and the Melbourne Academy of Fine Arts. During his time in Australia, he supported himself by working in journalism, eventually rising to political editor of the Sydney Morning Herald. But painting pulled stronger than prose. In 1901, he traveled to Paris to study at the Academie Julian, immersing himself in European painting traditions just as Impressionism and Tonalism redefined the landscape genre. He immigrated to the United States in 1906, arriving in post-earthquake San Francisco. There, amid the ruins of a shaken city, he began a new chapter, producing canvases of remarkable resilience and atmosphere. After three years he moved to Milwaukee, where he established an art school before pursuing further studies at the Vanderheldt Academy in Amsterdam. By 1915, Pritchard had relocated to England, studied under Royal Academician Sir Alfred East, and married Valerie Lucy. They would have four children: Paul, Valerie, Gabrielle, and Vashti. During World War I, he worked as a production manager in a munitions factory, temporarily setting aside his art. He eventually resumed his practice and spent the 1920s moving between Canada, New York, and Virginia. While living in Richmond from 1925 to 1931, he lectured widely and saw strong sales through southern exhibitions. During this period, he also painted commercially for New York art houses, creating still lifes and florals under the name Jane Wilcox for department store distribution. Known for blasting music from his Victrola while painting vivid figures in the basement of his home, he approached even commercial work with energetic dedication. By the mid-1930s, he had settled in Southern California, where he founded studios in Glendale and Santa Monica. A beloved teacher, he remained active in the Glendale and Santa Monica Art Associations and numerous artistic circles in New Zealand, Australia, Holland, and across the United States. He retired from teaching in 1946, turning inward in his final years to paint and write privately. One of his late paintings, "Signing of the Bill of Rights," was donated to New Zealand's Parliament. Pritchard's favored subjects were landscapes, riverscapes, and seascapes - scenes that fused memory with mood, often rendered in a tonalist palette with Impressionist sensitivity to light and air. His works evoke not only the forms of nature but the inner stillness it offers. George Thompson Pritchard died in Reseda, California in 1962, a few weeks shy of his 84th birthday. He remains remembered as a painter of quiet depth, one who found poetry in atmosphere, resilience in beauty, and home wherever the light fell softest. Provenance: private Grand Junction, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #195114
Oil on canvas harbor scene painting by George Thompson Pritchard (New Zealander/American, 1878 - 1962) signed lower left, mounted in rosette carved giltwood frame, early 20th century; canvas 25"H 30"W overall 32.5"H 37"W
Impressionist oil on canvas harbor scene painting by George Thompson Pritchard (New Zealander/American, 1878 - 1962) signed lower left, titled Ships of Algiers on frame plaque, early 20th century; canvas 24.5"H 29"W overall 28"H 32"W
George Thompson Pritchard (New Zealand-American, 1878-1962). Autumn Cityscape. Oil on canvas, n.d. Signed at lower right. A luminous stillness settles over this riverbank cityscape, where delicate autumn trees and pale church spires dissolve into mist. Painted in soft tonal washes and warm earthen hues, the scene radiates a quiet lyricism that recalls the atmosphere-driven works of the Impressionists. George Thompson Pritchard, a lifelong student of landscape, captures not just a place but a mood - contemplative, fading, and gently luminous. His training in Paris at the Academie Julian likely informed the dappled palette and airy composition seen here. Like his French contemporaries, Pritchard was drawn to fleeting light and poetic silhouettes. Size of painting: 29.5" W x 24.5" H (74.9 cm x 62.2 cm); of frame: 34.5" W x 29.5" H (87.6 cm x 74.9 cm) Rather than focusing on architecture or narrative detail, he renders the townscape as a memory, softened by distance and shadow, where the sharp lines of buildings and trees melt into the gentle blur of a reflective riverbank. The oil surface bears fine textural strokes, especially in the foliage, which animate the foreground with painterly vitality. Behind it, spires rise like whispered refrains, echoing the spiritual hush of an early morning scene. The tonal range - all misty greens, subdued pinks, ochres, and taupes - creates a mellow harmony, subtly orchestrated like a piece of chamber music. Though best known for his California seascapes and his teaching career later in life, this work likely dates from an earlier period when Pritchard was actively painting in the eastern United States and absorbing Impressionist techniques. It reflects his preference for immersive natural scenes over bold theatricality - a mood piece more than a map. A lyrical ode to autumnal light and spatial memory, this work invites quiet attention, offering viewers the same serene retreat that may have drawn the artist to his easel in the first place. About the artist: Born in 1878 in Havelock, New Zealand to Alfred and Emily Pritchard, George Thompson Pritchard would become a globe-trotting painter whose brush captured the lyrical spirit of land and sea. Though his early ambition was to become a violinist, a life-altering injury that cost him his left forearm redirected his passion wholly toward art. This loss, rather than halting his creative journey, intensified it. Pritchard's formal training began at the Academy of Art in Auckland and continued at the Elam School of Art and the Melbourne Academy of Fine Arts. During his time in Australia, he supported himself by working in journalism, eventually rising to political editor of the Sydney Morning Herald. But painting pulled stronger than prose. In 1901, he traveled to Paris to study at the Academie Julian, immersing himself in European painting traditions just as Impressionism and Tonalism redefined the landscape genre. He immigrated to the United States in 1906, arriving in post-earthquake San Francisco. There, amid the ruins of a shaken city, he began a new chapter, producing canvases of remarkable resilience and atmosphere. After three years he moved to Milwaukee, where he established an art school before pursuing further studies at the Vanderheldt Academy in Amsterdam. By 1915, Pritchard had relocated to England, studied under Royal Academician Sir Alfred East, and married Valerie Lucy. They would have four children: Paul, Valerie, Gabrielle, and Vashti. During World War I, he worked as a production manager in a munitions factory, temporarily setting aside his art. He eventually resumed his practice and spent the 1920s moving between Canada, New York, and Virginia. While living in Richmond from 1925 to 1931, he lectured widely and saw strong sales through southern exhibitions. During this period, he also painted commercially for New York art houses, creating still lifes and florals under the name Jane Wilcox for department store distribution. Known for blasting music from his Victrola while painting vivid figures in the basement of his home, he approached even commercial work with energetic dedication. By the mid-1930s, he had settled in Southern California, where he founded studios in Glendale and Santa Monica. A beloved teacher, he remained active in the Glendale and Santa Monica Art Associations and numerous artistic circles in New Zealand, Australia, Holland, and across the United States. He retired from teaching in 1946, turning inward in his final years to paint and write privately. One of his late paintings, "Signing of the Bill of Rights," was donated to New Zealand's Parliament. Pritchard's favored subjects were landscapes, riverscapes, and seascapes - scenes that fused memory with mood, often rendered in a tonalist palette with Impressionist sensitivity to light and air. His works evoke not only the forms of nature but the inner stillness it offers. George Thompson Pritchard died in Reseda, California in 1962, a few weeks shy of his 84th birthday. He remains remembered as a painter of quiet depth, one who found poetry in atmosphere, resilience in beauty, and home wherever the light fell softest. Provenance: private Grand Junction, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #195114
George Thompson Pritchard (New Zealand-American, 1878-1962). Autumn Cityscape. Oil on canvas, n.d. Signed at lower right. A luminous stillness settles over this riverbank cityscape, where delicate autumn trees and pale church spires dissolve into mist. Painted in soft tonal washes and warm earthen hues, the scene radiates a quiet lyricism that recalls the atmosphere-driven works of the Impressionists. George Thompson Pritchard, a lifelong student of landscape, captures not just a place but a mood - contemplative, fading, and gently luminous. His training in Paris at the Academie Julian likely informed the dappled palette and airy composition seen here. Like his French contemporaries, Pritchard was drawn to fleeting light and poetic silhouettes. Size of painting: 29.5" W x 24.5" H (74.9 cm x 62.2 cm); of frame: 34.5" W x 29.5" H (87.6 cm x 74.9 cm) Rather than focusing on architecture or narrative detail, he renders the townscape as a memory, softened by distance and shadow, where the sharp lines of buildings and trees melt into the gentle blur of a reflective riverbank. The oil surface bears fine textural strokes, especially in the foliage, which animate the foreground with painterly vitality. Behind it, spires rise like whispered refrains, echoing the spiritual hush of an early morning scene. The tonal range - all misty greens, subdued pinks, ochres, and taupes - creates a mellow harmony, subtly orchestrated like a piece of chamber music. Though best known for his California seascapes and his teaching career later in life, this work likely dates from an earlier period when Pritchard was actively painting in the eastern United States and absorbing Impressionist techniques. It reflects his preference for immersive natural scenes over bold theatricality - a mood piece more than a map. A lyrical ode to autumnal light and spatial memory, this work invites quiet attention, offering viewers the same serene retreat that may have drawn the artist to his easel in the first place. About the artist: Born in 1878 in Havelock, New Zealand to Alfred and Emily Pritchard, George Thompson Pritchard would become a globe-trotting painter whose brush captured the lyrical spirit of land and sea. Though his early ambition was to become a violinist, a life-altering injury that cost him his left forearm redirected his passion wholly toward art. This loss, rather than halting his creative journey, intensified it. Pritchard's formal training began at the Academy of Art in Auckland and continued at the Elam School of Art and the Melbourne Academy of Fine Arts. During his time in Australia, he supported himself by working in journalism, eventually rising to political editor of the Sydney Morning Herald. But painting pulled stronger than prose. In 1901, he traveled to Paris to study at the Academie Julian, immersing himself in European painting traditions just as Impressionism and Tonalism redefined the landscape genre. He immigrated to the United States in 1906, arriving in post-earthquake San Francisco. There, amid the ruins of a shaken city, he began a new chapter, producing canvases of remarkable resilience and atmosphere. After three years he moved to Milwaukee, where he established an art school before pursuing further studies at the Vanderheldt Academy in Amsterdam. By 1915, Pritchard had relocated to England, studied under Royal Academician Sir Alfred East, and married Valerie Lucy. They would have four children: Paul, Valerie, Gabrielle, and Vashti. During World War I, he worked as a production manager in a munitions factory, temporarily setting aside his art. He eventually resumed his practice and spent the 1920s moving between Canada, New York, and Virginia. While living in Richmond from 1925 to 1931, he lectured widely and saw strong sales through southern exhibitions. During this period, he also painted commercially for New York art houses, creating still lifes and florals under the name Jane Wilcox for department store distribution. Known for blasting music from his Victrola while painting vivid figures in the basement of his home, he approached even commercial work with energetic dedication. By the mid-1930s, he had settled in Southern California, where he founded studios in Glendale and Santa Monica. A beloved teacher, he remained active in the Glendale and Santa Monica Art Associations and numerous artistic circles in New Zealand, Australia, Holland, and across the United States. He retired from teaching in 1946, turning inward in his final years to paint and write privately. One of his late paintings, "Signing of the Bill of Rights," was donated to New Zealand's Parliament. Pritchard's favored subjects were landscapes, riverscapes, and seascapes - scenes that fused memory with mood, often rendered in a tonalist palette with Impressionist sensitivity to light and air. His works evoke not only the forms of nature but the inner stillness it offers. George Thompson Pritchard died in Reseda, California in 1962, a few weeks shy of his 84th birthday. He remains remembered as a painter of quiet depth, one who found poetry in atmosphere, resilience in beauty, and home wherever the light fell softest. Provenance: private Grand Junction, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #195114
George Thompson Pritchard (New Zealand-American, 1878-1962). Autumn Cityscape. Oil on canvas, n.d. Signed at lower right. A luminous stillness settles over this riverbank cityscape, where delicate autumn trees and pale church spires dissolve into mist. Painted in soft tonal washes and warm earthen hues, the scene radiates a quiet lyricism that recalls the atmosphere-driven works of the Impressionists. George Thompson Pritchard, a lifelong student of landscape, captures not just a place but a mood - contemplative, fading, and gently luminous. His training in Paris at the Academie Julian likely informed the dappled palette and airy composition seen here. Like his French contemporaries, Pritchard was drawn to fleeting light and poetic silhouettes. Size of painting: 29.5" W x 24.5" H (74.9 cm x 62.2 cm); of frame: 34.5" W x 29.5" H (87.6 cm x 74.9 cm) Rather than focusing on architecture or narrative detail, he renders the townscape as a memory, softened by distance and shadow, where the sharp lines of buildings and trees melt into the gentle blur of a reflective riverbank. The oil surface bears fine textural strokes, especially in the foliage, which animate the foreground with painterly vitality. Behind it, spires rise like whispered refrains, echoing the spiritual hush of an early morning scene. The tonal range - all misty greens, subdued pinks, ochres, and taupes - creates a mellow harmony, subtly orchestrated like a piece of chamber music. Though best known for his California seascapes and his teaching career later in life, this work likely dates from an earlier period when Pritchard was actively painting in the eastern United States and absorbing Impressionist techniques. It reflects his preference for immersive natural scenes over bold theatricality - a mood piece more than a map. A lyrical ode to autumnal light and spatial memory, this work invites quiet attention, offering viewers the same serene retreat that may have drawn the artist to his easel in the first place. About the artist: Born in 1878 in Havelock, New Zealand to Alfred and Emily Pritchard, George Thompson Pritchard would become a globe-trotting painter whose brush captured the lyrical spirit of land and sea. Though his early ambition was to become a violinist, a life-altering injury that cost him his left forearm redirected his passion wholly toward art. This loss, rather than halting his creative journey, intensified it. Pritchard's formal training began at the Academy of Art in Auckland and continued at the Elam School of Art and the Melbourne Academy of Fine Arts. During his time in Australia, he supported himself by working in journalism, eventually rising to political editor of the Sydney Morning Herald. But painting pulled stronger than prose. In 1901, he traveled to Paris to study at the Academie Julian, immersing himself in European painting traditions just as Impressionism and Tonalism redefined the landscape genre. He immigrated to the United States in 1906, arriving in post-earthquake San Francisco. There, amid the ruins of a shaken city, he began a new chapter, producing canvases of remarkable resilience and atmosphere. After three years he moved to Milwaukee, where he established an art school before pursuing further studies at the Vanderheldt Academy in Amsterdam. By 1915, Pritchard had relocated to England, studied under Royal Academician Sir Alfred East, and married Valerie Lucy. They would have four children: Paul, Valerie, Gabrielle, and Vashti. During World War I, he worked as a production manager in a munitions factory, temporarily setting aside his art. He eventually resumed his practice and spent the 1920s moving between Canada, New York, and Virginia. While living in Richmond from 1925 to 1931, he lectured widely and saw strong sales through southern exhibitions. During this period, he also painted commercially for New York art houses, creating still lifes and florals under the name Jane Wilcox for department store distribution. Known for blasting music from his Victrola while painting vivid figures in the basement of his home, he approached even commercial work with energetic dedication. By the mid-1930s, he had settled in Southern California, where he founded studios in Glendale and Santa Monica. A beloved teacher, he remained active in the Glendale and Santa Monica Art Associations and numerous artistic circles in New Zealand, Australia, Holland, and across the United States. He retired from teaching in 1946, turning inward in his final years to paint and write privately. One of his late paintings, "Signing of the Bill of Rights," was donated to New Zealand's Parliament. Pritchard's favored subjects were landscapes, riverscapes, and seascapes - scenes that fused memory with mood, often rendered in a tonalist palette with Impressionist sensitivity to light and air. His works evoke not only the forms of nature but the inner stillness it offers. George Thompson Pritchard died in Reseda, California in 1962, a few weeks shy of his 84th birthday. He remains remembered as a painter of quiet depth, one who found poetry in atmosphere, resilience in beauty, and home wherever the light fell softest. Provenance: private Grand Junction, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #195114
GEORGE THOMPSON PRITCHARD OIL ON CANVAS (California/U.K./New Zealand, 1878 - 1962) desert landscape with wildflowers. Signed lower right, 25" x 30" (image), 31" x 36" (frame). Provenance: includes sales receipt from Frank Panter, Los Angeles, dated 1950 and a photograph of the buyer (Elizabeth Hopper) with the painting.
George Thompson Pritchard (New Zealand-American, 1878-1962). Autumn Cityscape. Oil on canvas, n.d. Signed at lower right. A luminous stillness settles over this riverbank cityscape, where delicate autumn trees and pale church spires dissolve into mist. Painted in soft tonal washes and warm earthen hues, the scene radiates a quiet lyricism that recalls the atmosphere-driven works of the Impressionists. George Thompson Pritchard, a lifelong student of landscape, captures not just a place but a mood - contemplative, fading, and gently luminous. His training in Paris at the Academie Julian likely informed the dappled palette and airy composition seen here. Like his French contemporaries, Pritchard was drawn to fleeting light and poetic silhouettes. Size of painting: 29.5" W x 24.5" H (74.9 cm x 62.2 cm); of frame: 34.5" W x 29.5" H (87.6 cm x 74.9 cm) Rather than focusing on architecture or narrative detail, he renders the townscape as a memory, softened by distance and shadow, where the sharp lines of buildings and trees melt into the gentle blur of a reflective riverbank. The oil surface bears fine textural strokes, especially in the foliage, which animate the foreground with painterly vitality. Behind it, spires rise like whispered refrains, echoing the spiritual hush of an early morning scene. The tonal range - all misty greens, subdued pinks, ochres, and taupes - creates a mellow harmony, subtly orchestrated like a piece of chamber music. Though best known for his California seascapes and his teaching career later in life, this work likely dates from an earlier period when Pritchard was actively painting in the eastern United States and absorbing Impressionist techniques. It reflects his preference for immersive natural scenes over bold theatricality - a mood piece more than a map. A lyrical ode to autumnal light and spatial memory, this work invites quiet attention, offering viewers the same serene retreat that may have drawn the artist to his easel in the first place. About the artist: Born in 1878 in Havelock, New Zealand to Alfred and Emily Pritchard, George Thompson Pritchard would become a globe-trotting painter whose brush captured the lyrical spirit of land and sea. Though his early ambition was to become a violinist, a life-altering injury that cost him his left forearm redirected his passion wholly toward art. This loss, rather than halting his creative journey, intensified it. Pritchard's formal training began at the Academy of Art in Auckland and continued at the Elam School of Art and the Melbourne Academy of Fine Arts. During his time in Australia, he supported himself by working in journalism, eventually rising to political editor of the Sydney Morning Herald. But painting pulled stronger than prose. In 1901, he traveled to Paris to study at the Academie Julian, immersing himself in European painting traditions just as Impressionism and Tonalism redefined the landscape genre. He immigrated to the United States in 1906, arriving in post-earthquake San Francisco. There, amid the ruins of a shaken city, he began a new chapter, producing canvases of remarkable resilience and atmosphere. After three years he moved to Milwaukee, where he established an art school before pursuing further studies at the Vanderheldt Academy in Amsterdam. By 1915, Pritchard had relocated to England, studied under Royal Academician Sir Alfred East, and married Valerie Lucy. They would have four children: Paul, Valerie, Gabrielle, and Vashti. During World War I, he worked as a production manager in a munitions factory, temporarily setting aside his art. He eventually resumed his practice and spent the 1920s moving between Canada, New York, and Virginia. While living in Richmond from 1925 to 1931, he lectured widely and saw strong sales through southern exhibitions. During this period, he also painted commercially for New York art houses, creating still lifes and florals under the name Jane Wilcox for department store distribution. Known for blasting music from his Victrola while painting vivid figures in the basement of his home, he approached even commercial work with energetic dedication. By the mid-1930s, he had settled in Southern California, where he founded studios in Glendale and Santa Monica. A beloved teacher, he remained active in the Glendale and Santa Monica Art Associations and numerous artistic circles in New Zealand, Australia, Holland, and across the United States. He retired from teaching in 1946, turning inward in his final years to paint and write privately. One of his late paintings, "Signing of the Bill of Rights," was donated to New Zealand's Parliament. Pritchard's favored subjects were landscapes, riverscapes, and seascapes - scenes that fused memory with mood, often rendered in a tonalist palette with Impressionist sensitivity to light and air. His works evoke not only the forms of nature but the inner stillness it offers. George Thompson Pritchard died in Reseda, California in 1962, a few weeks shy of his 84th birthday. He remains remembered as a painter of quiet depth, one who found poetry in atmosphere, resilience in beauty, and home wherever the light fell softest. Provenance: private Grand Junction, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #195114
George Thompson Pritchard (1878-1962) Snow Scene Landscape c1920s. Â Signed. Â Excellent condition. 25"h x 30"w. Â Frame 32.75"h x 37.75"w FREE NATIONWIDE SHIPPING for all of your purchases at our Two Day Auction within the lower 48 states. No matter whether you buy one small piece or a large piece of furniture, all of your SHIPPING WILL BE FREE If you purchase 15 pieces of furniture, your shipping will still be free within the lower 48 states. We box and ship ourselves, to keep shipping costs low. We do not use a packaging service, unless the customer prefers us to use them. We can ship either USPS or FedEx Ground. We deliver larger pieces ourselves on the west coast and we make a loop around the US within approximately 60 days after the auction. No matter where you live in the lower 48 states, we look forward to personally meeting you and delivering larger pieces directly to your house.
George Thompson Pritchard (1878-1962) "Morning Calm" Oil on board Signed lower left: G. Thompson Pritchard; titled on a partial older typed label affixed to the frame, verso
Attributed to George Thompson Pritchard (1878-1962) Oil on Canvas Dutch Scene with Mother & Child by the Sea. Born in Havelock, New Zealand on April 11, 1878, George Pritchard studied in Aukland at the Academy of Art, the Elam School of Art, and the Melbourne Academy of Fine Arts (1901). Upon arriving in San Francisco in 1906 in the aftermath of the earthquake, he produced many paintings during his three-year stay. A few years were then spent in Milwaukee before journeying on to Paris for further art study at Académie Julian, and at the Vanderheldt Academy in Amsterdam (1911-14). During WWI he lived in Canada, New York City, and Richmond, Virginia. Pritchard lectured and exhibited at colleges and universities throughout the South. In 1935 he settled in southern California and had studios in Glendale and Santa Monica. He taught art at his studio, exhibited regularly with the Glendale and Santa Monica Art Associations, and painted many landscapes and seascapes. He died in Reseda, California on Feb. 26, 1962. Overall Size: 15 x 17 1/2 in. Sight Size: 9 x 11 1/2 in. #6395
Oil on canvas, signed 'G. Thompson Pritchard' lower right; together with Paul Th. Pritchard: River Landscape, oil on canvas, signed 'Paul T. Pritchard' lower left. Both 25 x 29 1/2 in., 32 x 36 in. (frame).
Signed in the lower right. Sunset over a Venetian canal with sailing vessels, gondolas and the Basilica di Santa Maria della Salute in the background. Having a painted carved wood frame, H 36.5", W 42.5".
Pritchard, George Thompson (1878-1962) Charette sur la plage Description (FR): Huile sur carton signée en bas à gauche G Thompson Pritchard Description (EN): Oil on cardboard signed on the lower left G Thompson Pritchard Dimension (PO): 9.25" x 13.5" Dimension (CM): 23.5 x 34 cm Rapport de condition: Sur demande, nous nous ferons un plaisir de répondre à vos questions de manière détaillée. Condition report: Upon request, We will gladly answer all your inquiries in a detailed manner.
George Thompson Pritchard (1878-1962) The Coronation of Queen Elizabeth II signed 'G. Thompson Pritchard' (lower right) oil on canvas 25 x 30 in. framed 31 1/4 x 36 1/4 in.
George Thompson Pritchard (1878 - 1962) Oil on Board, Signed Lower Right, Measures ( 20 x 30 inches ) w/frame ( 22 x 32 inches ) George Thompson Pritchard (1878-1962), who migrated to the US from New Zealand. GTP primarily painted seascapes and landscapes. He became a teacher after settling in California.Jane Wilcox was the name that he used for still life and florals when producing paintings for the NY art houses affiliated with department store sellers. I vividly remember my mother telling the story of how he would work on several paintings at a time in the basement of their house with the Victrola playing classical music and turned on loud. She would sit at the top of the stairs and watch him at his easels. He was a colorful figure, as were most of the Pritchards, and would regale them with tales of his forays to other countries to learn from masters and the great art of Europe.
George Thompson Pritchard California / United Kingdom, New Zealand, (1878 - 1962) mountain landscape oil on canvas Signed lower right. Biography from the Archives of askART: Born in Havelock, New Zealand on April 11, 1878, George Pritchard studied in Aukland at the Academy of Art, the Elam School of Art, and the Melbourne Academy of Fine Arts (1901). Upon arriving in San Francisco in 1906 in the aftermath of the earthquake, he produced many paintings during his three-year stay. A few years were then spent in Milwaukee before journeying on to Paris for further art study at Académie Julian, and at the Vanderheldt Academy in Amsterdam (1911-14). During WWI he lived in Canada, New York City, and Richmond, Virginia. Pritchard lectured and exhibited at colleges and universities throughout the South. In 1935 he settled in southern California and had studios in Glendale and Santa Monica. He taught art at his studio, exhibited regularly with the Glendale and Santa Monica Art Associations, and painted many landscapes and seascapes. He died in Reseda, California on Feb. 26, 1962.
George Thompson Pritchard California / United Kingdom, New Zealand, (1878 - 1962) mountain landscape oil on canvas Signed lower right. Biography from the Archives of askART: Born in Havelock, New Zealand on April 11, 1878, George Pritchard studied in Aukland at the Academy of Art, the Elam School of Art, and the Melbourne Academy of Fine Arts (1901). Upon arriving in San Francisco in 1906 in the aftermath of the earthquake, he produced many paintings during his three-year stay. A few years were then spent in Milwaukee before journeying on to Paris for further art study at Académie Julian, and at the Vanderheldt Academy in Amsterdam (1911-14). During WWI he lived in Canada, New York City, and Richmond, Virginia. Pritchard lectured and exhibited at colleges and universities throughout the South. In 1935 he settled in southern California and had studios in Glendale and Santa Monica. He taught art at his studio, exhibited regularly with the Glendale and Santa Monica Art Associations, and painted many landscapes and seascapes. He died in Reseda, California on Feb. 26, 1962.
Signed in the lower left. Moroccan scene of figures and a camel rider passing through a city gate archway. Provenance: From the Estate of Prominent Collector, Leon Zielinski, Macomb County, MI. DuMouchelle Art Galleries, 8-15-1993, lot #2097.
Signed in the lower right. Sunset over a Venetian canal with sailing vessels, gondolas and the Basilica di Santa Maria della Salute in the background. Having a painted carved wood frame, H 36.5", W 42.5". Provenance: Property from a Bloomfield Hills, MI private collection.
George Thompson Pritchard (1878 - 1962) Oil on Board, Signed Lower Right, Measures ( 20 x 30 inches ) w/frame ( 22 x 32 inches ) George Thompson Pritchard (1878-1962), who migrated to the US from New Zealand. GTP primarily painted seascapes and landscapes. He became a teacher after settling in California.Jane Wilcox was the name that he used for still life and florals when producing paintings for the NY art houses affiliated with department store sellers. I vividly remember my mother telling the story of how he would work on several paintings at a time in the basement of their house with the Victrola playing classical music and turned on loud. She would sit at the top of the stairs and watch him at his easels. He was a colorful figure, as were most of the Pritchards, and would regale them with tales of his forays to other countries to learn from masters and the great art of Europe.
George Thompson Pritchard (1878 - 1962) Oil on Board, Signed Lower Right, Measures ( 20 x 30 inches ) w/frame ( 22 x 32 inches ) George Thompson Pritchard (1878-1962), who migrated to the US from New Zealand. GTP primarily painted seascapes and landscapes. He became a teacher after settling in California. Jane Wilcox was the name that he used for still life and florals when producing paintings for the NY art houses affiliated with department store sellers. I vividly remember my mother telling the story of how he would work on several paintings at a time in the basement of their house with the Victrola playing classical music and turned on loud. She would sit at the top of the stairs and watch him at his easels. He was a colorful figure, as were most of the Pritchards, and would regale them with tales of his forays to other countries to learn from masters and the great art of Europe.
PRITCHARD, George Thompson, (American, 1878-1962): Impressionist Country Landscape with Stream, Oil/Canvas, 24" x 28", signed lower right, framed, 29.25" x 33.5".
George Thompson Pritchard (American/British, 1878 - 1962), "Sunset Cottage Landscape", oil on canvas, signed lower left. Approx. h. 33.75", w. 43.5" (frame), h. 26", w. 36" (canvas).
(California/United Kingdom/New Zealand, 1878-1962) Oil on canvas luminous sunrise on the marsh. Very nicely rendered impressionist piece signed lower right. Framed nicely in gilt frame of the early 20th century. Framed: H29 1/2" W35" Sold from the collection of a Southern Pines, NC lady and gentleman.
George Thompson Pritchard (AMERICAN, 1878-1962), "Pastoral Scene: Ducks on a placid stream," oil on canvas, signed lower left of face, 25" x 30", gilt wood frame
George Thompson Pritchard (1878-1962) Oil on Canvas Boats in Harbor. Good condition, craquelure on lower right red boat. Stretcher bar caused crease on top and left edges. Professional cleaning recommended. Frame shows light surface marks. Visible approx. 15.5 x 19.5 in. Frame approx. 23 x 27 in. Weight 4.6 lbs.
George Thompson Pritchard (American, 1878-1962), Flower Market, oil on canvas, signed lower left, canvas: 25"h x 32"w, overall (with frame): 33.75"h x 38.75"w. Provenance: San Rafael Auction Gallery (Lot 162) in 2020
G. THOMPSON PRITCHARD (AMER, 18781962), OIL ON CANVAS, H 25", W 30"Depicting a figure with horse and cart. Artist's signature to the lower right. Frame measures H 31" x L 36".
George Thompson Pritchard (California / United Kingdom, New Zealand, 1878 - 1962) Pastel of a coastal scene with boats in the distance. Signed in lower portion. Sight Size: 16 x 24 in. Overall Size: 18 x 26 in.
George Thompson Pritchard (NZ/CA, 1878-1962), Mountain Valley Home oil on canvas, signed G. Thompson Pritchard lower left, presented in gilt wooden frame. DOA 29 x 25 in. G. Thompson Pritchard emigrated from New Zealand to the United States, settling in California while still a young man. A talented and prolific painter, he traveled extensively in North America and furthered his studies in Europe. Additional high-resolution photos are available at LelandLittle.com
