Andrea Procaccini Paintings & Artwork for Sale | Andrea Procaccini Art Value Price Guide

Jun. 25, 2026
Andrea Procaccini - Cloelia Virgo, Vna ex obsidibus, frustrata Custodes, dux agminis Virginum Tyberim tranat, 1700
Est: €100 - €200
Rome, Jac. Frey [18th century]. Etching after a painting by Carlo Maratta, 477 x 655 mm, paper mounted on cardboard, some small losses in the margins.
Finarte
Sep. 10, 2025
Attributed to ANDREA PROCACCINI (Rome, 1671 - Real Sitio de San Ildefonso, 1734). "Portrait of Cardinal Carlos de Borja". Oil on canvas. Relined. The definitive is in the Museo del Prado, Madrid. Provenance: family of the portrayed.
Est: €5,000 - €6,000
Attributed to ANDREA PROCACCINI (Rome, 1671 - Real Sitio de San Ildefonso, 1734). "Portrait of Cardinal Carlos de Borja". Oil on canvas. Relined. The definitive is in the Museo del Prado, Madrid. Provenance: family of the portrayed. Measurements: 76 x 58 cm; 101 x 81 cm (frame). Oil painting attributed to the Italian artist Andrea Procaccini. It represents a bust portrait of Cardinal Carlos de Borja y Centellas (Gandía,1663 - Real Sitio de San Ildefonso,1733). We are before a canvas that presents evident stylistic concomitances with the definitive portrait of the cardinal made by Andrea Procaccini, which is conserved in the Prado Museum. Its direct provenance from the family of Cardinal Borgia adds a significant historical value. The cardinal is portrayed in a three-quarter pose, with his body slightly turned to the right as his face turns to look directly at the viewer. His gaze is penetrating and his expression is serious and authoritative, reflecting the power and dignity of his office.He wears the cardinal's choral habit. A short red silk cape covers his shoulders. The artist has paid particular attention to capturing the sheen and texture of the fabric, using loose brushstrokes to create reflections that give a sense of opulence. The characteristic red cap covers his head. Beneath the muceta, the sleeve of a white roquette peeks out, made of exquisitely detailed lace, demonstrating the high quality of his garment and his status. With her left hand, in which she wears a ring, she delicately holds a red biretta, another symbol of her ecclesiastical authority. A ring can be seen on the same hand. The work shows a remarkable mastery of light and color, characteristic of late baroque. A light source coming from the left illuminates the face, shoulder and part of the chest of the cardinal, creating a strong contrast with the curtained background. This use of chiaroscuro models the figure and focuses attention on the face and insignia of the sitter. The treatment of the face is realistic, without idealizing the cardinal's features, showing his advanced age through the wrinkles on the forehead and around the eyes. Andrea Procaccini was an Italian Baroque painter, active in his native city and from 1720 in Spain as a painter of Philip V's chamber and aposentador of the palace of La Granja, where he died. Born in Rome into a wealthy family, he trained with Carlo Maratta, with whom he collaborated in the decoration of the Basilica of St. John Lateran by order of Pope Clement XI. There is one of his early works: the figure of the prophet Daniel in a series of prophets painted by his master. This commission brought him fame at the time, which led him to be in charge of the designs of the papal Tapestry Factory for some time. After this Italian period he decided to move to the new court of the Bourbons in Spain and was put under the mandate of Philip V where he became a chamber painter for fourteen years. During his stay in Spain he had under his patronage the Italian painters Astasi Giuseppe and Domenico Maria Sani. During his stay in Spain he was mainly occupied in the direction of the decorative works of the palace of La Granja and in the realization of cartoons for tapestries (series of the battle of Tunis and Don Quixote).
Setdart Auction House
Nov. 27, 2024
Procaccini, Andrea: Diogenes
Est: €360 - €450
Diogenes (sieht den Knaben aus der Hand Wasser trinken und wirft die Schale weg). Radierung nach Carlo Maratta. 37,6 x 23,7cm. Nagler 9, Le Blanc 11. Wz. Lilie (?) im Doppelkreis. Ganz ausgezeichneter, harmonischer Druck mit schmalem Rändchen um die Plattenkante. Lediglich etwas angestaubt und unbedeutende Gebrauchsspuren vor allem unten, dort winzige Läsur im weißen Rand, kleine Montierungsreste verso, sonst tadellos. Selten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Sep. 21, 2021
ANDREA PROCACCINI
Est: €1,000 - €2,000
(Roma, 1671 - La Granja, 1734) Madonna che legge Olio su tela, cm 49X35 Andrea Procaccini, allievo e fidato collaboratore di Carlo Maratti, partecipì in prima persona alle sue tarde imprese pittoriche quando il maestro, ormai stanco e ammalato, si limitava a sovrintendere i cantieri. Così avvenne nell'affresco raffigurante i Quattro Evangelisti della cappella di San Brunone in Santa Maria degli Angeli (1700 - 1702) e nella chiesa di Santa Maria dell'Orto, dove Procaccini affrescì tra il 1702 e il 1703 i due ovali raffiguranti la Discesa dello Spirito Santo e Sant'Anna e San Gioacchino. Secondo Lione Pascoli (1730 -1736, 1992, p. 837) fu sempre Maratti a raccomandare il giovane ai suoi più importanti committenti, in particolare al marchese Niccolì Maria Pallavicini (Rudolph, 1995, pp. 210-238). È quindi indubbio che l'artista, attenendosi ai modi e allo stile del maestro, rivendicava da una parte di esserne l'erede culturale ma anche la propria autonomia di artista classico per eccellenza, consentendogli di proseguire la sua carriera che culminì in Spagna dove si trasferì nel 1720. L'impronta marattesca che distinguerà la sua produzione si evidenzia in modo particolare nelle piccole opere devozionali, in cui i modelli sono caratterizzati da stesure raffinate e una peculiare eleganza reniana. Ringraziamo Alessandro Agresti per l'attribuzione. Bibliografia di riferimento: L. Pascoli, Vite de' pittori, scultori, ed architetti moderni (1730-1736), a cura di A. Marabottini, Perugia 1992, pp. 836 ; 845 S. Rudolph, La pittura del '700 a Roma, Milano 1983, ad vocem G. Sestieri, Repertorio della pittura romana della fine del Seicento e del Settecento, Torino 1994, I, pp. 153 ; 154 S. Rudolph, Niccolì Maria Pallavicini: l'ascesa al tempio della virtù attraverso il mecenatismo, Roma 1995
Wannenes Art Auctions
Sep. 21, 2021
Procaccini, Andrea
Est: €600 - €800
Procaccini, Andrea (1671-1734), oder Umkreis. Hl. Maria Magdalena von Pazzi empfängt den Schleier. Zeichnung. Tuschfeder in Sepia, graulaviert, am Unterrand zeitgen. bezeichnet. 33,3:21,5 cm. Provenienz: Vorbildersammlung der Tiroler Glasmalerei-Anstalt, Innsbruck, Sammlungsstempel. – Der diagonal nach rechts (Augsburger Kupferstich seitenverkehrt) angelegten Zeichnung sind eine Engelsglorie beigestellt sowie zwei Engel weiter im Vordergrund, bemerkenswert die auffallend individuellen Züge, die den begleitenden Figuren eine Identität außerhalb der ikonographischen Einheit verleihen. Der im Augsburger Verlag von Martin Engelbrecht erschienene Kupferstich (Österreichische Nationalbibliothek) folgt der Zeichnung darin nach Vermögen, reduziert aber die Puttengloriole und erstrebt weitere Vereinfachungen in der Detailtreue.
Schneider-Henn
Jun. 17, 2020
Procaccini, Andrea
Est: €600 -
(1671-1734), oder Umkreis. Hl. Maria Magdalena empfängt den Schleier. Zeichnung. Tuschfeder in Sepia, graulaviert, am Unterrand zeitgen. bezeichnet. 33,3:21,5 cm. – Provenienz: Vorbildersammlung der Tiroler Glasmalerei-Anstalt, Innsbruck, Sammlungsstempel. – Der diagonal nach rechts angelegten Zeichnung ist eine Engelsgloriole beigestellt sowie zwei Engel weiter im Vordergrund, beachtenswert die auffallend individuellen Züge (Detailabb.), die den begleitenden Figuren eine Identität außerhalb der ikonographischen Abhängigkeit verleihen.
Schneider-Henn
May. 29, 2019
ANDREA PROCACCINI. Portrait of Cardinal Carlos de Borja.
Est: €5,000 - €5,800
Oil on canvas It includes a copy of a letter signed by Didier Bodart in Rome on July 4, 1980, where he attributes the work to Procaccini and considers that it could be the original for the portrait made by Girolamo Rossi. This work was probably the original for the portrait of the cardinal included in "Ilustración, y publicación de los diez y siete secretos del Doctor Juan Cuervo Semmedo" (Madrid, Domingo Fernández de Arrojo, 1732) engraved by Juan Sánchez in 1731. The Prado Museum houses a portrait of the same model, made circa 1721, considered the author's best example in this genre (inv. No. P002882). The portrayed, Carlos de Borja Centellas Ponce de Leon (Gandía 1663 - La Granja 1733), son of Francisco de Borja-Centelles and Doria, IX Duke of Gandía, was the major priest of Philip V, archbishop of Trebizond and patriarch of the Indies. Reference literature: Andrés Úbeda de los Cobos, "Felipe V y el retrato de Corte", in "El arte en la corte de Felipe V", Madrid, Patrimonio Nacional, Museo Nacional del Prado and Fundación Caja Madrid, 2002, p. 123 76x57.8 cm.
Balclis
Dec. 19, 2018
Andrea Procaccini, Portrait of Cardinal Carlos de Borja, Oi
Est: €8,000 - €10,000
Andrea Procaccini Rome 1671 – Real Sitio de San Ildefonso 1734 Portrait of Cardinal Carlos de Borja Oil on canvas This work was probably the original for the portrait of the cardinal included in "Ilustración, y publicación de los diez y siete secretos del Doctor Juan Cuervo Semmedo" (Madrid, Domingo Fernández de Arrojo, 1732) print by Juan Sánchez in 1731. The Museo del Prado houses a portrait of the same model, made circa 1721, considered the author's best example of this genre (inv. no. P002882). The portrayed, Carlos de Borja Centellas Ponce de León (Gandía 1663 - La Granja 1733), son of Francisco de Borja-Centelles y Doria, IX Duke of Gandía, was major priest of Philip V, archbishop of Trebisonda and patriarch of the Indies. Reference literature: Andrés Úbeda de los Cobos, "Felipe V y el retrato de Corte", in "El arte en la corte de Felipe V", Madrid, National Heritage, Museo Nacional del Prado and Fundación Caja Madrid, 2002, p. 123. 76x57.8 cm
Balclis
Dec. 06, 2018
Andrea Procaccini (attr.)
Est: €1,500 - €2,500
The Ascension of the Virgin oil on canvas on cardboard, 50cm. diam.
Bolli & Romiti s.r.l
May. 22, 2018
ANDREA PROCACCINI | Mystic marriage of Saint Catherine of Alexandria
Est: $30,000 - $40,000
oil on canvas, in an 18th century frame
Sotheby's
Jan. 27, 2018
Andrea Procaccini (1671-1734) Engraving & Etching
Est: $100 - $200
Andrea Procaccini (Italian, Rome 1671-1734) original engraving and etching. Signed in plate lower right. Measures 33 cm x 45.5 cm (sheet size). Unframed, glued to sheet at corners. Provenance: The Amity Arts Foundation Collection. We ship most items in-house with the exception of furniture, large or heavy artwork, heavier items or extremely fragile items.
Grant Zahajko Auctions, LLC
Nov. 26, 2015
Procaccini, Andrea: Jupiter lässt den kleinen Bacchus an Merkur übergeben
Est: €300 - €400
Jupiter lässt den kleinen Bacchus von den Nymphen an Merkur übergeben. Radierung mit Kupferstich, nach Carlo Maratta. 30,8 x 43,2 cm. Le Blanc 10. Wz. Lilie im Doppelkreis. Andrea Procaccini lernte in Rom in der Werkstatt Carlo Marattas, der die Vorlage für die vorliegende Radierung lieferte. Prachtvoller, harmonischer Druck mit feinem bzw. schmalem Rand um die deutlich zeichnende Plattenkante. Gerinfügig angestaubt sowie leicht fleckig, leichte vertikale Mittelfalte verso, diese unten hinterlegt, sonst in sehr schöner Erhaltung.
Bassenge Auctions
Mar. 27, 2015
The Adoration of the Shepherds attributed to Andrea Procaccini
Est: $1,000 - $1,200
The Adoration Of The Shepherds. Unsigned.
Arthaz
Jul. 10, 2009
Circle of Andrea Procaccini (Rome 1671-1734 La Granja de San Ildefonso)
Est: £2,500 - £3,500
Circle of Andrea Procaccini (Rome 1671-1734 La Granja de San Ildefonso) The Drunkenness of Noah oil on canvas 16 x 22 3/8 in. (42.8 x 56.8 cm.)
Christie's
Jun. 18, 2009
A RED CHALK SKETCH OF A DEVOUT WOMAN SURROUNDED BY CHERUBS
Est: $400 - $600
Unsigned, with a collector`s stamp "RN" in the l.r.c. Verso in old ink "Procacini XVI/American collector Richardson Normand". (Possibly Andrea Procaccini, Italian painter and etcher, 1671-1734.) Together with a red ink etching of a young woman`s head, res
Nye & Company
Apr. 21, 2004
Andrea Procaccini (Rome 1671-1734 La Granja de San Ildefonso)
Est: £10,000 - £15,000
The Flight into Egypt oil on canvas 29 3/8 x 24 1/4 in. (74.6 x 61.6 cm.)
Christie's