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Sir Henry Raeburn United Kingdom, Scotland, (1756 - 1823) Portrait of Mrs. Clavering, Sister Of Jacobina, Lady Radcliffe oil on board Artist and title label verso, 108Q catalog. Source; Paul Mellon Centre Photographic Archive: Sir Everard Radcliffe, Bart, M. C, Christie's sale 24 November 1972, lot 105, bought Ledbury Gallery. Biography from the Archives of askART: Sir Henry Raeburn was born on March 4, 1756 in Stockbridge, Scotland near Edinburgh. He was a Scottish miller's son whose idealized aristocrats, always gentle and charming, seem to pose in perpetual twilight. He began his career as a miniaturist. In 1778, after marrying into comfortable circumstances, he visited London where he met Reynolds. In 1785 he went to Italy, where he remained for two years. On his return to Edinburgh he became the most important Scottish painter of the century, his career in many ways paralleling that of Reynolds. In 1811 he was elected President of the Royal Society of Artists and in 1815, a Royal Academician. He was knighted by George IV in 1822, when the sovereign was visiting Scotland. Art was a business to this most distinguished of Scotch painters, and from 9 AM to 5:30 PM it kept him regularly in his studio, where he painted a succession of three to four sitters a day. He painted directly on canvas without preliminary sketches, achieving a kind of spontaneity. When he left his easel, it was to speculate in real estate or to play golf. Raeburn died in Edinburgh on July 8, 1823. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources include: Masterpieces of Art, Catalogue of the New York World's Fair 1940.
Ripley AuctionsSelf Portrait, oil on canvas, unsigned, in early replica deep cove gold frame, OS: 34" x 30", SS: 23 1/2" x 19 1/2". Cleaned and relined
Thomaston Place Auction GalleriesSir Henry Raeburn, RA, RSA Scottish, 1756-1823 A Bust Portrait of Commander John Henry Cochrane, RN Oil on canvas 30 x 25 inches (76.2 x 63.5 cm) Provenance: The sitter, thence by descent in his family to Captain Henry Lake Cochrane (1871-1950), Court Place, West Monkton, Taunton, Somerset By inheritance to his daughter, the actress and stage director Elspeth Seton Cochrane (1916-2011) [Sale] Christie's Scotland, August 28, 1985, lot 194 (designated as The Property of Miss E. Cochrane) Purchased from the above sale by the present owner Private collection, New York Exhibited: Somerset Society of Artists, Old Masters Exhibition, Taunton, May 1946 We are grateful to Ms. Jennifer Higgins of the Scottish National Portrait Gallery for her assistance in our research on this painting. C
Doyle New YorkPORTRAIT OF AN OFFICER ATTRIB. TO HENRY RAEBURN 1756-1823 BRITISH (24" X 20")
Carlsen Gallery, Inc.Attributed Sir Henry Raeburn, R.A. (Scottish, 1756-1823), Portrait of Mrs. Benjamin Bell oil on canvas (lined), unsigned, presented in an antique gilt frame. Stretcher size 30 x 25 in.; Frame dimensions 38 1/2 x 33 1/2 in. This portrait is traditionally identified as that of Mrs. Benjamin Bell. W. Hamilton Bell, Edinburgh, by 1880 until at least 1901 (possibly) with Duveen Brothers, London, by whom sold on April 9, 1901 to the following (possibly) with Agnews, London, by whom sold to (possibly) Sir Edgar Vincent KC, MG, MP (possibly) with Howard Young, New York Arthur J. Secor by 1927, by whom gifted in 1933 to the Toledo Museum of Art Christie's, New York, Old Master Paintings Part II, January 30, 2014, Lot 280 Private Collection, Greensboro, North Carolina Additional high-resolution photos are available at www.lelandlittle.com
Leland Little AuctionsRAEBURN HENRY (1756 - 1823) olieverfschilderij op papier (op karton) : "Bellenblazertjes" - 32,5 x 26,5 toegeschreven aan oil on paper (on board) attributed to Henry Raeburn
DVCSTUDIO OF SIR HENRY RAEBURN (SCOTTISH 1756-1823) PORTRAIT OF A LADY (POSSIBLY LADY HAY) oil on canvas (87cm x 67cm (34.25in x 26.25in))
Lyon & Turnbullattributed RAEBURN, Henry, (English, 1756-1823): Portrait of a seated English officer with landscape background, Oil/Board, 9" x 6", unsigned, older identification label verso, framed 13" x 10.5". Condition: In need of a proper cleaning.
Amero AuctionsAttributed to Henry Raeburn (Scottish / United Kingdom, 1756-1823). "Portrait of a Gentleman" - first quarter 19th century, oil on canvas painting. A half length portrait in a black coat and black stock. Approx. 30.125" x 20.5"(canvas), 39.5" x 34.375" (frame).
Ahlers & Ogletree Inc.H. Macbeth Raeburn Scottish (1756-1823) James Alexander Simpson when a Boy, colored engraving, signed in pencil. This impression was exhibited at the Devis exhibition in Preston. Provenance: H. Stott, London., framed. 25 x 17 inches
Link Auction Galleries"Young Child with Black Cat" oil on canvas 35 1/2 x 28 inches. unsigned, identified on plaque, sitter identified verso in what appears to be the artist's hand.
John McInnis AuctioneersPencil signed print. Three Children with Basket full of apples. Framed, Signed. Sir Henry Raeburn (1756 - 1823). Height: 2' 4": Width: 1' 11". STERLING ASSOCIATES STRIVES TO PROVIDE ACCURATE, OBJECTIVE, & FAIR INFORMATION ON ALL LOTS. WE WILL BE HAPPY TO ANSWER ANY QUESTIONS AND PROVIDE ADDITIONAL PHOTOS. WE ADVISE THAT YOU, OR SOMEONE ON YOUR BEHALF, INSPECT ANY ITEM(S) AND COME TO YOUR OWN CONCLUSIONS BEFORE BIDDING. ALL SALES ARE FINAL. PLEASE SEE TERMS & CONDITIONS.
Sterling Associates, Inc.After Sir Henry Raeburn, R.A., P.R.S.A. (Scottish, 1756-1823) "Portrait of Lady Dalrymple" oil on canvas 19th century, unsigned, after the undated painting now conserved at Tate Britain, London, a "Walter F. Jeune/Victoria B.C." and "The Wimbledon Fine Art Gallery/F. Dibben & Son/Wimbledon" labels en verso frame. Framed. 30" x 25-1/8", framed 39" x 34" Provenance: Estate of Dr. George Porter III, New Orleans, Louisiana.
New Orleans Auction GalleriesCircle of Sir Henry Raeburn, R.A., P.R.S.A. (Scottish, 1756-1823) "Portrait of a Gentleman in a White Silk Cravat" oil on canvas first quarter 19th century, unsigned, partial old "Portsmouth/London" label en verso stretcher. Framed. 30-1/2" x 25-1/4", framed 36-1/8" x 32-1/8" Provenance: Estate of Dr. George Porter III, New Orleans, Louisiana.
New Orleans Auction GalleriesAfter Sir Henry Raeburn (British/Scottish, 1756-1823) "The Allen Brothers - Portrait of James and John Lee Allen", ca. 1900 oil on canvas unsigned, after the 1790s painting now conserved at the Kimbell Art Museum, Fort Worth, Texas. Framed. 60-1/4" x 46-1/4", framed 72-1/4" x 58" Provenance: Estate of Dr. Carroll Ball, Jackson, Mississippi.
New Orleans Auction GalleriesOil on canvas.
Cottone AuctionsCircle of Sir Henry Raeburn, R.A., P.R.S.A. (Scottish, 1756-1823) "Portrait of a Gentleman in a White Silk Cravat" oil on canvas first quarter 19th century, unsigned, partial old "Portsmouth/London" label en verso stretcher. Framed. 30-1/2" x 25-1/4", framed 36-1/8" x 32-1/8" Provenance: Estate of Dr. George Porter III, New Orleans, Louisiana.
New Orleans Auction GalleriesAfter Sir Henry Raeburn, R.A., P.R.S.A. (Scottish, 1756-1823) "Portrait of Lady Dalrymple" oil on canvas 19th century, unsigned, after the undated painting now conserved at Tate Britain, London, a "Walter F. Jeune/Victoria B.C." and "The Wimbledon Fine Art Gallery/F. Dibben & Son/Wimbledon" labels en verso frame. Framed. 30" x 25-1/8", framed 39" x 34" Provenance: Estate of Dr. George Porter III, New Orleans, Louisiana.
New Orleans Auction GalleriesMilitaria : After Sir Henry Raeburn (1756-1823) An early 20thC polychrome print , Colonel Alistair Randaldson MacDonell of Glengarry (1771-1828) , depicting the Clan Chief in a hall interior, wearing full Highland Dress with flintlock rifle . Aperture 22 1/2'' x 32 3/4
Claydon AuctioneersOil on canvas half portrait shows a handsome young man with curly brown hair wearing a brown coat, yellow vest & white stock. On verso of stretcher is a period penned inscription "John Balfour". Housed in a fine gesso decorated gilt frame with artist & title "John Balfour of Trenabie. Orkney N.B.". IMPORTANT NOTE: Accompanying the painting is a 10-page booklet dated July 1921 by W. Roberts titled "John Balfour M.P." by Sir Henry Raeburn R.A.. The booklet has, as it's frontice piece, an engraving of this portrait and the history of the portrait and John Balfour. John Balfour was, for over half a century, head of the Orkney Branch and the family derives its' name from Balfour Castle in Fifeshire. The first recorded ancestor was Siward who was slain by Macbeth, whose story has been immortalized by Shakespeare. John was born in 1750 and married in 1783. He was elected to the House of Commons as Member for Orkney and Shetland, first in July 1790 and secondly in April 1920. He lived in London and died in 1842. This portrait was recorded in Mr. James Greig's monograph on Raeburn. SIZE: 30" x 25". Overall: 37" x 32". PROVENANCE: Descended in the family of Albert L. Ellsworth, founder of the British American Oil Company ((B/A), which was the predecessor to Gulf Canada. CONDITION: Old lining, very good. 52210-12
James D. JuliaSir Henry Raeburn (British, 1756-1823) Mrs. Graham Young and child, circa 1810 Oil on canvas 40-3/4 x 37-1/2 inches (103.5 x 95.3 cm) Written in chalk on stretcher: Rosenheim; in chalk on reverse of lined canvas: 35; numbered twice on stretcher: 12 Small handwritten label verso: 11363 / Raeburn / Mrs. Graham Old handwritten label on stretcher: Mrs. Graham Young of West Calder N.B. by Sir Henry Raeburn R.A. PROPERTY OF A TEXAS MUSEUM PROVENANCE: Galerie Charles Sedelmeyer, Paris, as of 1899; M.H. Rosenheim, as of 1911 (1); Newhouse Galleries, New York, as of 1961 (label on backing board, inv. no. 15049) (2); Bertram Maurice Newhouse (1883-1982); Presented by him in 1969 to the present owner. LITERATURE: Illustrated Catalogue of the Fifth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French, and English Schools, Being a Portion of the Sedelmeyer Gallery..., Paris, 1899, p. 110, no. 91. illustrated; J. Greig, Sir Henry Raeburn, R.A. His Life and Works, with a Catalogue of His Pictures, London, 1911, p. 63. On stylistic grounds, the present work may be dated to Raeburn's later years when he began to essay more elaborate, dramatic compositions in keeping with his interest in the current mode of London-based portraiture. (In 1810 he considered moving to the British capital, but then changed his mind and returned to his base in Edinburgh.) Here, for example, the child, in a muslin dress, reaches up with her right hand at a rose proffered by Mrs. Young, all of which forms a pyramidal composition in the upper half of the painting field. This touching gesture appears in another painting by Raeburn, John Tait and His Grandson (National Gallery of Art, Washington, D.C.), which began c. 1793 as a portrait of Tait alone, but was supplemented after his death by the figure of a grandson (gazing up at Tait's watch) in about 1800. As with that painting, the child's costume "spreads out in an amorphous way in order to fill the canvas." Moreover, the sitters' heads in both works "are strongly lit (not from the glowing sky but from studio top-lighting), a feature characteristic of Raeburn's style by 1800....," (J. Hayes, The Collections of the National Gallery of Art, Systematic Catalogue: British Paintings of the Sixteenth through Nineteenth Centuries, Cambridge, 1992, p. 200). According to a handwritten inscription on an old label affixed to the painting's stretcher, the woman sitter is "Mrs. Graham Young of West Calder N.B.," a town some twenty miles southwest of Edinburgh. No further information is known about Mrs. Young, who may have been related by marriage to Raeburn's lawyer, in his later years, Arthur Young, but this remains a hypothesis only. A notable feature of this painting is the prominence given to Mrs. Young's supporting left hand, on which is a brilliantly painted, elaborate jeweled ring. That feature recalls Raeburn's early apprenticeship with an Edinburgh jeweler, James Gilliland, which had repercussions on his later work. As one student of the artist, Duncan Thomson, writes: "While Raeburn's portraits at the height of his career are marked by a consummate breadth of handling, they often contain passages of finely wrought detail that are easy to link to his earliest training." (www.oxfordartonline.com http://www.oxfordartonline.com; entry on Sir Henry Raeburn) The canvas support, a prepared twill weave, is a consistent one throughout Raeburn's career (see essay by J. Dick, "Raeburn's Methods and Material," in exh. cat., Edinburgh, Scottish National Portrait Gallery, Raeburn: The Art of Sir Henry Raeburn, 1756-1823 [cat. by D. Thompson],1997, pp. 41-42). The first record of this work dates from 1899, when it was owned by the prominent Vienna-born, Paris- and London-based art dealer, Charles Sedelmeyer (1837-1925). Over several decades the Sedelmeyer Gallery owned a very large stock, which included forty paintings by Sir Henry Raeburn (on that subject, see O. Meslay, "Raeburn and France," in Henry Raeburn: Context, Reception and Reputation [ed. by V. Coltman and S. Lloyd], Edinburgh, 2012, pp. 341-343). NOTES: (1) For the previous collection history, see J. Greig, 1911, cited above. A chalk inscription "Rosenheim" appears on the painting's stretcher. (2) See advertisement in Antiques, LXXX, September 1961, p. 286. The Newhouse Gallery inventory number is inscribed on a label on the painting's backing. HID04901242017
Heritage AuctionsATTRIBUTED TO HENRY RAEBURN (1756-1823): PORTRAIT OF MAN Oil on canvas, unsigned, lined. 28 x 23 1/2 in., 34 x 29 1/2 in. (frame). Note: This portrait was attributed to Raeburn in 1924 by London dealer John Glen. Provenance: John Glen, London; thence by descent.
StairAFTER HENRY RAEBURN (1756-1823): JOHN TAYLOR Mezzotint on wove paper, published in 1914, signed ''Will Henderson'' in pencil. 21 x 13 3/4 in. (sight), 28 1/2 x 22 in. (frame). Condition: Light- staining and the colors faded. Otherwise apparently in good condition. Not examined out of frame.
StairCircle of Henry Raeburn (1756-1823) British. Portrait of Henry St George Tucker (1752-1827), Oil on Canvas, Unframed, 30" x 25", together with a Portrait of Mrs Jane Boswell Tucker (1780-1869), two (2). Provenance; The Tucker Family, then by descent.
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