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Albert Ràfols Casamada Sold at Auction Prices

Painter, b. 1923 - d. 2009

Albert Ràfols-Casamada (2 February 1923 – 17 December 2009) was a Catalan painter, poet and art teacher involved in the vanguard movements of his time. He is considered one of the most important, multifaceted Catalan artists of his time.[2] His artwork began in the post-expressionist, figurative sphere but soon developed into his own abstract style grounded in a poetic rendering of everyday reality.

Albert Ràfols-Casamada was born in 1923 in the Barcelonese neighborhood of Gràcia, to the painter Albert Ràfols i Cullerés and to Josefina Casamada i Oliver.[5][6]

Ràfols-Casamada began studying architecture at the University of Barcelona (1942–44), but by 1948, he had definitively decided on quitting his architecture studies to take up painting professionally.[7]

He began exhibiting his artwork in 1946 at the Sala Pictòria in Barcelona, in a group exhibit of the artists' collective Els Vuit ("The Eight", comprised by the poet Jordi Sarsanedas, the sculptor Miquel Gusils, the musician Joan Comellas and the painters Joan Palà, Maria Girona, Ricardo Lorenzo, Vicenç Rossell and himself) and he continued to exhibit regularly from then until his death. Indeed, the very following year at the same gallery, he already had his first individual exhibit. He received a scholarship from the French government to study art in Paris in 1950, together with his future wife, the painter Maria Girona, and other Catalan artists such as Josep Guinovart, Antoni Tàpies and Xavier Valls, and spent most of the next 4 years there before returning to Catalonia. He exhibited widely throughout Europe and North and South America. In 2001, his work was the object of a retrospective at the Barcelona Museum of Contemporary Art and the Valencian Institute of Modern Art,[8] and he also received a tribute at the National Museum of Catalan Art in 2009.[9][10][11]

He began writing poetry in 1939,[12] writing in parallel to his art activities, and began publishing in 1972, when the limited-edition volume, Com una capsa, came out.[13] In 1976, the anthology Signe d'aire. Obra poètica 1968–1978 came out to great critical acclaim.[14] He continued publishing his poetry until the year 2004, when the last volume, Dimensions del present (2001–2004) (Vic: Eumo / Barcelona: Cafè Central) came out.[15]

In 1952, he married the Catalan painter Maria Girona Benet, whom he had met in 1945 at the Tàrrega Art School (Acadèmia de dibuix Tàrrega) in Barcelona, where he began studying art. In 1967, together with Girona and other Catalan intellectuals, he co-founded the art and design school EINA – in the Bauhaus tradition – in Barcelona, which he directed for 17 years.[16][17] He also taught art there and in other places.

In December 2015 the family of Albert Ràfols-Casamada and Maria Girona offered as a donation to the Library of Catalonia (BC) the personal fund of the two artists, which includes graphic materials, manuscripts and printed matter. Maria Fuchs Girona, on behalf of her sister Margarita Rosa Fuchs Girona, temporarily deposited the fund in the Library of Catalonia, while the final donation was formalized. Until now, the funds, textual and bibliographic, of the artists were located in different spaces.

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  • ALBERT RÀFOLS CASAMADA (Barcelona, 1923–2009). Untitled, 1991. Pastel, pencil, and charcoal on paper. Signed and dated in the lower left corner. Provenance: Private collection.
    Sep. 07, 2026

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923–2009). Untitled, 1991. Pastel, pencil, and charcoal on paper. Signed and dated in the lower left corner. Provenance: Private collection.

    Est: €1,000 - €1,200

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923–2009). Untitled, 1991. Pastel, pencil, and charcoal on paper. Signed and dated in the lower left corner. Provenance: Private collection. Measurements: 42 x 52 cm. After a brief figurative period, the 1950s gave way to a more schematic and structured conception of reality, with a clearly abstract expressionist slant, which he would cultivate for the rest of his life. From the 1990s until the end of his career, his work is interpreted as a study of his own oeuvre. His stable and serene compositions display a structural purity taken to the extreme, in which symmetry, order, and balance shape the use of space—dominated by geometry and the complementarity of colors. A painter, educator, writer, and graphic artist, Ràfols Casamada enjoys great international prestige today. He began his journey in the world of drawing and painting alongside his father, Albert Ràfols Cullerés. In 1942, he began studying architecture, though he soon abandoned those studies to devote himself to the visual arts. His father’s Post-Impressionist influence and his own distinctive Cézannian style shaped the works presented at his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Later, he would develop a poetic abstraction—amorphous in form, free, and intelligent—the result of a slow creative process and drawing on environments, themes, objects, or graphic elements from everyday life. Ràfols Casamada works with these fragments of reality and life through a process of distortion, playing with connotations, artistic values, and the visual richness of their various possible interpretations, in an attempt to capture the fleeting nature of reality. In 1950, he received a scholarship to travel to France and settled in Paris until 1954. There he was introduced to post-Cubist figurative painting, as well as the work of Picasso, Matisse, Braque, and Miró, among others. These influences merged in his painting with those of American Abstract Expressionism, which was developing at that very moment. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous color palette. After exploring an interesting relationship with Neo-Dada and New Realism in the 1960s and 1970s, his work has focused on purely pictorial values: fields of color in expressive harmony against which gestural charcoal lines stand out. He has received numerous awards, including the National Prize for the Visual Arts from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982, and the CEOE Arts Prize in 1991. In 1985, he was named a Knight of the Order of Arts and Letters of France, and he is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003, the Generalitat awarded him the National Prize for Visual Arts of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work is held in major museums around the world: the Reina Sofía in Madrid; the Guggenheim and MoMA in New York; the Museum of Modern Art in Los Angeles; the Picasso Museum in France; the Georges Pompidou Center in Paris; and the British Museum and the Tate Gallery in London, among many others. The paper is torn at the bottom corners. Source: private collection.

    Setdart Auction House
  • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Arc i taques", 1987. Watercolor and ink on Ingres paper. Signed and dated in the lower right corner. Titled on the back. Provenance: Private...
    Sep. 07, 2026

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Arc i taques", 1987. Watercolor and ink on Ingres paper. Signed and dated in the lower right corner. Titled on the back. Provenance: Private...

    Est: €700 - €800

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Arc i taques", 1987. Watercolor and ink on Ingres paper. Signed and dated in the lower right corner. Titled on the back. Provenance: Private collection. Measurements: 35 x 50 cm. After a brief figurative stage, the 50's give way to a more schematic and structured conception of reality, with a clearly abstractionist bias, which he would cultivate throughout the rest of his life. During the decade of the 80's and as his work progresses, it is getting closer and closer to plastic poetry, filled with sensations and emotions, possible to observe in signs that refer us veiled to everyday objects. Likewise, there is a clear protagonism of color, which now fills the scenes creating delicate and enveloping atmospheres. Painter, educator, writer and graphic artist, Ràfols Casamada enjoys great international prestige. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. His father's post-impressionist influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others. The paper has folds and a small tear of 2 mm in the upper margin. Provenance: private collection.

    Setdart Auction House
  • ALBERT RÀFOLS CASAMADA (Barcelona, 1923–2009). Untitled, 1991.
    Sep. 07, 2026

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923–2009). Untitled, 1991.

    Est: €1,000 - €1,200

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923–2009). Untitled, 1991. Ink and wash on Canson paper. Signed and dated in the lower left corner. Provenance: Private collection. Measurements: 50 x 65 cm; 60 x 75 cm (frame). After a brief figurative period, the 1950s gave way to a more schematic and structured conception of reality, with a clearly abstract bias, which he would cultivate for the rest of his life. During the 1990s, until the end of his career, his work is interpreted as a study of his own oeuvre. His compositions, stable and serene, display a structural purity taken to the extreme, in which symmetry, order, and balance shape the use of space dominated by geometry and the complementarity of colors. A painter, educator, writer, and graphic artist, Ràfols Casamada enjoys great international prestige today. He began his journey in the world of drawing and painting alongside his father, Albert Ràfols Cullerés. In 1942, he began studying architecture, though he soon abandoned those studies to devote himself to the visual arts. His father’s Post-Impressionist influence and his own distinctive Cézannian style shaped the works presented at his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Later, he would develop a poetic abstraction—amorphous in form, free, and intelligent—the result of a slow creative process and drawing on atmospheres, themes, objects, or graphic elements from everyday life. Ràfols Casamada works with these fragments of reality and life through a process of distortion, playing with connotations, artistic values, and the visual richness of their various possible interpretations, in an attempt to capture the fleeting nature of reality. In 1950, he received a scholarship to travel to France and settled in Paris until 1954. There he was introduced to post-Cubist figurative painting, as well as the work of Picasso, Matisse, Braque, and Miró, among others. These influences merged in his painting with those of American Abstract Expressionism, which was developing at that very moment. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous use of color. After exploring an interesting relationship with Neo-Dada and New Realism in the 1960s and 1970s, his work has focused on purely pictorial values: fields of color in expressive harmony against which gestural charcoal lines stand out. He has received numerous awards, including the National Prize for Visual Arts from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982, and the CEOE Arts Prize in 1991. In 1985, he was named a Knight of the Order of Arts and Letters of France, and he is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003, the Generalitat awarded him the National Prize for Visual Arts of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work is held in major museums around the world: the Reina Sofía in Madrid, the Guggenheim and the MoMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou Center in Paris, and the British Museum and the Tate Gallery in London, among many others. Provenance: Private collection.

    Setdart Auction House
  • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Number 8" belonging to the series "Policromia o a la galeria dels miralls", 1998. Pastel and charcoal on Galgo paper. Signed and numbered in the...
    Sep. 07, 2026

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Number 8" belonging to the series "Policromia o a la galeria dels miralls", 1998. Pastel and charcoal on Galgo paper. Signed and numbered in the...

    Est: €800 - €900

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Number 8" belonging to the series "Policromia o a la galeria dels miralls", 1998. Pastel and charcoal on Galgo paper. Signed and numbered in the lower right corner. Provenance: Private collection. Measurements: 29,5 x 21 cm. "Policromia o la galería de los espejos", dated 1998, is a series consisting of twelve engravings, twelve poems and twelve texts dedicated to the twelve painters who have had more significance in the life and work of Albert Ràfols Casamada. The first is for Velázquez, with the whole perspective of the Meninas on a gray background, and the second for Rothko, with a large lilac-colored mass and a kind of affectionate greeting. The third, dedicated to Van Gogh, is of a yellow color broken by undulations that remind us of the fields of flowers he painted. To Picasso he dedicates a green square with a set of signs and lines like various questions, while the engraving dedicated to Mondrian is of a sober, geometric and luminous white. To Bonnard, he offers an orange surface, bright and inhabited, and to Matisse, a joyful carmine-colored dance. In memory of Torres García, he draws the static peace of a structure on a light blue background. To Braque, an agglomeration of signs, structured behind a white square on an ochre background and, in memory of Léger, a geometric composition of elements on top of red stripes, while the engraving dedicated to Miró is blue, very subtle. Painter, educator, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. The post-impressionist paternal influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world. Provenance: private collection.

    Setdart Auction House
  • ALBERT RÀFOLS CASAMADA (Barcelona, 1923–2009). Untitled, 1985. Lithograph, print no. 15/75. Signed, dated, and numbered by hand.
    Sep. 07, 2026

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923–2009). Untitled, 1985. Lithograph, print no. 15/75. Signed, dated, and numbered by hand.

    Est: €300 - €350

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923–2009). Untitled, 1985. Lithograph, print no. 15/75. Signed, dated, and numbered by hand. Measurements: 100 x 70 cm; 106 x 76 cm (frame). A painter, educator, writer, and graphic artist, Ràfols Casamada is now highly regarded internationally. He began his career in drawing and painting alongside his father, Albert Ràfols Cullerés. In 1942, he began studying architecture, though he soon abandoned those studies to devote himself to the visual arts. His father’s Post-Impressionist influence and his distinctive Cézanne-inspired style characterized the works presented at his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Later, he would develop a poetic abstraction—amorphous in form, free, and intelligent—the result of a slow creative process and drawing on environments, themes, objects, or graphic elements from everyday life. Ràfols Casamada works with these fragments of reality and life through a process of distortion, playing with connotations, artistic values, and the visual richness of their various possible interpretations, in an attempt to capture the fleeting nature of reality. In 1950, he received a scholarship to travel to France and settled in Paris until 1954. There he was introduced to post-Cubist figurative painting, as well as the work of Picasso, Matisse, Braque, and Miró, among others. These influences merged in his painting with those of American Abstract Expressionism, which was developing at that very moment. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous color palette. After exploring an interesting relationship with Neo-Dada and New Realism in the 1960s and 1970s, his work has focused on purely pictorial values: fields of color in expressive harmony against which gestural charcoal lines stand out. He has received numerous awards, including the National Prize for Visual Arts from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982, and the CEOE Arts Prize in 1991. In 1985, he was named a Knight of the Order of Arts and Letters of France, and he is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003, the Generalitat awarded him the National Prize for Visual Arts of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work is held in major museums around the world: the Reina Sofía in Madrid; the Guggenheim and MoMA in New York; the Museum of Modern Art in Los Angeles; the Picasso Museum in France; the Georges Pompidou Center in Paris; and the British Museum and the Tate Gallery in London, among many others.

    Setdart Auction House
  • ALBERT RÀFOLS CASAMADA (Barcelona, 1923–2009). Untitled, 1985. Lithograph, print no. 33/75. Signed, dated, and numbered by hand.
    Sep. 07, 2026

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923–2009). Untitled, 1985. Lithograph, print no. 33/75. Signed, dated, and numbered by hand.

    Est: €300 - €350

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923–2009). Untitled, 1985. Lithograph, print no. 33/75. Signed, dated, and numbered by hand. Measurements: 100 x 70 cm; 106 x 76 cm (frame). A painter, educator, writer, and graphic artist, Ràfols Casamada is now highly regarded internationally. He began his career in drawing and painting alongside his father, Albert Ràfols Cullerés. In 1942, he began studying architecture, though he soon abandoned those studies to devote himself to the visual arts. His father’s Post-Impressionist influence and his distinctive Cézanne-inspired style characterized the works presented at his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Later, he would develop a poetic abstraction—amorphous in form, free, and intelligent—the result of a slow creative process and drawing on environments, themes, objects, or graphic elements from everyday life. Ràfols Casamada works with these fragments of reality and life through a process of distortion, playing with connotations, artistic values, and the visual richness of their various possible interpretations, in an attempt to capture the fleeting nature of reality. In 1950, he received a scholarship to travel to France and settled in Paris until 1954. There he was introduced to post-Cubist figurative painting, as well as the work of Picasso, Matisse, Braque, and Miró, among others. These influences merged in his painting with those of American Abstract Expressionism, which was developing at that very moment. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous color palette. After exploring an interesting relationship with Neo-Dada and New Realism in the 1960s and 1970s, his work has focused on purely pictorial values: fields of color in expressive harmony against which gestural charcoal lines stand out. He has received numerous awards, including the National Prize for Visual Arts from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982, and the CEOE Arts Prize in 1991. In 1985, he was named a Knight of the Order of Arts and Letters of France, and he is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003, the Generalitat awarded him the National Prize for Visual Arts of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work is held in major museums around the world: the Reina Sofía in Madrid; the Guggenheim and MoMA in New York; the Museum of Modern Art in Los Angeles; the Picasso Museum in France; the Georges Pompidou Center in Paris; and the British Museum and the Tate Gallery in London, among many others.

    Setdart Auction House
  • Prints, Albert Rafols-Casamada
    Aug. 14, 2026

    Prints, Albert Rafols-Casamada

    Est: $300 - $500

    (lot of 2) Albert Rafols-Casamada (Spanish, 1923-2009), Two Pieces from "Secretos Marinos" Series, serigraphs, each pencil signed lower right, edition edition 59/75, image (for each): 10"h x 10"w, overall (with frame, for each): 33.5"h x 33.5"w

    Clars Auctions
  • ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) “Nocturn Venice”, 1996
    Jul. 22, 2026

    ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) “Nocturn Venice”, 1996

    Est: €12,000 - €18,000

    Oil on canvas. Signed and dated in the lower left corner. Signed, dated, and titled on the reverse. Dimensions: 115 x 147 cm

    Ansorena
  • Rafols Casamada. Sin título
    Jul. 21, 2026

    Rafols Casamada. Sin título

    Est: -

    Aguafuerte sobre papel. Numerado (68/99) en el ángulo inferior izquierdo. Firmado y fechado (82) en el ángulo inferior derecho.

    Duran Arte y Subastas
  • RÀFOLS-CASAMADA, ALBERT
    Jul. 15, 2026

    RÀFOLS-CASAMADA, ALBERT

    Est: -

    (Barcelona, 1923-2009). Untitled. Lithograph, signed and numbered 36/65. Certificate of authenticity issued by Art 62. Measurements: 59 x 80 cm.

    Bonanova Subastas
  • RÀFOLS CASAMADA, ALBERT
    Jul. 15, 2026

    RÀFOLS CASAMADA, ALBERT

    Est: -

    (1923-2009). "Untitled". Lithograph prueba of artista, signed. Measurements: 49 x 65 cm

    Bonanova Subastas
  • ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). Untitled RC - S, 1991. Watercolor on paper Signed and dated in the lower right corner. It has traces of adhesive on the corners. Provenance: Prats...
    Jul. 14, 2026

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). Untitled RC - S, 1991. Watercolor on paper Signed and dated in the lower right corner. It has traces of adhesive on the corners. Provenance: Prats...

    Est: €800 - €1,000

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). Untitled RC - S, 1991. Watercolor on paper Signed and dated in the lower right corner. It has traces of adhesive on the corners. Provenance: Prats Nogueras Blanchard Gallery. It entered the Joan Prats Gallery in 1992. Later, it was exhibited in the Catalan Pavilion of the Expo of Seville (1992), in the Pelaires Room (1992) and traveled to the Joan Prats Gallery in New York, where it remained until July 1996. Measurements: 50 x 69 cm; 60 x 80,5 cm (frame). Painter, pedagogue, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. The post-impressionist paternal influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

    Setdart Auction House
  • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Dibuix 4", 2003. Gouache and pastel on paper. Signed and dated in the lower right corner. Provenance: Private collection.
    Jul. 14, 2026

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Dibuix 4", 2003. Gouache and pastel on paper. Signed and dated in the lower right corner. Provenance: Private collection.

    Est: €1,000 - €1,200

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Dibuix 4", 2003. Gouache and pastel on paper. Signed and dated in the lower right corner. Provenance: Private collection. Measurements: 100 x 70 cm; 123 x 88 cm (frame). After a brief figurative stage, the 50's give way to a more schematic and structured conception of reality, with a clearly abstractionist bias, which he would cultivate throughout the rest of his life. During the 90s, until the end of his career, his production is interpreted as a study of his own work. His compositions, stable and calm, show a structural purity taken to the extreme in which symmetry, order and balance configure the use of space dominated by geometry and the complementarity of colors. Painter, educator, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. His father's post-impressionist influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

    Setdart Auction House
  • ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). "Penya Roja", Serie Blanca-2, 1984. Watercolor and pencil on Canson paper. Signed and dated in the lower left corner. Signed, dated and titled on the...
    Jul. 14, 2026

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). "Penya Roja", Serie Blanca-2, 1984. Watercolor and pencil on Canson paper. Signed and dated in the lower left corner. Signed, dated and titled on the...

    Est: €1,800 - €2,000

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). "Penya Roja", Serie Blanca-2, 1984. Watercolour and pencil on Canson paper. Signed and dated in the lower left corner. Signed, dated and titled on the back. Provenance: Private collection. Measures: 80 x 65 cm. After a brief figurative period, the 1950s gave way to a more schematic and structured conception of reality, with a clearly abstractionist slant, which he would cultivate throughout the rest of his life. During the 1980s and as his work progressed, it became increasingly closer to plastic poetry, filled with sensations and emotions, which can be observed in signs that veiledly refer us to everyday objects. There is also a clear prominence of colour, which now fills the scenes, creating delicate and enveloping atmospheres. Painter, teacher, writer and graphic artist, Ràfols Casamada is now internationally renowned. He started out in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. His father's post-impressionist influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he gradually developed a poetic abstraction, amorphous in its configuration, free and intelligent, the fruit of a slow gestation and based on atmospheres, themes, objects or graphics from everyday life. Ràfols Casamada worked with these fragments of reality, of life, in a process of disfigurement, playing with connotations, plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a grant to travel to France, and settled in Paris until 1954. There he became acquainted with post-Cubist figurative painting, as well as with the work of Picasso, Matisse, Braque and Miró, among others. These influences were combined in his painting with that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona he embarked on his own artistic path, with a style characterised by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-Dada and new realism, his work has focused on purely pictorial values: fields of colour in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the CEOE Prize for the Arts in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the Museu Nacional d'Art de Catalunya. His work can be found in the most important museums around the world: the Reina Sofía in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and Tate Gallery in London, among many others.

    Setdart Auction House
  • ALBERT RAFOLS-CASAMADA - Luna Park
    Jun. 30, 2026

    ALBERT RAFOLS-CASAMADA - Luna Park

    Est: -

    ALBERT RAFOLS-CASAMADA Barcelona 1923-2009 Luna Park Drypoint on Guarro paper Signed and dated in pencil 1985 Numbered 27/50 Dimensions 15 x 28 cm (image); 56 x 38 cm (paper)

    Subastas Segre
  • ALBERT RAFOLS CASAMADA - RC-2
    Jun. 30, 2026

    ALBERT RAFOLS CASAMADA - RC-2

    Est: -

    ALBERT RAFOLS CASAMADA Barcelona 1923-2009 RC-2. 1975 Lithograph on Guarro paper Signed in pencil and dated 1975 Numbered 55/75 Dimensions 75 x 55 cm

    Subastas Segre
  • ALBERT RAFOLS CASAMADA (Barcelona 1923-2009)
    Jun. 29, 2026

    ALBERT RAFOLS CASAMADA (Barcelona 1923-2009)

    Est: €150 - €300

    ALBERT RAFOLS CASAMADA (Barcelona 1923-2009) "Untitled" Gouache, collage and ink on paper Signed Inside, a Christmas greeting card Dimensions: 16.5 x 12.5 cm.

    Fernando Duran
  • Albert Rafols Casamada. Untitled
    Jun. 23, 2026

    Albert Rafols Casamada. Untitled

    Est: -

    Drawing on paper. Signed and dated (82) in the lower right corner.

    Duran Arte y Subastas
  • Albert Rafols Casamada. Untitled
    Jun. 23, 2026

    Albert Rafols Casamada. Untitled

    Est: -

    Lithograph on paper. Signed and dated (75) in the lower right corner. Numbered (17/75) in the lower left corner.

    Duran Arte y Subastas
  • Rafols Casamada. Sin título
    May. 26, 2026

    Rafols Casamada. Sin título

    Est: -

    Litografía sobre papel. Numerada (17/75) en el ángulo inferior izquierdo. Firmada y fechada (75) en el ángulo inferior derecho.

    Duran Arte y Subastas
  • Rafols Casamada. Sin título
    May. 26, 2026

    Rafols Casamada. Sin título

    Est: -

    Litografía sobre papel. Numerada (17/75) en el ángulo inferior izquierdo. Firmada y fechada (75) en el ángulo inferior derecho.

    Duran Arte y Subastas
  • Rafols Casamada. Sin título
    May. 26, 2026

    Rafols Casamada. Sin título

    Est: -

    Litografía sobre papel. Numerado (15/75) en el ángulo inferior izquierdo. Firmado y fechado (75) en el ángulo inferior derecho.

    Duran Arte y Subastas
  • Rafols Casamada. Sin título
    May. 26, 2026

    Rafols Casamada. Sin título

    Est: -

    Litografía sobre papel. Numerado (17/75) en el ángulo inferior izquierdo. Firmado y fechado (75) en el ángulo inferior derecho.

    Duran Arte y Subastas
  • Rafols Casamada. Sin título
    May. 26, 2026

    Rafols Casamada. Sin título

    Est: -

    Litografía sobre papel. NUmerado (17/75) en el ángulo inferior izquierdo. Firmado y fechado (75) en el ángulo inferior derecho.

    Duran Arte y Subastas
  • Albert Rafols Casamada. Sin título
    May. 26, 2026

    Albert Rafols Casamada. Sin título

    Est: -

    Litografía sobre papel. Firmada y fechada (75) en el ángulo inferior derecho.Numerada (17/75) el ángulo inferior izquierdo.

    Duran Arte y Subastas
  • ALBERT RAFOLS CASAMADA - Untitled
    May. 12, 2026

    ALBERT RAFOLS CASAMADA - Untitled

    Est: -

    ALBERT RAFOLS CASAMADA Barcelona 1923-2009 Untitled. 1978 Oil on canvas Signed and dated 1978 Signed and dated on the back Dimensions 73 x 94 cm PROVENANCE Yerba Gallery, Murcia Private collection

    Subastas Segre
  • Rafols Casamada. mixed technique
    Apr. 28, 2026

    Rafols Casamada. mixed technique

    Est: -

    Técnica mixta sobre papel. Firmado y fechado (82) en el ángulo inferior derecho.

    Duran Arte y Subastas
  • Albert Rafols Casamada. Untitled (1972)
    Mar. 26, 2026

    Albert Rafols Casamada. Untitled (1972)

    Est: -

    Oil on canvas. Signed and dated (72) in the lower left corner. Provenance: Francesc Mestre Gallery, Barcelona (Label on the back).

    Duran Arte y Subastas
  • Albert Rafols Casamada. Untitled
    Mar. 24, 2026

    Albert Rafols Casamada. Untitled

    Est: -

    Lithograph on paper. Signed and dated (75) in the lower right corner. Numbered (17/75) in the lower left corner.

    Duran Arte y Subastas
  • ALBERT RAFOLS-CASAMADA - Untitled
    Mar. 24, 2026

    ALBERT RAFOLS-CASAMADA - Untitled

    Est: -

    ALBERT RAFOLS-CASAMADA Barcelona 1923-2009 Untitled. 1978 Serigraph on paper Signed in pencil and dated 1978 Numbered 76/200 Dimensions 65 x 50 cm Published by Guadalimar, Madrid 1978

    Subastas Segre
  • ALBERT RÀFOLS-CASAMADA (Barcelona, 1923 - 2009), Sin título
    Mar. 24, 2026

    ALBERT RÀFOLS-CASAMADA (Barcelona, 1923 - 2009), Sin título

    Est: €275 -

    ALBERT RÀFOLS-CASAMADA (Barcelona, 1923 - 2009) "Sin título"1989. Litografía Firmado y fechado en el ángulo inferior derecho. Incluye certificado de autenticidad por La Poíigrafa, Barcelona   Medidas:76 x 56 cm

    Magna Art Auctions
  • ALBERT RÀFOLS-CASAMADA (Barcelona, 1923 - 2009), Sin título
    Mar. 24, 2026

    ALBERT RÀFOLS-CASAMADA (Barcelona, 1923 - 2009), Sin título

    Est: €275 -

    ALBERT RÀFOLS-CASAMADA (Barcelona, 1923 - 2009) "Sin título"1989. Litografía Firmado y fechado en el ángulo inferior derecho. Edición numerada 67/75. Incluye certificado de autenticidad por La Poligrafa, Barcelona Medidas:76 x 56 cm

    Magna Art Auctions
  • ALBERT RÀFOLS-CASAMADA (Barcelona, 1923 - 2009), Sin título
    Mar. 24, 2026

    ALBERT RÀFOLS-CASAMADA (Barcelona, 1923 - 2009), Sin título

    Est: €275 -

    ALBERT RÀFOLS-CASAMADA (Barcelona, 1923 - 2009) "Sin título"1989. Litografía Firmado y fechado a lápiz en el ángulo inferior derecho. Incluye certificado de autenticidad por La Polígrafa, Barcelona. Medidas:76 x 56 cm

    Magna Art Auctions
  • RÀFOLS CASAMADA, ALBERT
    Mar. 19, 2026

    RÀFOLS CASAMADA, ALBERT

    Est: -

    (1923-2009). "Sin título". Técnica mixta sobre papel, firmado y fechado 1996. Medidas : 28 x 20,5 cm.

    Bonanova Subastas
  • RÀFOLS CASAMADA, ALBERT
    Mar. 19, 2026

    RÀFOLS CASAMADA, ALBERT

    Est: -

    (1923-2009). "Sin título". Litografía firmada y numerada 106/125. Medidas : 55 x 75 cm.

    Bonanova Subastas
  • ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). Untitled. 2006 Pastel and pencil on paper. Signed and dated in pencil. It has a small tear in the lower right corner.
    Mar. 19, 2026

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). Untitled. 2006 Pastel and pencil on paper. Signed and dated in pencil. It has a small tear in the lower right corner.

    Est: €700 - €900

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). Untitled. 2006 Pastel and pencil on paper. Signed and dated in pencil. It has a small tear in the lower right corner. Measurements: 33 x 40,5 cm (paper). Work on paper in which Ràfols-Casamada displays his characteristic poetic language based on formal synthesis and chromatic harmony. The forms, apparently simple and almost architectural, dialogue in an open and silent space, evoking interiors, mental landscapes or intimate constructions. The balance between color and emptiness, together with the atmospheric softness of the pastel, gives the work a sense of calm and lyricism, an essential feature in the artist's late production. A painter and graphic artist, Ràfols Casamada trained between Barcelona and Paris. He has received many awards, such as the National Plastic Arts Award in 1980, the Creu de Sant Jordi in 1982 and the CEOE Arts Award in 1991. Also in 1985 he was named Knight of the Order of Arts and Letters of France. His work can be found in the most important museums around the world: the Reina Sofía in Madrid, the Guggenheim and the MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

    Setdart Auction House
  • ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) "Triangle blanc", 1990
    Feb. 25, 2026

    ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) "Triangle blanc", 1990

    Est: €3,000 - €4,000

    Oil on canvas. Signed and dated in the lower left corner. Signed, dated and titled on the reverse of the canvas. Dimensions: 73 x 60 cm

    Ansorena
  • ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) "Garden", 1985
    Feb. 25, 2026

    ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) "Garden", 1985

    Est: €225 - €300

    Etching, aquatint and resin on paper. Signed, dated and numbered 22/75 in pencil at the bottom. Published by Polígrafa. Work belonging to the 1985 National Visual Arts Awards Collection. Dimensions: Image: 49.3 x 37.2 cm; paper: 76 x 56 cm

    Ansorena
  • ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) "Object", 1985
    Feb. 25, 2026

    ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) "Object", 1985

    Est: €225 - €300

    Etching, aquatint and resin on paper Signed and numbered 22/75 in pencil at the bottom, shows signs of damp staining. Published by Polígrafa. Work belonging to the 1985 National Visual Arts Awards Collection. Dimensions: Image: 49.3 x 37 cm; paper: 76 x 56 cm

    Ansorena
  • Albert Rafols Casamada. Untitled
    Feb. 24, 2026

    Albert Rafols Casamada. Untitled

    Est: -

    Lithograph on paper. Signed and dated (75) in the lower right corner. Numbered (17/75) in the lower left corner.

    Duran Arte y Subastas
  • Rafols Casamada. Untitled
    Jan. 27, 2026

    Rafols Casamada. Untitled

    Est: -

    Lithograph on paper. Numbered (17/75) in the lower left corner. Signed and dated (75) in the lower right corner.

    Duran Arte y Subastas
  • Rafols Casamada. Untitled
    Jan. 27, 2026

    Rafols Casamada. Untitled

    Est: -

    Lithograph on paper. Numbered (17/75) in the lower left corner. Signed and dated (75) in the lower right corner.

    Duran Arte y Subastas
  • Rafols Casamada. Untitled
    Jan. 27, 2026

    Rafols Casamada. Untitled

    Est: -

    Serigraph on paper. Numbered (89/100) in the lower left corner. Signed and dated (79) in the lower right corner.

    Duran Arte y Subastas
  • Albert Rafols Casamada. Untitled
    Jan. 27, 2026

    Albert Rafols Casamada. Untitled

    Est: -

    Lithograph on paper. Numbered (17/75) in the lower left corner. Signed and dated (76) in the lower right corner.

    Duran Arte y Subastas
  • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled, 1985. Etching, copy 8/50. Signed, dated and justified by hand.
    Jan. 12, 2026

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled, 1985. Etching, copy 8/50. Signed, dated and justified by hand.

    Est: €150 - €200

    ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled, 1985. Etching, copy 8/50. Signed, dated and justified by hand. Measurements: 58 x 39 cm. Painter and graphic artist, Ràfols Casamada was formed between Barcelona and Paris. He has received many awards, such as the National Plastic Arts Award in 1980, the Creu de Sant Jordi in 1982 or the Premio de las Artes de la CEOE in 1991. Also in 1985 he was named Knight of the Order of Arts and Letters of France. His work can be found in the most important museums around the world: the Reina Sofía in Madrid, the Guggenheim and the MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

    Setdart Auction House
  • Albert Ràfols-Casamada (1923–2009) “Garden”, 2004
    Dec. 30, 2025

    Albert Ràfols-Casamada (1923–2009) “Garden”, 2004

    Est: €80 - €170

    Mixed media on paper. On the right-hand side of the composition appears the phrase: ‘Rosa i lliris/camins de sorra grisa/veus del jardí’. Signed ‘Ràfols-Casamada’ in the lower right-hand corner and numbered in pencil ‘39/75’ in the lower left-hand corner.  Verified by specialists. We appreciate your collaboration in the preparation of this catalogue. Plate size: 50 x 49 cm; Paper size: 50 x 66 cm  

    Subastas Darley
  • Albert Ràfols-Casamada (1923-2009) “Vinya”, 2004
    Dec. 30, 2025

    Albert Ràfols-Casamada (1923-2009) “Vinya”, 2004

    Est: €80 - €180

    Engraving and lithograph on paper. Signed lower right corner ‘Ràfols-Casamada’ and numbered ‘23/75’ in the lower left corner. On the right side is written the phrase ‘Gatins destrelles sota les falles verdes vinyes del sol’ (Kittens under the green vines of the sun). Plate size: 50 x 49 cm; Paper size: 50 x 65 cm Verified by specialists, we appreciate your collaboration in this catalogue.

    Subastas Darley
  • ALBERT RAFOLS CASAMADA Barcelona 1923-2009 Gris-Velázquez (Polychromy). 1999 Etc
    Dec. 16, 2025

    ALBERT RAFOLS CASAMADA Barcelona 1923-2009 Gris-Velázquez (Polychromy). 1999 Etc

    Est: -

    ALBERT RAFOLS CASAMADA Barcelona 1923-2009 Gris-Velázquez (Polychromy). 1999 Etching on paper Signed in pencil HC (horts commerce); from an edition of 60 Dimensions 29.5 x 20.5 cm (image); 58 x 39 cm (paper) Published by Polígrafa, Barcelona 1999 PROVENANCE Estiarte Gallery, Madrid Private collection

    Subastas Segre
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