Raphael Sold at Auction Prices

Painter, b. 1483 - d. 1520

Few artistic works carry the same name recognition of Raphael paintings, and for good reason. He was born as Raffaello Sanzio in 1483, and Raphael's drawings and paintings can be found all over the world, including in the Louvre in Paris, the Vatican Museum, and the Metropolitan Museum of Art in New York City. He was one of the most influential artists of the Renaissance era and is still celebrated for his portraits, frescoes, Madonnas, and ornate architectural style.

The death of Rafael’s father forced him to take over the family painting business at age 11, but he soon surpassed his father’s artistic talents and accomplishments. Influenced by the likes of Michelangelo and Leonardo de Vinci, he quickly became one of Italy's most sought-after artists. Raphael's artwork includes The Three Graces, The Sistine Madonna, and The School of Athens. Collectors can find antique original paintings for sale at auctions and galleries worldwide.

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  • RAFFAEL (EIGTL. SANTI, RAFFAELLO), Kopie - Copy: Madonna della Seggiola.
    May. 09, 2025

    RAFFAEL (EIGTL. SANTI, RAFFAELLO), Kopie - Copy: Madonna della Seggiola.

    Est: CHF600 - CHF1,200

    RAFFAEL (EIGTL. SANTI, RAFFAELLO) (Urbino 1483 - 1520 Rom); Kopie - Copy : Madonna della Seggiola; Öl auf Leinwand; 69x55,5 cm

    Dobiaschofsky Auktionen AG
  • Raffaello Sanzio, called Raphael
    Apr. 29, 2025

    Raffaello Sanzio, called Raphael

    Est: €120,000 - €180,000

    (Urbino 1483–1520 Rome) Head of a young man, ink, black and red chalk on paper, 70 x 56 mm, framed Inscribed on the reverse ‘P 444’ Provenance: Collection of Giovanni Battista Clarici (1542–1602); Biblioteca Ambrosiana, Milan (before 1661 – until the early 20th Century); Private Collection, Florence (according to Oberhuber); sale, Galerie Bassenge, Berlin 30 May 2008, lot 6608 (as School of Raphael); where acquired by the present owner Literature: E. Knab, E. Mitsch, K. Oberhuber, S. Ferino-Pagden, Raphael. Die Zeichnungen, Stuttgart 1983, p. 607, no. 518 (as Raphael?); S. Mara, Il collezionismo di disegni nel tardo Cinquecento a Milano e le origini della della raccolta grafica dell'Ambrosiana: il caso di Giovanni Battista Clarici, in: La donazione della raccolta d'arte di Federico Borromeo all'Ambrosiana 1618–2018, Confronti e prospettive, ed. by A. Rocca, A. Rovetta, A. Squizzato, Milan 2019, mentioned on p. 372, fig. 14, illustrated (as formerly part of Giovanni Battista Clarici’s ‘Libro di disegni’) We are grateful to Paul Joannides for endorsing the attribution after examination of the present drawing in the original. The work is accompanied by a letter from Jürg Meyer zur Capellen, dated 2016, independently endorsing the attribution. The present sheet shows a sketch in ink of a young man’s head turned to the right, almost in profile. It has been trimmed and the edges are somewhat irregular on all sides. On the verso there is the inscription ‘P 444’, which relates to Passavant II, 1839, p. 581, no. 444. Passavant mentions the sheet, which was once in the collection of Sir Thomas Lawrence, as follows: ‘A head, very small format, by Rafael’s hand. It is attached to a larger sheet, on which there are four other drawings’. The sheet’s later provenance is unclear - Passavant does not mention it in the French edition of his Raphael work in 1860 and presumably the sheet was in an unknown location and inaccessible to scholars for a time Oberhuber included it, albeit with reservation, in Raphael’s oeuvre of drawings (see literature 1983, no. 518). His cursory text lacks any measurements, which raises the question of whether he was able to study this work in the original, or whether he merely based his opinion on a photograph. In the present sketch Raphael concentrated solely on the head and around the pen and ink sketch there is a red chalk drawing with broad strokes in the right third of the sheet, which cannot be read in a figurative sense. It is rather unlikely that the sketch originally contained any more of the figure, as the downward pen strokes diminish. This is the type of individual sketch that emerges at an early stage in the development of a pictorial composition. Sketches of this kind are used to outline a figure’s larger compositional context or to capture a fleeting pictorial idea. In the present sheet, the artist’s main interest is in capturing the head; the clothing, presumably a wide cloak, is only indicated with a few loose pen strokes. The profile is emphasised with a strong, only slightly offset line, the curls framing the head are given in tight sweeps that become longer towards the neck. A large part of the face is covered by hatching to indicate shading, the strokes of which end in little hooks. The ear is drawn with a few searching sweeps, the last line of which indicates the earlobe. Despite the sparing use of artistic means here, the young person’s posture is indicated: clad in a wide cloak, he is characterised as leaning forward, bowing his head slightly, expressing interest but also reverence. Loose sketches appear early on in Raphael’s oeuvre, but the artist appears to have only developed the present, succinctly accentuated sketching style during his Florentine years following his engagement with Leonardo da Vinci. Joannides dates this work to circa 1507 and compares it to a Nude man advancing to the right, British Museum (see P. Joannides, The Drawings of Raphael, 1983, p. 153, no. 85v). Oberhuber related the present sheet to Raphael’s modello for the tapestry of the Calling of Peter, of 1514, and specifically to the disciple John. The present sketch has similarities with the head of John, both in terms of the type and the specific shading with light illuminating the head from the top left. It is a similar lighting situation to that found in the surviving examples of studies for head of John (see op. cit. Oberhuber, 1983, nos. 513, 515, 517). One difference between the present sheet and these lies in the slightly different position of the young man’s head: here the head is turned slightly downwards and does not show the upward gaze characteristic of the figure in the drawings. However, it could be possible that this sheet shows an early pictorial idea for the head of John. Meyer zur Capellen suggested that the present small head study possesses a soulfulness that is particularly characteristic of Raphael’s drawings of this form.

    Dorotheum
  • RAFFAELLO SANZIO (copia da)
    Apr. 17, 2025

    RAFFAELLO SANZIO (copia da)

    Est: €2,000 - €3,000

    (Urbino, 1483 - Roma, 1520) Sacra Famiglia con san Giovannino e sant'Anna Olio su tela, cm 150X114,5 Il dipinto replica la 'Madonna del Divino amore' di Raffaello Sanzio (1483 ; 1520), eseguita intorno al 1516 e oggi conservata presso il Museo nazionale di Capodimonte a Napoli.

    Wannenes Art Auctions
  • SANZIO RAFFAELLO (1483 - 1520) - After. Transfiguration
    Apr. 16, 2025

    SANZIO RAFFAELLO (1483 - 1520) - After. Transfiguration

    Est: €200 - €400

    SANZIO RAFFAELLO (1483 - 1520). After. Transfiguration. 42,50 x 65 cm.

    Capitolium Art
  • H. HESS (*1798) after RAFFAEL (*1483), Self-portrait of the young Raphael, Etching
    Apr. 05, 2025

    H. HESS (*1798) after RAFFAEL (*1483), Self-portrait of the young Raphael, Etching

    Est: €90 - €150

    Heinrich Maria von Hess (1798 - 1863 ) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Self-portrait of the young Raphael Renaissance portrait of the young Raphael Sanzio with intense and subtle expressiveness, 19th century, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "H. Hess fec.". Upper left inscribed in the printing plate: "Raphael Sanzio Urbinos se ipso pinx.". Date: 19th century Description: The artwork shows the portrait of the young Raphael with long hair and a cap, masterfully executed and subtly expressive. It reflects the humanist spirit of the Renaissance, with an intense gaze that hints at intellectual depth. The stylised background suggests a timeless aura. Person: Depicted: Raffael; Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom) Keywords: Portrait; Renaissance; Humanism; Art History; Intellect; Expressiveness; Cap; Youth; Subtlety; Masterpiece; Culture; History; Raphael; Artwork; Symbolism; Aesthetics; Character; Identity; Classicism; Portrait, 19th century, Romanticism, Portraits, Italy, Rome (Latium), Size: Paper: 37,4 cm x 25,5 cm (14,7 x 10 in), Plate: 10,9 cm x 7,4 cm (4,3 x 2,9 in), Depiction: 8,5 cm x 6,7 cm (3,3 x 2,6 in)

    Fichter Kunsthandel
  • Borrás Casanova (1909-1987) ‘The Holy Family’, 1933
    Mar. 27, 2025

    Borrás Casanova (1909-1987) ‘The Holy Family’, 1933

    Est: €100 - €250

    Oil on panel. Marked, signed and dated ‘Borrás Casanova, 1933’ on the reverse. Copy of the homonymous work made by Raffaello Sanzio (1483-1520) in 1507, currently part of the collection of the Prado Museum in Madrid. Size: 31 x 23 cm; Size with frame: 37.5 x 29.5 cm

    Subastas Darley
  • After RAFFAEL (*1483), Self-portrait by Raphael, Uffizi, around 1880, albumen paper print
    Mar. 22, 2025

    After RAFFAEL (*1483), Self-portrait by Raphael, Uffizi, around 1880, albumen paper print

    Est: €120 - €200

    After Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Photograph of the painting of Raphael's Self-Portrait, Uffizi Gallery, Florence, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Inscribed and numbered "N. 2778" under the photograph. Keywords: 19th century, Figurative, Portraits, Italy, Size: Cardboard: 30,0 cm x 22,3 cm (11,8 x 8,8 in), Depiction: 24,4 cm x 18,7 cm (9,6 x 7,4 in)

    Fichter Kunsthandel
  • After Raffaello Sanzio da Urbino, called Raphael,  Details from the Madonna of the Goldfinch and the Bridgewater Madonna 
    Mar. 12, 2025

    After Raffaello Sanzio da Urbino, called Raphael,  Details from the Madonna of the Goldfinch and the Bridgewater Madonna 

    Est: £300 - £500

    After Raffaello Sanzio da Urbino, called Raphael,  Italian 1483-1520-  Details from the Madonna of the Goldfinch; and the Bridgewater Madonna;  oils on panel, oval, each 14 x 11.3 cm., two (2).  Provenance:  Private Collection, UK.  Note:  Both of the present depictions of the Madonna's face are details after original works by Raphael, including the 'Madonna of the Goldfinch', also known as the 'Madonna del cardellino', housed in the Uffizi Gallery in Florence [1890 n. 1447], and the painting commonly referred to as the 'Bridgewater Madonna' in the National Galleries of Scotland in Edinburgh [NGL 065.46]. 

    Roseberys
  • L. ZÖLLNER (*1769) after RAFFAEL (*1483), Joan of Aragon, 1837, Lithography
    Feb. 15, 2025

    L. ZÖLLNER (*1769) after RAFFAEL (*1483), Joan of Aragon, 1837, Lithography

    Est: €300 - €400

    Louis Zöllner (1769 - 1860 ) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Joan of Milan and Aragon (1502-1575), 1837, Lithography Technique: Lithography on Paper Inscription: Signed and dated in the stone below the depiction, as well as inscribed. The original was in the collection of Baron v. Speck-Sternburg. Date: 1837 Description: Very high quality lithograph after Raphael's portrait, which Giulio Romano had copied and which actually shows the Viceroy of Naples, Isabel de Requesens i Enríquez. Joan of Milan and Aragon (1502-1575), the eldest daughter of the Milanese Duchess Isabella of Aragon and Leonardo da Vinci, as the young wife of Ascanio Colonna, Duke of Paliano and Count of Tagliacozzo. Keywords: Raphael, Sovereign, Spain, Monarchy, Portrait, 19th century, Romanticism, Portraits, Spain, Size: Paper: 28,8 cm x 22,0 cm (11,3 x 8,7 in), Depiction: 21,6 cm x 17,8 cm (8,5 x 7 in)

    Fichter Kunsthandel
  • A. ROMANET (*1742) after RAFFAEL (*1483), The Holy Family, around 1800, Copper engraving
    Feb. 15, 2025

    A. ROMANET (*1742) after RAFFAEL (*1483), The Holy Family, around 1800, Copper engraving

    Est: €75 - €125

    Antoine Louis Romanet (around 1742 Paris - after 1810 ) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): "Sainte Famille", Galerie du Palais Royal, Loreto Madonna crowned with a gloriole, The Holy Family, 1786-1807, c. 1800, Copper engraving Technique: Copper engraving on Laid paper Watermark: Undeterminable watermark Date: Date: c. 1800 Description: Signed below: 'Peint par Raphael Sanzio d'Urbin', 'Dessiné par Jourdain' and 'Gravé par A. Romanet.'; titled and inscribed at lower centre: 'SAINT FAMILLE', further: 'De la Galerie de S.A.S. Monseigneur le Duc d'Orleans. / A.P.D.R. / ÉCOLE ROMANE. / VE. TABLEAU DE RAPHAËL SANZIO D'URBIN. / Peint sur Toile, ayant de hauteur 3 Pieds 7 Pouces, sur 2 Pied 8 Pouces de large', and six lines of French inscription: 'Ce Tableau..méprendre.'. Keywords: 19th century, Figurative, Religious, France, Size: Laid paper: 54,0 cm x 37,0 cm (21,3 x 14,6 in), Depiction: 19,5 cm x 14,8 cm (7,7 x 5,8 in)

    Fichter Kunsthandel
  • Saint Mary Magdalene
    Feb. 06, 2025

    Saint Mary Magdalene

    Est: $2,000,000 - $3,000,000

    Property of a Private Collector Raffaello Sanzio, called Raphael Urbino 1483 - 1520 Rome Saint Mary Magdalene inscribed on verso: · NOS · C / VM · PRO / LE · PIA · ([May the Virgin Mary bless] Us with her holy offspring) oil on panel, double-sided painted surface recto: 14 ⅞ by 5 ¼ in.; 37.8 by 13.3 cm painted surface verso: 14 ¼ by 4 ⅝ in.; 36.2 by 11.7 cm panel: 15 by 5 ¾ in.; 38.1 by 14.6 cm framed: 20 ¾ by 11 ¾ in.; 52.7 by 29.8 cm

    Sotheby's
  • After Raphael, Fine Art Print on Canvas Madonna del Granduca
    Jan. 26, 2025

    After Raphael, Fine Art Print on Canvas Madonna del Granduca

    Est: $10 - $200

    This fine art color print on stretched canvas depicting the Madonna del Granduca after the original by Raphael. Includes frame. Sight size: 15.5"L x 19.25"H. Artwork can be unframed. Frame size: 21.25"L x 3.25"W x 25"H. Artist: After Raphael, Raffaello Sanzio (Italian, 1483-1520) Issued: 20th century Dimensions: See dimensions.

    Lion and Unicorn
  • A. CAYLUS (*1692) after RAFFAEL (*1483), Death of Adonis, Etching
    Jan. 25, 2025

    A. CAYLUS (*1692) after RAFFAEL (*1483), Death of Adonis, Etching

    Est: €300 - €400

    Anne Claude Philippe de Caylus (1692 Paris - 1765 ibid.) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Drawing "Death of Adonis" in the Oxford University Collection, , Etching Technique: Etching on Paper Inscription: Titled and signed at the bottom of the printing plate: "La Mort d'Adonis [...]". From a series of etchings after drawings by Raphael. Date: Description: | Watermark: Gabled building Keywords: 18th century, Classicism, Mythology, Italy, Size: Paper: 48,4 cm x 39,6 cm (19,1 x 15,6 in), Plate: 30,0 cm x 31,7 cm (11,8 x 12,5 in)

    Fichter Kunsthandel
  • Character medals - SERIE UOMINI ILLUSTRI. Raffaello Sanzio (1483-1520) Medagli...
    Jan. 24, 2025

    Character medals - SERIE UOMINI ILLUSTRI. Raffaello Sanzio (1483-1520) Medagli...

    Est: -

    SERIE UOMINI ILLUSTRI. Raffaello Sanzio (1483-1520) Medaglia senza data (1841) Al Celebre pittore e architetto, punzone incuso con "Testina di Minerva" al bordo - Opus: Nicola Cerbara - AE (g 47,14 - Ø 42 mm) Segnetti di contatto al bordo

    Nomisma S.p.a
  • Character medals - Raffaello Sanzio (1483-1520) Medaglia da fusione 1827 A rico...
    Jan. 24, 2025

    Character medals - Raffaello Sanzio (1483-1520) Medaglia da fusione 1827 A rico...

    Est: -

    Raffaello Sanzio (1483-1520) Medaglia da fusione 1827 A ricordo del celebre Pittore e Architetto - Opus: N. Cerbara - AE (g 100 - Ø 58 mm)

    Nomisma S.p.a
  • Raffaello Sanzio (copia da) (Urbino 1483-Roma 1520) - Madonna of the Chair, 19th century
    Dec. 13, 2024

    Raffaello Sanzio (copia da) (Urbino 1483-Roma 1520) - Madonna of the Chair, 19th century

    Est: -

    Oil on canvas There are some paint losses. Painting and frame to be restored

    ArtLaRosa
  • SANZIO RAFFAELLO (1483 - 1520) - After. Madonna with the Blue Diadem
    Dec. 10, 2024

    SANZIO RAFFAELLO (1483 - 1520) - After. Madonna with the Blue Diadem

    Est: €1,500 - €2,500

    SANZIO RAFFAELLO (1483 - 1520). After. Madonna with the Blue Diadem. Provenance: Private collection, Rome.. 46 x 67,50 cm.

    Capitolium Art
  • After RAFFAEL (*1483), Madonna in the Green (1505/06), 1905, Photogravure
    Dec. 07, 2024

    After RAFFAEL (*1483), Madonna in the Green (1505/06), 1905, Photogravure

    Est: €150 - €200

    After Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Madonna in the Green, (1505/06), Kunsthistorisches Museum, Vienna, from a catalogue of masterpieces, 1905, Photogravure Technique: Photogravure on Paper Date: 1905 Description: From the catalogue: Masterpieces of Painting. Old Masters. Reproductions in Photogravure. With a preface and accompanying text by Wilhelm Bode and Fritz Knapp, Berlin 1905. Please note further offers from the Masterpieces catalogue in our online shop. The photogravure is accompanied by the corresponding text by Wilhelm Bode on an additional sheet. The group of Madonna, the Christ Child and St. John's Boy sits in the middle of a lovely meadow landscape. Source: Meisterwerke der Malerei. Alte Meister. Reproductionen in Photogravure. Mit einem Vorwort und begleitendem Text von Wilhelm Bode und Fritz Knapp, Berlin 1905 | Book, Religion, Mythology, Genre, Landscape Keywords: 20th century, Renaissance, Biblical, Italy, Size: Paper: 50,8 cm x 38,0 cm (20 x 15 in), Depiction: 34,0 cm x 26,5 cm (13,4 x 10,4 in)

    Fichter Kunsthandel
  • After RAFFAEL (*1483), Sistine Madonna (1512), 1905, Photogravure
    Dec. 07, 2024

    After RAFFAEL (*1483), Sistine Madonna (1512), 1905, Photogravure

    Est: €150 - €200

    After Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Sistine Madonna, (1512), Old Masters Picture Gallery, Dresden, from a catalogue of masterpieces, 1905, Photogravure Technique: Photogravure on Paper Date: 1905 Description: From the catalogue: Masterpieces of Painting. Old Masters. Reproductions in Photogravure. With a preface and accompanying text by Wilhelm Bode and Fritz Knapp, Berlin 1905. Please note further offers from the Masterpieces catalogue in our online shop. The photogravure is accompanied by the corresponding picture text by Wilhelm Bode on an additional sheet. Source: Meisterwerke der Malerei. Alte Meister. Reproductionen in Photogravure. Mit einem Vorwort und begleitendem Text von Wilhelm Bode und Fritz Knapp, Berlin 1905 | Book, Religion, Mythology, Genre, Landscape Keywords: 20th century, Renaissance, Biblical, Italy, Size: Paper: 50,8 cm x 38,0 cm (20 x 15 in), Depiction: 36,5 cm x 26,5 cm (14,4 x 10,4 in)

    Fichter Kunsthandel
  • Monogram NC (19th) after RAFFAEL (*1483), Entombment of Christ, redrawing, Etching
    Dec. 07, 2024

    Monogram NC (19th) after RAFFAEL (*1483), Entombment of Christ, redrawing, Etching

    Est: €90 - €150

    Monogrammist NC (19th century) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Entombment of Christ, redrawing, 19th century, Etching Technique: Etching on Paper, rolled-on on Paper Inscription: Monogrammed and titled at the bottom: "La deposizione". Date: 19th century Description: After the famous painting in the Galleria Borghese in Rome. Keywords: 19th century, Romanticism, Biblical, Italy, Size: Paper: 20,1 cm x 16,8 cm (7,9 x 6,6 in), Depiction: 13,0 cm x 12,2 cm (5,1 x 4,8 in)

    Fichter Kunsthandel
  • Monogram NC (19th) after RAFFAEL (*1483), Crucifixion, redrawing, Etching
    Dec. 07, 2024

    Monogram NC (19th) after RAFFAEL (*1483), Crucifixion, redrawing, Etching

    Est: €90 - €150

    Monogrammist NC (19th century) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Crucifixion, redrawing, 19th century, Etching Technique: Etching on Paper, rolled-on on Paper Inscription: Monogrammed and titled at the bottom: "G. C. in Croce". Date: 19th century Description: After the famous painting in the National Gallery in London. Keywords: 19th century, Romanticism, Biblical, Italy, Size: Paper: 21,8 cm x 15,1 cm (8,6 x 5,9 in), Depiction: 18,5 cm x 12,0 cm (7,3 x 4,7 in)

    Fichter Kunsthandel
  • Monogram NC (19th) after RAFFAEL (*1483), Conversion of Paul, redrawing, Etching
    Dec. 07, 2024

    Monogram NC (19th) after RAFFAEL (*1483), Conversion of Paul, redrawing, Etching

    Est: €90 - €150

    Monogrammist NC (19th century) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Conversion of Paul, redrawing, 19th century, Etching Technique: Etching on Paper, rolled-on on Paper Inscription: Unten monogrammiert und betitelt: 'La conversazione de S. Paolo. Date: 19th century Description: After the famous fresco in the Vatican Stanzas in Rome. Keywords: 19th century, Romanticism, Biblical, Italy, Size: Paper: 14,9 cm x 22,4 cm (5,9 x 8,8 in), Depiction: 12,9 cm x 20,2 cm (5,1 x 8 in)

    Fichter Kunsthandel
  • Monogram NC (19th) after RAFFAEL (*1483), Bethlehem infanticide, Etching
    Dec. 07, 2024

    Monogram NC (19th) after RAFFAEL (*1483), Bethlehem infanticide, Etching

    Est: €90 - €150

    Monogrammist NC (19th century) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Redrawing: Bethlehemite Infanticide by Raphael, c 1513/1515, after the famous fresco in the Vatican Stanzas in Rome, etching On the reverse side of the sheet, the contours of the figures on the reverse side have been partially traced in pencil, 19th century, Etching Technique: Etching on Paper, rolled-on on Paper Inscription: Monogrammed and titled at the bottom: "La strage degl' innocenti". Date: 19th century Description: After the famous fresco in the Vatican Stanzas in Rome. Keywords: 19th century, Romanticism, Biblical, Italy, Size: Paper: 18,2 cm x 24,5 cm (7,2 x 9,6 in), Depiction: 13,3 cm x 20,0 cm (5,2 x 7,9 in)

    Fichter Kunsthandel
  • Monogram NC (19th) after RAFFAEL (*1483), Madonna in the green, redrawing, Etching
    Dec. 07, 2024

    Monogram NC (19th) after RAFFAEL (*1483), Madonna in the green, redrawing, Etching

    Est: €90 - €150

    Monogrammist NC (19th century) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Madonna in the green, redrawing, 19th century, Etching Technique: Etching on Paper, rolled-on on Paper Inscription: Monogrammed and titled at the bottom: "La Madonna G. Bambino e S. Giovanni". Date: 19th century Description: After the famous painting in the Kunsthistorisches Museum in Vienna. Keywords: 19th century, Romanticism, Biblical, Italy, Size: Paper: 17,7 cm x 13,2 cm (7 x 5,2 in), Depiction: 11,4 cm x 8,7 cm (4,5 x 3,4 in)

    Fichter Kunsthandel
  • After RAFFAEL (*1483), Head portrait of a youth, Etching
    Dec. 07, 2024

    After RAFFAEL (*1483), Head portrait of a youth, Etching

    Est: €75 - €125

    After Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Head portrait of a youth, in three-quarter portrait to the left, in the style of Raphael, reduced to contour lines, 19th century, Etching Technique: Etching on Paper Inscription: Numbered "TabXV." in the upper right corner. Date: 19th century Keywords: 19th century, Historicism, Portraits, Germany, Size: Paper: 45,9 cm x 33,4 cm (18,1 x 13,1 in), Plate: 21,0 cm x 21,0 cm (8,3 x 8,3 in)

    Fichter Kunsthandel
  • Porcelain plaque Madonna and Child and John the Baptist
    Nov. 30, 2024

    Porcelain plaque Madonna and Child and John the Baptist

    Est: €150 - €300

    Porcelain plaque with the image of Madonna and Child and John the Baptist. According to Raphael. The stamp of the Capitoline she-wolf ROMA. Rafael Santi (Raffaello Santi) from Urbino (1483-1520) - Italian painter and architect, one of the greatest artists in all of world history. Oh, love... You are the mother of joy, the mother of peace! - Rafael exclaims. - Cleanse our eyes with your rays so that they can see the invisible... Raphael was called the master of Madonnas. His images of Madonnas are a paean to motherhood; to earthly, kind and happy mothers, filled with natural solemnity and uplifting significance. We know that he drew one of the Madonnas from a peasant woman he met on the street; the other - with his beloved. Raphaels Florentine Madonnas are beautiful, pretty, touching and enchanting young mothers. The Madonnas he created in Rome, i.e., during the period of full artistic maturity, acquire different features. These are already mistresses, goddesses of goodness and beauty, powerful with their femininity, ennobling the world, softening human Width: 11.5cm, Height: 11.5cm, Depth: 5cm, Weight: 0.12kg, Condition: Excellent, Material: Porcelain, ID: ID-ANTQ-2424

    Antiqon
  • Raffael
    Nov. 30, 2024

    Raffael

    Est: -

    Raffael 1483 Urbino - 1520 Roma (nach) Die Vision des Ezechiel. Gouache. 42 x 32 cm.

    Dusseldorfer Auktionshaus
  • Raffael
    Nov. 30, 2024

    Raffael

    Est: -

    Raffael 1483 Urbino - 1520 Roma (nach) Vermählung Mariens. Öl/Lwd., 172 x 120 cm.

    Dusseldorfer Auktionshaus
  • Sanzio, Raffaello (1483 - 1520, Kopie nach)
    Nov. 24, 2024

    Sanzio, Raffaello (1483 - 1520, Kopie nach)

    Est: -

    Sanzio, Raffaello (1483 - 1520, Kopie nach) "Madonna Tempi", re.u.unles.sign., Öl/Leinwand, 70,5 x 50cm, R. [80 x 60cm]

    Auktionshaus Lion Zadick
  • Raffaello Sanzio (copy from) Urbino 1483-Rome 1520 Madonna of Divine Love
    Nov. 13, 2024

    Raffaello Sanzio (copy from) Urbino 1483-Rome 1520 Madonna of Divine Love

    Est: €500 - €1,000

    Raffaello Sanzio (copy from) Urbino 1483-Rome 1520 Madonna of Divine Love oil on canvas 46x37 cm with 55x48 frame

    Casa d'aste ARCADIA
  • Sanzio, Raffaello (nach/after)
    Nov. 13, 2024

    Sanzio, Raffaello (nach/after)

    Est: €1,000 - €1,500

    Sanzio, Raffaello (nach/after) Urbino 1483 - Rom 1520 79 x 61 cm The Virgin and Child. Oil/canvas. Southern German private collection. Copy after the so called "Bridgewater Madonna" at the Scottish National Gallery, Edinburgh. Sanzio, Raffaello (nach/after) Urbino 1483 - Rom 1520 79 x 61 cm Madonna mit Kind. Öl/Lwd. Süddeutsche Privatsammlung. Kopie nach der "Bridgewater Madonna"" in der Scottish National Gallery, Edinburgh.

    Nagel Auction
  • Engraving of Moses Showing His People The Tablets of Law
    Oct. 17, 2024

    Engraving of Moses Showing His People The Tablets of Law

    Est: $100 - $200

    Engraving depicting Moses Showing His People The Tablets of Law. Artist Raphael Sanzio de Urbino (1483-1520). Engraver Nicolas Chapron. Measures 23" tall x 24.5" wide. All invoices must be paid within 24 hours of the sale. We offer multiple shipping options please read the shipping terms to understand your options. We also offer Pick-Ups Thursday, Friday, Saturday, and Monday immediately following the sale. BY APPOINTMENT ONLY.

    Bodnar's Auction Sales
  • Raffaello Sanzio - Angeli Cherubini - 1996 Offset Lithograph 27.5" x 55"
    Oct. 15, 2024

    Raffaello Sanzio - Angeli Cherubini - 1996 Offset Lithograph 27.5" x 55"

    Est: $325 - $400

    "Angeli Cherubini" by Raffaello Sanzio, 1996 Unsigned Offset Lithograph. Paper size is 27.5 x 55 inches, with an image size of 27.5 x 55 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated B-: Good Condition, Signs of Handling and Age. Additional details:

    DUMBO Auctions
  • Raffaello Sanzio, called Raphael, copy
    Oct. 07, 2024

    Raffaello Sanzio, called Raphael, copy

    Est: €1,400 - €1,800

    Raffaello Sanzio, called Raphael, copy. Oil on canvas , 68 x 55 cm

    Fine Antiques Prague s.r.o.
  • RAFAELLO SANZIO DA URBINO CALLED RAPHAEL (1483 - 1520) AFTER
    Sep. 30, 2024

    RAFAELLO SANZIO DA URBINO CALLED RAPHAEL (1483 - 1520) AFTER

    Est: €200 - €300

    Rafaello SANZIO DA URBINO known as RAPHAEL (1483 - 1520) after The Madonna of the Grand Duke oil on panel, beautiful carved frame, enclosing a small painted panel titled "St Maria Benedictus Fructus Ventris Tuis". Provenance: Villa Ficker, Strasbourg (now the ND de Sion school) H: 28 cm W: 23 cm

    Haynault
  • RAFFAELLO SANTI, GENANNT „RAPHAEL“, 1483 – 1520, NACH
    Sep. 26, 2024

    RAFFAELLO SANTI, GENANNT „RAPHAEL“, 1483 – 1520, NACH

    Est: €30,000 - €40,000

    DIE HEILIGE FAMILIE MIT HEILIGER ELISABETH, JOHANNESKNABEN UND ZWEI ENGELN Öl auf Leinwand. 180 x 136 cm. In palmettverziertem, vergoldetem Rahmen. Beigegeben eine ausführliche Dokumentation zur Provenienz. Im Bildzentrum stehen der nackte Jesusknabe mit der Heiligen Maria in altrosafarbenem Gewand und blauem Umhang, die ihren Sohn scheinbar gerade von einem weißen Kissen auf ihren Schoß heben möchte. Links der beiden ist der Johannesknabe mit einem Kreuz und zum Gebet gefalteten Händen zu sehen, um welchen die Heilige Elisabeth von hinten ihre Arme gelegt hat. Rechts im Hintergrund, vor einem Velum, der Heilige Josef, seinen Kopf in seine linke Hand gestützt und mit gesenktem Blick die Feierlichkeit beobachtend, zu der einer der beiden Engel, auf der linken Seite Marias Haupt mit einem Blumenkranz bekrönt. Anmerkung: Das Gemälde nach der großartigen, im Louvre in Paris verwahrten Bildidee von Raffaello Santi, 207 x 140 cm von 1518 (Inv. Nr. 604). (1400601) (13) Raffaello Santi, also known as “Raphael”, 1483 – 1520, after THE HOLY FAMILY WITH SAINT ELIZABETH, INFANT SAINT JOHN THE BAPTIST AND TWO ANGELS Oil on canvas. 180 x 136 cm. Accompanied by a detailed documentation on the provenance. Notes: The painting is created after a large format painting by Raphael, 207 x 140 cm created ca. 1518 and held at the Louvre in Paris (inv. no. 604). (†)

    Hampel Fine Art Auctions
  • RAPHAEL (1483-1520), COPY AFTER, ''MAD
    Sep. 03, 2024

    RAPHAEL (1483-1520), COPY AFTER, ''MAD

    Est: -

    Raphael (1483-1520), copy after, ''Madonna Colonna'', anonymous copy around 1900 after the original in the Berlin Gemäldegalerie, oil on canvas, unsigned, rubbed, 76 x 56 cm

    Historia Auctionata
  • After RAFAEL: Painted Porcelain Plaque
    Jul. 27, 2024

    After RAFAEL: Painted Porcelain Plaque

    Est: $300 - $400

    Painted porcelain plaque depicting two angels, a detail from the "Sistine Madonna" by Raffaello Sanzio (Italian, 1483-1520), in a Rococo-style giltwood frame. [Plaque: 2 3/8" H x 4 3/8" W; Frame: 5 3/4" H x 7 1/2" W].

    Roland Auctions NY
  • C. NORMAND (19th) after RAFFAEL (*1483), Evangelist John with the eagle, around 1800, Etching
    Jul. 27, 2024

    C. NORMAND (19th) after RAFFAEL (*1483), Evangelist John with the eagle, around 1800, Etching

    Est: €45 - €75

    C. Normand (19th century) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Evangelist John on the eagle, writing the Revelation, c. 1800, Etching Technique: Etching on Laid paper, mounted on Paper Inscription: Signed below the image "Raphael pinxt / C. Normand sc.". Date: c. 1800 Keywords: 19th century, Figurative, Religious, Germany, Size: Laid paper: 16,0 cm x 10,8 cm (6,3 x 4,3 in), Depiction: 13,3 cm x 9,1 cm (5,2 x 3,6 in)

    Fichter Kunsthandel
  • A. ROMANET (*1742) after RAFFAEL (*1483), The Holy Family, around 1800, Copper engraving
    Jul. 27, 2024

    A. ROMANET (*1742) after RAFFAEL (*1483), The Holy Family, around 1800, Copper engraving

    Est: €75 - €125

    Antoine Louis Romanet (around 1742 Paris - after 1810 ) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): "Sainte Famille", Galerie du Palais Royal, Loreto Madonna crowned with a gloriole, The Holy Family, 1786-1807, c. 1800, Copper engraving Technique: Copper engraving on Laid paper Watermark: Undeterminable watermark Date: Date: c. 1800 Description: Signed below: 'Peint par Raphael Sanzio d'Urbin', 'Dessiné par Jourdain' and 'Gravé par A. Romanet.'; titled and inscribed at lower centre: 'SAINT FAMILLE', further: 'De la Galerie de S.A.S. Monseigneur le Duc d'Orleans. / A.P.D.R. / ÉCOLE ROMANE. / VE. TABLEAU DE RAPHAËL SANZIO D'URBIN. / Peint sur Toile, ayant de hauteur 3 Pieds 7 Pouces, sur 2 Pied 8 Pouces de large', and six lines of French inscription: 'Ce Tableau..méprendre.'. Keywords: 19th century, Figurative, Religious, France, Size: Laid paper: 54,0 cm x 37,0 cm (21,3 x 14,6 in), Depiction: 19,5 cm x 14,8 cm (7,7 x 5,8 in)

    Fichter Kunsthandel
  • Raffael (Raffaello Sanzio da Urbino) - Nachfolge, Madonna mit der Nelke
    Jul. 26, 2024

    Raffael (Raffaello Sanzio da Urbino) - Nachfolge, Madonna mit der Nelke

    Est: €45,000 - €90,000

    Raphael (Raffaello Sanzio da Urbino) - Successor of: Madonna with the Carnation. Italy, fr. 17th cent. Seated in an interior, Mary is handing red carnations to her son, who is sitting on a cushion on her lap; the colour and shape of the carnations allude to his impending passion. On the right is a window with a view of a wide landscape with a castle. Oil/copper. 29.3 x 23.8 cm. - Cleaned. - The painting mentioned in the older art literature was long known in specialist circles only through numerous copies and was considered lost until the early 1990s, when the version in the Duke of Northumberland's collection, previously also considered a copy, was recognised as an original. Following the purchase of the painting by London's National Gallery in 2004, there were numerous art historical and public discussions about the authenticity of the painting. As a result, the National Gallery published extensive expert reports to confirm the authenticity of the painting. - For the numerous variants and copies of the painting and the discussion about the authenticity of the work at the National Gallery, see the dissertation by Dr Ingrid Schade-Schlieder ''Die Kopien der Madonna mit der Nelke von Raffael'', Würzburg 2009. // Raffael (Raffaello Sanzio da Urbino) - Nachfolge: Madonna mit der Nelke. Italien, fr. 17. Jh. In einem Interieur sitzend reicht Maria den auf ihrem Schoß auf einem Kissen sitzenden Sohn rote Nelken, die wegen der Farbe und Form auf seine bevorstehende Passion hinweisen, rechts ein Fenster mit Ausblick auf eine weite Landschaft mit Burg. Öl/Kupfer. 29,3 x 23,8 cm. - Gereinigt. - Das in der älteren Kunstliteratur genannte Bild war in Fachkreisen lange Zeit nur durch zahlreiche Kopien bekannt und galt als verschollen, bis zu Beginn der 1990er Jahre die vorher ebenfalls als Kopie angesehene Version in der Sammlung des Duke of Northumberland als Original erkannt wurde. Nach dem Ankauf des Bildes durch Londoner National Gallery 2004 gab es zahlreiche kunsthistorische und öffentliche Diskussion über die Authentizität des Gemäldes. Daraufhin veröffentlichte die National Gallery umfangreiche Gutachten, die die Echtheit des Bildes bestätigen sollen. - Zu den zahlreichen Varianten und Kopien des Bildes sowie zur Diskussion über die Authentizität des Werks in der National Gallery vgl. die Dissertation von Dr. Ingrid Schade-Schlieder ''Die Kopien der Madonna mit der Nelke von Raffael'', Würzburg 2009.

    Kunstauktionshaus Schlosser
  • Raffaello Sanzio - Angeli Cherubini - 1996 Offset Lithograph 27.5" x 55"
    Jul. 18, 2024

    Raffaello Sanzio - Angeli Cherubini - 1996 Offset Lithograph 27.5" x 55"

    Est: $325 - $400

    "Angeli Cherubini" by Raffaello Sanzio, 1996 Unsigned Offset Lithograph. Paper size is 27.5 x 55 inches, with an image size of 27.5 x 55 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated B-: Good Condition, Signs of Handling and Age. Additional details:

    DUMBO Auctions
  • SANZIO RAFFAELLO (1483 - 1520) - From. Transfiguration
    Jul. 16, 2024

    SANZIO RAFFAELLO (1483 - 1520) - From. Transfiguration

    Est: €600 - €800

    SANZIO RAFFAELLO (1483 - 1520). From. Transfiguration. 44,00 x 63,50 cm.

    Capitolium Art
  • After Raffaello Sanzio, called Raphael,  Italian 1483-1520-  Venus and Cup
    Jul. 09, 2024

    After Raffaello Sanzio, called Raphael,  Italian 1483-1520-  Venus and Cup

    Est: £300 - £400

    After Raffaello Sanzio, called Raphael,  Italian 1483-1520-  Venus and Cupid;  black chalk on paper, 33.4 x 25.8 cm.  Provenance:  Private Collection, UK.  Note:  The present drawing interprets a detail of the frescoed decoration of the loggia at the Villa Farnesina, Rome, which Raphael and his workshop completed circa 1517-8. 

    Roseberys
  • Raffaello Sanzio 1483 Urbino-1520 Roma, copia da Giacobbe e Rachele al pozzo
    Jul. 04, 2024

    Raffaello Sanzio 1483 Urbino-1520 Roma, copia da Giacobbe e Rachele al pozzo

    Est: €2,500 - €3,000

    .

    Cambi Casa d'Aste
  • Raphael, 1483 – 1520, nach
    Jun. 27, 2024

    Raphael, 1483 – 1520, nach

    Est: €60,000 - €80,000

    DIE HEILIGE FAMILIE MIT HEILIGER ELISABETH, JOHANNESKNABEN UND ZWEI ENGELN Öl auf Leinwand. 180 x 136 cm. In palmettverziertem und vergoldetem Rahmen. Beigegeben eine ausführliche Dokumentation zur Provenienz. Im Bildzentrum stehen der nackte Jesusknabe mit der Heiligen Maria in altrosafarbenem Gewand und blauem Umhang, die ihren Sohn scheinbar gerade von einem weißen Kissen auf ihren Schoß heben möchte. Links der beiden ist der Johannesknabe mit einem Kreuz und zum Gebet gefalteten Händen zu sehen, um welchen die Heilige Elisabeth von hinten ihre Arme gelegt hat. Rechts im Hintergrund, vor einem Velum, der Heilige Josef, seinen Kopf in seine linke Hand gestützt und mit gesenktem Blick die Feierlichkeit beobachtend, zu der einer der beiden Engel, auf der linken Seite Marias Haupt mit einem Blumenkranz bekrönt. Anmerkung: Das Gemälde nach der großartigen, im Louvre in Paris verwahrten Bildidee von Raffaello Santi, 207 x 140 cm von 1518 (Inv.Nr. 604). (1400601) (13) Raphael,  1483 – 1520, after THE HOLY FAMILY WITH SAINT ELIZABETH, INFANT SAINT JOHN THE BAPTIST AND TWO ANGELS Oil on canvas. 180 x 136 cm. Accompanied by a detailed documentation on the provenance. Notes: The painting is created after a large format painting by Raphael, 207 x 140 cm created ca. 1518 and held at the Louvre in Paris (inv. no. 604). (†)

    Hampel Fine Art Auctions
  • Raffaello Sanzio 1483 Urbino-1520 Roma, d’apres Studi tratti dagli affreschi della Farnesina (Scuola neoclassica del XIX secolo)
    Jun. 13, 2024

    Raffaello Sanzio 1483 Urbino-1520 Roma, d’apres Studi tratti dagli affreschi della Farnesina (Scuola neoclassica del XIX secolo)

    Est: €1,000 - €1,500

    venti disegni

    Cambi Casa d'Aste
  • After Raffaello Santi Madonna del Passeggio Oil
    Jun. 09, 2024

    After Raffaello Santi Madonna del Passeggio Oil

    Est: $1,500 - $2,500

    After Raffaello Santi (Italian, 1483-1520), "The Holy Family with St. John the Baptist (Die Madonna del Passeggio)", Oil on Canvas, 19th century, wood frame. Image: 39" H x 29" W; frame: 45.5" H x 36.5" W. Provenance: From an Upper West Side estate located at the Ansonia. Keywords: Painting, Art history, Renaissance, Religious, Madonna, Antique, Old Master

    Auctions at Showplace
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