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Edward Willis Redfield Sold at Auction Prices

Landscape painter, b. 1869 - d. 1965

(b Bridgeville, DE, 1869; d 1965) American Painter.Like many of his contemporaries in the late nineteenth and early twentieth centuries, Redfield studied extensively at some of the finest art schools in the world. After his early training at The Pennsylvania Academy of the Fine Arts under Thomas Anschutz, Redfield went to Paris to receive further training at the Académie Julian in the late 1880s or early 1890s. Accompanied by Robert Henri, an old friend from his days at the Pennsylvania Academy of the Fine Arts, Redfield traveled from Paris to the French countryside and the forest of Fountainbleau where he painted en plein air in the cold of winter. Redfield's impressive experiences in the French country provided him with a new interest in landscape painting, as well as a new approach to painting that would last a lifetime. It was during these early years that he established his niche as a "one go" artist, saying, "I go into the field with my 50 pounds of equipment and a 50 x 56 canvas, and do not leave until I have completed my work." (Credit: Christie’s, New York, Important American Paintings, Drawings and Sculpture, May 19, 2005, Lot 174)

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  • Attributed to Edward Willis Redfield (American, 1869–1965) European Landscape with Cliffs; together with Street Scene (American School, 20th C.)
    Jun. 17, 2026

    Attributed to Edward Willis Redfield (American, 1869–1965) European Landscape with Cliffs; together with Street Scene (American School, 20th C.)

    Est: $800 - $1,200

    Attributed to Edward Willis Redfield (American, 1869–1965) European Landscape with Cliffs; together with Street Scene (American School, 20th C.) watercolor on paper larger: 6 5/8 x 9 7/8 in. This lot is located in Philadelphia.

    Freeman’s
  • Edward Willis Redfield (American, 1869-1965) Overlooking Soho, Pittsburgh, 1918
    Jun. 07, 2026

    Edward Willis Redfield (American, 1869-1965) Overlooking Soho, Pittsburgh, 1918

    Est: $100,000 - $150,000

    Edward Willis Redfield (American, 1869-1965) Overlooking Soho, Pittsburgh, 1918 oil on canvas signed E. W. REDFIELD (lower right); also titled, signed, and dated (upper stretcher) 26 x 32 in.

    Freeman’s
  • Edward Willis Redfield (American, 1869-1965) The End of the Island, c. 1920
    Jun. 07, 2026

    Edward Willis Redfield (American, 1869-1965) The End of the Island, c. 1920

    Est: $80,000 - $120,000

    Edward Willis Redfield (American, 1869-1965) The End of the Island, c. 1920 oil on canvas signed E. W. REDFIELD. (lower left); also signed and titled (stretcher) 26 x 32 in.

    Freeman’s
  • "The Woodpile" Oil on Masonite, 20th C.
    Feb. 26, 2026

    "The Woodpile" Oil on Masonite, 20th C.

    Est: $200 - $400

    20th Century School, "The Woodpile", Oil on Masonite, second quarter 20th century, bearing the spurious signature of Edward Willis Redfield (American, 1869-1965), depicting a winter scene with a smokehouse and large woodpile with a figure and team of horses in the background, signed lower right, wood frame. Image: 15.5" H x 19.5" W; frame 17.5" H x 21.5" W. Provenance: Property from the West Village, New York City Estate of an Arts and Crafts Collector. Keywords: Painting, Oil painting, Works on Panel, Winter landscape scene, Snowy, Equine, Equestrian, 20th Century Art

    Auctions at Showplace
  • EDWARD WILLIS REDFIELD (AMERICAN, 1869-1965)
    Feb. 14, 2026

    EDWARD WILLIS REDFIELD (AMERICAN, 1869-1965)

    Est: $5,000 - $10,000

    Edward Willis Redfield American, 1869-1965 Oil on canvas Signed "E Redfield" lower right. Canyon scene with trees around a rocky flowing stream, framed. Edward Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a child and living much of his life near New Hope. There he became the leader of the colony of artists known as the New Hope Impressionists. He was known for landscapes, notably panoramic snow scenes of the area. In Paris, he studied at the Academie Julian and the Ecole des Beaux Arts and where he studied under Adolphe Bouguereau and Tony Robert-Fleury. His paintings are included in numerous museums and public collections throughout the country, such as the Boston Museum of Art, Brooklyn Art Institute, Carnegie Institute, Chicago Art Institute, Corcoran Gallery, Los Angeles Museum, Metropolitan Museum of Art, National Gallery of Art, Pennsylvania Academy of the Fine Arts, and the Philadelphia Museum of Art.

    Selkirk Auctioneers & Appraisers
  • Edward Willis Redfield (American, 1869-1965) Frosty Morning, 1933
    Dec. 07, 2025

    Edward Willis Redfield (American, 1869-1965) Frosty Morning, 1933

    Est: $80,000 - $120,000

    Edward Willis Redfield (American, 1869-1965) Frosty Morning, 1933 oil on canvas signed E. W. REDFIELD. (lower right); also signed, titled, and dated (stretcher) 32 1/8 x 40 1/8 in.

    Freeman’s
  • Edward Willis Redfield (American, 1869-1965) Homestead
    Dec. 07, 2025

    Edward Willis Redfield (American, 1869-1965) Homestead

    Est: $120,000 - $180,000

    Edward Willis Redfield (American, 1869-1965) Homestead oil on canvas signed E. W. Redfield (lower right) 32 1/4 x 40 1/8 in. Property of a Main Line Gentleman, Pennsylvania

    Freeman’s
  • Edward Willis Redfield (American, 1869-1965) Centre Bridge
    Dec. 07, 2025

    Edward Willis Redfield (American, 1869-1965) Centre Bridge

    Est: $100,000 - $150,000

    Edward Willis Redfield (American, 1869-1965) Centre Bridge oil on canvas signed E. W. REDFIELD (lower right) 26 x 32 in.

    Freeman’s
  • Edward Willis Redfield (American, 1869-1965) The Old Homestead, c. 1924
    Dec. 07, 2025

    Edward Willis Redfield (American, 1869-1965) The Old Homestead, c. 1924

    Est: $60,000 - $100,000

    Edward Willis Redfield (American, 1869-1965) The Old Homestead, c. 1924 oil on canvas signed E. W. REDFIELD. (lower left); also signed, titled, and inscribed #107-A in pencil (on stretcher) 21 1/4 x 25 in.

    Freeman’s
  • Edward Willis Redfield (American, 1869-1965) The Snowy Road Home, 1948
    Dec. 07, 2025

    Edward Willis Redfield (American, 1869-1965) The Snowy Road Home, 1948

    Est: $80,000 - $120,000

    Edward Willis Redfield (American, 1869-1965) The Snowy Road Home, 1948 oil on canvas signed E. W. REDFIELD and dated (lower right) 26 x 32 in. Property of a Main Line Gentleman, Pennsylvania

    Freeman’s
  • EDWARD REDFIELD, (American, 1869-1965), Rural Landscape with Cabin, oil on canvas, 18 1/2 x 25 3/4 in., frame: 24 3/4 x 32 in.
    Nov. 09, 2025

    EDWARD REDFIELD, (American, 1869-1965), Rural Landscape with Cabin, oil on canvas, 18 1/2 x 25 3/4 in., frame: 24 3/4 x 32 in.

    Est: $12,000 - $18,000

    EDWARD REDFIELD (American, 1869-1965) Rural Landscape with Cabin oil on canvas signed Redfield lower right

    Grogan & Company
  • "The Woodpile" Oil on Masonite, 20th C.
    Sep. 25, 2025

    "The Woodpile" Oil on Masonite, 20th C.

    Est: $200 - $400

    20th Century School, "The Woodpile", Oil on Masonite, second quarter 20th century, bearing the spurious signature of Edward Willis Redfield (American, 1869-1965), depicting a winter scene with a smokehouse and large woodpile with a figure and team of horses in the background, signed lower right, wood frame. Image: 15.5" H x 19.5" W; frame 17.5" H x 21.5" W. Provenance: Property from the West Village, New York City Estate of an Arts and Crafts Collector. Keywords: Painting, Oil painting, Works on Panel, Winter landscape scene, Snowy, Equine, Equestrian, 20th Century Art

    Auctions at Showplace
  • Edward Willis Redfield (American, 1869-1965) Spring Meadow
    Sep. 21, 2025

    Edward Willis Redfield (American, 1869-1965) Spring Meadow

    Est: $25,000 - $40,000

    Edward Willis Redfield (American, 1869-1965) Spring Meadow oil on canvas signed E. W. Redfield (lower left) 21 1/2 x 25 3/4 in. Property from the Collection of Renny Reynolds

    Freeman’s | Hindman
  • Oil on Board Attributed to Edward Willis Redfield (1869-1965)
    Sep. 18, 2025

    Oil on Board Attributed to Edward Willis Redfield (1869-1965)

    Est: $200 - $300

    An impressionist oil on board attributed to Delaware artist Edward Willis Redfield. (1869-1965) Signed lower right. Measures 19.5x 15.5, 15.5 x11.5 site. *Note: shows some craquelure.

    Embassy Auctions International
  • Oil on Board Attributed to Edward Willis Redfield (1869-1965)
    Jul. 17, 2025

    Oil on Board Attributed to Edward Willis Redfield (1869-1965)

    Est: $300 - $500

    An impressionist oil on board attributed to Delaware artist Edward Willis Redfield. (1869-1965) Signed lower right. Measures 19.5x 15.5, 15.5 x11.5 site. *Note: shows some craquelure.

    Embassy Auctions International
  • Edward Willis Redfield (American, 1869-1965) New Hope Locks
    Jun. 08, 2025

    Edward Willis Redfield (American, 1869-1965) New Hope Locks

    Est: $120,000 - $180,000

    Edward Willis Redfield (American, 1869-1965) New Hope Locks oil on canvas signed E W Redfield (lower right); also signed and titled (stretcher) 24 1/4 x 29 1/2 in.

    Freeman’s | Hindman
  • Edward Willis Redfield (American, 1869-1965) Woodland Brook
    Jun. 08, 2025

    Edward Willis Redfield (American, 1869-1965) Woodland Brook

    Est: $100,000 - $150,000

    Edward Willis Redfield (American, 1869-1965) Woodland Brook oil on canvas signed E. W. Redfield (lower left); also titled in pencil (stretcher) 28 1/4 x 32 1/4 in.

    Freeman’s | Hindman
  • Edward Willis Redfield (American, 1869-1965) First Snow, 1928
    Jun. 08, 2025

    Edward Willis Redfield (American, 1869-1965) First Snow, 1928

    Est: $100,000 - $150,000

    Edward Willis Redfield (American, 1869-1965) First Snow, 1928 oil on canvas signed E. W. Redfield (lower left); also signed and titled in pencil (stretcher) 26 x 32 in.

    Freeman’s | Hindman
  • Watercolor by Edward Willis Redfield (1869-1965)
    Mar. 27, 2025

    Watercolor by Edward Willis Redfield (1869-1965)

    Est: $400 - $600

    A watercolor by Delaware artist Edward Willis Redfield (1869-1965) depicting a bayscape with several boats. Known for impressionist landscapes, Redfield studied at Ecole des Beaux Arts and Academie Julian. He exhibited throughout the country and has an impressive array of awards including 1900 Paris Exhibition and Carnegie Prize of 1918. Initialed lower left. Measures 15x12, 11x8.5 site.

    Embassy Auctions International
  • Edward Willis Redfield (1869-1965) Oil on Board
    Mar. 27, 2025

    Edward Willis Redfield (1869-1965) Oil on Board

    Est: $3,000 - $5,000

    An impressionist oil on board by Delaware artist Edward Willis Redfield. (1869-1965) Known for impressionist landscapes, Redfield studied at Ecole des Beaux Arts and Academie Julian. He exhibited throughout the country and has an impressive array of awards including 1900 Paris Exhibition and Carnegie Prize of 1918. Signed lower right. Measures 19.5x 15.5, 15.5 x11.5 site.

    Embassy Auctions International
  • An Edward Willis Redfield (1869-1965) Watercolor
    Mar. 27, 2025

    An Edward Willis Redfield (1869-1965) Watercolor

    Est: $400 - $600

    An Edward Willis Redfield (1869-1965) watercolor depicting a wintry scene. Known for impressionist landscapes, Redfield studied at Ecole des Beaux Arts and Academie Julian. He exhibited throughout the country and has an impressive array of awards including 1900 Paris Exhibition and Carnegie Prize of 1918. Initialed lower left. Measures 15x12, 11x8.5 site.

    Embassy Auctions International
  • EDWARD WILLIS REDFIELD (1869-1965). Hills of Point Pleasant. oil on canvas2
    Jan. 23, 2025

    EDWARD WILLIS REDFIELD (1869-1965). Hills of Point Pleasant. oil on canvas2

    Est: $150,000 - $250,000

    EDWARD WILLIS REDFIELD (1869-1965). Hills of Point Pleasant. oil on canvas24 x 29 in. (61 x 73.7 cm.).

    Christie's
  • EDWARD WILLIS REDFIELD (1869-1965). The Bowdoin, Monhegan Island. oil on ca
    Jan. 23, 2025

    EDWARD WILLIS REDFIELD (1869-1965). The Bowdoin, Monhegan Island. oil on ca

    Est: $120,000 - $180,000

    EDWARD WILLIS REDFIELD (1869-1965). The Bowdoin, Monhegan Island. oil on canvas26 x 32 in. (66 x 81.3 cm.).

    Christie's
  • Large Antique American Impressionist Framed Landscape Oil Painting ATTR Edward Willis Redfield
    Dec. 31, 2024

    Large Antique American Impressionist Framed Landscape Oil Painting ATTR Edward Willis Redfield

    Est: $300 - $500

    Antique American winter impressionist landscape oil painting attributed to Edward Willis Redfield (1869 - 1965). Oil on board. Estate stamp verso. Framed. Measuring by inches and by painting alone. Please see all images for condition. Size is measured and written on the back of the painting. The first size is the overall size, the second size is the image size. For detailed condition questions please hello@curatedgallery.com

    Curated Gallery Auctions
  • Framed E.W. Redfield pastel painting: (Edward Willis Redfield – American 1869- 1965)
    Dec. 21, 2024

    Framed E.W. Redfield pastel painting: (Edward Willis Redfield – American 1869- 1965)

    Est: -

    Framed E.W. Redfield pastel painting: (Edward Willis Redfield – American 1869- 1965)

    Roan Inc. Auctioneers & Appraisers
  • Edward Willis Redfield. Stream, watercolor
    Dec. 13, 2024

    Edward Willis Redfield. Stream, watercolor

    Est: $1,000 - $4,000

    (American, 1869-1965) Watercolor on paper, signed lr, sight size: 9 x 13 in., framed size: 14 1/2 x 18 1/2 in.

    Alex Cooper
  • Edward Willis Redfield Oil on Board Painting
    Dec. 01, 2024

    Edward Willis Redfield Oil on Board Painting

    Est: $12,000 - $16,000

    Title is Bucks County in Winter. 12 5/8" by 16 1/2" framed. Provenance: Private Collection New Mexico Edward Willis Redfield (1869 - 1965) was active/lived in Pennsylvania, Delaware. Edward Redfield is known for Landscape-snow-watery view painting. Born on December 8, 1869, in Bridgeville, Delaware, Edward Willis Redfield spent most of his adolescence in Philadelphia. From 1881 to 1884 he attended classes at Philadelphia's Spring Garden Institute and the Franklin Institute, where the teaching emphasized academic painting styles and technique. Redfield then studied with Henry Rolfe, a commercial painter who taught Redfield that a work of art should be done in "one go," or at one sitting, and never retouched. From 1887 to 1889 he attended the Pennsylvania Academy of the Fine Arts, where his teachers Thomas Anshutz, James Kelly, and Thomas Hovenden stressed objective and direct treatment of idealized subjects. In 1889 Redfield spent a month in London visiting C. A. Houston and Alexander Stirling Calder before traveling to France with Robert Henri to take classes at the Acad?mie Julian under William Adolphe Bouguereau and Tony Robert-Fleury. He matriculated at the Ecole des Beaux-Arts in 1890. Redfield became interested in painting snow scenes, one of which was accepted by the Paris Salon of 1891. That year, while staying at the Hotel Deligant in the village of Bois-le-Rois in the forest of Fontainebleau, the artist fell in love with the innkeeper's daughter, Elise. By August 1892, Redfield had returned to the United States for a one-man exhibition at the Doll & Richards Gallery in Boston. He painted lake scenes while summering in North Hector, New York. The following January, he returned to the Hotel Deligant to marry Elise. The couple traveled briefly to London, then settled in Glenside, Pennsylvania. After a stay at Belle Island Farm in Center Bridge, Pennsylvania, where their first child died, Redfield and his wife moved back to France. During their absence, the Pennsylvania Academy mounted an exhibition of twenty-seven of Redfield's landscapes. The Redfields returned to the United States to settle at Center Bridge in 1900. Redfield was among the first artists to settle in the scenic Bucks County area, and he is often identified as a leader of the New Hope group of landscape painters (which also included Daniel Garber, William Langson Lathrop, Robert Spencer and Walter Schofield). Redfield, himself, adamantly maintained his independence from the New Hope group. Today Redfield and the other artists from the region who were active between 1910 and 1930 are known as the Pennsylvania Impressionists. Redfield continued to paint snow scenes, selecting large canvases of 40 to 56 inches across. He would stand outside in snowy weather for eight hours at a time, filling his canvas at "one go" to capture the immediacy of the scene before him with rapid strokes of thick impasto. The paintings display a vigorous realism and capture the glaring, reflective quality of snow. In addition to painting the distinctive snow scenes, Redfield explored a variety of other landscape settings. For example, Boothbay Harbor, Maine, was Redfield's summer home after 1903. At that time seascapes and rock gardens on Monhegan Island entered his oeuvre. In 1909 Redfield spent six months in New York City capturing tonalist-type views of the rapidly growing skyline. In the late 1910s sleigh scenes and spring scenes became his specialty. Redfield moved to Pittsburgh in 1919 to serve as juror for the Carnegie International Exhibition. His experience of that city prompted new themes in his work. For the first time, he depicted squalor and man's devastating effect on the environment. These paintings mark a clear departure from his better-known scenes of untouched natural beauty. In the 1920s Redfield began driving to the Poconos in search of new subject matter. His later work tended to have a more linear, less painterly quality with sharply defined forms. Following his wife's death in 1947, Redfield burned hundreds of the 1200 paintings that were in his studio, saving only those he felt were of value. In 1953 he stopped painting altogether and instead made crafts in the early American tradition, including hooked rugs, painted chests and toleware trays. He died on October 19, 1965.

    Davis Brothers Auction
  • Edward Willis Redfield (1869-1965) Overlooking the Sea 38 1/2 x 50 1/2 in. (97.8 x 128.3 cm.) (Painted in 1908.)
    Nov. 19, 2024

    Edward Willis Redfield (1869-1965) Overlooking the Sea 38 1/2 x 50 1/2 in. (97.8 x 128.3 cm.) (Painted in 1908.)

    Est: $20,000 - $30,000

    Edward Willis Redfield (1869-1965) Overlooking the Sea signed and dated 'E. W. Redfield / 1908' (lower right) oil on canvas 38 1/2 x 50 1/2 in. (97.8 x 128.3 cm.) Painted in 1908.

    Bonhams
  • Edward Willis Redfield Oil on Board Painting
    Nov. 02, 2024

    Edward Willis Redfield Oil on Board Painting

    Est: $12,000 - $16,000

    Title is Bucks County in Winter. 12 5/8" by 16 1/2" framed. Provenance: Private Collection New Mexico Edward Willis Redfield (1869 - 1965) was active/lived in Pennsylvania, Delaware. Edward Redfield is known for Landscape-snow-watery view painting. Born on December 8, 1869, in Bridgeville, Delaware, Edward Willis Redfield spent most of his adolescence in Philadelphia. From 1881 to 1884 he attended classes at Philadelphia's Spring Garden Institute and the Franklin Institute, where the teaching emphasized academic painting styles and technique. Redfield then studied with Henry Rolfe, a commercial painter who taught Redfield that a work of art should be done in "one go," or at one sitting, and never retouched. From 1887 to 1889 he attended the Pennsylvania Academy of the Fine Arts, where his teachers Thomas Anshutz, James Kelly, and Thomas Hovenden stressed objective and direct treatment of idealized subjects. In 1889 Redfield spent a month in London visiting C. A. Houston and Alexander Stirling Calder before traveling to France with Robert Henri to take classes at the Académie Julian under William Adolphe Bouguereau and Tony Robert-Fleury. He matriculated at the Ecole des Beaux-Arts in 1890. Redfield became interested in painting snow scenes, one of which was accepted by the Paris Salon of 1891. That year, while staying at the Hotel Deligant in the village of Bois-le-Rois in the forest of Fontainebleau, the artist fell in love with the innkeeper's daughter, Elise. By August 1892, Redfield had returned to the United States for a one-man exhibition at the Doll & Richards Gallery in Boston. He painted lake scenes while summering in North Hector, New York. The following January, he returned to the Hotel Deligant to marry Elise. The couple traveled briefly to London, then settled in Glenside, Pennsylvania. After a stay at Belle Island Farm in Center Bridge, Pennsylvania, where their first child died, Redfield and his wife moved back to France. During their absence, the Pennsylvania Academy mounted an exhibition of twenty-seven of Redfield's landscapes. The Redfields returned to the United States to settle at Center Bridge in 1900. Redfield was among the first artists to settle in the scenic Bucks County area, and he is often identified as a leader of the New Hope group of landscape painters (which also included Daniel Garber, William Langson Lathrop, Robert Spencer and Walter Schofield). Redfield, himself, adamantly maintained his independence from the New Hope group. Today Redfield and the other artists from the region who were active between 1910 and 1930 are known as the Pennsylvania Impressionists. Redfield continued to paint snow scenes, selecting large canvases of 40 to 56 inches across. He would stand outside in snowy weather for eight hours at a time, filling his canvas at "one go" to capture the immediacy of the scene before him with rapid strokes of thick impasto. The paintings display a vigorous realism and capture the glaring, reflective quality of snow. In addition to painting the distinctive snow scenes, Redfield explored a variety of other landscape settings. For example, Boothbay Harbor, Maine, was Redfield's summer home after 1903. At that time seascapes and rock gardens on Monhegan Island entered his oeuvre. In 1909 Redfield spent six months in New York City capturing tonalist-type views of the rapidly growing skyline. In the late 1910s sleigh scenes and spring scenes became his specialty. Redfield moved to Pittsburgh in 1919 to serve as juror for the Carnegie International Exhibition. His experience of that city prompted new themes in his work. For the first time, he depicted squalor and man's devastating effect on the environment. These paintings mark a clear departure from his better-known scenes of untouched natural beauty. In the 1920s Redfield began driving to the Poconos in search of new subject matter. His later work tended to have a more linear, less painterly quality with sharply defined forms. Following his wife's death in 1947, Redfield burned hundreds of the 1200 paintings that were in his studio, saving only those he felt were of value. In 1953 he stopped painting altogether and instead made crafts in the early American tradition, including hooked rugs, painted chests and toleware trays. He died on October 19, 1965.

    Davis Brothers Auction
  • EDWARD WILLIS REDFIELD (1869-1965). Off Manana. oil on canvas 21 ½ x 25 in.
    Oct. 18, 2024

    EDWARD WILLIS REDFIELD (1869-1965). Off Manana. oil on canvas 21 ½ x 25 in.

    Est: $50,000 - $70,000

    EDWARD WILLIS REDFIELD (1869-1965). Off Manana. oil on canvas 21 ½ x 25 in. (54.6 x 63.5 cm.).

    Christie's
  • Edward Willis Redfield, Limited Edition Print
    Sep. 15, 2024

    Edward Willis Redfield, Limited Edition Print

    Est: $100 - $200

    Sunlight and Shadows, Primrose Press, numbered in pencil, 51/500. With COA attached verso.      Provenance: Property from a Bucks County, Pennsylvania Collection.

    Locati LLC
  • EDWARD WILLIS REDFIELD (PA/DE, 1869-1965)
    Aug. 24, 2024

    EDWARD WILLIS REDFIELD (PA/DE, 1869-1965)

    Est: $20,000 - $30,000

    EDWARD WILLIS REDFIELD (PA/DE, 1869-1965) Winter Brook and Road Lined by Birch Tees, oil on board, signed lower right and dated 1946, in gold matched corner shallow cove Arts & Crafts frame, OS: 36 1/2" x 30 1/2", SS: 27" x 21". One of the great New Hope, Bucks County, PA American Impressionists.

    Thomaston Place Auction Galleries
  • Landscape Watercolor, with a Signature Edward Willis Redfield
    Aug. 11, 2024

    Landscape Watercolor, with a Signature Edward Willis Redfield

    Est: $500 - $2,000

    Edward Willis Redfield (1869 - 1965) Medium: Watercolor Painting Size: 12.5 x 16.5 inches Frame Size: 19 x 23 inches Condition: This artwork is in good overall condition for its age. With a signature Edward Willis Redfield (1869 - 1965).

    Topwells
  • EDWARD WILLIS REDFIELD. (American, 1869-1965). EARLY SPRING, signed lower right. Oil on canvas.
    Jun. 27, 2024

    EDWARD WILLIS REDFIELD. (American, 1869-1965). EARLY SPRING, signed lower right. Oil on canvas.

    Est: $1,000 - $2,000

    EDWARD WILLIS REDFIELD. (American, 1869-1965). EARLY SPRING, signed lower right. Oil on canvas - Framed, 26 in. x 32 in.

    Sloans & Kenyon
  • EDWARD WILLIS REDFIELD, American 1869-1965, Stuck in Snow, 1942, oil on board, 10 3/4 x 14 in. (27.3 x 35.6 cm.), Frame: 15 3/4 x 1 1/4 x 18 3/4 in. (40 x 3.2 x 47.6 cm.)
    Jun. 13, 2024

    EDWARD WILLIS REDFIELD, American 1869-1965, Stuck in Snow, 1942, oil on board, 10 3/4 x 14 in. (27.3 x 35.6 cm.), Frame: 15 3/4 x 1 1/4 x 18 3/4 in. (40 x 3.2 x 47.6 cm.)

    Est: $3,000 - $5,000

    EDWARD WILLIS REDFIELD American, 1869-1965 Stuck in Snow, 1942 oil on board signed and dated lower left "EW Redfield Dec 8 42"

    Shannon's
  • Edward Redfield Spring Blossoms Oil on Canvas
    Jun. 08, 2024

    Edward Redfield Spring Blossoms Oil on Canvas

    Est: $80,000 - $120,000

    Redfield, Edward Willis (American/New Hope, PA, 1869-1965), Spring Blossoms, undated (c.1910-1915), oil on canvas, signed lower right, 26 x 32 inches, in a 1920s American Arts and Crafts frame 33 x 39 inches. Provenance: Gillespie Gallery, Pittsburgh; Julie Parkin; Laura Painter George; Ada Evavenson, 1958; then by descent to the current consignor.

    Concept Art Gallery
  • Edward Willis Redfield (American, 1869-1965) - Snug Harbor
    Jun. 02, 2024

    Edward Willis Redfield (American, 1869-1965) - Snug Harbor

    Est: $80,000 - $120,000

    Edward Willis Redfield (American, 1869-1965) - Snug Harbor Signed 'E.W. REDFIELD' bottom left; also titled, signed, dated ‘1924’ and carved ‘#15’ on upper stretcher bar verso, oil on canvas 28 ¼ x 32 1/8 in. (71.8 x 81.6cm) Provenance The Artist. The Estate of the Artist, by 1956. By descent in the Redfield family. Private Collection, New York. Exhibition Grand Central Galleries, New York, New York.  Literature John M. W. Fletcher, Edward Willis Redfield, An American Impressionist 1869-1965: The Redfield Letters, Vol. I, Lahaska, Pennsylvania, 2002, p. 206, no. 162 (illustrated).  Lot Essay This painting will be included in the forthcoming Catalogue Raisonné of Edward Redfield's work being compiled by Dr. Thomas Folk. In 1903, Edward Redfield was advised by one of his leading patrons, Dr. Samuel Woodward, to travel to Maine for the summer. While the first trip was generously financed by his friend, Redfield and his wife would return on their own to the charming village of Boothbay Harbor, where they eventually bought a house for their family. The appeal for Maine was not new, as many artists had visited the wild region since the mid-1800s, some even establishing an artist colony on the picturesque and remote Monhegan Island. For Redfield, Maine offered a drastic change of scenery. Miles away from Centre Bridge, Pennsylvania, the artist would explore the rugged hills, shallow beaches, and picturesque fishing villages. Maine provided Redfield with the liberating opportunity to capture untouched, raw forms of life unique to the northern seacoast. Executed en plein air, Snug Harbor exudes the simple and peaceful way of life in Maine, and features many local aspects that Redfield has already introduced in earlier, similar subjects such as Peaceful Harbor and Monhegan Home, namely the typical and austere cedar shake fisherman house by the beach, the docked boat and fishing equipment in the foreground, the grassy and rugged hills in the distance, and most importantly, the vast expanse of the sea, here captured on a sunny day in shimmering hues of yellow, green, blue and purple on which the colorful boats rock. The painting, jolly and peaceful, conveys a sense of anonymity as no human figure is in sight, and overall tranquility: summer, at last, is here.

    Freeman's
  • Edward Willis Redfield (1869-1965) - The Old Bridge (Beaver Run Bridge)
    Jun. 02, 2024

    Edward Willis Redfield (1869-1965) - The Old Bridge (Beaver Run Bridge)

    Est: $80,000 - $120,000

    Edward Willis Redfield (1869-1965) - The Old Bridge (Beaver Run Bridge) Signed and dated ‘E. W. Redfield 1937' bottom left; also inscribed ‘The Old Bridge’ upper stretcher verso, oil on canvas 28 x 32 in. (71.1 x 81.3cm) Provenance Private Collection, Pennsylvania. Lot Essay This painting will be included in the forthcoming Catalogue Raisonné of Edward Redfield's work being compiled by Dr. Thomas Folk. Redfield represented this three-arched-stone bridge several times and in various formats, such as On the Broadhead and Beaver Creek. 

    Freeman's | Hindman
  • Edward Willis Redfield (American, 1869-1965) - Coast of France
    Dec. 03, 2023

    Edward Willis Redfield (American, 1869-1965) - Coast of France

    Est: $50,000 - $80,000

    Edward Willis Redfield (American, 1869-1965) - Coast of France Signed 'E.W. Redfield' bottom left; also inscribed with title and artist on upper stretcher verso, oil on canvas 38 ¼ x 50 3/8 in. (97.2 x 128cm) Provenance The Artist. The Estate of the Artist. To the Artist's daughter, Louise R. Stephens. To the Artist's granddaughter, Charlotte McKeown. Private Collection, New Jersey. Freeman's, Philadelphia, sale of December 3, 2017, lot 122.  Acquired directly from the above sale. Private Collection, Pennsylvania.  Exhibition "One Hundred and Fourth Annual Exhibition," Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, January 31-March 14, 1909, no. 9. "Exhibition of Paintings by Edward W. Redfield," The Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, April 17-May 16, 1909, no. 9. "Exhibition of Oil Paintings by Edward W. Redfield," Buffalo Fine Art Academy, Albright Art Gallery, Buffalo, New York, October 10-November 8, 1909; and The City Art Museum of St. Louis, Saint Louis, Missouri, November 14, 1909, no. 6 (traveling exhibition). "An Exhibition of Paintings by Edward W. Redfield," The Corcoran Gallery of Art, Washington, D.C., January 3-23, 1910, no. 2. "Exhibition of Paintings by Edward W. Redfield and a Collection of Works by European Masters," The Memorial Art Gallery, Rochester, New York, May 9-June 7, 1914, no. 27. "An Exhibition of Paintings by Edward W. Redfield," The Corcoran Gallery, Washington, D.C., March 14-April 9, 1916, no. 12. "Edward Redfield, A Retrospective of His Work," Newman Galleries, Philadelphia, Pennsylvania, October 23-November 30, 1968. "A Retrospective Exhibition of the Work of the Great American Impressionist, Edward Willis Redfield of Pennsylvania," William Penn Memorial Museum, Harrisburg, Pennsylvania, March 31-May 13, 1973, no 48. “Memorial Exhibition,” Bucks County Conservancy, Doylestown, Pennsylvania, June 19-July 6, 1975. Literature Dorothy Redfield, "Paintings Distributed to Heirs, After the Bucks County Conservancy Exhibition," in The Edward Willis Redfield Estate Journal, June 19-July 6, 1975. Lot Essay After graduating from the Pennsylvania Academy of the Fine Arts in 1889, Redfield traveled to Paris to continue his studies, both at the École des Beaux-Arts and the Académie Julian. Redfield's time in France deepened his appreciation for Impressionism, and inspired him to paint en plein air, which he would continue to do, and inspire others to do, after his return to America.  Coast of France possibly depicts the rocky shore of Boulogne, which had been painted earlier by Édouard Manet, one of Redfield's artistic heroes. The craggy hillside rises away from the surf and anchors the scene. A solitary woman disrupts the landscape as she is walking along a narrow, curving path–the dark folds of her skirt are repeated in the shadows and crevices of the rocks clustered in the foreground. Redfield's signature thick, broad brushstrokes spread across the hazy sky and wild, overgrown grass blanketing the hills. It is a cloudy day. The horizon has disappeared, the calm water of the English channel rises to meet the expanse of sky and form an overall muted, grey atmosphere. The scene is tinted with an almost melancholic air, a dramatic departure from the artist's usually light-infused landscapes set in Bucks County. From 1898 and into the early years of the 20th century, Redfield visited France often, with his French wife Élise Deligant. These trips are undocumented after 1898. According to Dr. Thomas Folk, the signature, with capital letters is a 20th-century Redfield signature, rather than a late-19th-century one. This painting must have been a favorite of the artist, as he exhibited it several times, especially in his early career. It may have had some sentimental value to him, as he never sold it, and it later became part of his Estate at the time of his death in 1965. This painting will be included in the forthcoming Catalogue Raisonné of Edward Redfield's work being compiled by Dr. Thomas Folk.

    Freeman's | Hindman
  • Edward Willis Redfield (American, 1869-1965) - The Canal in Winter
    Dec. 03, 2023

    Edward Willis Redfield (American, 1869-1965) - The Canal in Winter

    Est: $30,000 - $50,000

    Edward Willis Redfield (American, 1869-1965) - The Canal in Winter Signed ‘E.W. Redfield’ bottom left; also inscribed ‘Winter’ on upper stretcher verso, oil on canvas  18 1/8 x 25 ¾ in. (46 x 64.5cm) Provenance Property from a prominent Boston Social Club, Boston, Massachusetts. Freeman's, Philadelphia, sale of June 26, 2005, lot 183. Acquired directly from the above sale. Private Collection, Philadelphia, Pennsylvania. Exhibition (Possibly) "An Exhibition of Landscapes by Mr. Edward W. Redfield of Philadelphia," St. Botolph Club, Boston, Massachusetts, April 1-20, 1901. Lot Essay This painting will be included in the forthcoming Catalogue Raisonné of Edward Redfield's work being compiled by Dr. Thomas Folk.

    Freeman's | Hindman
  • Edward Willis Redfield (American, 1869-1965) - Winter Holiday
    Dec. 03, 2023

    Edward Willis Redfield (American, 1869-1965) - Winter Holiday

    Est: $100,000 - $150,000

    Edward Willis Redfield (American, 1869-1965) - Winter Holiday Signed ‘E.W. REDFIELD’ bottom left; also pencil titled, dated ‘1909,’ signed and numbered ‘#5A’ on upper stretcher verso, oil on canvas 21 x 25 in. (53.3 x 63.5cm) Provenance The Artist, until 1959. Acquired directly from the above.  By descent in the family, c. 1970. Private Collection, Pennsylvania.  Exhibition “Exhibition of Paintings and Crafts by Edward W. Redfield,” The Woodmere Art Gallery (now Museum), Philadelphia, Pennsylvania, November 1-22, 1959.  Literature J.M.W. Fletcher, Edward Willis Redfield, 1869-1965: An American Impressionist, His Paintings and the Man Behind the Palette, Lahaska, Pennsylvania, 1996, p. 195, no. 1038 (listed as ‘Winter Holidays’, not illustrated). Lot Essay This painting will be included in the forthcoming Catalogue Raisonné of Edward Redfield's work being compiled by Dr. Thomas Folk. Winter Holiday offers a view of the Centre Bridge region of Bucks County, Pennsylvania, just north of New Hope, where Redfield moved with his wife, Elise, in 1898. A narrow path—a compositional device employed regularly by the artist—leads viewers’ eyes from foreground to middle ground; beyond, the Delaware River flows diagonally to the picture plane. Bare trees flank the path on either side, their leafless branches granting a near unobstructed view of the river valley. True to fashion, Redfield renders the scene in thick, muscular brushstrokes. Icy blues, earthy browns, and a backdrop of mauve-colored hills suggest an appreciation for both site and season. Redfield's mastery lies in his ability to translate the harshness of winter into a celebration of nature's beauty and resilience, transforming what could be a desolate scene into a lively vision of outdoor recreation. A pair of figures, sleds in tow, take advantage of the region’s undulating topography and a mantle of freshly fallen snow. One of the figures, further downhill, offers a cheery greeting to a group of fellow revelers. Redfield imbues the scene with a palpable energy, as if to confirm the potential for life and movement in otherwise still winter landscapes. The effects of sunlight on snow affords the painting a luminous quality, while adding both depth and dimension. As was Redfield’s custom, Winter Holiday was likely executed en plein air. This technique allowed him to engage closely with the landscapes and locations he loved, and to cultivate a sense of narrative within his works. The human presence within the present painting adds an element of storytelling to the scene, inviting viewers to engage not only with the visual beauty of the landscape but also with the activities unfolding within it. Redfield's winter views capture the essence of the season and demonstrate his commitment to conveying the emotional and narrative complexities of the rural American experience in the early years of the 20th century.

    Freeman's | Hindman
  • Edward Willis Redfield (American, 1869-1965) - Leading the Cattle
    Dec. 03, 2023

    Edward Willis Redfield (American, 1869-1965) - Leading the Cattle

    Est: $6,000 - $10,000

    Edward Willis Redfield (American, 1869-1965) - Leading the Cattle Signed and dated ‘E Willis Redfield/91' bottom left, oil on board 16 ⅛  x 12 ⅞ in. (40.6 x 30.5cm) Provenance Private Collection, New York. Lot Essay This painting will be included in the forthcoming Catalogue Raisonné of Edward Redfield's work being compiled by Dr. Thomas Folk.

    Freeman's | Hindman
  • Edward Willis Redfield (1869-1965) Village of Equihen, France 38 1/2 x 50 1/2 in. (97.8 x 128.3 cm.) (Painted in 1908.)
    Nov. 07, 2023

    Edward Willis Redfield (1869-1965) Village of Equihen, France 38 1/2 x 50 1/2 in. (97.8 x 128.3 cm.) (Painted in 1908.)

    Est: $40,000 - $60,000

    Edward Willis Redfield (1869-1965) Village of Equihen, France signed and dated 'E. W. Redfield / 1908' (lower right) oil on canvas 38 1/2 x 50 1/2 in. (97.8 x 128.3 cm.) Painted in 1908.

    Bonhams
  • Edward Willis Redfield (1869 - 1965) Oil on Canvas
    Sep. 17, 2023

    Edward Willis Redfield (1869 - 1965) Oil on Canvas

    Est: $7,500 - $15,000

    A French scene depicting small boats on calm water. Signed, dated for 1890 and inscribed "France" at the lower right corner.10 3/4" x 16 1/4", the frame 16 1/4" x 21 3/4".

    Locati LLC
  • Edward Willis Redfield (American, 1869–1965) When Spring Comes
    Jun. 04, 2023

    Edward Willis Redfield (American, 1869–1965) When Spring Comes

    Est: $100,000 - $150,000

    Edward Willis Redfield (American, 1869–1965) When Spring Comes Pencil titled and signed 'E W Redfield' on upper stretcher verso, oil on canvas 32 x 38 1/2 in. (81.3 x 97.8cm) Executed circa 1930s. In a Carrig-Rohane frame. Provenance The Artist. The Estate of the Artist. Collection of Adrian Hooper. Newman Galleries, Philadelphia, Pennsylvania. Acquired directly from the above. Private Collection. Christie's, New York, sale of December 4, 2008, lot 136. Acquired directly from the above sale. Private Collection, Florida. Exhibited "Exhibition of Paintings and Crafts by Edward W. Redfield," Woodmere Art Gallery, Philadelphia, Pennsylvania, November 1-22, 1959, no. 2. "Exhibition of Paintings and Crafts by Edward W. Redfield, Reading Public Museum and Art Gallery, Reading, Pennsylvania December 3, 1961-January 28, 1962. "A Retrospective Exhibition of the Work of Edward Redfield," Newman Galleries, October 23-November 30, 1968. Literature John Richardson, Solebury Township, Bucks County, Pennsylvania: A Short History of the Township and a Report on Township Officers and Affairs, Philadelphia, Pennsylvania, 1958, n.p. (illustrated). J.M.W. Fletcher, Edward Willis Redfield, 1869-1965: An American Impressionist, His Paintings and the Man Behind the Palette, Lahaska, Pennsylvania, 1996, p. 194, no. 1010 (listed, not illustrated). J.M.W. Fletcher, Edward Willis Redfield, An American Impressionist 1869-1965: The Redfield Letters, Vol. II, Lahaska, Pennsylvania, 2000, p. 408, no. 344 (illustrated).

    Freeman's | Hindman
  • Edward Willis Redfield (American, 1869–1965) Twilight on the Seine
    Jun. 04, 2023

    Edward Willis Redfield (American, 1869–1965) Twilight on the Seine

    Est: $10,000 - $15,000

    Edward Willis Redfield (American, 1869–1965) Twilight on the Seine Signed, located, and dated 'E.W. Redfield/France/1900' bottom right, oil on canvas 18 1/4 x 21 3/4 in. (46.4 x 55.2cm) Provenance Private Collection, New York, New York. Freeman's, Philadelphia, sale of June 27, 2004, lot 183 (as A River Bend). Acquired directly from the above sale. Private Collection, New Jersey. Pedersen Gallery, Lambertville, New Jersey. Acquired directly from the above. Private Collection, Pennsylvania. Note The present work will be included in the forthcoming Catalogue Raisonné of Edward Redfield's works being compiled by Dr. Tom Folk.

    Freeman's | Hindman
  • Edward Willis Redfield (American, 1869–1965) Spring Veil
    Jun. 04, 2023

    Edward Willis Redfield (American, 1869–1965) Spring Veil

    Est: $300,000 - $500,000

    Edward Willis Redfield (American, 1869–1965) Spring Veil Signed 'E. W. REDFIELD' bottom right; also signed and titled 'Edward W. Redfield/Spring Vale' [sic] on old label verso, oil on canvas 50 1/4 x 56 in. (127.6 x 142cm) Executed circa 1928. In a Frederick Harer frame. Provenance The Artist. The Estate of the Artist (#74). Collection of Elise Hume, the Artist's daughter. McClees Galleries, Philadelphia, Pennsylvania. Acquired directly from the above. Collection of Eleanor and Malcom Polis (Plymouth Meeting Gallery), Plymouth Meeting, Pennsylvania. Acquired directly from the above in November 2008. Collection of Sydney F. and Sharon Martin, Doylestown, Pennsylvania. The Estate of Sydney F. Martin. Exhibited “Twelfth Biennial Exhibition of Contemporary American Oil Paintings,” The Corcoran Gallery of Art, Washington D.C., November 30, 1930-January 11, 1931 (as Spring Veil). “A Retrospective Exhibition of the Work of Edward Redfield,” Newman Galleries, Philadelphia, Pennsylvania, October 23-November 30, 1968. "A Retrospective Exhibition," Bucks County Conservancy, June 19-July 6, 1975. “Edward Willis Redfield: First Master of the Twentieth Century Landscape,” Allentown Art Museum, Allentown, Pennsylvania, September 20, 1987-January 10, 1988; and The Butler Institute of American Art, Youngstown, Ohio, February 14-April 2, 1988 (traveling exhibition). “Masterworks of American Impressionism: Edward Redfield and the New Hope Group,” James A. Michener Art Museum, Doylestown, Pennsylvania, March 26-September 4, 1994. “Earth, River and Light: Masterworks of Pennsylvania Impressionism,” James A. Michener Art Museum, Doylestown, Pennsylvania, September 21- December 29, 2002 (as Spring Vale). “The Painterly Voice: Bucks County’s Fertile Ground,” James A. Michener Art Museum, Doylestown, Pennsylvania, October 22, 2011-April 1, 2012 (as Spring Vale). Literature John M. W. Fletcher, Edward Willis Redfield (1869-1965), An American Impressionist: His Paintings and the Man Behind the Palette, Lahaska, Pennsylvania, 1996, fig. 13, p. 82 (illustrated as Spring Vale) and p. 182, no. 705 (listed as Spring Vale circa 1925, not illustrated). J.M.W. Fletcher, Edward Willis Redfield, An American Impressionist 1869-1965: The Redfield Letters, Vol. II, Lahaska, Pennsylvania, 2000, p. 398, no. 234 (illustrated). Thomas Folk, Edward Redfield: First Master of the Twentieth Century Landscape, Allentown Art Museum, Allentown, Pennsylvania, 1987, no. 17, p. 72 (illustrated). Brian H. Peterson, Pennsylvania Impressionism, University of Pennsylvania Press, Philadelphia, 2002, no. 127, p. 212 (illustrated). Note The present work will be included in the forthcoming Catalogue Raisonné of Edward Redfield's works being compiled by Dr. Thomas Folk. In 1898, Edward Redfield and his wife moved from Glenside, Pennsylvania to the Belle Island Farm in Centre Bridge, just five miles north of New Hope, along the Delaware River and canal. The bucolic region became the artist's most favored subject; one he captured every season from his studio in Point Pleasant. In a 1929 interview, the artist confessed the region’s powerful, almost mystical, hold over him: "There is a real 'church': go there at sundown and watch the changing colors in earth and sky and water. It is a place to worship." Of all the vistas Redfield produced, his Spring scenes appear amongst the most powerful, and sought-after works, as evidenced by Spring Veil, one of the largest canvases Redfield ever painted – a mythical oil largely reproduced and exhibited, which Redfield liked so much that he kept it his entire life. Executed en plein-air, "at one go" for about seven continuous hours, Spring Veil depicts in thick and short brushstrokes a plunging view of the Delaware River in full bloom. The scene abounds with brightness and life. Redfield's familiarity with landscape painting, the large scale of the canvas, paired with his bold and swift application of paint through colorful and contrasting hues, are able to convey the bursting and reinvigorating feeling of spring, and tempt the viewer to walk right into the picture plane and enjoy the warmth of a peaceful, sunny day. Redfield started to paint his first Spring scenes in Point Pleasant in the 1910s. Contrary to earlier canvases of the same subject such as Spring at Point Pleasant on the Delaware Valley (sold at Freeman’s on June 14, 2020) which incorporated picturesque details of Bucks County’s rural daily life such as a farmer, or animals, the present work seems to make Spring its sole subject, so lush, abundant and luscious that the main tree at center – the true vertical of the entire composition - in fact obstructs much of the view of the downtown habitations and river, barely noticeable through touches of turquoise spread out across the horizon line. Here, Redfield attains maturity, and puts his vigorous impasto to the service of the painting, which becomes less narrative but gains in expressivity, and bravura. The artist composes an all-surface pattern that enhances the immediacy of the scene, prompting the viewer to lose sight of its specific facts and instead dive into a mesmerizing abstract composition - one of the artist's boldest and more modern depictions of spring. In doing so, Redfield permeates the canvas with his own personality and charisma - a robust, masculine energy that impressed his peers as much as it stunted them, and which he puts at the service of the greater American Art, making Spring Veil a perfect example of what a real American landscape, miles away from the western canyons and mountain ranges, can look and feel like: grand, serene, and bold.

    Freeman's | Hindman
  • Between Daylight and Darkness
    May. 17, 2023

    Between Daylight and Darkness

    Est: $500,000 - $700,000

    Property from the Estate of Angela Gross Folk Edward Willis Redfield 1869 - 1965 Between Daylight and Darkness signed E W Redfield (lower right) oil on canvas 50 by 56 in. 127 by 142 cm. Executed in 1909. This work will be included in the forthcoming catalogue raisonne on Redfield being compiled by Thomas Folk.

    Sotheby's
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