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Odilon Redon Sold at Auction Prices

Painter, Etcher, Lithographer, Flower painter, Animal painter, Landscape painter, b. 1840 - d. 1916

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            • Odilon Redon (French, 1840-1916) - Iris dans un Vase
              Feb. 27, 2024

              Odilon Redon (French, 1840-1916) - Iris dans un Vase

              Est: $40,000 - $60,000

              Odilon Redon (French, 1840-1916) - Iris dans un Vase Signed ‘Od.R.’ bottom right, pastel on tan paper Sheet size: 15 ½ x 11 ½ in. (39.4 x 29.2cm) Provenance Collection of Princesse de X. Her Sale, Galerie Charpentier, Paris, sale of March 27, 1953, lot 29. Galerie Charpentier, Paris, sale of December 15, 1958, lot 138. Christie's, London, sale of July 3, 1973, lot 27. Sotheby's, New York, sale of October 23, 1974, lot 108. Sotheby's, New York, sale of May 17, 1979, lot 407. William Doyle Galleries, New York, sale of May 19, 1983, lot 75. Acquired directly from the above sale. Collection of Sidney Rothberg, Philadelphia, Pennsylvania. Literature World Collectors Annuary, Vol XXV, 1973.  Alec Wildenstein, Odilon Redon: Catalogue Raisonné de l’Œuvre Peint et Dessiné, Wildenstein Institute, Paris, 1996, Vol. III ("Fleurs et Paysages"), p. 126, no. 1546 (illustrated). Lot Essay Odilon Redon developed a unique visual poetry during his life, simple in appearance but intimately linked to his inner self. It relied on certain codes and iconography which made it easy for the viewer to recognize his enigmatic world almost immediately. A pure product of his century–at the crossroads between science and mysticism–he grew to be the leader of the Symbolists, a late trend which was not, at first, unanimously shared, both in literary (Mallarmé, Huysmans) and artistic (Bernard, Duchamp) circles. He demonstrated a singular sensitivity full of mystery, from his early Noirs, to bolder explorations of color that he first laid on pastel, then oil. Redon was driven more so from inner visions than inspired by reality; in that sense, the large number of still lifes that he executed, whether cut or arranged flowers, sometimes treated as motifs other times as the main subject of his works, represent an important part of his work, and are a key to understanding his overarching artistic message. According to Alec Wildenstein, “a beautiful symbol of peace and renewal, the flower illuminates Redon’s production, and sometimes softens its dark ambiguity.” Through his play on shapes and colors, which often act as a symphony, Redon went beyond mere naturalistic resemblance and aimed to move his viewer through the soft power of flowers. The artist confessed, “Flowers, lying at the confluence of two streams: that of representation and that of memory.” Like Gustave Moreau and several Romantics before him, Redon was very fond of botany and natural sciences. A great friend of the Bordeaux scientist Armand Clavaud, curator of the botanical gardens of the city of Bordeaux and distinguished specialist in aquatic flora (especially algae), Redon did not wish to represent nature as it was, but to suggest the charm and delicacy of each flower that made up its bouquet. Here, in a beautiful blue vase decorated with turquoise ovals (a rarity for Redon who usually preferred to represent plainer vases) several flowers spring out. Apart from the lily of the valley and the titular iris stems, all are not immediately identifiable. Instead, they morph into abstract, colorful and joyful shapes that dance on the paper. The composition is both dense and sparse: while the bouquet almost blooms over the entire sheet, the pastel is very powdery and delicate, giving the scene a certain fragility and transient effect, as if pollen had rubbed the work. The composition remains harmonious thanks to the blank background, which gives the bouquet the impression of a ghostly apparition, entirely disconnected from reality, and floating in front of us, about to disappear as quickly as it materialized.

              Freeman's | Hindman
            • Odilon Redon (French, 1840-1916) - Œdipe au Jardin des Illusions
              Feb. 27, 2024

              Odilon Redon (French, 1840-1916) - Œdipe au Jardin des Illusions

              Est: $25,000 - $40,000

              Odilon Redon (French, 1840-1916) - Œdipe au Jardin des Illusions   Signed ‘ODILON REDON’ bottom right; also titled verso, oil on panel 15 x 10 in. (38.1 x 25.4cm) Provenance The Artist. The Artist's son, Ari Redon. Acquired directly from the above. Private Collection, Bordeaux, circa 1930. Hôtel des ventes de Chartrons, Bordeaux, sale of November 27, 1991. Sotheby's, London, sale of July 1, 1992, lot 104. Acquired directly from the above sale. Collection of Sidney Rothberg, Philadelphia, Pennsylvania. Literature Alec Wildenstein, Odilon Redon: Catalogue Raisonné de l’Œuvre Peint et Dessiné, Wildenstein Institute, Paris, 1996, Vol. II ("Mythe et Légendes"), p. 46, no. 833 (illustrated as Œdipe). Lot Essay After having laid down his internal torments by summoning strange creatures in charcoal on hundreds of sheets which he referred to as his Noirs (blacks), Odilon Redon initiated a shift in his career around the 1890s and started to add color to his palette. While color appeared in a very light and punctual manner in his early pastels, it became more solid, luminous, and poignant in his oils, particularly those from the turn of the 20th century. Becoming entirely devoted to oil painting, the artist never reconnected with his haunting Noirs, as if this chromatic transition from darkness to color symbolized a new aspiration for life, and happiness. Once a secretive, melancholic figure preoccupied by mankind's demise, Redon pivoted towards a warmer glow, a hopeful and broader horizon. This journey went with the incorporation of more classical subjects in his œuvre, such as characters and themes borrowed from ancient Greek and Roman mythology. Among the Master's favorite subjects were Apollo, Pandora, Bellerophon and his winged companion Pegasus, as well as Orpheus, whom Redon adopted as a sort of alter-ego and represented many times. The present work features another literary hero, Oedipus, whose tragic adventures were narrated by the tragedian Sophocles (498-406 BC). At the time, to represent the Greek hero who killed his father and married his mother was, if not a bold, at least a significant choice. Aside from early Hellenistic art, the myth of Oedipus was very rarely depicted in fine painting. It was not until the late 18th century that the first depictions of the hero appeared in Europe, and especially in France. Even in the 19th century, which otherwise openly loved ancient mythology, Oedipus was not a common subject: there was too much incompatibility between the darkness of the hero's journey and the virtue and moral elevation that history painting–the noble genre under which all mythological subjects ranked–was supposed to convey. Disregarded as a model of ancient virtue, Oedipus embodied an archaic Greece which the 19th century dismayed, and which therefore had no place in fine art. It took Ingres and the showing of his Oedipe Résout l’Énigme du Sphinx at the 1824 French Salon to officially coin the first portrayal of a proud, handsome and heroic Oedipus standing up to the monster blocking his access to the city of Thebes. Although Redon knew of this model, which entered the Louvre in 1878, another version made an even stronger impression on him, and to an extent inspired our painting: Œdipe et le Sphinx by Gustave Moreau, executed in 1864. As he confided to his friend Madame Holstein in 1900: “When I saw, for the first time, L'Œdipe et le Sphinx, when I was young; we were in full naturalism then, and how the work lulled me! I kept the memory of this first impression for a long time; perhaps it had the power to give me the strength to pursue a path alone.” Unlike Ingres and Moreau, whose respective versions of the myth were replete with details, both in the decor and in the depiction of the characters, Redon strips his subject from any explicit reference to the myth. As described by the authors of Redon's Catalogue Raisonné, the present work only shows Oedipus, “standing in front of a luminous background... contemplating the world.” Without knowing its title, the subject would not be easily recognizable, and one could argue that the painting in fact depicts an academic nude standing against a colorful background. The setting gives us no clue: the mountainous landscape previously chosen by both Ingres and Moreau, and which was meant to show the arduous and dangerous entry into Thebes, here has disappeared. It has been replaced by an ambiguous landscape dominated by an immense azure sky, as well as a rocky platform dotted with strange, shapeless flora with underwater accents, which is reminiscent of Redon's obsession with the aquatic world. Here, the viewer finds himself trapped in a world that combines air, earth, and sea into one undetermined space which further confuses the viewer’s bearings. Judging from Oedipus’ demeanor however (he is firmly anchored to the ground in a very classicizing contrapposto), it seems that Redon in fact represents the Greek hero in the same critical moment chosen by Ingres and Moreau, that of the confrontation between Oedipus and the Sphinx, who asks any traveler crossing his path the famous riddle: What creature walks on four legs in the morning, two legs at noon, and three legs in the evening?, and who kills them if the answer is wrong (the answer to the riddle is the man, who–as a baby–crawls on four feet, walks as an adult on two, and limps as an elder on three, with the help of a cane). If that is the case however, one might wonder where the Sphinx lays? On closer inspection, his profile stands out to the left of the hero. Against a halo of golden light, a female silhouette stands out, which recalls the human part of the creature, including its bosom. The monster is nothing more than a shadow, a tenuous apparition ready to plunge into darkness: it has been defeated, Oedipus just answered the enigma, signaling the death of the beast, which according to myth throws itself from a rock. Stylistically, the work fits perfectly into this innovative period for the artist, who consciously blurs the pictorial space to create a playground without limits, free of classical perspective and identifiable contours. Through his love of floating and transient shapes, Redon takes from Paul Gauguin’s and the Nabis’ philosophy, as they also broke the rules of traditional perspective and mixed all grounds into a single pictorial plane. Technically, this synthetism comes through with a generous impasto, particularly visible in the semblances of flowers at the bottom of the composition, to the right, as well as in the large swaths of bright and pure colors, which sensuously wash over the wooden panel. Although Redon depicted the myth of Oedipus several times throughout his career, focusing on a different aspect each time (see Oedipus and the Sphinx, also called The Mystical Knight, now at the Musée des Beaux-Arts de Bordeaux; Sphinx in a Private Collection, or The Old Angel, in the Petit Palais, Paris), the present painting undoubtedly stands out as the most abstract of the series; it evokes Oedipus without presenting itself as the explicit representation of the myth, or of a particular moment. By approaching the myth in a roundabout way, Redon seeks to grasp what the underlying force of the story, thus starting a "journey towards the mysterious center of thought." The so-called "Prince of Dreams" invites his viewer to a game of interpretation, giving him an active role into the perception of the painting’s message: what is there to see, or understand here? The key to understanding this charming oil might lie in its title itself, Œdipe au Jardin des Illusions. Indeed, however poetic and existentialist it might be–no such garden is ever mentioned in Sophocles' myth. Instead, as it often does in Greek mythology, it becomes a pretext for imagination, a symbol of mystery, and an ambiguous space halfway between Nature and Mind, where everything is possible. As it is also the place where Oedipus solves the sphinx's riddle, the garden also becomes a metaphor for the mind, the seat of thought, which Redon reuses for his own purpose. By using such a floating image, arguably hard to read at first glance, Redon questions the idea of vision, which he replaces by that of the interpretation, thus making subjectivity more important than reality. Stripped of context, Oedipus becomes an image more than a subject, which does not impose itself to us, but instead makes us wonder. In a very powerful way, the hero becomes the ideal of a Symbolist painting itself, which no longer seeks to carefully depict the outside world, but instead invites us to see with our minds rather than our eyes. Stéphane Mallarmé, a close friend of Redon's, described this idea very well: “To name an object is to remove three quarters of the enjoyment of the poem which is made up of the joy of guessing little by little; suggest it: that’s the dream. It is the perfect use of this mystery which constitutes the symbol.” By looking at Œdipe au Jardin des Illusions, let us guess, wonder, and enter the dream.

              Freeman's | Hindman
            • Odilon Redon. Portrait of Maurice Denis. 1903. Trial proof lithograph on India paper. Sheet size: 15" x 8". Matted, 18" x 14"., Provenance: The Winfield Robbins print collection of Arlington, Massachusetts.
              Feb. 25, 2024

              Odilon Redon. Portrait of Maurice Denis. 1903. Trial proof lithograph on India paper. Sheet size: 15" x 8". Matted, 18" x 14"., Provenance: The Winfield Robbins print collection of Arlington, Massachusetts.

              Est: $200 - $300

              Odilon Redon. Portrait of Maurice Denis. 1903. Trial proof lithograph on India paper. Sheet size: 15" x 8". Matted, 18" x 14". Provenance: The Winfield Robbins print collection of Arlington, Massachusetts.

              Tremont Auctions
            • ODILON REDON, TOMBE DANS L'AMBIME, LA TETE EN BAS, LITHOGRAPH
              Feb. 22, 2024

              ODILON REDON, TOMBE DANS L'AMBIME, LA TETE EN BAS, LITHOGRAPH

              Est: $2,500 - $3,500

              Artist: Odilon Redon (1840 - 1916) Title: Tombe Dans L'Ambime, La Tete en Bas Year: 1896 Medium: Lithograph and Chine Colle Image Size: 11 x 8.25 inches Frame Size: 19.5 x 15.5 inches Ref: Mellerio 150

              RoGallery
            • Odilon Redon, (1840 - 1916) French, Portrait of Paul Serusier, lithograph, 1903, 9 1/2"H x 14"W (sheet), 16 1/8"H x 12"W (mat)
              Feb. 10, 2024

              Odilon Redon, (1840 - 1916) French, Portrait of Paul Serusier, lithograph, 1903, 9 1/2"H x 14"W (sheet), 16 1/8"H x 12"W (mat)

              Est: $100 - $200

              Odilon Redon (1840 - 1916), French Portrait of Paul Serusier lithograph, 1903 Dated in the plate. Biography from the Archives of askART: Odilon Redon was born in Bordeaux, France on April 20, 1840. He was the son of a French emigre who had struck it rich in New Orleans. Young Odilon was named for his Creole mother, Odile. He spent a sickly childhood at Peyrelebade, his father's estate in the Medoc. As an escape from loneliness, he turned to music, drawing and daydreams. Peyrelebade became a basic source of inspiration for all his art, providing him with both subjects from nature and a stimulus for his fantasies, and Redon returned there constantly until its enforced sale in 1897. Redon received his education in Bordeaux from 1851, rapidly showing talent in many art forms; he studied drawing with Stanislas Gorin from 1855. He also became an accomplished violinist. An indifferent scholar, he later tried and failed at architecture and sculpture, and lasted only briefly in academic painting classes. Not until he was thirty-five did he find his medium -- charcoal -- and then the lithographer's stone. He portrayed the strange creatures of his imagination; unfortunately he found a meager market for his work. Redon was a strange self-effacing painter of dreams and visions who perplexed his impressionist colleagues. Although he was a contemporary of such greats as Manet, Monet, Renoir, and Cezanne, he was out of step with his generation. By the turn of the century his dreams of terror gave way to a glowing world of pastels and oils. His favorite subjects were flowers and their fragile beauty. He died on July 6, 1916. Written and submitted by Jean Ershler Schatz, artist and researcher from laguna Woods, California. Sources include: Time Magazine, December 31, 1956 From the Internet, www.artnet. com and www.Artmagick. com

              Ripley Auctions
            • Odilon Redon, French (1840-1916), From: Tentation de St. Antoine, wood engraving
              Feb. 10, 2024

              Odilon Redon, French (1840-1916), From: Tentation de St. Antoine, wood engraving

              Est: $200 - $300

              Odilon Redon French, (1840-1916) From: Tentation de St. Antoine wood engraving signed in the plate, unframed.

              Link Auction Galleries
            • Odilon Redon - Girl and Flowers - Offset Lithograph 22.25" x 28"
              Jan. 30, 2024

              Odilon Redon - Girl and Flowers - Offset Lithograph 22.25" x 28"

              Est: $75 - $100

              "Girl and Flowers" by Odilon Redon, Unsigned Offset Lithograph. Paper size is 22.25 x 28 inches, with an image size of 18 x 23.25 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: Poster for the Cleveland Museum of Art. Published by Shorewood Fine Art Reproductions.

              DUMBO Auctions
            • ENSEMBLE de 2 pièces dont une imprimée Odilon REDON, Pierre LOUŸS (Poëtique, 1916).
              Dec. 20, 2023

              ENSEMBLE de 2 pièces dont une imprimée Odilon REDON, Pierre LOUŸS (Poëtique, 1916).

              Est: €200 - €300

              ENSEMBLE de 2 pièces dont une imprimée Odilon REDON, Pierre LOUŸS (Poëtique, 1916).

              Osenat
            • Odilon Redon (1840-1916) Three autograph picture postcards signed (‘Od. Red
              Dec. 15, 2023

              Odilon Redon (1840-1916) Three autograph picture postcards signed (‘Od. Red

              Est: £1,200 - £1,800

              Odilon Redon (1840-1916) Three autograph picture postcards signed (‘Od. Redon’,...

              Christie's
            • ODILON REDON (1840-1916) Fleurs sans vase 11 1/2 x 9 1/2 in (29.2 x 24.2 cm)
              Dec. 14, 2023

              ODILON REDON (1840-1916) Fleurs sans vase 11 1/2 x 9 1/2 in (29.2 x 24.2 cm)

              Est: $50,000 - $70,000

              ODILON REDON (1840-1916) Fleurs sans vase signed 'Odilon Redon' (lower left) oil on canvas 11 1/2 x 9 1/2 in (29.2 x 24.2 cm) 奧迪隆·雷東 (1840-1916) 《無花瓶的花》 簽名: 'Odilon Redon' (左下) 油彩 畫布 11 1/2 x 9 1/2 英吋 ( 29.2 x 24.2 公分)

              Bonhams
            • ODILON REDON (1840-1916)
              Dec. 06, 2023

              ODILON REDON (1840-1916)

              Est: €300 - €400

              'Puis l'ange prit l'encensoir', 1899. Lithograph on Chine appliqué. Signed in the stone. Provenance: Frans Leytens. Description FR 'Puis l'ange prit l'encensoir', 1899. Lithographie sur Chine appliqué. Signée dans la pierre. Provenance: Frans Leytens. Beschrijving NL 'Puis l'ange prit l'encensoir', 1899. Litho op Chine appliqué. Getekend in de steen. Herkomst: Frans Leytens.

              Bernaerts Auctioneers
            • Odilon Redon Museo Cantonale de Lugano
              Dec. 03, 2023

              Odilon Redon Museo Cantonale de Lugano

              Est: €1,500 - €3,000

              Affiche entoilée/ Vintage Poster on Linnen

              Maison de Ventes Good
            • ODILON REDON (1840-1916)
              Nov. 29, 2023

              ODILON REDON (1840-1916)

              Est: €40,000 - €60,000

              ODILON REDON (1840-1916) LES FALAISES À MARÉE BASSE, vers 1880 Huile sur papier marouflé sur toile Signée en bas à gauche Oil on paper laid on canvas; signed lower left 22,5 X 33,5 CM • 8 7/8 X 13 1/4 IN.

              Tajan
            • Odilon REDON Bordeaux, 1840 - Paris, 1916 Paysage avec forteresse Crayon noir
              Nov. 22, 2023

              Odilon REDON Bordeaux, 1840 - Paris, 1916 Paysage avec forteresse Crayon noir

              Est: €4,000 - €6,000

              Odilon REDON Bordeaux, 1840 - Paris, 1916 Paysage avec forteresse Crayon noir Signé 'ODILON REDON' en bas à droite Landscape with fortress, black chalk, signed, by O. Redon h: 18 w: 27 cm Provenance : Galerie Minerva, Paris ; Vente anonyme ; Londres, Sotheby's Olympia, 12 juillet 2007, n° 161 ; Vente anonyme ; Paris, Artcurial, 20 octobre 2015, n° 2 ; Collection particulière, Vienne, Autriche Commentaire : Cette oeuvre sera incluse dans le supplément au catalogue raisonné actuellement en préparation par le Wildenstein Institute. Un certificat à la charge de l'acquéreur pourra être délivré par le Wildenstein Institute. Estimation 4 000 - 6 000 €

              Artcurial
            • Odilon Redon Museo Cantonale de Lugano
              Nov. 16, 2023

              Odilon Redon Museo Cantonale de Lugano

              Est: €1,500 - €3,000

              Affiche entoilée/ Vintage Poster on Linnen

              Maison de Ventes Good
            • ODILON REDON (1840-1916) - Le Juré
              Nov. 15, 2023

              ODILON REDON (1840-1916) - Le Juré

              Est: $3,000 - $5,000

              ODILON REDON (1840-1916) Le Juré Overall: 11 3⁄8 x 1 1⁄8 x 9 ¼ in. (289 x 28 x 235 mm.)

              Christie's
            • Centaures
              Nov. 14, 2023

              Centaures

              Est: $120,000 - $180,000

              Property of a Gentleman Odilon Redon 1840 - 1916 Centaures signed Odilon Redon (lower right) oil on panel 11¾ by 10⅝ in. 29.8 by 27 cm. Executed circa 1910.

              Sotheby's
            • Profils de Hollandaises
              Nov. 14, 2023

              Profils de Hollandaises

              Est: $18,000 - $25,000

              Odilon Redon 1840 - 1916 Profils de Hollandaises  signed Od. R. (lower left) gouache, watercolor and pencil on paper 7 by 9⅞ in. 17.8 by 25 cm.

              Sotheby's
            • ODILON REDON (1840-1916) Pégase oil on canvas 25 ¾ x 21 ½ in. (65.4 x 54.5
              Nov. 11, 2023

              ODILON REDON (1840-1916) Pégase oil on canvas 25 ¾ x 21 ½ in. (65.4 x 54.5

              Est: $500,000 - $800,000

              ODILON REDON (1840-1916) Pégase oil on canvas 25 ¾ x 21 ½ in. (65.4 x 54.5 cm.)

              Christie's
            • ODILON REDON Béatrice.
              Nov. 02, 2023

              ODILON REDON Béatrice.

              Est: $6,000 - $9,000

              ODILON REDON Béatrice. Color lithograph on Chine appliqué, 1897. 332x295 mm; 13x11 5/8 inches, full margins. Edition of 100. Printed by Auguste Clot, Paris. Published by Vollard, Paris. From L'Album des Peintres-Graveurs. A superb impression of this scarce, important lithograph. Mellerio 168.

              Swann Auction Galleries
            • ODILON REDON Tête d'enfant avec fleurs.
              Nov. 02, 2023

              ODILON REDON Tête d'enfant avec fleurs.

              Est: $6,000 - $9,000

              ODILON REDON Tête d'enfant avec fleurs. Lithograph on Chine appliqué, 1897. 250x210 mm; 9 7/8x7 1/4 inches, full margins. Edition of 35. Signed in crayon, lower right in the image. Printed by Lemercier, Paris. Published by Pellet, Paris. A superb, richly-inked impression of this extremely scarce lithograph. Mellerio 169.

              Swann Auction Galleries
            • ODILON REDON Profil de Lumière.
              Nov. 02, 2023

              ODILON REDON Profil de Lumière.

              Est: $3,000 - $5,000

              ODILON REDON Profil de Lumière. Lithograph on Chine volant, 1886. 339x240 mm; 13 1/4x9 1/2 inches, full Edition of 50. Printed by Lemercier, Paris. A very good, richly-inked impression of this scarce lithograph. Mellerio 61.

              Swann Auction Galleries
            • ODILON REDON La Mort: C'est moi qui te rends sérieuse; enlaçonsnous.
              Nov. 02, 2023

              ODILON REDON La Mort: C'est moi qui te rends sérieuse; enlaçonsnous.

              Est: $2,000 - $3,000

              ODILON REDON La Mort: C'est moi qui te rends sérieuse; enlaçonsnous. Lithograph on Chine appliqué, 1896. 302x211 mm; 11 7/8x9 3/8 inches, full margins. Edition of 50. Printed by Blanchard, Paris. Published by Vollard, Paris. A superb, dark and richly-inked impression of this scarce lithograph. With-- Frontispiece, lithograph on Chine appliqué, 1889. 281x203 mm; 11x8 inches, full margins. Edition of 60. Printed by Becquet, Paris. Both from Tentation de Sainte-Antoine. Mellerio 94 and 153.

              Swann Auction Galleries
            • Redon, Odilon (France 1878-1916)
              Oct. 30, 2023

              Redon, Odilon (France 1878-1916)

              Est: €600 - €1,000

              Redon, Odilon (France 1878-1916) Lettres d'Odilon Redon (1878-1916) de luxe with three etchings of Odilon Redon nr 81 van in totaal 110 exemplaren Il a Il a été tiré de cet ouvrage 110 exemplaires de luxe sur vélin dÁrches à la cuve,numerotés de 1 à 110 . Cette edition est enrichie de trois eaux-fortes originales d'Odilon Redon: La Baigneuse (inédité), Saint-Jean-Pied-de-Port, Croquis. G. van Oest & Cie, Editeurs Cette edition est enrichie de trois eaux-fortes originales d'Odilon Redon: La Baigneuse (inédité), Saint-Jean-Pied-de-Port, Croquis. G. van Oest & Cie, Editeurs Prov. coll. Philip J., particuliere collectie lot 118

              Zuydwal Veilingen
            • Odilon Redon (1840-1916) Les Yeux clos lithographie sur papier Chine appliq
              Oct. 25, 2023

              Odilon Redon (1840-1916) Les Yeux clos lithographie sur papier Chine appliq

              Est: €4,500 - €5,500

              Odilon Redon (1840-1916) Les Yeux clos lithographie sur papier Chine appliqué sur vélin papier Chine : 31.4 x 24,2 cm papier vélin: 36,3 x 28,2 cm

              Christie's
            • Odilon Redon (1840-1916) Portrait de Maurice Denis lithographie sur papier
              Oct. 25, 2023

              Odilon Redon (1840-1916) Portrait de Maurice Denis lithographie sur papier

              Est: €350 - €450

              Odilon Redon (1840-1916) Portrait de Maurice Denis lithographie sur papier Chine Image: 15,3 x 13,5 cm Feuille: 33,5 x 22 cm

              Christie's
            • Odilon Redon (1840-1916) Portrait de Paul Sérusier lithographie sur papier
              Oct. 25, 2023

              Odilon Redon (1840-1916) Portrait de Paul Sérusier lithographie sur papier

              Est: €500 - €700

              Odilon Redon (1840-1916) Portrait de Paul Sérusier lithographie sur papier Chine Image : 16 x 15,5 cm Feuille: 31.6 x 23.3 cm.

              Christie's
            • Paysage de Peyrelebade
              Oct. 20, 2023

              Paysage de Peyrelebade

              Est: €15,000 - €20,000

              Property from a Private French Collection Odilon Redon 1840-1916 Paysage de Peyrelebade signed ODILON REDON (lower right) oil on panel 18,4 x 23,3 cm; 7¼ x 9⅛ in. __________________________________________________________________________ Provenant d'une Collection Particulière Française Odilon Redon 1840-1916 Paysage de Peyrelebade signé ODILON REDON (en bas à droite) huile sur panneau 18,4 x 23,3 cm; 7¼ x 9⅛ in.

              Sotheby's
            • Village Fortifié
              Oct. 17, 2023

              Village Fortifié

              Est: £10,000 - £15,000

              Odilon Redon 1840 - 1916 Village Fortifié signed ODILON REDON (upper left) oil on cardboard laid down on canvas 24 by 32.8 cm. 9½ by 12⅞ in. Framed: 41 by 49.5 cm. 16⅛ by 19½ in.

              Sotheby's
            • Odilon Redon (1840-1916) Plate IV, from Songes: sous l'aile d'ombre (Mellerio 113)
              Oct. 12, 2023

              Odilon Redon (1840-1916) Plate IV, from Songes: sous l'aile d'ombre (Mellerio 113)

              Est: £500 - £700

              ***Please note the description of this lot has changed *** Odilon Redon (1840-1916) Plate IV, from Songes: sous l'aile d'ombre (Mellerio 113) Lithograph, 1891, from the edition of 50, on China paper laid onto stiff wove paper, the sheet trimmed, sheet 220 x 170mm (8 3/4 x 6 3/4in)

              Forum Auctions - UK
            • Odilon REDON: "C’est le diable.. "
              Oct. 07, 2023

              Odilon REDON: "C’est le diable.. "

              Est: $2,500 - $3,000

              Odilon REDON (French, 1840–1916): "C’est le diable, portant sous ses deux ailes les set péchés capitaux….." Lithograph on chine-collé, 1888. Reference: Mellerio 85. Planned edition of 60, of which only 58 were printed. Plate two (of ten, plus frontispiece), from "Tentation de St. Antoine, première série". Published by Deman, Brussels. Printed by Becquet, Paris. Image size: 10 x 7 7/8 inches.

              Armstrong Fine Art
            • Odilon REDON: "The Green-Eyed Chimera".
              Oct. 07, 2023

              Odilon REDON: "The Green-Eyed Chimera".

              Est: $800 - $1,200

              Odilon REDON (French, 1840-1916): "….. The Green-Eyed Chimera, Spins, Barks" / "….. La Chimere aux Yeux Verts, Tournoie, Aboie." (original French title). Lithograph on chine-colle en wove paper, 1888. Reference: Mellerio 90. Plate 8, from the portfolio of eleven lithographs, titled "La Tentation de Saint-Antoine". Published by Edmond Deman, Brussels. Printed by Becquet, Paris. Edition of 60, of which only 58 were printed. Scarce. Titled below the image in typographic text, as usual. Image size: 11 5/8 x 6 3/8 inches.

              Armstrong Fine Art
            • TENTATION DE ST.ANTOINE : 3EME SERIE / TEMPTATION OF SAINT ANTHONY : THIRD SERIES by Odilon REDON
              Sep. 30, 2023

              TENTATION DE ST.ANTOINE : 3EME SERIE / TEMPTATION OF SAINT ANTHONY : THIRD SERIES by Odilon REDON

              Est: ¥30,000 - ¥50,000

              lithograph, sheet size : 44.0×33.7 cm image size : 31.0×21.5 cm

              New Art Est-Ouest Auctions
            • REDON, Odilon (1840-1916)
              Sep. 29, 2023

              REDON, Odilon (1840-1916)

              Est: €180 - €240

              Je t'adore à l'égal de la voûte nocturne. O vase de tristesse, o grande taciturne de la série Les Fleurs du Mal (1890) Eau-forte (25 x 17,9 cm), monogrammée en bas à droite. Quelques rousseurs. Passe-partout et cadre doré Ref. Mellerio 199

              Auctions Van de Wiele
            • Odilon Redon (1840-1916) Le jour, de la série des Songes, planche VI, (18
              Sep. 21, 2023

              Odilon Redon (1840-1916) Le jour, de la série des Songes, planche VI, (18

              Est: CHF3,000 - CHF5,000

              Odilon Redon (1840-1916) Le jour, de la série des Songes, planche VI, (1891), lithographie, signée au crayon, 21x15,5 cm

              Geneve Encheres
            • Odilon Redon (French, 1840-1916) Les Debacles (frontispiece), 1889
              Sep. 21, 2023

              Odilon Redon (French, 1840-1916) Les Debacles (frontispiece), 1889

              Est: $1,000 - $2,000

              Odilon Redon (French, 1840-1916) Les Debacles (frontispiece), 1889 lithograph initialed in pencil 5 1/2 x 3 3/4 inches. Property from the Estate of Alexander Brody, Honolulu, Hawaii Provenance: Ex-collection U. Thieme Fitch-Febvrel Gallery, Ltd., New York Acquired from the above by the father of the present owner, 1987

              Hindman
            • 3 Odilon Redon 1975 Still Life with Peppers and Pitcher Mourlot Posters
              Sep. 19, 2023

              3 Odilon Redon 1975 Still Life with Peppers and Pitcher Mourlot Posters

              Est: $50 - $75

              This is a pack of 3 Offset Lithographs by Redon, titled "Still Life with Peppers and Pitcher". The overall size of each Offset Lithograph measures 23.75 x 31.5 inches. The Offset Lithographs are Unsigned . The condition of the Offset Lithographs has been rated as follows: A: Mint Here are some additional details about the Redon: Reproduction of Redon’s Still Life with Peppers and Pitcher. Printed on Arches paper with full margins, not numbered. This print was produced using a stochastic screen process, which uses a much smaller dot than a conventional line screen. This allows for improved detail and definition as well as a wider and, at the same time, more precise color pallet. It also avoids grid patterns and prevents the Moire Effect, creating a more organic image. It is printed in a limited edition on 270 gr Cotton-paper. . Again, this lot is for 3 of the SAME Offset Lithograph, NOT a mixed or assorted group.

              DUMBO Auctions
            • Odilon Redon Pastel
              Sep. 15, 2023

              Odilon Redon Pastel

              Est: $800 - $1,200

              Odilon Redon, Woman. A portrait in dark pastels, 21 x 18 cm, with Redon's own stamp lower right (detail shown in Redon2, can be seen with sharp light or ultraviolet)) Purchased by Morley from Hanover Galleries, London c1961. Some loss to brittle edges. Originally offered at Davidson's first Lewis Morley Estate sale in June 2018, as Lot 62.

              Sydney Rare Book Auctions
            • Odilon Redon (1840-1916)
              Aug. 10, 2023

              Odilon Redon (1840-1916)

              Est: $300 - $400

              Odilon Redon (1840-1916) ANTOINE: QUEL EST LE BUT DE TOUT CELA? (PLATE XVI) (MELLERIO 151) Lithograph, 1896, on chine appliqué, from La Tentation de Saint-Antoine, 1938, printed by Blanchard, Paris, published by Vollard, Paris, framed. Image 12 1/4 x 10 inches; 311 x 254 mm. Frame 22 1/2 x 17 1/8 inches; 572 x 435 mm. Pale matstain and foxing in the margins and verso, rippling and handling and printer's creases mainly discernible in the margins, minor soiling verso, some light abrasion at part of top and bottom and center of left sheet edges from old tape removal (some associated losses), some old glue residue at left sheet edge, a 1/2 inch tear at right sheet edge, framed with glass.

              Doyle New York
            • after Hans Holbein, after Anthony Van Dyck, Odilon Redon & Honore Daumier (four)
              Aug. 09, 2023

              after Hans Holbein, after Anthony Van Dyck, Odilon Redon & Honore Daumier (four)

              Est: $100 - $200

              after Hans Holbein PORTRAIT D’UNE JEUNE FEMME, etching, sheet 14 x 11 ¼”; after Anthony Van Dyck GOVERNOR OF MASSACHUSETTS, etching, sheet 7 ½ x 4 ½”; Odilon Redon AUTOPORTRAIT 1904, 1923 lithograph after a 1904 drawing, sheet 10 ¼ x 7 ¼”; Honore Daumier PRODIGIEUX EFFET PRODUIT SUR LA MASSE AU SALON DE 1841, lithograph, sheet 10 x 14”; All with mats from 20 x 16” to 14 x 11 ½”. (4)

              Clark's Fine Art & Auctioneers Inc.
            • Odilon Redon Perversité
              Jul. 06, 2023

              Odilon Redon Perversité

              Est: €2,500 - €3,500

              plate size: 20.8 x 15.4 cm signed bottom centre Label on the back of the exhibition Femme Fatale. The Universal Myth of Woman in Art from Modigliani to Warhol, Arona

              Cambi Casa d'Aste
            • Odilon Redon: Le sommeil
              Jul. 04, 2023

              Odilon Redon: Le sommeil

              Est: CHF1,999 - CHF2,000

              Odilon Redon (Bordeaux 1840 - 1916 Paris) Le sommeil Lithographie / Lithograph 1898 13x12,5 cm, Darstellung; 28,3x22 cm, Blattgrösse / 13x12.5 cm, image; 28.3x22 cm, sheet size Werkverzeichnis / Catalogue Raisonné Mellerio 172 Mellerio 172 Zustand / Condition Auf Chine collé. Mit wenigen Stockflecken. Rückseitig mit Spuren einer alten Montierung On chine collé. With a few foxing spots. With traces of an old mounting on the back. Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 18:00 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)

              Galerie Kornfeld Auktionen AG
            • Odilon Redon: 2 Blätter aus der Folge: "Tentation de Saint-Antoine"
              Jul. 04, 2023

              Odilon Redon: 2 Blätter aus der Folge: "Tentation de Saint-Antoine"

              Est: CHF2,499 - CHF2,500

              Odilon Redon (Bordeaux 1840 - 1916 Paris) 2 Blätter aus der Folge: "Tentation de Saint-Antoine" Lithographien / Lithographs 1896 Diverse Masse / Various dimensions Signatur / Signature Je unten rechts vom Künstler signiert "ODILON REDON" Each signed lower right by the artist "ODILON REDON". Werkverzeichnis / Catalogue Raisonné Mellerio 141, 148 Mellerio 141, 148 Zustand / Condition Auf Chine collé. Mit kleinen Stockflecken; Mit Stock- und Wasserflecken On chine collé. With small foxing; With foxing and water stains. Konvolut / Group lot Zus. 2 Blatt Together: 2 sheets Erläuterungen / Comments Vorhanden sind folgende Blätter: Nr. VIII: "Elle tire de sa poitrine une éponge toute noire, la couvre de baisers" und Nr. XV: "Voici la bonne-déesse, L'idéenne des montagnes" The following sheets are present: No. VIII: "Elle tire de sa poitrine une éponge toute noire, la couvre de baisers" and No. XV: "Voici la bonne-déesse, L'idéenne des montagnes". Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 17:55 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)

              Galerie Kornfeld Auktionen AG
            • Odilon Redon: Entretien mystique
              Jul. 04, 2023

              Odilon Redon: Entretien mystique

              Est: CHF1,749 - CHF1,750

              Odilon Redon (Bordeaux 1840 - 1916 Paris) Entretien mystique Lithographie / Lithograph 1892 13,4x9,8 cm, Darstellung; 45x31,5 cm, Blattgrösse / 13.4x9.8 cm, image; 45x31.5 cm, sheet size Signatur / Signature Unten rechts vom Künstler signiert "Odilon Redon" Signed on the lower right by the artist "Odilon Redon". Werkverzeichnis / Catalogue Raisonné Mellerio 118 Mellerio 118 Zustand / Condition Auf Chine collé. Mit wenigen Stockflecken. Rückseitig mit Spuren einer alten Montierung On chine collé. With a few foxing spots. With traces of an old mounting on the back. Erläuterungen / Comments Das Blatt erschien bei Becquet, Paris, in einer Auflage von 50 Exemplaren The print was published by Becquet, Paris, in an edition of 50 copies. Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 17:55 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)

              Galerie Kornfeld Auktionen AG
            • Odilon Redon: Enigme
              Jul. 04, 2023

              Odilon Redon: Enigme

              Est: CHF2,999 - CHF3,000

              Odilon Redon (Bordeaux 1840 - 1916 Paris) Enigme Radierung / Etching 1892 8,3x8,3 cm, Darstellung; 13x9 cm Plattenkante; 37x28 cm, Blattgrösse / 8.3x8.3 cm, image; 13x9 cm platemark; 37x28 cm, sheet size Signatur / Signature Unten rechts vom Künstler unterhalb der Darstellung signiert "ODILON REDON" Signed on the lower right by the artist below the image "ODILON REDON". Werkverzeichnis / Catalogue Raisonné Mellerio 23. Harrison 27/II (dort vorliegendes Blatt reprod.) Mellerio 23. Harrison 27/II (illustrated) Zustand / Condition Auf cremefarbenem Bütten. Am Blattrand im Papier leicht gebräunt. Rückseitig mit Spuren einer alten Montierung On cream laid paper. Paper slightly browned at the margins. Traces of an old mounting on the reverse side Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 17:55 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)

              Galerie Kornfeld Auktionen AG
            • Odilon Redon: Bataille
              Jul. 04, 2023

              Odilon Redon: Bataille

              Est: CHF399 - CHF400

              Odilon Redon (Bordeaux 1840 - 1916 Paris) Bataille Radierung / Etching 1865, gedruckt 1922 7,4x14,7 cm, Plattenkante; 25,5x32,8 cm, Blattgrösse / 7.4x14.7 cm, platemark; 25.5x32.8 cm, sheet size Werkverzeichnis / Catalogue Raisonné Mellerio 5. Harrison 4/II Mellerio 5. Harrison 4/II Zustand / Condition Auf cremefarbenem Bütten, mit Teilen des Wasserzeichens "Arches", mit leichtem Lichtrand um die Plattenkante, insgesamt in guter Druckqualität und Erhaltung On cream laid paper, with parts of the watermark "Arches", with slight lightstrucks around the platemark, overall in good print quality and condition. Erläuterungen / Comments Harrison unterscheidet bei "Bataille" zwischen einem ersten und zweiten Zustand. Der erste Zustand wurde 1865 in einer Auflage von 25 Exemplaren gedruckt, der vorliegende zweite 1922 in 30 Exemplaren, von Louis Fort, Paris Harrison distinguishes in "Bataille" between a first and second state. The first state was printed in 1865 in an edition of 25 copies, the present second in 1922 in 30 copies, by Louis Fort, Paris Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 17:50 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)

              Galerie Kornfeld Auktionen AG
            • Odilon Redon: Lutte de cavaliers. - St-Jean-Pied-de-Port. - Mauvaise gloire. - Petit prélat
              Jul. 04, 2023

              Odilon Redon: Lutte de cavaliers. - St-Jean-Pied-de-Port. - Mauvaise gloire. - Petit prélat

              Est: CHF3,999 - CHF4,000

              Odilon Redon (Bordeaux 1840 - 1916 Paris) Lutte de cavaliers. - St-Jean-Pied-de-Port. - Mauvaise gloire. - Petit prélat 4 Radierungen / 4 etchings 1865; 1866; 1886; 1888; je 1922 gedruckt Diverse Masse / Various dimensions Werkverzeichnis / Catalogue Raisonné Mellerio 4. Harrison 3/IV; Mellerio 12. Harrison 14/III; Mellerio 17. Harrison 20/IV; Mellerio 19. Harrison 23/III Mellerio 4. Harrison 3/IV; Mellerio 12. Harrison 14/III; Mellerio 17. Harrison 20/IV; Mellerio 19. Harrison 23/III Zustand / Condition Alle auf cremefarbenen Bütten. Rückseitig mit Spuren einer alten Montierung All on cream laid paper. On the reverse with traces of an old mounting Konvolut / Group lot Zus. 4 Blatt Together: 4 sheets Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 17:50 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)

              Galerie Kornfeld Auktionen AG
            • Odilon Redon: Vieux chevalier
              Jul. 04, 2023

              Odilon Redon: Vieux chevalier

              Est: CHF9,999 - CHF10,000

              Odilon Redon (Bordeaux 1840 - 1916 Paris) Vieux chevalier Lithographie / Lithograph 1896 29,8x23,9 cm, Darstellung; 57x43 cm, Blattgrösse / 29.8x23.9 cm, image; 57x43 cm, sheet size Signatur / Signature Unten links vom Künstler in Bleistift monogrammiert "Od. R." Monogrammed by the artist in pencil "Od. R." at lower left. Werkverzeichnis / Catalogue Raisonné Mellerio 158 Mellerio 158 Zustand / Condition Prachtvoller Abzug auf Chine collé. Im breiten Rand mit vereinzelten Stockflecken, am Blattrand leicht verschmutzt und in der unteren linken Ecke mit Wasserflecken Splendid print on chine collé. In the wide margin with scattered foxing, at the edge of the sheet slightly soiled and in the lower left corner with water stains. Erläuterungen / Comments Das Blatt erschien bei Blanchard, Paris, in einer Auflage von 100 Exemplaren The print was published by Blanchard, Paris, in an edition of 100 copies. Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 15.06.2023; 15:10 h (MEST / CET) For further information visit our Website (www.kornfeld.ch)

              Galerie Kornfeld Auktionen AG
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