Friedrich Rehberg Paintings & Artwork for Sale | Friedrich Rehberg Art Value Price Guide

Feb. 15, 2025
F. REHBERG (1758-1835), Anton Pfaundler from Sternfeld, 1822, Lithography
Est: €120 - €200
Friedrich Rehberg (1758 Hannover - 1835 Munich): Artist Anton Pfaundler von Sternfeld, 1822, Lithography Technique: Lithography over tinted stone on Paper Inscription: Signed and dated in the lower left corner of the stone: "Fr. Innsbruck 1818. lith. monaco 1822", inscribed below with the sitter's name and life data: "Anton Pfaundler von Sternfeld | b: 27 August 1757 † 15 April 1822. | Dedicated to the memory of his friend by Fr: Rehberg." Date: 1822 Description: The history painter and portraitist Friedrich Rehberg is famous for his drawings of Lady Hamilton's attitudes, which were widely distributed as prints. The Mengs pupil spent his most productive years in Italy, where he contributed to the classicist art discourse not only with works inspired by David and received in Berlin, but also through critiques published in Germany. Around 1816 he returned to Berlin and Munich and turned to lithography. The present sheet, made in commemoration of the death of his friend Anton Pfaundler von Sternfeld, shows the deceased in three-quarter profile with a pensive look. During his studies, August Anton Pfaundler von Sternfeld (1757 Reute - 1822 Innsbruck) was particularly interested in mathematical and anatomical sciences, but he was also always interested in the artistic aspects of these subjects. Around 1777, however, his preoccupation with art was to be restricted by his father's instructions, who envisaged a career in the civil service for his son. Drawing, painting and the production of printed works were now to become a secondary occupation of Anton's, which he pursued throughout his life. With the present sheet, the German painter Friedrich Rehberg pays tribute to his artist colleague and close friend Pfaundler von Sternfeld with a last portrait, which was drawn after life but only reproduced lithographically after the death of the sitter. Keywords: Artist, Portrait, Fashion, 19th century, Romanticism, Portraits, Germany, Size: Paper: 32,3 cm x 21,2 cm (12,7 x 8,3 in), Depiction: 24,1 cm x 19,1 cm (9,5 x 7,5 in)
Fichter Kunsthandel
Nov. 09, 2024
REHBERG, FRIEDRICH, Zugeschrieben - Attributed: Arkadische Landschaft mit Nymphen beim Schmücken einer Satyrherme.
Est: CHF500 - CHF1,000
REHBERG, FRIEDRICH (Hannover 1758 - 1835 München); Zugeschrieben - Attributed : Arkadische Landschaft mit Nymphen beim Schmücken einer Satyrherme; Öl auf Leinwand; 84,5x65 cm
Dobiaschofsky Auktionen AG
Oct. 26, 2024
F. REHBERG (1758-1835), Actress Auguste Stich-Düring, Tinted Lithographie
Est: €1,200 - €1,600
Friedrich Rehberg (1758 Hannover - 1835 Munich): Portrait of the actress Auguste Stich-Düring, 19th century, Tinted Lithographie Technique: Tinted Lithographie on Paper Inscription: At the lower part signed in the printing plate: "Fr. Rehberg. ad. viv. del. & fec.". At the lower part inscribed in the printing plate: "Auguste Stich_Düring. Mitglied des Königlichen Hoftheaters in Berlin geb. den 7. Octob. 1796 [sic!]. ". Date: 19th century Description: The history painter and portraitist Friedrich Rehberg is famous for his drawings of Lady Hamilton's attitudes, which were widely distributed as prints. The Mengs pupil spent his most productive years in Italy, where he not only contributed to the classicist art discourse with works inspired by David and received in Berlin, but also with critiques published in Germany. Around 1816, he returned to Berlin and Munich and turned to lithography. The portrait of Auguste Düring, who was born in 1795 (not 1796, as the caption says) and went down in theatre history as Auguste Crelinger after her second marriage, was possibly created in 1817 on the occasion of her marriage to Wilhelm Stich, who died in 1824. Rehberg did not, however, create a role portrait; he chose the oval portrait detail that had been popular since the 1780s in order to capture the Prussian actress engaged by Iffland in a play between closeness and distance, sensuality and immersion. The three-quarter view of the head emphasises the graceful effect of the veil and at the same time allows us to capture the unchanging features in the sense of contemporary physiognomics. Düring's gaze seems to be directed towards a mental object rather than a dialogue partner. Similar to Vigée-Lebrun in her self-portraits, which emphasised both professionalism and feminine ideality, Rehberg combines the youthful beauty of the sitter with a gaze pattern familiar from portraits of poets. Person: Depicted: Auguste Sophie Crelinger (1795 Berlin - 1865 Berlin) Widowed Stich, née Düring. German actress. Auguste Düring gained her first stage experience as a child with the Urania theatre company. On the occasion of one of these performances she also made the acquaintance of Princess Charlotte von Hardenberg (former actress Langenthal ). The latter turned to theatre director August Wilhelm Iffland for Düring and after her successful debut on 4 May 1812 as Margarete ("Die Hagestolzen") she was engaged and remained a member of the royal court theatre there until her last performance. Keywords: Theatre, Acting, Fashion, Lady, Hairstyle, Empire, 19th century, Biedermeier, Portraits, Germany, Size: Paper: 55,0 cm x 35,4 cm (21,7 x 13,9 in), Depiction: 26,0 cm x 21,2 cm (10,2 x 8,3 in)
Fichter Kunsthandel
May. 25, 2024
F. REHBERG (1758-1835), Anton Pfaundler from Sternfeld, 1822, Lithography
Est: €120 - €200
Friedrich Rehberg (1758 Hannover - 1835 Munich): Artist Anton Pfaundler von Sternfeld, 1822, Lithography Technique: Lithography over tinted stone on Paper Inscription: Signed and dated in the lower left corner of the stone: "Fr. Innsbruck 1818. lith. monaco 1822", inscribed below with the sitter's name and life data: "Anton Pfaundler von Sternfeld | b: 27 August 1757 † 15 April 1822. | Dedicated to the memory of his friend by Fr: Rehberg." Date: 1822 Description: The history painter and portraitist Friedrich Rehberg is famous for his drawings of Lady Hamilton's attitudes, which were widely distributed as prints. The Mengs pupil spent his most productive years in Italy, where he contributed to the classicist art discourse not only with works inspired by David and received in Berlin, but also through critiques published in Germany. Around 1816 he returned to Berlin and Munich and turned to lithography. The present sheet, made in commemoration of the death of his friend Anton Pfaundler von Sternfeld, shows the deceased in three-quarter profile with a pensive look. During his studies, August Anton Pfaundler von Sternfeld (1757 Reute - 1822 Innsbruck) was particularly interested in mathematical and anatomical sciences, but he was also always interested in the artistic aspects of these subjects. Around 1777, however, his preoccupation with art was to be restricted by his father's instructions, who envisaged a career in the civil service for his son. Drawing, painting and the production of printed works were now to become a secondary occupation of Anton's, which he pursued throughout his life. With the present sheet, the German painter Friedrich Rehberg pays tribute to his artist colleague and close friend Pfaundler von Sternfeld with a last portrait, which was drawn after life but only reproduced lithographically after the death of the sitter. Keywords: Artist, Portrait, Fashion, 19th century, Romanticism, Portraits, Germany, Size: Paper: 32,3 cm x 21,2 cm (12,7 x 8,3 in), Depiction: 24,1 cm x 19,1 cm (9,5 x 7,5 in)
Fichter Kunsthandel
Jan. 20, 2024
F. REHBERG (1758-1835), Actress Auguste Stich-Düring, Tinted Lithographie
Est: €1,200 - €1,600
Friedrich Rehberg (1758 Hannover - 1835 Munich): Portrait of the actress Auguste Stich-Düring, 19th century, Tinted Lithographie Technique: Tinted Lithographie on Paper Inscription: At the lower part signed in the printing plate: "Fr. Rehberg. ad. viv. del. & fec.". At the lower part inscribed in the printing plate: "Auguste Stich_Düring. Mitglied des Königlichen Hoftheaters in Berlin geb. den 7. Octob. 1796 [sic!]. ". Date: 19th century Description: The history painter and portraitist Friedrich Rehberg is famous for his drawings of Lady Hamilton's attitudes, which were widely distributed as prints. The Mengs pupil spent his most productive years in Italy, where he not only contributed to the classicist art discourse with works inspired by David and received in Berlin, but also with critiques published in Germany. Around 1816, he returned to Berlin and Munich and turned to lithography. The portrait of Auguste Düring, who was born in 1795 (not 1796, as the caption says) and went down in theatre history as Auguste Crelinger after her second marriage, was possibly created in 1817 on the occasion of her marriage to Wilhelm Stich, who died in 1824. Rehberg did not, however, create a role portrait; he chose the oval portrait detail that had been popular since the 1780s in order to capture the Prussian actress engaged by Iffland in a play between closeness and distance, sensuality and immersion. The three-quarter view of the head emphasises the graceful effect of the veil and at the same time allows us to capture the unchanging features in the sense of contemporary physiognomics. Düring's gaze seems to be directed towards a mental object rather than a dialogue partner. Similar to Vigée-Lebrun in her self-portraits, which emphasised both professionalism and feminine ideality, Rehberg combines the youthful beauty of the sitter with a gaze pattern familiar from portraits of poets. Person: Depicted: Auguste Sophie Crelinger (1795 Berlin - 1865 Berlin) Widowed Stich, née Düring. German actress. Auguste Düring gained her first stage experience as a child with the Urania theatre company. On the occasion of one of these performances she also made the acquaintance of Princess Charlotte von Hardenberg (former actress Langenthal ). The latter turned to theatre director August Wilhelm Iffland for Düring and after her successful debut on 4 May 1812 as Margarete ("Die Hagestolzen") she was engaged and remained a member of the royal court theatre there until her last performance. Keywords: Theatre, Acting, Fashion, Lady, Hairstyle, Empire, 19th century, Biedermeier, Portraits, Germany,
Fichter Kunsthandel
Dec. 30, 2023
F. REHBERG (1758-1835), Anton Pfaundler from Sternfeld, 1822, Lithography
Est: €120 - €200
Friedrich Rehberg (1758 Hannover - 1835 Munich): Artist Anton Pfaundler von Sternfeld, 1822, Lithography Technique: Lithography over tinted stone on Paper Inscription: Signed and dated in the lower left corner of the stone: "Fr. Innsbruck 1818. lith. monaco 1822", inscribed below with the sitter's name and life data: "Anton Pfaundler von Sternfeld | b: 27 August 1757 † 15 April 1822. | Dedicated to the memory of his friend by Fr: Rehberg." Date: 1822 Description: The history painter and portraitist Friedrich Rehberg is famous for his drawings of Lady Hamilton's attitudes, which were widely distributed as prints. The Mengs pupil spent his most productive years in Italy, where he contributed to the classicist art discourse not only with works inspired by David and received in Berlin, but also through critiques published in Germany. Around 1816 he returned to Berlin and Munich and turned to lithography. The present sheet, made in commemoration of the death of his friend Anton Pfaundler von Sternfeld, shows the deceased in three-quarter profile with a pensive look. During his studies, August Anton Pfaundler von Sternfeld (1757 Reute - 1822 Innsbruck) was particularly interested in mathematical and anatomical sciences, but he was also always interested in the artistic aspects of these subjects. Around 1777, however, his preoccupation with art was to be restricted by his father's instructions, who envisaged a career in the civil service for his son. Drawing, painting and the production of printed works were now to become a secondary occupation of Anton's, which he pursued throughout his life. With the present sheet, the German painter Friedrich Rehberg pays tribute to his artist colleague and close friend Pfaundler von Sternfeld with a last portrait, which was drawn after life but only reproduced lithographically after the death of the sitter. Keywords: Artist, Portrait, Fashion, 19th century, Romanticism, Portraits, Germany,
Fichter Kunsthandel
Nov. 10, 2023
REHBERG, FRIEDRICH, Zugeschrieben - Attributed: Arkadische Landschaft mit Nymphen beim Schmücken einer Satyrherme.
Est: CHF2,000 - CHF3,000
REHBERG, FRIEDRICH (Hannover 1758 - 1835 München); Zugeschrieben - Attributed : Arkadische Landschaft mit Nymphen beim Schmücken einer Satyrherme; Öl auf Leinwand; 84,5x65 cm
Dobiaschofsky Auktionen AG
Mar. 11, 2023
F. REHBERG (1758-1835), Actress Auguste Stich-Düring, Tinted Lithographie
Est: €1,200 - €1,600
Friedrich Rehberg (1758 Hannover - 1835 Munich): Portrait of the actress Auguste Stich-Düring, 19th century, Tinted Lithographie Technique: Tinted Lithographie on Paper Inscription: At the lower part signed in the printing plate: "Fr. Rehberg. ad. viv. del. & fec.". At the lower part inscribed in the printing plate: "Auguste Stich_Düring. Mitglied des Königlichen Hoftheaters in Berlin geb. den 7. Octob. 1796 [sic!]. ". Date: 19th century Description: The history painter and portraitist Friedrich Rehberg is famous for his drawings of Lady Hamilton's attitudes, which were widely distributed as prints. The Mengs pupil spent his most productive years in Italy, where he contributed to the classicist art discourse not only with works inspired by David and received in Berlin, but also through critiques published in Germany. Around 1816 he returned to Berlin and Munich and turned to lithography. It is possible that the portrait of Auguste Düring, who was born in 1795 (not 1796, as the caption says) and went down in theatre history as Auguste Crelinger after her second marriage, was painted in 1817 on the occasion of her marriage to Wilhelm Stich, who died in 1824. Rehberg, however, does not create a role portrait; he chooses the oval portrait detail popular since the 1780s to capture the Prussian actress engaged by Iffland in a play between closeness and distance, sensuality and absorption. Here, the three-quarter view of the head brings out the graceful effect of the veil and at the same time allows us to capture the unchanging features in the sense of contemporary physiognomy. Düring's gaze seems to be directed towards a mental object rather than a dialogical counterpart. Similar to Vigée-Lebrun in her self-portraits, which emphasised professionalism and feminine ideality in equal measure, Rehberg combines the youthful beauty of the sitter with a gaze scheme familiar from poets' portraits. Person: Depicted: Auguste Sophie Crelinger (1795 Berlin - 1865 Berlin) Widowed Stich, née Düring. German actress. Auguste Düring gained her first stage experience as a child with the Urania theatre company. On the occasion of one of these performances she also made the acquaintance of Princess Charlotte von Hardenberg (former actress Langenthal ). The latter turned to theatre director August Wilhelm Iffland for Düring and after her successful debut on 4 May 1812 as Margarete ("Die Hagestolzen") she was engaged and remained a member of the royal court theatre there until her last performance. Keywords: Theatre, Acting, Fashion, Lady, Hairstyle, Empire, 19th century, Biedermeier, Portraits, Germany,
Fichter Kunsthandel
Jan. 06, 2023
F. REHBERG (1758-1835), Anton Pfaundler of Sternfeld, 1822, Lithography
Est: €120 - €200
Friedrich Rehberg (1758 Hannover - 1835 Munich): Artist Anton Pfaundler von Sternfeld, 1822, Lithography Technique: Lithography over tinted stone on Paper Inscription: Signed and dated in the lower left corner of the stone: "Fr. Innsbruck 1818. lith. monaco 1822", inscribed below with the sitter's name and life data: "Anton Pfaundler von Sternfeld | b: 27 August 1757 † 15 April 1822. | Dedicated to the memory of his friend by Fr: Rehberg." Date: 1822 Description: The history painter and portraitist Friedrich Rehberg is famous for his drawings of Lady Hamilton's attitudes, which were widely distributed as prints. The Mengs pupil spent his most productive years in Italy, where he contributed to the classicist art discourse not only with works inspired by David and received in Berlin, but also through critiques published in Germany. Around 1816 he returned to Berlin and Munich and turned to lithography. The present sheet, made in commemoration of the death of his friend Anton Pfaundler von Sternfeld, shows the deceased in three-quarter profile with a pensive look. During his studies, August Anton Pfaundler von Sternfeld (1757 Reute - 1822 Innsbruck) was particularly interested in mathematical and anatomical sciences, but he was also always interested in the artistic aspects of these subjects. Around 1777, however, his preoccupation with art was to be restricted by his father's instructions, who envisaged a career in the civil service for his son. Drawing, painting and the production of printed works were now to become a secondary occupation of Anton's, which he pursued throughout his life. With the present sheet, the German painter Friedrich Rehberg pays tribute to his artist colleague and close friend Pfaundler von Sternfeld with a last portrait, which was drawn after life but only reproduced lithographically after the death of the sitter. Keywords: Artist, Portrait, Fashion, 19th century, Romanticism, Portraits, Germany,
Fichter Kunsthandel
Dec. 02, 2022
Rehberg, Friedrich: Der blinde Seher Teiresias wird von seiner Tochter geführt
Est: €1,200 - €1,800
Der blinde Seher Teiresias wird von seiner Tochter geführt. -- Schwarze Kreide auf festem Bütten. 69 x 58 cm im Oval. -- -- Rehberg studierte in Leipzig, Dresden und Rom, wo er bei Anton Raphael Mengs von 1777-79 arbeitete. Vermutlich war er in diesen Jahren ein enger Freund von Jacques-Louis David. Nach einem kurzen Aufenthalt in Deutschland kehrte Rehberg 1783 zurück nach Rom. Es sollten die erfolgreichsten Jahre seiner Karriere werden. Im Jahr 1805 sah er sich aufgrund der politischen Verhältnisse gezwungen, nach Berlin zurückzukehren. Die Zuschreibung der Zeichnung wurde laut Vorbesitzer von Herrn Prof. Börsch-Supan bestätigt. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 20, 2021
F.ROSMAESLER (19th) after REHBERG (*1758), Portrait of Mrs v Stael-Holstein, Etching
Est: €30 - €50
F. H. W. Rosmaesler (19th century) after Friedrich Rehberg (1758 Hannover - 1835 München), Portrait of Mrs v Stael-Holstein, 19th century, Etching Technique: Etching on Paper Date: 19th century Description: Inscribed below the portrait with the sitter's name "FRAU v. STAEL-HOLSTEIN". Signed under the picture on the left "F. Rehberg.d." and on the right "F. Rosmäsler jun. sc Bibia. Below dated 1817. Keywords: 19th century, Romanticism, Portraits, Germany, Size: 24,7 cm x 18,8 cm Condition: Very good Condition. Very good condition.
Fichter Kunsthandel
May. 01, 2021
after REHBERG(1758-1835), The blinded Belisar as a beggar, 19th c., Lithograph
Est: €100 - €150
RIGAL, after Friedrich REHBERG (1758-1835), The blinded Belisar as a beggar, lithograph Description: Signed and inscribed below the image "Gemalt v. Rehberg / Gedr. in d. Kunstanstalt v. Jul. Adam. / On stone drawn by Rigal". Keywords: Figural, Lithography, Traditional Costumes, Germany, Genre
Fichter Kunsthandel
Apr. 23, 2021
FRIEDRICH REHBERG (HANNOVER 1758-1835 MUNICH) - Venus and Cupid
Est: $30,000 - $50,000
FRIEDRICH REHBERG (HANNOVER 1758-1835 MUNICH) Venus and Cupid oil on canvas 66 x 54 in. (167.6 x 137.1 cm.)
Christie's
Apr. 23, 2021
FRIEDRICH REHBERG (HANNOVER 1758-1835 MUNICH) - Apollo, Artemis and Niobe
Est: $15,000 - $20,000
FRIEDRICH REHBERG (HANNOVER 1758-1835 MUNICH) Apollo, Artemis and Niobe oil on panel 11 3/8 x 17 ½ in. (28.9 x 44.4 cm.)
Christie's
Mar. 13, 2021
Rehberg, Friedrich: Fränzl, Musikdirektor Kgl. Hofcapelle München
Est: €200 - €300
Friedrich Rehberg 1758 Hannover - 1835 München Fränzl, Music Director Kgl. Hofcapelle Munich Lithograph on paper; H 200 mm, W 140 mm (mount dimension); signed lower right ''Fr Rehberg ad viv fec''; titled lower left
Peter Karbstein - Kunst und Auktionshaus
Jun. 02, 2017
Rehberg, F. (1758-1835). "La grotta di Nettuno a Tivoli". Lithograph, 1809,
Est: €150 - €250
Rehberg, F. (1758-1835). "La grotta di Nettuno a Tivoli". Lithograph, 1809, 54x31 cm., lithogr. captions below. - Waterstained in right blank margin and lower corners (sl. affecting image and captions); trifle foxed/ soiled. = Very early lithograph. Le Blanc 121. AND a large aquatint view "Veduta del Villaggio di S. Remy".
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
May. 30, 2014
Rehberg, Friedrich: Kostümstudien
Est: €300 - €400
Kostümstudien: "Bei Neapel"; "Bäuerinnen in der Campagna". 2 Aquarelle. Je ca. 9,5 x 15,5 cm. - Literatur: Verzeichnis Strähuber 1242 und 1425.
Bassenge Auctions
Jan. 15, 2014
Frederich Rehberg German, 1758-1835 Maria and Martha Before Christ
Est: $300 - $500
Frederich Rehberg German, 1758-1835 Maria and Martha Before Christ Pen and ink 17 1/2 x 23 1/4 inches. Provenance: George Grote Collection Lucien Goldsmith Collection C The Yale R. Burge Collection
DOYLE Auctioneers & Appraisers
May. 02, 2012
Friedrich Rehberg (Hanover 1758-1835 Munich)
Est: £6,000 - £8,000
A young man fighting a goat oil on canvas 170 x 127.4cm (66 15/16 x 50 3/16in).
Bonhams
Jan. 20, 2010
REHBERG, Frederick (artist). Drawings faithfully copied from Nature at Naples ... dedicated to ... Sir William Hamilton . [London]: 1794. 2° (410 x 310mm), engraved title with medallion portrait of Emma Hamilton and 12 plates by Thomas Piroli
Est: £1,000 - £1,500
REHBERG, Frederick (artist). Drawings faithfully copied from Nature at Naples ... dedicated to ... Sir William Hamilton. [London]: 1794. 2° (410 x 310mm), engraved title with medallion portrait of Emma Hamilton and 12 plates by Thomas Piroli after Rehberg. (Some dust-soiling and waterstaining, mainly marginal.) Mid-19th-century half calf (scuffing to joints and corners). ASSOCIATION COPY, presented by Lord Nelson to Alexander Davison ("Received from Lord Nelson in St. James's Square 26 April 1803 A[lexander] D[avison]" -- pencil inscription on title over-written in ink at a later date). Early issue with 12 plates not 24. Lowndes V, 2068. [With]: DANTE ALIGHIERI (1265-1321). La Divina Commedia, ed. Romualdo Zotti. London: R. Zotti, 1808. 4 vols., 12° (159 x 100mm), engraved portrait. (Final preliminary in vol. I holed with slight loss.) Contemporary diced calf, flat gilt spines, vols. I & IV with letter "D" on label at head, vols. II-III with crest of a bird surmounting a crown (spines heavily rubbed, that of vol. I lifted along lower joints). Provenance: Davison family (binding) -- S.E. Widdrington (bookplate). Lowndes II, 589; and 11 other vols. with Davison provenance. (16)
Christie's
Nov. 26, 2009
Rehberg, Friedrich: Lady Hamilton's Attitudes
Est: €600 - €900
Rehberg, Friedrich: Lady Hamilton's Attitudes Drawings Faithfully copied from Nature at Naples and with permission dedicated to ... Sir William Hamilton. 12 Radierungen von Thomas Piroli nach Friedrich Rehberg zzgl. gestochener Titelvignette, sämtlich auf hellblauem Bütten. Folio. Pppbd. im Stil der Zeit mit grünem Deckelschild. (Rom), 1794. Rühmann 1741, Nagler XIV, 67. Anfang der 90er Jahre zeichnete Rehberg in Neapel die ihrer Schönheit wegen berühmte Lady Hamilton, Gattin des englischen Gesandten in Neapel. Die Tafeln zeigen Posen (Attitüden"), die verschiedenartigste Gemütszustände pantomimisch darstellen, was Emma Hamilton gerne den Gästen des Hauses vorführte und von Goethe in der "Italienischen Reise"beschrieben wurde. - Leicht fleckig und stockfleckig, die äußeren Ränder teils unwesentlich vergilbt, sonst in sehr guter Erhaltung. "
Bassenge Auctions
Apr. 21, 2009
Attributed to Friedrich Rehberg (German, 1758-1835) Nymphs in an Arcadian landscape 23 x 17 1/4in (58.5 x 43.8cm)
Est: $3,000 - $5,000
Nymphs in an Arcadian landscape oil on canvas 23 x 17 1/4in (58.5 x 43.8cm)
Bonhams
Apr. 25, 2008
Venus consoling Cupid stung by a Bee
Est: -
Attributed to Friedrich Rehberg (1758-1833) Venus consoling Cupid stung by a Bee oil on canvas, unlined 61 7/8 x 54 in. (157.2 x 137.2 cm.)
Christie's