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Román Ribera Sold at Auction Prices

Figure painter, Painter, Portrait painter

Romà Ribera i Cirera (13 December 1848, Barcelona - 29 May 1935, Barcelona) was a Catalan genre painter. He specialized in contemporary scenes from upper-class social events, rendered in meticulous detail, but also did numerous scenes from life in the 17th and 18th centuries.

He studied at the Escola de la Llotja and at the private school operated by Pere Borrell del Caso.[1] In 1873, he went to Rome to complete his studies. While there, he met Marià Fortuny, who works would influence his style.[2] After leaving Italy, he visited London to exhibit.

Once he had established himself, he settled in Paris. At a time when most artists were attracted to impressionism, he found inspiration in the works of James Tissot and Alfred Stevens. In 1878, he enjoyed great success at the Exposition Universelle.[2] This enabled him to retain Adolphe Goupil as his agent.[1] To maximize his income, he chose to solicit clients from the upper classes, portraying their activities and possessions.

He had a major showing at the exhibition at the 1888 Barcelona Universal Exposition, where he presented a series of watercolors. He returned to Barcelona in 1889, exhibiting at the Sala Parés.[2] He pursued the same upper class client strategy there that he had in Paris. Occasionally, he travelled to exhibit in Madrid.

In 1902, he became a member of the Reial Acadèmia Catalana de Belles Arts de Sant Jordi and was chosen to sit on the "Catalan Museum Board [ca]".

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  • ROMÁN RIBERA (Barcelona, 1848 - 1935). Untitled. Oil on canvas. It presents slight restorations. Signed in the left inferior zone.
    Jun. 16, 2026

    ROMÁN RIBERA (Barcelona, 1848 - 1935). Untitled. Oil on canvas. It presents slight restorations. Signed in the left inferior zone.

    Est: €1,000 - €1,200

    ROMÁN RIBERA (Barcelona, 1848 - 1935). Untitled. Oil on canvas. It presents slight restorations. Signed in the left inferior zone. Measurements: 65 x 54 cm. Catalan painter, Román Ribera studies drawing in the School of La Lonja of Barcelona, and painting in the academy of Pere Borrell. He extends his studies in Rome, between 1873 and 1976, and travels and exhibits in London. In the Italian capital he attended the Chigi Academy and dedicated himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris, under the guidance of the art dealer Goupil. There he continued his training, this time directly studying scenes of Parisian street life. A year later he participated in the Universal Exhibition in Paris, where he obtained a decisive success thanks to the three works he presented, of a remarkable verism with literary roots. From this theme he then moved on to the depiction of elegant life, in works such as "Exit from the ball", which alternates with genre scenes in the Spanish Baroque tradition. In 1881 he took part in the National Exhibition in Madrid, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he exhibited in the Center of Watercolorists, the Artistic and Literary Association and in the Parés and Rovira halls, as well as in the Universal Exhibitions of 1888 and Fine Arts of 1894. He regularly exhibited his work individually in the Rovira room and, as a group, as a member of the Artistic and Literary Society of Catalonia. He was part of several official juries, and also of the Board of Museums of Barcelona, in 1901. In 1915 he was named Member of Merit of the Artistic Circle of Barcelona. His work is conserved in the MACBA and in the museum of the abbey of Montserrat. It presents slight restorations.

    Setdart Auction House
  • ROMÁN RIBERA (Barcelona, 1849-1935), Una joven, Óleo sobre
    Mar. 24, 2026

    ROMÁN RIBERA (Barcelona, 1849-1935), Una joven, Óleo sobre

    Est: €5,000 -

    ROMÁN RIBERA (Barcelona, 1849-1935) "Una joven". Óleo sobre lienzo Firmado en el ángulo inferior izquierdo Medidas:89 x 50'5 cm

    Magna Art Auctions
  • ROMÁN RIBERA (Barcelona, 1849-1935), Una joven, Óleo sobre
    Mar. 24, 2026

    ROMÁN RIBERA (Barcelona, 1849-1935), Una joven, Óleo sobre

    Est: €3,500 -

    ROMÁN RIBERA (Barcelona, 1849-1935) "Una joven"1905. Óleo sobre lienzo Firmado en el ángulo inferior izquierdo Medidas:60 x 30'5 cm

    Magna Art Auctions
  • ROMÁN RIBERA. A young woman.
    Mar. 12, 2026

    ROMÁN RIBERA. A young woman.

    Est: €3,500 - €3,700

    Oil on canvas. Signed. 44x32.5 cm.

    Balclis
  • ROMÁN RIBERA. Concert.
    Dec. 11, 2025

    ROMÁN RIBERA. Concert.

    Est: €5,000 - €6,000

    Oil on canvas Signed. It includes the purchase invoice of Robira Gallery in Barcelona, from 1917 85x85 cm (115x117 cm with frame).

    Balclis
  • Román Ribera. Paris Street
    Oct. 28, 2025

    Román Ribera. Paris Street

    Est: -

    Oil on canvas. Signed in the lower left corner.

    Duran Arte y Subastas
  • ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Young man with flowers". Oil on canvas. Signed in the lower left corner.
    Oct. 14, 2025

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Young man with flowers". Oil on canvas. Signed in the lower left corner.

    Est: €2,000 - €3,000

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Young man with flowers". Oil on canvas. Signed in the lower left corner. Measurements: 96 x 63 cm; 120 x 85 cm (frame). Full-length painting of an adolescent of the high bourgeoisie, captured in a frontal pose, serene, impregnated with a contained candor. The young woman holds lilac flowers in both hands, an attribute traditionally linked to purity and idealized femininity. The silk dress in ochre tones shows a careful study of folds and textures. The cut is fitted at the waist, with puffed sleeves, embellished with bows and highlighted seams that are articulated between the vertical pleats of the skirt. The white collar, finished with meticulously embroidered lace, embraces the neckline with a softness that accentuates the smoothness of the face. The face, with its doll-like features, reveals a barely sketched smile, with a dreamy air, a puff on the cheeks and carmine lips that provide the only chromatic accent that rivals the flowers. Next to the young woman, a table covered with a tablecloth of flowery trimmings provides a decorative and tactile counterpoint. Above it, the young woman plus freshly picked flowers from the field. Ribera handles with a precious technique, typical of his academic training but also of his ability to capture the emotional atmosphere contained in the smallest gestures. Catalan painter, Román Ribera studied drawing at the School of La Lonja in Barcelona, and painting at the academy of Pere Borrell. He furthered his studies in Rome, between 1873 and 1976, and traveled and exhibited in London. In the Italian capital he attended the Chigi Academy and dedicated himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris, under the guidance of the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later, he took part in the Universal Exhibition in Paris, where he obtained a decisive success thanks to the three works he presented. In 1881 he took part in the National Exhibition in Madrid precisely with the aforementioned work of baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then showed his work at the Artistic and Literary Association and at the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public success, soon gaining the favor of the wealthy Catalan bourgeoisie. In 1893 he presented two paintings to the Exhibition organized by the Ateneo de Barcelona: "Inocencia" and "Incógnitca". Individually Cirera showed his work regularly in the Rovira room and, as a group, he was a member of the Artistic and Literary Society of Catalonia. He was part of several official juries, and also of the Board of Museums of Barcelona, in 1901. In 1915 he was named Member of Merit of the Artistic Circle of Barcelona. On his return to Spain, Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their party dresses, etc., becoming a faithful portraitist of the Catalan high bourgeoisie of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also traveled to Madrid and held exhibitions of his work there. His work is currently conserved in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "The musketeer. Oil on canvas. The stretcher frame has been changed. Signed in the lower left corner.
    Oct. 14, 2025

    ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "The musketeer. Oil on canvas. The stretcher frame has been changed. Signed in the lower left corner.

    Est: €6,000 - €8,000

    ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "The musketeer. Oil on canvas. The stretcher frame has been changed. Signed in the lower left corner. Measurements: 130.5 x 110 cm; 158 x 138 cm (frame). Although he specialized in contemporary scenes of high society and social events, Roman Ribera also made numerous scenes set in the seventeenth and eighteenth centuries. Among these historical settings, those of musketeers stood out, a very popular genre among the bourgeois clientele of the 19th century, within a context still inherited from romanticism, which sought in the idealized recreation of the past as a way of escape from everyday reality. On this occasion, Román Ribera offers us the image of a musketeer who gazes enraptured at his sword. For this he uses a chromatic range of warm ochers, earthy and reddish tones, which he punctuates and contrasts, however, with the characteristic clothing of the protagonist. The artist, on the other hand, reveals himself as a great draughtsman and shows his interest in psychological introspection, offering us the image of a concentrated character. Every detail of the clothing has been described in its just qualities, as it was usual in Roman Ribera's precious plastic art. Catalan painter, Roman Ribera studied drawing at the School of La Lonja in Barcelona, and painting at the academy of Pere Borrell. He furthered his studies in Rome, between 1873 and 1976, and traveled and exhibited in London. In the Italian capital he attended the Chigi Academy and dedicated himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris, under the guidance of the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later, he took part in the Universal Exhibition in Paris, where he obtained a decisive success thanks to the three works he presented, of a remarkable verism with literary roots. However, he did not feel at ease with this type of themes, and soon began to focus on depicting the elegant life of the time, in works such as "Exit from the ball", which alternates with genre scenes in the Spanish Baroque tradition as "A flamenco drinker". In 1881 he took part in the National Exhibition of Madrid precisely with the aforementioned work of baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then showed his work at the Artistic and Literary Association and at the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public success, soon gaining the favor of the wealthy Catalan bourgeoisie. In 1893 he presented two paintings to the Exhibition organized by the Ateneo de Barcelona: "Inocencia" and "Incógnitca". Individually Cirera showed his work regularly in the Rovira room and, as a group, he was a member of the Artistic and Literary Society of Catalonia. He was part of several official juries, and also of the Board of Museums of Barcelona, in 1901. In 1915 he was named Member of Merit of the Artistic Circle of Barcelona. On his return to Spain, Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their party dresses, etc., becoming a faithful portraitist of the Catalan high bourgeoisie of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also traveled to Madrid and held exhibitions of his work there. His work is currently conserved in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMAN RIBERA CIRERA (SPANISH, 1848-1935).
    Sep. 14, 2025

    ROMAN RIBERA CIRERA (SPANISH, 1848-1935).

    Est: $2,000 - $3,000

    'The Tavern Singers'. Oil on canvas. Signed lower right. Property of a Trumbull, CT collection. Dimensions: 8.75" h x 11" w. Frame: 14.75" h x 16.75" w.

    Clarke Auction Gallery
  • ROMÁN RIBERA. A girl reading.
    Jul. 10, 2025

    ROMÁN RIBERA. A girl reading.

    Est: €4,000 - €4,500

    Oil on canvas Signed Frame in carved and gilt wood 81.5x59 cm.

    Balclis
  • FIRMADO ROMÁN RIBERA (Barcelona, 1848 - 1935), Una joven, Ó
    Jun. 25, 2025

    FIRMADO ROMÁN RIBERA (Barcelona, 1848 - 1935), Una joven, Ó

    Est: -

    FIRMADO ROMÁN RIBERA (Barcelona, 1848 - 1935) "Una joven"1905. Óleo sobre lienzo Medidas:60 x 30.5 cm

    Magna Art Auctions
  • FIRMADO ROMÁN RIBERA (Barcelona,1848 -1935), Una joven, Óle
    Jun. 25, 2025

    FIRMADO ROMÁN RIBERA (Barcelona,1848 -1935), Una joven, Óle

    Est: -

    FIRMADO ROMÁN RIBERA (Barcelona,1848 -1935) "Una joven". Óleo sobre lienzo Medidas:89 x 50.5 cm

    Magna Art Auctions
  • ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Young man with flowers". Oil on canvas. Signed in the lower left corner.
    Jun. 17, 2025

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Young man with flowers". Oil on canvas. Signed in the lower left corner.

    Est: €2,000 - €3,000

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Young man with flowers". Oil on canvas. Signed in the lower left corner. Measurements: 96 x 63 cm; 120 x 85 cm (frame). Full-length painting of an adolescent of the high bourgeoisie, captured in a frontal pose, serene, impregnated with a contained candor. The young woman holds lilac flowers in both hands, an attribute traditionally linked to purity and idealized femininity. The silk dress in ochre tones shows a careful study of folds and textures. The cut is fitted at the waist, with puffed sleeves, embellished with bows and highlighted seams that are articulated between the vertical pleats of the skirt. The white collar, finished with meticulously embroidered lace, embraces the neckline with a softness that accentuates the smoothness of the face. The face, with its doll-like features, reveals a barely sketched smile, with a dreamy air, a puff on the cheeks and carmine lips that provide the only chromatic accent that rivals the flowers. Next to the young woman, a table covered with a tablecloth of flowery trimmings provides a decorative and tactile counterpoint. Above it, the young woman plus freshly picked flowers from the field. Ribera handles with a precious technique, typical of his academic training but also of his ability to capture the emotional atmosphere contained in the smallest gestures. Catalan painter, Román Ribera studied drawing at the School of La Lonja in Barcelona, and painting at the academy of Pere Borrell. He furthered his studies in Rome, between 1873 and 1976, and traveled and exhibited in London. In the Italian capital he attended the Chigi Academy and dedicated himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris, under the guidance of the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later, he took part in the Universal Exhibition in Paris, where he obtained a decisive success thanks to the three works he presented. In 1881 he took part in the National Exhibition in Madrid precisely with the aforementioned work of baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then showed his work at the Artistic and Literary Association and at the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public success, soon gaining the favor of the wealthy Catalan bourgeoisie. In 1893 he presented two paintings to the Exhibition organized by the Ateneo de Barcelona: "Inocencia" and "Incógnitca". Individually Cirera showed his work regularly in the Rovira room and, as a group, he was a member of the Artistic and Literary Society of Catalonia. He was part of several official juries, and also of the Board of Museums of Barcelona, in 1901. In 1915 he was named Member of Merit of the Artistic Circle of Barcelona. On his return to Spain, Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their party dresses, etc., becoming a faithful portraitist of the Catalan high bourgeoisie of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also traveled to Madrid and held exhibitions of his work there. His work is currently conserved in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMÁN RIBERA CIRERA, "Dama con sombrero".
    Jun. 04, 2025

    ROMÁN RIBERA CIRERA, "Dama con sombrero".

    Est: -

    ROMÁN RIBERA CIRERA, "Dama con sombrero".

    Arte Subastas Bilbao
  • ROMÁN RIBERA. Interior with three characters.
    May. 22, 2025

    ROMÁN RIBERA. Interior with three characters.

    Est: €2,900 - €3,100

    Oil on canvas Signed 130x110 cm.

    Balclis
  • ROMÁN RIBERA. A girl reading.
    Mar. 13, 2025

    ROMÁN RIBERA. A girl reading.

    Est: €5,000 - €5,500

    Oil on canvas Signed Frame in carved and gilt wood 81.5x59 cm.

    Balclis
  • ROMÁN RIBERA. A girl.
    Dec. 18, 2024

    ROMÁN RIBERA. A girl.

    Est: €4,000 - €5,000

    Oil on canvas Signed 89x50.5 cm.

    Balclis
  • ROMÁN RIBERA. A girl.
    Dec. 18, 2024

    ROMÁN RIBERA. A girl.

    Est: €6,000 - €6,500

    Oil on canvas Signed. Probably made circa 1905, when the artist exhibited a similar work in Pío Clos gallery in Barcelona. On March 2017, Balclis auctioned the pair of this work (lot 1616). Reference literature: Salon Album, 1-1-1905, p. 125 60x30.5 cm.

    Balclis
  • ROMÁN RIBERA CIRERA (1848-1935). "Music lesson".
    Nov. 28, 2024

    ROMÁN RIBERA CIRERA (1848-1935). "Music lesson".

    Est: €3,000 - €5,000

    Oil on canvas. Signed. 97.5 x 108 cm; 121 x 130 cm (frame).

    Subarna Subastas
  • ROMÁN RIBERA. "Salida del baile de máscaras".
    Jul. 11, 2024

    ROMÁN RIBERA. "Salida del baile de máscaras".

    Est: €750 - €850

    Oil on canvas Signed. On the back, signed with initials, titled and dated 1896 91.5x65 cm.

    Balclis
  • ROMÁN RIBERA. A girl.
    Jul. 11, 2024

    ROMÁN RIBERA. A girl.

    Est: €1,150 - €1,300

    Oil on woo Signed On the back, label of Teixidor house from Barcelona 36x27 cm.

    Balclis
  • ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Scene of casacón", ca. 1890. Oil on canvas. Signed in the lower margin.
    Jul. 11, 2024

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Scene of casacón", ca. 1890. Oil on canvas. Signed in the lower margin.

    Est: €4,000 - €5,000

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Scene of casacón", ca. 1890. Oil on canvas. Signed in the lower margin. Measurements: 94 x 108 cm; 120 x 1333 cm (frame). Flemish interior scene, set in a Dutch or Belgian tavern of the eighteenth century. In this type of paintings of casacón, Román Ribera exhibited a notable skill to plamar with verismo and literary flavor the clothes and the human types. The wise use of glazes in the crystal glasses and in the smoothness of the fabrics is combined with the naturalistic characterization of the faces and attitudes. A young maid wearing a bonnet and two men in traditional costumes, one of them a drummer, occupy this Spartan interior, worked with warm and welcoming lights. Catalan painter, Román Ribera studied drawing at the School of La Lonja in Barcelona, and painting at the academy of Pere Borrell. He furthered his studies in Rome, between 1873 and 1976, and traveled and exhibited in London. In the Italian capital he attended the Chigi Academy and dedicated himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris, under the guidance of the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later, he took part in the Universal Exhibition in Paris, where he obtained a decisive success thanks to the three works he presented. In 1881 he took part in the National Exhibition in Madrid precisely with the aforementioned work of baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then showed his work at the Artistic and Literary Association and at the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public success, soon gaining the favor of the wealthy Catalan bourgeoisie. In 1893 he presented two paintings to the Exhibition organized by the Ateneo de Barcelona: "Inocencia" and "Incógnitca". Individually Cirera showed his work regularly in the Rovira room and, as a group, he was a member of the Artistic and Literary Society of Catalonia. He was part of several official juries, and also of the Board of Museums of Barcelona, in 1901. In 1915 he was named Member of Merit of the Artistic Circle of Barcelona. On his return to Spain, Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their party dresses, etc., becoming a faithful portraitist of the Catalan high bourgeoisie of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also traveled to Madrid and held exhibitions of his work there. His work is currently conserved in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Scene of casacón", ca. 1890. Oil on canvas. Signed in the lower margin.
    May. 23, 2024

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Scene of casacón", ca. 1890. Oil on canvas. Signed in the lower margin.

    Est: €5,000 - €6,000

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Scene of casacón", ca. 1890. Oil on canvas. Signed in the lower margin. Measurements: 94 x 108 cm; 120 x 1333 cm (frame). Flemish interior scene, set in a Dutch or Belgian tavern of the eighteenth century. In this type of paintings of casacón, Román Ribera exhibited a notable skill to plamar with verismo and literary flavor the clothes and the human types. The wise use of glazes in the crystal glasses and in the smoothness of the fabrics is combined with the naturalistic characterization of the faces and attitudes. A young maid wearing a bonnet and two men in traditional costumes, one of them a drummer, occupy this Spartan interior, worked with warm and welcoming lights. Catalan painter, Román Ribera studied drawing at the School of La Lonja in Barcelona, and painting at the academy of Pere Borrell. He furthered his studies in Rome, between 1873 and 1976, and traveled and exhibited in London. In the Italian capital he attended the Chigi Academy and dedicated himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris, under the guidance of the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later, he took part in the Universal Exhibition in Paris, where he obtained a decisive success thanks to the three works he presented. In 1881 he took part in the National Exhibition in Madrid precisely with the aforementioned work of baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then showed his work at the Artistic and Literary Association and at the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public success, soon gaining the favor of the wealthy Catalan bourgeoisie. In 1893 he presented two paintings to the Exhibition organized by the Ateneo de Barcelona: "Inocencia" and "Incógnitca". Individually Cirera showed his work regularly in the Rovira room and, as a group, he was a member of the Artistic and Literary Society of Catalonia. He was part of several official juries, and also of the Board of Museums of Barcelona, in 1901. In 1915 he was named Member of Merit of the Artistic Circle of Barcelona. On his return to Spain, Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their party dresses, etc., becoming a faithful portraitist of the Catalan high bourgeoisie of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also traveled to Madrid and held exhibitions of his work there. His work is currently conserved in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "The painter". Oil on canvas. Signed in the right margin.
    May. 23, 2024

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "The painter". Oil on canvas. Signed in the right margin.

    Est: €2,000 - €2,400

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "The painter". Oil on canvas. Signed in the right margin. Measurements: 48 x 33,5 cm; 67,5 x 53 cm (frame). Catalan painter, Roman Ribera studied drawing at the School of La Lonja in Barcelona, and painting at the academy of Pere Borrell. He furthered his studies in Rome, between 1873 and 1976, and traveled and exhibited in London. In the Italian capital he attended the Chigi Academy and dedicated himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris, under the guidance of the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later, he took part in the Universal Exhibition in Paris, where he obtained a decisive success thanks to the three works he presented. In 1881 he took part in the National Exhibition in Madrid precisely with the aforementioned work of baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then showed his work at the Artistic and Literary Association and at the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public success, soon gaining the favor of the wealthy Catalan bourgeoisie. In 1893 he presented two paintings to the Exhibition organized by the Ateneo de Barcelona: "Inocencia" and "Incógnitca". Individually Cirera showed his work regularly in the Rovira room and, as a group, he was a member of the Artistic and Literary Society of Catalonia. He was part of several official juries, and also of the Board of Museums of Barcelona, in 1901. In 1915 he was named Member of Merit of the Artistic Circle of Barcelona. On his return to Spain, Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their party dresses, etc., becoming a faithful portraitist of the Catalan high bourgeoisie of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also traveled to Madrid and held exhibitions of his work there. His work is currently conserved in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMÁN RIBERA. A girl with flowers.
    Mar. 14, 2024

    ROMÁN RIBERA. A girl with flowers.

    Est: €1,200 - €1,500

    Oil on canvas Signed 96x63 cm.

    Balclis
  • ROMÁN RIBERA. A girl.
    Mar. 14, 2024

    ROMÁN RIBERA. A girl.

    Est: €1,400 - €1,600

    Oil on wood Signed On the back, label of Teixidor house from Barcelona 36x27 cm.

    Balclis
  • ROMÁN RIBERA. "Salida del baile de máscaras".
    Mar. 14, 2024

    ROMÁN RIBERA. "Salida del baile de máscaras".

    Est: €3,000 - €3,500

    Oil on canvas Signed. On the back, signed with initials, titled and dated 1896 91.5x65 cm.

    Balclis
  • ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait. Oil on panel. Signed in the upper left corner.
    Mar. 12, 2024

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait. Oil on panel. Signed in the upper left corner.

    Est: €2,500 - €2,800

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait. Oil on panel. Signed in the upper left corner. Measurements: 28 x 22 cm; 32 x 26 cm (frame). Catalan painter, Román Ribera studied drawing at the School of La Lonja in Barcelona, and painting at the academy of Pere Borrell. He furthered his studies in Rome, between 1873 and 1976, and traveled and exhibited in London. In the Italian capital he attended the Chigi Academy and dedicated himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris, under the guidance of the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later, he took part in the Universal Exhibition in Paris, where he obtained a decisive success thanks to the three works he presented, of a remarkable verism with literary roots. However, he did not find himself at ease in this type of themes, and soon began to focus on depicting the elegant life of the time, in works such as "Exit of the dance", which alternates with genre scenes in the Spanish Baroque tradition as "A Flemish drinker". In 1881 he took part in the National Exhibition of Madrid precisely with the aforementioned work of baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then showed his work at the Artistic and Literary Association and at the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public success, soon gaining the favor of the wealthy Catalan bourgeoisie. In 1893 he presented two paintings to the Exhibition organized by the Ateneo de Barcelona: "Inocencia" and "Incógnitca". Individually Cirera showed his work regularly in the Rovira room and, as a group, he was a member of the Artistic and Literary Society of Catalonia. He was part of several official juries, and also of the Board of Museums of Barcelona, in 1901. In 1915 he was named Member of Merit of the Artistic Circle of Barcelona. On his return to Spain, Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their party dresses, etc., becoming a faithful portraitist of the Catalan high bourgeoisie of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also traveled to Madrid and held exhibitions of his work there. His work is currently conserved in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMÁN RIBERA CIRERA (1848-1935). "GIRL WITH A PARTY DRESS".
    Feb. 15, 2024

    ROMÁN RIBERA CIRERA (1848-1935). "GIRL WITH A PARTY DRESS".

    Est: €7,000 - €10,000

    Oil on canvas. Signed. 85 x 44 cm; 106.5 x 66 cm (frame).

    Subarna Subastas
  • ROMÁN RIBERA. Girl with a hat.
    Dec. 20, 2023

    ROMÁN RIBERA. Girl with a hat.

    Est: €1,200 - €1,300

    Oil on wood Signed 27.5x21.5 cm.

    Balclis
  • ROMÁN RIBERA. “Departure from the dance”.
    Dec. 20, 2023

    ROMÁN RIBERA. “Departure from the dance”.

    Est: €15,000 - €16,000

    Oil on canvas Signed. Made around 1889. Bibliography: The Enlightenment, Barcelona, 15-9-1889, p. 585 (reproduced); María Asunción Cascante Gomis, “Romà Ribera i Cirera (1848-1935)”, d'Art, 1977, no. 3, p. 55, cat. No. 15. 46x72 cm.

    Balclis
  • RAMÓN TERMENS. A girl.
    Dec. 20, 2023

    RAMÓN TERMENS. A girl.

    Est: €500 - €600

    Oil on canvas Signed and dated 1911 82x73 cm.

    Balclis
  • ROMÁN RIBERA CIRERA
    Dec. 05, 2023

    ROMÁN RIBERA CIRERA

    Est: €5,000 - €7,000

    Román Ribera Cirera (Barcelona, 1849-1935) Clase de música. Óleo sobre lienzo. Firmado. 102 x 110 cm.

    Aletheia Subastas
  • ROMÁN RIBERA. Interior with three characters.
    Oct. 05, 2023

    ROMÁN RIBERA. Interior with three characters.

    Est: €3,500 - €3,900

    Oil on canvas Signed 130x110 cm.

    Balclis
  • ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait", ca. 1900. Oil on canvas. Signed in the lower right corner.
    Oct. 03, 2023

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait", ca. 1900. Oil on canvas. Signed in the lower right corner.

    Est: €3,500 - €4,000

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait", ca. 1900. Oil on canvas. Signed in the lower right corner. Size: 48 x 32 cm; 62 x 46 cm (frame). In this work Román Ribera shows us a lady elegantly dressed with a capelin, a fur collar and a hat with wings in which cream tones predominate. Thus, we see a naturalistic portrait, with the lady in the foreground, with a long bust, standing out against a neutral background worked with a loose, lively, vibrant brushstroke of great expressive power despite its soft tones. In capturing the character's face, the brushstroke becomes more controlled, although without losing any of its ease, revealing the artist's great mastery of his craft. The young woman's face, with its flushed cheeks and full lips, is particularly outstanding. A Catalan painter, Román Ribera studied drawing at the La Lonja School in Barcelona and painting at Pere Borrell's academy. He furthered his studies in Rome between 1873 and 1976, and travelled and exhibited in London. In the Italian capital he attended the Accademia Chigi and devoted himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris with the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later he took part in the Universal Exhibition in Paris, where he achieved a decisive success with his three works of remarkable literary verism. However, he did not quite feel at ease with this type of subject matter and soon began to focus on depicting the elegant life of the period in works such as "Exit from the Ball", which he alternated with genre scenes in the Spanish Baroque tradition such as "A Flemish Drinker". In 1881 he took part in the National Exhibition in Madrid with precisely the aforementioned work with a Baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then exhibited his work at the Artistic and Literary Association and the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public acclaim and soon won the favour of the wealthy Catalan bourgeoisie. In 1893 he submitted two paintings to the exhibition organised by the Barcelona Athenaeum: "Innocence" and "Incógnitca". Cirera regularly exhibited his work individually in the Sala Rovira and as a group in the Societat Artística i Literària de Catalunya. He was a member of various official juries, and also of the Barcelona Museum Board in 1901. In 1915 he was appointed Member of Merit of the Artistic Circle of Barcelona. On his return to Spain Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their costumes, etc., becoming a faithful portraitist of the Catalan upper middle classes of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also travelled to Madrid and held exhibitions of his work there. His work is currently held in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "Epilogue of a Carnival Dance", ca.1885. Oil on canvas. Signed in the lower left corner. Provenance: Lleonart, Barcelona. Gilded wooden frame.
    Oct. 03, 2023

    ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "Epilogue of a Carnival Dance", ca.1885. Oil on canvas. Signed in the lower left corner. Provenance: Lleonart, Barcelona. Gilded wooden frame.

    Est: €8,000 - €10,000

    ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "Epilogue of a Carnival Dance", ca.1885. Oil on canvas. Signed in the lower left corner. Gilded wooden frame. Observations: Lleonart invoice, ca. Paja 6, Barcelona. Measurements: 90 x 68 cm; 127 x 82 cm (frame). A man disguised as a harlequin is stopped by two city guards and a group of onlookers surrounds them. The morning mist clouds the atmosphere, leaving the architecture of Paris in the distance. A deep sadness is imprinted on the harlequin's powdered face, and the various characters react with silent empathy towards him. This is a scene resolved with unusual verism, which can be seen in the behaviour and gestural dramaturgy, as well as in the faces and the plastic qualities of each detail. A Catalan painter, Román Ribera studied drawing at the Escuela de La Lonja in Barcelona and painting at Pere Borrell's academy. He furthered his studies in Rome between 1873 and 1976, and travelled and exhibited in London. In the Italian capital he attended the Accademia Chigi and devoted himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris with the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later he took part in the Universal Exhibition in Paris, where he achieved a decisive success with his three works of remarkable literary verism. However, he did not quite feel at ease with this type of subject matter and soon began to focus on depicting the elegant life of the period in works such as "Exit from the Ball", which he alternated with genre scenes in the Spanish Baroque tradition such as "A Flemish Drinker". In 1881 he took part in the National Exhibition in Madrid with precisely the aforementioned work with a Baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then exhibited his work at the Artistic and Literary Association and the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public acclaim and soon won the favour of the wealthy Catalan bourgeoisie. In 1893 he submitted two paintings to the exhibition organised by the Barcelona Athenaeum: "Innocence" and "Incógnitca". Cirera regularly exhibited his work individually in the Sala Rovira and as a group in the Societat Artística i Literària de Catalunya. He was a member of various official juries, and also of the Barcelona Museum Board in 1901. In 1915 he was appointed Member of Merit of the Artistic Circle of Barcelona. On his return to Spain Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their costumes, etc., becoming a faithful portraitist of the Catalan upper middle classes of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also travelled to Madrid and held exhibitions of his work there. His work is currently held in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait". Oil on canvas. Signed in the lower right corner.
    Jul. 26, 2023

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait". Oil on canvas. Signed in the lower right corner.

    Est: €1,000 - €1,200

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait. Oil on canvas. Signed in the lower right corner. Size: 38,5 x 30 cm; 55 x 46 cm (frame). In this work Román Ribera shows us a lady elegantly dressed with a costume in which the bluish tonalities predominate. Thus, we see a naturalistic portrait, with the lady in the foreground, with a long bust, standing out against a neutral background worked with a loose, lively, vibrant brushstroke, of great expressive power despite its soft tones. In capturing the character's face, the brushstroke becomes more controlled, although without losing any of its ease, revealing the artist's great mastery of his craft. The young woman's face, with its flushed cheeks and full lips, is particularly outstanding. A Catalan painter, Román Ribera studied drawing at the La Lonja School in Barcelona and painting at Pere Borrell's academy. He furthered his studies in Rome between 1873 and 1976, and travelled and exhibited in London. In the Italian capital he attended the Accademia Chigi and devoted himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris with the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later he took part in the Universal Exhibition in Paris, where he achieved a decisive success with his three works of remarkable literary verism. However, he did not quite feel at ease with this type of subject matter and soon began to focus on depicting the elegant life of the period in works such as "Exit from the Ball", which he alternated with genre scenes in the Spanish Baroque tradition such as "A Flemish Drinker". In 1881 he took part in the National Exhibition in Madrid with precisely the aforementioned work with a Baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then exhibited his work at the Artistic and Literary Association and at the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public success and soon won the favour of the wealthy Catalan bourgeoisie. In 1893 he submitted two paintings to the exhibition organised by the Barcelona Athenaeum: "Innocence" and "Incógnitca". Cirera regularly exhibited his work individually in the Rovira room and as a group in the Artistic and Literary Society of Catalonia. He was a member of various official juries, and also of the Barcelona Museum Board in 1901. In 1915 he was appointed Member of Merit of the Artistic Circle of Barcelona. On his return to Spain Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their costumes, etc., becoming a faithful portraitist of the Catalan upper middle classes of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also travelled to Madrid and held exhibitions of his work there. His work is currently held in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait". Oil on canvas. Signed in the lower right corner.
    Jul. 04, 2023

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait". Oil on canvas. Signed in the lower right corner.

    Est: €1,000 - €1,200

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait. Oil on canvas. Signed in the lower right corner. Size: 38,5 x 30 cm; 55 x 46 cm (frame). In this work Román Ribera shows us a lady elegantly dressed with a costume in which the bluish tonalities predominate. Thus, we see a naturalistic portrait, with the lady in the foreground, with a long bust, standing out against a neutral background worked with a loose, lively, vibrant brushstroke, of great expressive power despite its soft tones. In capturing the character's face, the brushstroke becomes more controlled, although without losing any of its ease, revealing the artist's great mastery of his craft. The young woman's face, with its flushed cheeks and full lips, is particularly outstanding. A Catalan painter, Román Ribera studied drawing at the La Lonja School in Barcelona and painting at Pere Borrell's academy. He furthered his studies in Rome between 1873 and 1976, and travelled and exhibited in London. In the Italian capital he attended the Accademia Chigi and devoted himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris with the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later he took part in the Universal Exhibition in Paris, where he achieved a decisive success with his three works of remarkable literary verism. However, he did not quite feel at ease with this type of subject matter and soon began to focus on depicting the elegant life of the period in works such as "Exit from the Ball", which he alternated with genre scenes in the Spanish Baroque tradition such as "A Flemish Drinker". In 1881 he took part in the National Exhibition in Madrid with precisely the aforementioned work with a Baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then exhibited his work at the Artistic and Literary Association and at the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public success and soon won the favour of the wealthy Catalan bourgeoisie. In 1893 he submitted two paintings to the exhibition organised by the Barcelona Athenaeum: "Innocence" and "Incógnitca". Cirera regularly exhibited his work individually in the Rovira room and as a group in the Artistic and Literary Society of Catalonia. He was a member of various official juries, and also of the Barcelona Museum Board in 1901. In 1915 he was appointed Member of Merit of the Artistic Circle of Barcelona. On his return to Spain Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their costumes, etc., becoming a faithful portraitist of the Catalan upper middle classes of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also travelled to Madrid and held exhibitions of his work there. His work is currently held in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMÁN RIBERA. Interior with three characters.
    Jun. 29, 2023

    ROMÁN RIBERA. Interior with three characters.

    Est: €3,500 - €4,000

    Oil on canvas Signed 130x110 cm.

    Balclis
  • ROMÁN RIBERA. The music lesson.
    May. 25, 2023

    ROMÁN RIBERA. The music lesson.

    Est: €600 - €700

    Oil on canvas Signed 80x66 cm.

    Balclis
  • ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait". Oil on canvas. Signed in the lower right corner.
    May. 08, 2023

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait". Oil on canvas. Signed in the lower right corner.

    Est: €1,000 - €1,200

    ROMÁN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait. Oil on canvas. Signed in the lower right corner. Size: 38,5 x 30 cm; 55 x 46 cm (frame). In this work Román Ribera shows us a lady elegantly dressed with a costume in which the bluish tonalities predominate. Thus, we see a naturalistic portrait, with the lady in the foreground, with a long bust, standing out against a neutral background worked with a loose, lively, vibrant brushstroke, of great expressive power despite its soft tones. In capturing the character's face, the brushstroke becomes more controlled, although without losing any of its ease, revealing the artist's great mastery of his craft. The young woman's face, with its flushed cheeks and full lips, is particularly outstanding. A Catalan painter, Román Ribera studied drawing at the La Lonja School in Barcelona and painting at Pere Borrell's academy. He furthered his studies in Rome between 1873 and 1976, and travelled and exhibited in London. In the Italian capital he attended the Accademia Chigi and devoted himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris with the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later he took part in the Universal Exhibition in Paris, where he achieved a decisive success with his three works of remarkable literary verism. However, he did not quite feel at ease with this type of subject matter and soon began to focus on depicting the elegant life of the period in works such as "Exit from the Ball", which he alternated with genre scenes in the Spanish Baroque tradition such as "A Flemish Drinker". In 1881 he took part in the National Exhibition in Madrid with precisely the aforementioned work with a Baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then exhibited his work at the Artistic and Literary Association and at the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public success and soon won the favour of the wealthy Catalan bourgeoisie. In 1893 he submitted two paintings to the exhibition organised by the Barcelona Athenaeum: "Innocence" and "Incógnitca". Cirera regularly exhibited his work individually in the Rovira room and as a group in the Artistic and Literary Society of Catalonia. He was a member of various official juries, and also of the Barcelona Museum Board in 1901. In 1915 he was appointed Member of Merit of the Artistic Circle of Barcelona. On his return to Spain Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their costumes, etc., becoming a faithful portraitist of the Catalan upper middle classes of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also travelled to Madrid and held exhibitions of his work there. His work is currently held in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait". Oil on canvas. Signed in the upper right corner.
    Dec. 28, 2022

    ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "Female portrait". Oil on canvas. Signed in the upper right corner.

    Est: €4,000 - €5,000

    ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). ""Prepared for the masque" Oil on canvas. Signed in the upper right corner. Measurements: 61 x 37 cm; 87 x 62,5 cm (frame). Besides making paintings of historicist style with tavern scenes, knightly scenes or groups of musicians that remind us of the Dutch and Spanish workmanship of the XVII century due to its atmosphere and excellent execution, Román Ribera also portrayed the elegant and lavish life of the bourgeoisie of the end of the century. This is the case in the present work, in which the artist depicts a beautiful lady wearing elegant attire and holding a carnival mask in her delicate hands. Roman Ribera focuses on this gesture, which dynamises the portrait genre and introduces a veiled narrative. A Catalan painter, Roman Ribera studied drawing at the La Lonja School in Barcelona and painting at Pere Borrell's academy. He furthered his studies in Rome between 1873 and 1976, and travelled and exhibited in London. In the Italian capital he attended the Accademia Chigi and devoted himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris with the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later he took part in the Universal Exhibition in Paris, where he achieved a decisive success with his three works of remarkable literary verism. However, he did not quite feel at ease with this type of subject matter and soon began to focus on depicting the elegant life of the period in works such as "Exit from the Ball", which he alternated with genre scenes in the Spanish Baroque tradition such as "A Flemish Drinker". In 1881 he took part in the National Exhibition in Madrid with precisely the aforementioned work with a Baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then exhibited his work at the Artistic and Literary Association and at the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public success, and soon won the favour of the wealthy Catalan bourgeoisie. In 1893 he submitted two paintings to the exhibition organised by the Barcelona Athenaeum: "Innocence" and "Incógnitca". Cirera regularly exhibited his work individually in the Sala Rovira and as a group in the Societat Artística i Literària de Catalunya. He was a member of various official juries, and also of the Barcelona Museum Board in 1901. In 1915 he was appointed Member of Merit of the Artistic Circle of Barcelona. On his return to Spain Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their costumes, etc., becoming a faithful portraitist of the Catalan upper middle classes of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also travelled to Madrid and held exhibitions of his work there. His work is currently held in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMÁN RIBERA CIRERA (1848-1935). "LADY READING".
    Dec. 15, 2022

    ROMÁN RIBERA CIRERA (1848-1935). "LADY READING".

    Est: €450 - €900

    Oil on canvas. Signed. Small restoration visible on the back. 65 x 31 cm; 77 x 41.5 cm (frame).

    Subarna Subastas
  • ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "Musician with cello". Oil on canvas. Signed in the lower left corner.
    Sep. 15, 2022

    ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "Musician with cello". Oil on canvas. Signed in the lower left corner.

    Est: €3,500 - €4,000

    ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "Musician with cello". Oil on canvas. Signed in the lower left corner. Size: 60 x 35 cm; 79 x 51 cm (frame). Besides portraying the elegant and lavish life of the Parisian bourgeoisie at the end of the century, Román Ribera made paintings of musicians that remind, for their setting and excellent workmanship, of the Dutch and Spanish painting of the 17th century. This is the case here, where the artist depicts a musician with a cello in his hand. One of the most outstanding aspects of the painting is its successful treatment of colour and light. He uses a chromatic range of warm ochre, earthy and reddish tones, which he contrasts and contrasts with the brilliant white of the collar of his suit and the gold buttons on his coat. The artist, on the other hand, reveals himself to be a great draughtsman and demonstrates his interest in psychological introspection, offering us the image of a musician meditating, his gaze lost, despite the moment of calm he enjoys. Every detail of the costume has been depicted in all its rightful qualities, as was usual in Roman Ribera's precious plastic art. A Catalan painter, Roman Ribera studied drawing at the La Lonja School in Barcelona and painting at Pere Borrell's academy. He furthered his studies in Rome between 1873 and 1976, and travelled and exhibited in London. In the Italian capital he attended the Accademia Chigi and devoted himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris with the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later he took part in the Universal Exhibition in Paris, where he achieved a decisive success with his three works of remarkable literary verism. However, he did not quite feel at ease with this type of subject matter and soon began to focus on depicting the elegant life of the period in works such as "Exit from the Ball", which he alternated with genre scenes in the Spanish Baroque tradition such as "A Flemish Drinker". In 1881 he took part in the National Exhibition in Madrid with precisely the aforementioned work with a Baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then exhibited his work at the Artistic and Literary Association and the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public acclaim and soon won the favour of the wealthy Catalan bourgeoisie. In 1893 he submitted two paintings to the exhibition organised by the Barcelona Athenaeum: "Innocence" and "Incógnitca". Cirera regularly exhibited his work individually in the Rovira Room and as a group in the Artistic and Literary Society of Catalonia. He was a member of various official juries, and also of the Barcelona Museum Board in 1901. In 1915 he was appointed Member of Merit of the Artistic Circle of Barcelona. On his return to Spain Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their costumes, etc., becoming a faithful portraitist of the Catalan upper middle classes of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also travelled to Madrid and held exhibitions of his work there. His work is currently held in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMÁN RIBERA CIRERA Barcelona (1848) / (1935) "Raquel, the shepherdess" and "Rut, the gleaner"
    Jul. 19, 2022

    ROMÁN RIBERA CIRERA Barcelona (1848) / (1935) "Raquel, the shepherdess" and "Rut, the gleaner"

    Est: €1,350 - €1,800

    Pair of oil paintings on canvas. The first of them signed on the right side. The pair of works, representing the two Old Testament biblical women, could have been conceived as a symbolic representation of the work in the fields or, simply, as a genre composition with a bucolic tone. Measurements: 60 x 50 cm. each.

    Ansorena
  • ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "Lady at the Lyceum". Oil on canvas. Signed in the lower right corner.
    Jul. 13, 2022

    ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "Lady at the Lyceum". Oil on canvas. Signed in the lower right corner.

    Est: €8,000 - €10,000

    ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935). "Lady at the Lyceum. Oil on canvas. Signed in the lower right corner. Size: 100 x 57 cm; 127 x 82 cm (frame). An elegant woman is about to cross the access to the opera box, or maybe she has just come out of it. A fur stole covers her shoulders and the bodice stylises her figure. Silk pleats open around her waist. The long skirt is adorned with floral trimmings. Every detail of the garment has been described in its exacting qualities, as was usual in Roman Ribera's precious plastic art. On this occasion, the gesture of opening a door dynamises the portrait genre, introducing a veiled narrative. A Catalan painter, Roman Ribera studied drawing at the La Lonja School in Barcelona and painting at Pere Borrell's academy. He furthered his studies in Rome between 1873 and 1976, and travelled and exhibited in London. In the Italian capital he attended the Accademia Chigi and devoted himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris with the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later he took part in the Universal Exhibition in Paris, where he achieved a decisive success with his three works of remarkable literary verism. However, he did not quite feel at ease with this type of subject matter and soon began to focus on depicting the elegant life of the period in works such as "Exit from the Ball", which he alternated with genre scenes in the Spanish Baroque tradition such as "A Flemish Drinker". In 1881 he took part in the National Exhibition in Madrid with precisely the aforementioned work with a Baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then exhibited his work at the Artistic and Literary Association and the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public acclaim and soon won the favour of the wealthy Catalan bourgeoisie. In 1893 he submitted two paintings to the exhibition organised by the Barcelona Athenaeum: "Innocence" and "Incógnitca". Cirera regularly exhibited his work individually in the Rovira Room and as a group in the Artistic and Literary Society of Catalonia. He was a member of various official juries, and also of the Barcelona Museum Board in 1901. In 1915 he was appointed Member of Merit of the Artistic Circle of Barcelona. On his return to Spain Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their costumes, etc., becoming a faithful portraitist of the Catalan upper middle classes of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also travelled to Madrid and held exhibitions of his work there. His work is currently held in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.

    Setdart Auction House
  • ROMÁN RIBERA. A girl.
    May. 19, 2022

    ROMÁN RIBERA. A girl.

    Est: €3,000 - €3,500

    Oil on canvas Signed 61x36.5 cm.

    Balclis
  • ATTRIBUTED TO ROMÁN RIBERA (1848 / 1935) "Villager"
    Dec. 16, 2021

    ATTRIBUTED TO ROMÁN RIBERA (1848 / 1935) "Villager"

    Est: €1,425 - €1,900

    Probably a sketch for "Aldeana ordeñando vaca", a work by Cirera. Oil on canvas. 52,5 x 40 cm

    Ansorena
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