Hyacinthe Rigaud Paintings & Artwork for Sale | Hyacinthe Rigaud Art Value Price Guide

Apr. 02, 2025
Französische Schule 18. Jh., nach Hyacinthe Rigaud 1659–1743
Est: CHF5,000 - CHF7,000
Französische Schule 18. Jh., nach Hyacinthe Rigaud 1659–1743 Portrait présumé du Prince Marc de Beauveau-Craon Öl auf Leinwand 65 x 91 cm
Artcurial Beurret Bailly Widmer
Mar. 27, 2025
Französischer Maler des 18. Jahrhunderts
Est: €6,000 - €8,000
SECHS PORTRAITS HOCHGESTELLTER FRANZÖSISCHER PERSÖNLICHKEITEN Öl auf Leinwand. Je 40 x 32 cm. Im Zentrum der drei dargestellten Männer befindet sich das Brustbildnis mit dem Porträt Ludwig XIV. (1659-1743), das auf ein Staatsporträt von Hyacinthe Rigaud (1659-1743) aus dem Jahr 1701 zurückgeht. Die anderen beiden, jeweils in glänzender Rüstung, sind Philipp von Frankreich und der große Dauphin. Laut Einlieferertradition handelt es sich bei den drei gezeigten Damen in wertvoller edler Kleidung um die Mätressen Ludwigs XIV, und zwar um Louise de La Vallièere (1644-1710), Madame de Montespan (1641-1707) und um die letzte Mätresse von Ludwig XIV der Marquise de Maintenon (1635-1719). Vereinzelt Retuschen. (1431833) (18)
Hampel Fine Art Auctions
Mar. 17, 2025
Hyacinthe Rigaud (1659-1743) naar, olieverf op doek, Portret Lodewijk XV als kind, ges. r.o., afm. 119 x 89 (met lijst 136 x 105 cm)
Est: €100 - €200
Hyacinthe Rigaud (1659-1743) naar, olieverf op doek, Portret Lodewijk XV als kind, ges. r.o., afm. 119 x 89 (met lijst 136 x 105 cm) Hyacinthe Rigaud (1659-1743) naar, olieverf op doek, Portret Lodewijk XV als kind, ges. r.o., afm. 119 x 89 (met lijst 136 x 105 cm)
Venduehuis Dickhaut Maastricht
Feb. 23, 2025
ENSEMBLE COMPRENANT : - Vue d'optique du Palais des Tuileries du côté du
Est: €150 - €250
ENSEMBLE COMPRENANT : - Vue d'optique du Palais des Tuileries du côté du Jardin au XVIIIe siècle Gravure rehaussée 23,5 x 42 cm à vue la feuille - D’après Hyacinthe Rigaud (1659-1743) Vue du paysage et de la maison royale de Saint Cyr Impression chalcographique du musée du Louvre Encadré 50,5 x 29 cm à vue la feuille
Osenat
Dec. 19, 2024
Portrait de Christian Gydeløve, comte de Samsøe Hyacinthe RIGAUD (1659-1743)
Est: €4,000 - €6,000
Portrait de Christian Gydeløve, comte de Samsøe Hyacinthe RIGAUD (1659-1743) Toile H. : 41,3 cm - l. : 33,4 cm Notre tableau est un modello pour le portrait conservé à Château de Frederiksborg (toile 133 x 111,5 cm). Nous remercions Ariane James Sarrazin pour avoir confirmé l’attribution qui sera inclus dans le supplément du catalogue raisonné.
Gros-Delettrez
Dec. 06, 2024
Rigaud, Hyacinthe
Est: €200 - €300
(1659 Perpignan - Paris 1743), nach. Portrait v. Marguerite Henriette de La Briffe als Ceres. Kolor. Kupferstich v. Claude Drevet, 1728. 40 x 32,3 cm. Mit Namenszügen u. Dat. i.d.Pl. - Etw. fl. u. gebräunt, verstärkt auf weißem Rand. ╔Dabei: Honoré Fragonard, nach.╗ Les hazards heureux de l'escarpolette. Kolor. Kupferstich v. N.DeLaunay. 63,5 x 48 cm. - Wasserrandig u. gebräunt. R
Kiefer Buch- und Kunstauktionen
Nov. 30, 2024
Hyacinthe Rigaud
Est: €3,000 - €6,000
(1659 Perpignan - 1743 Paris) Werkstatt Porträt von Everhard (Eberhard) Jabach Auf dem vorliegenden Bildnis ließ sich Jabach in außergewöhnlich legerer, unprätentiöser Weise darstellen. Jabach (1618 Köln - 1695 Paris) war eine der schillerndsten und einflussreichsten Persönlichkeiten des 17. Jhs.; Er ließ sich 1638 in Paris nieder und nahm dort als großer Bankier, Unternehmer und passionierter, unersättlicher Kunstsammler eine herausragende Stellung ein. 1642 wurde Jabach Finanzverwalter von Kardinal Jules Mazarin, dem regierenden Minister Frankreichs, seit 1664 leitete er als erster Direktor die neugegründete französische Ostindische Compagnie. Zugleich pflegte Jabach als Mäzen lebhaften Umgang mit den führenden Künstlern seiner Epoche. 1637 gab er die berühmte "Kreuzigung Petri" bei Peter Paul Rubens für die Kirche St. Peter in Köln in Auftrag. Er selbst ließ sich mehrfach von Anthony van Dyck, Peter Lely und dem französischen Hofmaler Hyacinthe Rigaud malen, von Charles Lebrun 1660 in monumentalen Ausmaßen im Kreis seiner Familie. Jabach trug parallel hierzu bedeutende Kunstsammlungen zusammen, durch seine Hände gingen viele Meisterwerke der Renaissance und des Barock, die sich heute teilw. im Louvre befinden. Von dem Porträt sind eine Reihe sehr unterschiedlicher Versionen bekannt (siehe Perreau P.128/1-11). Öl/Lwd., doubl.; 46,5 cm x 38 cm. Rahmen. Lit./Vgl. Stéphan Perreau, Hyacinthe Rigaud, Nr. P.128/11. Studio of Hyacinthe Rigaud (1659 - 1743). Oil on canvas, relined.
Kunstauktionshaus Schloss Ahlden
Nov. 13, 2024
Rigaud (Hyacinthe). Ten Portraits, published Paris: 1689-1737
Est: £300 - £500
Rigaud (Hyacinthe). Ten Portraits, published Paris: 1689-1737 * Rigaud (Hyacinthe). Ten Portraits. Claudius Deshais Gendron Doctor Med. Facult Monspel, Roberz de Cotte Chevalier de l'Orde de St. Michael, Conradus Detley a Dehn, Guillaume Cardinal Dubois Archvesque, Fredericus Leonard Bruxellensis Regis Serenissimi Delphini et Cleri Gallicani Archtypographus, Rene Francois de Beauvau, Andre Hercules Cardinal de Fleury, Samuel Bernard Chevalier de l'Orde de St Michael Comte de Coubert, Charles Gaspard Guillaume de Vintimille [and] Louis Hector Duc de Villars, published Paris: 1689-1737, ten line engravings by P. Drevet, C. Drevet, J. Daulte, F. Chereau and G. Edelinck, various sizes, good condition, uniformly mounted, framed and glazed QTY: (10)
Dominic Winter Auctions
Oct. 01, 2024
Omgeving van Hyacinthe Rigaud (1659-1743), Portret van een man in harnas, o
Est: €1,500 - €2,000
Omgeving van Hyacinthe Rigaud (1659-1743), Portret van een man in harnas, olieverf op doek, 74,8 x 59,8 cm
Veilinghuis Van Spengen
Sep. 26, 2024
HYACINTHE RIGAUD, 1659 PERPIGNAN – 1743 PARIS, KREIS DES
Est: €6,000 - €8,000
PORTRAIT DES WILLIAM BENTINCK, 1. EARL OF PORTLAND Öl auf Leinwand. Randdoubliert. 138 x 106 cm. In dekorativem Rahmen. Repräsentatives Dreiviertelportrait des 1. Earl von Portland nach dem Original von Hyacinthe Rigaud von 1699, leicht nach rechts vor Landschaftshintergrund und teils bebauten Flussufer. Der Dargestellte mit langer Allongeperücke und glänzender Rüstung, einem Feldherrenstab in seiner nach vorn ausgestreckten rechten Hand haltend, während die andere auf seinem mit schwarzen Federn besetzten Helm ruht. Mit seinen Augen schaut er selbstbewusst aus dem Bild heraus. Vereinzelt rest., teils Retuschen. Anmerkung: Johann Wilhelm (Hans Willem) Bentinck, 1. Earl of Portland (1648-1709) war ein niederländisch-englischer Höfling und Diplomat unter Wilhelm III von Oranien, zu dessen engsten Vertrauten er zählte. (1410531) (18)
Hampel Fine Art Auctions
Sep. 18, 2024
ATRIBUIDO A GASPARD RIGAUD (Perpignan, 1661 - París, 1705), Retrato de caballero
Est: €6,000 - €7,500
Interesante retrato realizado por algún artista durante el reinado de Luis XIV (1638-1715). Presenta el característico formato ovalado en el que el pintor formula un tipo de composición inspirada en los retratos venecianos del Cinquecento. El personaje se nos muestra de perfil, si bien gira ligeramente la cabeza hacia su izquierda para mirarnos de frente. De esta manera, el pintor puede recrearse en mostrarnos su habilidad para la descripción de las texturas de terciopelo carmesí del gran manto que recubre el busto y pecho del retratado, que parecen salirse del propio marco del cuadro a modo de trampantojo. Asimismo, el pintor ha centrado también parte de su atención en la descripción, profundamente realista, del rostro del efigiado. No conocemos la identidad del personaje representado, que bien pudo haber sido un personaje importante en la Corte de Versalles, lo que explicaría la cercanía de este cuadro con los modos y maneras de Rigaud. El impecable tratamiento de las superficies pictóricas, su precisión en el dibujo y el fuerte realismo que imprime al rostro, se adscribe perfectamente al modo de hacer de este pintor de origen catalán.
Isbilya Subastas
Sep. 07, 2024
Hyacinthe Rigaud
Est: €5,500 - €11,000
(1659 Perpignan - 1743 Paris) Porträt von Everhard (Eberhard) Jabach Auf dem vorliegenden, in ein Oval komponiertes Brustbildnis ließ sich Jabach in außergewöhnlich legerer, unprätentiöser Weise im Dreiviertelprofil nach links blickend darstellen, auf dem Kopf eine mit schwarzer Spitze gesäumte Hauskappe aus schwarzem Taft; zwar trägt er unter dem ebenfalls schwarzen Mantel eine kostbare goldbestickte Weste, doch ist diese aufgeknöpft, so dass sein faltenwerfendes weißes Hemd zum Vorschein kommt. Jabach (1618 Köln - 1695 Paris) war eine der schillerndsten und einflussreichsten Persönlichkeiten des 17. Jhs.; Er entstammte einer seit dem 14. Jh. in Köln ansässigen, vermögenden Kaufmannsdynastie. 1638 ließ er sich in Paris nieder und nahm dort als großer Bankier, Unternehmer und passionierter, unersättlicher Kunstsammler eine herausragende Stellung ein. 1642 wurde Jabach Finanzverwalter von Kardinal Jules Mazarin, dem regierenden Minister Frankreichs, seit 1664 leitete er als erster Direktor die neugegründete französische Ostindische Compagnie. Zugleich pflegte Jabach als Mäzen lebhaften Umgang mit den führenden Künstlern seiner Epoche. 1637 gab er die berühmte "Kreuzigung Petri" bei Peter Paul Rubens für die Kirche St. Peter in Köln in Auftrag. Er selbst ließ sich mehrfach von Anthony van Dyck, Peter Lely und dem französischen Hofmaler Hyacinthe Rigaud malen, von Charles Lebrun 1660 in monumentalen Ausmaßen im Kreis seiner Familie. Jabach trug parallel hierzu bedeutende Kunstsammlungen zusammen, durch seine Hände gingen viele Meisterwerke der Renaissance und des Barock, die sich heute teilw. im Louvre befinden. Öl/Lwd., doubl.; 65 cm x 49,8 cm. Rahmen.// Beigefügt: Gutachten von Professor Dr. Helmut Börsch-Supan, Berlin. Lit./Vgl. Ariane James-Sarazin: Hyacinthe Rigaud 1659-1743, Catalogue raisonné, S. 51, Kat.-Nr. P.129.// Oil on canvas, relined. 65 cm x 49.8 cm.
Kunstauktionshaus Schloss Ahlden
Jul. 02, 2024
Hyacinthe Rigaud, Perpignan 1659 - 1743 Paris, Portrait of Cardinal André-Hercule de Fleury
Est: €4,000 - €8,000
Hyacinthe Rigaud Perpignan 1659 - 1743 Paris Portrait of Cardinal André-Hercule de Fleury Oil on canvas, relined 81.5 x 63.5 cm, with frame 95 x 79.5 cm Hyacinthe Rigaud was an important French painter of the Baroque period. He showed exceptional talent from an early age and received formal training from his father, a modest portraitist. Rigaud's skills soon attracted the attention of influential patrons, establishing him as one of the most sought-after portrait painters in France. Rigaud's style was characterised by meticulous attention to detail, rich colours and magnificent compositions, reflecting the opulence and splendour of the French court. His portraits often depicted aristocrats, clergymen, and other prominent figures, whose stature and personality he captured with remarkable precision. One notable work is the portrait of Cardinal André-Hercule de Fleury (Lodève 1653 - 1743 Paris). He was a French cardinal and prime minister who headed the government of King Louis XV from 1726 to 1743. Against a dark background, Cardinal Fleury is depicted in a white habit decorated with intricate details and complemented by a bright red cloak and headdress. He looks at the viewer with a warm smile that radiates confidence and wisdom and exudes a gentle authority. The voluminous robes worn by the cardinal emphasise his majestic aura and envelop him in an air of stately splendour. The skillful use of light and shadow gives the portrait depth and dimension as well as a sense of dynamism and vitality. This painting, an extremely high quality repetition of Rigaud's earlier work from 1730, now in the Wallace Collection (P130), by his own hand, is an example of the artist's mastery of portraiture and his ability to capture the essence of his subjects with unrivalled finesse. Through his artistry, Rigaud immortalises Cardinal Fleury and invites the viewer to contemplate the enduring legacy of this influential figure in French history.
Tiberius Auctions
Jun. 27, 2024
Hyacinthe Rigaud, 1659 Perpignan – 1743 Paris, Werkstatt des
Est: €4,000 - €6,000
BILDNIS VON LOUIS DE BOURBON Öl auf Leinwand. Doubliert. 54 x 41 cm. In prächtigem vergoldeten Rahmen. Der Herzog von Burgund war der älteste Enkel Ludwigs XIV und Bruder Philipps V von Spanien. Vor dunklerem Hintergrund das Halbportrait des jungen Louis, Dauphin von Frankreich, Herzog von Burgund, nach rechts in glänzenden Harnisch, mit auffälligem roten Strick und langer lockiger Allonge-Perücke. Er hat dünne Lippen, wohlgeformte Augenbrauen und mit seinen glänzenden braunen Augen schaut er würdevoll aus dem Bild heraus. Ein vergleichbares Werk von Rigaud, das Louis de Rouvroy, duc de Saint-Simon darstellt, befindet sich in Musee des Beaux Arts in Chartres mit der Inv.Nr. 5409. Hier ist es nicht nur die Physionomie des Portraitierten, sondern auch der Harnisch, der Strick und die allgemeine Malweise, die gemeinsame Herkunft der Werke belegen. (1401465) (19)
Hampel Fine Art Auctions
Jun. 14, 2024
HYACINTHE RIGAUD (PERPIGNAN 1659-1743 PARIS) Portrait d'un officier supérie
Est: €50,000 - €70,000
HYACINTHE RIGAUD (PERPIGNAN 1659-1743 PARIS) Portrait d'un officier supérieur, chevalier de l'ordre de Saint-Louis, de... huile sur toile 116 x 90,5 cm (45 2⁄3 x 35 2⁄3 in.)
Christie's
Mar. 21, 2024
Hyacinthe Rigaud, 1659 Perpignan – 1743 Paris, Werkstatt/ Kreis des
Est: €5,000 - €7,000
PORTRAIT EINES ARISTOKRATEN MIT RÜSTUNG Öl auf Leinwand. Doubliert. Im Hochoval: 77 x 61 cm. In teilvergoldetem Rahmen. Beigegeben ein Gutachten mit Vergleichsabbildungen von Mirko Gambaro, Brescia, 11. Dezember 2022, in Kopie. Vor dunkelgrauem Hintergrund das Brustbildnis des vornehmen Mannes leicht nach rechts mit silbern glänzendem Brustpanzer, teils mit goldener Verzierung und Nieten, und einem weißen, eng um den Hals gebunden Tuch mit Spitze. Er trägt eine lange, lockige, bis über den oberen Rücken reichende Allongeperücke, hat rötliche Wangen und blickt mit seinen dunklen Augen aus dem Bild heraus. Qualitätvolle, repräsentative Wiedergabe, bei der durch den Lichteinfall das Gesicht, das Tuch und der Teile der Rüstung besonders hervorgehoben werden. Auf seiner rechten Brustseite ist zudem auf der Rüstung ein Löwenkopf zu erkennen. Laut Gambaro findet sich auf einem Gemälde von Rigaud dieser Kopf auf einem Portrait des Giovanni Francesco II Brignole Sale wieder; der Löwenkopf ist auch das Symbol der Familie Brignole Sale. Eine weitere Ähnlichkeit zwischen beiden Darstellungen ist die Verwendung von Stoff, sowohl auf dem Brustbereich als auch der Streifen auf der Schulter. Beides deutet darauf hin, dass das vorliegende Gemälde von Rigaud, seiner Werkstatt oder aus dem Umkreis stammen könnte. Der Dargestellte wäre dann ein Aristokrat, der zur Familie Brignole Sale gehörte. Vereinzelt kleine Retuschen. (1390861) (18)
Hampel Fine Art Auctions
Mar. 20, 2024
Hyacinthe RIGAUD Perpignan, 1659 - Paris, 1743 Portrait d'un homme de loi en habit noir à la large perruque Huile sur toile, de form..
Est: €10,000 - €15,000
Hyacinthe RIGAUD Perpignan, 1659 - Paris, 1743 Portrait d'un homme de loi en habit noir à la large perruque Huile sur toile, de format ovale (Restaurations) Sans cadre Portrait of a lawman, oil on canvas, by H. Rigaud h: 78,50 w: 61 cm Provenance : Collection de Monsieur Jean Fraissinet depuis au moins les années 1950 ; Puis par descendance ; Collection particulière, Provence Commentaire : Nous remercions Madame Ariane James-Sarazin de nous avoir aimablement confirmé l'authenticité de cette œuvre qu'elle date des années 1695-1700. Elle sera incluse au supplément au catalogue raisonné de l'artiste en cours de préparation. Estimation 10 000 - 15 000 €
Artcurial
Feb. 04, 2024
HYACINTHE RIGAUD (1659-1738) / Louis Le Grand
Est: €200 - €300
HYACINTHE RIGAUD (1659-1738) Louis Le Grand Gravure par Pierre Drevret (1663-1743) sur papier annoté à l'encre brune : "Première épreuve donnée par le Roy" H: 69 x L: 51 cm Louis Le Grand Engraving by Pierre Drevret (1663-1743) on paper annotated in brown ink: "Première épreuve donnée par le Roy". H: 69 x W: 51 cm Provenance: Count Gérard de Léotoing d'Anjony, Château de Montagnet
Antenor Auction
Jan. 16, 2024
Tableaux
Est: €800 - €1,200
Huile sur toile marouflée sur toile "Portrait d'un gentilhomme". Entourage de Hyacinthe Rigaud. Ecole française. Epoque: XVIIIème. Dim.:+/-74x60cm. RIGAUD Hyacinthe (1659 - 1743)
Vanderkindere
Dec. 13, 2023
Circle of FRANÇOIS HYACINTHE RIGAUD (Perpignan, 1659 - 1743). “Portrait of Luis Alejandro Count of Toulouse.” Oil on canvas. Relining.
Est: €1,800 - €2,000
Circle of FRANÇOIS HYACINTHE RIGAUD (Perpignan, 1659 - 1743). "Portrait of Louis Alexandre Comte de Toulouse". Oil on canvas. Re-drawn. Size: 41 x 33 cm, 57 x 47 cm (frame). The psychological capture of deep character in the look, the point of view represented in the scene, the sumptuousness in the details of the clothes and objects, and the use of the colours between lights and shadows allow us to place the artist of this work in the circle of the great French painter Hyacinthe Rigaud (1659-1743), one of the best portraitists associated with the era of Louis XIV. He made an outstanding contribution to French painting from 1688 onwards. He was particularly noted for his portrait art, depicting members of the French royal family. Notable, for example, is his famous state portrait of "Louis XIV at Coronation Robes" (1701, Louvre, Paris), one of the finest Baroque paintings of the French court. Rigaud's broad, vigorous style and the way he relied on the nobility of posture and splendour of his models were the basis of his success. Indeed, he is the creator of an original genre, that of the "portrait of pomp" which spread through the European courts of the first half of the 18th century. Examples of his great output can be seen in some of the finest art museums in Europe and North America. For details of other famous artists and master craftsmen active in France during his day, see: French Baroque Artists (c.1600-1700) and French Decorative Designers (c.1640-1792). The pictorial quality of the work is superb. It shows great mastery of the portrait genre. It is thought to have been executed in Rigaud's own workshop, which, due to the multitude of royal and noble commissions at the time, had a large number of artists in its employ who worked on the completion of these portraits. Marie-Casimira Louise De La Grange was known by the nickname of "Marysie?ka". She was born in Nevers (centre of France) on 28 June 1641 and died in Blois (France) on 1 January 1716.) She was Queen consort of Poland and Grand Duchess consort of Lithuania as the wife of John III of Poland from 1674 to 1696. She was the daughter of Henri Albert De La Grange d'arquien and Françoise de La Châtre.
Setdart Auction House
Dec. 13, 2023
Attributed to FRANÇOIS HYACINTHE RIGAUD (Perpignan, 1659 - 1743). "Portrait of a gentleman", c. 1700. Oil on canvas. Preserves original canvas. It has a period frame. France, c. 1700.
Est: €15,000 - €20,000
Attributed to FRANÇOIS HYACINTHE RIGAUD (Perpignan, 1659 - 1743). "Portrait of a gentleman", c. 1700. Oil on canvas. Preserves original canvas. It has a period frame. France, c. 1700. Measurements: 73 x 58 cm; 92 x 79 cm (frame). The psychological capture of deep character in the glance, the point of view represented in the scene, the sumptuousness in the details of the clothes and objects, and the use of the colors between lights and shades allows to place the author of this work in the circle of the great French painter Hyacinthe Rigaud (1659-1743), one of the best portraitists associated with the era of Louis XIV. In this work of oval format the artist shows us a portrait that starts from the artistic historical tradition with the main model of bust on a neutral background that brings greater prominence to the effigy. However, the artist goes a step further and forces the usual "three quarters", without placing the figure in profile, so as to create greater depth in the scene thus enhancing the volume and space, an idea that reinforces the movement of the fabrics carried by the protagonist. Rigaud's work was an outstanding contribution to French painting from 1688 onwards. He was especially noted for his portrait art, depicting members of the French royal family. Notable, for example, is his famous state portrait of "Louis XIV at Coronation Robes" (1701, Louvre, Paris), one of the finest Baroque paintings of the French court. Rigaud's broad and vigorous style and the way he relied on the nobility of posture and splendor of his models were the basis of his success. In fact, he is the creator of an original genre, that of the "portrait of pomp" that spread through the European courts of the first half of the 18th century. Examples of his great output can be seen in some of the finest art museums in Europe and North America. For details of other famous artists and master craftsmen active in France during his day, see: French Baroque Artists (c.1600-1700) and French Decorative Designers (c.1640-1792). The pictorial quality presented by the work is superb. It denotes a great mastery of the portrait genre. It is believed to have been made in the workshop of Rigaud himself, who, due to the multitude of royal and noble commissions at the time, had a large cast of artists in his charge who worked on the completion of these portraits. Maria Casimira Luisa De La Grange was known by the nickname of "Marysie?ka". She was born in Nevers (city center of France) on June 28, 1641 and died in Blois (France) on January 1, 1716). She was Queen consort of Poland and Grand Duchess consort of Lithuania as wife of John III of Poland from 1674 to 1696. She was the daughter of Henri Albert De La Grange d'arquien and Françoise de La Châtre.
Setdart Auction House
Dec. 13, 2023
JEAN DAULLÉ (1703-1763) (ENGRAVER) AFTER HYACINTHE RIGAUD (1659-1743) Portrait of Louis XV, 1737
Est: €100 - €200
JEAN DAULLÉ (1703-1763) (ENGRAVER) AFTER HYACINTHE RIGAUD (1659-1743) Portrait of Louis XV, 1737 engraving on paper 33 x 20.5 cm (à vue) JEAN DAULLÉ (1703-1763) (ENGRAVER) AFTER HYACINTHE RIGAUD (1659-1743) Portrait of Louis XV, 1737 engraving on paper 33 x 20.5 cm (à vue)
Hermitage Fine Art
Dec. 11, 2023
HYACINTHE RIGAUD (attr. a)
Est: €1,000 - €2,000
(Perpignano, 1659 ; Parigi, 1743) Ritratto d'uomo Olio su tela, cm 60X52
Wannenes Art Auctions
Nov. 30, 2023
Hyacinthe Rigaud 1659 Perpignan-1743 Parigi, copia da Ritratto di Anton Giulio II Brignole Sale
Est: €5,000 - €7,000
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Cambi Casa d'Aste
Nov. 21, 2023
D'APRÈS HYACINTHE RIGAUD (1659-1743) PORTRAIT EN PIED DU PRINCE JOSEPH WENZ
Est: €700 - €1,000
D'APRÈS HYACINTHE RIGAUD (1659-1743) PORTRAIT EN PIED DU PRINCE JOSEPH WENZEL I VON LICHTENSTEIN, PRINCE DU... Burin 90 x 64 cm.
Christie's
Nov. 18, 2023
Hyacinthe Rigaud, Portrait of the Surgeon Alexandre Passerat
Est: €25,000 - €35,000
Inscribed on the back of the canvas: “Portrait de M Passerat” The present portrait of Alexandre Passerat by Hyazinthe Rigaud was discovered only a few years ago and published online by Stéphan Perreau in 2017 as an addendum to his catalogue raisonné that was printed four years previously (loc. cit.). Ariane James-Sarazin, whose two-volume catalogue raisonné was published in 2014, also viewed the present portrait in person and confirmed it to be a work by Rigaud (Tajan auction catalogue, December 18th, 2019). An old inscription on the back of the canvas names the sitter in our portrait, the Parisian surgeon Alexandre Passerat, who died in 1702. The book, which he leafs through with an elegant gesture, shows illustrations of a skull and a bone, a reference to his professional activity. Passerat is said to have treated, among others, the composer Jean-Baptiste Lully after he stabbed his ceremonial staff into his foot while drumming the beat and subsequently died of blood poisoning despite our sitter's best efforts. Madame de Sévigné, the famous writer of letters, referred to the surgeon as "le beau Passerat" ("the beautiful Passerat") in a correspondence from June 1683.
Kunsthaus Lempertz KG
Aug. 26, 2023
Pair of Decorative Paintings of Louis XIV and Louis XV
Est: $500 - $800
Pair of Decorative Paintings of Louis XIV and Louis XV 20th century, after Hyacinthe Rigaud (French, 1659-1743), unsigned. In attractive giltwood and composition frames. each framed 63" x 51"
New Orleans Auction Galleries
Aug. 20, 2023
Hyacinthe Rigaud Attributed, Oil on Canvas, French Nobleman
Est: $2,000 - $3,000
Portrait of French nobleman holding an open snuff box, labeled with brass tag on frame 'Hyacinthe Rigaud, 1659-1743', 36" x 28 3/4", carved frame 43 1/2" x 36 1/2". Minor paint flaking and craquelure. Provenance: Rye, New Hampshire collection.
Kaminski Auctions
Jul. 06, 2023
STUDIO OF HYACINTHE RIGAUD (PERPIGNAN 1659-1743 PARIS) Portrait of Louis XI
Est: £200,000 - £300,000
STUDIO OF HYACINTHE RIGAUD (PERPIGNAN 1659-1743 PARIS) Portrait of Louis XIV (1638-1715), full-length, in coronation robes oil on canvas 98 3/8 x 59 1/2 in. (249.8 x 151.3 cm.)
Christie's
Jun. 29, 2023
HYACINTHE RIGAUD. Attributed to. Saint Peter.
Est: €2,500 - €3,000
Oil on canvas 67.5x56 cm.
Balclis
Jun. 29, 2023
RIGAUD HYACINTHE (Cerchia di), Olio su tela
Est: €2,000 - €3,000
RIGAUD HYACINTHE (Cerchia di) (Perpignan 1659 - Parigi 1743) Ritratto di Luigi XIV Olio su tela Cornice in legno dorato. cm 73 x 59.
Benedetto Trionfante Auction House s.r.l
Jun. 03, 2023
Rigaud, Hyacinthe (1659 - 1743), nach,
Est: -
Rigaud, Hyacinthe (1659 - 1743), nach, "Bildnis Kardinal Jaques Béninge Bossuet", Öl auf Leinwand, doubliert, 71 x 60 cm, o.R.
Auktionshaus Plückbaum
May. 23, 2023
HYACINTHE RIGAUD (PERPIGNAN 1659 - PARIGI 1743) BOTTEGA DI
Est: €4,000 - €6,000
Hyacinthe Rigaud (Perpignan 1659 - Parigi 1743) bottega di Ritratto di nobiluomo Ritratto di nobildonna con cagnolino Coppia di olio su tela 127 x 101 cm 124 x 100 cm Le due importanti opere, giunte in patina e con le loro cornici, vanno riferite all'atelier del maestro francese Rigaud, concepite sotto la sua direzione e probabilmente con il suo intervento, visti i particolari di estrema qualità. I riscontri li ritroviamo nel ritratto della duchessa di Mantova, realizzato nel primo decennio del Settecento e conservato nella Marble House di Newport. Per approfondire, si veda: http://www.hyacinthe-rigaud.com/catalogue-raisonne-hyacinthe-rigaud/portraits/8-femmes/1345-mantoue-suzanne-henriette-d-elbeuf-duchesse-de Per quanto riguarda il ritratto maschile, il riscontro si trova nel ritratto di Giovanni Francesco III Saverio Brignole Sale del 1739, conservato nella Galleria di Palazzo Rosso di Genova. Per approfondire, si veda: http://www.hyacinthe-rigaud.com/catalogue-raisonne-hyacinthe-rigaud/portraits/734-brignole-sale-giovanni-francesco-iii-saverio Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) workshop of Portrait of a nobleman Portrait of a noblewoman with a small dog A pair of oil on canvas 127 x 101 cm 124 x 100 cm The two important artworks, which have reached the patina and with their frames, must be referred to the French master Rigaud's atelier, conceived under his direction and probably with his intervention, given the extremely high quality details. The evidence can be found in the portrait of the Duchess of Mantua, made in the first decade of the 18th century and kept in the Marble House in Newport. To learn more, you should see: http://www.hyacinthe-rigaud.com/catalogue-raisonne-hyacinthe-rigaud/portraits/8-femmes/1345-mantoue-suzanne-henriette-d-elbeuf-duchesse-de As regards the male portrait, the confirmation can be found in the portrait of Giovanni Francesco III Saverio Brignole Sale of 1739, preserved in the Gallery of Palazzo Rosso in Genoa. To learn more, you should see: http://www.hyacinthe-rigaud.com/catalogue-raisonne-hyacinthe-rigaud/portraits/734-brignole-sale-giovanni-francesco-iii-saverio
Lucas Aste
Apr. 19, 2023
RIGAUD Hyacinthe (1659 - 1743) Tableaux Huile sur cuivre ovale "Portrait pr
Est: €800 - €1,200
RIGAUD Hyacinthe (1659 - 1743) Tableaux Huile sur cuivre ovale "Portrait présumé de l'artiste Hyacinthe Rigaud". Attribué à un entourage de Hyacinthe Rigaud. Ecole française. Epoque: XVIIIème. (Eclats). Dim.:+/-21,5x17,5cm.
Vanderkindere
Apr. 19, 2023
Retrato de caballero
Est: -
Interesante retrato realizado por algún artista durante el reinado de Luis XIV (1638-1715). Presenta el característico formato ovalado en el que el pintor formula un tipo de composición inspirada en los retratos venecianos del Cinquecento. El personaje se nos muestra de perfil, si bien gira ligeramente la cabeza hacia su izquierda para mirarnos de frente. De esta manera, el pintor puede recrearse en mostrarnos su habilidad para la descripción de las texturas de terciopelo carmesí del gran manto que recubre el busto y pecho del retratado, que parecen salirse del propio marco del cuadro a modo de trampantojo. Asimismo, el pintor ha centrado también parte de su atención en la descripción, profundamente realista, del rostro del efigiado. No conocemos la identidad del personaje representado, que bien pudo haber sido un personaje importante en la Corte de Versalles, lo que explicaría la cercanía de este cuadro con los modos y maneras de Rigaud. El impecable tratamiento de las superficies pictóricas, su precisión en el dibujo y el fuerte realismo que imprime al rostro, se adscribe perfectamente al modo de hacer de este pintor de origen catalán. Se trata de un retrato excelente que guarda grandes similitudes con el Retrato del Marqués de Goussanville (Colección particular, París, Francia) realizado por el maestro francés.
Isbilya Subastas
Feb. 25, 2023
Hyacinthe Rigaud, 1659-1743, Engraving, Liselotte of
Est: €200 - €400
Hyacinthe Rigaud, 1659-1743, Engraving, Liselotte of the Palatinate, #'Elisabeth Charlotte Palatine du Rhin, Duchesse d #'Orleon#' , engraved Ch. Simonneau, approx. 47.5 x 36cm PP., under glass, frame, approx. 64 x 55 cm, traces of age . German Description: Hyacinthe Rigaud, 1659-1743, Kupferstich, Liselotte von der Pfalz, 'Elisabeth Charlotte Palatine du Rhin, Duchesse d'Orleon', gestochen Ch. Simonneau, ca. 47.5 x 36cm PP., unter Glas, Rahmen, ca. 64 x 55 cm, Altersspuren
Henry's Auktionshaus
Dec. 17, 2022
HYACINTHE RIGAUD (Cerchia di), Ritratto, Olio su tela
Est: €4,000 - €5,000
HYACINTHE RIGAUD (Cerchia di) (Perpignano 1659 - Parigi 1743) Ritratto di gentiluomo Olio su tela Cornice ovale in legno magistralmente intagliato e dorato. cm 73,5 x 59,5.
Benedetto Trionfante Auction House s.r.l
Nov. 28, 2022
HYACINTHE RIGAUD (PERPIGNAN 1659-1743 PARIS) ET CHARLES SEVIN DE LA PENAYE
Est: €30,000 - €40,000
HYACINTHE RIGAUD (PERPIGNAN 1659-1743 PARIS) ET CHARLES SEVIN DE LA PENAYE Portrait présumé d'Alexis César Freslon, marquis... huile sur toile 144 x 107 cm. (56 x 42 in.)
Christie's
Nov. 17, 2022
Hyacinthe Rigaud: Self Portrait with Palette
Est: €20,000 - €40,000
RIGAUD, HYACINTHE 1659 Perpignan - 1743 Paris and associate Title: Self Portrait with Palette. Date: ca. 1705-1706. Technique: Oil on canvas. Mounting: Relined. Measurement: 96 x 63cm. Frame: Framed. Verso: Inscribed on the doubling canvas. Provenance: Private ownership, Germany. When one thinks of Louis XIV's France, of fabrics and velvet in dazzling colours, of calm and deliberate elegance, one also thinks of paintings and, above all, of portraits by Hyacinthe Rigaud. Rigaud has immortalised the faces of the historical figures we all learned about at school and whose deeds have been praised by historians, extolled by novelists and sung about by poets. Hyacinthe Rigaud sums up and glorifies an unrepeatable era in his work. The artist was born in 1659 in Perpignan, far from the French capital, and became the undisputed star of French painting in the first half of the 18th century. He became best known for his depiction of the Sun King in the famous portrait of Louis XIV in his coronation robes, which earned him the appointment of court painter in 1701. From then on, he began to paint portraits of most of the prominent figures of the Ancien Régime. With his work, Rigaud celebrated not only the splendour of the Versailles court but also his loyalty to the French Bourbon dynasty, whose portraits he painted over four generations. He also worked for figures of the nobility, clergy, bourgeoisie, financiers, industrialists and ministers, helping to create an almost complete portrait gallery of the leading figures of the Kingdom of France between 1680 and 1740. A small part of his painting output consists of more discreet personalities such as friends, relatives, other artists or simply merchants. Even during his training, the young Rigaud chose the works of the Flemish painter Anton van Dyck as his sole artistic guide, whose paintings he copied and whose works he collected. Biographers and art writers are unanimous in emphasising that Rigaud's painting is indebted to that of his famous Flemish predecessor, so that the French painter is referred to as the French Van Dyck. Antoine Joseph Dezallier d'Argenville, who wrote the most comprehensive summary of the life of the most famous painters (1745), wrote after Rigaud's death that "France has lost its Van Dyck in Hyacinthe Rigaud". In view of the enormous volume of work that Rigaud had to complete in just a few years, the French painter was forced to hire collaborators from 1694 onwards to help him realise his works. Joseph Christophe, Jacques Mélingue, the engraver Claude Leroy, Nattier, Barthélemy and Hérault were among his closest collaborators in this respect and worked with him in his workshop, learning his techniques and studying his most important works. From 1695 onwards, as the number of commissions increased, Rigaud had to further increase the number of his assistants. At this point the question of Rigaud's authentic autography in his works arises. Given the precision he maintained in the details of the faces, the hands and the animation of the draperies, one can conclude, as with other important painters and portraitists of his time before and after him, that Rigaud reserved the most complex parts and the most distinctive features of his works for himself, leaving the outlines or less significant elements to his assistants. Like other artists, Rigaud made several portraits of himself: These portraits were either intended for friends or commissioned for collections of artists' portraits. The present work bears the date 1705 on the reverse, referring to the self-portrait commissioned from the painter by the Grand Duke of Tuscany Cosimo III in 1705, but which sank in the sea in 1706. According to Ariane James-Sarazin, the treatment of the face, the open shirt collar, the hand holding the palette and the gold-rimmed robe seem to be of high quality and to fit Rigaud. The wig, on the other hand, seems to the art historian to be of inferior quality, as does the depiction of the blue bow in the hair. For this reason, James-Sarazin considers this to be the work of Rigaud himself and his workshop, perhaps the work of Adrien Leprieur, or perhaps the little-known Monmorency, which is limited to the area of the hair. However, the question cannot be conclusively settled: Although Rigaud and his workshop produced some replicas of the self-portrait sunk in the sea in 1705-1706, the present work has been restored in the very part that James-Sarazin assumes to be that of the workshop. For this reason, it is unclear whether it is a modern intervention - a restorer - or an ancient intervention, i.e. Rigaud's workshop. We are grateful to Ariane James-Sarazin, Paris, for her help in cataloguing the present painting. Explanations to the Catalogue
Van Ham Kunstauktionen
Nov. 09, 2022
Hyacinthe RIGAUD et collaborateur Perpignan, 1659 - Paris, 1743 Portrait d'un avocat Huile sur toile, de forme ovale
Est: €12,000 - €15,000
Hyacinthe RIGAUD et collaborateur Perpignan, 1659 - Paris, 1743 Portrait d'un avocat Huile sur toile, de forme ovale Portrait of a lawyer, oil on canvas, by H. Rigaud and coworker h: 75 w: 59,50 cm Provenance : Vente anonyme ; Paris, Hôtel Drouot, Piasa, 27 mars 2000, n° 71 ; Collection Thierry et Christine de Chirée ; Leur vente, Paris, Hôtel Drouot, Aguttes, 30 mars 2011, n° 328 ; Acquis lors de cette vente par l'actuel propriétaire ; Collection particulière, Paris Bibliographie : Ariane James-Sarazin, 'Hyacinthe Rigaud (1659-1743)', thèse de doctorat, Paris, Ecole pratique des hautes études, 2003, cat. II, n° 6 Stéphan Perreau, 'Hyacinthe Rigaud. Catalogue concis de l'œuvre', Sète, 2013, n° P.221 Ariane James-Sarazin, 'Hyacinthe Rigaud 1659-1743. II. Catalogue raisonné', Dijon, 2016, p. 233, n° P.690 Estimation 12 000 - 15 000 €
Artcurial
Aug. 28, 2022
Hyacinthe Rigaud, "Louis XV", Oil on Canvas
Est: $2,000 - $4,000
Hyacinthe Rigaud (1659-1743), "Louis XV", oil on canvas, 21 1/4" x 16 7/8", 33 1/2" x 28 1/2" in gilded frame.
Kaminski Auctions
Jun. 22, 2022
Workshop of FRANÇOIS HYACINTHE RIGAUD (Perpignan, 1659-1743). "Portrait of Marie Casimira". Oil on canvas.
Est: €14,000 - €15,000
Atelier of FRANÇOIS HYACINTHE RIGAUD (Perpignan, 1659-1743). "Portrait of Marie Casimira. Oil on canvas. Size: 130 x 104 cm. The psychological capture of deep character in the look, the point of view represented in the scene, the sumptuousness in the details of the clothes and objects, and the use of the colours between lights and shadows allow us to place the author of this work in an environment close to the school of the great French painter Hyacinthe Rigaud (1659-1743), one of the best portrait painters associated to the era of Louis XIV. He made an outstanding contribution to French painting from 1688 onwards. He was particularly noted for his portrait art, depicting members of the French royal family. Notable, for example, is his famous state portrait of "Louis XIV at Coronation Robes" (1701, Louvre, Paris), one of the finest Baroque paintings of the French court. Rigaud's broad, vigorous style and the way he relied on the nobility of posture and splendour of his models were the basis of his success. Indeed, he is the creator of an original genre, that of the "portrait of pomp" which spread through the European courts of the first half of the 18th century. Examples of his great output can be seen in some of the finest art museums in Europe and North America. For details of other famous artists and master craftsmen active in France during his day, see: French Baroque Artists (c.1600-1700) and French Decorative Designers (c.1640-1792). The pictorial quality of the work is superb. It shows great mastery of the portrait genre. It is thought to have been executed in Rigaud's own workshop, which, due to the multitude of royal and noble commissions at the time, had a large number of artists in its employ who worked on the completion of these portraits. Marie-Casimira Louise De La Grange was known by the nickname of "Marysie?ka". She was born in Nevers (centre of France) on 28 June 1641 and died in Blois (France) on 1 January 1716.) She was Queen consort of Poland and Grand Duchess consort of Lithuania as the wife of John III of Poland from 1674 to 1696. She was the daughter of Henri Albert De La Grange d'arquien and Françoise de La Châtre.
Setdart Auction House
Jun. 15, 2022
Study with Flowers | Etude de fleurs
Est: - €10,000
Property from the Estate of Alexis Gregory, sold to Benefit the Alexis Gregory Foundation Hyacinthe Rigaud Perpignan 1659 - 1743 Paris Study with Flowers Oil on paper laid down on panel 21,6 x 30,2 cm ; 8½ by 11⅞ in. ____________________________________________ Provenant de la succession Alexis Gregory, vendu au profit de la Fondation Alexis Gregory Hyacinthe Rigaud Perpignan 1659 - 1743 Paris Etude de fleurs Huile sur papier marouflé sur panneau 21,6 x 30,2 cm ; 8½ by 11⅞ in. Bid on Sotheby's
Sotheby's
Jun. 04, 2022
HYACINTHE RIGAUD (Attr.le), Olio su tela
Est: €1,200 - €1,400
HYACINTHE RIGAUD (Attr.le) (Perpignan 1659 - Parigi 1743) Ritratto di gentiluomo con armatura Olio su tela Cornice in legno dorato ed ebanizzato Datato sul verso 1695. cm 69 x 56.
Benedetto Trionfante Auction House s.r.l
Jun. 02, 2022
Hyacinthe Rigaud self-portrait
Est: €150 - €200
Black print on paper Drawing by Hyacinthe Rigaud (1659-1743) engraved by Pierre Imbert Drevet (1697-1739) France, ca. 1720
Veritas Art Auctioneers
May. 18, 2022
HYACINTHE RIGAUD (PERPIGNAN 1659-1743 PARIS) ET CHARLES SEVIN DE LA PENAYE
Est: €60,000 - €100,000
HYACINTHE RIGAUD (PERPIGNAN 1659-1743 PARIS) ET CHARLES SEVIN DE LA PENAYE Portrait présumé d'Alexis César Freslon, marquis d'Acigné (?-1748), de... huile sur toile 144 x 107 cm (56 x 42 in.)
Christie's
May. 17, 2022
Tableaux RIGAUD Hyacinthe (1659 - 1743) Huile sur toile marouflée sur toile "Portrait de la ma
Est: €4,000 - €6,000
Tableaux RIGAUD Hyacinthe (1659 - 1743) Huile sur toile marouflée sur toile "Portrait de la marquise Diane de Solas". Attribué Hyacinthe Rigaud. Ecole française. Epoque: XVIIIème. Dim. : +/-160x126 cm.
Vanderkindere
May. 04, 2022
HYACINTHE RIGAUD (1659-1743) ET ATELIER PORTRAIT DE MONSIEUR JEAN-ANTOINE LULLIN (1666-1709), HUILE
Est: CHF20,000 - CHF30,000
Hyacinthe Rigaud (1659-1743) et atelier Portrait de Monsieur Jean-Antoine Lullin (1666-1709), huile sur toile, 1705, cadre d'époque Louis XIV, 81x64 cm. Ce tableau sera inclus au catalogue raisonné d’Ariane James-Sarazin qui a rédigé une notice complète à son sujet, à disposition sur demande. Provenance: collection patricienne genevoise
Geneve Encheres