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David (1796) Roberts Sold at Auction Prices

Architecture painter, Bühnendekorationsmaler, Painter, Decoration painter, Landscape painter, Naval painter, Water color painter, Etcher, Lithographer, b. 1796 - d. 1864

Artist David Roberts, an early 19th-century Scottish painter, is best known for his prodigious series of sketches and paintings of architecture in Spain and of the pyramids, monuments, temples, and mosques of Egypt and the Holy Land. The latter work made him the most renowned Orientalist artist of his time.

In all, artist David Roberts prepared hundreds of watercolors, oils, and pencil drawings that he had lithographed and hand-colored into prints. David Roberts' prints of Egypt and the Holy Land are prized for their color rendering of colossal structures, prepared with a camera lucida, or prism, that projected the image onto his canvas.

David Roberts' lithographs for sale are widely available in many fine galleries, and his original canvases hang in the world’s most prestigious museums, including the Prado and Tate. You can find many other unique lithographs for sale online and at auction, including a variety of architecture prints.

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  • DAVID ROBERTS, Britain (1796 - 1864), Suite of (7) Biblical Scenes, hand-coloured lithographs from Views of The Holy Land, Idumea, Arabia, Egypt and Nubia (1842-9), image: 36 x 51 cm. (largest); 24.5 x 32 cm. (smallest);
    Sep. 02, 2026

    DAVID ROBERTS, Britain (1796 - 1864), Suite of (7) Biblical Scenes, hand-coloured lithographs from Views of The Holy Land, Idumea, Arabia, Egypt and Nubia (1842-9), image: 36 x 51 cm. (largest); 24.5 x 32 cm. (smallest);

    Est: $600 - $800

    DAVID ROBERTS Britain, (1796 - 1864) Suite of (7) Biblical Scenes hand-coloured lithographs from Views of The Holy Land, Idumea, Arabia, Egypt and Nubia (1842-9)

    Lawsons
  • AFTER DAVID ROBERTS (Scottish 1796 - 1864); colour print, The Ruins of Luxor, dated August 1st 1846, 37 x 52cm, framed and glazed.
    Aug. 21, 2026

    AFTER DAVID ROBERTS (Scottish 1796 - 1864); colour print, The Ruins of Luxor, dated August 1st 1846, 37 x 52cm, framed and glazed.

    Est: £150 - £200

    AFTER DAVID ROBERTS (Scottish 1796 - 1864); colour print, The Ruins of Luxor, dated August 1st 1846, 37 x 52cm, framed and glazed.

    Adam Partridge Auctioneers
  • David Roberts (Scotland, 1796-1864),
    Aug. 19, 2026

    David Roberts (Scotland, 1796-1864),

    Est: $80 - $120

    Five Framed Toned Lithographs from the series 'Egypt and Nubia', comprising two single framed works, plate 128: Pyramids of Gizeh, From the Nile, and plate 179: The Island of Philoe, By Sunset, frames 36cm x 41cm, and framed set of three lithos; three containing plate 196: Asouan and the Island Elephantine, plate 172: Fragment of the Great Colossus at the Memnonium, Thebes, and plate 141: General View of the Ruins of Luxor, From the Nile, frame 41cm x 107cm, each published London, 1856 by Day & Son, a/f (foxing present) (3 frames)

    Aalders Auctions
  • David Roberts Slave Boat on the Nile with Pyramids Lithograph
    Aug. 12, 2026

    David Roberts Slave Boat on the Nile with Pyramids Lithograph

    Est: $150 - $250

    Roberts, after David (Scottish, 1796-1864), Slave Boat on the Nile looking Towards the Pyramids of Dashour and Saccara, 1846, lithograph, image size 14 x 21 inches, matted and framed 25.5 x 31 inches.

    Concept Art Gallery
  • attr David Roberts "Coming into Harbor" Maritime
    Aug. 09, 2026

    attr David Roberts "Coming into Harbor" Maritime

    Est: $1,000 - $2,000

    attributed ROBERTS, David, (Scottish, 1796-1864): "Coming into Harbor", Oil on Panel; signed lower left, 6" x 7.75", framed 11.5" x 13". Condition: Craquelure, inpaint.

    Amero Auctions
  • **After David Roberts 1796-1864 (Scottish) Entrance to the Citadel of Jerusalem, The Holy Land; plate 24 print
    Aug. 02, 2026

    **After David Roberts 1796-1864 (Scottish) Entrance to the Citadel of Jerusalem, The Holy Land; plate 24 print

    Est: $150 - $180

    After David Roberts 1796-1864 (Scottish) Entrance to the Citadel of Jerusalem, The Holy Land; plate 24 print Provenance: The Efrat Adler Porat Holy Land Collection. Other Notes: Items marked with ** before the lot number indicate that, if the artwork is released in Israel, Israeli VAT (currently 18%) and any applicable taxes or charges shall be borne by the purchaser. The location of each artwork is specified below. Location: Israel. For estimated delivery time please contact us. Condition report available upon request.

    Matsart Auctioneers & Appraisers
  • David Roberts - Head of the Great Sphinx, Pyramids of Geezeh
    Aug. 01, 2026

    David Roberts - Head of the Great Sphinx, Pyramids of Geezeh

    Est: $2,000 - $4,000

    David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here includes beautifully rendered hand-coloring. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • David Roberts - View from under the Portico of the Great Temple of Dendera
    Aug. 01, 2026

    David Roberts - View from under the Portico of the Great Temple of Dendera

    Est: $1,500 - $2,500

    David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here includes beautifully rendered hand-coloring. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • David Roberts - Interior of the Temple of Esne in Upper Egypt
    Aug. 01, 2026

    David Roberts - Interior of the Temple of Esne in Upper Egypt

    Est: $1,000 - $2,000

    David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here includes beautifully rendered hand-coloring. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • David Roberts - The Hypaethral Temple at Philae
    Aug. 01, 2026

    David Roberts - The Hypaethral Temple at Philae

    Est: $2,000 - $4,000

    David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here includes beautifully rendered hand-coloring. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • David Roberts, Views in the Holy Land, Jerusalem, Lithograph
    Jul. 30, 2026

    David Roberts, Views in the Holy Land, Jerusalem, Lithograph

    Est: $200 - $300

    David Roberts Views in the Holy Land, Jerusalem Lithograph David Robert's Jerusalem David Roberts' most famous work, Views in the Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed dutone lithographed plates which depict various scenes of the Holy Land and the Middle East. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. "Roberts' Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it" (Ran, 6) ... "These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts' own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone" (Abbey, 340-41). Approximate frame size: 21" H x 27.5" W Approximate image size: 13" H x 19.5" W

    La Belle Epoque Auction House
  • David Roberts - Pyramids of Geezeh
    Jul. 25, 2026

    David Roberts - Pyramids of Geezeh

    Est: $2,000 - $4,000

    David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here includes beautifully rendered hand-coloring. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • David Roberts - Grand Portico at the Temple of Philae, Nubia
    Jul. 25, 2026

    David Roberts - Grand Portico at the Temple of Philae, Nubia

    Est: $2,000 - $4,000

    David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here includes beautifully rendered hand-coloring. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • David Roberts - Portico of the Temple of Dendera
    Jul. 25, 2026

    David Roberts - Portico of the Temple of Dendera

    Est: $2,000 - $4,000

    David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here includes beautifully rendered hand-coloring. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • David Roberts. 18 grabados
    Jul. 22, 2026

    David Roberts. 18 grabados

    Est: -

    Grabados al cobre titulados al pie, distintos grabadores.

    Duran Arte y Subastas
  • [VOYAGES AND TRAVELS]. ROBERTS, David (1796-1864). The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia... London: Lithographed, Printed, and Published
    Jul. 09, 2026

    [VOYAGES AND TRAVELS]. ROBERTS, David (1796-1864). The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia... London: Lithographed, Printed, and Published

    Est: $2,500 - $3,500

    [VOYAGES AND TRAVELS]. ROBERTS, David (1796-1864). The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia... London: Lithographed, Printed, and Published by Day & Son, Lithographers to the Queen, 1855-1856. 4tos. Six volumes in three (as issued). [8], [35], [1, blank], [44]; [1], [1, blank], [3], [1, blank], [44]; [3], [38]; [1], [1, blank], [9], [1, blank], [44]; [1], [1, blank], [44]; [40] pp. Illustrated with 250 plates, including six title vignettes and three maps. Original blue cloth ruled and stamped decoratively in gilt with a gilt-lettered and gilt-decorated spine. All edges gilt. FIRST QUARTO EDITION OF ROBERTS' MONUMENTAL WORK, WHICH WAS FIRST PUBLISHED AS A SIX-VOLUME ELEPHANT FOLIO IN FORTY-TWO FORT-NIGHTLY PARTS (1842-1849). The six volumes here are a new edition, in smaller format, of the two great three-volume works (the Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia and Egypt & Nubia) collectively known as Roberts's Holy Land. An advertisement in the Monthly Literary Advertiser for June 1855 states that "to ensure positive identity between this and the original edition, the whole of the plates have been reduced to the required size by means of photography. "In point of bulk ambition Roberts's Holy Land was one of the most important and elaborate ventures of nineteenth-century publishing, and it was the apotheosis of the tinted lithograph... [There] is pleasure to be had from many of the individual plates, where Haghe's skillful and delicate lithography, and his faithful interpretation of Roberts's draughtsmanship and dramatic sense, combine in what are undoubtedly remarkable examples of tinted lithographic work. Particularly in the Egypt and Nubia section, one feels that the colossal subjects and broad vistas were ideally suited to Roberts's talent, trained as he was in theatrical scene-painting..." (Abbey). Abbey 388. Oxford DNB.

    Potter & Potter Auctions Inc.
  • David Roberts - The Simoom in the Desert [Approach of the Simoon, Desert of Gizeh]
    Jul. 04, 2026

    David Roberts - The Simoom in the Desert [Approach of the Simoon, Desert of Gizeh]

    Est: $7,000 - $10,000

    David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here includes beautifully rendered hand-coloring. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • DAVID ROBERTS, R.A. (EDINBURGH 1796-1864 LONDON). St Paul's from Fleet Stre
    Jul. 01, 2026

    DAVID ROBERTS, R.A. (EDINBURGH 1796-1864 LONDON). St Paul's from Fleet Stre

    Est: £30,000 - £50,000

    DAVID ROBERTS, R.A. (EDINBURGH 1796-1864 LONDON). St Paul's from Fleet Street. oil on canvas44 ½ x 56 ¼ in. (113 x 142.9 cm.).

    Christie's
  • Tomb of the Caliphs, Cairo
    Jul. 01, 2026

    Tomb of the Caliphs, Cairo

    Est: £6,000 - £8,000

    David Roberts, R.A. (Edinburgh 1796 - 1864 London) Tombs of Caliphs, Cairo Watercolour over pencil; inscribed lower right: Tombs of the Caliphs / Cairo / Jan 16th 1839 330 by 506 mm

    Sotheby's
  • Modern Mansion, Showing the Arabesque Architecture of Cairo
    Jul. 01, 2026

    Modern Mansion, Showing the Arabesque Architecture of Cairo

    Est: £10,000 - £15,000

    Property from a Scottish Noble Family David Roberts, RA. (Edinburgh 1796 - 1864 London) Modern Mansion, Showing the Arabesque Architecture of Cairo Watercolour over pencil, heightened with bodycolour; signed and dated lower left: David Roberts. R.A. 1849 496 by 349 mm 

    Sotheby's
  • Mosque of the Sultan Hassan from the Great Square of the Rumeyleh
    Jul. 01, 2026

    Mosque of the Sultan Hassan from the Great Square of the Rumeyleh

    Est: £15,000 - £25,000

    David Roberts, R.A. (Edinburgh 1796 - 1864 London) Mosque of the Sultan Hassan from the Great Square of the Rumeyleh Watercolour over pencil heightened with white; signed lower right: David Roberts R.A. 324 by 486 mm

    Sotheby's
  • ÉCOLE ORIENTALISTE (XIXE SIÈCLE)
    Jun. 22, 2026

    ÉCOLE ORIENTALISTE (XIXE SIÈCLE)

    Est: €4,000 - €6,000

    ÉCOLE ORIENTALISTE (XIXE SIÈCLE) D'APRÈS DAVID ROBERTS (1796-1864) SAINT-SOPHIE, VUE DU BOSPHORE, CONSTANTINOPLE SAINT-SOPHIA FROM THE BOSPHORUS, CONSTANTINOPLE Huile sur toile. 65 X 54 CM (25 9/16 X 21 1/4 IN.) Note Il s'agit certainement d'une étude d'après une gravure d'E. Finden, d'après un dessin de David Roberts et une esquisse de R. Cockerell. Cette planche fait partie d'un ensemble de 41 planches dans le volume 1 de « Finden's Landscape and Portrait Illustrations To The Life And Works Of Lord Byron », publié en 3 volumes, Grande-Bretagne, 1833.

    Tajan
  • David Roberts, RSE - 3 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia
    Jun. 20, 2026

    David Roberts, RSE - 3 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia

    Est: $2,000 - $4,000

    David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed, folio lithographs which depict various scenes of the Holy Land and the Middle East. The work was issued in three states: tinted, tinted proof, and—the grandest and most expensive format, as here—hand-colored and mounted on card. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • David Roberts, RSE - 3 Frontispiece or Title Pages
    Jun. 20, 2026

    David Roberts, RSE - 3 Frontispiece or Title Pages

    Est: $2,000 - $4,000

    David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed, folio lithographs which depict various scenes of the Holy Land and the Middle East. The work was issued in three states: tinted, tinted proof, and—the grandest and most expensive format, as here—hand-colored and mounted on card. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • Roberts, David (1796 Stockbridge - London 1864)
    Jun. 20, 2026

    Roberts, David (1796 Stockbridge - London 1864)

    Est: €100 - €120

    Paar handkolorierte Lithographien mit Ansichten aus Ägypten und Israel: "View of the Nile looking towards the Pyramids of Dashour and Saccara" und "Ashkelon". Lithographed by Louis Haghe, 1842-1849. Sichtmaße je 32x 48 cm. PP., aufwendige Rahmung (kl. Kratzer).

    Dannenberg
  • David Roberts, RSE - 5 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia
    Jun. 13, 2026

    David Roberts, RSE - 5 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia

    Est: $2,000 - $4,000

    David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed, folio lithographs which depict various scenes of the Holy Land and the Middle East. The work was issued in three states: tinted, tinted proof, and—the grandest and most expensive format, as here—hand-colored and mounted on card. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • David Roberts, RSE - 7 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia
    Jun. 13, 2026

    David Roberts, RSE - 7 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia

    Est: $2,000 - $4,000

    David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed, folio lithographs which depict various scenes of the Holy Land and the Middle East. The work was issued in three states: tinted, tinted proof, and—the grandest and most expensive format, as here—hand-colored and mounted on card. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • DAVID ROBERTS, R.A. (1796-1864)
    Jun. 10, 2026

    DAVID ROBERTS, R.A. (1796-1864)

    Est: £300 - £500

    DAVID ROBERTS, R.A. (1796-1864) THEBES: THE COLLOSSAL STATUES OF AMUNOPH III, GENERAL VIEW OF ESOUAN AND THE ISLAND OF ELEPHANTINE, THE GREAT SPHINX, PYRAMIDS OF GIZEH tinted lithograph, mounted glazed and framed Largest 34cm x 53cm Private Collection, London. LiteratureEgypt & Nubia, from drawings made on the spot by David Roberts, R.A., with historical descriptions by William Brockedon.... London: F.G. Moon, 1846-1849. 

    Lyon & Turnbull
  • David Roberts (Edinburgh 1796 - London 1864). Venice.
    Jun. 05, 2026

    David Roberts (Edinburgh 1796 - London 1864). Venice.

    Est: -

    Oil/canvas. 46 x 81,5 cm. Lower left signed David Roberts. Small restorations. Relined. - Scottish architectural painter. After training as an interior painter, R. worked as a stage painter at theaters in Edinburgh, Glasgow, and London. He undertook extensive travels throughout Europe and as far as the Orient. In 1841, he became a member of the Royal Academy. Mus.: London (V&A, Tate Britain), Edinburgh (National Gallery), Dublin (National Gallery), Leicester, Liverpool a. others Lit.: Thieme-Becker, Bénézit

    Auktionshaus Stahl
  • David Roberts, Approach to Petra on Ancient Watch-Tower'
    Jun. 03, 2026

    David Roberts, Approach to Petra on Ancient Watch-Tower'

    Est: £300 - £500

    David Roberts, British 1796-1864 - Approach to Petra on Ancient Watch-Tower'; lithograph on paper, titled and dated in plate, 24.2 x 31.6 cm; together with an unsigned landscape with castle, watercolour on paper (2) Provenance: The Bayer Family Collection 

    Roseberys
  • David Roberts (Scotland, 1796-1864)
    Jun. 03, 2026

    David Roberts (Scotland, 1796-1864)

    Est: $100 - $200

    Five Framed Toned Lithographs from the series 'Egypt and Nubia', comprising two single framed works, plate 128: Pyramids of Gizeh, From the Nile, and plate 179: The Island of Philoe, By Sunset, frames 36cm x 41cm, and framed set of three lithos; three containing plate 196: Asouan and the Island Elephantine, plate 172: Fragment of the Great Colossus at the Memnonium, Thebes, and plate 141: General View of the Ruins of Luxor, From the Nile, frame 41cm x 107cm, each published London, 1856 by Day & Son, a/f (foxing present) (3 frames)

    Aalders Auctions
  • David Roberts - 5 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia
    May. 23, 2026

    David Roberts - 5 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia

    Est: $1,500 - $2,500

    Included in this lot: Obelisk of On View from under the Portico of Dayr-El-Medeeneh, Thebes Map to Illustrate the Sketches of David Roberts, Esq: R.A. in Egypt & Nubia in 1849 Temple at Esneh Ruins of the Memnonium, Thebes Description of the work: David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed dutone lithographed plates which depict various scenes of the Holy Land and the Middle East. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • DAVID ROBERTS (St0ckbridge, Edinburgh, 1796 - London, 1864). "Landscape." Charcoal on paper. Signed in the lower left corner.
    May. 19, 2026

    DAVID ROBERTS (St0ckbridge, Edinburgh, 1796 - London, 1864). "Landscape." Charcoal on paper. Signed in the lower left corner.

    Est: €500 - €600

    DAVID ROBERTS (St0ckbridge, Edinburgh, 1796 - London, 1864). "Landscape." Charcoal on paper. Signed in the lower left corner. Measurements: 18.5 x 27.5 cm; 47 x 56 cm (frame). he composition shows a wild scene dominated by waterfalls, rocks and a rustic architecture that seems to be integrated in an organic way in the environment. The choice of a mountainous and dynamic landscape, with water in constant movement, suggests the indomitable force of nature, one of the central themes of the romantic landscape. David Roberts, an emblematic painter of English Romantic landscape painting, traveled between 1832 and 1833 in Spain, Morocco and Tangier. On his return to London, his watercolors were made known to the general public through their translation into engraving and lithography, under the name of Picturesque Sketches in Spain During the Years 1832 and 1833, and became very popular among a public intensely interested in the exotic and the oriental world. Thanks to his mastery of scenography, as he had worked in the theatrical field in his early years as a painter, Roberts achieved very effective compositions, adopting peculiar points of view.

    Setdart Auction House
  • David Roberts RA (British, 1796-1864) 'Gate of the Monastery of the Carmelites, Burgos, Spain'
    May. 19, 2026

    David Roberts RA (British, 1796-1864) 'Gate of the Monastery of the Carmelites, Burgos, Spain'

    Est: £2,000 - £3,000

    David Roberts RA (British, 1796-1864) 'Gate of the Monastery of the Carmelites, Burgos, Spain' signed and dated 'David Roberts 1832' l.l. and indistinctly inscribed l.r., pencil and brown washes heightened with white (25 x 17cm; framed 45 x 35.5cm) Provenance: With Albany Gallery, London. Condition Report: Washes a little faded. For additional images please contact the department. Not viewed out of glazed frame.

    Sworders
  • David Roberts (1796-1864) - The Tomb of Joseph at Shechem, 1844
    May. 16, 2026

    David Roberts (1796-1864) - The Tomb of Joseph at Shechem, 1844

    Est: €200 - €300

    David Roberts (1796-1864) | United Kingdom The Tomb of Joseph at Shechem, 1844 Hand-Colored Lithograph Signed: Lettered with the title, the artist’s and lithographer’s names, and the publication line: “London, Published by F.G. Moon, Sept 2nd 1844.” Noted in standard catalogues raisonnés as Plate 39 of the “The Holy Land” series. Dimensions: Framed: 66 × 73 cm | 26 × 28.7 in Artwork: 26 × 35 cm | 10.2 × 13.8 in Provenance: Family Collection, Spain: Part of a distinguished private collection of artworks and antiques. Acquired from a gallery or at auction in Cape Town, South Africa, between 1991 and 1995 to furnish a local residence. The collection was subsequently relocated to Spain following the family’s departure from South Africa. Condition: Original 19th-century hand-tinted example; well-preserved under glass in an ornate gilt frame. Conditions of Sale: All lots are sold as is. See Section 4 of our Terms and Conditions for return policy. All inquiries must be made prior to bidding, as no further details can be provided after the sale. By placing a bid, you confirm that you have read and agree to our Terms and Conditions in full. Shipping: Aurora & Athena does not provide in-house shipping. The successful buyer arranges shipping directly with a company of their choice. For shipments outside the EU, Spanish export tax may apply to certain higher-value artworks; no export tax applies within the EU. Any such tax is payable by the buyer. Please refer to our Shipping & Export Information page for further details. -- This exquisite hand-colored lithograph is Plate 39 from David Roberts’ monumental series, The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia (published 1842–1849). The scene depicts a tranquil landscape at Shechem, where travelers rest before the domed structures of the traditional Tomb of Joseph. Roberts was renowned for his ability to combine architectural accuracy with a romantic, atmospheric sensibility, a skill perfectly translated into print by the master lithographer Louis Haghe. Published in 1844, this plate captures the “Golden Age” of British lithography. The delicate hand-tinting enhances the warm Mediterranean light and the rolling hills of the background, making it one of the most sought-after images from the series. Roberts’ sketches from his 1838–1839 journey through the Near East provided the Western world with some of its first highly detailed and evocative glimpses of these historic sites.

    Aurora & Athena
  • David Roberts (Scottish, 1796-1864) Hand Colored Stone Lithograph 1845, 'Ascent of the Lower Range Sinai', H 13.5" W 19"
    May. 15, 2026

    David Roberts (Scottish, 1796-1864) Hand Colored Stone Lithograph 1845, 'Ascent of the Lower Range Sinai', H 13.5" W 19"

    Est: $200 - $500

    Depicting travelers ascending a Siani ridge.  Provenance: Sutton's Bay Gallery, Sutton's Bay, MI Dimensions: H 13.5" W 19" Frame Size: H 25" W 30.5"

    DuMouchelles
  • David Roberts (Scottish, 1796-1864) Hand Colored Lithographs on Paper 19th C., H 12.5" W 19.25" 2 PCS
    May. 15, 2026

    David Roberts (Scottish, 1796-1864) Hand Colored Lithographs on Paper 19th C., H 12.5" W 19.25" 2 PCS

    Est: $300 - $600

    Signed and titled in the plate. Both lithographs are part of David Roberts work Views in the Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, published by E. G. Moon between 1846-1849. "Grand Approach to the Temple of Philae, Nubia" and "Part of the Portico of Edfou". Provenance: From the Estate of Frank Isbey, by descent through his family. Dimensions: H 12.5" W 19.25" Frame Size: H 23.25" W 29.5" 2 PCS

    DuMouchelles
  • FOUR DAVID ROBERTS LITHOS, EGYPTIAN RUINS, 1846-48
    May. 14, 2026

    FOUR DAVID ROBERTS LITHOS, EGYPTIAN RUINS, 1846-48

    Est: $500 - $1,000

    After David Roberts (Scottish, 1796-1864), engraved by Louis Haghe (Netherlandish / English, 1806-1885). Four lithographs of ancient Egyptian ruins - "Temple of Aboo Simbel" (pub. 1846), "Obelisk of Luxor" (pub. 1846), "Grand Portico of the Temple of Philae, Nubia" (pub. 1847), and "Statues of Memnon at Thebes during the Inundation" (pub. 1848) - hand-colored lithographs, inscribed in plates, titled to margins. Published by Francis Graham Moon ("F. G. Moon") (English, 1796-1871). Framed. Approximate dimensions: largest image h. 13.75", w. 20.375"; frame (all) h. 17.875", w. 24.5", d. 1.125" (w/ hardware).

    Ahlers & Ogletree Inc.
  • DAVID R. ROBERTS, Scotland, Britain (1796 - 1864), Remains Of A Triumphal Arch At Petra, 1839, hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio), 33.5 x 49 cm. (13.18 x 19.28 in.), frame: 66
    May. 13, 2026

    DAVID R. ROBERTS, Scotland, Britain (1796 - 1864), Remains Of A Triumphal Arch At Petra, 1839, hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio), 33.5 x 49 cm. (13.18 x 19.28 in.), frame: 66

    Est: $300 - $500

    DAVID R. ROBERTS Scotland, Britain, (1796 - 1864) Remains Of A Triumphal Arch At Petra, 1839 hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio) signed in print lower right: David Roberts R.A. signed in print lower left: Louis Haghe (litho) published by F. G. Moon, 1843

    Lawsons
  • DAVID R. ROBERTS, Scotland, Britain (1796 - 1864), Portico Of The Temple Of Kalabshi, hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio), 35 x 51 cm. (13.77 x 20.07 in.), frame: 66 x 77 x 3 cm
    May. 13, 2026

    DAVID R. ROBERTS, Scotland, Britain (1796 - 1864), Portico Of The Temple Of Kalabshi, hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio), 35 x 51 cm. (13.77 x 20.07 in.), frame: 66 x 77 x 3 cm

    Est: $300 - $500

    DAVID R. ROBERTS Scotland, Britain, (1796 - 1864) Portico Of The Temple Of Kalabshi hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio) signed in print lower right: David Roberts R.A. / Louis Haghe (litho) published by F. G. Moon, 1843

    Lawsons
  • DAVID R. ROBERTS, Scotland, Britain (1796 - 1864), Approach To Mount Sinai, 1839, hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio), 35 x 51 cm. (13.77 x 20.07 in.), frame: 66 x 77 x 3 cm. (2
    May. 13, 2026

    DAVID R. ROBERTS, Scotland, Britain (1796 - 1864), Approach To Mount Sinai, 1839, hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio), 35 x 51 cm. (13.77 x 20.07 in.), frame: 66 x 77 x 3 cm. (2

    Est: $300 - $500

    DAVID R. ROBERTS Scotland, Britain, (1796 - 1864) Approach To Mount Sinai, 1839 hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio) signed in print lower left: David Roberts R.A. / Louis Haghe (litho) published by F. G. Moon, 1843

    Lawsons
  • DAVID R. ROBERTS, Scotland, Britain (1796 - 1864), Convent Of The Terra Santa Nazareth, 1839, hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio), 35 x 50.5 cm. (13.77 x 19.87 in.), frame: 65 x
    May. 13, 2026

    DAVID R. ROBERTS, Scotland, Britain (1796 - 1864), Convent Of The Terra Santa Nazareth, 1839, hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio), 35 x 50.5 cm. (13.77 x 19.87 in.), frame: 65 x

    Est: $300 - $500

    DAVID R. ROBERTS Scotland, Britain, (1796 - 1864) Convent Of The Terra Santa Nazareth, 1839 hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio) signed in print lower centre: David Roberts R.A. published by F. G. Moon, 1843

    Lawsons
  • DAVID R. ROBERTS, Scotland, Britain (1796 - 1864), Portion Of The Eastern Portico Baalbec, hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio), 35 x 50.5 cm. (13.77 x 19.87 in.), frame: 65 x 77
    May. 13, 2026

    DAVID R. ROBERTS, Scotland, Britain (1796 - 1864), Portion Of The Eastern Portico Baalbec, hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio), 35 x 50.5 cm. (13.77 x 19.87 in.), frame: 65 x 77

    Est: $300 - $500

    DAVID R. ROBERTS Scotland, Britain, (1796 - 1864) Portion Of The Eastern Portico Baalbec hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio) published by F. G. Moon, 1843

    Lawsons
  • DAVID R. ROBERTS, Scotland, Britain (1796 - 1864), Edfou, 1838, hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio), 32.5 x 48.5 cm. (12.80 x 19.08 in.), frame: 66 x 77 x 3 cm. (25.98 x 30.30 x
    May. 13, 2026

    DAVID R. ROBERTS, Scotland, Britain (1796 - 1864), Edfou, 1838, hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio), 32.5 x 48.5 cm. (12.80 x 19.08 in.), frame: 66 x 77 x 3 cm. (25.98 x 30.30 x

    Est: $300 - $500

    DAVID R. ROBERTS Scotland, Britain, (1796 - 1864) Edfou, 1838 hand coloured lithograph (from The Holy Land, Idumea, Egypt & Nubia portfolio) signed in print lower right: David Roberts R.A. / Louis Haghe (litho) published by F. G. Moon, 1846

    Lawsons
  • David Roberts - 5 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia
    May. 09, 2026

    David Roberts - 5 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia

    Est: $1,500 - $2,500

    Included in this lot: Volume 1 Frontispiece with Entrance to the Great Temple of Aboo Simble, Nubia Bethlehem Site of Petra Jerusalem from the Mount of Olives Interview with the Viceroy of Egypt, at his Palace, Alexandria, May 12th 1839 Description of the work: David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed dutone lithographed plates which depict various scenes of the Holy Land and the Middle East. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • David Roberts - 5 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia
    May. 09, 2026

    David Roberts - 5 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia

    Est: $1,500 - $2,500

    Included in this lot: Interior of the Mosque of the Sultan El Ghoree Tombs of the Khalifs, Cairo The Entrance to the Citadel of Cairo Frontispiece to Egypt & Nubia with Street Scene in Cairo The Citadel of Cairo, Residence of Mehemet Ali Description of the work: David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed dutone lithographed plates which depict various scenes of the Holy Land and the Middle East. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • David Roberts - 6 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia
    May. 09, 2026

    David Roberts - 6 Lithographs from Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia

    Est: $1,000 - $2,000

    Included in this lot: The Letter-Writer A Collosal Statue at the Entrance to the Temple of Luxor Colossi at Wady Saboua Gateway at Dendera The Coffee-Shop of Cairo The Temples of Aboo-Simbel, from the Nile Description of the work: David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed dutone lithographed plates which depict various scenes of the Holy Land and the Middle East. Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land..., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here. David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839. “Roberts’ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with it” (Ran, 6) ... “These prints are of excellence unsurpassed in Europe… The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained… [In Roberts’ own words,] ‘Haghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stone” (Abbey, 340-41).

    Trillium Antique Prints & Rare Books
  • David Roberts, Vessel
    Apr. 23, 2026

    David Roberts, Vessel

    Est: $500 - $700

    David Roberts Vessel c. 2000 glazed and raku-fired earthenware 11 h x 14.5 dia in (28 x 37 cm) Impressed artist's chop mark to underside 'DR'. Provenance: Hart Gallery at SoFA, Chicago | Acquired from the previous in 2000, Private Collection This work will ship from Lambertville, New Jersey.

    Rago Arts and Auction Center
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