Peter Paul Rubens Paintings & Artwork for Sale | Peter Paul Rubens Art Value Price Guide

Sep. 08, 2024
Peter Paul Rubens
Est: €150 - €300
(1577 Siegen - 1640 Antwerpen) nach Porträt einer jungen Frau mit Strohhut (wohl Bildnis der Susanna Lunden geb. Fourment) Gemalt von einem englischen Kopisten des 19. Jhs. nach dem berühmten Rubens-Porträt in der National Gallery in London. Öl/Holztafel. Vergoldeter Prunkrahmen im Barock-Stil aus geschnitztem Holz und Stuck, wohl Frankreich. Ca. 77,5 cm x 54 cm; Gesamtmaß ca. 120 cm x 86 cm. Provenienz: aus der über Generationen gewachsenen Sammlung Michahelles, Hamburg. After Peter Paul Rubens (1577 - 1640). 19th C. copy after the well-known painting in the National Gallery in London. Splendid carved and gilt wood and stucco frame, probably French.
Kunstauktionshaus Schloss Ahlden
Sep. 03, 2024
PETER PAUL RUBENS (1577-1640), COPY AF
Est: -
Peter Paul Rubens (1577-1640), copy after, Diana and Aktaion, who is transformed into a stag and mauled by his dogs. Copy by B. Witt, 1929, oil on canvas, signed and dated lower right, 80 x 140 cm, framed 103 x 163 cm
Historia Auctionata
Sep. 03, 2024
PETER PAUL RUBENS (1577-1640), COPY AF
Est: -
Peter Paul Rubens (1577-1640), copy after ''Christus mit dem Johannesknaben und Engeln'', anonymous 19th century copy after the original in the Berlin Gemäldegalerie, oil on canvas, unsigned, restored and retouched, 95 x 122 cm
Historia Auctionata
Sep. 03, 2024
PETER PAUL RUBENS (1577-1640), AFTER,
Est: -
Peter Paul Rubens (1577-1640), after, ''The Banquet of Herodias'', anonymous 18th century copy after the original in the National Gallery of Scotland, oil on canvas, unsigned, relined, restored and retouched, 100 x 165 cm
Historia Auctionata
Jul. 27, 2024
P. RUBENS (1577-1640), Portrait of a young woman, 1905, Photogravure
Est: €60 - €100
Peter Paul Rubens (1577 Siegen - 1640 Antwerp): Portrait of a Young Woman with Curly Hair, 1905, Photogravure Technique: Photogravure on Paper Inscription: Petrus Paulus Rubens fec. Date: 1905 Description: High-quality heliogravure after the original by Peter Paul Rubens from the Royal Picture Gallery Dresden. Published by the Verlag der Gesellschaft zur Verbreitung Klassischer Kunst GmbH 1905, Berlin. Keywords: Portrait, Woman, Curls, 20th century, Figurative, Portraits, Germany, Size: Paper: 47,5 cm x 36,5 cm (18,7 x 14,4 in)
Fichter Kunsthandel
Jul. 24, 2024
After Peter Paul Rubens "Two Satyrs" Painting
Est: $600 - $1,200
Oil on canvas painting after Peter Paul Rubens (Flemish, 1577-1640). After the Rubens 1619 painting "Two Satyrs" depicting a pair of the mythical creatures. Signed illegibly along the lower right. The original work is held in the collection of the Alte Pinakothek in Munich, Germany.
Revere Auctions
Jul. 18, 2024
MONUMENTAL PAIR OF BIBLICAL SCENES, WORKSHOP OF PETER PAUL RUBENS (1577 - 1640), Anvers Flemish school of the 17th century
Est: €200,000 - €250,000
Representing Abigail in front of King David and Salome next to the head of St. John the Baptist, large and important pair of oil paintings on canvas attributed to the workshop of Peter Paul Rubens and from a series of seven of which one of them is preserved in the Museum of Marseille. Measurements framed: 223 x 318 cm, canvas measurements: 207 x 302 cm. Provenance: liquidation of an important estate from a villa in Marbella, Costa del Sol, Spain. Reference Bibliography: Díaz Padrón, Matías (1995). El Siglo de Rubens en el Museo del Prado. Catálogo Razonado de Pintura Flamenca del Siglo XVII. Barcelona / Madrid: Editorial Prensa Ibérica / Museo Nacional del Prado. ISBN 84-87657-89-3. Notice to buyers: lot is offered without reserve.
Templum Fine Art Auctions
Jul. 17, 2024
RUBENS, Peter Paul (1577-1640). the Assumption of the Virgin. Antwerp: Maarten van den Enden, [1630-1645].
Est: €300 - €500
Reproduction of the major altarpiece in Antwerp Cathedral. An original autograph drawing by Rubens of the same subject is also preserved at the Mauritshuis in The Hague (inv. no. 926). Etching (447 x 630mm) third state, apres la lettre with the address of G. Hendrix and with the dedication to 'Lucae Lancellotto' (some minor antique restoration, trimmed at the stop). Within modern frame. (1)
Wannenes Art Auctions
Jul. 16, 2024
Peter Paul Rubens (1577 – 1640) – Follower
Est: €100 - €200
Peter Paul Rubens (1577 – 1640) – Follower, elderly lady looking to the side. Oil on wooden panel. 45 x 31,5 cm.
Deutsch Auktionen
Jul. 16, 2024
Peter Paul Rubens (1577 – 1640) – Follower
Est: €300 - €600
Peter Paul Rubens (1577 – 1640) – Follower, Delila cuting Samsons hair , oil on canvas, framed. 90X70 cm
Deutsch Auktionen
Jul. 09, 2024
After Sir Peter Paul Rubens, Flemish 1577-1640- Portrait of Ansegisus an
Est: £200 - £300
After Sir Peter Paul Rubens, Flemish 1577-1640- Portrait of Ansegisus and St. Bega; pencil and watercolour on paper, oval, inscribed 'The Duke of Brabant / and his Daughter Bega / copied by Anne Chambers / from one by Mary Cambers / after Jordaens / In the Collection of the / Earl of Egremont at / Petworth' verso, 24 x 19.1 cm. Provenance: Private Collection, UK. Note: The present work is a copy after Rubens' original, which is held in the Kunsthistorisches Museum in Vienna [GG_521].
Roseberys
Jul. 05, 2024
Pietro Paolo Rubens 1577 Siegen-1640 Anversa, copia da Deposizione dalla croce
Est: €2,000 - €3,000
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Cambi Casa d'Aste
Jul. 02, 2024
PETER RUBENS (1577-1640) LITHOGRAPH TITLED THE THREE GRACES, 12IN x 15IN (30cm x 38cm)
Est: $300 - $400
Peter Rubens (1577-1640) lithograph titled The Three Graces, which is after the original which was painted in 1639. With frame, it measures 12 inches x 15 inches. It is matted and framed under glass in a wooden frame. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Jul. 02, 2024
Peter Paul Rubens, Siegen 1577 - 1640 Antwerp, Successor, Bishop
Est: €500 - €1,000
Peter Paul Rubens Siegen 1577 - 1640 Antwerp, Successor 17th century Bishop Oil on canvas on wooden panel 65 x 59 cm, with frame 87 x 80 cm
Tiberius Auctions
Jul. 02, 2024
AFTER PETER PAUL RUBENS (1577-1640). Five Engravings of Devotional Subjects
Est: - £5,000
AFTER PETER PAUL RUBENS (1577-1640). Five Engravings of Devotional Subjects. Sheet 597 x 437 mm (H. 3) Plate 623 x 464 mm., Sheet 625 x 466 mm. (H. 5) Sheet 538 x 398 mm. (H. 7) Plate & Sheet 656 x 440 mm. (H. 8) Sheet 573 x 441 mm. (H. 20) (5).
Christie's
Jun. 27, 2024
JUDGEMENT OF SOLOMON.
Est: €150 - €200
Engraving, 43,7 x 51,0 cm, laid paper, signed "P. P. Rubens pinxit. / B. à Bolswert sculp. et excudit.", Latin text (some foxing, mostly in text). - After the painting by Rubens from c. 1617 in Copenhagen (Statens Museum for Kunst, inv. KMSsp185). - Ref. Hollstein III.61.3.II (of II).
Arenberg Auctions
Jun. 27, 2024
Peter Paul Rubens, 1577 Siegen – 1640 Antwerpen, nach
Est: €1,000 - €1,500
KOPIE NACH DEM MEDICI-ZYKLUS: GEBURT DER MARIA DE' MEDICI Öl auf Leinwand. 56 x 44 cm. Ende 17. Jahrhundert. Die Allegorie einer Stadt in Gestalt einer Frau mit Mauerkrone zwischen Blumen, ein Kind in den Armen, umgeben von glücksbringenden Göttern, darunter ein Genius mit Krone, Zepter und Füllhorn. Der Flussgott links unten weist auf die Lage der Stadt an einem Fluss. (1390561) (11)
Hampel Fine Art Auctions
Jun. 27, 2024
Flämischer Meister aus dem Kreis des Peter Paul Rubens (1577 – 1640)
Est: €3,000 - €5,000
DANIEL IN DER LÖWENGRUBE Öl auf zwei zusammengefügten Holzplatten. 45 x 61 cm. In Prunkrahmen. Das Thema des Gemäldes stammt aus dem Buch Daniel 6,1-28. Im Mittelpunkt der mit weißem und leuchtend rotem langem Tuch um die Hüften bekleidet sitzende Daniel, mit gefalteten Händen, aus einer Öffnung der Grube flehend zum Himmel hinausblickend. Umgeben ist er von einer großen Gruppe von Löwen, einer von ihnen mit aufgerissenem Maul. Rubens stellte die Löwen einer marokkanischen Unterart dar, welche sich zu dieser Zeit in der Menagerie des spanischen Gouverneurs in Brüssel befanden. Während Daniel hier als Mann mittleren Alters dargestellt wird, war der biblische Daniel bereits über 80 Jahre alt. Vereinzelt rest. Anmerkung: Das Gemälde ist ganz dem um 1600 entstandenen Original verpflichtet, welches die Maße 220 x 330 cm hat und in der National Gallery of Art in Washington D.C. verwahrt wird. (14023241) (18)
Hampel Fine Art Auctions
Jun. 27, 2024
Peter Paul Rubens, 1577 Siegen – 1640 Antwerpen, nach
Est: €3,000 - €5,000
DIE HEILIGE FAMILIE MIT DER HEILIGEN ANNA Öl auf Leinwand. Doubliert. 123 x 103 cm. In vergoldetem Kehlrahmen. Nach dem Gemälde im Prado in Madrid (115x90 cm, Nr. 1639) geschaffenes Werk die Heilige Mutter Gottes mit entblößter Brust und auf ihrem Schoß stehendem Christuskind zeigend. Hinter diesem die Heilige Anna mit leisem Lächeln und velumgleichen Kopftuch, rechts vor einem architektonischen Versatzstück Josef seinen Kopf auf der Hand ruhend. Das Gemälde im Prado wurde von Velazquez für die „Salas de los Capitulos“ im Escorial ausgewählt und Ende des 17. Jahrhunderts von Padre de los Santos als „Lo mejor que hay en esta Casa al sentir de muchos“ beurteilt. (14008922) (13)
Hampel Fine Art Auctions
Jun. 27, 2024
Peter Paul Rubens, 1577 Siegen – 1640 Antwerpen, Kreis des
Est: €14,000 - €16,000
DECIUS MUS DEUTET SEINEN OFFIZIEREN DEN TRAUM Öl auf Holz. Parkettiert. 83 x 74 cm. Verso mit alten Etiketten und Nummerierungen. In ebonisiertem Rahmen. Der Heldentod des römischen Konsuls Decius Mus gilt in der antiken Überlieferung als ein „exemplum virtutis“, ein Beispiel besonders tugendhaften Handelns. Peter Paul Rubens war der erste Künstler, der Livius‘ Bericht über den Krieg der Römer gegen die Latiner im Jahr 340 v. Chr. in die Malerei übertrug. Die Bewohner der Ebene von Latium hatten sich gegen die römische Vorherrschaft erhoben und die Römer mit einem zahlenmäßig überlegenen Heer herausgefordert. Im Lager bei Capua hatten die römischen Oberbefehlshaber, die Konsuln Decius Mus und Titus Manlius, denselben Traum: Das Heer würde siegen, dessen Feldherr in der Schlacht fällt. Rubens konzentriert seine Erzählung auf Decius Mus, den Helden seiner Gemäldefolge. Im ersten Bild tritt Decius allein vor sein Heer, um von seinem Traum zu berichten, während Titus Manlius unbeachtet bleibt. Der Künstler zeigt Decius Mus in gebieterischer Haltung auf einem Podest stehend, umgeben von Standartenträgern verschiedener Einheiten in unterschiedlicher Kampfkleidung. Eine Ölskizze zu diesem Gemälde in der National Gallery of Art, Washington, deutet darauf hin, dass Rubens ursprünglich plante, die profane Historie mit Anspielungen auf die antike Götterwelt zu bereichern, indem er über dem Haupt des Konsuls den Adler des Jupiter als göttlichen Beschützer schweben ließ. In der endgültigen Ausführung verzichtete er jedoch auf diese mythologische Überhöhung. In seiner Darstellung folgte Rubens einer vor allem in der Antike gebräuchlichen Bildformel, der Adlocutio, bei der ein Feldherr in erhöhter Position zu seinen Legaten und Tribunen spricht. Solche Darstellungen finden sich auf den Triumphmonumenten Roms, wie dem Konstantinsbogen und der Trajanssäule. Letztere diente Rubens mit einer ihrer Reliefszenen als direktes Vorbild. Rubens befürwortete das kreative Verarbeiten antiker Bildfindungen, betonte aber in seiner Schrift „De Imitatione Statuarum“ auch die Notwendigkeit des einfühlsamen Verständnisses für die Vorlage. In Rubens‘ Übersetzung der Reliefszene in die Malerei bleibt der friesartige Charakter zwar erhalten, doch die symmetrische Anordnung der Figuren im antiken Vorbild weicht nun einer lebendigen Variation mit vielfältigen Bewegungsmotiven. Auch der malerische Duktus trägt zu einer zusätzlichen Dynamisierung bei. Die Studienhafte Version aus der Hand von Peter Paul Rubens wird in der National Gallery of Art in Washington unter Inventarnummer 1957.14.2 (80,7 x 84,7 cm) verwahrt. Das große Originalgemälde mit der gleichen Darstellung wird seit 1693 in den Fürstlichen Sammlungen Liechtenstein verwahrt und hat die Maße 294 × 279 cm. (1402326) (13) Peter Paul Rubens, 1577 Siegen – 1640 Antwerp, circle of DECIUS MUS RELATING HIS DREAM TO HIS OFFICERS Oil on panel. Parquetted. 83 x 74 cm. Old labels and numbers on the reverse. The heroic death of the Roman consul Decius Mus is considered in ancient tradition to be an “exemplum virtutis”, an example of particularly virtuous behaviour. Peter Paul Rubens was the first artist to portray Livy’s report on the war of the Romans against the Latins in 340 BC in painting. An oil sketch for this painting in the National Gallery of Art, Washington, suggests that Rubens originally intended to enrich the secular history with allusions to the ancient world of gods by having Jupiter’s eagle hover over the head of the consul as a divine protector. In the final version, however, he dispensed with this mythological allusion. In his depiction, Rubens followed a pictorial formula that was particularly common in antiquity, the “adlocutio”, in which a general speaks to his legates and tribunes from a vantage point. The study version by Peter Paul Rubens is held at the National Gallery of Art in Washington under inv. no. 1957.14.2 (80.7 x 84.7 cm). The large original painting has been in the Princely Collections of Liechtenstein since 1693 and measures 294 × 279 cm.
Hampel Fine Art Auctions
Jun. 27, 2024
Peter Paul Rubens, 1577 Siegen – 1640 Antwerpen, und Werkstatt
Est: €250,000 - €300,000
JESUS UND JOHANNES IN JUGENDLICHEM ALTER Öl auf Leinwand. Doubliert. 125 x 158 cm. Verso auf dem Keilrahmen mit Nummerierung und Etikett. In vergoldetem und reliefverziertem Rahmen. Beigegeben ein Gutachten im Original von Prof. Julius S. Held, 12. März 1982 und ein Technisches Gutachten von Prof. Dr. Franz Mairinger, Wien, 8. November 1991 in Kopie und eine Bestätigung über die Eigenhändigkeit des vorliegenden Gemäldes durch Hugues Le Grand, Saint-Germain-de-Confolens, ohne Datum, der Rubens vollumfänglich als Autor des hier angebotenen Gemäldes anerkennt sowie darüber hinaus eine Provenienzbestätigung durch Fürstin M. Sayn - Wittgenstein, München, 7. Januar 1994. Die Darstellung aus dem Protoevangelium des Jacobus, in der Elisabeth zusammen mit Zacharias und dem jungen Johannes die Heilige Familie besucht, ist faszinierend und vielschichtig interpretierbar. Das scheinbar unbeschwerte Spiel der Kinder, insbesondere die Darstellung des Christuskindes in der Bewegung um das Lamm zu streicheln, ist von gehaltvoller Symbolik geprägt. Das Bild des Christuskindes, das sich von einem Baumstumpf erhebt, um das Lamm zu berühren, kann auf mehreren Ebenen interpretiert werden. Zunächst einmal zeigt es die Menschwerdung Christi und seine Rolle als Erlöser. Indem er das Lamm berührt, nimmt er symbolisch den Opfertod an, der ihm bevorsteht, um die Menschheit von ihren Sünden zu erlösen. Der Baumstumpf könnte jedoch auch eine Verbindung zur biblischen Prophezeiung von Jesaja aufzeigen, die den Messias als Spross aus der Wurzel Isais beschreibt. Indem das Christuskind sich von diesem Baumstumpf erhebt, wird seine Verbindung zur messianischen Linie deutlich. Die Anwesenheit von Johannes dem Täufer in dieser Szene verstärkt die Symbolik weiter. Johannes, der das Lamm Gottes ankündigte, steht bereits in seiner Jugend in enger Verbindung mit dem Erlöser. Seine Anwesenheit bei diesem Ereignis betont die prophetische Natur des Besuchs und die Vorahnung dessen, was kommen wird. Provenienz: Russisches Zarenhaus. Durch Heirat einer Wittelsbacherin in die Russische Zarenfamilie gelangte das vorliegende Werk in die Kunstsammlung von Schloss Seehof. Sammlung Freiherr Franz Joseph von Zandt, Schloss Seehof bei Bamberg, 1951 veräußert an: Kunstsammler, Schweiz. Tiberius Auktion, Wien, 5. Juli 2022, lot 9. Literatur: Vgl. M. Rooses: L‘Oeuvre de P.P. Rubens, Antwerpen 1886, S. 250ff. Vgl. W.L. Crowdy: A Connoisseur‘s Note book, in: The Playgoer and Society, Nrn. 7-12, London 1910. Vgl. Erik Larsen: Seventeenth Century Flemish Painting, Freren 1985. Vgl. Michael Jaffé: Catalogo completo: Rubens, Mailand 1989. (1400061) (13) Peter Paul Rubens, 1577 Siegen – 1640 Antwerp, and workshop CHRIST AND SAINT JOHN AS YOUTHS Oil on canvas. Relined. 125 x 158 cm. Stretcher with numbers and label on the reverse. Accompanied by an original report by Professor Julius S. Held, 12 March 1982, a copy of a technical report by Professor Dr. Franz Mairinger, Vienna, 8 November 1991, and a certificate of authenticity of the present painting by Hugues Le Grand, Saint-Germain-de-Confolens, n.d., who fully recognizes Rubens as the creator of the painting on offer for sale in this lot and a confirmation of provenance by Princess M. Sayn-Wittgenstein, Munich, 7 January 1994. Provenance: Estate of Russian Tsars. Through marriage of a Wittelsbach heiress into the Russian Tsarist family, the present work came into the art collection of Seehof Castle. Baron Franz Joseph von Zandt collection, Seehof Castle near Bamberg, 1951 sold to: Art collector, Switzerland. Tiberius Auction, Vienna, 5 July 2022, lot 9. Literature: cf. M. Rooses, L’oeuvre de P.P. Rubens, Antwerp 1886, p. 250f. cf. W.L. Crowdy, A Connoisseur’s Notebook, in: The Playgoer and Society, nos. 7-12, London 1910. cf. Erik Larsen, Seventeenth Century Flemish Painting, Freren 1985. cf. Michael Jaffé, Rubens: Catalogo completo, Milan 1989.
Hampel Fine Art Auctions
Jun. 26, 2024
Saint Paul the Apostle - Attributed to Peter Paul Rubens or his Workshop (Siegen present-day Germany 1577 - Antwerp present-day Belgium 1640)
Est: €6,000 - €8,000
Flemish School of Antwerp from the 17th century - Oil on canvas measurements: 106 x 82 cm measurements with frame: 116 x 92 cm Works in comparison: a Saint Paul of the same model possibly brought to the new world in the form of an engraving and painted by Cristóbal de Villalpando preserved in the museum of Querétaro Mexico Another model by the same author preserved in the Museo Nacional del Prado Madrid Provenance: private collection Madrid Reference bibliography: Branden Frans Jozef Peter van den Geschiedenis der Antwerpsche Schilderschool Antwerp 1883 pp 463-467; Díaz Padrón Matías The century of Rubens in the Prado Museum Catalog raisonné of Flemish painting of the 17th century Barcelona Editorial Prensa Ibérica and Madrid Museo del Prado 1995 p 123
Templum Fine Art Auctions
Jun. 22, 2024
ECOLE DU XIXème siècle, d'après Pierre Paul RUBENS (1577-1640)
Est: €2,000 - €3,000
ECOLE DU XIXème siècle, d'après Pierre Paul RUBENS (1577-1640) Cupidon frigide Huile sur toile Cadre à vue ovale en bois et composition dorés (manques, accidents) 61 x 50 cm Note. Ce tableau s'inspire de la Vénus Frigida, conservée à Anvers, au Musée Royal des Beaux-Arts (numéro d'inventaire 709).
Osenat
Jun. 17, 2024
reprint of Peter Paul Rubens
Est: $40 - $50
nicely matted reprint of Peter Paul Rubens' (1577 to 1640) named Son of the Artist, printed by Penn Prints in New York
Yardley Antiques
Jun. 15, 2024
Painter (19th century) after Peter Paul Rubens (1577 - 1640),
Est: -
Painter (19th century) after Peter Paul Rubens (1577 - 1640), "Mary Visits Elisabeth",(19th century) after Peter Paul Rubens (1577 - 1640), "Mary Visits Elisabeth", Oil on canvas, 65 x 52 cm, After an engraving by Pieter de Jode II (Metropolitan Museum of Art) after the painting by Peter Paul Rubens. Maler (19. Jahrhundert) nach Peter Paul Rubens (1577 - 1640), "Maria besucht Elisabeth", Öl auf Leinwand, 65 x 52 cm, Nach einem Stich von Pieter de Jode II (Metropolitan Museum of Art) nach dem Gemälde von Peter Paul Rubens.
Auktionshaus Plückbaum
Jun. 12, 2024
Manner of Peter Paul Rubens (Flemish, 1577-1640), Portrait of a gentleman in armor (possibly St. Martin), oil on canvas, 23 x 19in (58.5 x 48.5cm)
Est: $300 - $500
Manner of Peter Paul Rubens (Flemish, 1577-1640) Portrait of a gentleman in armor (possibly St. Martin) oil on canvas With stenciled text to back of canvas.
Andrew Jones Auctions
Jun. 11, 2024
PETER RUBENS (1577-1640) LITHOGRAPH TITLED THE THREE GRACES, 12IN x 15IN (30cm x 38cm)
Est: $300 - $400
Peter Rubens (1577-1640) lithograph titled The Three Graces, which is after the original which was painted in 1639. With frame, it measures 12 inches x 15 inches. It is matted and framed under glass in a wooden frame. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Jun. 08, 2024
PETER RUBENS ORIGINAL PORTRAIT SKETCH AFTER
Est: $75 - $10,000
180136 PETER RUBENS ORIGINAL PORTRAIT SKETCH AFTER Peter Paul Rubens (1577-1640, Flemish) original portrait sketching in the manner of. This is an original sketching created by an unknown artist in the same style and technique as Peter Paul Rubens. He isconsidered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroquestyle emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Size: 7.75 X 1.75", 15.5 X 19.5" Frame Condition:Very fine.
Florida Estate Sales Inc.
Jun. 06, 2024
Antique Cast Iron Peter Paul Rubens Wall Plaque
Est: $400 - $600
An antique painted cast iron rondel plaque with embossed portrait of Peter Paul Rubens (1577-1640). After Flemish master Jean-Baptiste Daniel Dupuis (1849 - 1899). Large size indicates it was likely hung on a building, measures 22" across, weighs 41 lbs *note - patina
Embassy Auctions International
Jun. 01, 2024
Peter Paul Rubens, (after) Self Portrait
Est: $2 - $400
Includes an antique (19th century) on panel with viewable measuring approx. 4.5" x 3.75" From a Dutch collection brought to the United States in 1949, More info Provenance. Provenance: From a local Dresher, PA estate. Consignor states these were inherited from her parents. The collection came from her grandfather. He and his brother were fine art and porcelain dealers collectors in the Netherlands from 1930-1949. They specialized in Dutch masters and Chinese and Dutch porcelain. The collection was moved to the united states after this period of time and has been part of the families collection since.
Searchlight / Saucon Valley Auctions
May. 29, 2024
ATTRIBUTED PETER PAUL RUBENS, SKETCH.
Est: $400 - $600
Attributed to Peter Paul Rubens (Flemish 1577-1640) graphite sketch, 'Head of a Bearded Man', with initials lower left, P.P.R. Paper size 9.75” x 8”, Overall in frame 27” x 23”.
William Smith Auctions
May. 28, 2024
David Teniers II (Flemish, 1610-1690) and studio
Est: €10,000 - €15,000
Panoramic mountain landscape with Pan and Syrinx, The present lot is based on a composition by Peter Paul Rubens (1577-1640) depicting ‘Odysseus on the Island of the Phaeacians', in the collection of the Palazzo Pitti in Florence.Accompanied by a copy of a letter by Margret Klinge, dated 12 July 1981, where she attributed the painting to David Teniers II and studio, probably painted in the late 1650s or early 1660s, oil on canvas, 83,5x121 cm, David Teniers II (Flemish, 1610-1690) and studio
Venduehuis der Notarissen
May. 27, 2024
PIETRO PAOLO RUBENS (seguace di)
Est: €300 - €500
(Siegen, 1577 - Anversa, 1640) Crocifissione Olio su tela, cm 63,5X50 Il dipinto è desunto dalla Crocifissione realizzata da Pietro Paolo Rubens nel 1613, oggi conservata al Koninklijk Museum voor Schone Kunsten di Anversa (olio su tavola, cm 221X121). Bibliografia di riferimento: M. Jaffé, Rubens. Catalogo Completo, Milano 1989, pp. 185-186, n. 200
Wannenes Art Auctions
May. 26, 2024
Peter Paul Rubens Oil on Canvas
Est: $5,000 - $10,000
Peter Paul Rubens reproduction o/c 36" x 48" frame: 46" x 58"
1stBid
May. 25, 2024
After RUBENS (*1577), Isabella Clara Eugenia (1566-1633), around 1650, Copper engraving
Est: €300 - €400
After Peter Paul Rubens (1577 Siegen - 1640 Antwerp): Portrait of Isabella Clara Eugenia, Spain Habsburg (1566 Segovia - 1633 Brussels), Governor of the Spanish Netherlands, c. 1650, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part inscribed in the printing plate: "Isabella Clara Eugenia, Aertshartoginne Van Oostenryk, Hartoginne Van Borgonje, Vorstinne der Nederlanden.". Date: c. 1650 Description: Portrait of the Spanish Infanta and Governor of the Netherlands, Isabella Clara Eugenia of Spain. The depiction follows a portrait by Peter Paul Rubens from 1609, which is now kept in the National Gallery in London. Person: Depicted: Isabella Clara Eugenia, Spain Habsburg (1566 Segovia - 1633 Brussels) Governor of the Spanish Netherlands Keywords: Printmaking, Netherlands, Spain, Portrait, Ruler, Infanta, 17th century, Baroque, Portraits, Netherlands, Size: Paper: 41,3 cm x 22,6 cm (16,3 x 8,9 in), Depiction: 26,2 cm x 18,2 cm (10,3 x 7,2 in)
Fichter Kunsthandel
May. 23, 2024
SIR PETER PAUL RUBENS (SIEGEN 1577-1640 ANTWERP) - Portrait of Margherita Gonzaga, bust-length, in an embroidered black doublet...
Est: $150,000 - $250,000
SIR PETER PAUL RUBENS (SIEGEN 1577-1640 ANTWERP) Portrait of Margherita Gonzaga, bust-length, in an embroidered black doublet... oil on canvas 32 ¾ x 25 in. (83.2 x 63.5 cm.)
Christie's
May. 21, 2024
PETER RUBENS (1577-1640) LITHOGRAPH TITLED THE THREE GRACES, 12IN x 15IN (30cm x 38cm)
Est: $300 - $400
Peter Rubens (1577-1640) lithograph titled The Three Graces, which is after the original which was painted in 1639. With frame, it measures 12 inches x 15 inches. It is matted and framed under glass in a wooden frame. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
May. 17, 2024
Rubens, Peter Paul (1577-1640) (by/ after). Old woman and a boy with candles.
Est: €100 - €150
Rubens, Peter Paul (1577-1640) (by/ after). Old woman and a boy with candles. Engraving (partly) by Paulus PONTIUS, 13x19,3 cm., 2-line text below. - On thick laid (18th cent.?) paper with large watermark showing a building; sl. grey impression. = Hollstein 2 (Rubens) and Hollstein 48 (Pontius).
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
May. 14, 2024
Peter Paul Rubens (Siegen 1577 - Anversa 1640) copia del XIX secolo
Est: €1,200 - €1,800
Peter Paul Rubens (Siegen 1577 - Anversa 1640) copia del XIX secolo Marte e Venere Olio su tela 114 x 146 cm L'opera riprende la tela di Rubens conservata a Genova, Palazzo Bianco, Musei di Strada Nuova. Peter Paul Rubens (Siegen 1577 - Antwerp 1640) 19th century copy Mars and Venus Oil on canvas 114 x 146 cm The artwork is based on Rubens' canvas in Genoa, Palazzo Bianco, Strada Nuova Museums.
Lucas Aste
May. 14, 2024
Pieter Paul Rubens (Siegen 1577 - Anversa 1640) allievo/seguace del XVII secolo
Est: €5,000 - €8,000
Pieter Paul Rubens (Siegen 1577 - Anversa 1640) allievo/seguace del XVII secolo La regina Tomiri fa immergere la testa di Ciro in un otre pieno di sangue Olio su tela 96,5 x 134 cm L’opera riprende, in controparte, l’originale di Pieter Paul Rubens conservata al Museum of Fine Arts di Boston. Il dipinto in esame va riferito alla cerchia di pittori cresciuti nell’atelier di Pietro Paolo Rubens, detto "il principe del barocco", attivi anche dopo la sua morte oppure ad un seguace del grande maestro, coinvolto nella produzione a latere della bottega. La prima formazione di Rubens si deve ai maestri Otto van Veen e Jan Brueghel il Vecchio. Fondamentale per la sua crescita artistica fu il suo viaggio in Italia. Ha soggiornato, studiato e dipinto per otto anni nel Bel Paese, facendo tappa prima a Venezia, dove studiò Tiziano, Veronese e Tintoretto. In seguito, entrato in contatto con Vincenzo I Gonzaga duca di Mantova, divenne loro pittore di corte, carica che conservò sino alla fine del suo soggiorno italiano. A Mantova, Rubens ebbe modo di studiare da vicino e assiduamente la ricca collezione ducale. Realizzando copie di diversi dipinti famosi ebbe modo di esercitarsi tecnicamente sugli esempi dei più grandi maestri. Nel 1601 venne inviato dal duca a Roma, dove ebbe modo di ampliare ulteriormente i suoi orizzonti figurativi, grazie alla copia di modelli di Michelangelo e Raffaello e allo studio dell'antico, guardando anche alla coeva produzione artistica del Carracci, di Caravaggio e di Federico Barocci. Lasciata l’Italia si stabilì e ad Anversa, ove organizzò il suo atelier, applicando i metodi di produzione organizzata, ovvero impiegando i suoi collaboratori con criteri razionali e in base alle singole specializzazioni. Tra i molti pittori usciti dalla bottega di Rubens o fortemente influenzati dal maestro, ricordiamo: Cornelis e Paul de Vos, Thomas Willeboirts Bosschaert, Jacob Jordaens, Pieter Van Mol, Victor Wolvoet, Joanna Vergouwen, Jan Boeckhorst detto Lange Jan, Lucas Van Uden, Theodor Van Thulden, Peter Van Lint, Willem Van Harp, Vincent Adrianssen, Pieter Van Avont, Jan e Hendrick van Balen, Theodor Boeyemans o Boeijermans, Vincent Malò, Gerard Segher Gaspar de Crayer e Abraham Willemsens. Pieter Paul Rubens (Siegen 1577 - Antwerp 1640) pupil/follower of the 17th century Queen Tomyris Has Cyrus' Head Immersed in a Skin Full of Blood Oil on canvas 96,5 x 134 cm The artwork takes up, in contrast, the original by Pieter Paul Rubens preserved at the Museum of Fine Arts in Boston. The painting in question must be referred to the circle of painters who grew up in the atelier of Pietro Paolo Rubens, known as "the prince of the baroque", active even after his death or to a follower of the great master, involved in the workshop's side production.
Lucas Aste
May. 14, 2024
Pieter Paul Rubens (Siegen 1577 - Anversa 1640) bottega di
Est: €30,000 - €40,000
Pieter Paul Rubens (Siegen 1577 - Anversa 1640) bottega di Sileno, Flora e Zeffiro Olio su tela 135 x 115 cm Studi, perizie, attestazioni scritte: 07 aprile 1975 David Rosand (come P.P. Rubens) 14 luglio 1991 Michael Jaffè (come P.P. Rubens) 28 luglio 2010 Maurizio Marini (come P.P. Rubens) disponibile solo in fotocopia 10 agosto 2010 Didier Bodart (come P.P. Rubens) 20 agosto 2010 Didier Bodart (come P.P. Rubens) Provenienza: Inghilterra, Earl of Bute, XVIII secolo Inghilterra, Luton park, 1799 Inghilterra, Londra Vendita Bute, 1883 Svizzera, Collezione privata fino al 2005 Italia, Collezione privata Bibliografia: G.F. Waagen, Treasures of Art in Great Britain, Londra 1854, III, pag. 475. J. Richter, catalogue of the collection of Earl of Bute, Londra 1883, n. 208. Studi scientifici sui materiali: Prove chimiche, prelievi e analisi di laboratorio, a cura di Diagnostica per l'Arte Fabbri, di Davide Bussolari. Pieter Paul Rubens (Siegen 1577 - Antwerp 1640) workshop of Silenus, Flora and Zephyrus Oil on canvas 135 x 115 cm Studies, appraisals, and written certifications: 07 April 1975 David Rosand (as P.P. Rubens) 14 July 1991 Michael Jaffè (as P.P. Rubens) 28 July 2010 Maurizio Marini (as P.P. Rubens) available only in photocopy 10 August 2010 Didier Bodart (as P.P. Rubens) 20 August 2010 Didier Bodart (as P.P. Rubens) Provenance: England, Earl of Bute, 18th century England, Luton Park, 1799 England, London Bute Sale, 1883 Switzerland, private collection until 2005 Italy, private collection Bibliography: G.F. Waagen, Treasures of Art in Great Britain, London 1854, III, page 475. J. Richter, catalog of the collection of Earl of Bute, London 1883, n. 208. Scientific studies on materials: Chemical tests, samples and laboratory analyses, by Diagnostica per l'Arte Fabbri, by Davide Bussolari.
Lucas Aste
May. 07, 2024
Peter Paul Rubens, Siegen 1577 - 1640 Antwerp, workshop attributed, Seated figure
Est: €3,000 - €5,000
Peter Paul Rubens Siegen 1577 - 1640 Antwerp, workshop attributed Seated figure Watercolour charcoal drawing 40.5 x 28.5 cm Cf. Albertina Vienna inv. no. 17652; Albertina Vienna inv. no. 8295 Cf. Peter Paul Rubens, The Adoration of the Shepherds, c. 1615, Musée des Beaux-Arts, Rouen. Information provided by the consignor: According to Prof. Dr Justus Müller Hofstede, formerly of Bonn, this is an original drawing from Rubens' workshop which was used to transfer the painting onto the wooden panel in Rouen.
Tiberius Auctions
May. 04, 2024
Rubens, Peter Paul
Est: -
Rubens, Peter Paul 1577 Siegen - 1640 Antwerpen (nach) Trunkener Silen und Satyre. Öl/Lwd., 55 x 65 cm.
Dusseldorfer Auktionshaus
May. 03, 2024
Petrus Paulus Rubens makes antique leather brass and wood Dutch bellows in Holland.
Est: $70 - $90
Petrus Paulus Rubens makes antique leather, brass, and wood Dutch bellows in Holland. The bellows measure 5 cm high x 55 cm wide x 22 cm deep.
Because Auctions
Apr. 30, 2024
PETER RUBENS (1577-1640) LITHOGRAPH TITLED THE THREE GRACES, 12IN x 15IN (30cm x 38cm)
Est: $300 - $400
Peter Rubens (1577-1640) lithograph titled The Three Graces, which is after the original which was painted in 1639. With frame, it measures 12 inches x 15 inches. It is matted and framed under glass in a wooden frame. This piece was acquired from a Metro Washington DC estate.
The Rug Life Auctions
Apr. 23, 2024
Bas-relief en cuivre repoussé représentant la Descente de croix, d'après Pierre Paul Rubens (1577-1640), Flandre, 17e siècle
Est: €600 - €800
Bas-relief en cuivre repoussé représentant la Descente de croix, d'après Pierre Paul Rubens (1577-1640), Flandre, 17e siècle Enchâssé dans un cadre en bois doré recouvert de velours bleu d'époque postérieur. Koperen bas-reliëf in reliëf met de Kruisafneming, naar Peter Paul Rubens (1577-1640), Vlaanderen, 17e eeuw. A copper low relief depicting the Descent from the cross, after Pierre Paul Rubens (1577-1640), Flemish, 17th century 14 x 9 cm
Bonhams
Apr. 21, 2024
After Peter Paul Rubens (1577-1640) 'Rape of the Daughters of Leucippus' Oil on Canvas
Est: $300 - $500
After Peter Paul Rubens (1577-1640) 'Rape of the Daughters of Leucippus' Oil on Canvas Undated, unsigned, anonymous copy, depicting the mythical tale of the Rape of the Daughters of Leucippus, in a gesso frame Property from: a Private Collector, Palatine, Illinois Category: Fine Art > Paintings Estimated Sale Time: 12:20 pm CST Shipping Status: Due to size, weight, value or shipping complexity, this item must be shipped via a 3rd Party and the shipping cost may be high. We recommend contacting multiple shipping vendors for an estimate as the cost may vary greatly. Last modified: April 1, 2024, 8:53 am
Leonard Auction
Apr. 18, 2024
Pieter Paul Rubens, Frans Van den Wijngaerde, Christ appears as Gardner to Mary Magdalen.
Est: €650 - €750
Christ appears as Gardner to Mary Magdalen Engraving after a painting of Pieter Paul Rubens (1577-1640) and published by Frans Van den Wijngaerde (1614-1679) in Antwerp ca 1636-1679. A single print not from a series. References: Hollstein Dutch 5 1(2) first state. In very good condition. Superb dark strong early impression, printed on laid paper with 2 mm margins. The ruling lines to engrave the text clearly visible With a good watermark, Collectors mark on the back: L923 Ernst von Feder (1824-1904). Early
Old Master Print