Olga Sacharoff Paintings & Artwork for Sale | Olga Sacharoff Art Value Price Guide

Jun. 11, 2026
SACHAROFF, OLGA NICOLAEVNA
Est: -
(1889-1967). "Bodegón de flores". Óleo sobre tabla, firmado. Medidas : 38 x 29 cm.
Bonanova Subastas
Jun. 11, 2026
SACHAROFF, OLGA
Est: -
(1889 – 1967). "Paisaje". Acuarela sobre papel, firmada. Medidas: 34 x 59 cm.
Bonanova Subastas
Jun. 11, 2026
SACHAROFF, OLGA
Est: -
(1889 – 1967). "Paisaje". Acuarela sobre papel, firmada. Medidas: 34 x 59 cm.
Bonanova Subastas
Apr. 08, 2026
OLGA SACHAROFF Tiflis (Russia) (1889) / Barcelona (1967) "The Window"
Est: €1,350 - €1,800
Mixed media on paper Signed in pencil at the bottom. Measurements: (framed): 24 x 17.5 cm
Ansorena
Apr. 08, 2026
OLGA SACHAROFF Tiflis (Russia) (1889) / Barcelona (1967) "Young Woman with Flowers"
Est: €1,350 - €1,800
Mixed media on paper Signed in pencil in the lower left corner. Measurements: Image: 23.5 x 17.5 cm
Ansorena
Mar. 18, 2026
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Vase". Oil on canvas. Signed. Presents on the back label of the Syra Gallery.
Est: €5,000 - €6,000
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Vase". Oil on canvas. Signed. Presents on the back label of the Syra Gallery. Measurements: 46 x 38 cm; 66 x 58 cm (frame). This delicate vase condenses Olga Sacharoff's singular poetics of color, intimacy and domestic harmony. The vase houses a group of diverse flowers, arranged with spontaneity and natural rhythm: bluebells, roses in coral shades, white daisies, marshmallows in violet tones.... Each species is distinguished by its loose but precise outline, with contours modulated by the light. The glass of the vase is treated with an ethereal transparency. The table, of a nuanced blue, shares the same chromatic temperature with the wall in the background, generating a continuity between object and space. This resource turns the still life into a field of color, rather than a mere realistic representation. The painting shows the most refined features of the mature style of Olga Sacharoff, an artist of Georgian origin based in Catalonia, a key figure of the first Spanish avant-garde: the painting is built from color, not from drawing. The blues, mauves and pinks are intertwined by tonal affinity, creating a chromatic harmony of symbolist echoes. After studying at the School of Fine Arts in Tiflis, Sacharoff moved to Munich in 1910, where he came into contact with German expressionism. The following year he moved to Paris, where his work was initially influenced by Cézanne, and later evolved towards synthetic cubism. At the outbreak of the First World War Sacharoff moved to Spain, where he settled in 1915, passing first through Mallorca to finally settle in Barcelona the following year. In fact, some historians point out that she was the introducer of cubism in Barcelona. From there she collaborated in Francis Picabia's magazine "391", considered the mouthpiece of Dadaism and published in Barcelona. He exhibited works in the Salons d'Automne in Paris in 1920, 1921, 1922 and 1928, obtaining important praise from the press and managing to organize, in 1929, a solo exhibition at the Parisian gallery Bernheim Jeune, one of the most important of the time. During these years she held an exhibition at the Layetanas Galleries in Barcelona (1934) and participated in the Montjuic Salon, of which she was appointed member in 1935. When the Civil War broke out, Sacharoff returned to Paris, and in 1939 she exhibited at the Perls Gallery in New York. After the war he returned to Barcelona, and left behind the avant-garde to immerse himself in a naïve taste close to the Catalan noucentisme. His style adopted lyrical and amiable traits, and he put himself at the service of an idealized vision of Catalonia: landscapes, customs, popular types, etc. In general, compositions with multiple characters predominate at this time, depicted with schematic strokes and vivid colors. Chosen by Camón Aznar, he participates in the I Salón de los Once de Eugenio D'Ors (1943), held at the Biosca Gallery in Madrid. Two years later he organized a retrospective of his Parisian work, and in 1960 the General Directorate of Fine Arts dedicated an anthological exhibition to him. In 1964 he was awarded the Medal of the City of Barcelona. Sacharoff also illustrated books, with examples such as "La casa de Claudine" by Colette (1944) and "Netochka Nezvanova" by Dostoevsky (1949). Recently an anthology was dedicated to her in duo with María Blanchard in Bilbao (BBK Exhibition Hall, 2002). Olga Sacharoff is represented in the Mapfre Foundation in Madrid, the Reina Sofia National Center, the Thyssen-Bornemisza Museum, the Museum of Art Nouveau and Art Deco Casa Lis, the Marés Museum, the Pablo Gargallo Museum in Zaragoza and the Monastery of Montserrat, among many others.
Setdart Auction House
Feb. 25, 2026
OLGA SACHAROFF Tbilisi (Russia) (1889) / Barcelona (1967) "Vase with Flowers"
Est: €4,500 - €6,000
Oil on canvas. Signed in the lower left corner. Dimensions: 74 x 60 cm
Ansorena
Feb. 10, 2026
OLGA SACHAROFF - Village among mountains
Est: -
OLGA SACHAROFF Tbilisi 1889-Barcelona 1969 Village among mountains Pencil on paper Signed Dimensions 17 x 23.5 cm PROVENANCE (label on back) Antonio de Barnola Gallery, Barcelona Private collection
Subastas Segre
Jan. 14, 2026
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Window". Mixed media on paper Signed.
Est: €800 - €900
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Window". Mixed media on paper Signed. Measurements: 23 x 17 cm; 37 x 31,5 cm (frame). This drawing also belongs to the most intimate, lyrical and evocative phase of Olga Sacharoff's production, especially developed between the twenties and forties. In contrast to more figurative or symbolic compositions, here the artist reduces the motif to a suggested, almost dematerialized scene: a half-open window, a curtain fluttering in the air and a vegetal landscape barely hinted at by green and yellow glazes. Drawing and color are delicately integrated, with soft strokes, diffuse atmospheres and a clear palette that reinforces the sensation of silence, intimacy and reverie, very characteristic features of his personal language. Drawings like this one occupy a prominent place in his production and are well represented in public collections such as the MNAC, the Reina Sofia Museum and various institutional collections.
Setdart Auction House
Jan. 14, 2026
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Female figure and flowers". Mixed media on paper Signed.
Est: €800 - €900
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Female figure and flowers". Mixed media on paper Signed. Measurements: 23 x 17 cm; 37 x 31,5 cm (frame). This drawing is part of the most lyrical and intimate side of Olga Sacharoff's production, especially visible after her Parisian period and consolidated after her definitive installation in Barcelona. The composition evokes a dreamlike and poetic world, with soft lines and a delicate palette, where the figurative dissolves in ethereal atmospheres. The treatment of the female body, almost spectral, surrounded by floral motifs, is characteristic of his personal language, far from the initial cubist rigor and close to a symbolist and neo-romantic sensibility, very unique within the historical avant-garde. Sacharoff was a key artist of the European avant-garde, linked in her beginnings to cubism and close to the circles of Picasso, Braque and Juan Gris during her stay in Paris. She evolved towards a deeply personal style, marked by fantasy, poetic evocation and a free reinterpretation of the human figure, which made her a creator difficult to pigeonhole. Her work is part of important public collections, among them the Museu Nacional d'Art de Catalunya (MNAC), the Museu d'Art Contemporani de Barcelona, the Museo Reina Sofía and various European institutional and private collections, which today recognize her fundamental role as a singular figure of 20th century artistic modernity.
Setdart Auction House
Dec. 17, 2025
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Vase". Oil on canvas. Presents on the back label of the Parés room, and certificate issued by Barrachina & Ramoneda.
Est: €8,000 - €9,000
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Vase". Oil on canvas. Presents on the back label of the Parés room, and certificate issued by Barrachina & Ramoneda. Measurements: 81 x 65 cm; 101 x 83 cm (frame). This delicate vase condenses Olga Sacharoff's singular poetics of color, intimacy and domestic harmony. The vase hosts a group of diverse flowers, arranged with spontaneity and natural rhythm: bluebells, roses in coral shades, white daisies, marshmallows in violet tones.... Each species is distinguished by its loose but precise outline, with contours modulated by the light. The glass of the vase is treated with an ethereal transparency. The table, of a nuanced blue, shares the same chromatic temperature with the wall in the background, generating a continuity between object and space. This resource turns the still life into a field of color, rather than a mere realistic representation. The painting shows the most refined features of the mature style of Olga Sacharoff, an artist of Georgian origin based in Catalonia, a key figure of the first Spanish avant-garde: the painting is built from color, not from drawing. The blues, mauves and pinks are intertwined by tonal affinity, creating a chromatic harmony of symbolist echoes. After studying at the School of Fine Arts in Tiflis, Sacharoff moved to Munich in 1910, where he came into contact with German expressionism. The following year he moved to Paris, where his work was initially influenced by Cézanne, and later evolved towards synthetic cubism. At the outbreak of the First World War Sacharoff moved to Spain, where he settled in 1915, passing first through Mallorca to finally settle in Barcelona the following year. In fact, some historians point out that she was the introducer of cubism in Barcelona. From there she collaborated in Francis Picabia's magazine "391", considered the mouthpiece of Dadaism, which was published in Barcelona. He exhibited works in the Salons d'Automne in Paris in 1920, 1921, 1922 and 1928, obtaining important praise from the press and managing to organize, in 1929, a solo exhibition at the Parisian gallery Bernheim Jeune, one of the most important of the time. During these years she held an exhibition at the Layetanas Galleries in Barcelona (1934) and participated in the Montjuic Salon, of which she was appointed a member in 1935. When the Civil War broke out, Sacharoff returned to Paris, and in 1939 she exhibited at the Perls Gallery in New York. After the war he returned to Barcelona, and left behind the avant-garde to immerse himself in a naïve taste close to the Catalan noucentisme. His style adopted lyrical and amiable traits, and he put himself at the service of an idealized vision of Catalonia: landscapes, customs, popular types, etc. In general, compositions with multiple characters predominate at this time, depicted with schematic strokes and vivid colors. Chosen by Camón Aznar, he participates in the I Salón de los Once de Eugenio D'Ors (1943), held at the Biosca Gallery in Madrid. Two years later he organized a retrospective of his Parisian work, and in 1960 the General Directorate of Fine Arts dedicated an anthological exhibition to him. In 1964 he was awarded the Medal of the City of Barcelona. Sacharoff also illustrated books, with examples such as "La casa de Claudine" by Colette (1944) and "Netochka Nezvanova" by Dostoevsky (1949). Recently an anthology was dedicated to her in duo with María Blanchard in Bilbao (BBK Exhibition Hall, 2002). Olga Sacharoff is represented in the Mapfre Foundation in Madrid, the Reina Sofia National Center, the Thyssen-Bornemisza Museum, the Museum of Art Nouveau and Art Deco Casa Lis, the Marés Museum, the Pablo Gargallo Museum in Zaragoza and the Monastery of Montserrat, among many others.
Setdart Auction House
Dec. 12, 2025
OLGA SACHAROFF Tbilisi (Russia) (1889) / Barcelona (1967) "Vase with Flowers", 1971
Est: €12,000 - €16,000
Oil on panel Signed and dated in the lower right corner. Signed on the reverse of the panel and with a label from the Edurne Gallery, Madrid. Dimensions: 60 x 41 cm
Ansorena
Nov. 20, 2025
Olga Sacharoff, Motherhood
Est: $10,000 - $15,000
Olga Sacharoff Motherhood oil on canvas 44.75 h x 57.5 w in (114 x 146 cm) Signed to lower left 'Olga Sacharoff'. Provenance: V. Piera Gallery, Barcelona | Private Collection, UK | Bonhams, London, The Russian Sale, 5 June 2019, Lot 41 | Private Collection This work will ship from Lambertville, New Jersey.
Rago Arts and Auction Center
Jul. 16, 2025
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Walk in the forest". Oil on canvas. Signed in the lower margin.
Est: €22,000 - €24,000
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Walk in the forest". Oil on canvas. Signed in the lower margin. Measurements: 108 x 103 cm; 121 x 116 cm (frame). Olga Sacharoff's painting embodies an exquisite synthesis between narrative figuration and a profoundly modern lyrical sensibility, typical of the plastic universe that this artist built in her maturity. In the scene, a couple on horseback stops in a forest clearing, a suspended moment that Sacharoff translates with a delicacy bordering on the dreamlike, without renouncing the penetrating observation of reality. The male character, mounted on a brown horse, wears a gray suit and a bowler hat. His protective attitude is manifested in the way he directs his gaze towards his companion, who, mounted on a white horse (traditional symbol of purity, but here also of the intangible), brings her left hand to her blue hat with a graceful gesture. Her dress, also blue, seems to be in dialogue with the sky which, although visible, does not structure the space or dominate it: it is rather a tenuous but tangible presence. The theme of the painting (the stop of an elegant couple on an equestrian ride) is an anecdotal excuse to create a dense and enveloping atmosphere that responds to the particular treatment of the landscape to which Sacharoff has accustomed us. The forest, far from being a mere backdrop, becomes a lyrical protagonist: the trees, the leaves, the grass form a world in itself, defined leaf by leaf with a meticulousness that, however, never falls into the photographic. The brushstroke is vaporous, modulated. As a whole, the natural environment seems to float, as if emerging from a reverie. There is no defined horizon, inviting our gaze to get lost in the foliage: in the green and sienna symphony of the forest, with no vanishing point. This contributes to the sensation of stopped time, of an expanded instant. This, together with the sifted light and the contained but harmonized chromatism, refers to a highly poetic dimension. After studying at the School of Fine Arts in Tiflis, Sacharoff moved to Munich in 1910, where he came into contact with German expressionism. The following year he moved to Paris, where his work was initially influenced by Cézanne, and later evolved towards synthetic cubism. At the outbreak of World War I, Sacharoff moved to Spain, where he settled in 1915, first passing through Mallorca and finally settling in Barcelona the following year. In fact, some historians point out that she was the introducer of cubism in Barcelona. From there she collaborated in Francis Picabia's magazine "391", considered the mouthpiece of Dadaism and published in Barcelona. He exhibited works in the Salons d'Automne in Paris in 1920, 1921, 1922 and 1928, obtaining important praise from the press and managing to organize, in 1929, a solo exhibition at the Parisian gallery Bernheim Jeune, one of the most important of the time. During these years she held an exhibition at the Layetanas Galleries in Barcelona (1934) and participated in the Montjuic Salon, of which she was appointed member in 1935. At the outbreak of the Civil War Sacharoff returned to Paris, and in 1939 she exhibited at the Perls Gallery in New York. After the war he returned to Barcelona, and left behind the avant-garde to immerse himself in a naïve taste close to the Catalan noucentisme. His style adopted lyrical and amiable traits, and he put himself at the service of an idealized vision of Catalonia: landscapes, customs, popular types, etc. In general, compositions with multiple characters predominate at this time, depicted with schematic strokes and vivid colors. Chosen by Camón Aznar, he participates in the I Salón de los Once de Eugenio D'Ors (1943), held at the Biosca Gallery in Madrid. Two years later he organized a retrospective of his Parisian work, and in 1960 the General Directorate of Fine Arts dedicated an anthological exhibition to him. In 1964 he was awarded the Medal of the City of Barcelona. Sacharoff also illustrated books, with examples such as "La casa de Claudine" by Colette (1944) and "Netochka Nezvanova" by Dostoevsky (1949). Recently an anthology was dedicated to her in duo with María Blanchard in Bilbao (BBK Exhibition Hall, 2002). Olga Sacharoff is represented in the Mapfre Foundation in Madrid, the Reina Sofia National Center, the Thyssen-Bornemisza Museum, the Museum of Art Nouveau and Art Deco Casa Lis, the Marés Museum, the Pablo Gargallo Museum in Zaragoza and the Monastery of Montserrat, among many others.
Setdart Auction House
Jul. 16, 2025
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Turkeys". Oil on canvas. Signed in the lower margin.
Est: €8,000 - €9,000
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Turkeys". Oil on canvas. Signed in the lower margin. Measurements: 65 x 54 cm; 75 x 64 cm (frame). In "Turkeys", Olga Sacharoff masterfully displays her unmistakable pictorial vision, in which the everyday is transmuted into a symbolic scene, rich in chromatic lyricism and subtle irony. The subject (a turkey and a kettle in a domestic garden) is transformed into a chromatic explosion of great formal mastery. His very personal language combines deliberate ingenuity and compositional refinement. The turkey, monumental and with a vibrant plumage of cerulean and cobalt blues, turns his neck to look at the turkey partially hidden behind him. She, more discreet, brings balance to the male's feathery exuberance. A choreography of ancestral courtship takes place between the two. The garden is insinuated with a curtain of softly delineated bushes, lilac flowers and daisies that provide touches of lush color, and an orange sienna ground. A red-tiled, whitewashed mansion stands out among the trees. After studying at the School of Fine Arts in Tiflis, Sacharoff moved to Munich in 1910, where he came into contact with German expressionism. The following year he moved to Paris, where his work was initially influenced by Cézanne, and later evolved towards synthetic cubism. At the outbreak of the First World War Sacharoff moved to Spain, where he settled in 1915, passing first through Mallorca to finally settle in Barcelona the following year. In fact, some historians point out that she was the introducer of cubism in Barcelona. From there she collaborated in Francis Picabia's magazine "391", considered the mouthpiece of Dadaism and published in Barcelona. He exhibited works in the Salons d'Automne in Paris in 1920, 1921, 1922 and 1928, obtaining important praise from the press and managing to organize, in 1929, a solo exhibition at the Parisian gallery Bernheim Jeune, one of the most important of the time. During these years she held an exhibition at the Layetanas Galleries in Barcelona (1934) and participated in the Montjuic Salon, of which she was appointed a member in 1935. At the outbreak of the Civil War Sacharoff returned to Paris, and in 1939 she exhibited at the Perls Gallery in New York. After the war he returned to Barcelona, and left behind the avant-garde to immerse himself in a naïve taste close to the Catalan noucentisme. His style adopted lyrical and amiable traits, and he put himself at the service of an idealized vision of Catalonia: landscapes, customs, popular types, etc. In general, compositions with multiple characters predominate at this time, depicted with schematic strokes and vivid colors. Chosen by Camón Aznar, he participates in the I Salón de los Once de Eugenio D'Ors (1943), held at the Biosca Gallery in Madrid. Two years later he organized a retrospective of his Parisian work, and in 1960 the General Directorate of Fine Arts dedicated an anthological exhibition to him. In 1964 he was awarded the Medal of the City of Barcelona. Sacharoff also illustrated books, with examples such as "La casa de Claudine" by Colette (1944) and "Netochka Nezvanova" by Dostoevsky (1949). Recently an anthology was dedicated to her in duo with María Blanchard in Bilbao (BBK Exhibition Hall, 2002). Olga Sacharoff is represented in the Mapfre Foundation in Madrid, the Reina Sofia National Center, the Thyssen-Bornemisza Museum, the Museum of Art Nouveau and Art Deco Casa Lis, the Marés Museum, the Pablo Gargallo Museum in Zaragoza and the Monastery of Montserrat, among many others.
Setdart Auction House
May. 22, 2025
OLGA SACHAROFF. Interior of a cafe.
Est: €300 - €350
Etching and dry point Certified on the back by Olga Sacharoff's husband, Otto Lloyd, in 1972, as the artist's autograph. It had probably belonged to the artist Soledad Martínez (according to a note on the back). 21.8x27.5 cm.
Balclis
May. 14, 2025
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Characters". Watercolor on paper. Signed in the lower right corner.
Est: €1,000 - €1,200
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Characters". Watercolor on paper. Signed in the lower right corner. Measurements: 32 x 98 cm; 58 x 126 cm (frame). After studying at the School of Fine Arts in Tiflis, Sacharoff moved to Munich in 1910, where he came into contact with German expressionism. The following year he moved to Paris, where his work was initially influenced by Cézanne, and later evolved towards synthetic cubism. At the outbreak of the First World War Sacharoff moved to Spain, where he settled in 1915, passing first through Mallorca to finally settle in Barcelona the following year. In fact, some historians point out that she was the introducer of cubism in Barcelona. From there she collaborated in Francis Picabia's magazine "391", considered the spokesman of Dadaism, which was published in Barcelona. He exhibited works in the Salons d'Automne in Paris in 1920, 1921, 1922 and 1928, obtaining important praise from the press and managing to organize, in 1929, a solo exhibition at the Parisian gallery Bernheim Jeune, one of the most important of the time. During these years she held an exhibition at the Layetanas Galleries in Barcelona (1934) and participated in the Montjuic Salon, of which she was appointed member in 1935. When the Civil War broke out, Sacharoff returned to Paris, and in 1939 she exhibited at the Perls Gallery in New York. After the war he returned to Barcelona, and left behind the avant-garde to immerse himself in a naïve taste close to the Catalan noucentisme. His style adopted lyrical and amiable traits, and he put himself at the service of an idealized vision of Catalonia: landscapes, customs, popular types, etc. In general, compositions with multiple characters predominate at this time, depicted with schematic strokes and vivid colors. Chosen by Camón Aznar, he participates in the I Salón de los Once de Eugenio D'Ors (1943), held at the Biosca Gallery in Madrid. Two years later he organized a retrospective of his Parisian work, and in 1960 the General Directorate of Fine Arts dedicated an anthological exhibition to him. In 1964 he was awarded the Medal of the City of Barcelona. Sacharoff also illustrated books, with examples such as "The House of Claudine" by Colette (1944) and "Netochka Nezvanova" by Dostoevsky (1949). Recently an anthology was dedicated to her in duo with Maria Blanchard in Bilbao (BBK Exhibition Hall, 2002). Olga Sacharoff is represented in the Mapfre Foundation in Madrid, the Reina Sofia National Center, the Thyssen-Bornemisza Museum, the Museum of Art Nouveau and Art Deco Casa Lis, the Marés Museum, the Pablo Gargallo Museum in Zaragoza and the Monastery of Montserrat, among many others.
Setdart Auction House
Apr. 30, 2025
Olga Sacharoff (Russian, 1889-1967) Fleurs sur une Table
Est: $6,000 - $8,000
Olga Sacharoff (Russian, 1889-1967) Fleurs sur une Table oil on canvas signed Olga Sacharoff (lower left) 18 1/4 x 15 in. (46.4 x 38.1cm) Property from the Estate of Helen Elliot Scott, Wayne, Pennsylvania. This lot is located in Philadelphia.
Freeman’s | Hindman
Apr. 30, 2025
Olga Sacharoff (Russian, 1889-1967) La Chasse, c. 1923
Est: $20,000 - $30,000
Olga Sacharoff (Russian, 1889-1967) La Chasse, c. 1923 oil on canvas signed Olga Sacharoff (lower right); also titled and signed (stretcher) 32 x 25 3/4 in. (81.3 x 65.4cm) Property from the Estate of Helen Elliot Scott, Wayne, Pennsylvania. This lot is located in Philadelphia.
Freeman’s | Hindman
Apr. 02, 2025
Olga Sacharoff ( 1889-1967) - aattributed
Est: €240 - €480
Olga Sacharoff ( 1889-1967) – attributed, Boy with dog. Oil on board. Signed, framed. 68 x 55 cm
Deutsch Auktionen
Mar. 25, 2025
OLGA SACHAROFF. PAISAJE CON ARQUITECTURAS. ÓLEO SOBRE LIENZO.
Est: €3,500 - €4,000
Olga Sacharoff (Tiflis, Georgia, 1889-Barcelona, 1967) Paisaje con arquitecturas. Óleo sobre lienzo. Firmado. 61 x 73 cm.
Aletheia Subastas
Mar. 13, 2025
OLGA SACHAROFF. Girls. (d)
Est: €600 - €700
Seven charcoals on paper One of them, certified on the back by Otto Lloyd 26.8x18.5 cm; 22.9x15.5 cm Origin: Gift from the artist to the current owner.
Balclis
Oct. 10, 2024
OLGA SACHAROFF (1889-1967) "LANDSCAPE".
Est: €4,500 - €15,000
Oil on canvas. Signed. 72 x 92 cm; 90 x 109 cm (frame).
Subarna Subastas
Sep. 17, 2024
OLGA SACHAROFF - Northern France
Est: -
OLGA SACHAROFF Tiflis 1889-Barcelona 1969 Northern France Oil on canvas Signed Dimensions 61 x 74 cm
Subastas Segre
Jun. 25, 2024
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Vase". Oil on board. Attached certificate issued by Barrachina & Ramoneda.
Est: €6,000 - €7,000
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Vase". Oil on board. Attached certificate issued by Barrachina & Ramoneda. Measurements: 40 x 38 cm; 70 x 60 cm (frame). Olga Sacharoff managed to become an important representative of Catalan Noucentisme despite her Georgian origin. Already in her Parisian stay, prior to her Barcelona period, she adopted her own style in which nature and animals played an important symbolic role. Sacharoff builds in this panel an evocative vase determined by the Cezannian influence that marked the course of his production. The calm combination of bright colors immerses us in a luminous image, based on compositions reduced to the essential. This impression of silence, together with the resoundingly geometric character of the artist's drawing, creates in the work an air of timelessness, of eternal image, immortal thanks to the artist's genial touch. After studying at the School of Fine Arts in Tiflis, Sacharoff moved to Munich in 1910, where she came into contact with German expressionism. The following year he moved to Paris, where his work was initially influenced by Cézanne, and later evolved towards synthetic cubism. At the outbreak of World War I Sacharoff moved to Spain, where he settled in 1915, passing first through Mallorca to finally settle in Barcelona the following year. In fact, some historians point out that she was the introducer of cubism in Barcelona. From there she collaborated in Francis Picabia's magazine "391", considered the mouthpiece of Dadaism and published in Barcelona. He exhibited works in the Salons d'Automne in Paris in 1920, 1921, 1922 and 1928, obtaining important praise from the press and managing to organize, in 1929, a solo exhibition at the Parisian gallery Bernheim Jeune, one of the most important of the time. During these years she held an exhibition at the Layetanas Galleries in Barcelona (1934) and participated in the Montjuic Salon, of which she was appointed a member in 1935. At the outbreak of the Civil War Sacharoff returned to Paris, and in 1939 she exhibited at the Perls Gallery in New York. After the war he returned to Barcelona, and left behind the avant-garde to immerse himself in a naïve taste close to the Catalan noucentisme. His style adopted lyrical and amiable traits, and he put himself at the service of an idealized vision of Catalonia: landscapes, customs, popular types, etc. In general, compositions with multiple characters predominate at this time, depicted with schematic strokes and vivid colors. Chosen by Camón Aznar, he participates in the I Salón de los Once de Eugenio D'Ors (1943), held at the Biosca Gallery in Madrid. Two years later he organized a retrospective of his Parisian work, and in 1960 the General Directorate of Fine Arts dedicated an anthological exhibition to him. In 1964 he was awarded the Medal of the City of Barcelona. Sacharoff also illustrated books, with examples such as "La casa de Claudine" by Colette (1944) and "Netochka Nezvanova" by Dostoevsky (1949). Recently an anthology was dedicated to her in duo with María Blanchard in Bilbao (BBK Exhibition Hall, 2002). Olga Sacharoff is represented in the Mapfre Foundation in Madrid, the Reina Sofia National Center, the Thyssen-Bornemisza Museum, the Museum of Art Nouveau and Art Deco Casa Lis, the Marés Museum, the Pablo Gargallo Museum in Zaragoza and the Monastery of Montserrat, among many others.
Setdart Auction House
May. 23, 2024
OLGA N. SACHAROFF. Rural view. (d)
Est: €2,500 - €4,500
Oil on canvas Signed 60x81 cm.
Balclis
Apr. 11, 2024
OLGA SACHAROFF (1889-1967) "LANDSCAPE".
Est: €600 - €1,800
Watercolour and gouache on paper. Signed. 38 x 50.5 cm; 55.5 x 69 cm (frame).
Subarna Subastas
Mar. 14, 2024
OLGA SACHAROFF. Flowers vase. (d)
Est: €3,500 - €3,800
Oil on canvas Signed 73x60 cm.
Balclis
Feb. 15, 2024
OLGA SACHAROFF (1889-1967) "LANDSCAPE".
Est: €5,000 - €15,000
Oil on canvas. Signed. 72 x 92 cm; 90 x 109 cm (frame).
Subarna Subastas
Dec. 20, 2023
OLGA SACHAROFF. Flowers.
Est: €2,000 - €2,500
Oil on cardboard Signed. On the back, a sketch of an eye. With a label of Sala d'Art Artur Ramón 24x19 cm.
Balclis
Nov. 30, 2023
OLGA SACHAROFF (1889-1967) "LANDSCAPE".
Est: €1,000 - €1,800
Watercolour and gouache on paper. Signed. 38 x 50.5 cm; 55.5 x 69 cm (frame).
Subarna Subastas
Nov. 30, 2023
OLGA SACHAROFF (1889-1967) "LANDSCAPE".
Est: €8,000 - €15,000
Oil on canvas. Signed. 72 x 92 cm; 90 x 109 cm (frame).
Subarna Subastas
Nov. 30, 2023
OLGA SACHAROFF (1889-1967) "GIRL WITH A HAT ON HORSEBACK".
Est: €5,000 - €12,000
Oil on board. Signed. 37.5 x 45.5 cm; 63.5 x 70.5 cm (frame).
Subarna Subastas
Jul. 04, 2023
OLGA SACHAROFF - Walled Town
Est: -
OLGA SACHAROFF Tbilisi 1889-Barcelona 1969 Walled town Oil on canvas Signed Size 73 x 92 cm ORIGIN (label on back) Sala Parés, Barcelona Private collection
Subastas Segre
Jun. 21, 2023
OLGA SACHAROFF (1889-1967) "ZOO", Circa 1930.
Est: €10,000 - €15,000
Oil on canvas. Signed. Visible restoration on the back. 73 x 91.5 cm; 100 x 118 cm (frame).
Subarna Subastas
Apr. 26, 2023
OLGA SACHAROFF - Dama
Est: -
OLGA SACHAROFF - Dama
Arte Subastas Bilbao
Mar. 29, 2023
OLGA SACHAROFF Tbilisi (Russia) (1889) / Barcelona (1967) "Untitled"
Est: €2,700 - €3,600
Oil on tablex Painted on the front and back. One of them signed in the lower right corner and the other in the upper left Measurements: 56 x 41 cm
Ansorena
Mar. 28, 2023
OLGA SACHAROFF - Where the lilacs grow (Eduardo Cirlot)
Est: -
OLGA SACHAROFF Tbilisi 1889-Barcelona 1969 Where the lilacs grow (Eduardo Cirlot). 1946 Pencil on paper (two drawings) Signed one Size 20 x 13 cm; 20x14cm
Subastas Segre
Mar. 09, 2023
OLGA N. SACHAROFF. Portrait of a child. (d)
Est: €2,500 - €2,600
Oil on canvas Signed 72x60 cm.
Balclis
Mar. 09, 2023
OLGA N. SACHAROFF. Group in a garden.
Est: €1,000 - €1,200
Gouache and watercolour on paper Signed 28.5x22.4 cm.
Balclis
Feb. 22, 2023
Olga Sacharoff. Portrait of a lady
Est: -
Oil on canvas. Signed in the upper left corner.
Duran Arte y Subastas
Feb. 07, 2023
OLGA SACHAROFF - Madonna, Angels and Child Jesus
Est: -
OLGA SACHAROFF Tbilisi 1889-Barcelona 1969 Virgin, Angels and Child Jesus Ink, wash and clarion on paper Signed Size 27 x 44 cm
Subastas Segre
Feb. 02, 2023
Olga Nicolaevna SACHAROFF (1879/89-1967/69)
Est: €8,000 - €12,000
Olga Nicolaevna SACHAROFF (1879/89-1967/69) Cheval dans les bois Huile sur toile Signée en bas droite 66 x 82 cm - 25.98 x 32.28 in. Oil on canvas signed lower right
Maison Verneuil
Jan. 18, 2023
OLGA SACHAROFF Tbilisi (Russia) (1889) / Barcelona (1967) "Untitled"
Est: €3,750 - €5,000
Oil on tablex Painted on the obverse and on the reserve. One of them signed in the lower right corner. Measurements: 56 x 41 cm
Ansorena
Dec. 15, 2022
OLGA N. SACHAROFF. River landscape. (d)
Est: €7,000 - €8,000
Oil on canvas Signed 73x92 cm.
Balclis
Dec. 13, 2022
OLGA SACHAROFF - Mountain Landscape
Est: -
OLGA SACHAROFF Tbilisi 1889-Barcelona 1969 Mountain landscape Watercolor on paper Signed Size 16 x 22 cm
Subastas Segre
Sep. 22, 2022
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Flowers, 1957. Oil on panel. Signed in the lower left corner. Certified on the back by her husband Otto Lloyd in 1978.
Est: €5,000 - €6,000
OLGA SACHAROFF (Tiflis, Georgia, 1889 - Barcelona, 1967). "Flowers, 1957. Oil on panel. Signed in the lower left corner. Certified on the back by her husband Otto Lloyd in 1978. Measurements: 55 x 46 cm; 58 x 49 cm (frame). Olga Sacharoff's line takes on the delicacy of a fine tapestry. As a skilled seamstress she develops a filigree drawing, harmoniously combining flat and impressionistic colours, cold and warm, in balanced compositions. The white of the lace carpet is reflected in the bouquet, adding brightness, creating a welcoming and luminous atmosphere, the result of a careful study of nature, but distilling the forms to extract their essence. After studying at the Tiflis School of Fine Arts, Sacharoff moved to Munich in 1910, where he came into contact with German Expressionism. The following year he moved to Paris, where his work was initially influenced by Cézanne, later evolving towards synthetic Cubism. At the outbreak of the First World War Sacharoff moved to Spain, where he settled in 1915, first passing through Majorca and finally settling in Barcelona the following year. In fact, some historians point out that she was the introducer of Cubism in Barcelona. From there she collaborated in Francis Picabia's magazine "391", considered the mouthpiece of Dadaism and published in Barcelona. He exhibited works at the Salons d'Automne in Paris in 1920, 1921, 1922 and 1928, receiving considerable praise from the press and managing to organise a solo exhibition in 1929 at the Parisian gallery Bernheim Jeune, one of the most important of the time. During these years she held an exhibition at the Galerías Layetanas in Barcelona (1934) and took part in the Montjuic Salon, of which she was appointed a member in 1935. When the Civil War broke out, Sacharoff returned to Paris, and in 1939 she exhibited at the Perls Gallery in New York. After the war he returned to Barcelona, leaving behind the avant-garde to immerse himself in a naïve taste close to Catalan noucentisme. His style took on lyrical and amiable features, and he placed himself at the service of an idealised vision of Catalonia: landscapes, customs, popular types, etc. In general, compositions with multiple characters predominate at this time, depicted with schematic strokes and vivid colouring. Chosen by Camón Aznar, he took part in the I Salón de los Once de Eugenio D'Ors (1943), held at the Biosca Gallery in Madrid. Two years later he organised a retrospective of his work in Paris, and in 1960 the Directorate General of Fine Arts devoted an anthological exhibition to him. In 1964 he was awarded the Medal of the City of Barcelona. Sacharoff also illustrated books, examples of which include Colette's "The House of Claudine" (1944) and Dostoyevsky's "Netochka Nezvanova" (1949). Recently an anthology was dedicated to her in a duo with María Blanchard in Bilbao (Sala de Exposiciones BBK, 2002). Olga Sacharoff is represented at the Mapfre Foundation in Madrid, the Reina Sofía National Centre, the Thyssen-Bornemisza Museum, the Casa Lis Art Nouveau and Art Deco Museum, the Marés Museum, the Pablo Gargallo Museum in Zaragoza and the Montserrat Monastery Museum, among many others.
Setdart Auction House
Jun. 30, 2022
OLGA N. SACHAROFF. A girl. (d)
Est: €1,600 - €1,800
Oil on canvas Signed. On the back, stamp of the support's manufacturer, the house I. Guardiola from Barcelona 71x59 cm.
Balclis