Juvenal Sanso Sold at Auction Prices

b. 1929 -

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  • Juvenal Sansó (1929 - 2025)
    Sep. 12, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱400,000 - ₱520,000

    PROPERTY FROM A DISTINGUISHED COLLECTION   Unbowed Blooms signed (lower right) ca. 1970s acrylic on paper 18" x 15" (46 cm x 38 cm)   Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot PROVENANCE Private collection, Manila   A far cry from Juvenal Sansó’s earlier dark and anguished works, this Unbowed Blooms painting is a treat that soothes the eyes of everyone who comes across it. But it also bears his penchant for the bonechilling, mystery-laden portrayals. While featuring a closeup depiction of coastal plants, he nevertheless captures the sheer beauty of nature in his verdant greens and calm blues. However, his high-contrast palette cast a foreboding tone to the image. Hence, this work is a testament to the artist's distinct artistry, presenting calming scenery that simultaneously haunts viewers. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Sep. 12, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱1,000,000 - ₱1,300,000

    PROPERTY FROM A DISTINGUISHED COLLECTION   Poetic Vestiges signed (lower right) ca. 1960s acrylic on canvas 20” x 39 1/2” (51 cm x 100 cm)   Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot PROVENANCE Private collection, Manila   Juvenal Sansó’s landscapes and seascapes remain an enigma. A place where the questions far outweigh the answers, inviting viewers to feel curious and engaged. His vibrant, monochromatic orange palette, shadowed by darker hues, created a warm, murky image, as if engulfed by fiery heat. Beyond the haze, his infamous rock piles are present, with hints of greens sprouting in between. Wooden posts and planks are scattered, looking like rundown sheds, plants snaking around them. Sansó’s thin, feather-like strokes resembling plants intensify his image’s eerie atmosphere. Indeed, Sansó’s visual narratives blend beauty with a disturbing sense of unease, invariably influencing viewers’ psyches. His ability to infuse his works with unsettling mystery, regardless of the subject matter, makes him and his paintings distinct. A quality that draws the viewers in and cements his name in Philippine art. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Sep. 12, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱700,000 - ₱910,000

    Twilight Anchorage signed (lower right) ca. 1960s acrylic on canvas 24" x 28" (61 cm x 71 cm)   Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot   PROVENANCE Palette Gallery Private collection, USA   Most of the time, Juvenal Sansó’s landscapes and seascapes are portrayed in a hazy, dreamlike fashion, making it feel as if looking through a portal to a different world. While you can still make out the terrain beyond the mist, Sansó paints them in a manner where the colors blend together. In this piece, however, Sansó’s remarkable mist dissipates, and what greets viewers is a deserted coastal area. Painted in the 1960s, Twilight Anchorage features a boat figure composed of an assortment of rocks and wooden shards. The piles of stones suggest that the place could have been an old port before the changing tides wore it out. The boat could once have been a real working vessel, thrashed by the raging waves, and was brought ashore and abandoned. Nevertheless, this imagery serves as a reminder of the dangers and precarious nature of the waters. The orange and yellow skies signify the setting sun, its warmth mingling with the sea breeze and impending night air. Despite losing altitude, the sun still shines brightly and illuminates the scene. However, it was also this intensity that envelops this portrayal in an unsettling atmosphere. Indeed, Sansó’s ceaseless talent and unwavering passion bleed through every stroke and hue. His profound understanding of light and color allows him to distort his images and shroud them in a layer of eeriness, no matter how picturesque and peaceful they may appear. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Sep. 12, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱300,000 - ₱390,000

    PROPERTY FROM THE DON J. ANTONIO ARANETA COLLECTION Venice: Boat Hulls signed (lower right) 1952 watercolor on paper 8 3/4" x 13 1/4" (22 cm x 34 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot Presenting an intimate, often overlooked coastal scene of Venice, Juvenal Sanso's Venice: Boat Hulls highlights a masterpiece that casts a spotlight not on the famous architecture, canals, and crowded tourist scenes of the city but on the weathered structures and boats that occupy its less-popular areas. Dominated by several images of large, weathered boat hulls and sails that calmly float on the water at the docks, Sanso arranged the subjects so that the painting creates emphasis beyond the boats themselves. A palette of browns, greens, grays, and blacks gives the subject boats a sense of age. The way it blends and spreads loosely gives a rough, natural feeling to the piece. The contrast between light and shadow and the boats' roughness highlights their condition, which differs from that of tourist-used boats used for attractions, pointing focus to the quiet, worn, and enduring character of the city. Instead of focusing on the romantic canals or historical buildings, Sanso isolates the working parts of the boats—their hullsgiving attention to the details that are often hidden behind the scenes. Essentially finding beauty in the ordinary. (Mark John Castañeda)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jul. 25, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱40,000 - ₱52,000

    Season’s Sentiments signed (lower right) ca.2000s acrylic on paper 5 1/2” x 5 1/2” (14 cm x 14 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jul. 25, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱100,000 - ₱130,000

    Emerald Reflections signed (lower right) ca. 2000s acrylic on paper 11” x 11” (27.5 cm x 27.5 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jul. 25, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱10,000 - ₱13,000

    Sketch From Circa 1960s hand-signed (lower right) giclee print on cotton archival paper, 4/50 8” x 10 1/2” (20 cm x 27 cm) Accompanied by a certificate issued by Galerie Stephanie confirming the authenticity of this lot

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jul. 25, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱40,000 - ₱52,000

    Echoes of Gratitude signed (lower right) ca. 2000s acrylic on paper 6” x 5” (14.5 cm x 11.5 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot   Catalan-born Juvenal Sansó has established his name in the art scene with his mist-filled, foreboding yet captivating paintings, effectively luring audiences into a supernatural realm. His eccentric colorism, forms, and brushwork enabled him to create varied depictions of flora, landscapes, seascapes, and still lifes, ranging from realistic to surrealistic to distorted. Sansó’s masterful strokes and remarkable use of color not only add depth and texture to his images but also foster emotional engagement, drawing viewers deeper into each scene he portrays. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jun. 13, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱300,000 - ₱390,000

    a.) Dark Flowers signed (lower right) ca. 1980's acrylic on paper 12 1/4" x 9" (31 cm x 23 cm) b.) Hidden Tributary signed (lower right) dated 1981 acrylic on paper 11 1/4" x 15" (29 cm x 38 cm) c.) Botanic Radiance signed (lower right) ca. 1990's acrylic on paper 6 1/2" x 8" (17 cm x 20 cm) d.) Patient Plateaus signed (lower right) ca. 1980's acrylic on paper 9" x 12" (23 cm x 30 cm) Each piece is accompanied by a certificate issued by Fundacion Sanso confirming the authenticity of this lot PROVENANCE Private collection, Manila Juvenal Sansó's ceaseless talent and unwavering passion bleed through every stroke and hue. In this four-piece lot, different characteristics of the artist's flora and landscape paintings are presented: eerie Dark Flowers, hazy yet vibrant Hidden Tributary, beaming Botanic Radiance, and unsettling Patient Plateaus. These paintings evoke different sentiments yet equally exude a mysterious, ominous atmosphere. His ability to distort and shroud his images in mystery invites viewers to explore and wonder, engaging their imagination and emotions, constantly drawing them into Sansó's otherworldly realm. That even when his canvases appear picturesque and peaceful, there is always an ounce of enigma, a world waiting to be discovered, a puzzle waiting to be solved. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jun. 13, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱600,000 - ₱780,000

    Tides in Repose signed (lower right) ca. 1960s acrylic on canvas 15 1/2" x 31 1/4" (39 cm x 79 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot PROVENANCE Private collection, Manila Juvenal Sansó's art reflects his life experiences. His bright childhood in Montalban, surrounded by nature; the dark, traumatic events of the Japanese Occupation; and the picturesque landscapes of France all contributed to the composition of his images. But regardless of his location or the prevailing art styles, Sansó has, as Alfredo Roces writes in his monograph, Sansó, "single-mindedly worked at his own craft" and "persisted with his own personalized figurative approach." His artistry and gradual rise to the art scene are products of his own talent and determination. A mix of vivid and smudged appearance, Tide in Repose is a testament to Juvenal Sansó's mastery and artistic skills. This 1960s piece features a hushed scenery with mossy outcrops reflected in the clear waters and three fishing boats. The moon is rising, gradually painting the sky blue. The last bits of sunlight touch the rock formations, casting a golden glow that accentuates their details. Sansó's visual narratives blend beauty with a sense of disturbing uneasiness, invariably influencing the viewer's psyche. The cool-toned palette, tranquil waters, and dimming light in this 1960s painting evoke a soothing atmosphere that offers comfort after a tiring day. The quiet scene's emotional impact lies in its ability to gently lull viewers into a state of calm, highlighting Sansó's skill in balancing serenity with underlying tension. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Apr. 18, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱15,000 - ₱19,500

    Untitled signed (lower right) lithograph, 40/50 14 1/2” x 10 1/4” (37 cm x 26 cm)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Apr. 18, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱15,000 - ₱19,500

    Dia Y Noche hand-signed (lower right) giclee print on cotton archival paper edition 15/50 10 3/4” x 8 1/2” (27 cm x 22 cm)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Apr. 18, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱50,000 - ₱65,000

    When Petals Play signed (lower right) ca.2000s acrylic on paper 5 3/4” x 4 1/2” (15 cm x 11 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Apr. 18, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱60,000 - ₱78,000

    Emerging Splendor signed (lower left) acrylic on paper 11” x 9 1/4” (28 cm x 23 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Apr. 18, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱60,000 - ₱78,000

    Day at the Beach signed (lower right) ca. 1960’s tempera on paper 10 1/2” x 8” (27 cm x 20 cm) PROVENANCE: Qube Gallery Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Apr. 18, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱60,000 - ₱78,000

    Timeless Horizon signed (lower right) ca.1980s oil on canvas 6” x 9” (15 cm x 23 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot Showcasing his signature blend of lyrical abstraction and emotional atmosphere, Juvenal Sanso’s featured masterpiece presents a tranquil, almost dreamlike field dominated by vibrant yellows and greens. The artist emphasizes calmness and solitude by blending vibrant colors and light to create a warm, gentle mood, as if observers are looking at a nostalgic scene—aligning with Sanso’s broader work, which merges memory, imagination, and nature. (Mark John Castañeda)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Apr. 18, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱60,000 - ₱78,000

    Lingering Upon Moments signed (lower right) ca.2000’s acrylic on paper 6 3/4” x 7 3/4” (17 cm x 20 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot PROVENANCE: Galleria Nicolas Visually capturing the act of remembering itself, Juvenal Sanso’s masterpiece, Lingering Upon Moments, serves as a meditation on how moments and memories linger—not as facts but as fading sensations forever suspended in time. Featuring two vertical organic forms that resemble tree trunks, coral, or even hanging limbs, Sanso used the visual image as a reflection on fleeting time. The feeling of incompleteness pointed to the idea that memories are partial, distorted, and eventually eroding, concluding that the image in his painting simulates the feeling of remembered memories rather than literal objects. Fragile and fading, Sanso presents memories not as clear images but as a fragmented impression shaped by personal history, emotion, and experience. (Mark John Castañeda)

    Leon Gallery
  • Juvenal Sanso SIGNED Etching 1962 #76/110
    Mar. 11, 2026

    Juvenal Sanso SIGNED Etching 1962 #76/110

    Est: $100 - $200

    Juvenal Sanso (Spain, Philippines b.1929) etching pencil signed and dated 1962 lower right. Image measures 16 x 7.75 in. Sheet measures 19.5 x 13 in. Lot measures 19.5 x 13 x .125 in. for shipping purposes only. Unframed, loose and not mounted or glued down. The absence of a condition report does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the conditions of aging. Photos may also act as a condition report. Please review all photos closely prior to bidding and ask further questions if so desired.

    Grant Zahajko Auctions, LLC
  • Juvenal Sansó (1929 - 2025)
    Feb. 14, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱400,000 - ₱520,000

    Weekend at Hermana Mayor signed (lower right) ca.1980s oil and acrylic on canvas 12 1/2" x 21" (32 cm x 53 cm)   Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot   Born in Spain, multi-awarded artist Juvenal Sanso spent his younger years in the Philippines, studying art with private tutors and taking art classes with renowned artists and mentors from UP and UST. Later, he ventured to Rome and France to further his art studies, the latter becoming his permanent residence in his later years. each piece containing a trace of these influences, good or bad. True enough, his earlier works were rooted in realism, owing to his training under Amorsolo and Castañeda. Some works depict his vibrant childhood and the scenic hills of Montalban, as well as the charming beauty of Brittany. In contrast, others bleed anguish due to the dark, traumatic events of the Japanese Occupation. Zambales Fishing Boats and Weekend at Hermana Mayor, however, offer a different facet of Juvenal Sanso’s oeuvre. These luminous seascapes are part of his Hermana Mayor series, a collection of uniquely Filipino paintings from the 1980s to 1990s. They are painted during the Holy Week vacations he spent with friends and family in Zambales. With his fine strokes and proficiency in colors, Sanso captured Hermana Mayor’s serene coastal landscape, featuring its fine sand and verdant foliage. The skies are reflected in the clear waters, coloring them with blue as well. Fishing boats lined along the shore; perhaps it was not a good time or situation to sail, or possibly, fishermen were lounging in the comforts of their homes, hiding from the burning sun. Despite the apparent heat, there was also a palpable cool sea breeze. Like Sanso’s other works, these pieces give off a slightly hazy atmosphere, creating vignettes of the timeless beauty of the country he considered home. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Feb. 14, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱400,000 - ₱520,000

    Zambales Fishing Boats signed (lower right) ca.1980s oil and acrylic on canvas 17 1/2" x 23 1/2" (44 cm x 60 cm)   Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot   Born in Spain, multi-awarded artist Juvenal Sanso spent his younger years in the Philippines, studying art with private tutors and taking art classes with renowned artists and mentors from UP and UST. Later, he ventured to Rome and France to further his art studies, the latter becoming his permanent residence in his later years. each piece containing a trace of these influences, good or bad. True enough, his earlier works were rooted in realism, owing to his training under Amorsolo and Castañeda. Some works depict his vibrant childhood and the scenic hills of Montalban, as well as the charming beauty of Brittany. In contrast, others bleed anguish due to the dark, traumatic events of the Japanese Occupation. Zambales Fishing Boats and Weekend at Hermana Mayor, however, offer a different facet of Juvenal Sanso’s oeuvre. These luminous seascapes are part of his Hermana Mayor series, a collection of uniquely Filipino paintings from the 1980s to 1990s. They are painted during the Holy Week vacations he spent with friends and family in Zambales. With his fine strokes and proficiency in colors, Sanso captured Hermana Mayor’s serene coastal landscape, featuring its fine sand and verdant foliage. The skies are reflected in the clear waters, coloring them with blue as well. Fishing boats lined along the shore; perhaps it was not a good time or situation to sail, or possibly, fishermen were lounging in the comforts of their homes, hiding from the burning sun. Despite the apparent heat, there was also a palpable cool sea breeze. Like Sanso’s other works, these pieces give off a slightly hazy atmosphere, creating vignettes of the timeless beauty of the country he considered home. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Feb. 14, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱400,000 - ₱520,000

    a.) A Dazzling Array signed (lower right) ca. 1980's acrylic on paper 5 1/2" x 32 3/4" (14 cm x 83 cm) b.) Suitable Shelter signed (lower right) ca. 1980's acrylic on paper 9" x 12" (23 cm x 30 cm) c.) Sunward Bloom signed (lower right) ca. 1990's acrylic on paper 10 1/2" x 8" (27 cm x 20 cm) d.) Fertile Shores signed (lower right) dated 1979 acrylic on paper 10" x 13" (25 cm x 33 cm)   Each piece is accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot   This 4-piece lot, a.) A Dazzling Day, b.) Suitable Shelter, c.) Sunward Bloom, and d.) Fertile Shores showcases Juvenal Sansó’s sublime artistry. His skilled brushwork, profound color sense, and strategic use of black and white add depth and life to his paintings, highlighting the rich, verdant life and textured rock formations of coastal areas and fostering a deep appreciation for nature’s beauty. Like how Sansó found healing in Brittany’s charm and the arts, his seascapes and floralscapes also evoke a calming effect that, in turn, offers peace and comfort to everyone who comes across them. Notwithstanding the shroud of mystery surrounding his portrayals, his cool-toned palette infuses his images with a gentle breeze and quiet atmosphere, encouraging viewers to reflect and connect with their own emotions. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Feb. 14, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱1,000,000 - ₱1,300,000

    Caromatic Lures signed (lower right) dated 1976 ca. 1980 acrylic on canvas 19" x 38 1/2" (48 cm x 98 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot PROVENANCE The Luz Gallery Exhibited: The Luz Gallery, Juvenal Sansó: One-Man Exhibition, Makati, 12 February - 9 March 1976 Juvenal Sansó's paintings draw out a combination of beauty and disturbing uneasiness. In Caromatic Lures, rather than his generally hazy landscapes and seascapes, Juvenal Sansó renders his flora in a detailed manner. Each stroke and color breathes life into his subjects. What's more, his use of a solid background color accentuates his elements' features. With this piece as an example, it is unequivocally true that his works capture the sheer beauty of nature in his verdant greens, calm blues, and pops of red. Still, a layer of mystery remains a constant aspect of his art. Despite the similarity of his subjects and elements, Sansó's ingenious strokes and charismatic hues infuse his images with a myriad of impressions and emotions. Caromatic Lures' zoomed illustration and vibrant yet soothing palette lure the audience to dive into his enigmatic world and uncover the beauty of the whole scene, regardless of the dangers one might encounter along the way. Indeed, what sets Sansó apart from his contemporaries is not the use of special tools or complex techniques, but his unique play with light and color. This skill, enabled by his deep understanding of these elements, allows him to shroud his paintings with a layer of eeriness and distortion, even when they appear picturesque and peaceful. This approach effectively stirs viewers' emotional responses and immerses them in the scene he portrays. (Jessica Magno)  

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Feb. 14, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱700,000 - ₱910,000

    PROPERTY OF A DISTINGUISHED LADY Well Formed Rocks with Passage signed (lower right) ca. late 1970s oil on canvas 22” x 29” (56 cm x 74 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot An artist deeply in tune with his environment, Juvenal Sansó’s works echo both the beauty of the nature that inspired him and the surreal twist born from his childhood experiences. In the work entitled Well Formed Rocks with Passage, Sansó utilizes a monochromatic perspective in his depiction of the titular rockbed. As such, the viewer’s attention is not drawn by his usual wealth of colors but by the subtle yet impactful details he incorporated throughout the canvas. This dreamlike reinterpretation of an otherwise common view results in a mysterious vibe that fits quite well within Sansó’s oeuvre. (Hannah Valiente)

    Leon Gallery
  • Juvenal Sanso (Spanish, 1929-2025), Cats, aquatint and etching
    Feb. 04, 2026

    Juvenal Sanso (Spanish, 1929-2025), Cats, aquatint and etching

    Est: $300 - $500

    Juvenal Sanso Spanish, 1929-2025 "Chats" (Cats) aquatint and etching on wove paper 89/250, pencil signed "Sanso", titled and numbered in lower margin. Published by Associated American Artists. Matted and framed under glass.

    South Bay Auctions Inc
  • Juvenal Sansó (1929 - 2025)
    Jan. 31, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱50,000 - ₱65,000

    Gift of Friendship signed (lower right) ca. 1990’s acrylic on paper 5 1/2” x 5 1/2” (14 cm x 14 cm)   Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jan. 31, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱120,000 - ₱156,000

    Untrodden Ground signed (lower right) ca.1980’s acrylic on paper 19 1/4” x 25” (49 cm x 64 cm)   Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot An artist deeply in tune with his environment, Juvenal Sansó’s works echo both the beauty of the nature that inspired him and the surreal twist born from his childhood experiences. In the work entitled Wellformed Rocks w/ Passage, Sansó utilizes a monochromatic perspective in his depiction of the titular rockbed. As such, the viewer’s attention is not drawn by his usual wealth color but by the subtle yet impactful details he incorporated throughout the canvas. This dreamlike reinterpretation of an otherwise common view results in a mysterious vibe that fits quite well within Sansó’s oeuvre. (Hannah Valiente)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jan. 31, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱50,000 - ₱65,000

    PROPERTY FROM THE LORNA REVILLA MONTILLA COLLECTION Surging Waters signed (lower right) ca.1970’s acrylic on paper 9 1/2” x 12 1/4” (24 cm x 31 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jan. 31, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱10,000 - ₱13,000

    Untitled hand-signed (lower right) print, 40/50 14 3/4” x 10 1/2” (37 cm x 27 cm)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jan. 31, 2026

    Juvenal Sansó (1929 - 2025)

    Est: ₱20,000 - ₱26,000

    a.) Untitled hand-signed (lower right) print, 21/50 16” x 11” (41 cm x 28 cm) b.) Untitled hand-signed (lower right) print, 21/50 16” x 11” (41 cm x 28 cm)

    Leon Gallery
  • Juvenal Sansó (b. 1929)
    Dec. 06, 2025

    Juvenal Sansó (b. 1929)

    Est: ₱4,000,000 - ₱5,200,000

    Flourish of Spring signed (lower right) ca.2000s acrylic on canvas 46" x 66 1/2" (117 cm x 169 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot   After a series of travel and study grants abroad and the fateful encounters and friendships he made along the way, Juvenal Sanso would find himself settling down in Brittany, France. While the aweinspiring views from Brittany soothe his mind, he conveys his emotions through painting. Under the encouragement and guidance of his mentorturned- friend, Edouard Georg, Sansó began to paint the resplendent landscapes and flora of the places he visited, as seen in this circa 2000s painting. Whether it's the lush plant life of Brittany or a cluster of flora in the Philippines, Sanso's art captures the sheer beauty of nature in his verdant greens and calm blues. Still, his sceneries always possess a hint of mystery. In Flourish of Springs, Sanso once again takes the viewers to an otherworldly realm. Amidst the blooming garden by the bay rests a mysterious tree—or a gigantic vase— brimming with flowers and greens. A tree or a vase, it nonetheless adds a supernatural twist to this landscape. Sanso used a dry-on-dry technique on the plants, creating harsh edges that give his plants texture and a sense of motion, as if each leaf dances through the wind. On the other hand, he skillfully employed a wet-on-wet technique on the background, allowing the sky to appear as a smooth blend of colors that blends seamlessly with the water, creating a distorted reflection of the terrain. What sets Juvenal Sansó apart from his contemporaries is not the use of special tools or complex techniques, but his unique play with light and color. His masterful strokes and strategic use of color effectively stir a profound emotional response, drawing the viewers into the scene. As Rod Paras-Perez puts it, "Sanso's palette is as austere but rich in its modulation: the key color, either blue or orange. Moreover, his handling of lines—of calligraphic gestures—is of such density and intensity, so pervasively part of the visual structure that it could be generated only by sustained passion." (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Dec. 06, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱300,000 - ₱390,000

    With Incandescent Fervor signed (lower right and verso) ca.2000s acrylic on paper 12" x 17 1/2" (30 cm x 44 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot   Touching on the topic of the beauty and resilience of nature, Juvenal Sanso's featured piece mirrors his post-war reflections, representing the coexistence of life and decay. With an image of a coral-like form rendered in textured black and gray tones seemingly reaching to the luminous orange light of the sun (symbolizing hope and rebirth), Sanso's masterpiece perfectly delivered the feeling of struggle and persistence through colors and brushstrokes. The way the textured masses were illustrated in an upward motion reflects the artist's own struggles with dealing with post-war experiences, which became a recurring theme in his later works. (Mark John Castañeda

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Dec. 06, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱360,000 - ₱468,000

    a.) Rockbound Shore signed (lower right) ca.1980s acrylic on paper 15 1/4" x 11 1/4" (39 cm x 29 cm) b.) Tidal Rocks signed (lower right and verso) ca.1980s acrylic on paper 15 1/4" x 11 1/4" (39 cm x 29 cm) c.) By the Cliffs signed (lower right and verso) ca.1980s acrylic on paper 15 1/4" x 11 1/4" (39 cm x 29 cm) Each piece is accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot I n this three-piece lot, Juvenal Sanso presents three distinct perspectives of a serene coastal landscape, with his revered rock formations taking center stage. His blue and green-dominated palette signifies the transition from a cool afternoon to the gradually approaching nighttime. There was also a palpable sense of warmth emanating from the scenes he portrayed, brought by the conspicuous streaks of yellow and orange—the last bits of sunlight. In contrast to his generally hazy seascapes, Sanso's masterful brushwork and use of colors provide a detailed depiction of the stones and mossy outcrops in these works. At the same time, the sky and water appear as a smooth blend of colours. Furthermore, he aptly used black and white to add shadows and highlights, successfully enlivening his images and captivating the audience with his unique portrayals. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Dec. 06, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱1,000,000 - ₱1,300,000

    That Nightly Hour signed (lower right) ca. 1965 acrylic on canvas 19" x 39" (48 cm x 99 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot PROVENANCE Private collection, Manila LITERATURE Roces, Alfredo. Sansó. Manila: Luis Ma. Araneta, Filcapital Development Corporation, and General Bank and Trust Company, 1976. Full-color illustration and painting description on page 18 and listed on page 206 as "216. That Nightly Hour" in the artist's catalogue of works. The Book forms part of this lot. Juvenal Sansó's oeuvre has undergone various changes and developments. All of his experiences, both good and bad, his studies, and his exposure to different art styles in the Philippines and abroad contributed to Sansó's growth as an artist. However, his gradual ascent to the art scene is a product of his unwavering dedication and exceptional talent. Even amid the prevailing styles and techniques of his time, he single-mindedly worked towards his own figurative approach. There is not a single artist Sansó wished to imitate, even in his earlier days. In an interview with Cid Reyes, Sansó even questioned the need to use a parallel and imitate other artists' voices when he has his own. Each of Sansó's canvases is unique in its own way. Despite the recurring themes and elements, one is never a copy of the other. "I like the nervous feeling when you're creating a painting from nothing but your imagination and instinct," he told Reyes. Still, Sansó's ability to shroud his subjects in mystery remains a constant aspect of his art. His flora, landscape, and seascape themes, while often exuding a sense of solitude and tranquility, are distorted into a surrealistic portrayal of the physical world. Calm yet haunting, That Nightly Hour is a striking example of how Sansó's works serve as a gateway to an otherworldly realm. It exemplifies his ability to evoke a sense of peace and mystery through his skilled brushwork and use of color. In this 1965 piece, the artist portrays a night scene by the coast. The sun has set, the stars are slowly painting the dimming sky, while the moon casts a soft glow that illuminates the whole scenery. Despite the scene's stillness, the artist's blue-dominated palette and dark shadows exude an eerie atmosphere, as if a looming presence hidden in obscurity waits for the perfect moment to strike. Cleveland Museum curator Louise S. Richards also noted the ominous feeling brought by Sansó's works. Describing what a tour in the artist's 1964 Cleveland Museum exhibition feels like, Richards said: "[It] shows the world as a limbo hovering between day and night where living creatures do not exist but inanimate objects become prime actors." She further discussed the characteristics of his landscapes by saying, "...shadowy rocks and bushes have a watchful presence neither evil nor beneficent but alien to our everyday experience of stone and wood." Juvenal Sansó's unique approach to his artmaking enabled him to develop a style distinctly his own, resulting in a trove of beguiling masterpieces that contributed to his significance in the art world. His visual narratives draw out a combination of beauty and unsettling uneasiness that invariably captivate viewers' emotions and attention, proving his place in the Philippine art scene. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Dec. 06, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱200,000 - ₱260,000

    Shade from the Afternoon Sun signed and dated 1949 (lower right) oil on canvas 12 1/2” x 16” (32 cm x 41 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot PROVENANCE Private collection, Manila 1948 finds Juvenal Sansó on the cusp of a major change in his artistic career. At nineteen years old, he enrolled at the UP School of Fine Arts as a special student, marking the first time he would undertake formal training in the arts. Before this, he had only studied under Alejandro Celis’ tutelage, an artist peddling his religious paintings to the Sansó family and one of the first few graduates of UP School of Fine Arts. Born in Spain as a Catalan and raised in the Philippines, Sansó’s life is tethered between two opposing choices: Fairskinned in a predominantly dark country, his attraction for the arts also separated him from his family. In Alfredo Roces’ Sansó, he wrote: “His family expected him to outgrow or tire of his dabbling with drawing, become more serious, and help in the family business.” Eventually, he managed to persuade his family to excuse him from reporting full-time at their family show to formally study. Sansó’s bout at UP saw a multitude of talented teachers to gain knowledge from. Dominador Castañeda taught pastels and oil, while Irineo Miranda taught about the dexterity of watercolor and the beauty of the bravura style. However, there is no greater influence for him than Fernando Amorsolo, who was the director of the art department at the time. Though not his professor at the time, Amorsolo was one of Sanso’s greatest influences. He wanted to paint like the maestro. This Landscape was created at the height of Sanso’s UP school days. In vivid greens and sunny yellows, Amorsolo’s sway in this piece is evident in Sanso’s handling of his light and shadows. It echoes a countryside untouched by the war that has ravaged every corner of the country, a reprieve from a place that is trying to build itself from the ground up again. Three years after this landscape’s creation, Sanso would find himself at yet another crossroads in his career, aboard a steamer for Europe in his pursuit of a career in the arts. (Hannah Valiente)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Oct. 25, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱200,000 - ₱260,000

    Image to Pride signed (lower right) ca.1991 acrylic on paper 22 1/2” x 28 1/2” (57 cm x 72 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Oct. 25, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱30,000 - ₱39,000

    a.) Untitled hand-signed (lower right) serigraph 128/250 18” x 23 1/2” (46 cm x 60 cm) b.) Untitled hand-signed (lower right ) serigraph 132/250 18” x 23 1/2” (46 cm x 60 cm)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Sep. 13, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱1,000,000 - ₱1,300,000

    The Latest Aspect signed (lower right) 1963 oil on canvas 19" x 38 1/2" (48 cm x 98 cm)   Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot PROVENANCE Acquired directly from the artist   With its hazy, dream-like composition, this untitled painting is undeniably a Juvenal Sansó handiwork. The Latest Aspect features his infamous 'stone-upon-stone' element, constituting a massive coastal rock formation, viewed from a distance. Sansó's skilled brushwork is exemplified in this piece, evident in his realistic and detailed rendering of the rock formations. On the other hand, he employed a weton- wet technique on the rest of the piece, blending the colors of the water and the sky. The artist's cool-toned palette infuses his image with a gentle breeze, resulting in a picturesque scene a few hours before nightfall. Truly spellbinding, Juvenal Sansó's mist-filled images turn into a gateway to an otherworldly realm, making it more captivating to the audience. Even with their haunting and eerie atmosphere, Sansó's landscapes and seascapes provide a deep appreciation for nature. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Sep. 13, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱1,000,000 - ₱1,300,000

    PROPERTY OF A DISTINGUISHED LADY Tide and Grove signed (lower right) ca.1960s oil on canvas 19" x 39" (48 cm x 99 cm) PROVENANCE Acquired directly from the artist Hidden beneath the warm sun, atmospheric feel, and lush fields is a feeling of anguish. Juvenal Sanso's featured landscape piece reflects the artist's recurring theme relating to growth and recovery from dystopia. He was known for shifting from his somber, dark, and expressionistic works toward more peaceful and romantic landscapes influenced by European sceneries and aesthetics, particularly from his time in France and Spain, all blending into a meditative and personal sensibility. Sanso's illustration of the landscape piece portrays a serene and meditative image of a green, lush field punctuated by stone walls and vertical trees, while the sun glows orange as it bleeds to the horizon, the skies, and the green terrain. The use of earthy green and warm yellow tones creates a mood of nostalgia and peace for anyone who gazes upon it. Highlighting the landscape's somber mood. The barren green landscape is shown in the piece, together with the peaceful atmosphere of the golden horizon. The lush growth of the trees, which provides the scene of the piece a meditative quality that mimics a place that blurs between reality and a dream, as well as the diffusion of the sunlight, evokes a timeless and ethereal mood. In his own meditative and atmospheric fashion, Sanso had provided his piece with a magnificent, serene, and dreamlike landscape piece that gives its viewers a unique and contemplative experience. (Mark John Castañeda)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Sep. 13, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱200,000 - ₱260,000

    Bay at Rest signed (lower right) ca.1980s acrylic on paper over board 17" x 21" (43 cm x 53 cm)   Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot Juvenal Sansó's French years proved to be a significant period not just for his art making but also in his life. His fateful friendship with the Rouault family introduced him to the captivating beauty of the Brittany Coast. Sansó, enchanted by the coast, made it his residence for the years to come; its calming atmosphere served as a healing balm for his wartime traumas. Bay at Rest bears witness to Sansó's sublime artistry. Unlike his typical hazy landscapes, this piece presents a vivid and detailed depiction of a coastal area, with the mossy outcrops and lush vegetation reflected through the calm, clear waters. Sansó's skilled colorwork allows him to play with light and shadow, infusing his images with a myriad of impressions and emotions, despite the similarity of his subjects and elements. While this work generally exudes a hushed and soothing atmosphere, the palette also hints at the onset of spring, with the once vibrant greenery slowly transitioning to shades of yellow and gold. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Sep. 13, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱800,000 - ₱1,040,000

    Serenity in Bloom signed (lower right) ca.1960s acrylic on canvas 24" x 28 1/2" (61 cm x 72 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot “My depressive states continued in Europe and did not lighten with the loneliness of a total stranger. It was a head-on collision with myself and the world in general but I never regretted it: they were very trying and self-revealing times..” —J U V E N A L S A N S Ó, I N RO D PA R A S - P E R E Z ’ “ S A N S Ó : A RT Q U E S T B E T W E E N TWO WO R L D S ,” 1988 When a person undergoes a traumatic experience, the journey to recovery is often long and arduous. The impact of the trauma may diminish over time, but it is already etched on our lives. Juvenal Sansó, a world-renowned artist, is not an exception. Despite the years and distance that separate him from his horrifying experiences during the Japanese occupation of the Philippines, he continues to carry the weight and torment of it all. Sansó's traumatic experiences manifested in his earlier works, veering away from the 'Amorsolo light,' creating anguished and grotesque images instead. Perhaps, Sansó found healing in France and the arts. While the awe-inspiring views from Brittany soothe his mind, he conveys his emotions through painting. Under the encouragement and guidance of Edouard Georg, Sansó began to paint the resplendent landscapes and flora of the places he visited, such as this ca. 1960s painting. In Serenity in Bloom, the artist features a garden of flowers in full bloom. His blue and green-dominated palette exudes a profound sense of tranquility to everyone who comes across it, while his orange sky and tinges of red flowers spread warmth through his image. Yet, it would not be a Sansó piece without a hint of distortion, an artistic approach during his dark period, which he continued to incorporate into the majority of his subsequent works. (Jessica Magno)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Sep. 13, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱1,200,000 - ₱1,560,000

    Spring Tribute signed (lower right) dated 1968 oil on canvas 50" x 31" (127 cm x 79 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot LITERATURE Ramas Cañete, Reuben. La Definitiva Sansó: A Life Lived Thrice. Mandaluyong City: Southeast Asian Heritage Publication, Inc., 2020. Fullcolor illustration and paintign description on page 17. EXHIBITED Fundacion Sansó, Sansó at 90, San Juan City, 24 November 2019 - February 2020 Juvenal Sanso's Spring Tribute takes a unique perspective on the floralscape by focusing on the beauty of its flaws and nuances, rather than its perfection. The floralscape piece serves as a form of celebration for the renewal and vitality of spring. An eternal blossoming that's unbound by any season or gravity. The work previews a tall and large cluster of tapering flowers rising from the bed of ashen blooms in the foreground. The marine blue background is also striking in the image, implying the growth of flowers rooted in the boundless space. It has taken "root" and will continue to grow endlessly—a perfect tribute for spring. The flowers are also rendered with a combination of details and blends. With the petals and buds being in precise detail, yet when looking at the distance, all petals merge into a larger organic entity of spring—a technique that blurs the line between realism and abstraction. What's also interesting in this piece is the use of moody colors from what is supposed to be a "lively" subject, contrasting with the hopeful renewal that the term "spring" should emanate. It captures a form of growth and renewal despite the empty environment in which it found itself, which fits within Sanso's mature period works. It hints at the artist's continuous recovery from the experience of growing up during the Second World War, two decades before the creation of this art piece. As the artist had said in his interview in Mexico, "The effects of war are lasting and the wounds will never heal [...] It's like living atop of a volcano or quicksand, never knowing whether one will topple or not. For me, art has been the only escape from neurosis…" (Mark John Castañeda)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Sep. 13, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱800,000 - ₱1,040,000

    PROPERTY FROM THE DON EUGENIO “GENY” LOPEZ JR. COLLECTION Moonlit Offering signed (lower right) ca.1960s oil on canvas 28 1/2" x 23 1/2" (72 cm x 60 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot “The art of Sanso belongs to a fantastic world. The compositions, the landscape reveal a mysterious universe full of magic… it is this wonderment that gives his paintings their beauty and renders them both unique and unforgettable….” —A RT C R I T I C J . P. C R E S P E L L I N ‘ F R A N C E - S O I R’ Known for his expressionist art style, Juvenal Sanso's artworks are characterized by vivid colors, dynamic brushwork, and the emotional intensity they display. This piece exhibits the same intensity, specifically from his floral and marine-inspired artworks that balance both realism and dream-like abstractions. Emerging from a period in his life when he moved away from his darker wartime themes and into more lyrical, life-affirming themes. The magnificent painting presents a frozen image of vertically arranged flora that was clumped so tightly that it began to form a similar picture to an underwater coral garden, with the turquoise and blue background complementing the image by giving depth and serenity, while providing a glowing and almost ethereal effect. The underwater hint might reflect both the artist's isolation and sanctuary, which is a constant emotional undertone in his later works. With ash colored painted flora stacked on top of each other, over a blue background, Sanso's Moonlit Offering resonates with several interpretations depending on the eyes of the viewer. Juvenal Sanso's artworks, just like his other pieces, captivate the sight of the observers through their unfiltered beauty and invite them to reach their own interpretations. The harmony of the piece reflects Sanso's tendency to create meditative and almost escapist environments—a breathing room from the harsh realities that he experienced in his younger years. (Mark John Castañeda)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Sep. 13, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱600,000 - ₱780,000

    PROPERTY FROM THE DON EUGENIO “GENY” LOPEZ JR. COLLECTION Stately Verdure signed (lower right) ca.1960s oil on canvas 25 1/2" x 19 1/2" (65 cm x 50 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot A quiet, enigmatic aura runs through the art of Juvenal Sansó. Often described by critics as a master of “poetic surrealism,” his works navigate that delicate boundary between illusion and reality— drifting through the subconscious, where images seem to emerge from the half-light of memory. His ethereal technique heightens this ambiguity, turning his paintings into spaces where the mind wanders freely. Some critics, like Barbara Mae Naredo in a 1972 issue of Graphic, also noted a recurring theme of alienation in Sansó’s art. The absence of human figures became a statement in itself: “Sansó comes nearest to the idea of the artist for whom beauty is alienation, a poetic or even physical transport which returns to things a memory of their own strangeness.” The devastation he witnessed in war-torn Manila left its mark, transmuted into imagery that holds both a trace of anguish and a deep serenity. Over time, his canvases became a space of reconciliation— where trauma and recovery coexist, where beauty emerges from the tension between pain and peace. In this interplay lies the enduring finesse of Sansó’s vision. In this verdant composition, Sansó constructs a dreamlike monument of foliage—an almost sculptural tower of succulents, blossoms, and dense greenery rising against a softly shadowed background. The plant forms seem to pulse with life, their intricate textures rendered in layered greens, teals, and mossy blues, punctuated by warm blooms that glow like hidden embers. There are no human figures here, yet the work hums with presence, as if nature itself has taken on the role of protagonist. The painting invites quiet contemplation: is this a vision of nature reclaiming space, or a fragment from the artist’s inner landscape, where memory, solace, and beauty intertwine? (Jed Daya)  

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jul. 26, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱30,000 - ₱39,000

    Aurora en Intramuros hand-signed (lower right) print 17 1/2” x 25” (44 cm x 64 cm) image size: 14 1/2” x 19 1/2” (37 cm x 50 cm)

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jul. 26, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱15,000 - ₱19,500

    Brittany Coast 2 hand-signed (lower right) limited edition lithograph 101 / 260 18” x 24” (46 cm x 61 cm) PROVENANCE: Private Collection, Paris

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jul. 26, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱140,000 - ₱182,000

    PROPERTY FROM A DISTINGUISHED COLLECTOR Still Life signed (lower right) acrylic on paper 18” x 14” (46 cm x 36 cm) PROVENANCE: Finale Art File

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jul. 26, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱200,000 - ₱260,000

    As Stirring As Poetry signed (lower right) ca.1990’s acrylic on canvas 5” x 37” (13 cm x 94 cm) Accompanied by a certificate issued by Fundacion Sansó confirming the authenticity of this lot PROVENANCE: Private Collection

    Leon Gallery
  • Juvenal Sansó (1929 - 2025)
    Jul. 26, 2025

    Juvenal Sansó (1929 - 2025)

    Est: ₱15,000 - ₱19,500

    Baklad Series hand-signed (lower right) print 42/290 11 1/2” x 17 1/4” (29 cm x 44 cm)

    Leon Gallery
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