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Julian Schnabel (American, b.1951) 'I'd Rather Have a Live Woman than a Frozen Leopard' Mixed Media on Paper For 'Paris Review', 1990, pencil signed lower right, pencil #43/45 lower left, Vignaantoniniana blind stamp lower left, offset lithograph, aquatint and collage, behind acrylic in black wood frame Property from: an Estate, Grand Rapids, Michigan Category: Fine Art > Mixed Media Estimated Sale Time: 12:01 pm CST Shipping Status: Leonard Auction, Inc. will provide direct shipping for this lot. Please visit our website for a shipping estimate. Last modified: August 29, 2023, 11:41 am
Leonard AuctionJulian Schnabel, Boni Lux: (March 25-April 23, 1994, Pace Gallery) Seven Thick Board Prints In Portfolio Slip 1st Edition. Condition: Very Good As Is. Dimensions: Height - 10", Width - 8.25". Provenance: Miami Estate. Please note the absence of a Condition Report does not imply that there are no condition issues with this lot. Please contact us for a detailed Condition Report. It is the Buyer's responsibility to inspect each lot and deem their own opinions on Condition, Description, Provenance, and Validity before purchasing. Please make an appointment to preview or ask for Condition Reports. Condition Reports are rendered as an opinion by the staff of the Auction House and not as statements of fact. REMEMBER ALL SALES ARE FINAL AND ALL ITEMS ARE SOLD AS-IS, WHERE IS.
World Auction GalleryJulian Schnabel Malfi (triptych) 1997 screenprint in colors with monotype and resin on primed Rising museum board each: 19.75 h x 15.75 w in (50 x 40 cm) Signed, dated and numbered to lower edge of each work 'J Schnabel '97 29/60'. This work is number 29 from the edition of 60 published by Edition Schellmann, Munich/New York. Literature: Julian Schnabel: Happier Your Are... Happier You'll Be, Galerie Burkhard Eikelmann exhibition catalog, ppg. 20-21 This work will ship from Lambertville, New Jersey.
WrightSCHNABEL JULIAN: (1951- ) American Painter and Filmmaker. Schnabel as a proponent of independent arthouse cinema has obtained multiple awards including Academy Award nominations for Best Director. Signed 8 x 10 photograph by Schnabel, the image depicting the American artist in a head and shoulders pose. Signed in bold dark ink across the image. EX
International Autograph Auctions Europe, S.L.Pigment print in colours on thick cotton paper. (2020). Ca.134 x 98 cm. An “AP II” copy aside from the edition of 100. Signed lower right.
Karl & FaberJULIAN SCHNABEL (B. 1951) Untitled (Drink Nimi) oil, resin, paper collage and wax on drop cloth, in artist's frame 78 3/4 x 66 7/8in. (200 x 170cm.)
Christie'sJULIAN SCHNABEL (born 1951) Childhood 4, 2016 Impression carbone en couleurs. Signée et numérotée 44/45 Carbonprint in kleur. Getekend en genummerd 44/45 Carbon print in colour. Signed and numbered 44/4580 x 57 cm Framed
Cornette de Saint-Cyr-BruxellesJulian Schnabel 1951 Guild Hall Ausstellungsplakat Offsett auf Papier, H 100 mm, B 870 mm; signiert und nummeriert Julian Schnabel 1951 Guild Hall exhibition poster Offset on paper, H 100 mm, W 870 mm; signed and numbered
Peter Karbstein - Kunst und AuktionshausCollector's Edition, im Einband vom Künstler handsigniert. Ex. 0497/1.000. Herausgeber TASCHEN, Köln 2021. Original verpackt und in Karton mit Handschuhen.
DannenbergAmerican Modernism Julian Schnabel Malfi I, II, III. 1997. Triptychon aus 3 unikatären Farbserigraphien. Je händisch mit Monotypie und Gießharz überarbeitet. Je auf festem Museumskarton. Je 124 x 99 cm. Je signiert, datiert und als "monoprint" bezeichnet. Je verso punktuell auf Unterlage montiert und unter Glas gerahmt. - Punktuell Kanten etwas angestoßen. Vereinzelt schwache Fingerspuren, diese auch verso zusammen mit Atelierspuren. Insgesamt gut. Prachtvolle, farbkräftige Drucke der formatfüllenden Darstellungen. Durch die Dimension des Gießharzes erhalten die Arbeiten Farbbrillanz und Plastizität. Je Exemplare "monoprint" abseits der Auflage. - Abgebildet in: Katalog "Julian Schnabel. Happier Your Are ... Happier You`ll Be.",S. 20 - 21. - Hg. v. Galerie Burkhard Eikelmann, Düsseldorf 2016 anlässlich der gleichnamigen Ausstellung vom 05. Juni bis 05. August 2016. - Aus dem Portfolio "Sequences". - Hg. von Edition Schellmann München/ New York. -Basierend auf der gleichnamigen Gemälde-Werksserie von 1995/ 1996. Triptych of 3 unique Colour silkscreens. Each reworked by hand with monotype and poured resin. Each on strong museum board. Each signed, dated and inscribed as "monoprint". Each spot-mmounted to mat and framed under glass. - Edges somewhat bumped in places. Isolated faint finger marks, these also on theverso together with studio marks. All in all good. Splendid, richly coloured prints of the format-filling depictions. The dimension of the cast resin gives the works colour brilliance and plasticity. - Each "monoprint" aside the edition. - Illustrated in: Catalogue "Julian Schnabel. Happier Your Are ... Happier You`ll Be.", p. 20 - 21.- Published by Galerie Burkhard Eikelmann, Düsseldorf 2016 on the occasion of the exhibition of the same name from 5 June to 5 August 2016.- From the portfolio "Sequences". - Pub. by Edition Schellmann Munich/ New York. - Based on the painting series of the same name from 1995/1996.
Jeschke Jádi Auctions Berlin GmbHTwo etching and aquatint on handmade paper, 1987, both signed and dated in pencil, numbered 44/50 and IIII 10/50. Both 29 1/4 x 23 in. (sheet), 33 x 27 in. (frame). The Collection of Jacques d'Amboise, sold in part to benefit National Dance Institute, NYC
StairThe work to be auctioned here belongs to a series of works created at the end of the 1980s entitled 'La Banana è buona'. In this series, Julian Schnabel uses a central motif - usually a depiction of a copperplate engraving taken from European publications - which he paints over or supplements with strong colour streaks and lettering. Common to all the works is a centrally placed image, the fabric border along the four edges of the picture, the powerful application of paint with the aforementioned lettering and the artist's frame. In doing so, he creates a seemingly theatrical stage for his statement 'La banana è buona'. At the centre of the work offered here is a portrait of Pope Pius IX, considered a great reformer of the Catholic Church. The ironic undertone evoked by the banality of the statement is characteristic of Schnabel, who draws on historical influences but also uses pluralistic sources of inspiration.
Kunsthaus Lempertz KGSchnabel, Julian (geb. New York 1951), "Malfi - PP 1/2", Siebdruck und Zeichnung auf Papier mit Kunstharz (Epoxy) Finish, signiert, datiert 97 und bezeichnet "PP 1/2", 50 x 40 cm
Auktionshaus PlückbaumJULIAN SCHNABEL (Brooklyn, New York, 1951). "Chulos", from the series "The Rastro Paintings", 1993. Mixed media and collage on canvas. Provenance: Soledad Lorenzo Art Gallery, Madrid (1994). Later private collection in Barcelona. Work exhibited in "Julian Schnabel. Winter 1993 paintings for Olatz", Soledad Lorenzo Gallery. Madrid, 17 November-16 December 1993, rep. p.11. Signed and dated. Sizes: 214 x 153 cm; 244 x 184 cm (frame). Pimps, snake charmers, knife sharpeners, assassins, prostitutes and peddlers are some of the characters that feature in Julian Schnabel's series "The Rastro Paintings". With a practice close to expressionism, Schnabel's technique encourages objet trouvé and processes based on chance, on numerous occasions approaching sculpture and exploring new fields such as architecture or furniture. An award-winning film director (three of his films, "Basquiat", "Before Night Falls" and "The Diving Bell and the Butterfly" have won him awards at Cannes as best director, and he has been decorated or nominated at the Golden Globes, the BAFTAs, The César Awards and the Venice International Film Festival), Julian Schnabel made his artistic breakthrough with his "plate paintings", fragments of plates, assembled and polychromed, which he created after contemplating Gaudí's mosaics in Barcelona's Park Güell. His boldness, his energetic conception of art and the novelty of his techniques and decorations made him a transgressive figure in the art world, not exempt from controversy and eccentricity. His work currently forms part of the collections of several museums around the world, including the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Museum of Contemporary Art (MOCA), Los Angeles, the Museo Nacional Centro de Arte Reina Sofia in Madrid and the Centre Georges Pompidou in Paris, among many others, as well as important private collections.
Setdart Auction HouseLOT OF 2 Julian Schnabel (1951) Chuck, 2003 Illy espresso set-artist series collection A set of 5 cups + saucers in original box Collateral and packaging limited edition Unsigned and numbered 18.5 x 13.5 inches Jorge Pardo (1963) / Pae White (1963) Collaboration MOCA invitation - Sealed and unopened, 1997 Ink on paper 18 x 25 inches
Santa Monica AuctionsJULIAN SCHNABEL (AMERICAN B. 1951) Untitled, Printed by Jeryl Parker, New Paltz, 1986 color etching plate mark: 90.5 x 119 cm (35 5/8 x 46 7/8 in.) [each]; full sheet when aligned: 215 x 153 cm (84 5/8 x 60 1/4 in.) unframed signed and dated lower right, edition 1/75 lower left all in pencil PROVENANCE Acquired directly from BAM (Brooklyn Academy of Music) Private Brooklyn Heights collection since 1987-1988 LOT NOTES on two sheets aligned top to bottom
Shapiro Auctions LLCJulian Schnabel Hommage to Mozart 1984 offset lithograph in colors 48.75 h x 34.125 w in (124 x 87 cm) Printed signature and date to lower right 'Schnabel 1984'. This work is from the edition of 800. This work will ship from Lambertville, New Jersey.
Los Angeles Modern AuctionsJulian Schnabel Best Buddies 1992 screenprint in colors 57.625 h x 44 w in (146 x 112 cm) Signed, dated and numbered to lower edge '61/90 92 Julian Schnabel'. This work is number 61 from the edition of 90 published for Best Buddies International. This work will ship from Lambertville, New Jersey.
Toomey & Co. AuctioneersJulian Schnabel 1951 Tod, Cage Without Bars Complete set of 9 etchings with aquatint on Kozo Shoin paper, 1983; H each 743 mm, W each 594 mm; each signed and dated lower right ''Julian Schnabel 83''; each with a Roman motif number and the number ''21/150''; Public Parasol Press Ltd. new York
Peter Karbstein - Kunst und AuktionshausJulian SCHNABEL (Né en 1951) Composition - 1990 Sérigraphie en couleurs sur fond de reproduction de carte géographique Signée et numérotée "9/75" 98,7 x 73,3 cm Screenprint in colors; signed and numbered 38.85 x 28.85 in. Rapport de Condition / Condition Report : Très bon état général Very good overall condition Estimation 700 - 800 €
ArtcurialOil, resin and digital printing on canvas and polyester Work belonging to the Merciful Love series. Measures with frame: 206 x 172 cm. Measurements: 162 x 132 cm.
AnsorenaPhotographer: PATRICK DEMARCHELIER: internationally renowned fashion and portrait photographer known for his ability to represent the true personalities of his subjects. He discovered his passion at 17, experimenting with his first camera. By 1975, he had moved to New York and was working for Vogue, beginning to build a portfolio that now includes innumerable celebrities and supermodels. Princess Diana admired his work and, in 1989, commissioned him to photograph her and Princes William and Harry, leading to his role as the first non-British official photographer for the Royal family. Demarchelier is particularly drawn to female subjects, the result, he cheekily claims, of always being surrounded by men growing up. Title: Julian Schnabel, Montauk Date Of Negative: 1999 Type Of Print: Vintage Photogravure. Date Of Print: 1995 Paper: Medium weight, satin/matte finish Print Origin: USA Publisher: Little Brown and Co. Print/Plate Maker: Stinehour Press, USA Approximate Image Size: 11 x 9 inches. Approximate size with mat: 16 x 20 inches. Mat: Professionally dry mounted with archival materials on 4ply museum mat board. Print Border: Yes Condition Grade: Fine ++ Verso: Blank
White Knight AuctionsJulian Schnabel Leather jacket 1991 hand-painted leather, chrome-plated steel 32 h x 27.5 w x 3 d in (81 x 70 x 8 cm) Signed and dated to reverse 'JCS 91'. Size 44. This work will ship from Wright in Chicago, Illinois.
WrightPhotographer: PATRICK DEMARCHELIER: internationally renowned fashion and portrait photographer known for his ability to represent the true personalities of his subjects. He discovered his passion at 17, experimenting with his first camera. By 1975, he had moved to New York and was working for Vogue, beginning to build a portfolio that now includes innumerable celebrities and supermodels. Princess Diana admired his work and, in 1989, commissioned him to photograph her and Princes William and Harry, leading to his role as the first non-British official photographer for the Royal family. Demarchelier is particularly drawn to female subjects, the result, he cheekily claims, of always being surrounded by men growing up. Title: Julian Schnabel, Montauk Date Of Negative: 1999 Type Of Print: Vintage Photogravure. Date Of Print: 1995 Paper: Medium weight, satin/matte finish Print Origin: USA Publisher: Little Brown and Co. Print/Plate Maker: Stinehour Press, USA Approximate Image Size: 11 x 9 inches. Approximate size with mat: 16 x 20 inches. Mat: Professionally dry mounted with archival materials on 4ply museum mat board. Print Border: Yes Condition Grade: Fine ++ Verso: Blank
White Knight Auctions