Bid On-the-Go!
Download the Invaluable app and never miss an auction from your iOS or Android device.
Johann Paul Schor Sold at Auction Prices
Painter, Draft draughtsman, b. 1615 - d. 1674
See Artist Details0 Lots
Sort By:
Categories
Auction Date
Seller
Seller Location
Price Range
soldMay. 25, 2021Attribuito a Giovan Paolo Schor (Insbruck 1615 - Roma 1674) - Study for a decorative motif of cabinet making with angel and cherubs
Est: €500 - €1,000black pencil, pen and brown ink on backed and cut-out paper in the lot another drawing by Domenico Santi (Bologna 1621 - 1694), Study for a cardinal's coat of arms , pen, brown ink and watercolor on blue paper laid on paper (damage and losses) 245 x 175 mm
Finarte
soldJul. 18, 2018Giovanni Paul Schor
Est: £300 - £400Giovanni Paul Schor, Austrian 1615-1674-Ornament in Bruges;pen and brown ink on laid paper, of irregular shape, 23.5x12cm (max)
Roseberys
soldJun. 30, 2015GIOVANNI PAOLO SCHOR (attr.) Study for a figure of Aeneas, overleaf architectural study
Est: £2,200 - £3,000GIOVANNI PAOLO SCHOR (attr.) Study for a figure of Aeneas, overleaf architectural study Ink and watercolour on paper The sheet has a clear Cortona's lode, even though it is not ascribable directly to the master but to Schor who was a well-known col- laborator of Pietro da Cortona in the famous cycle, recently restored, of Alessandro VII Gallery at Quirnale. A sheet which has been on the market this year inspires a very remarkable comparison, it is a study for the Apparition of Mary in the sky (Sale Viterberg Kunst, Heidelberg, on 25th April 2015, 21 x 11 cm) which shows, in the absolute classicist elegance of the figures' poses just like in our Aeneas proceeding solemnly, a fragment of Cortona's originality characterised by a sharp line which attenuates Da Cortona's extreme softness. Overleaf, we can notice a very interesting study for a spiral column which seems to refer to one of the columns of the canopy by Ber- nini in St. Peter's church. 184 x 222 mm
Bertolami Fine Art
soldMay. 22, 2013Schor, Giovan Paolo detto Giovan Paolo Tedesco
Est: €600 - €800Schor, Giovan Paolo detto Giovan Paolo Tedesco (Innsbruck 1615 - Roma 1674) DECORAZIONE DI UN SOFFITTO Penna e inchiostro bruno ...
Pandolfini Casa d'Aste
soldApr. 02, 2012Attribué à Johann Paul SCHOR (Innsbruck 1615-Rome
Est: €1,500 - €2,000Attribué à Johann Paul SCHOR (Innsbruck 1615-Rome 1674) Le triomphe de l'église catholique Plume et encre brune, lavis brun 25,5 x 18,3 Annoté «Bernini» en bas à gauche ainsi que sur le montage et «Cavalier» en bas à...
Millon & Associes
soldOct. 25, 2008Johann Paul Schor (1615 Innsbruck - 1674 Rom).
Est: €1,500 -Johann Paul Schor (1615 Innsbruck - 1674 Rom). Dekorationsentwurf mit allegorischer Darstellung der sieben Tugenden und Herkules in der Wiege. Mid 17th century. Pen and India ink drawing , squared. On laid paper, firmly mounte on laid paper. 24,5 x 18,2 cm (9,6 x 7,1 in), almost the full sheet. [RS]. Provenienz: Private collection Switzerland. Slightly foxed. Lower right corner with small defective spot. Margins with isolated splits.
Ketterer
soldJul. 09, 2008- Johann Paul Schor, called Giovanni Paolo Tedesco , Innsbruck 1615 - 1674 Rome a sheet of studies with designs for fountains Pen and brown ink and grey wash; a slight sketch in black chalk of another fountain on the verso ; dated and inscribed in
Est: £1,615 - £1,674Pen and brown ink and grey wash; a slight sketch in black chalk of another fountain on the verso ; dated and inscribed in brown ink: adv 2 febbraio 1673 / ...di purg ...; further inscribed in black chalk: disegno del' Acqua ; a scale numbered 1 - 5
Sotheby's
soldNov. 16, 2005f - JOHANN PAUL SCHOR INNSBRUCK 1615-ROME 1674
Est: €3,000 - €5,000DESIGN FOR A CEILING PAINTING WITH PUTTI HOLDING SHIELDS AND EMBLEMS OF THE VIRTUES measurements note 245 by 182 mm pen and black ink over black chalk, squared for transfer in black chalk
Sotheby's
soldJul. 06, 2005JOHANN PAUL SCHOR INNSBRUCK 1615 - 1674 ROME A TRIUMPHAL ARCH WITH A ROMAN EMPEROR ON A QUADRIGA
Est: £4,000 - £6,000JOHANN PAUL SCHOR INNSBRUCK 1615 - 1674 ROME A TRIUMPHAL ARCH WITH A ROMAN EMPEROR ON A QUADRIGA SURROUNDED BY LEGIONARIES bears old attribution on the recto and on the backing sheet: Ciro Ferri point of the brush and coloured washes over black chalk CATALOGUE NOTE The attribution to Schor was proposed by Nicholas Turner on stylistic grounds. This drawing can be closely compared with two studies in the British Museum, also drawn with the point of the brush although just with grey wash (see N. Turner, Roman Baroque Drawings c.1620 to c.1700, London 1999, vol. I, pp. 194-95, nos. 290 -91, and vol. II, reproduced 290-91). It is interesting to note the old attribution to Ciro Ferri who was, like Schor, working with Pietro da Cortona. Schor executed fresco decorations under the direction of Cortona in the Palazzo del Quirinale (1656). Schor is generally associated with elaborate decorative projects such as the designs for the coaches of Queen Christina of Sweden (1655).
Sotheby's
soldJul. 08, 2004JOHANN PAUL SCHOR INNSBRUCK 1615 - 1674 ROME
Est: £7,000 - £9,000bears old attribution on the recto and on the backing sheet: Ciro Ferri point of the brush and coloured washes over black chalk
Sotheby's
soldJun. 16, 2004Attribuito a Giovanni Paolo Schor (Innsbruck 1615-1674 Roma)
Est: €20,000 - €30,000Agar e l'angelo olio su tela 125 x 173.5 cm. Il dipinto è in prima tela e presumibilmente montato sul telaio originale.
Christie'ssold
Jan. 30, 1998SCHOR, Johann Paul (1615-1674, Austrian)
Est: -Design for chariot for entry of Marques del Carpio as Spanish Ambassador to Rome, i. pen brown ink grey brown wash lit. Works on paper (8x11in).
Christie's- Jan. 30, 1998
Giovanni Paolo Schor* (1615-1674)
Est: $15,000 - $20,000Design for the Chariot for the Entry of Don Gaspar Mndez de Haro, Marqus del Carpio and de Helliche as Spanish Ambassador to Rome in 1673: An allegorical female Figure seated on a Chariot holding the Arms of Castille and flanked with the Habsburg Arms and Motto inscribed 'PLUS ULT[RA]' (twice) and with inscriptions 'fatta p[er] il S[ignore]. march[ese] di Lice Amb[assadore] Venturo di Spagna.', 'l'anno 1673' ( recto ) and 'Caroza fata del Anno 1673 per il Sig[nore]: Ambasciator di Spagna' ( verso ) pen and brown ink, gray and brown wash, minor ink gall damages 11.3/8 x 7.7/8 in. (290 x 200 mm.) LITERATURE M. Fagiolo dell'Arco, La festa barocca, Rome, 1997, p. 165, illustrated. NOTES This is a design for the Entry of the Marqus del Carpio, also called Marqus de Heliche, Elliche or Lice on the drawing, as Spanish Ambassador to Rome. Del Carpio (1625-1687) was the son of Don Lus de Haro, Spanish prime minister and great-nephew of the latter's predecessor, the Duke de Olivares. The inscription mentions that at the time the drawing was executed, 1673, del Carpio had not yet arrived in Rome. In fact he was to arrive in Rome only in 1677, four years after the death of Schor. Del Carpio did not stay long as Ambassador. In 1682, he became Viceroy of Naples, where he stayed until his death. Del Carpio was a voracious picture collector: having already bought 1100 pictures when he left Rome, at his death del Carpio had amassed 1800 canvasses, F. Haskell, Patrons and Painters, London, 1971, pp. 190-2. He also had ten Velasquez, including the Rokeby Venus now in The National Gallery, London. In Rome, del Carpio befriended and patronized numerous artists such as Berretoni, Ghezzi, Grimaldi, and in Naples, Paolo de'Matteis and Giordano. His favourite artists, however, were Maratta, his school, and Bernini: he even tried to acquire Bernini's equestrian statue of Louis XIV for 30,000 scudi. Del Carpio also assembled a large collection of drawings, all collated in thirty volumes. One album of Neapolitan drawings was sold at Christie's, 20 March 1973, lot 1-39, every sheet bearing del Carpio's attribution. Another album of drawings by Domenico Tintoretto is at The British Museum and three further albums are in the National Gallery of Scotland, Edinburgh, at the Society of Antiquaries, London and in the Biblioteca Nacional, Madrid. A frontispiece for one of his drawing books is at the Institut Nerlandais, Paris, J. Byam Shaw, The Italian Drawings of the Frits Lugt Collection, Paris, 1983, no. 178, pl. 200. For his entry into Rome del Carpio commissioned lavish decorative schemes from the most important Roman artists. In the 1660s and 1670s Schor was one of the most fashionable decorators and received commissioned from the main Roman families, such as the Borghese, for the carnival of 1664, M. Fagiolo dell'Arco, op. cit., p. 423, illustrated. Del Carpio's connection with Schor did not end with the latter's death, for after his arrival in Rome del Carpio continued to commission decorations from the artists's sons, Filippo and Cristoforo. Filippo designed the temporary decorations for the feast for the birth of the Infanta Maria Luisa on 24 September 1681. In 1682, Filippo Schor drew the frontispiece to del Carpio's album of drawings after sculptures, now in the Society of Antiquaries, E. Harris Frankfort, The Alexander Mountain in Alexander the Great in European Art, exhib. cat., Thessaloniki, 1997, p. 641 (fig. 11 in the Greek version). This and the present drawing show stylistic similarities, though the quality of the latter is superior, which precludes the same authorship. Both of Schor's sons followed del Carpio when he moved to Naples in 1782. Many of the important artists of the period designed projects for temporary chariots: Bernini for the Spanish King (E. Harris Frankfort, op. cit., pp. 19 and 96, illustrated), Lodovico Gimignani (E. Harris Frankfort, op. cit., p. 96, illustrated), Ciro Ferri for the entry of the Ambassador of the Catholic English King, Roger of Castelmaine, in 1687, and for the Entry of Francesco Maria de'Medici in the same year, E. Harris Frankfort, op. cit., pp. 529 and 537, illustrated. A further drawing inscribed 'Gio. Paolo Schor' but attributed to Giovanni Battista Lenardi is illustrated in S. Prosperi Valenti Rodin, Three Centuries of Roman Drawings from the Villa Farnesina, Rome, exhib. cat., Nelson-Atkins Museum of Art, Kansas City and elsewhere, 1993, no. 69, illustrated. We are grateful to Enriqueta Harris Frankfort for her help in cataloguing this lot.
Christie's - Jan. 29, 1997
SCHOR, Johann Paul (1615-1674, Austrian)
Est: -Allegory of time, pen brown ink wash htd white over black chk Works on paper (10x9in).
Sotheby's - Apr. 19, 1994
SCHOR, GIOVANNI PAOLO (1615-1674)
Est: $700 - $1,000Noah watching the animals going into the Ark Black chalk, wash 17.5x45.1 cm.
Christie's - Jun. 05, 1990
SCHOR, GIOVANNI PAolO (1615-1674)
Est: $1,400 -Apotheose einer Heiligen Pen & sepia ink 10.9x7 in (27.6x17.8 cm).
Galerie Fischer Auktionen AG - Nov. 07, 1989
SCHOR, GIOVANNI PAolO (1615-1674)
Est: $900 -Progetto di fontana in nicchia con due tritoni pencil/carta marroncina 8.7x6.3 in (22.2x16 cm).
Christie's
Lots Per Page:
Popular Artists
As the world's leading online auction marketplace, thousands of auction houses use Invaluable to deepen relationships with millions of clients around the world. Stay connected to the things you love with curated items and auctions sent to your inbox.
You can unsubscribe at any time. View ourPrivacy Policy.
© 1986-2023 Invaluable, LLC. and participating auction houses. All Rights Reserved.
