Clement Sénèque Paintings & Artwork for Sale | Clement Sénèque Art Value Price Guide

Nov. 22, 2022
Clément Sénèque; South African 1896-1930; Dorpie aan die Voet van die Alpe (Village at the Foot of the Alps)
Est: R70,000 - R90,000
Clément Sénèque South African 1896-1930 Dorpie aan die Voet van die Alpe (Village at the Foot of the Alps) signed and dated 24; inscribed with artist's name and title on the reverse oil on canvas laid down on board 51 by 58,8cm excluding frame; 67 by 74 by 4cm including frame
Strauss & Co
Nov. 22, 2022
Clément Sénèque; South African 1896-1930; Alpedorpie (Small Town in the Alps)
Est: R50,000 - R70,000
Clément Sénèque South African 1896-1930 Alpedorpie (Small Town in the Alps) signed and dated 24 oil on board 33 by 41cm excluding frame; 38,5 by 46,5 by 3cm including frame
Strauss & Co
Apr. 06, 2022
Clément Sénèque; South African 1896-1930; Les Lilas (The Lilacs)
Est: R35,000 - R50,000
signed and dated 24 oil on board 45 by 37cm excluding frame; 70 by 61,5 by 3cm including frame
Strauss & Co
Aug. 10, 2021
Clément Sénèque; South African 1896-1930; French Alps
Est: R30,000 - R50,000
signed and dated 20 oil on board 31,5 by 39,5cm excluding frame; 45 by 52,5 by 2,5cm including frame
Strauss & Co
May. 17, 2021
Clément Sénèque; South African 1896-1930; White Mountain
Est: R60,000 - R80,000
signed and dated '24; inscribed with the artist's name and the title on the reverse oil on board 53,5 by 44,5cm excluding frame; 66,5 by 57,5 by 3cm including frame
Strauss & Co
Jul. 28, 2020
Clément Sénèque; South African 1896-1930; The Cathedral of Notre Dame, Paris
Est: R50,000 - R70,000
signed and dated 21 oil on canvas 59.5 by 49cm excluding frame; 63.5 by 52.5 by 4.5cm including frame
Strauss & Co
Jul. 28, 2020
Clément Sénèque; South African 1896-1930; Mont Blanc
Est: R80,000 - R120,000
signed and dated 24 oil on canvas 81 by 99cm excluding frame; 86.5 by 105 by 5cm including frame
Strauss & Co
Mar. 16, 2020
Clément Sénèque; South African 1896-1930; Switzerland (1923)
Est: R15,000 - R20,000
Clément Sénèque South African 1896-1930 Switzerland (1923) inscribed with the artist's name and the title on a Tatham Art Gallery label adhered to the reverse oil on canvas laid down on board 40 by 33cm, excluding frame 57,5 by 50,5 by 5,5cm, including frame Starting Bid: ZAR 15000
Strauss & Co
Nov. 11, 2019
Clément Sénèque SOUTH AFRICAN 1896–1930 - Mont Blanc
Est: R30,000 - R50,000
Clément Sénèque SOUTH AFRICAN 1896–1930 Mont Blanc dated 1923 and inscribed with the artist’s name and the title on the reverse oil on canvas laid down on board 33,5 by 40,5 cm
Strauss & Co
May. 20, 2019
Clément Sénéque SOUTH AFRICAN 1896-1930 - Les Aiguille de la Glié¨re (at Night)
Est: R50,000 - R70,000
Clément Sénéque SOUTH AFRICAN 1896-1930 Les Aiguille de la Glié¨re (at Night) signed and dated 24; inscribed with the artist's name and the title on the reverse oil on board 54 by 65cm
Strauss & Co
Sep. 17, 2018
Clément Sénèque; In Memorium
Est: R1,500 - R2,500
Clément Sénèque; In Memorium
Strauss & Co
Sep. 17, 2018
Clément Sénèque; The Dutch Chapel
Est: R1,500 - R2,500
Clément Sénèque; The Dutch Chapel
Strauss & Co
Sep. 17, 2018
Clément Sénèque; The Dome
Est: R1,500 - R2,500
Clément Sénèque; The Dome
Strauss & Co
Jun. 04, 2018
Clément Sénèque; Les Aiguilles de Warens
Est: R90,000 - R120,000
Clément Sénèque South African 1896-1930 Les Aiguilles de Warens signed and dated 24 oil on canvas 98 by 79cm
Strauss & Co
Jun. 04, 2018
Clément Sénèque; Around the Bay
Est: R40,000 - R60,000
Clément Sénèque South African 1896-1930 Around the Bay signed and dated 25 oil on board 19 by 31,5cm
Strauss & Co
Apr. 09, 2018
Clément Sénèque - In Memorium
Est: R1,800 - R2,500
Clément Sénèque In Memorium signed in pencil in the margin woodcut image size: 10 by 10cm; sheet size: 22,5 by 18cm, unframed
Strauss & Co
Apr. 09, 2018
Clément Sénèque - The Point, From the Bluff
Est: R1,800 - R2,500
Clément Sénèque The Point, From the Bluff signed in pencil in the margin woodcut image size: 10 by 10cm; sheet size: 22,5 by 18cm, unframed
Strauss & Co
Apr. 09, 2018
Clément Sénèque - The Dutch Chapel
Est: R1,800 - R2,500
Clément Sénèque The Dutch Chapel signed in pencil in the margin woodcut image size: 10 by 9,5cm; sheet size: 22,5 by 18cm, unframed
Strauss & Co
Apr. 09, 2018
Clément Sénèque - Architecture
Est: R1,500 - R2,500
Clément Sénèque Architecture signed in pencil in the margin woodcut image size: 5,5 by 3,5cm; sheet size: 23 by 17,5cm, unframed
Strauss & Co
Feb. 05, 2018
Clement Sénèque; South Coast, Natal
Est: R8,000 - R12,000
Clement Sénèque South Coast, Natal
Strauss & Co
Nov. 13, 2017
Clement Sénèque - Aiguille Du Midi - Village et Glacier des Bossons
Est: R80,000 - R120,000
Clement Sénèque Aiguille Du Midi - Village et Glacier des Bossons signed and dated 24; inscribed with the title on the reverse oil on board 74,5 by 62cm
Strauss & Co
Sep. 18, 2017
Clement Sénèque; Yachting
Est: R1,800 - R2,500
Clement Sénèque; Yachting
Strauss & Co
Sep. 18, 2017
Clement Sénèque; An Old-Fashioned Garden
Est: R1,800 - R2,500
Clement Sénèque; An Old-Fashioned Garden
Strauss & Co
Sep. 18, 2017
Clement Sénèque; The Dome
Est: R1,800 - R2,500
Clement Sénèque; The Dome
Strauss & Co
Feb. 21, 2017
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) LA BASILIQ
Est: R25,000 - R35,000
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) LA BASILIQUE DU SACRE COEUR DE MONTMATRE signed and dated 23 oil on board PROVENANCE from the private collection of the artist's granddaughter 40 by 32,5cm Lot 735 – 739 are a selection of five fine oil paintings from the acclaimed yet brief production of the Mauritian born artist, Clément Sénèque. These works have not previously been offered on the market, having been in Switzerland in the Sénèque family collection since the early 20th century, thus providing a unique opportunity to acquire fresh works by the artist. It is appropriate that in the 21st century the work of Sénèque is enjoying renewed interest and that the impact of his short career has received the scholarly attention of two KwaZulu-Natal art historians, Dr Melanie Hillebrand and Brendan Bell. Trained in Paris at the École des Beaux Arts in architecture and town planning, Sénèque enjoyed recognition in his time as an architect and self-taught painter with a precise eye for architectural structure and details. He admired the work of Frank Brangwyn and locally that of Gwelo Goodman and Pierneef. His verdant landscapes of Kwa-Zulu-Natal, light drenched architectural studies and harbour scenes were most popular in South Africa, eventually earning him the distinction of having his work acquired by all the major local public art collections and the post of chairman of the Natal Society of Arts Sketch Club in 1926. His production was exceptionally brief in South Africa - only five years from 1925-1930 - before he died of pneumonia. “Sénèque’s importance to Natal, despite his relatively short career is immense. Numerous contemporaries and younger artists admired and copied his style, thus producing what might be described as a Natal school of the twenties”. - Melanie Hillebrand On offer are two Natal landscapes; lot 735 is the arresting view of an aqueduct-like stone bridge, partly illuminated in sun, set in a serene landscape of dark, reflective water against a tropical forested landscape, with wild banana fronds and weeping trees against a modulated aqua sky. Although the work is inscribed on the back, Pont-La–Reduit and dated 1920, it is unclear if the inscription is indeed by the artist, as the subject is most likely the KwaZulu-Natal south coast. The second landscape, lot 736, is Chimney Stack and Trees (1926), which presents an unusual view of a distant Durban harbour through a vista of elongated bare trees. A glowing red-orange set of chimney stacks is dramatically illuminated by an early winter sun, the entire composition set against a pale turquoise sky, affirming the artist’s pre-occupation with the sky in his African works. However, “His interest lay in the structural masses of the land and the intersecting lines established by the horizon and vertical forms of buildings.” Less familiar to local audiences are his earlier French Alps and Montagne scenes, painted while on honeymoon in the region, or shortly afterwards. The Durban Art Gallery acquired one such work, Mont Blanc from Sallaches, in 1927. Equally impressive is lot 737, a 1925 work entitled French Alps which was exhibited in the Sénèque retrospective at the Tatham Gallery, Pietermaritzburg in 1969, and was considered to be one of his finest works in notes made to the draft of the introduction to the accompanying catalogue. “In order to add textural interest Sénèque covered his canvas in sackcloth, adding depth to the composition of French Alps. Melanie Hillebrand, in her PHD dissertation argues that, “His bold use of tone gives the mountains a stereoscopic quality.” He produced many paintings, drawings and prints of the French Alps as a result of his happy memories at the time. He returned to Durban, where he encountered difficulties getting established as an architect – although highly regarded – with a young wife and child to
Stephan Welz & Co
Feb. 21, 2017
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) STILL LIFE
Est: R40,000 - R60,000
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) STILL LIFE WITH VESSELS signed and dated 30 oil on canvas PROVENANCE From theprivate collection of the artist's granddaughter 83 by 62cm Lot 735 – 739 are a selection of five fine oil paintings from the acclaimed yet brief production of the Mauritian born artist, Clément Sénèque. These works have not previously been offered on the market, having been in Switzerland in the Sénèque family collection since the early 20th century, thus providing a unique opportunity to acquire fresh works by the artist. It is appropriate that in the 21st century the work of Sénèque is enjoying renewed interest and that the impact of his short career has received the scholarly attention of two KwaZulu-Natal art historians, Dr Melanie Hillebrand and Brendan Bell. Trained in Paris at the École des Beaux Arts in architecture and town planning, Sénèque enjoyed recognition in his time as an architect and self-taught painter with a precise eye for architectural structure and details. He admired the work of Frank Brangwyn and locally that of Gwelo Goodman and Pierneef. His verdant landscapes of Kwa-Zulu-Natal, light drenched architectural studies and harbour scenes were most popular in South Africa, eventually earning him the distinction of having his work acquired by all the major local public art collections and the post of chairman of the Natal Society of Arts Sketch Club in 1926. His production was exceptionally brief in South Africa - only five years from 1925-1930 - before he died of pneumonia. “Sénèque’s importance to Natal, despite his relatively short career is immense. Numerous contemporaries and younger artists admired and copied his style, thus producing what might be described as a Natal school of the twenties”. - Melanie Hillebrand On offer are two Natal landscapes; lot 735 is the arresting view of an aqueduct-like stone bridge, partly illuminated in sun, set in a serene landscape of dark, reflective water against a tropical forested landscape, with wild banana fronds and weeping trees against a modulated aqua sky. Although the work is inscribed on the back, Pont-La–Reduit and dated 1920, it is unclear if the inscription is indeed by the artist, as the subject is most likely the KwaZulu-Natal south coast. The second landscape, lot 736, is Chimney Stack and Trees (1926), which presents an unusual view of a distant Durban harbour through a vista of elongated bare trees. A glowing red-orange set of chimney stacks is dramatically illuminated by an early winter sun, the entire composition set against a pale turquoise sky, affirming the artist’s pre-occupation with the sky in his African works. However, “His interest lay in the structural masses of the land and the intersecting lines established by the horizon and vertical forms of buildings.” Less familiar to local audiences are his earlier French Alps and Montagne scenes, painted while on honeymoon in the region, or shortly afterwards. The Durban Art Gallery acquired one such work, Mont Blanc from Sallaches, in 1927. Equally impressive is lot 737, a 1925 work entitled French Alps which was exhibited in the Sénèque retrospective at the Tatham Gallery, Pietermaritzburg in 1969, and was considered to be one of his finest works in notes made to the draft of the introduction to the accompanying catalogue. “In order to add textural interest Sénèque covered his canvas in sackcloth, adding depth to the composition of French Alps. Melanie Hillebrand, in her PHD dissertation argues that, “His bold use of tone gives the mountains a stereoscopic quality.” He produced many paintings, drawings and prints of the French Alps as a result of his happy memories at the time. He returned to Durban, where he encountered difficulties getting established as an architect – although highly regarded – with a young wife and child to support. Despite th
Stephan Welz & Co
Feb. 21, 2017
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) THE FRENCH
Est: R20,000 - R30,000
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) THE FRENCH ALPS signed and dated 26 oil on canvas Sueddeutscher Zeitung PROVENANCE From the private collection of the artist's granddaughter 47 by 59cm Lot 735 – 739 are a selection of five fine oil paintings from the acclaimed yet brief production of the Mauritian born artist, Clément Sénèque. These works have not previously been offered on the market, having been in Switzerland in the Sénèque family collection since the early 20th century, thus providing a unique opportunity to acquire fresh works by the artist. It is appropriate that in the 21st century the work of Sénèque is enjoying renewed interest and that the impact of his short career has received the scholarly attention of two KwaZulu-Natal art historians, Dr Melanie Hillebrand and Brendan Bell. Trained in Paris at the École des Beaux Arts in architecture and town planning, Sénèque enjoyed recognition in his time as an architect and self-taught painter with a precise eye for architectural structure and details. He admired the work of Frank Brangwyn and locally that of Gwelo Goodman and Pierneef. His verdant landscapes of Kwa-Zulu-Natal, light drenched architectural studies and harbour scenes were most popular in South Africa, eventually earning him the distinction of having his work acquired by all the major local public art collections and the post of chairman of the Natal Society of Arts Sketch Club in 1926. His production was exceptionally brief in South Africa - only five years from 1925-1930 - before he died of pneumonia. “Sénèque’s importance to Natal, despite his relatively short career is immense. Numerous contemporaries and younger artists admired and copied his style, thus producing what might be described as a Natal school of the twenties”. - Melanie Hillebrand On offer are two Natal landscapes; lot 735 is the arresting view of an aqueduct-like stone bridge, partly illuminated in sun, set in a serene landscape of dark, reflective water against a tropical forested landscape, with wild banana fronds and weeping trees against a modulated aqua sky. Although the work is inscribed on the back, Pont-La–Reduit and dated 1920, it is unclear if the inscription is indeed by the artist, as the subject is most likely the KwaZulu-Natal south coast. The second landscape, lot 736, is Chimney Stack and Trees (1926), which presents an unusual view of a distant Durban harbour through a vista of elongated bare trees. A glowing red-orange set of chimney stacks is dramatically illuminated by an early winter sun, the entire composition set against a pale turquoise sky, affirming the artist’s pre-occupation with the sky in his African works. However, “His interest lay in the structural masses of the land and the intersecting lines established by the horizon and vertical forms of buildings.” Less familiar to local audiences are his earlier French Alps and Montagne scenes, painted while on honeymoon in the region, or shortly afterwards. The Durban Art Gallery acquired one such work, Mont Blanc from Sallaches, in 1927. Equally impressive is lot 737, a 1925 work entitled French Alps which was exhibited in the Sénèque retrospective at the Tatham Gallery, Pietermaritzburg in 1969, and was considered to be one of his finest works in notes made to the draft of the introduction to the accompanying catalogue. “In order to add textural interest Sénèque covered his canvas in sackcloth, adding depth to the composition of French Alps. Melanie Hillebrand, in her PHD dissertation argues that, “His bold use of tone gives the mountains a stereoscopic quality.” He produced many paintings, drawings and prints of the French Alps as a result of his happy memories at the time. He returned to Durban, where he encountered difficulties getting established as an architect – although highly regarded – with a young wife and child to supp
Stephan Welz & Co
Feb. 21, 2017
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) CHIMNEY ST
Est: R30,000 - R50,000
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) CHIMNEY STACKS AND TREES oil on board PROVENANCE from the private collection of the artist's granddaughter 32 by 19cm Lot 735 – 739 are a selection of five fine oil paintings from the acclaimed yet brief production of the Mauritian born artist, Clément Sénèque. These works have not previously been offered on the market, having been in Switzerland in the Sénèque family collection since the early 20th century, thus providing a unique opportunity to acquire fresh works by the artist. It is appropriate that in the 21st century the work of Sénèque is enjoying renewed interest and that the impact of his short career has received the scholarly attention of two KwaZulu-Natal art historians, Dr Melanie Hillebrand and Brendan Bell. Trained in Paris at the École des Beaux Arts in architecture and town planning, Sénèque enjoyed recognition in his time as an architect and self-taught painter with a precise eye for architectural structure and details. He admired the work of Frank Brangwyn and locally that of Gwelo Goodman and Pierneef. His verdant landscapes of Kwa-Zulu-Natal, light drenched architectural studies and harbour scenes were most popular in South Africa, eventually earning him the distinction of having his work acquired by all the major local public art collections and the post of chairman of the Natal Society of Arts Sketch Club in 1926. His production was exceptionally brief in South Africa - only five years from 1925-1930 - before he died of pneumonia. “Sénèque’s importance to Natal, despite his relatively short career is immense. Numerous contemporaries and younger artists admired and copied his style, thus producing what might be described as a Natal school of the twenties”. - Melanie Hillebrand On offer are two Natal landscapes; lot 735 is the arresting view of an aqueduct-like stone bridge, partly illuminated in sun, set in a serene landscape of dark, reflective water against a tropical forested landscape, with wild banana fronds and weeping trees against a modulated aqua sky. Although the work is inscribed on the back, Pont-La–Reduit and dated 1920, it is unclear if the inscription is indeed by the artist, as the subject is most likely the KwaZulu-Natal south coast. The second landscape, lot 736, is Chimney Stack and Trees (1926), which presents an unusual view of a distant Durban harbour through a vista of elongated bare trees. A glowing red-orange set of chimney stacks is dramatically illuminated by an early winter sun, the entire composition set against a pale turquoise sky, affirming the artist’s pre-occupation with the sky in his African works. However, “His interest lay in the structural masses of the land and the intersecting lines established by the horizon and vertical forms of buildings.” Less familiar to local audiences are his earlier French Alps and Montagne scenes, painted while on honeymoon in the region, or shortly afterwards. The Durban Art Gallery acquired one such work, Mont Blanc from Sallaches, in 1927. Equally impressive is lot 737, a 1925 work entitled French Alps which was exhibited in the Sénèque retrospective at the Tatham Gallery, Pietermaritzburg in 1969, and was considered to be one of his finest works in notes made to the draft of the introduction to the accompanying catalogue. “In order to add textural interest Sénèque covered his canvas in sackcloth, adding depth to the composition of French Alps. Melanie Hillebrand, in her PHD dissertation argues that, “His bold use of tone gives the mountains a stereoscopic quality.” He produced many paintings, drawings and prints of the French Alps as a result of his happy memories at the time. He returned to Durban, where he encountered difficulties getting established as an architect – although highly regarded – with a young wife and child to support. Despite the challenges, this
Stephan Welz & Co
Feb. 21, 2017
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) PONT-LA-RE
Est: R25,000 - R35,000
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) PONT-LA-REDUIT signed with the artist's monogram and dated '20; signed, dated and inscribed with the title on the reverse oil on canvas PROVENANCE from the private collection of the artist's granddaughter 35,5 by 42cm Lot 735 – 739 are a selection of five fine oil paintings from the acclaimed yet brief production of the Mauritian born artist, Clément Sénèque. These works have not previously been offered on the market, having been in Switzerland in the Sénèque family collection since the early 20th century, thus providing a unique opportunity to acquire fresh works by the artist. It is appropriate that in the 21st century the work of Sénèque is enjoying renewed interest and that the impact of his short career has received the scholarly attention of two KwaZulu-Natal art historians, Dr Melanie Hillebrand and Brendan Bell. Trained in Paris at the École des Beaux Arts in architecture and town planning, Sénèque enjoyed recognition in his time as an architect and self-taught painter with a precise eye for architectural structure and details. He admired the work of Frank Brangwyn and locally that of Gwelo Goodman and Pierneef. His verdant landscapes of Kwa-Zulu-Natal, light drenched architectural studies and harbour scenes were most popular in South Africa, eventually earning him the distinction of having his work acquired by all the major local public art collections and the post of chairman of the Natal Society of Arts Sketch Club in 1926. His production was exceptionally brief in South Africa - only five years from 1925-1930 - before he died of pneumonia. “Sénèque’s importance to Natal, despite his relatively short career is immense. Numerous contemporaries and younger artists admired and copied his style, thus producing what might be described as a Natal school of the twenties”. - Melanie Hillebrand On offer are two Natal landscapes; lot 735 is the arresting view of an aqueduct-like stone bridge, partly illuminated in sun, set in a serene landscape of dark, reflective water against a tropical forested landscape, with wild banana fronds and weeping trees against a modulated aqua sky. Although the work is inscribed on the back, Pont-La–Reduit and dated 1920, it is unclear if the inscription is indeed by the artist, as the subject is most likely the KwaZulu-Natal south coast. The second landscape, lot 736, is Chimney Stack and Trees (1926), which presents an unusual view of a distant Durban harbour through a vista of elongated bare trees. A glowing red-orange set of chimney stacks is dramatically illuminated by an early winter sun, the entire composition set against a pale turquoise sky, affirming the artist’s pre-occupation with the sky in his African works. However, “His interest lay in the structural masses of the land and the intersecting lines established by the horizon and vertical forms of buildings.” Less familiar to local audiences are his earlier French Alps and Montagne scenes, painted while on honeymoon in the region, or shortly afterwards. The Durban Art Gallery acquired one such work, Mont Blanc from Sallaches, in 1927. Equally impressive is lot 737, a 1925 work entitled French Alps which was exhibited in the Sénèque retrospective at the Tatham Gallery, Pietermaritzburg in 1969, and was considered to be one of his finest works in notes made to the draft of the introduction to the accompanying catalogue. “In order to add textural interest Sénèque covered his canvas in sackcloth, adding depth to the composition of French Alps. Melanie Hillebrand, in her PHD dissertation argues that, “His bold use of tone gives the mountains a stereoscopic quality.” He produced many paintings, drawings and prints of the French Alps as a result of his happy memories at the time. He returned to Durban, where he encountered difficulties getting established as an architec
Stephan Welz & Co
Oct. 18, 2016
Clément (Joseph Charles Louis) Sénèque (South Afri
Est: R2,000 - R3,000
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) STUDY OF THE GARDENS charcoal on paper 53 by 38cm
Stephan Welz & Co
Oct. 18, 2016
Clément (Joseph Charles Louis) Sénèque (South Afri
Est: R3,000 - R5,000
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) ARCHWAY signed and dated indistinctly charcoal on paper 51 by 38cm
Stephan Welz & Co
Oct. 18, 2016
Clément (Joseph Charles Louis) Sénèque (South Afri
Est: R5,000 - R7,000
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) STREET SCENE signed and dated 29 charcoal on paper 43 by 26cm
Stephan Welz & Co
Oct. 18, 2016
Clément (Joseph Charles Louis) Sénèque (South Afri
Est: R6,000 - R10,000
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) L'ARC DE TRIOMPHE; LE PONT NEUF, PARIS; MONTMARTRE, PARIS; LE MONT BLANC; L'AIGUILLE DU DRU CHAMONIX and LES AIGUILLES DE LA GLIERE (six) woodcuts, each signed, dated 24 and inscribed with their titles in pencil in the margin each sheet size: 31 by 22cm (6)
Stephan Welz & Co
Jun. 07, 2016
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) MONUMENT signed pastel on wax paper
Est: R7,000 - R10,000
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) MONUMENT signed pastel on wax paper 32 by 26cm
Stephan Welz & Co
May. 10, 2016
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) SOME WOODC
Est: R30,000 - R40,000
Clément (Joseph Charles Louis) Sénèque (South African 1896-1930) SOME WOODCUTS (sic) signed and dedicated on title page book accompanied by two etchings and a photograph 29,5 by 25cm
Stephan Welz & Co
Jun. 30, 2014
Natal South Coast
Est: R25,000 - R40,000
Joseph Charles Louis Clement Sénèque, Natal South Coast, , oil on board, 44 by 34cm
Strauss & Co
Nov. 07, 2011
Joseph Charles Louis Clement Sénèque - Snowy Peak
Est: R30,000 - R50,000
Joseph Charles Louis Clement Sénèque - Snowy Peak signed and dated 24 oil on board
Strauss & Co
Sep. 07, 2011
Clement Seneque (1896-1930), Study for a lionhead
Est: £40 - £60
Clement Seneque (1896-1930), Study for a lionhead door knocker, charcoal, 47.5cm x 59cm.
Bellmans Auctioneers
Nov. 28, 2010
Clement Seneque (1896-1930) South African Afternoon Light 1921 Pastel
Est: $350 - $450
Clement Seneque (1896-1930) South African Afternoon Light 1921 Pastel Initialled lower left & dated 27.5 x 35 cm
Theodore Bruce Auctioneers & Valuers
Nov. 28, 2010
Clement Seneque (1896-1930) South African The Bell Tower, Italy Pastel
Est: $150 - $250
Clement Seneque (1896-1930) South African The Bell Tower, Italy Pastel 35.5 x 25.5 cm
Theodore Bruce Auctioneers & Valuers
Nov. 28, 2010
Clement Seneque (1896-1930) South African Nuns Passing the Sacre Coeur Oil on canvas on board
Est: $1,500 - $1,700
Clement Seneque (1896-1930) South African Nuns Passing the Sacre Coeur Oil on canvas on board Signed lower left 55.5 x 48 cm
Theodore Bruce Auctioneers & Valuers
Oct. 26, 2010
Clément (Joseph Charles Louis) Sénèque (South African, 1896-1930) Durban harbour
Est: £1,200 - £1,800
Durban harbour oil on board 32 x 23cm (12 5/8 x 9 1/16in).
Bonhams
Apr. 13, 2010
Clément Sénèque Oil Painting (1896-1930)
Est: R25,000 - R35,000
Clément Sénèque Oil Painting (1896-1930) Durban Yacht Mall, on canvass, signed and dated 26, 64 x 54cm,
Dales Bros Auctioneers