Georges Seurat (1859 Paris 1891) Le Fiacre Crayon conté auf Bütten, aufgezogen auf Velin / Crayon conté on laid paper, mounted on wove paper Um 1885 24x30,9 cm, Blattgrösse / 24x30.9 cm, sheet size Werkverzeichnis / Catalogue Raisonné César Mange de Hauke, Seurat et son œuvre, Paris 1961, Nr. 647 Erich Franz / Bernd Growe, Georges Seurat, Dessins, Paris 1984, Nr. 73 César Mange de Hauke, Seurat et son œuvre, Paris 1961, no. 647 Erich Franz / Bernd Growe, Georges Seurat, Dessins, Paris 1984, no. 73 Provenienz / Provenance Slg. de Frenne, Paris Slg. van Deventer, Arnheim Slg. Sydney J. Lamon, New York Gallery M. Knoedler & Co., New York, Inv.-Nr. WCA-1942, Foto-Nr. 6058 Slg. Eberhard W. Kornfeld, Bern, rückseitig mit dem Sammlerstempel, Lugt 913b De Frenne Collection, Paris Van Deventer Collection, Arnhem Sydney J. Lamon Collection, New York Gallery M. Knoedler & Co, New York, inv. no. WCA-1942, photo no. 6058 The Eberhard W. Kornfeld Collection, Bern, with the collector's stamp on the reverse, Lugt 913b Literatur / Literature Umbro Apollonio, Disegni di Seurat, Venezia 1945, Abb. Tf. XIX Robert L. Herbert, Seurat’s Drawings, New York 1962, S. 129, Nr. 111, Abb. John Russell, Seurat, London 1965, S. 94, Nr. 88, Abb. Richard Thomson, Seurat, Oxford 1985, S. 134, Nr. 137, Abb. Herbert Wotte, Georges Seurat, Dresden 1988, Abb. Tf. 80 Umbro Apollonio, Disegni di Seurat, Venezia 1945, ill. reprod. XIX Robert L. Herbert, Seurat's Drawings, New York 1962, p. 129, no. 111, ill. John Russell, Seurat, London 1965, p. 94, no. 88, ill. Richard Thomson, Seurat, Oxford 1985, p. 134, no. 137, ill. Herbert Wotte, Georges Seurat, Dresden 1988, ill. reprod. 80 Ausstellungen / Exhibitions Rotterdam 1934/1935, Musée Boymans, Soixante-deux tableaux et dessins anciens et modernes des collections néerlandaises, Kat. Nr. 54 Amsterdam 1936, Galerie Huinck et Scherjon, L’art français du XIXe siècle Rotterdam 1936/1937, Musée Boymans, Les divisionnistes de Seurat à Jan Toorop, Kat. Nr. 47 Chicago 1958, The Art Institute, Seurat, Paintings and Drawings, Kat. Nr. 109 Bielefeld 1983, Kunsthalle, Georges Seurat, Zeichnungen, Kat. Nr. 73, Abb. Baden-Baden 1984, Staatliche Kunsthalle, Georges Seurat, Zeichnungen, Kat. Nr. 73, Abb. Bern 1989, Kunstmuseum Bern, Von Goya bis Tinguely, Aquarelle und Zeichnungen aus einer Privatsammlung [Slg. Eberhard W. Kornfeld], Kat. Nr. 24, Abb. S. 59 Bern/Hamburg 1996, Kunstmuseum/Kunsthalle, Zeichnen ist Sehen. Meisterwerke von Ingres bis Cézanne aus dem Museum der bildenden Künste Budapest und aus Schweizer Sammlungen, Kat. Nr. 100, Abb. S. 223 Davos 1998/1999, Kirchner Museum, Werke aus der Sammlung Eberhard W. Kornfeld, Kat. Nr. 13, Abb. Madrid 2003, Fundación Juan March, Espíritu de modernidad: de Goya a Giacometti, Obra sobre papel de la colección Kornfeld, Kat. Nr. 10, S. 130, Abb. S. 32 Wien 2008/2009, Albertina, Wege der Moderne, Aus der Sammlung Eberhard W. Kornfeld, Kat. Nr. 16, S. 292, Abb. S. 38 Zürich/Frankfurt am Main 2009/2010, Kunsthaus/Schirn Kunsthalle, Georges Seurat, Kat. Nr. 71, S. 144, Abb. S. 130 Rotterdam 1934/1935, Musée Boymans, Soixante-deux tableaux et dessins anciens et modernes des collections néerlandaises, cat. no. 54 Amsterdam 1936, Galerie Huinck et Scherjon, L'art français du XIXe siècle Rotterdam 1936/1937, Musée Boymans, Les divisionnistes de Seurat à Jan Toorop, cat. no. 47 Chicago 1958, The Art Institute, Seurat, Paintings and Drawings, cat. no. 109 Bielefeld 1983, Kunsthalle, Georges Seurat, Zeichnungen, cat. no. 73, ill. Baden-Baden 1984, Staatliche Kunsthalle, Georges Seurat, Zeichnungen, cat. no. 73, ill. Bern 1989, Kunstmuseum Bern, Von Goya bis Tinguely, Aquarelle und Zeichnungen aus einer Privatsammlung [Slg. Eberhard W. Kornfeld W. Kornfeld], cat. no. 24, ill. p. 59 Bern/Hamburg 1996, Kunstmuseum/Kunsthalle, "Zeichnen ist Sehen", Meisterwerke von Ingres bis Cézanne aus dem Museum der bildenden Künste Budapest und aus Schweizer Sammlungen, , cat. no. 100, ill. p. 223 Davos 1998/1999, Kirchner Museum, Werke aus der Sammlung Eberhard W. Kornfeld, cat. no. 13, ill. Madrid 2003, Fundación Juan March, Espíritu de modernidad: de Goya a Giacometti, Obra sobre papel de la colección Kornfeld, cat. no. 10, p. 130, ill. p. 32 Vienna 2008/2009, Albertina, Wege der Moderne, Aus der Sammlung Eberhard W. Kornfeld, cat. no. 16, p. 292, ill. p. 38 Zurich/Frankfurt am Main 2009/2010, Kunsthaus/Schirn Kunsthalle, Georges Seurat, cat. no. 71, p. 144, ill. p. 130 Zustand / Condition Mit Lichtrand und im Papier etwas gebräunt. Unten rechts mit restauriertem kleinen Einriss. In schöner Erhaltung With lightstruck and paper slightly brownish. With restored small tear at lower right. In fine condition Erläuterungen / Comments Durch die Anwendung seiner einzigartigen Zeichnungstechnik erreichte Georges Seurat hervorragende Hell-Dunkel-Kontraste, was die zeitgenössischen Kritiker dazu veranlasste, ihn als würdigen Nachfolger von Rembrandt, dem "clair-obscuriste par excellence", zu bezeichnen. Je weiter sich die Betrachtenden vom Werk entfernen, desto klarer wird das Bild, sodass zuvor nicht erkennbare Details (wie im vorliegenden Fall etwa die Kutsche) unvermittelt zum Vorschein treten. Dieses Phänomen erinnert an die optischen Prinzipien von Michel-Eugène Chevreul und Eugène Rood, die die Grundlage des Neoimpressionismus bildeten. Seurat versuchte, diese Ideen nicht nur in seine Gemälde, sondern auch in seine Zeichnungen zu integrieren. Die Farben ersetzte er durch eine unendliche Vielfalt und Nuancierung in der Tonalität des Kontrastes von Schwarz und Weiss. In der Zeit, als das vorliegende Blatt entstand, arbeitete Seurat an seinem grossen Meisterwerk "Un dimanche après-midi à l’Île de la Grande Jatte", das sich heute im Art Institute of Chicago befindet. Die "Fiacres" waren die Taxis der Zeit, und so wird auch Seurat die Dienste der Kutschenfahrer in Anspruch genommen haben, um an die Seine zu fahren und dort die Pariser Bevölkerung beim Sonntagsvergnügen zu beobachten. Schemenhaft stehen Pferd und Kutsche an einer baumgesäumten Strasse und warten auf Kunden; vielleicht ist es der galante Herr am unteren Bildrand. Die Szene spielt wohl gegen Abend, die Laterne der Kutsche erscheint als auffälliger weisser Fleck. Meisterhaft akzentuiert Seurat damit die Komposition, die in der Anlage eher hell erscheint. Er entreisst die Darstellung damit der Zeitachse und hebt sie fast in eine metaphysische Dimension. Georges Seurat used his unique drawing technique to achieve outstanding contrasts of light and dark, which prompted contemporary critics to describe him as a worthy successor to Rembrandt, the "clair-obscuriste par excellence". As the viewer moves away from the work, the picture becomes clearer, so that previously unrecognisable details (such as the carriage in this case) suddenly appear. This phenomenon is reminiscent of the optical principles of Michel-Eugène Chevreul and Eugène Rood, which formed the basis of Neo-Impressionism. Seurat attempted to integrate these ideas not only in his paintings but also in his drawings. He replaced the colours with an infinite variety and nuance in the tonality of the contrast between black and white. At the time of this drawing, Seurat was working on his great masterpiece "Un dimanche après-midi à l'Île de la Grande Jatte", which is now in the Art Institute of Chicago. The "fiacres" were the taxis of the day, and Seurat would also have used their services to travel to the Seine and watch the Parisians enjoying themselves on a Sunday. Horse and carriage are silhouetted against a tree-lined street, waiting for a customer; perhaps it is the gallant gentleman at the bottom of the picture. The scene probably takes place towards evening, and the lantern of the carriage appears as a striking white spot. In this way, Seurat masterfully accentuates the rather bright composition, removing the scene from the time axis and lifting it into an almost metaphysical dimension. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 13.09.2024; 13:40 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 115.- Europa / Europe: CHF 185.- Übrige Länder / Other countries: CHF 235.-
Georges Seurat (1859 Paris 1891) Dame au bouquet, de dos Crayon conté auf Bütten / Crayon conté on laid paper Um 1882 31,6x24,4 cm / 31.6x24.4 cm Werkverzeichnis / Catalogue Raisonné César Mange de Hauke, Seurat et son œuvre, Paris 1961, Nr. 496 Erich Franz/Bernd Growe, Georges Seurat, Dessins, Paris 1984, Nr. 30 César Mange de Hauke, Seurat et son œuvre, Paris 1961, no. 496 Erich Franz/Bernd Growe, Georges Seurat, Dessins, Paris 1984, no. 30 Provenienz / Provenance Nachlass des Künstlers, rückseitig mit Nachlassnummer "314" Familie Appert, Paris (Familie des Künstlers) Slg. Paul Levasseur, Paris (Patensohn und Cousin des Künstlers) Slg. Eberhard W. Kornfeld, Bern, rückseitig mit dem Sammlerstempel, Lugt 913b Estate of the artist, with estate number "314" on the reverse Appert family, Paris (family of the artist) Paul Levasseur Collection, Paris (godson and cousin of the artist) The Eberhard W. Kornfeld Collection, Bern, with the collector's stamp on the reverse, Lugt 913b Literatur / Literature Minotaure No. 11, Revue artistique et littéraire, 5. Jahrgang, Paris 1938, Abb. S. 6 Minotaure no. 11, Revue artistique et littéraire, 5th year, Paris 1938, ill. p. 6 Ausstellungen / Exhibitions Paris 1957, Musée Jacquemart-André, Seurat, ausser Katalog Bielefeld 1983, Kunsthalle, Georges Seurat, Zeichnungen, Kat. Nr. 30, Abb. Baden-Baden 1984, Staatliche Kunsthalle, Georges Seurat, Zeichnungen, Kat. Nr. 30, Abb. Bern 1989, Kunstmuseum Bern, Von Goya bis Tinguely, Aquarelle und Zeichnungen aus einer Privatsammlung [Slg. Eberhard W. Kornfeld], Kat. Nr. 22, Abb. S. 55 Paris 1991, Galeries nationales du Grand Palais, Seurat, Kat. Nr. 26, Abb. New York 1991/1992, The Metropolitan Museum, Seurat, Kat. Nr. 27, Abb. Bern/Hamburg 1996, Kunstmuseum/Kunsthalle, "Zeichnen ist Sehen", Meisterwerke von Ingres bis Cézanne aus dem Museum der bildenden Künste Budapest und aus Schweizer Sammlungen, Kat. Nr. 97, Abb. S. 217 Lausanne 1998, Fondation de l’Hermitage, Pointilllisme, Sur les traces de Seurat, S. 258, ohne Kat. Nr. Davos 1998/1999, Kirchner Museum, Werke aus der Sammlung Eberhard W. Kornfeld, Kat. Nr. 11, Abb. Madrid 2003, Fundación Juan March, Espíritu de modernidad: de Goya a Giacometti, Obra sobre papel de la colección Kornfeld, Kat. Nr. 9, S. 130, Abb. S. 31 Chicago 2004, The Art Institute, Seurat and the Making of La Grande Jatte, Kat. Nr. 11, S. 272, Abb. S. 34 New York 2007, The Museum of Modern Art, Georges Seurat: The Drawings, Kat. Nr. 44, S. 250, Abb. S. 86 Wien 2008/2009, Albertina, Wege der Moderne, Aus der Sammlung Eberhard W. Kornfeld, Kat. Nr. 15, S. 291, Abb. S. 37 Zürich/Frankfurt am Main 2009/2010, Kunsthaus/Schirn Kunsthalle, Georges Seurat, Kat. Nr. 26, S. 142, Abb. S. 50 Wien 2012, Albertina, Impressionismus : Pastelle, Aquarelle, Zeichnungen, Kat. Nr. 148, Abb. S. 251 Paris 1957, Musée Jacquemart-André, Seurat, except catalogue Bielefeld 1983, Kunsthalle, Georges Seurat, Zeichnungen, cat. no. 30, ill. Baden-Baden 1984, Staatliche Kunsthalle, Georges Seurat, Zeichnungen, cat. no. 30, ill. Bern 1989, Kunstmuseum Bern, Von Goya bis Tinguely, Aquarelle und Zeichnungen aus einer Privatsammlung [Slg. Eberhard W. Kornfeld W. Kornfeld], cat. no. 22, ill. p. 55 Paris 1991, Galeries nationales du Grand Palais, Seurat, cat. no. 26, ill. New York 1991/1992, The Metropolitan Museum, Seurat, cat. no. 27, ill. Bern/Hamburg 1996, Kunstmuseum/Kunsthalle, "Zeichnen ist Sehen", Meisterwerke von Ingres bis Cézanne aus dem Museum der bildenden Künste Budapest und aus Schweizer Sammlungen, cat. no. 97, ill. p. 217 Lausanne 1998, Fondation de l'Hermitage, Pointilllisme, Sur les traces de Seurat, p. 258, without cat. no. Davos 1998/1999, Kirchner Museum, Werke aus der Sammlung Eberhard W. Kornfeld, cat. no. 11, ill. Madrid 2003, Fundación Juan March, Espíritu de modernidad: de Goya a Giacometti, Obra sobre papel de la colección Kornfeld, cat. no. 9, p. 130, ill. p. 31 Chicago 2004, The Art Institute, Seurat and the Making of La Grande Jatte, cat. no. 11, p. 272, ill. p. 34 New York 2007, The Museum of Modern Art, Georges Seurat: The Drawings, cat. no. 44, p. 250, ill. p. 86 Vienna 2008/2009, Albertina, Wege der Moderne, Aus der Sammlung Eberhard W. Kornfeld, cat. no. 15, p. 291, ill. p. 37 Zurich/Frankfurt am Main 2009/2010, Kunsthaus/Schirn Kunsthalle, Georges Seurat, cat. no. 26, p. 142, ill. p. 50 Vienna 2012, Albertina, Impressionismus : Pastelle, Aquarelle, Zeichnungen, cat. no. 148, ill. p. 251 Zustand / Condition Bildträger etwas gewellt und oben und seitlich mit unregelmässigen Rändern. Oben rechts mit hinterlegter Ecke, in der Mitte mit zwei Reissnagellöchern. Rückseitig mit Montierungsresten. In selten schöner Erhaltung Paper slightly wavy and with irregular margins at the top and outer margins. Upper right with backed corner, two nail holes in the centre. Remnants of mounting on the reverse. Rare in such fine condition Erläuterungen / Comments Georges Seurat begann bereits 1874 in jugendlichem Alter zu zeichnen und entwickelte sukzessive seinen eigenen, unverkennbaren Stil. Mit zweiundzwanzig Jahren hatte er seine einzigartige Zeichentechnik bereits voll entwickelt: Er liess die einzelnen Linien zugunsten grosser, schattenhafter Massen verschwinden. Die samtigen Formen und Oberflächen entstanden, indem der Künstler das grobe Büttenpapier mit der fettigen Conté-Kreide einrieb und mit der Spitze der Kreide ein dichtes Liniengewirr schuf, das die Komposition fast vibrierend verdichtete. Um 1882 schuf Seurat zahlreiche Frauen- und Männerfiguren von rätselhafter Intensität. Die dunklen, meist gesichtslosen Gestalten erscheinen wie im Gegenlicht; vermutlich waren die Werke auch eine Antwort auf die Fotografie. Es ging Seurat nicht um die exakte Wiedergabe eines Motivs, sondern um eine fast ätherische Bestandesaufnahme. Die Formen sind nie klar definiert, die Konturen nie gezeichnet; die Figuren werden durch ausdrucksstarke Schattierungen von sorgfältig modulierter Dichte wiedergegeben. Seurats Methode war stark von den ästhetischen Theorien von Charles Blanc und Humbert de Superville beeinflusst. Diese hatten Studien veröffentlicht, in denen sie erklärten, wie die Richtung der Linien in Verbindung mit den Farben unterschiedliche Emotionen bei den Betrachtenden hervorrufen kann. Nach Blanc sind lineare Richtungen "unbedingte Zeichen" für Emotionen. Aufsteigende Linien werden mit Gefühlen der Freude und des Lebens in Verbindung gebracht. Die hier angebotene Zeichnung gehört zu den besonders geheimnisvollen Arbeiten des Künstlers. Die Konturen der Dame wurden nicht durch Linien, sondern durch sanftes Reiben der Conté-Kreide auf der geriffelten Oberfläche des Papiers umrissen, wobei durch das Auftragen mehrerer Schichten dunklere Zonen entstanden, die an den sich überlagernden, in entgegengesetzte Richtungen verlaufenden Linien erkennbar sind. Die Protagonistin scheint wie von einer undefinierbaren Lichtquelle beleuchtet und den Raum im Hier und Jetzt in eine andere Dimension zu durchschreiten. Georges Seurat began drawing as early as 1874, at a young age, gradually developing his own unmistakable style. By the age of twenty-two, he had fully developed his unique drawing technique: individual lines disappear in favour of large, shadowy masses. The velvety forms and surfaces were created by rubbing greasy Conté chalk onto coarse laid paper, using the tip of the chalk to create a dense tangle of lines, condensing the composition so that it seemed to vibrate. Around 1882, Seurat created numerous male and female figures of enigmatic intensity. The dark, mostly faceless figures appear as if backlit; the works were probably also a response to photography. Seurat was not interested in the exact reproduction of a motif, but in an almost ethereal effect. The forms are never clearly defined, the contours never drawn; the figures are rendered through expressive shades of carefully modulated density. Seurat's method was strongly influenced by the aesthetic theories of Charles Blanc and Humbert de Superville. They had published studies explaining how the direction of the lines in combination with the colours can evoke different emotions in the viewer. According to Blanc, linear directions are "unconditional signs" of emotion. Ascending lines are associated with feelings of joy and life. This drawing is one of the artist's most mysterious works. The contours of the lady were not delineated by lines, but by gently rubbing the Conté chalk on the ribbed surface of the paper, applying several layers to create darker areas, recognisable by the overlapping lines running in opposite directions. The protagonist appears to be illuminated by an indefinable light source and to be walking through the space in the here and now into another dimension. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 13.09.2024; 13:40 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 115.- Europa / Europe: CHF 185.- Übrige Länder / Other countries: CHF 235.-
Georges Seurat (1859-1891) textured print titled Bathers In Anieres, after the original which was painted in 1884. It is matted and framed in a golden frame. With frame, it measures 22 inches x 31 inches. This piece was acquired from a Metro Washington DC estate.
This description has been translated automatically: Georges SEURAT (1859-1891) The Harvester, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Le moissonneur, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) The Stone Breaker, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Le casseur de pierres, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Nude model in pose, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Modèle nue en pose, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
Georges Seurat (1859-1891) textured print titled Bathers In Anieres, after the original which was painted in 1884. It is matted and framed in a golden frame. With frame, it measures 22 inches x 31 inches. This piece was acquired from a Metro Washington DC estate.
Georges Seurat (1859-1891) textured print titled Bathers In Anieres, after the original which was painted in 1884. It is matted and framed in a golden frame. With frame, it measures 22 inches x 31 inches. This piece was acquired from a Metro Washington DC estate.
Georges Seurat (1859-1891) textured print titled Bathers In Anieres, after the original which was painted in 1884. It is matted and framed in a golden frame. With frame, it measures 22 inches x 31 inches. This piece was acquired from a Metro Washington DC estate.
This description has been translated automatically: Georges SEURAT (1859-1891) Portrait of Paul Signac, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Portrait de Paul Signac, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Woman with a muff, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Femme au manchon, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
Georges Seurat (1859-1891) textured print titled Bathers In Anieres, after the original which was painted in 1884. It is matted and framed in a golden frame. With frame, it measures 22 inches x 31 inches. This piece was acquired from a Metro Washington DC estate.
This description has been translated automatically: Georges SEURAT (1859-1891) Fort de la Halle, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Fort de la Halle, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
Georges Seurat (1859-1891) textured print titled Bathers In Anieres, after the original which was painted in 1884. It is matted and framed in a golden frame. With frame, it measures 22 inches x 31 inches. This piece was acquired from a Metro Washington DC estate.
Georges Seurat (1859-1891) was a French Post-Impressionist painter known for his innovative pointillist technique, which involved applying small dots or points of color to a canvas that, when viewed from a distance, would blend together to create a coherent image. He is most famous for his masterpiece "A Sunday on La Grande Jette," which is considered an iconic work of Pointillism.Key points about Georges Seurat:1. **Pointillism**: Seurat's development of Pointillism involved the scientific understanding of color and light. He believed that by applying small dots of pure color next to each other, the viewer's eye would mix the colors, creating a more vibrant and luminous effect. This technique was a departure from traditional brushwork.2. **"A Sunday on La Grande Jette"**: Painted in 1884-1886, this is one of Seurat's most renowned works. It depicts people relaxing on the banks of the Seine River, and it's a masterful example of Pointillism. The painting is known for its intricate details and the play of light and shadow.3. **Neo-Impressionism**: Seurat's work was closely associated with the Neo-Impressionist movement, which sought to apply scientific principles to art and explore the optical effects of color.4. **Influence**: Seurat's Pointillist technique had a significant influence on other artists of his time, including Paul Signac and Camille Pissarro. It also had a profound impact on the development of modern art.5. **Short Life**: Unfortunately, Georges Seurat's life was tragically short. He died of an illness at the age of 31, cutting short what could have been a promising and influential career in the art world.Georges Seurat's innovative approach to painting, especially his use of pointillism, left a lasting mark on the art world and is celebrated for its unique and scientific approach to color and light. His work continues to be admired for its precision and the optical effects it achieves. Measures 18 x 24.
Georges Seurat (1859-1891) textured print titled Bathers In Anieres, after the original which was painted in 1884. It is matted and framed in a golden frame. With frame, it measures 22 inches x 31 inches. This piece was acquired from a Metro Washington DC estate.
This description has been translated automatically: Georges SEURAT (1859-1891) Nude model in pose, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Modèle nue en pose, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) The Dancer and the Cashier, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) La danseuse et le caissier, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
Artist: Georges Seurat (1859 - 1891) Title: A Sunday Afternoon on the Island of La Grande Jatte Year: 1987 Medium: Poster on board Size: 30 x 41 in. (76.2 x 104.14 cm)
George Seurat (1859-1891) lithograph titled A Sunday Afternoon on the Island of La Grande Jatte, after the original which was painted in 1884. This lithograph was produced in 1980. It measures 19 inches x 25 inches. It is matted and framed under glass in a black frame. This piece was acquired from a Virginia estate.
Property from the Collection of Mr. & Mrs. Robert Schmit Georges Seurat 1859 - 1891 Marine à Grandcamp stamped with the studio mark Seurat (lower left) oil on panel 16,5 x 25,7 cm; 6½ x 10⅛ Painted circa 1885. __________________________________________________ Provenant de la Collection de M. & Mme. Robert Schmit Georges Seurat 1859 - 1891 Marine à Grandcamp porte le cachet de l'atelier Seurat (en bas à gauche) huile sur panneau 16,5 x 25,7 cm; 6½ x 10⅛ in. Peint vers 1885.
This description has been translated automatically: Georges SEURAT (1859-1891) Portrait of Paul Signac, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Portrait de Paul Signac, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Nude model in pose, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Modèle nue en pose, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Woman with a black bow, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Femme au nœud noir, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) The Dancer and the Cashier, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) La danseuse et le caissier, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Fort de la Halle, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Fort de la Halle, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Woman with a black bow, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Femme au nœud noir, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
George Seurat (1859-1891) lithograph titled A Sunday Afternoon on the Island of La Grande Jatte, after the original which was painted in 1884. This lithograph was produced in 1980. It measures 19 inches x 25 inches. It is matted and framed under glass in a black frame. This piece was acquired from a Virginia estate.
This description has been translated automatically: Georges SEURAT (1859-1891) The Harvester, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Le moissonneur, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) The Stone Breaker, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Le casseur de pierres, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Woman with a muff, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Femme au manchon, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Nude model in pose, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Modèle nue en pose, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) The Dancer and the Cashier, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) La danseuse et le caissier, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
HENRI-EDMOND CROSS Les Champs Élysées. Color lithograph, 1897. 200x257 mm; 7¾x10¼ inches. Edition of 1100. From Pan. A very good impression. Cross (1856-1910), along with Georges Seurat (1859-1891) and Paul Signac (1863-1935), was one of the best-known practitioners of Pointillism, an artistic style prevalent in France during the last two decades of the 19th century.
This description has been translated automatically: Georges SEURAT (1859-1891) The Dancer and the Cashier, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) La danseuse et le caissier, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Fort de la Halle, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Fort de la Halle, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Woman with a black bow, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Femme au nœud noir, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
George Seurat (1859-1891) lithograph titled A Sunday Afternoon on the Island of La Grande Jatte, after the original which was painted in 1884. This lithograph was produced in 1980. It measures 19 inches x 25 inches. It is matted and framed under glass in a black frame. This piece was acquired from a Virginia estate.
DESCRIPTION: Gravure etching by Georges Seurat serving as a study for his piece entitled "Les Poseuses" depicting a frontal view of a nude woman standing poised next to a low piece of furniture. Marked with artist, title, and medium on verso in pencil. CIRCA: 19th Century ORIGIN: France DIMENSIONS: H: 11.75" L: 9.5" CONDITION: In great condition Unless otherwise stated, all information provided is the opinion of our specialists. Should you have any specific questions regarding the condition of this lot, please use the ask question button or send us an email.
This description has been translated automatically: Georges SEURAT (1859-1891) Torso of a naked man, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Torse d'homme nu, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) The Harvester, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Le moissonneur, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) The Stone Breaker, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Le casseur de pierres, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Woman with a muff, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Femme au manchon, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Portrait of Paul Signac, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Portrait de Paul Signac, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Nude model in pose, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Modèle nue en pose, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Georges SEURAT (1859-1891) Woman with a black bow, 1948 Engraving On Arches Vellum, approximately 31 x 24 cm Information: includes the characteristic trough of the printing process Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Georges SEURAT (1859-1891) Femme au nœud noir, 1948 Gravure Sur Vélin Arches, 31 x 24 cm environ Information : comporte la cuvette caractéristique du procédé d'impression Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
