ARTIST: JAN SLUYTERS (1881-1957) SIZE: 31 3/8 x 46 7/8 in./79.7 x 119.2 cm DESCRIPTION: A new edition of a popular novel about earthy Amsterdam characters is advertised by a little tableau arranged to engage our interest. (Art Deco; Literary)
Jan Sluyters. 1881 - 1957. Dutch village view with figures. Bottom edge + top damaged. Black ink + whitewashed. Verso anecdote + Berlin 1938. Dimensions: H 31 x W 23 cm. In decent shape.
Jan Sluijters (Netherlands, Holland, 1881 - 1957) "Cafe La Cubana" Oil on canvas painting. Signed lower right. Provenance: Private Florida collection, purchased directly from the artist. Sight Size: 8.5 x 10.75 in. Overall Framed Size: 9.5 x 11.75 in.
Poltoodtekening, r.o. gesigneerd en gedateerd '08 - foxing, vlekken van de tape aan de rand. Herkomst: door de zitter geschonken aan de vader van de inbrenger. B- 26 x 19.5 cm / 42.5 x 34.5 cm
Jan Sluijters (1881-1957, Dutch) "Gesprek in Café," 1907 Mixed media on paper laid to paper Signed upper right: Jan Sluijters Sight: 9.25" H x 7.75" W; Support sheet: 12.375" H x 9.875" W Provenance: E. J. van Wisselingh & Co., Amsterdam, Holland Ansley Graham, Los Angeles, CA Notes: A variant spelling of this artist's name, Jan Sluyters, appears on the two gallery labels affixed to the frame's backboard.
ARTIST: JAN SLUYTERS (1881-1957) SIZE: 20 5/8 x 29 in./52.3 x 73.5 cm DESCRIPTION: Artists’ balls were all the rage at the beginning of the 20th century, and we’d like to know what caused them to die off—perhaps it’s time for a resurgence. Sluyters offers us a psychedelic invitation to partake in what was surely a wild night in The Hague. Sluyters was a multitalented painter, lithographer, and graphic artist. In 1909, together with Mondrian and Toorop, he founded a group called The Modern Art Ring, with Cubistic and Futuristic tendencies; by 1920 he was working in portraits and landscapes with a more realistic style. Throughout, he earned a living as a book and magazine illustrator as well as a poster designer. (Art Deco; Dance)
(Den Bosch 1881 - Amsterdam 1957) Reclining Nude Signed in the centre Watercolour and pencil on paper, 19.4 x 30.9 cm Provenance: Private collection, the Netherlands (1960s) Please note: condition reports and additional photos are available upon request: [email protected] / +31 (0) 20 30 12 950.
Jan C.B. Sluijters (1881-1957), watercolour, Still life (Vierwaldstättersee), sig. t.l. and b.l. in the shadow of the plate, dim. 63 x 50 cm, Origin: Pulchri Studio, The Hague
Jan Sluijters (Dutch 1881 - 1957) A portrait of Rob Sluijters (1921 - 2007) - son of the artist, c. 1924 - 1928 ink and wash on paper signed 'Jan Sluijters' (lower right) image size 28.5 x 20.5 cm., frame size 37 x 28 cm.
Daamen, C.L.P. (1916-1993). (Winter scene of a market). Woodcut, 22,3x32 cm., signed "Kreel Daamen '28" in pencil (vaguely foxed). Sluijters, J.C.B. (1881-1957). (Portrait of a baby girl). Col. lithograph, 39,8x30,5 cm., signed "Jan Sluijters" on the stone. - AND 13 others, i.a. by H. LUNS, A. VERSLUYS, J. NIEWEG and T. DE JONG (2 diff. states of the Lange Brugsteeg, Amst.).
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Jan Sluijters (1881-1957), The Rokin in Amsterdam by snow, oil on canvas, 96x127 cm, Jan Sluijters’ stay in Paris 1906 was a turning point in his career. There he came into contact with modern French art, the methods of the Neo-Impressionists and Fauvists, which fascinated him greatly. He deeply shocked the established order by his new modern approach, and the reviews were damning; however, Sluijters continued to work imperturbably in the way he thought best. By 1910, his work was more appreciated, given the growing number of exhibitions in museums and at art dealers. The 1920s saw various artistic highlights for Jan Sluijters (’s-Hertogenbosch 1881 - Amsterdam 1957). During this period, he distanced himself from the avant-garde, and from the earlier fierceness that characterized his earlier work. After World War I, more modernists returned to a more moderate and classical realism. Yet Sluijters’ disposition will always be that of the lyrical luminist. Colour is his means of expression and despite the partial return to tradition, he remains a fantastic colourist. Sluijters did not enjoy travelling, preferring to stay in his home environment. For this assiduous hardworker, painting is a daily labour from nine to half past three, an almost physical activity also and a struggle with matter - the paint. During this period, he looks for his subjects close to home. He said once that ‘all the subjects he painted could be found within twenty-five metres around him’. The themes were predominately of female nudes, portraits (usually commissioned) and (flower) still lifes. In addition, he also painted cityscapes of Amsterdam’s Damrak and Rokin. With a distinctive brushstroke and a few paint splotches, Sluijters certainly shows his temperament in his wildly painted ‘The Rokin in Amsterdam by snow’ (1922). About his use of colour, a critic noted in pen a note in the margin line of one of the catalogs: ‘ Breitner-like in colour, with some lights’. Most of his extensive oeuvre was created in his studio: till 1930 he lived in the Lomanstraat, after that year his studio was an upper floor of his house at the Olympiaplein in Amsterdam. In contrast, ‘The Rokin in Amsterdam by snow’ was painted from the window of his beloved Arti et Amicitiae club, where he could be found almost every day in the afternoon, for instance to play a game of billiards. According to an accompanying text of one of the many exhibitions where this painting was shown (Assen, 1957), it was painted in a single day. Whether this is indeed the case is not certain. Generally, he explored all the possibilities of paint, but at the same time was also a toiling artist, not easily satisfied with a result and endlessly polishing and retrying . The cityscape was a favourite theme of his in this period and, unlike before, he worked on large canvases. He wanted among other things to show the sensation of the metropolis, the lights and thereby express the noise of the traffic. ‘The Rokin in Amsterdam by snow’ gives an impression of the bustling streets: city people walking to the tram, a passing cyclist and a bus, colourful with light accents of melting snow. A representation of the Rokin in the days when the canal had not yet been filled in. Exhibited: -Possibly Amsterdam, Stedelijk Museum, 'Tentoonstelling van het levenswerk van Jan Sluijters', 5-29 December 1931, no. 60, as: 'Stadsgezicht bij sneeuw'. -Possibly Maastricht, Bonnefantenmuseum, 'Jan Sluijters', 8-30 March 1947, no. 4, as: 'Amsterdam bij sneeuw'. -Liège, Musée des Beaux-Arts de Liège, ‘Salon triennal de Belgique 1947, rétrospective Jan Sluyters, Robert Crommelynck’, 12 April-11 May 1947, no. 12. -Groningen, Kunstcentrum Prinsenhof, ‘Jan Sluijters’, 2-24 November 1947, no. 9. -Arnhem, Gebouw Kunstoefening, ‘Jan Sluijters’, 29 July-1 September 1950, no. 18. -Appingedam, Noordelijke Kunsthof, ‘Tentoonstelling Jan Sluyters en tijdgenoten: werken uit het Stedelijk Museum te Amsterdam’, 3-19 November 1955, no. 9. -Velsen-Zuid, Hoogovens, 21 December 1955-21 February 1956. -Assen, ’t Zaaltje, ‘Tentoonstelling van werken van wijlen Jan Sluyters’, 20 July-15 September 1957, no. 15. -Groningen, Pictura Groningen, ‘Eretentoonstelling van werken van Jan Sluijters’, 6-28 October 1957, no. 17. -Hoensbroek, Kasteel Hoensbroek (30 May-30 June 1958)/Den Bosch, Museum Bethaniëstraat (7-27 July 1958)/Helmond, Kasteel-raadhuis Helmond (30 July-10 August 1958)/Breda, Cultureel Centrum De Beyerd (12-31 August 1958)/Tilburg, Paleis-Raadhuis Tilburg (5-28 September 1958), ‘Jan Sluijters: herdenkingstentoonstelling 1881-1957’, no. 7. -Kiel, Kunsthalle zu Kiel, ‘Holländische maler im 20. Jahrhundert: Appel, Benner, Corneille, Lataster, B. van der Leck, Mondrian, Sluyters, Ch. Toorop, Wagemaker, Wiegers, Wolvecamp’, 21 June-26 July 1959, no. 36. -Possibly Den Helder, Raadzaal Den Helder, 'Jan Sluijters en tijdgenoten', 12-27 July 1959. -Tiel, Politiebureau, 'Van Impressionisme tot Expressionisme', 1 May-7 June 1964, no. 27. -Amsterdam, Museum Fodor, 'Tentoonstelling Museum Fodor', 10 November-16 December 1964. -Laren, Singer Museum, 'Jan Sluijters (Laren 1966-1967)', 17 December 1966-12 february 1967, no. 93 (a label attached to the reverse). -Amsterdam, Rijksakademie van Beeldende Kunsten Amsterdam, 'De onbekende Jan Sluijters', 9 January-9 February 1969. -Amsterdam, Museum Fodor, 'Amsterdamse stadsgezichten', 25 May-14 July 1974. -Amsterdam, Van Gogh Museum, 'Halte 75', 14 August-14 September 1975. -Heerlen, Raadhuis Heerlen, 'Jan Sluijters', 7 September-October 1977, no. 18. -Woudrichem, Galerij Brabant, 'Jan Sluijters', 3-27 November 1978. -Laren, Singer Museum, ‘Jan Sluijters: schilder met verve’, 31 January-25 April 1999, no. 80. Literature: -Jan Juffermans, Noortje Bakker, ‘Jan Sluijters, schilder’, Mijdrecht: Tableau, 1981, ill. no. 63. -Jacqueline de Raad, digital catalogue raisonne ‘Oeuvrecatalogus van de schilder Jan Sluijters’, RKD Studies 1998, as: 'Het Rokin gezien vanuit Arti'. -Dominique Colen, Jacqueline de Raad, ‘Jan Sluijters: schilder met verve’, Zwolle 1998, ill. p. 53, no. 69. Provenance: -Private collection Jan Sluijters Jr. son of the artist, Hilversum. -With Kunsthandel G.J. Scherpel BV, Bussum, acquired from the above (with invoice dated 21 July 1997). -Collection of family Mr G.J. Scherpel, thence by descent to the present owner. signed and dated 'Jan Sluijters/1922' (upper right)
Jan Sluijters (1881-1957), A portrait of a boy sitting on a wicker chair, oil on canvas, 65x50 cm Painted in 1924. Literature: -Magazine Beeldende kunst, edited by H.P. Bremmer, vol. 19, no. 5, September 1932, ill. on the cover, titled and dated: 'Jongenspraatje', painted in 1924, with a detailed description of how the painter depicted the boy. signed 'Jan Sluijters' (upper right); traces of an old label and with annotation 'Coll. Dreesmann' (on the stretcher)
Greet met kind Signed lower right Charcoal, black chalk and ink on paper laid down on cardboard, 38.8 x 30.9 cm Provenance: Private collection, the Netherlands Note: For this drawing, Jan Sluijters depicted his second wife, Greet Sluijters-Van Cooten (1885-1967) with one of their children. Greet was his preferred model and can often be recognized by her reddish hair, big eyes, dominant eyebrows and her serene, somewhat absent look. Jan and Greet had three children, named Jan, Rob and Liesje. Please note: condition reports and additional photos are available upon request. For more information please visit our website: www.aagauctioneers.com.
Sluijters, J.C.B. (1881-1957). (Portrait of a baby girl). Col. lithograph, 39,8x30 cm., signed "Jan Sluijters" on the stone, with printed captions "Premie-Uitgave 1934" and "Vereeniging tot Bevordering van Beeldende Kunsten" just below the image. - Very wide margins (left blank margin sl. foxed). Bolding, C. (1897-1979). "Veere". Col. woodcut, 34,9x43,4 cm., signed "Cees Bolding del.sc." in the block, letterpress title and "Vereeniging tot bevordering van beeldende kunsten. Premie 1935" below the image (some vague marginal creases and wrinkles). - AND 3 others, i.a. a lithograph by A. VAN DOBBENBURGH and an etching by W. KLIJN.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Jan Sluijters (1881-1957), A still life with a tulip and anemones in a green vase, signed 'Jan Sluijters' (lower left), oil on canvas, 56,5 x 46,5 cm, Literature: -Jacqueline de Raad, 'Jan Sluijters: het geschilderde oeuvre', RKD Monographs 2014, as: 'Groene vaas met tulp en anemonen, ca. 1925'. Provenance: -Collection Mr. Bernhard Vroom and Mrs. Vroom-Dreesmann, possibly acquired from the artist or from Kunsthandel Frans Buffa & Zonen, Amsterdam, thence by descent to the present owners. Bernardus Hendricus (Bernard) Vroom (Amsterdam, 18 May 1884 - Amsterdam, 8 December 1961) was one of the two managing directors of Vroom & Dreesmann and one of the directors of Vroom & Dreesmann Amsterdam NV from 1919 for many years. In 1948 he became chairman and later honorary chairman of the main board of directors of V&D Netherlands. He was the eldest son of Willem Vroom (1850-1925), one of the two founders of the department store chain. Vroom married Geertruida (Truus) Dreesmann (1893-1992) in 1912. Their youngest son Rudi (1917-1989) succeeded him as a supervisory director of all the NV's of Vroom & Dreesmann and later, as his father did, became chairman of the main board of V&D Netherlands. The family had known the artist for years: Sluijters painted at least one or two of their daughters and he portrayed Truus Vroom around 1932.
- SLUIJTERS, Jan (Dutch 1881 - 1957). Stilleven met zinnia's [Still life with zinnias], c. 1932 . Oil on canvas, signed 'Jan Sluijters' (upper left); framed in contemporary frame with a label of Kunsthandel G.J. Nieuwenhuizen Segaar, The Hague on the reverse. Minor surface grime, canvas slightly sagging, several small unobtrusive losses of paint, light imprint of the stretcher, overall in good condition.
- SLUIJTERS, Jan (Dutch 1881 - 1957). Bertha with a yellow scarf, 1904. Oil on canvas, signed with the artist's monogram and dated 'JS 04' (upper right); framed in gilded frame. Professionally relined and restored, in very good condition.
Jan Sluijters (1881-1957), A still life with sunflowers in a vase on a blue cloth, oil on canvas, 101x80 cm, Literature: -Jacqueline de Raad, 'Jan Sluijters: het geschilderde oeuvre', RKD Monographs 2014, as: 'Vaas met zonnebloemen met blauwe lap' (ill. in black and white). Exhibited: -Deurne, Gemeentemuseum De Wieger, 'Tentoonstelling 100 jaar later, 1881-1981', 5 September-29 November 1981. -Laren, Singer Memorial Foundation, no. 25 and no. 67-3-12 (according to labels attached to the reverse). Provenance: -J. Sluijters jr, Loenersloot (address stamp 'J. Sluijters Boslaan Hilversum' on the reverse); on long-term loan in Singer Laren. -Private collection, the Netherlands. signed and dated 'Jan Sluijters 52' (upper right); with annotations 'Loenersloot' and 'Eigendom J Sluijters-junior/Schenking 1952' (written on the stretcher),
Jan Sluijters (1881-1957), A landscape near Amsterdam, possibly Sloterdijk, oil on canvas, 43x52 cm, Literature: -Jacqueline de Raad, 'Jan Sluijters: het geschilderde oeuvre', RKD Monographs 2014, as: 'Landschap in de omgeving van Amsterdam'. Provenance: -Auction, Mak van Waay, Amsterdam, 17-29 April 1975, lot 638, as: ‘Spoorbaantje’. -Auction, Sotheby's Mak van Waay, Amsterdam, 26-28 April 1977, lot 424, as: ‘Spoorlijntje bij Sloterdijk’. -With Kunsthandel Jacques Fijnaut, Amsterdam, circa 1979. -Auction, Sotheby's, Amsterdam, 17 December 1996, lot 160, as: ‘Station te Sloterdijk’. signed with monogram and dated 'JS/09' (upper left),
Jan Sluijters (1881-1957), Homeschooling, charcoal and washed ink, heightened with white, on paper, 26x18 cm, signed 'Jan -Sluijters-' (lower left), A Distinguished Collection: lots 56-96.
Jan Sluijters (1881-1957), Visiting the grandparents, charcoal and washed ink, heightened in white, on paper, 26x18 cm, signed 'Jan Sluijters' (lower left), A Distinguished Collection: lots 56-96.
Jan Sluijters (1881-1957), A bouquet of flowers in a summer garden, gouache on paper, 35x26 cm Executed circa 1956. signed 'Jan Sluijters' (lower left), Please compare to a painting by the artist with a similar composition sold at Auction, Sotheby's, Amsterdam, 9 December 1993, lot 261, dated '56. A Distinguished Collection: lots 56-96.
JAN SLUIJTERS (1881-1957) AVOND - FEEST CONCERTGEBOUW AMSTERDAM. 1915. 44 3/4x28 inches, 113 1/2x71 cm. Senefelder, Amsterdam. Condition B-: repaired tears, creases and flaking in margins; creases, abrasions and restoration in image and along vertical and horizontal folds; pin holes in corners; toned overall. Mounted on Chartex.
JAN SLUIJTERS (1881-1957) GEMÄLDE AUSSTELLUNG HOLLÄNDISCHER MEISTER. 1913. 41 1/4x27 1/4 inches, 104 3/4x69 1/4 cm. J.E. Wolfensberger, Zurich. Condition B+: reattached loss at upper right margin; small tears, repaired tears and creases at edges; archival tape on verso. Paper. Dutch Poster 43.
Jan Sluijters (1881-1957) 'Staphorst, de weg' / A road in Staphorst oil on canvas, 95x107 cm Exhibited: -Amsterdam, Larensche Kunsthandel, 'Tentoonstelling Jan Sluijters', February-March 1916, as: 'Staphorst (dorpsweg)'. -The Hague, Kunstkring Hollando-Belge, 'Jan Sluijters', December 1916, no. 44/45. -Eindhoven, Van Abbemuseum, 'Jan Sluijters', 24 March-25 April 1938, no. 27. -Amsterdam, Stedelijk Museum, 'Jan Sluijters 1881-1941: Eere-tentoonstelling in het Stedelijk Museum', 5 April-11 May 1941, no. 23. -(possibly) The Hague, Gemeentemuseum, 'Jan Sluijters', December 1941-January 1942, no. 19. -Groningen, Kunstcentrum Prinsenhof, 'Tentoonstelling Jan Sluijters', 2-24 November 1947, no. 21. -Amsterdam, Stedelijk Museum, 'jan Sluijters: la joie de peindre', 17 December 1951-3 February 1952, no. 43, as: 'Staphorst, de weg x'. -Laren, Singer Museum, 'Jan Sluijters: schilder met verve', 31 January-25 April 1999, no. 64. Literature: -P. van Hoeve, 'Jan Sluijters en het impressionisme', in 'Op de Hoogte', 1918, p. 329. -H. Luns, 'Jan Sluijters', Amsterdam, 1941, ill. no. 11. -Dominique Colen, Jacqueline de Raad, 'Jan Sluijters: schilder met verve', Zwolle 1999, ill. p. 105, no. 115, as: 'Staphorst de weg'. -Jacqueline de Raad, 'Jan Sluijters: het geschilderde oeuvre', RKD Monographs 2014, as: 'Staphorst, de weg'. Provenance: -Collection Mr. Piet Boendermaker, Bergen. -Stedelijk Museum, Amsterdam, 1926-1937 (on loan from Piet Boendermaker). -Groninger Museum, Groningen (on loan). -With Kunsthandel Gazendam, Groningen. The picturesque village of Staphorst has intrigued many artists in the nineteenth century, including Lammert van der Tonge, Jo Koster, Dirk Filarski, Stien Eelsingh and Jan Sluijters. While most of these artists were passers-by, Jan Sluijters and his wife sojourned in a small cottage in Staphorst from 1915 until 1916. During his stay, Sluijters experimented with a new style of painting, he significantly darkened his palette and his brushstrokes grew broader and heavier. In this present lot, the Dutch artist depicts a winding street of the green village of Staphorst, an upcoming farm wagon and two barely noticeable figures walking in the background. His palette is complex, dominated by green and darker tones with strokes of red coming from the bright lights of the farm wagon and blue of the houses’ fences. This painting is a great example of Jan Sluijters’s Staphorst period, considered to be among his most expressionistic works. signed and dated 'Jan Sluijters 1916' (upper right)
Jan Sluijters (1881-1957) A still life with flowers, a candle and a glass in front of the mirror oil on canvas, 79x77,5 cm Painted circa 1918. Literature: -Jacqueline de Raad, 'Jan Sluijters: het geschilderde oeuvre', RKD Monographs 2014. Provenance: -Collection H. Baucke, Amsterdam, 1938. -Auction, Mak van Waay, Amsterdam, 20-22 September 1938, lot 774. -With Kunsthandel Van Lier, Amsterdam. -Collection. W.F. van Meegeren, Wolfheze. -Acquired form the above by the present owner. signed 'Jan Sluijters' (on the stretcher)
Jan Sluijters (1881-1957) A landscape near Amsterdam, possibly Sloterdijk oil on canvas, 43x52 cm Literature: -Jacqueline de Raad, 'Jan Sluijters: het geschilderde oeuvre', RKD Monographs 2014, as: 'Landschap in de omgeving van Amsterdam'. Provenance: -Auction, Mak van Waay, Amsterdam, 17-29 April 1975, lot 638, as: ‘Spoorbaantje’. -Auction, Sotheby's Mak van Waay, Amsterdam, 26-28 April 1977, lot 424, as: ‘Spoorlijntje bij Sloterdijk’. -With Kunsthandel Jacques Fijnaut, Amsterdam, circa 1979. -Auction, Sotheby's, Amsterdam, 17 December 1996, lot 160, as: ‘Station te Sloterdijk’. signed with monogram and dated 'JS/09' (upper left)
Jan Sluijters (1881-1957) La coiffure 'Pages' oil on canvas, 66x59 cm Painted circa 1935. Literature: -Jacqueline de Raad, 'Jan Sluijters: het geschilderde oeuvre', RKD Monographs 2014, as: 'La coiffure 'Pages' '. signed 'Jan Sl' (upper right)
Jan Sluijters (1881-1957) The bathroom pencil and watercolour on paper, 21,5x19,5 cm Executed in 1949. Literature: -Jacqueline de Raad, 'Jan Sluijters: het geschilderde oeuvre', RKD Monographs 2014. Provenance: -Gifted by Jan Sluijters to the artist Cees Bantzinger (1914-1985), 9 April 1951. The present lot is accompanied by a letter from Jan Sluijters to Cees Bantzinger. The present lot is a preparatory drawing for the oil painting 'De Badkamer', in the collection of Kunsthandel Studio 2000, Blaricum. signed 'Jan Sluijters' (lower right)
- SLUIJTERS, Jan (Dutch 1881 - 1957). View of the Oude Schans with Montelbaanstoren in the background, Amsterdam. Watercolour, chalk and pencil on paper, signed 'Jan Sluijters' (lower left); framed under passe-partout behind glass by Paul Gehring, with a label of Simonis & Buunk Kunsthandel, Ede on the backing. Unexamined out of the frame, paper slightly discoloured and foxed, else apparently in very good condition.
- SLUIJTERS, Jan (Dutch 1881 - 1957). Seated nude. Watercolour, chalk and pencil on brown paper, signed 'jan Sluijters' (lower right in the image); framed under passe-partout behind glass. Professionally restored, small loss of paper in the centre left, waterstains throughout, slightly discoloured, else apparently in good condition.
Female Nude with Drape (c. 1939) Signed upper right Oil on canvas, 90.5 x 70.9 cm Provenance: - Collection Jan Sluijters jr., Hilversum/Loenersloot - Singer Museum, Laren, inv./cat. no. 67-3-7, 1989 (on loan) - Private collection, the Netherlands Literature & Exhibitions: - Stedelijk Museum Amsterdam, Amsterdam, Jan Sluijters Eere-tentoonstelling, 5 April - 11 May 1941, p. 17, no. 115 - Gemeentemuseum 's-Gravenhage, The Hague, Jan Sluyters, December 1941 - January 1942, p. 14, no. 30 - Gemeentemuseum 's-Gravenhage, The Hague, Gerijpte kunst: heropening gemeentemuseum van 's-Gravenhage, 12 October - 17 November 1946, p. 72, no. 146, as Mulattin - Bonnefantenmuseum, Maastricht, Jan Sluijters, 8 March - 30 March 1947, no. 23, as Mulattin op rooden fond - Musée des Beaux-Arts de Liège, Liège, Salon triennal de Belgique 1947: rétrospective Jan Sluyters, Robert Crommelynck, 12 April - 11 May 1947, no. 35 - Kunstcentrum Prinsenhof, Groningen, Tentoonstelling Jan Sluijters, 2 - 24 November 1947, no. 27 - Gebouw Kunstoefening, Arnhem, Jan Sluijters, 29 July - 1 September 1950, no. 24, as Mulattin op rood fond Note: Registered at the RKD - Netherlands Institute for Art History in The Hague under number 100481. This portrait of a female nude was painted during the years that Sluijters resided in Amsterdam. Faults or imperfections are not recorded in the lot description. We encourage you to inspect the lots during our viewing days. Condition reports are available upon request.
Vaas met Bloemen (Vase with Flowers) (1934) Signed lower right Oil on canvas, 93.4 x 75.2 cm Provenance: Private collection, the Netherlands, thence by descent to the present owner Note: In the early 1930s Sluijters travelled to Portugal together with his friend and colleague painter Ernst Leyden (1892-1969), around the time this still life was made. The stretcher of this painting is annotated "Geschilderd in Portugal 1934 op den achtergrond de Atlantische Oceaan, dorpje Eugaria bij Cintra" (Painted in Portugal 1934 in the background the Atlantic Ocean, village of Eugaria near Cintra). Faults or imperfections are not recorded in the lot description. We encourage you to inspect the lots during our viewing days. Condition reports are available upon request.
JAN SLUIJTERS (1881-1957) Public garden in Paris signé et daté ‘JAN SLUIJTERS 06’ (en bas à gauche) et inscrit ‘-SCHETS’ (en bas à droite) huile sur carton 50 x 35.5 cm. Peint en 1906 signed and dated ‘JAN SLUIJTERS 06’ (lower left) and inscribed ‘-SCHETS’ (lower right) oil on board 19 5/8 x 13 3/4 in. Painted in 1906 Provenance (dépôt) George Rowney & Co, Londres. Johannes Fredericus Samuel Esser, Amsterdam; vente, Sotheby's, Amsterdam, 1er décembre 2004, lot 4 (titré 'Park te Parijs'). Acquis au cours de cette vente par le propriétaire actuel. Bibliographie https://sluijters.rkdstudies.nl/3-schilderijenvoor- 1910/33-1906/ https://rkd.nl/en/explore/images/113152
Jan Sluijters (1881-1957) gewassen inkt en krijt op papier, 28,5 x 20, Portretje van Rob, de zoon van de schilder, gesigneerd r.o. ONLINE ONLY Paintings and decorative arts (closing Wednesday oktober 21 from 19.00)
'Een dame', 1907. Pencil and watercolour (one sheet and two strips of paper). Monogram and date in ink. Title on strip on the reverse. Framed. Description FR Une dame, 1907. Mine de plomb et aquarelle sur papier (feuille et deux bandes). Monogrammé et daté à l'encre 'JS 07'. Titre sur bande au dos. Encadré. Beschrijving NL 'Een dame', 1907. Potlood en aquarel op papier (blad en twee stroken). Gemonogrammeerd en gedateerd in inkt 'JS 07'. Titel op strook op verso. In kader.
