Arturo Souto Paintings & Artwork for Sale | Arturo Souto Art Value Price Guide

Jun. 30, 2026
ATTRIBUTED TO ARTURO SOUTO - The Battle
Est: -
ATTRIBUTED TO ARTURO SOUTO Galicia 1902-Mexico 1964 The Battle Oil on cardboard Dimensions 68 x 99 cm PROVENANCE Private collection Mexico
Subastas Segre
Apr. 21, 2026
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Toledo". Oil on canvas. Signed in the lower left corner. Signed and titled on the back. It presents slight restorations.
Est: €2,500 - €2,800
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Toledo". Oil on canvas. Signed in the lower left corner. Signed and titled on the back. It presents slight restorations. Measurements: 55 x 66 cm; 74 x 84 x 5 cm (frame). Vibrant panoramic view of the city of Toledo, whose silhouette rises on the hill while the Tajo river meanders at its feet, articulating the urban landscape. The composition is structured by means of an elevated perspective that allows to contemplate the walled city, the staggered buildings and the bridge that crosses the river. A wide sky unfolds over the whole, treated with a loose brushstroke that adds atmospheric depth to the scene. The work evidences the characteristic features of Arturo Souto's pictorial language in his mature stage: an expressive and material brushstroke, a palette dominated by ochre, earth and warm tones, and a synthetic interpretation of the landscape in which color and texture acquire prominence over descriptive detail. The composition conveys an evocative vision of the Castilian landscape, resolved with great gestural freedom. Arturo Souto was a Spanish painter trained at the School of Arts and Crafts in Seville and at the Royal Academy of Fine Arts of San Fernando in Madrid, where he coincided with artists such as Salvador Dalí. Linked to the intellectual circles of the avant-garde and signer of the Manifesto of the Iberians (1925), he furthered his training in Paris and Rome. During the Civil War he collaborated with the Republican side and, after the conflict, he went into exile in France, Cuba and Mexico. He returned to Spain in 1962. His work is preserved in institutions such as the Museum of Pontevedra, Museo Nacional Centro de Arte Reina Sofía (Madrid), Museo Provincial de Lugo, Museo de Bellas Artes de La Coruña and the Afundación collection (formerly Novacaixagalicia), among other public and private collections. It presents slight restorations.
Setdart Auction House
Apr. 11, 2026
ARTURO SOUTO STILL LIFE WATERCOLOR
Est: $100 - $150
Arturo Souto aka Arturo Souto Feijoo (Spanish, 1902-1964). Watercolor still life with mask. Signed lower left Souto 39[?] and signed lower right Souto. 8" x 10 1/2".
Copake Auction Inc.
Mar. 24, 2026
ARTURO SOUTO - City
Est: -
ARTURO SOUTO Galicia 1902 - Mexico 1964 City Oil on canvas Signed Back signed Measurements 125 x 110 cm
Subastas Segre
Feb. 24, 2026
Arturo Souto Feijoo, Nude, pastel.
Est: $300 - $500
Feijoo, Arturo Souto (Spanish, 1904-1964). Female nude in interior scene. Pastel on paper. Signed l.r. Sight: 24 1/2" x 18 1/4". Frame: 32" x 26". Condition: Tear in paper u.c.
Quinn's Auction Galleries
Feb. 24, 2026
Arturo Souto Feijoo, Street scene, pastel.
Est: $200 - $400
Feijoo, Arturo Souto (Spanish, 1904-1964). Street scene. Pastel on paper. Signed l.l. Sight: 18 1/2" x 24". Frame: 24 3/4" x 30 1/4".
Quinn's Auction Galleries
Feb. 24, 2026
Arturo Souto Feijoo, City street scene, pastel.
Est: $200 - $400
Feijoo, Arturo Souto (Spanish, 1904-1964). City street scene. Pastel on paper. Signed l.r. Sight: 18 1/2" x 24". Frame: 24 3/4" x 30 1/4".
Quinn's Auction Galleries
Feb. 24, 2026
Arturo Souto Feijoo, Performers, mixed media.
Est: $200 - $400
Feijoo, Arturo Souto (Spanish, 1904-1964). Circus performers. Mixed media on paper. Signed l.r. Unframed. 13 1/2" x 19 1/4".
Quinn's Auction Galleries
Feb. 24, 2026
Arturo Souto Feijoo, Market street scene, pastel.
Est: $200 - $400
Feijoo, Arturo Souto (Spanish, 1904-1964). Market street scene. Pastel on paper. Signed l.l. Sight: 18 1/2" x 23 1/2". Frame: 26 1/4" x 31".
Quinn's Auction Galleries
Feb. 24, 2026
Arturo Souto Feijoo, Performers, WC/P.
Est: $300 - $500
Feijoo, Arturo Souto (Spanish, 1904-1964). Performers at rest. Watercolor on paper. Signed l.r. Sight: 14" x 19". Frame: 20" x 25".
Quinn's Auction Galleries
Feb. 24, 2026
Arturo Souto Feijoo, Street scene, pastel.
Est: $200 - $400
Feijoo, Arturo Souto (Spanish, 1904-1964). Village street scene. Pastel on paper. Signed l.r. Sight: 18 1/2" x 24". Frame: 28" x 33".
Quinn's Auction Galleries
Dec. 16, 2025
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). Untitled. Oil on canvas. Signed in the lower left corner.
Est: €5,000 - €6,000
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). Untitled. Oil on canvas. Signed in the lower left corner. Measurements: 101 x 81 cm; 127 x 107 cm (frame). Son and disciple of the painter Alfredo Souto, Arturo lived in his youth between Oviedo, Zaragoza, Lugo and La Coruña, until he settled in Seville, where he studied between 1916 and 1920 at the Industrial School of Arts and Crafts and Fine Arts. By paternal indications he decided to study to become a quantity surveyor once again in Galicia, where the rural and maritime environments would have a decisive influence on Souto's initial plastic vision. In 1922, determined to devote himself to painting, he settled in Madrid and entered the San Fernando Royal Academy of Fine Arts, where he coincided with Salvador Dalí and other renowned artists. A fan of social gatherings, he lived with writers and intellectuals, and became friends with Valle Inclán. The year after his arrival in Madrid, in 1923, he marries Carmen Alabarce. In 1925 he held his first individual exhibition. That same year he participates in the Manifesto of the Iberians, with a group of nonconformists positioned against the official art of the Spain of the time. With them he held an exhibition at the Palacio del Retiro that was a real revolution. During these years Souto lived on his father's pension and on what he obtained from decorating porcelain, and he managed to raise enough funds to make his first trip to Paris in 1926. In 1931 he will return to the city of the Seine, this time thanks to a scholarship of the Diputación de Pontevedra. Enthusiastic about the new aesthetic currents he met in Paris, he worked intensely and became interested in Giorgio de Chirico, who had a great influence on his work. Already in Spain, he participates in important group exhibitions and holds exhibitions in Madrid (from 1928), Pontevedra (1928), Santiago de Compostela (1930), La Coruña (1931), Vigo (1932) and other locations. During these years he experimented with different techniques, and developed a work marked by a certain decadence. In 1931 he visits several European museums thanks to a new grant from the Diputación, and signs in Madrid the manifesto of the Agrupación Gremial de Artistas Plásticos. His exhibitions follow one after the other all over Spain, and he makes the international leap showing his work in Copenhagen and Berlin. In 1934 he was granted a scholarship to the Spanish Academy in Rome, where he remained until 1936. On his return to Spain he was surprised by the National Uprising, and joined the Republican side, devoting himself to propaganda work with drawings and posters. In 1937 he participates in the International Exposition of Paris, in the pavilion designed by Sert where Picasso's "Guernica" was located. After the war he went into exile, first in Bordeaux and then in Havana. He visited the United States and finally settled in Mexico in 1942. In 1962 he returned to Spain, where he held some exhibitions, although he finally died in Mexico in 1964, where he had traveled to liquidate his interests in the city and to be able to settle definitively in Spain. He is currently represented in the NovaCaixaGalicia Collection, the Museum of Pontevedra and other collections, both public and private.
Setdart Auction House
Sep. 19, 2025
Arturo Souto Feijoo, Performers, WC/P.
Est: $800 - $1,200
Feijoo, Arturo Souto (Spanish, 1904-1964). Performers at rest. Watercolor on paper. Signed l.r. Sight: 14" x 19". Frame: 20" x 25".
Quinn's Auction Galleries
Sep. 19, 2025
Arturo Souto Feijoo, Market street scene, Pastel.
Est: $400 - $600
Feijoo, Arturo Souto (Spanish, 1904-1964). Market street scene. Pastel on paper. Signed l.l. Sight: 18 1/2" x 23 1/2". Frame: 26 1/4" x 31".
Quinn's Auction Galleries
Sep. 19, 2025
Arturo Souto Feijoo, Street scene, Pastel.
Est: $600 - $900
Feijoo, Arturo Souto (Spanish, 1904-1964). Village street scene. Pastel on paper. Signed l.r. Sight: 18 1/2" x 24". Frame: 28" x 33".
Quinn's Auction Galleries
Sep. 19, 2025
Arturo Souto Feijoo, City scene, O/C.
Est: $1,200 - $1,600
Feijoo, Arturo Souto (Spanish, 1904-1964). City square scene. Oil on canvas. Signed l.l. Signed on verso. Sight: 19 1/2" x 23". Frame: 24 1/2" x 27 1/2".
Quinn's Auction Galleries
Sep. 19, 2025
Arturo Souto Feijoo, Harbor scene, 1958, O/C.
Est: $1,500 - $2,500
Feijoo, Arturo Souto (Spanish, 1904-1964). Harbor scene. Oil on canvas. 1958. Signed and dated on verso. Sight: 32" x 39 1/2". Frame: 33 1/2" x 41 1/2".
Quinn's Auction Galleries
Sep. 19, 2025
Arturo Souto Feijoo, Ship scene, 1958, O/C.
Est: $1,500 - $2,500
Feijoo, Arturo Souto (Spanish, 1904-1964). Ship scene. Oil on canvas. 1958. Signed l.l. Signed and dated on verso. Sight: 32" x 39 1/2". Frame: 33 1/2" x 41 1/2".
Quinn's Auction Galleries
Sep. 09, 2025
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Bullfighter". Oil on panel. Signed in the lower left corner. Work cataloged in: - "Arturo Souto", Pedro Barrié de la Maza Foundation.
Est: €6,000 - €7,000
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Bullfighter". Oil on panel. Signed in the lower left corner. Work cataloged in: - "Arturo Souto", Pedro Barrié de la Maza Foundation. - "Pintura Galega, artists born between 1900 and 1910)", Cortizo Collection. It has slight flaws in the right corner. Measurements: 66 x 81 cm; 81,5 x 96 cm (frame). This painting by Arturo Souto, belonging to his unmistakable expressionist style, portrays the figure of a bullfighter with an emotional and material intensity that transcends the mere costumbrista representation. The character, with an angular face and grave gesture, is enveloped in a dense, almost dramatic atmosphere, underlined by the use of an earthy and warm palette, with a predominance of ochers, reds and siennas. Souto's brushstrokes, impetuous and charged with matter, do not focus on the detail of the costume, but rather on capturing the temper and the restrained tension of the subject. The dark background isolates the bullfighter from his surroundings and turns him into an archetype. It is a figure that seems to emerge from the painting itself thanks to the vigor of the impasto. This plastic quality is a constant in the work of Souto, who knew how to fuse European expressionism with a profoundly Spanish theme. Son and disciple of the painter Alfredo Souto, Arturo lived in his youth between Oviedo, Zaragoza, Lugo and La Coruña, until he settled in Seville, where he studied between 1916 and 1920 at the Industrial School of Arts and Crafts and Fine Arts. By paternal indications he decided to study to become a quantity surveyor once again in Galicia, where the rural and maritime environments would have a decisive influence on Souto's initial plastic vision. In 1922, determined to devote himself to painting, he settled in Madrid and entered the San Fernando Royal Academy of Fine Arts, where he coincided with Salvador Dalí and other renowned artists. A fan of social gatherings, he lived with writers and intellectuals, and became friends with Valle Inclán. The year after his arrival in Madrid, in 1923, he marries Carmen Alabarce. In 1925 he held his first individual exhibition. That same year he participates in the Manifesto of the Iberians, with a group of nonconformists positioned against the official art of the Spain of the time. With them he held an exhibition at the Palacio del Retiro that was a real revolution. During these years Souto lived on his father's pension and on what he obtained from decorating porcelain, and managed to raise enough funds to make his first trip to Paris in 1926. In 1931 he will return to the city of the Seine, this time thanks to a scholarship of the Diputación de Pontevedra. Enthusiastic about the new aesthetic currents he met in Paris, he worked intensely and became interested in Giorgio de Chirico, who had a great influence on his work. Already in Spain, he participates in important group exhibitions and holds exhibitions in Madrid (from 1928), Pontevedra (1928), Santiago de Compostela (1930), La Coruña (1931), Vigo (1932) and other locations. During these years he experimented with different techniques, and developed a work marked by a certain decadence. In 1931 he visits several European museums thanks to a new grant from the Diputación, and signs in Madrid the manifesto of the Agrupación Gremial de Artistas Plásticos. His exhibitions follow one after the other all over Spain, and he makes the international leap showing his work in Copenhagen and Berlin. In 1934 he was granted a scholarship to the Spanish Academy in Rome, where he remained until 1936. On his return to Spain he was surprised by the National Uprising, and joined the Republican side, devoting himself to propaganda work with drawings and posters. In 1937 he participates in the International Exposition of Paris, in the pavilion designed by Sert where Picasso's "Guernica" was located. After the war he went into exile, first in Bordeaux and then in Havana. He visited the United States and finally settled in Mexico in 1942. In 1962 he returned to Spain, where he held some exhibitions, although he finally died in Mexico in 1964, where he had traveled to liquidate his interests in the city and to be able to settle definitively in Spain. He is currently represented in the NovaCaixaGalicia Collection, the Museum of Pontevedra and other collections, both public and private.
Setdart Auction House
Sep. 09, 2025
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Mexican lady". Oil on canvas. Relined. Signed. It presents restorations.
Est: €3,000 - €3,200
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Mexican lady". Oil on canvas. Relined. Signed. It presents restorations. Measurements: 101 x 81 cm; 123 x 102 cm (frame). The burgundy background gives a passionate note to this portrait of a Mexican lady. Seated on a velvet armchair, the woman, with curly hair and slightly awned flesh tones, wears an elegant bodice and looks at us with a self-absorbed expression. Son and disciple of the painter Alfredo Souto, Arturo lived in his youth between Oviedo, Zaragoza, Lugo and La Coruña, until he settled in Seville, where he studied between 1916 and 1920 at the Industrial School of Arts and Crafts and Fine Arts. By paternal indications he decided to study to become a quantity surveyor once again in Galicia, where the rural and maritime environments would have a decisive influence on Souto's initial plastic vision. In 1922, determined to devote himself to painting, he settled in Madrid and entered the San Fernando Royal Academy of Fine Arts, where he coincided with Salvador Dalí and other renowned artists. A fan of social gatherings, he lived with writers and intellectuals, and became friends with Valle Inclán. The year after his arrival in Madrid, in 1923, he marries Carmen Alabarce. In 1925 he held his first individual exhibition. That same year he participates in the Manifesto of the Iberians, with a group of nonconformists positioned against the official art of the Spain of the time. With them he held an exhibition at the Palacio del Retiro that was a real revolution. During these years Souto lived on his father's pension and on what he obtained from decorating porcelain, and he managed to raise enough funds to make his first trip to Paris in 1926. In 1931 he will return to the city of the Seine, this time thanks to a scholarship of the Diputación de Pontevedra. Enthusiastic about the new aesthetic currents he met in Paris, he worked intensely and became interested in Giorgio de Chirico, who had a great influence on his work. Already in Spain, he participates in important group exhibitions and holds exhibitions in Madrid (from 1928), Pontevedra (1928), Santiago de Compostela (1930), La Coruña (1931), Vigo (1932) and other locations. During these years he experimented with different techniques, and developed a work marked by a certain decadence. In 1931 he visits several European museums thanks to a new grant from the Diputación, and signs in Madrid the manifesto of the Agrupación Gremial de Artistas Plásticos. His exhibitions follow one after the other all over Spain, and he makes the international leap showing his work in Copenhagen and Berlin. In 1934 he was granted a scholarship to the Spanish Academy in Rome, where he remained until 1936. On his return to Spain he was surprised by the National Uprising, and joined the Republican side, devoting himself to propaganda work with drawings and posters. In 1937 he participates in the International Exposition of Paris, in the pavilion designed by Sert where Picasso's "Guernica" was located. After the war he went into exile, first in Bordeaux and then in Havana. He visited the United States and finally settled in Mexico in 1942. In 1962 he returned to Spain, where he held some exhibitions, although he finally died in Mexico in 1964, where he had traveled to liquidate his interests in the city and to be able to settle definitively in Spain. He is currently represented in the NovaCaixaGalicia Collection, the Museum of Pontevedra and other collections, both public and private.
Setdart Auction House
Jul. 16, 2025
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Mexican lady". Oil on canvas. Relined. Signed. It presents restorations.
Est: €3,000 - €3,200
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Mexican lady". Oil on canvas. Relined. Signed. It presents restorations. Measurements: 101 x 81 cm; 123 x 102 cm (frame). The burgundy background gives a passionate note to this portrait of a Mexican lady. Seated on a velvet armchair, the woman, with curly hair and slightly awned flesh tones, wears an elegant bodice and looks at us with a self-absorbed expression. Son and disciple of the painter Alfredo Souto, Arturo lived in his youth between Oviedo, Zaragoza, Lugo and La Coruña, until he settled in Seville, where he studied between 1916 and 1920 at the Industrial School of Arts and Crafts and Fine Arts. By paternal indications he decided to study to become a quantity surveyor once again in Galicia, where the rural and maritime environments would have a decisive influence on Souto's initial plastic vision. In 1922, determined to devote himself to painting, he settled in Madrid and entered the San Fernando Royal Academy of Fine Arts, where he coincided with Salvador Dalí and other renowned artists. A fan of social gatherings, he lived with writers and intellectuals, and became friends with Valle Inclán. The year after his arrival in Madrid, in 1923, he marries Carmen Alabarce. In 1925 he held his first individual exhibition. That same year he participates in the Manifesto of the Iberians, with a group of nonconformists positioned against the official art of the Spain of the time. With them he held an exhibition at the Palacio del Retiro that was a real revolution. During these years Souto lived on his father's pension and on what he obtained from decorating porcelain, and he managed to raise enough funds to make his first trip to Paris in 1926. In 1931 he will return to the city of the Seine, this time thanks to a scholarship of the Diputación de Pontevedra. Enthusiastic about the new aesthetic currents he met in Paris, he worked intensely and became interested in Giorgio de Chirico, who had a great influence on his work. Already in Spain, he participates in important group exhibitions and holds exhibitions in Madrid (from 1928), Pontevedra (1928), Santiago de Compostela (1930), La Coruña (1931), Vigo (1932) and other locations. During these years he experimented with different techniques, and developed a work marked by a certain decadence. In 1931 he visits several European museums thanks to a new grant from the Diputación, and signs in Madrid the manifesto of the Agrupación Gremial de Artistas Plásticos. His exhibitions follow one after the other all over Spain, and he makes the international leap showing his work in Copenhagen and Berlin. In 1934 he was granted a scholarship to the Spanish Academy in Rome, where he remained until 1936. On his return to Spain he was surprised by the National Uprising, and joined the Republican side, devoting himself to propaganda work with drawings and posters. In 1937 he participates in the International Exposition of Paris, in the pavilion designed by Sert where Picasso's "Guernica" was located. After the war he went into exile, first in Bordeaux and then in Havana. He visited the United States and finally settled in Mexico in 1942. In 1962 he returned to Spain, where he held some exhibitions, although he finally died in Mexico in 1964, where he had traveled to liquidate his interests in the city and to be able to settle definitively in Spain. He is currently represented in the NovaCaixaGalicia Collection, the Museum of Pontevedra and other collections, both public and private.
Setdart Auction House
Jul. 01, 2025
ATTRIBUTED TO ARTURO SOUTO - The Battle
Est: -
ATTRIBUTED TO ARTURO SOUTO Galicia 1902-Mexico 1964 The battle Oil on cardboard Measurements 68 x 99 cm PROVENANCE Private collection Mexico
Subastas Segre
Mar. 19, 2025
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Mexican lady". Oil on canvas. Relined. Signed. It presents restorations.
Est: €3,000 - €3,200
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Mexican lady". Oil on canvas. Relined. Signed. It presents restorations. Measurements: 101 x 81 cm; 123 x 102 cm (frame). The burgundy background gives a passionate note to this portrait of a Mexican lady. Seated on a velvet armchair, the woman, with curly hair and slightly awned flesh tones, wears an elegant bodice and looks at us with a self-absorbed expression. Son and disciple of the painter Alfredo Souto, Arturo lived in his youth between Oviedo, Zaragoza, Lugo and La Coruña, until he settled in Seville, where he studied between 1916 and 1920 at the Industrial School of Arts and Crafts and Fine Arts. By paternal indications he decided to study to become a quantity surveyor once again in Galicia, where the rural and maritime environments would have a decisive influence on Souto's initial plastic vision. In 1922, determined to devote himself to painting, he settled in Madrid and entered the San Fernando Royal Academy of Fine Arts, where he coincided with Salvador Dalí and other renowned artists. A fan of social gatherings, he lived with writers and intellectuals, and became friends with Valle Inclán. The year after his arrival in Madrid, in 1923, he marries Carmen Alabarce. In 1925 he held his first individual exhibition. That same year he participates in the Manifesto of the Iberians, with a group of nonconformists positioned against the official art of the Spain of the time. With them he held an exhibition at the Palacio del Retiro that was a real revolution. During these years Souto lived on his father's pension and on what he obtained from decorating porcelain, and he managed to raise enough funds to make his first trip to Paris in 1926. In 1931 he will return to the city of the Seine, this time thanks to a scholarship of the Diputación de Pontevedra. Enthusiastic about the new aesthetic currents he met in Paris, he worked intensely and became interested in Giorgio de Chirico, who had a great influence on his work. Already in Spain, he participates in important group exhibitions and holds exhibitions in Madrid (from 1928), Pontevedra (1928), Santiago de Compostela (1930), La Coruña (1931), Vigo (1932) and other locations. During these years he experimented with different techniques, and developed a work marked by a certain decadence. In 1931 he visits several European museums thanks to a new grant from the Diputación, and signs in Madrid the manifesto of the Agrupación Gremial de Artistas Plásticos. His exhibitions follow one after the other all over Spain, and he makes the international leap showing his work in Copenhagen and Berlin. In 1934 he was granted a scholarship to the Spanish Academy in Rome, where he remained until 1936. On his return to Spain he was surprised by the National Uprising, and joined the Republican side, devoting himself to propaganda work with drawings and posters. In 1937 he participates in the International Exposition of Paris, in the pavilion designed by Sert where Picasso's "Guernica" was located. After the war he went into exile, first in Bordeaux and then in Havana. He visited the United States and finally settled in Mexico in 1942. In 1962 he returned to Spain, where he held some exhibitions, although he finally died in Mexico in 1964, where he had traveled to liquidate his interests in the city and to be able to settle definitively in Spain. He is currently represented in the NovaCaixaGalicia Collection, the Museum of Pontevedra and other collections, both public and private.
Setdart Auction House
Mar. 01, 2025
Arturo Souto Still Life Watercolor
Est: $100 - $150
Arturo Souto aka Arturo Souto Feijoo (Spanish, 1902-1964). Watercolor still life with mask. Signed lower left Souto 39[?] and signed lower right Souto. 8" x 10 1/2".
Copake Auction Inc.
Feb. 25, 2025
Arturo Souto Feijoo. Zanni and Colombina musicians
Est: -
Oil on canvas. Signed in the lower left corner.
Duran Arte y Subastas
Dec. 10, 2024
Arturo Souto Feijoo. female nude
Est: -
Watercolor on paper. Signed in the lower right corner.
Duran Arte y Subastas
Dec. 10, 2024
Arturo Souto Feijoo.
Est: -
Watercolor on paper. Signed and dated (44) in the lower left corner.
Duran Arte y Subastas
Sep. 12, 2024
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Woman with regional attire". Oil on táblex. Signed in the inferior margin.
Est: €3,500 - €4,000
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Woman with regional attire". Oil on táblex. Signed in the inferior margin. Measurements: 70 x 55 cm; 87 x 72 cm (frame). Portrait of girl with regionalist attire. Arturo Souto uses here a palette of hallmarks and a brushstroke of explicit and generous stroke in matter. The puffed sleeves in white combine with the black dress and the red laced corset, and with the jet hair gathered in a bun. The oval face has the fine features of an adolescent woman. Son and disciple of the painter Alfredo Souto, Arturo lived in his youth between Oviedo, Zaragoza, Lugo and La Coruña, until he settled in Seville, where he studied between 1916 and 1920 at the Industrial School of Arts and Crafts and Fine Arts. By paternal indications he decided to study to become a quantity surveyor once again in Galicia, where the rural and maritime environments would have a decisive influence on Souto's initial plastic vision. In 1922, determined to devote himself to painting, he settled in Madrid and entered the San Fernando Royal Academy of Fine Arts, where he coincided with Salvador Dalí and other renowned artists. A fan of social gatherings, he lived with writers and intellectuals, and became friends with Valle Inclán. The year after his arrival in Madrid, in 1923, he marries Carmen Alabarce. In 1925 he held his first individual exhibition. That same year he participates in the Manifesto of the Iberians, with a group of nonconformists positioned against the official art of the Spain of the time. With them he held an exhibition at the Palacio del Retiro that was a real revolution. During these years Souto lived on his father's pension and on what he obtained from decorating porcelain, and managed to raise enough funds to make his first trip to Paris in 1926. In 1931 he will return to the city of the Seine, this time thanks to a scholarship of the Diputación de Pontevedra. Enthusiastic about the new aesthetic currents he met in Paris, he worked intensely and became interested in Giorgio de Chirico, who had a great influence on his work. Already in Spain, he participates in important group exhibitions and holds exhibitions in Madrid (from 1928), Pontevedra (1928), Santiago de Compostela (1930), La Coruña (1931), Vigo (1932) and other locations. During these years he experimented with different techniques, and developed a work marked by a certain decadence. In 1931 he visits several European museums thanks to a new grant from the Diputación, and signs in Madrid the manifesto of the Agrupación Gremial de Artistas Plásticos. His exhibitions follow one after the other all over Spain, and he makes the international leap showing his work in Copenhagen and Berlin. In 1934 he was granted a scholarship to the Spanish Academy in Rome, where he remained until 1936. On his return to Spain he was surprised by the National Uprising, and joined the Republican side, devoting himself to propaganda work with drawings and posters. In 1937 he participates in the International Exposition of Paris, in the pavilion designed by Sert where Picasso's "Guernica" was located. After the war he went into exile, first in Bordeaux and then in Havana. He visited the United States and finally settled in Mexico in 1942. In 1962 he returns to Spain, where he will hold some exhibitions, although he will finally die in Mexico in 1964, where he had traveled to liquidate his interests in the city and to be able to settle definitively in Spain. He is currently represented in the NovaCaixaGalicia Collection, the Museum of Pontevedra and other collections, both public and private.
Setdart Auction House
Aug. 20, 2024
Arturo Souto Feijoo, Untitled (Still Life)
Est: $3,000 - $5,000
Arturo Souto Feijoo Untitled (Still Life) 1957 oil on canvas 31.5 h x 39.5 w x 1 d in (80 x 100 x 3 cm) Signed and dated to lower right 'Souto 57'. Signed and dated to verso '10-11-57 Souto'. This work will ship from Los Angeles, California.
Los Angeles Modern Auctions
May. 28, 2024
SOUTO FEIJOO, ARTURO (1902 - 1964)
Est: -
Watercolor on paper. Signed in the lower right corner.
Duran Arte y Subastas
May. 28, 2024
SOUTO FEIJOO, ARTURO (1902 - 1964)
Est: -
Watercolor on paper. Signed and dated (44) in the lower left corner.
Duran Arte y Subastas
Mar. 18, 2024
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Taberna de Marineros". Watercolor on paper. Signed in the lower right area.
Est: €1,800 - €2,000
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Taberna de Marineros". Watercolor on paper. Signed in the lower right area. Measurements: 50 x 65 cm; 65 x 80 cm (frame). Son and disciple of the painter Alfredo Souto, Arturo lived in his youth between Oviedo, Zaragoza, Lugo and La Coruña, until he settled in Seville, where he studied between 1916 and 1920 at the Industrial School of Arts and Crafts and Fine Arts. By paternal indications he decided to study to become a quantity surveyor once again in Galicia, where the rural and maritime environments would have a decisive influence on Souto's initial plastic vision. In 1922, determined to devote himself to painting, he settled in Madrid and entered the San Fernando Royal Academy of Fine Arts, where he coincided with Salvador Dalí and other renowned artists. A fan of social gatherings, he lived with writers and intellectuals, and became friends with Valle Inclán. The year after his arrival in Madrid, in 1923, he marries Carmen Alabarce. In 1925 he held his first individual exhibition. That same year he participates in the Manifesto of the Iberians, with a group of nonconformists positioned against the official art of the Spain of the time. With them he held an exhibition at the Palacio del Retiro that was a real revolution. During these years Souto lived on his father's pension and on what he obtained from decorating porcelain, and managed to raise enough funds to make his first trip to Paris in 1926. In 1931 he will return to the city of the Seine, this time thanks to a scholarship of the Diputación de Pontevedra. Enthusiastic about the new aesthetic currents he met in Paris, he worked intensely and became interested in Giorgio de Chirico, who had a great influence on his work. Already in Spain, he participates in important group exhibitions and holds exhibitions in Madrid (from 1928), Pontevedra (1928), Santiago de Compostela (1930), La Coruña (1931), Vigo (1932) and other locations. During these years he experimented with different techniques, and developed a work marked by a certain decadence. In 1931 he visits several European museums thanks to a new grant from the Diputación, and signs in Madrid the manifesto of the Agrupación Gremial de Artistas Plásticos. His exhibitions follow one after the other all over Spain, and he makes the international leap showing his work in Copenhagen and Berlin. In 1934 he was granted a scholarship to the Spanish Academy in Rome, where he remained until 1936. On his return to Spain he was surprised by the National Uprising, and joined the Republican side, devoting himself to propaganda work with drawings and posters. In 1937 he participates in the International Exposition of Paris, in the pavilion designed by Sert where Picasso's "Guernica" was located. After the war he went into exile, first in Bordeaux and then in Havana. He visited the United States and finally settled in Mexico in 1942. In 1962 he returned to Spain, where he held several exhibitions, although he finally died in Mexico in 1964, where he had traveled to liquidate his interests in the city and to be able to settle permanently in Spain. He is currently represented in the NovaCaixaGalicia Collection, the Museum of Pontevedra and other collections, both public and private.
Setdart Auction House
Feb. 19, 2024
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Mexican lady". Oil on canvas. Relined. Signed.
Est: €3,000 - €3,500
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Mexican lady". Oil on canvas. Relined. Signed. Measurements: 101 x 81 cm; 123 x 102 cm (frame). The burgundy background gives a passionate note to this portrait of a Mexican lady. Seated on a velvet armchair, the woman, with curly hair, wears an elegant bodice and looks at us with a self-absorbed expression. Son and disciple of the painter Alfredo Souto, Arturo lived in his youth between Oviedo, Zaragoza, Lugo and La Coruña, until he settled in Seville, where he studied between 1916 and 1920 at the Industrial School of Arts and Crafts and Fine Arts. By paternal indications he decided to study to become a quantity surveyor once again in Galicia, where the rural and maritime environments would have a decisive influence on Souto's initial plastic vision. In 1922, determined to devote himself to painting, he settled in Madrid and entered the San Fernando Royal Academy of Fine Arts, where he coincided with Salvador Dalí and other renowned artists. A fan of social gatherings, he lived with writers and intellectuals, and became friends with Valle Inclán. The year after his arrival in Madrid, in 1923, he marries Carmen Alabarce. In 1925 he held his first individual exhibition. That same year he participates in the Manifesto of the Iberians, with a group of nonconformists positioned against the official art of the Spain of the time. With them he held an exhibition at the Palacio del Retiro that was a real revolution. During these years Souto lived on his father's pension and on what he obtained from decorating porcelain, and managed to raise enough funds to make his first trip to Paris in 1926. In 1931 he will return to the city of the Seine, this time thanks to a scholarship of the Diputación de Pontevedra. Enthusiastic about the new aesthetic currents he met in Paris, he worked intensely and became interested in Giorgio de Chirico, who had a great influence on his work. Already in Spain, he participates in important group exhibitions and holds exhibitions in Madrid (from 1928), Pontevedra (1928), Santiago de Compostela (1930), La Coruña (1931), Vigo (1932) and other locations. During these years he experimented with different techniques, and developed a work marked by a certain decadence. In 1931 he visits several European museums thanks to a new grant from the Diputación, and signs in Madrid the manifesto of the Agrupación Gremial de Artistas Plásticos. His exhibitions follow one after the other all over Spain, and he makes the international leap showing his work in Copenhagen and Berlin. In 1934 he was granted a scholarship to the Spanish Academy in Rome, where he remained until 1936. On his return to Spain he was surprised by the National Uprising, and joined the Republican side, devoting himself to propaganda work with drawings and posters. In 1937 he participates in the International Exposition of Paris, in the pavilion designed by Sert where Picasso's "Guernica" was located. After the war he went into exile, first in Bordeaux and then in Havana. He visited the United States and finally settled in Mexico in 1942. In 1962 he returned to Spain, where he held some exhibitions, although he finally died in Mexico in 1964, where he had traveled to liquidate his interests in the city and to be able to settle permanently in Spain. He is currently represented in the NovaCaixaGalicia Collection, the Museum of Pontevedra and other collections, both public and private.
Setdart Auction House
Feb. 10, 2024
Arturo Souto Still Life Watercolor
Est: $100 - $150
Arturo Souto aka Arturo Souto Feijoo (Spanish, 1902-1964). Watercolor still life with mask. Signed lower left Souto 39[?] and signed lower right Souto. 8" x 10 1/2".
Copake Auction Inc.
Oct. 20, 2023
ARTURO SOUTO (1902-1964) INK & W/C RECLINING NUDE
Est: $100 - $200
Framed ink and watercolor painting on paper, Reclining Nude, signed verso Arturo Souto (Spanish, 1902-1964), sight: approx 5.25"h, 8.25"w, overall: 14"h, 16"w, 2lbs Start Price: $80.00
Austin Auction Gallery
Sep. 19, 2023
ARTURO SOUTO - Harlequin
Est: -
ARTURO SOUTO Galicia 1902 - Mexico 1964 Harlequin Oil on canvas Signed Back signed Measurements 100 x 80 cm
Subastas Segre
May. 23, 2023
ARTURO SOUTO - Girls
Est: -
ARTURO SOUTO Galicia 1902 - Mexico 1964 Girls Charcoal on paper Signed Size 56 x 60 cm ORIGIN Estudio Cid Gallery, Madrid Private Collection EXHIBITIONS 1972 (January), "Arturo Souto", Estudio Cid Gallery, Madrid BIBLIOGRAPHY "Arturo Souto", Ed. Estudio Cid Gallery , Madrid, reproduced. dossier exp.
Subastas Segre
Nov. 25, 2022
ARTURO SOUTO (1902-1964): HORSES IN THE ARENA, WATERCOLOUR ON PAPER
Est: €300 - €600
Work: ca. 62 x 46,5 cm Frame: 71 x 55 cm
Coronari Auctions
Oct. 06, 2022
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Interior scene with characters". Watercolor on paper.
Est: €1,000 - €1,200
ARTURO SOUTO FEIJOO (Pontevedra, 1902 - Mexico City, 1964). "Interior scene with characters". Watercolour on paper. Size: 46 x 62 cm; 64 x 80 cm (frame). The son and disciple of the painter Alfredo Souto, Arturo lived in his youth between Oviedo, Zaragoza, Lugo and La Coruña, until he settled in Seville, where he studied at the Industrial School of Arts and Crafts and Fine Arts between 1916 and 1920. Following his parents' instructions, he decided to study to become a quantity surveyor once again in Galicia, where the rural and maritime environments would have a decisive influence on Souto's initial artistic vision. In 1922, determined to devote himself to painting, he settled in Madrid and entered the San Fernando Royal Academy of Fine Arts, where he coincided with Salvador Dalí and other renowned artists. A fan of social gatherings, he spent time with writers and intellectuals, and became friends with Valle Inclán. The year after his arrival in Madrid, in 1923, he married Carmen Alabarce. In 1925 he held his first individual exhibition. That same year he took part in the Manifiesto de los Ibéricos, with a group of non-conformists who were against the official art of Spain at the time. With them he held an exhibition at the Palacio del Retiro which was a real revolution. During these years Souto lived on his father's pension and on what he earned from decorating porcelain, and in 1926 he managed to raise enough money to make his first trip to Paris. In 1931 he returned to the city on the Seine, this time thanks to a grant from the Diputación de Pontevedra. Enthusiastic about the new aesthetic trends he discovered in Paris, he worked intensely and became interested in Giorgio de Chirico, who had a great influence on his work. Once in Spain, he took part in important group exhibitions and held exhibitions in Madrid (from 1928), Pontevedra (1928), Santiago de Compostela (1930), La Coruña (1931), Vigo (1932) and other places. During these years he experimented with various techniques and developed a work marked by a certain decadence. In 1931 he visited several European museums thanks to a new grant from the Diputación, and in Madrid he signed the manifesto of the Agrupación Gremial de Artistas Plásticos. His exhibitions followed one after the other all over Spain, and he made the international leap, showing his work in Copenhagen and Berlin. In 1934 he was granted a scholarship to the Spanish Academy in Rome, where he remained until 1936. On his return to Spain he was surprised by the National Uprising, and joined the Republican side, devoting himself to propaganda work with drawings and posters. In 1937 he took part in the International Exhibition in Paris, in the pavilion designed by Sert, which included Picasso's "Guernica". After the war he went into exile, first in Bordeaux and then in Havana. He visited the United States and finally settled in Mexico in 1942. In 1962 he returned to Spain, where he held a number of exhibitions, although he finally died in Mexico in 1964, where he had travelled to liquidate his interests in the city in order to settle permanently in Spain. He is currently represented in the NovaCaixaGalicia Collection, the Museum of Pontevedra and other collections, both public and private.
Setdart Auction House
Sep. 20, 2022
ARTURO SOUTO - Pontevedra, 1902 - Mexico City, 1964
Est: -
ARTURO SOUTO Pontevedra, 1902 - Mexico City, 1964 Woman pencil on paper Signed Measures 30.5 x 28 cm
Subastas Segre
Sep. 21, 2021
ARTURO SOUTO - El Monte del Calvario
Est: €900 - €1,800
ARTURO SOUTO Pontevedra, 1902 - Mexico City, 1964 El monte del Calvario Oil on canvas Signed Sizes 100 x 120 cm
Subastas Segre
May. 11, 2021
ARTURO SOUTO FEIJOO (1902 / 1964) "Christ tied to the pillar".
Est: €3,900 - €5,200
Signed in the lower right corner. . Oil on canvas
Ansorena
Feb. 24, 2021
"Les chevaux dans l'arène" aquarelle sur papier. Signé en bas à gauche Souto. Ecole hispano-mexicain
Est: €400 - €600
"Les chevaux dans l'arène" aquarelle sur papier. Signé en bas à gauche Souto. Ecole hispano-mexicaine. (Petites griffes et un pli). Dim.:+/-46,5x62cm.
Vanderkindere
Feb. 16, 2021
ARTURO SOUTO - Still life of the mortar
Est: €500 - €1,000
ARTURO SOUTO Pontevedra, 1902 - Mexico DF, 1964 Still life of the mortar Watercolor on paper Signed Sizements 33 x 48 cm PROVENANCE Juan Antonio Morales Collection Private collection
Subastas Segre
Dec. 04, 2020
Arturo Souto Feijoo (Spanish, 1904-1964) Still life of fish, wine and pears Oil
Est: $7,000 - $10,000
Arturo Souto Feijoo (Spanish, 1904-1964) Still life of fish, wine and pears Oil on canvas 43 x 39 inches (109.2 x 99.1 cm) Signed lower right: Souto PROVENANCE: Private collection, Mexico City, Mexico; Private collection, San Diego, California. HID01801242017
Heritage Auctions
Jul. 14, 2020
ARTURO SOUTO - Woman in interior
Est: €950 -
ARTURO SOUTO Pontevedra, 1902 - Mexico D.F., 1964 Woman in interior Watercolor on paper Signed Size 49 x 63 cm
Subastas Segre
Jul. 14, 2020
ARTURO SOUTO - At the church door
Est: €600 -
ARTURO SOUTO Pontevedra, 1902 - Mexico D.F., 1964 At the church door. Mexico Colored pencils on paper Signed Size 49.5 x 65 cm
Subastas Segre
Nov. 23, 2019
Arturo Souto, ink wash and pastel on paper, 1939
Est: $1,000 - $1,500
Arturo Souto (Spanish, 1904-1964), Mexico City Streetscape, signed lower left, illegibly inscribed and dated on cardboard back, matted and framed under glass, 23"h x 28"w (sight), 29"h x 35"w (frame)
Millea Bros Ltd