Nepomuk Strixner Sold at Auction Prices

copperplate engraver, Lithographer, b. 1782 - d. 1855

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  • J. STRIXNER (*1782) after Unknown (16th), Mater Dolorosa. The Mother of Sorrows, 1823,
    Apr. 19, 2025

    J. STRIXNER (*1782) after Unknown (16th), Mater Dolorosa. The Mother of Sorrows, 1823,

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Unknown (16th century): Mater Dolorosa The Mother of Sorrows Weeping Madonna, 1823, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed on the left and right below the image. Inscribed in the centre: "From the collection of the brothers Boisserée and Bertra" (1821-1836). Date: 1823 Keywords: Mary, Mater Dolorosa, Mother of Sorrows, Sorrows of Mary, Jesus Christ, tear, tears, weeping, 19th century, Renaissance, Religious, Germany, Size: Paper: 56,7 cm x 31,7 cm (22,3 x 12,5 in)

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  • J. STRIXNER (*1782) after MEISTER WILHELM (*1370), St Bernard and St Matthew St Matthew, 1822,
    Apr. 19, 2025

    J. STRIXNER (*1782) after MEISTER WILHELM (*1370), St Bernard and St Matthew St Matthew, 1822,

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Meister Wilhelm: Wilhelm von Köln (around 1370 - around 1390 ): Depiction of saints Bernardus and St Matthew the Apostle, 1822, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed and dated on the left and right below the image. With indication: "Printed under the direction of Strixner in Stuttgart". The print is from the multi-volume edition: 'Die Sammlung Alt-, Nieder- und Ober-Deutscher Gemälde der Brüder Sulpiz und Melchior Boisserée und Johann Bertram' (1821-1836). Date: 1822 Description: Matthew with halberd, depicted as an elderly man with wavy hair and long full beard. St Bernard in a habit with a staff and a filled sack in his hand. Keywords: Depiction of saints, saint, halo, Bernard of Clairvaux, Cistercian, monk, Doctor of the Church, Apostle Matthew, Evangelist Matthew, Matthew, 19th century, Renaissance, Religious, Germany, Size: Paper: 57,2 cm x 36,0 cm (22,5 x 14,2 in)

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  • J. STRIXNER (*1782) after MEISTER WILHELM (*1370), Apostles Matthew and James, 1823,
    Apr. 19, 2025

    J. STRIXNER (*1782) after MEISTER WILHELM (*1370), Apostles Matthew and James, 1823,

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Meister Wilhelm: Wilhelm von Köln (around 1370 - around 1390 ): Depiction of the saints Matthew and James with sword, staff and book, 1823, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed and dated on the left and right below the image. With indication: "Printed under the direction of Strixner in Stuttgart". The print is from the multi-volume edition: Die Sammlung Alt-, Nieder- und Ober-Deutscher Gemälde der Brüder Sulpiz und Melchior Boisserée und Johann Bertram (1821-1836). Date: 1823 Keywords: Depiction of saints, saint, halo, apostle, New Testament, 19th century, Renaissance, Religious, Germany, Size: Paper: 57,0 cm x 35,5 cm (22,4 x 14 in)

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  • J. STRIXNER (*1782) after SCHWARZ (*1545), Crucifixion, around 1815, Lithography
    Mar. 22, 2025

    J. STRIXNER (*1782) after SCHWARZ (*1545), Crucifixion, around 1815, Lithography

    Est: €75 - €125

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Christoph Schwarz (1545 Munich - 1592 ibid.): Crucifixion, incunabulum of lithography, Munich 1811-1816, c. 1815, Lithography Technique: Lithography over tinted stone on Paper Inscription: Lower centre Renaissance frame, plate without lettering; signed below C: Schwarz // N: Strixner del:" (From: Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 38.3 I., p. 359). Strixner learned engraving from Dorner in 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1815 Description: "Crucifixion with Founder's Family. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 24,1 cm x 33,4 cm (9,5 x 13,1 in), Depiction: 16,3 cm x 25,4 cm (6,4 x 10 in)

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  • J. STRIXNER (*1782) after PORDENONE (*1483), Monks at the deathbed, around 1808, Lithography
    Mar. 22, 2025

    J. STRIXNER (*1782) after PORDENONE (*1483), Monks at the deathbed, around 1808, Lithography

    Est: €135 - €225

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Pordenone: Giovanni Antonio Pordenone (around 1483 - 1484 ): Monks around the deathbed of a brother, c. 1808, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "A. Sachi fecit[?] | N: Strixner del.". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: lithograph series, old masters, study, monastery, monks, mourning, vanitas, death, abbot, 19th century, Romanticism, Religious, Italy, Size: Paper: 21,2 cm x 17,5 cm (8,3 x 6,9 in), Depiction: 19,1 cm x 15,7 cm (7,5 x 6,2 in)

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  • J. STRIXNER (*1782) after PERUGINO (*1445), Madonna and child, around 1811, Lithography
    Mar. 22, 2025

    J. STRIXNER (*1782) after PERUGINO (*1445), Madonna and child, around 1811, Lithography

    Est: €75 - €125

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Pietro Perugino (1445 Citt'a della Pieve/Perugia - 1523 Fontignano/Perugia): "Madonna and Child", incunabulum of lithography, Winkler No 965, 243, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: Kneeling, seated from the front. Signed under the picture: "Peter Vannucci dite Perugino // N: Strixner del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 24.3/ Dussler (München II) p. 143, No. XXIV, 3. Munich 1811-16. Strixner learned engraving with Dorner in 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 41,0 cm x 34,0 cm (16,1 x 13,4 in), Depiction: 30,0 cm x 23,0 cm (11,8 x 9,1 in)

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  • J. STRIXNER (*1782) after HOLBEIN (*1498), Joachim Buecklaer (* around 1530), Lithography
    Mar. 22, 2025

    J. STRIXNER (*1782) after HOLBEIN (*1498), Joachim Buecklaer (* around 1530), Lithography

    Est: €105 - €175

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Hans Holbein jun. (1498 Augsburg - 1543 London): Portrait of the painter Joachim Buecklaer (* around 1530), 19th century, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Johan Beukler. J. Holbein fecit | N. Strixner del.". Date: 19th century Description: Probably a bust portrait of the history and genre painter Joachim Buecklaer (c. 1530 Antwerp - 1571 ibid.) with cap after a model by Hands Holbein the Younger. Keywords: Printmaking, Germany, Portrait, Artist, Painter, 19th century, Romanticism, Portraits, Germany, Size: Paper: 41,9 cm x 31,6 cm (16,5 x 12,4 in), Depiction: 36,1 cm x 25,8 cm (14,2 x 10,2 in)

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  • J. STRIXNER (*1782) after GOYEN (*1596), Old church tower with steep stairs, Lithography
    Mar. 22, 2025

    J. STRIXNER (*1782) after GOYEN (*1596), Old church tower with steep stairs, Lithography

    Est: €105 - €175

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Jan van Goyen (1596 - 1636 ): Old church tower with steep stairs, 19th century, Lithography Technique: Lithography on Paper Date: 19th century Description: The depiction follows a model by the Dutch landscape painter Jan van Goyen. Keywords: Netherlands, Germany, Printmaking, Architecture, Lithography, 19th century, Romanticism, Architecture, Netherlands, Size: Paper: 34,4 cm x 25,4 cm (13,5 x 10 in), Depiction: 26,5 cm x 17,7 cm (10,4 x 7 in)

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  • J. STRIXNER (*1782) after GADDI (*1290), Study of a seated merchant, Lithography
    Mar. 22, 2025

    J. STRIXNER (*1782) after GADDI (*1290), Study of a seated merchant, Lithography

    Est: €105 - €175

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Taddeo Gaddi (1290 - 1366 ibid.): Study of a seated merchant, 19th century, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Tadd: Gaddi. | N: Strixner fecit". Date: 19th century Description: The depiction of a merchant follows a figure from the work of the Florentine painter Taddeo Gaddi, son of Gaddo Gaddi and godchild and pupil of Giotto. Keywords: Italy, Renaissance, Florence, Germany, printmaking, lithography, 19th century, Romanticism, Portraits, Italy, Size: Paper: 30,7 cm x 23,5 cm (12,1 x 9,3 in), Depiction: 23,5 cm x 17,0 cm (9,3 x 6,7 in)

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  • J. STRIXNER (*1782) after DÜRER (*1471), Lion kills deer, around 1811, Lithography with pen
    Mar. 22, 2025

    J. STRIXNER (*1782) after DÜRER (*1471), Lion kills deer, around 1811, Lithography with pen

    Est: €75 - €125

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Albrecht Dürer (1471 Nuremberg - 1528 ibid.): Lion attacking a stag, incunabulum of lithography, Winkler No 965, 402, 1811-1816, c. 1811, Lithography with pen Technique: Lithography with pen on Paper, mounted on Paper Inscription: At the bottom of the image (centre): "1505 and below Dürer's monogram, signed on the right: N: Strixner del:", after a painting in Gr. Sammlung Munich by Albrecht Dürer / Winkler No. 965, 40.2, Dussler (Munich II), p. 149 No. XL,2", Munich 1811-1816. Date: c. 1811 Keywords: 19th century, Renaissance, Animals, Germany, Size: Paper: 18,0 cm x 30,7 cm (7,1 x 12,1 in)

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  • J. STRIXNER (*1782) after CARRACCI (*1560), Church in Italy, around 1811, Lithography
    Mar. 22, 2025

    J. STRIXNER (*1782) after CARRACCI (*1560), Church in Italy, around 1811, Lithography

    Est: €75 - €125

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): Church in Italy, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Watermark: Letters/Digits - more than three letters (words/names) - H:BLUM - Date: Inscription: Behind on the left a three-storey Romanesque tower with a low pointed roof. Trees and outbuildings, on the right landscape with staffage figures. Strixner learned engraving with Dorner in 1799. Employed as a draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1811 Description: Listed by Winkler: No. 965, 30.5. / Dussler p.146 No. XXX.5. Munich 1811-16. signed lower left: "H: Carrache. / right: N: Strixner del:" Drawing Graphische Sammlung Munich. The wide and flat building has many round arch openings on the front gable end. | Watermark: H:BLUM Keywords: 19th century, Romanticism, Architecture, Germany, Size: Paper: 30,5 cm x 41,5 cm (12 x 16,3 in), Depiction: 22,3 cm x 33,0 cm (8,8 x 13 in)

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  • J. STRIXNER (*1782) after CARRACCI (*1560), Escape to Egypt, around 1811, Lithography
    Mar. 22, 2025

    J. STRIXNER (*1782) after CARRACCI (*1560), Escape to Egypt, around 1811, Lithography

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): Flight into Egypt, incunabulum of lithography, Winkler No 965, 474, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Inscription: Signed at the bottom: "H: Carracci // N: Strixner del: 1813.", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 47.4 / Dussler p.151 No. XLVII, 4. Munich 1811-16. In a beautiful landscape in front of a lake with sailing boats and with a mountain background Mary, the Child and Joseph are walking to the left behind a piece of grass. In the left background under two trees a flute player and a listener. The flight into Egypt is an event from Jesus' childhood, described in the Gospel of Matthew (Mt 2,13). Date: c. 1811 Description: "The reproduction of grandiose pen drawings for the "Oeuvres Lithographiques" made demands on Nepomuk Strixner's skills. Simple tracing work did not do justice to the pen stroke. The works shown here can only have been created freely over the tracing after great practice." (from: Winkler, plates 20-21). Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 37,1 cm x 51,0 cm (14,6 x 20,1 in), Depiction: 26,7 cm x 40,5 cm (10,5 x 15,9 in)

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  • J. STRIXNER (*1782) after CARRACCI (*1560), St John the Evangelist on Patmos, around 1811, Lithograp
    Mar. 22, 2025

    J. STRIXNER (*1782) after CARRACCI (*1560), St John the Evangelist on Patmos, around 1811, Lithograp

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): "John the Evangelist on Patmos", incunabulum of the lithograph, Winkler No 965, 23 III, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Inscription: On his right a deep landscape with mountains. Strixner learned engraving with Dorner in 1799. Employed as draughtsman at the electoral gallery in Munich in 1803. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1811 Description: Signed under the picture: "Hannibal Carrac. // N. Strixner", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 2.3. III. / Dussler p. 136, No. II, 3. Munich 1811-16. Johannes is on the left side at the rock, the right forearm propped up, with raised hand. In his left hand he holds a book. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 38,0 cm x 52,0 cm (15 x 20,5 in), Depiction: 37,0 cm x 51,0 cm (14,6 x 20,1 in)

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  • J. STRIXNER (1782-1855), Cracked disc, queen and miner, 1813, Lithography
    Feb. 15, 2025

    J. STRIXNER (1782-1855), Cracked disc, queen and miner, 1813, Lithography

    Est: €300 - €400

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich): Arabesque, lithograph incunabulum, 1813, Lithography Technique: Lithography on Paper Watermark: Partially visible. Letters/Digits - more than three letters (words/names) - M. IA. Huber - Date: 19th century Inscription: Signed and dated "N. Strixner del. 1813." lower right in the image. Strixner learnt engraving from Dorner in 1799. Employed as a draughtsman at the electoral gallery in Munich in 1803. From 1806 experiment in lithography and from 1810 publication of the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: 1813 Description: Watermark: A. Huber Keywords: 19th century, Figurative, Architecture, Germany, Size: Paper: 50,3 cm x 41,3 cm (19,8 x 16,3 in), Depiction: 41,8 cm x 33,0 cm (16,5 x 13 in)

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  • J. STRIXNER (*1782) after MANTEGNA (*1430), Resurrection of Christ, around 1811, Lithography
    Feb. 15, 2025

    J. STRIXNER (*1782) after MANTEGNA (*1430), Resurrection of Christ, around 1811, Lithography

    Est: €300 - €400

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Andrea Mantegna (around 1430 Cartura Island - 1506 Mantua): The Risen Christ, Winkler No 965, 86, lithograph incunabulum c 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: "Between two saints, the left one with cross, the right one in armour, bareheaded with spear. Pen and tone, hemic with highlights over the entire sheet. With five margins, signed and titled inside bottom: "A: Mantegna / Pio et Immortali Deo / N: Strixner del:". (Winkler, Die Frühzeit der Deutschen Lithographie, p. 351). Inscribed in lead on the verso: "N. Strixner after a drawing in Gr. Sammlung München by Andrea Mantegna (circle) / Winkler No. 965, 8.6. Dussler (München II), p. 138 No. VIII, 6. "Der Auferstandene Christus zwischen zwei Heiligen" München 1811-1816". Keywords: 19th century, Renaissance, Portraits, Italy, Size: Paper: 44,0 cm x 36,3 cm (17,3 x 14,3 in), Depiction: 36,0 cm x 29,0 cm (14,2 x 11,4 in)

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  • J. STRIXNER (*1782) after WYNANTS (17th), Rocky landscape with trees, around 1811, Lithography
    Feb. 15, 2025

    J. STRIXNER (*1782) after WYNANTS (17th), Rocky landscape with trees, around 1811, Lithography

    Est: €75 - €125

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Jacob Wynants (17th century): Rock Landscape with Trees, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: Signed in the upper left corner: "J. Wynants", lower right: "N: Strixner del.", verso inscribed in lead: Incunable of lithography / N. Strixner after ? Jan Wynants, Dutch / Winkler No. 965 42.4:III. Dussler, (Munich II), p. 150 No. XLII, 4 / Flesenlandschaft mit Bäumen", Munich 1811-1816." Strixner learned engraving with Dorner 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Keywords: 19th century, Romanticism, Nature, Germany, Size: Paper: 31,2 cm x 36,0 cm (12,3 x 14,2 in), Depiction: 20,0 cm x 25,0 cm (7,9 x 9,8 in)

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  • J. STRIXNER (*1782) after MASACCIO (*1401), Condottiere and monk, Lithography
    Feb. 15, 2025

    J. STRIXNER (*1782) after MASACCIO (*1401), Condottiere and monk, Lithography

    Est: €105 - €175

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Masaccio: Tommaso di Ser Giovanni di Mone Cassai (1401 San Giovanni Valdarno - 1428 Rom): Condottiere and monk, 19th century, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Masaccio 1440 | N: Strixner del:". Date: 19th century Description: The scene with an Italian condottiere in armour on the right, his back turned to the viewer in conversation with clergymen by the German draughtsman, lithographer and engraver Johann Nepomuk Strixner is based on a depiction by the early Renaissance painter Tommaso di Ser Giovanni di Mone Cassai, known as Masaccio. Keywords: Italy, Painter, Artist, Printmaking, Renaissance, 19th century, Romanticism, Portraits, Italy, Size: Paper: 25,6 cm x 31,0 cm (10,1 x 12,2 in), Depiction: 20,0 cm x 24,9 cm (7,9 x 9,8 in)

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  • J. STRIXNER (*1782) after SCHIDONE (*1570), Allegorical female figure, around 1808, Lithography
    Feb. 15, 2025

    J. STRIXNER (*1782) after SCHIDONE (*1570), Allegorical female figure, around 1808, Lithography

    Est: €135 - €225

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Bartolomeo Schidone (1570 - 1578 ibid.): Allegorical depiction, female figure with putti, c. 1808, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Schidone | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Antiquity, Allegory, 19th century, Romanticism, Mythology, Italy, Size: Paper: 14,6 cm x 12,9 cm (5,7 x 5,1 in), Depiction: 9,0 cm x 7,4 cm (3,5 x 2,9 in)

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  • J. STRIXNER (*1782) after GOYEN (*1596), Old church tower with steep stairs, Lithography
    Feb. 15, 2025

    J. STRIXNER (*1782) after GOYEN (*1596), Old church tower with steep stairs, Lithography

    Est: €105 - €175

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Jan van Goyen (1596 - 1636 ): Old church tower with steep stairs, 19th century, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "van Goyen | N: Strixner del:". Date: 19th century Description: The depiction follows a model by the Dutch landscape painter Jan van Goyen. Keywords: Netherlands, Germany, Printmaking, Architecture, Lithography, 19th century, Romanticism, Architecture, Netherlands, Size: Paper: 34,5 cm x 25,4 cm (13,6 x 10 in), Depiction: 26,5 cm x 17,7 cm (10,4 x 7 in)

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  • J. STRIXNER (*1782) after DOMENICHINO (*1581), River landscape, around 1808, Lithography with pen
    Feb. 15, 2025

    J. STRIXNER (*1782) after DOMENICHINO (*1581), River landscape, around 1808, Lithography with pen

    Est: €135 - €225

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Domenichino: Zampieri Domenico (1581 Bologna - 1641 Naples): River landscape, c. 1808, Lithography with pen Technique: Lithography with pen on Paper Inscription: At the lower part signed in the printing plate: "Dominichino | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, River, Floodplain, Village, Mountains, Italy, 19th century, Romanticism, Landscape, Italy, Size: Paper: 25,1 cm x 33,7 cm (9,9 x 13,3 in), Depiction: 20,4 cm x 27,9 cm (8 x 11 in)

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  • J. STRIXNER (*1782) after GUERCINO (*1591), Writing Jerome, around 1808, Lithography
    Feb. 15, 2025

    J. STRIXNER (*1782) after GUERCINO (*1591), Writing Jerome, around 1808, Lithography

    Est: €135 - €225

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Guercino: Giovanni Francesco Barbieri (1591 Cento/Ferrara - 1666 Bologna): Writing Jerome, c. 1808, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Guercino | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Saint, Church, Scriptorium, Hermitage, 19th century, Romanticism, Portraits, Italy, Size: Paper: 20,8 cm x 23,2 cm (8,2 x 9,1 in), Depiction: 16,2 cm x 18,3 cm (6,4 x 7,2 in)

    Fichter Kunsthandel
  • Strixner, Johann Nepomuk
    Feb. 14, 2025

    Strixner, Johann Nepomuk

    Est: €50 - €75

    (1782 Altötting - München 1855). Stehender Landsknecht nach rechts. Lithographie in Kreide u. Feder mit hellbrauner Tonplatte n. Albrecht Dürer. Blgr. 25,8 x 18,4 cm. Mit dem Namenszug bzw. Monogr. im Stein. An 2 Seiten auf äußere Einfassung geschn., sonst mit schmalem Rändchen. Winkler 965, 20.4. - ╔Dabei: Ders.╗ Heiliger Georg in voller Rüstung steht auf dem Drachen, dem er die Lanze ins Maul sticht. Lithographie in Feder u. Kreide in Braun mit hellbrauner Tonplatte n. Chr.Schwarz. Blgr. 26 x 18,4 cm. Mit den Namensz. im Stein. An 3 Seiten mit schmalem Rändchen um die äußere Einfassung. - W. 965, 19.3. - Li. Rd. etw. knickf. - ╔Johann Baptist Stuntz╗ (1753-1836). Landsknecht zu Pferd. Federlithographie in Schwarz n. HH, ca. 1812. 28 x 15,2, Blgr. 29,2 x 16,5 cm. Mit Namensz. im Stein. Mit Rand um die äußere Einfassung. Zus. 3 Bl.

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  • (Strixner, Johann Nepomuk,
    Feb. 14, 2025

    (Strixner, Johann Nepomuk,

    Est: €100 - €150

    1782 Altötting - München 1855. Albrecht Dürers christlich-mythologische Handzeichnungen zum Gebetbuch Kaiser Maximilians in der Bayer. Staatsbibl. München). Daraus 29 Tafeln. Lithographien in verschied. Farben, 1808, auf Bütten ca. 2. Hälfte 19. Jh. Fol. Alle Bl. ohne Umrandungen, Nummer u. Namenszug Strixner, mit Monogr. Dürers u. Datum 1515. - Dazu: Ebenso. 8 Tafeln nach Lucas Cranach, 1818, (als Nachtrag zu Albrecht Dürers....Handzeichnungen). Ebenso. Zus. 37 Tafeln, 13 w. Bl. Brauner Ldr. mit Blindpräg. (Gebrauchssp., ob. Kapit. etw. beschäd.). Vgl. Dussler S. 260 1. Winkler 831, 14, 16 u. 64.). Wohl spätere Ausgabe auf Bütten mit WZ gekröntes Lilienwappen mit Buchstaben JwL (?). Enthält die Blätter nach Winkler 14 u 16: Bärtiger Kopf (Titel) u. Tafeln 8 u. 17-43 u. Winkler 64, 1-8 (in unterschiedl. Reihenfolge. - Taf. 1 etw. gebräunt, vereinz. unten ger. Randeinrisse.

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  • JOHANN NEPOMUK STRIXNER (1782-185
    Jan. 28, 2025

    JOHANN NEPOMUK STRIXNER (1782-185

    Est: -

    Johann Nepomuk Strixner (1782-1855), after Joseph Joachim von Schnizer (1792-1870), King Wilhelm I of Württemberg as a general, lithograph with written margins, heavily browned and stained, 55 x 44 cm, framed behind glass 86 x 64 cm

    Historia Auctionata
  • J. STRIXNER (*1782) after CARRACCI (*1560), The deluge, around 1820,
    Jan. 25, 2025

    J. STRIXNER (*1782) after CARRACCI (*1560), The deluge, around 1820,

    Est: €300 - €400

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): Bible illustration The Flood Old Testament, c. 1820, Lithography Technique: Lithography on Paper Inscription: Signed by the artist in the lower right corner of the stone. Date: c. 1820 Description: First-class lithograph after the original by Carracci, which is now in the Alte Pinakothek in Munich. Shows the despair of the victims of the Flood as described in the Old Testament. Keywords: 19th century, Renaissance, Religious, Germany, Size: Paper: 38,1 cm x 56,7 cm (15 x 22,3 in)

    Fichter Kunsthandel
  • Bernard van Orley, Johan Nepomuk Strixner - Adoration of the Magi - 1822
    Dec. 12, 2024

    Bernard van Orley, Johan Nepomuk Strixner - Adoration of the Magi - 1822

    Est: €360 - €480

    Incunabula of the Lithography: Adoration of the Magi. After a painting by Barend van Orley (1491-1542). In the 19th century this painting was attributed to Jan Schwartz van Groningen. Very large lithography in several colours (Chromolithograph) made by Johan Nepomuk Strixner (1782-1855) after the preparatory drawing made by Ignaz Bergman in 1822. Incunable in the early lithography in several colours. The highest quality you can get in lithography. Strixner made splendid lithographs after the very early Flemish, Dutch and German renaissance paintings.

    Old Master Print
  • Strixner, Johann Nepomuk
    Dec. 06, 2024

    Strixner, Johann Nepomuk

    Est: €60 - €90

    (1782 Altötting - München 1855). Stehender Landsknecht nach rechts. Lithographie in Kreide u. Feder mit hellbrauner Tonplatte n. Albrecht Dürer. Blgr. 25,8 x 18,4 cm. Mit dem Namenszug bzw. Monogr. im Stein. An 2 Seiten auf äußere Einfassung geschn., sonst mit schmalem Rändchen. Winkler 965, 20.4. - ╔Dabei: Ders.╗ Heiliger Georg in voller Rüstung steht auf dem Drachen, dem er die Lanze ins Maul sticht. Lithographie in Feder u. Kreide in Braun mit hellbrauner Tonplatte n. Chr.Schwarz. Blgr. 26 x 18,4 cm. Mit den Namensz. im Stein. An 3 Seiten mit schmalem Rändchen um die äußere Einfassung. - W. 965, 19.3. - Li. Rd. etw. knickf. - ╔Johann Baptist Stuntz╗ (1753-1836). Landsknecht zu Pferd. Federlithographie in Schwarz n. HH, ca. 1812. 28 x 15,2, Blgr. 29,2 x 16,5 cm. Mit Namensz. im Stein. Mit Rand um die äußere Einfassung. Zus. 3 Bl. R

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  • J. STRIXNER (*1782) after CARACCIOLO (*1761), At Mary's deathbed, around 1808, Lithography with pen
    Nov. 16, 2024

    J. STRIXNER (*1782) after CARACCIOLO (*1761), At Mary's deathbed, around 1808, Lithography with pen

    Est: €135 - €225

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Ludovico Caracciolo (1761 Rome - 1842 ): At Mary's deathbed, c. 1808, Lithography with pen Technique: Lithography with pen on Paper Inscription: At the lower part signed in the printing plate: "L: Carrache | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Mary, Holy Family, Putto, Angel, 19th century, Romanticism, Religious, Germany, Size: Paper: 24,5 cm x 18,7 cm (9,6 x 7,4 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after CANTAGALLINA (*1582), Farmers in dialogue, around 1808, Lithography
    Nov. 16, 2024

    J. STRIXNER (*1782) after CANTAGALLINA (*1582), Farmers in dialogue, around 1808, Lithography

    Est: €135 - €225

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Remigio Cantagallina (around 1582 Borgo Sansepolcro - 1656 Florence): Three farmers in dialogue, c. 1808, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Canta Gallina: | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Country people, Study, 19th century, Romanticism, Portraits, Germany, Size: Paper: 12,0 cm x 13,5 cm (4,7 x 5,3 in), Depiction: 8,3 cm x 9,7 cm (3,3 x 3,8 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after BADALOCCHIO (*1585), Christ on the Mount of Olives., Lithography
    Nov. 16, 2024

    J. STRIXNER (*1782) after BADALOCCHIO (*1585), Christ on the Mount of Olives., Lithography

    Est: €300 - €400

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Sisto Badalocchio (1585 Parma - 1647 Rom): Christ on the Mount of Olives., 19th century, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "J. Lanfranca pinx: / N. Strixner del:". Date: 19th century Description: Impressive depiction in congenial realisation with dramatic depiction of light and shadow. In Strixner's day, the model for this print was a painting by Giovanni Lanfranco. Keywords: Passion, Jesus Christ, Gethsemane, Mount of Olives, Disciples, Peter, James, John, Angel with cross, Apparition of an angel, 19th century, Renaissance, Religious, Germany, Size: Paper: 62,8 cm x 46,0 cm (24,7 x 18,1 in), Depiction: 47,3 cm x 34,0 cm (18,6 x 13,4 in)

    Fichter Kunsthandel
  • J. STRIXNER (1782-1855), Antique figure in toga, Lithography
    Oct. 26, 2024

    J. STRIXNER (1782-1855), Antique figure in toga, Lithography

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich): after Hieronymus da Carpi, Antique figure in toga, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed in the stone below the depiction: "Hieronym: da Carpi: | N: Strixner del:". On the reverse with a note of a dedication: "Gift to D. Collection [?] Politz 1912-". Date: 19th century Description: Full-length depiction of a bearded man in wrinkled antique robe. Keywords: 19th century, Romanticism, Biblical, Germany, Size: Paper: 35,8 cm x 24,2 cm (14,1 x 9,5 in), Depiction: 25,4 cm x 13,6 cm (10 x 5,4 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after CARRACCI (*1557), Group of figures with noblewomen, Lithography
    Oct. 26, 2024

    J. STRIXNER (*1782) after CARRACCI (*1557), Group of figures with noblewomen, Lithography

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Agostino Carracci (1557 Bologna - 1602 Parma): Group of figures with noblewomen and grocers, 19th century, Lithography Technique: Lithography on Paper Stamp: Collector's stamp, Lugt no.: 1567b. Justinus Kerner. Budapest. 19th century Inscription: Signed in the stone below the depiction: "Aug: Carrache | N: Strixner del:". On the reverse is the collection stamp "Sammlung Justinus Kerner", of the well-known German poet and physician (1786 Ludwigsburg - 1862 Weinsberg). The sheet can be found in R. Arnim Winkler: Die Frühzeit der deutschen Lithographie under 356/28.2. Date: 19th century Description: Full-length depiction of a group of figures with antique or medieval-looking garments. Keywords: 19th century, Romanticism, Professions, Germany, Size: Paper: 16,5 cm x 20,7 cm (6,5 x 8,1 in), Depiction: 9,0 cm x 13,0 cm (3,5 x 5,1 in)

    Fichter Kunsthandel
  • (Strixner, Johann Nepomuk,
    Sep. 27, 2024

    (Strixner, Johann Nepomuk,

    Est: €160 - €240

    1782 Altötting - München 1855. Albrecht Dürers christlich-mythologische Handzeichnungen zum Gebetbuch Kaiser Maximilians in der Bayer. Staatsbibl. München). Daraus 29 Tafeln. Lithographien in verschied. Farben, 1808, auf Bütten ca. 2. Hälfte 19. Jh. Fol. Alle Bl. ohne Umrandungen, Nummer u. Namenszug Strixner, mit Monogr. Dürers u. Datum 1515. - Dazu: Ebenso. 8 Tafeln nach Lucas Cranach, 1818, (als Nachtrag zu Albrecht Dürers....Handzeichnungen). Ebenso. Zus. 37 Tafeln, 13 w. Bl. Brauner Ldr. mit Blindpräg. (Gebrauchssp., ob. Kapit. etw. beschäd.). Vgl. Dussler S. 260 1. Winkler 831, 14, 16 u. 64.). Wohl spätere Ausgabe auf Bütten mit WZ gekröntes Lilienwappen mit Buchstaben JwL (?). Enthält die Blätter nach Winkler 14 u 16: Bärtiger Kopf (Titel) u. Tafeln 8 u. 17-43 u. Winkler 64, 1-8 (in unterschiedl. Reihenfolge. - Taf. 1 etw. gebräunt, vereinz. unten ger. Randeinrisse. R

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  • J. STRIXNER (*1782) after Unknown (16th), Mater Dolorosa. The Mother of Sorrows, 1823, Lithography
    Aug. 31, 2024

    J. STRIXNER (*1782) after Unknown (16th), Mater Dolorosa. The Mother of Sorrows, 1823, Lithography

    Est: €300 - €400

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Unknown (16th century): Mater Dolorosa The Mother of Sorrows Weeping Madonna, 1823, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed on the left and right below the image. Inscribed in the centre: "From the collection of the brothers Boisserée and Bertra" (1821-1836). Date: 1823 Keywords: Mary, Mater Dolorosa, Mother of Sorrows, Sorrows of Mary, Jesus Christ, tear, tears, weeping, 19th century, Renaissance, Religious, Germany, Size: Paper: 56,7 cm x 31,7 cm (22,3 x 12,5 in)

    Fichter Kunsthandel
  • J. STRIXNER (1782-1855) Circle, Madonna and child, around 1811, Lithography
    Aug. 31, 2024

    J. STRIXNER (1782-1855) Circle, Madonna and child, around 1811, Lithography

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) Circle: Madonna and Child, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: The lithograph dates from the 'early days of German lithography' (cf. the book of the same name by Arnim Winkler), from the circle of Nepomuk Strixner, who learned copperplate engraving from Dorner in 1799 and published the "Oeuvres Lithographiques" from 1810. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 42,5 cm x 32,1 cm (16,7 x 12,6 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after SCHWARZ (*1545), Crucifixion, around 1815, Lithography
    Aug. 31, 2024

    J. STRIXNER (*1782) after SCHWARZ (*1545), Crucifixion, around 1815, Lithography

    Est: €75 - €125

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Christoph Schwarz (1545 Munich - 1592 ibid.): Crucifixion, incunabulum of lithography, Munich 1811-1816, c. 1815, Lithography Technique: Lithography over tinted stone on Paper Inscription: Lower centre Renaissance frame, plate without lettering; signed below C: Schwarz // N: Strixner del:" (From: Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 38.3 I., p. 359). Strixner learned engraving from Dorner in 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1815 Description: "Crucifixion with Founder's Family. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 24,1 cm x 33,4 cm (9,5 x 13,1 in), Depiction: 16,3 cm x 25,4 cm (6,4 x 10 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after PERUGINO (*1445), Madonna and child, around 1813, Lithography
    Aug. 31, 2024

    J. STRIXNER (*1782) after PERUGINO (*1445), Madonna and child, around 1813, Lithography

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Pietro Perugino (1445 Citt'a della Pieve/Perugia - 1523 Fontignano/Perugia): Madonna and Child, incunabulum of lithography, Winkler No 965, 476 II, 1813, c. 1813, Lithography Technique: Lithography on Paper Date: c. 1813 Description: Signed below the depiction: "P: Perugino pinx. // N. Strixner del: 1813", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 47.6. II. / Dussler p. 151, No. XLVII, 6. Munich 1811-16. Madonna and child playing with the rosary. Half-length figure of the seated Madonna, head tilted to the right, with long open hair holding the child with her left arm, who is playing with the balls on the right. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 48,0 cm x 36,5 cm (18,9 x 14,4 in), Depiction: 37,0 cm x 26,8 cm (14,6 x 10,6 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after PERUGINO (*1445), Madonna and child, around 1811, Lithography
    Aug. 31, 2024

    J. STRIXNER (*1782) after PERUGINO (*1445), Madonna and child, around 1811, Lithography

    Est: €75 - €125

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Pietro Perugino (1445 Citt'a della Pieve/Perugia - 1523 Fontignano/Perugia): "Madonna and Child", incunabulum of lithography, Winkler No 965, 243, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: Kneeling, seated from the front. Signed under the picture: "Peter Vannucci dite Perugino // N: Strixner del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 24.3/ Dussler (München II) p. 143, No. XXIV, 3. Munich 1811-16. Strixner learned engraving with Dorner in 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 41,0 cm x 34,0 cm (16,1 x 13,4 in), Depiction: 30,0 cm x 23,0 cm (11,8 x 9,1 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after MEISTER WILHELM (*1370), St Bernard and St Matthew St Matthew, 1822, Lith
    Aug. 31, 2024

    J. STRIXNER (*1782) after MEISTER WILHELM (*1370), St Bernard and St Matthew St Matthew, 1822, Lith

    Est: €300 - €400

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Meister Wilhelm: Wilhelm von Köln (around 1370 - around 1390 ): Depiction of saints Bernardus and St Matthew the Apostle, 1822, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed and dated on the left and right below the image. With indication: "Printed under the direction of Strixner in Stuttgart". The print is from the multi-volume edition: 'Die Sammlung Alt-, Nieder- und Ober-Deutscher Gemälde der Brüder Sulpiz und Melchior Boisserée und Johann Bertram' (1821-1836). Date: 1822 Description: Matthew with halberd, depicted as an elderly man with wavy hair and long full beard. St Bernard in a habit with a staff and a filled sack in his hand. Keywords: Depiction of saints, saint, halo, Bernard of Clairvaux, Cistercian, monk, Doctor of the Church, Apostle Matthew, Evangelist Matthew, Matthew, 19th century, Renaissance, Religious, Germany, Size: Paper: 57,2 cm x 36,0 cm (22,5 x 14,2 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after MEISTER WILHELM (*1370), Apostles Matthew and James, 1823, Lithography wi
    Aug. 31, 2024

    J. STRIXNER (*1782) after MEISTER WILHELM (*1370), Apostles Matthew and James, 1823, Lithography wi

    Est: €300 - €400

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Meister Wilhelm: Wilhelm von Köln (around 1370 - around 1390 ): Depiction of the saints Matthew and James with sword, staff and book, 1823, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed and dated on the left and right below the image. With indication: "Printed under the direction of Strixner in Stuttgart". The print is from the multi-volume edition: Die Sammlung Alt-, Nieder- und Ober-Deutscher Gemälde der Brüder Sulpiz und Melchior Boisserée und Johann Bertram (1821-1836). Date: 1823 Keywords: Depiction of saints, saint, halo, apostle, New Testament, 19th century, Renaissance, Religious, Germany, Size: Paper: 57,0 cm x 35,5 cm (22,4 x 14 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after DÜRER (*1471), Lion kills deer, around 1811, Lithography with pen
    Aug. 31, 2024

    J. STRIXNER (*1782) after DÜRER (*1471), Lion kills deer, around 1811, Lithography with pen

    Est: €75 - €125

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Albrecht Dürer (1471 Nuremberg - 1528 ibid.): Lion attacking a stag, incunabulum of lithography, Winkler No 965, 402, 1811-1816, c. 1811, Lithography with pen Technique: Lithography with pen on Paper, mounted on Paper Inscription: At the bottom of the image (centre): "1505 and below Dürer's monogram, signed on the right: N: Strixner del:", after a painting in Gr. Sammlung Munich by Albrecht Dürer / Winkler No. 965, 40.2, Dussler (Munich II), p. 149 No. XL,2", Munich 1811-1816. Date: c. 1811 Keywords: 19th century, Renaissance, Animals, Germany, Size: Paper: 18,0 cm x 30,7 cm (7,1 x 12,1 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after CARRACCI (*1560), Church in Italy, around 1811, Lithography
    Aug. 31, 2024

    J. STRIXNER (*1782) after CARRACCI (*1560), Church in Italy, around 1811, Lithography

    Est: €75 - €125

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): Church in Italy, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Watermark: - more than three letters (words/names) - H:BLUM - Date: Inscription: Behind on the left a three-storey Romanesque tower with a low pointed roof. Trees and outbuildings, on the right landscape with staffage figures. Strixner learned engraving with Dorner in 1799. Employed as a draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1811 Description: Listed by Winkler: No. 965, 30.5. / Dussler p.146 No. XXX.5. Munich 1811-16. signed lower left: "H: Carrache. / right: N: Strixner del:" Drawing Graphische Sammlung Munich. The wide and flat building has many round arch openings on the front gable end. | Watermark: H:BLUM Keywords: 19th century, Romanticism, Architecture, Germany, Size: Paper: 30,5 cm x 41,5 cm (12 x 16,3 in), Depiction: 22,3 cm x 33,0 cm (8,8 x 13 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after CARRACCI (*1560), Diana and Endymion, around 1811, Lithography
    Aug. 31, 2024

    J. STRIXNER (*1782) after CARRACCI (*1560), Diana and Endymion, around 1811, Lithography

    Est: €75 - €125

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): Diana and Endymion, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Inscription: Signed at the bottom of the picture: "H. Carracci. // N: Strixner/del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 9.3. / Dussler p.139 No. XX, 3. Munich 1811-16. Endymion - in Greek mythology the beautiful and eternally youthful lover of Artemis, Roman Diana - is depicted sleeping in the centre of the picture. Diana coming out of the clouds from the right. In front on the right sleeping dog, behind on the left above two putti. Diana falls in love with Endymion. With the help of Zeus she lets him sink into eternal sleep to save him from death and thus give him eternal youth. Every night she comes to him in the cave and begets a total of fifty daughters with him. Date: c. 1811 Keywords: 19th century, Figurative, Mythology, Germany, Size: Paper: 35,0 cm x 28,0 cm (13,8 x 11 in), Depiction: 25,5 cm x 18,5 cm (10 x 7,3 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after CARRACCI (*1560), Escape to Egypt, around 1811, Lithography
    Aug. 31, 2024

    J. STRIXNER (*1782) after CARRACCI (*1560), Escape to Egypt, around 1811, Lithography

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): Flight into Egypt, incunabulum of lithography, Winkler No 965, 474, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Inscription: Signed at the bottom: "H: Carracci // N: Strixner del: 1813.", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 47.4 / Dussler p.151 No. XLVII, 4. Munich 1811-16. In a beautiful landscape in front of a lake with sailing boats and with a mountain background Mary, the Child and Joseph are walking to the left behind a piece of grass. In the left background under two trees a flute player and a listener. The flight into Egypt is an event from Jesus' childhood, described in the Gospel of Matthew (Mt 2,13). Date: c. 1811 Description: "The reproduction of grandiose pen drawings for the "Oeuvres Lithographiques" made demands on Nepomuk Strixner's skills. Simple tracing work did not do justice to the pen stroke. The works shown here can only have been created freely over the tracing after great practice." (from: Winkler, plates 20-21). Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 37,1 cm x 51,0 cm (14,6 x 20,1 in), Depiction: 26,7 cm x 40,5 cm (10,5 x 15,9 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after CARRACCI (*1560), St John the Evangelist on Patmos, around 1811, Lithograp
    Aug. 31, 2024

    J. STRIXNER (*1782) after CARRACCI (*1560), St John the Evangelist on Patmos, around 1811, Lithograp

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): "John the Evangelist on Patmos", incunabulum of the lithograph, Winkler No 965, 23 III, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Inscription: On his right a deep landscape with mountains. Strixner learned engraving with Dorner in 1799. Employed as draughtsman at the electoral gallery in Munich in 1803. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1811 Description: Signed under the picture: "Hannibal Carrac. // N. Strixner", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 2.3. III. / Dussler p. 136, No. II, 3. Munich 1811-16. Johannes is on the left side at the rock, the right forearm propped up, with raised hand. In his left hand he holds a book. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 38,0 cm x 52,0 cm (15 x 20,5 in), Depiction: 37,0 cm x 51,0 cm (14,6 x 20,1 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after CAMBIASO (*1527), Equestrian battle, around 1811, Lithography
    Aug. 31, 2024

    J. STRIXNER (*1782) after CAMBIASO (*1527), Equestrian battle, around 1811, Lithography

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Luca Cambiaso (1527 Moneglia/Genua - 1585 San Lorenzo de El Escorial): Riding Battle, Incunabulum of Lithography, Winkler No 965, 46 II, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Inscription: On the left rider on horseback with lance, seen from behind; in the centre horse broken down, the fallen rider on the right of it fighting with an opponent lying on top of him. Background three more heads of horses and warriors with shields. Strixner learned engraving from Dorner in 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1811 Description: "The reproduction of grandiose pen drawings for the "Oeuvres Lithographiques" made demands on Nepomuk Strixner's skills. Simple tracing work did not do justice to the pen stroke. The works shown here can only have been created freely over the tracing after great practice." (from: Winkler, plates 20-21). Signed under the image: "Lucas Cambiasi. // N. Strixner fecit", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 4.6. II. / Dussler p. 137, No. IV, 6. Munich 1811-16. Keywords: 19th century, Figurative, Animals, Germany, Size: Paper: 42,0 cm x 57,0 cm (16,5 x 22,4 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after BANDINELLI (*1493), Theft of women, robbery of the Sabine women, around 18
    Aug. 31, 2024

    J. STRIXNER (*1782) after BANDINELLI (*1493), Theft of women, robbery of the Sabine women, around 18

    Est: €150 - €200

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Baccio Bandinelli (around 1493 - 1560 ibid.): Rape of the Sabine Women, incunabulum of lithography, Winkler No 965, 135, 1811-1816, c. 1815, Lithography Technique: Lithography on Paper Watermark: Partially visible. - more than three letters (words/names) - M. IA. Huber - Date: 19th century Inscription: Signed at the bottom: "Bacc: Bandinelli // N: Strixner del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 13.5 / Dussler p.140 No. XIII, 5. Munich 1811-16. Strixner learned engraving with Dorner in 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1815 Description: | Watermark: A. HUBER Keywords: 19th century, Figurative, Mythology, Germany, Size: Paper: 47,4 cm x 38,0 cm (18,7 x 15 in), Depiction: 36,2 cm x 28,0 cm (14,3 x 11 in)

    Fichter Kunsthandel
  • J. STRIXNER (*1782) after WYNANTS (17th), Rocky landscape with trees, around 1811, Lithography
    Jul. 27, 2024

    J. STRIXNER (*1782) after WYNANTS (17th), Rocky landscape with trees, around 1811, Lithography

    Est: €75 - €125

    Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Jacob Wynants (17th century): Rock Landscape with Trees, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: Signed in the upper left corner: "J. Wynants", lower right: "N: Strixner del.", verso inscribed in lead: Incunable of lithography / N. Strixner after ? Jan Wynants, Dutch / Winkler No. 965 42.4:III. Dussler, (Munich II), p. 150 No. XLII, 4 / Flesenlandschaft mit Bäumen", Munich 1811-1816." Strixner learned engraving with Dorner 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Keywords: 19th century, Romanticism, Nature, Germany, Size: Paper: 31,2 cm x 36,0 cm (12,3 x 14,2 in), Depiction: 20,0 cm x 25,0 cm (7,9 x 9,8 in)

    Fichter Kunsthandel
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