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George (1724) Stubbs Sold at Auction Prices

Sport painter, Painter, Animal painter, Porträtmaler, Etcher, b. 1724 - d. 1806

Born in England in 1724, artist George Stubbs was self-taught, and parleyed his avid interest in anatomy and musculature into tremendously accurate representations of people and animals, especially horses. His reputation was secured at an early age when he illustrated Anatomy of the Horse, which led to his continued employment and remained his main specialty throughout his life. George Stubbs' paintings have a naturalistic and detailed style that instantly evokes the pastoral English countryside with all its wildlife and gentry.

Over time, George Stubbs' paintings, rendered in his meticulous style, made him one of the nation's most renowned painters of horses. He was commissioned by aristocracy throughout Britain, securing his place in history and earning enough to live comfortably in London until his death in 1806. Stubbs' horse prints, along with other domestic animal and wildlife oil paintings, are for sale online and at auction.

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  • George Stubbs (British, 1724-1806) for Wedgwood, The Fall of Phaeton Plaque
    Aug. 09, 2026

    George Stubbs (British, 1724-1806) for Wedgwood, The Fall of Phaeton Plaque

    Est: $200 - $800

    Wedgwood (England, 20th century). Rectangular blue and white jasperware relief plaque titled "The Fall of Phaeton," modeled after the original 18th-century design by George Stubbs, R.A. The composition illustrates the mythological figure falling from his sun chariot among sprawling clouds and horses. The plaque is set within a deep gilt wood frame featuring an intentional craquelure finish and a black-painted inner border. A brass identification plaque is mounted to the frame. The reverse of the plaque is visible through a circular window in the wood backing board. Impressed marks on the reverse include WEDGWOOD, MADE IN ENGLAND, 77, BB, and No 36. Dimensions: 17.25"H Weight: 12.7 lbs.

    Lion and Unicorn
  • GEORGE STUBBS (1724-1806). A Horse affrighted at a Lion. Sheet 234 x 323 mm
    Jul. 07, 2026

    GEORGE STUBBS (1724-1806). A Horse affrighted at a Lion. Sheet 234 x 323 mm

    Est: £20,000 - £30,000

    GEORGE STUBBS (1724-1806). A Horse affrighted at a Lion. Sheet 234 x 323 mm..

    Christie's
  • GEORGE STUBBS (1724-1806). Dog (Foxhound viewed from behind). Plate 107 x 1
    Jul. 07, 2026

    GEORGE STUBBS (1724-1806). Dog (Foxhound viewed from behind). Plate 107 x 1

    Est: £7,000 - £10,000

    GEORGE STUBBS (1724-1806). Dog (Foxhound viewed from behind). Plate 107 x 126 mm.Sheet 150 x 201 mm..

    Christie's
  • GEORGE STUBBS (1724-1806). Dog (A Foxhound on the Scent). Plate 97 x 106 mm
    Jul. 07, 2026

    GEORGE STUBBS (1724-1806). Dog (A Foxhound on the Scent). Plate 97 x 106 mm

    Est: £7,000 - £10,000

    GEORGE STUBBS (1724-1806). Dog (A Foxhound on the Scent). Plate 97 x 106 mm.Sheet 160 x 200 mm..

    Christie's
  • GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON). The Marquess of Rocking
    Jun. 30, 2026

    GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON). The Marquess of Rocking

    Est: £150,000 - £250,000

    GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON). The Marquess of Rockingham's Scrub, with John Singleton up. oil on canvas39 x 50 in. (99 x 127 cm.).

    Christie's
  • A fine charcoal drawing after the original 'Tigress' painting by George Stubbs (1724-1806) 57 x 69.5 cm. (22.44 x 27.35 in.), Frame: 74 x 87 cm. (29.12 x 34 1/4 in.)
    May. 20, 2026

    A fine charcoal drawing after the original 'Tigress' painting by George Stubbs (1724-1806) 57 x 69.5 cm. (22.44 x 27.35 in.), Frame: 74 x 87 cm. (29.12 x 34 1/4 in.)

    Est: €1,000 - €1,500

    A fine charcoal drawing after the original 'Tigress' painting by George Stubbs (1724-1806) Stubbs (1724-1806) painted at least three versions of this tiger. The famous Bengal tigress was presented to George Spencer, 4th Duke of Marlborough, for his personal menagerie at Blenheim Palace in Oxfordshire. A famous version in mezzotint was based on an earlier one engraved by John Dixon (1740-1801), which was exhibited at the Society of Artists, London, in 1769. No visible signature, fine quality.

    Carlo Bonte Auctions
  • GEORGE STUBBS (1724-1806) AFTER GEORGE TOWNLY STUBBS (1756-1815) ENGRAVER. AN 18TH CENTURY ENGLISH COLOURED HORSE RACING ENGRAVING TITLED 'BARONET'
    Apr. 15, 2026

    GEORGE STUBBS (1724-1806) AFTER GEORGE TOWNLY STUBBS (1756-1815) ENGRAVER. AN 18TH CENTURY ENGLISH COLOURED HORSE RACING ENGRAVING TITLED 'BARONET'

    Est: £300 - £500

    GEORGE STUBBS (1724-1806) AFTER GEORGE TOWNLY STUBBS (1756-1815) ENGRAVER. AN 18TH CENTURY ENGLISH COLOURED HORSE RACING ENGRAVING TITLED 'BARONET' Samuel Chifney, the jockey of the Prince of Wales, rides the prince’s horse “Baronet,” in an accomplished and controversial picture by the most famous British horse and animal artist of the 18th century, George Stubbs, and engraved by his son George Townly Stubbs. The original painting is in the collection of Lord Halifax. (55cm by 44cm )

    Hutchinson Scott Limited
  • Follower of George Stubbs (British, 1724-1806), Best of Friends, Two dogs in a landscape
    Mar. 12, 2026

    Follower of George Stubbs (British, 1724-1806), Best of Friends, Two dogs in a landscape

    Est: £1,000 - £2,000

    Follower of George Stubbs (British, 1724-1806), Best of Friends, Two dogs in a landscape Oil on canvas Dimensions: (Frame) 21.5 in. (H) x 28.5 in. (W) (Canvas) 17 in. (H) x 24 in. (W)

    Sloane Street Auctions
  • George Stubbs (1724-1806)-attributed
    Feb. 19, 2026

    George Stubbs (1724-1806)-attributed

    Est: €600 - €1,200

    George Stubbs (1724-1806)-attributed, portrait of a monkey with peaches. Oil on canvas. Framed. Lit. Walker Art Gallery, Liverpool UK. 45 x 35 cm.

    Deutsch Auktionen
  • George Stubbs 1724-1806 1st Edition
    Oct. 16, 2025

    George Stubbs 1724-1806 1st Edition

    Est: $40 - $60

    George Stubbs 1724-1806 1st Edition

    Lawsons
  • GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON). A dun hunter on the sou
    Jul. 01, 2025

    GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON). A dun hunter on the sou

    Est: £150,000 - £250,000

    GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON). A dun hunter on the south bank of the River Humber, Lincolnshire. oil on canvas35.5 x 47 ½ in. (90.2 x 120.7 cm.).

    Christie's
  • GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON). A prancing horse with t
    Jul. 01, 2025

    GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON). A prancing horse with t

    Est: £800,000 - £1,200,000

    GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON). A prancing horse with two dogs, in a landscape. oil on canvas40 x 49 ¾ in. (101.6 x 126.7 cm.).

    Christie's
  • George Stubbs, 1724 Liverpool – 1806 Marylebone, Art des
    Jun. 26, 2025

    George Stubbs, 1724 Liverpool – 1806 Marylebone, Art des

    Est: €20,000 - €40,000

    PORTRAIT EINES HENGSTES IN LANDSCHAFT Öl auf Leinwand. Doubliert. 60 x 81 cm. In teilvergoldetem Rahmen. Prachtvoller Brauner nach links stehend in hügeliger Landschaft vor einem beginnenden Wäldchen. Licht fällt von rechts oben auf ihn herab, wirft leichte Schlagschatten und hebt den Glanz seines Felles hervor. Hervorragende Darstellung des Pferdes. Provenienz: Marchesa Cavalletti, Rom, seit den späten 1950er-Jahren. (1442322) (2) (18) George Stubbs, 1724 Liverpool – 1806 Marylebone, style of PORTRAIT OF A STALLION IN A LANDSCAPE Oil on canvas. Relined. 60 x 81 cm. Provenance: Marchesa Cavalletti, Rome, since the late 1950s.

    Hampel Fine Art Auctions
  • GEORGE STUBBS (LIVERPOOL 1724-1806 LONDON). The Lion and Stag. enamel on co
    Jun. 10, 2025

    GEORGE STUBBS (LIVERPOOL 1724-1806 LONDON). The Lion and Stag. enamel on co

    Est: $100,000 - $150,000

    GEORGE STUBBS (LIVERPOOL 1724-1806 LONDON). The Lion and Stag. enamel on copper oval5 ¾ x 6 ½ in. (14.6 x 16.5 cm.).

    Christie's
  • GEORGE STUBBS (1724-1806). Hay-Makers, Reapers. Each Plate: 19 x 27 in. (48
    Jun. 10, 2025

    GEORGE STUBBS (1724-1806). Hay-Makers, Reapers. Each Plate: 19 x 27 in. (48

    Est: $20,000 - $30,000

    GEORGE STUBBS (1724-1806). Hay-Makers, Reapers. Each Plate: 19 x 27 in. (483 x 685 mm.)Largest Sheet: 22 5/8 x 31 5/8 in. (574 x 801 mm.).

    Christie's
  • GEORGE STUBBS (1724-1806). Dog (A Foxhound on the Scent). Plate: 3 7/8 x 4
    Jun. 10, 2025

    GEORGE STUBBS (1724-1806). Dog (A Foxhound on the Scent). Plate: 3 7/8 x 4

    Est: $15,000 - $25,000

    GEORGE STUBBS (1724-1806). Dog (A Foxhound on the Scent). Plate: 3 7/8 x 4 1/8 in. (98 x 105 mm.)Sheet: 6 ¾ x 8 in. (171 x 203 mm.).

    Christie's
  • GEORGE STUBBS (1724-1806). A Lion (A recumbent Lion). Plate: 7 x 8 7/8 in.
    Jun. 10, 2025

    GEORGE STUBBS (1724-1806). A Lion (A recumbent Lion). Plate: 7 x 8 7/8 in.

    Est: $20,000 - $30,000

    GEORGE STUBBS (1724-1806). A Lion (A recumbent Lion). Plate: 7 x 8 7/8 in. (178 x 225 mm.)Sheet: 8 ½ x 10 1/8 in. (215 x 258 mm.).

    Christie's
  • GEORGE STUBBS (1724-1806). Two Dogs. Plate: 7 1/8 x 9 1/8 in. (181 x 232 mm
    Jun. 10, 2025

    GEORGE STUBBS (1724-1806). Two Dogs. Plate: 7 1/8 x 9 1/8 in. (181 x 232 mm

    Est: $20,000 - $30,000

    GEORGE STUBBS (1724-1806). Two Dogs. Plate: 7 1/8 x 9 1/8 in. (181 x 232 mm.)Sheet: 10 ¼ x 12 ¼ in (260 x 311 mm.).

    Christie's
  • GEORGE STUBBS (1724-1806). A Tyger (A recumbent Leopard by a Tree). Plate:
    Jun. 10, 2025

    GEORGE STUBBS (1724-1806). A Tyger (A recumbent Leopard by a Tree). Plate:

    Est: $30,000 - $50,000

    GEORGE STUBBS (1724-1806). A Tyger (A recumbent Leopard by a Tree). Plate: 10 x 13 in. (254 x 330 mm.)Sheet: 13 7/8 x 20 3/8 in. (352 x 518 mm.).

    Christie's
  • GEORGE STUBBS (1724-1806). A Lion (A Lion resting on a Rock). Plate: 10 x 1
    Jun. 10, 2025

    GEORGE STUBBS (1724-1806). A Lion (A Lion resting on a Rock). Plate: 10 x 1

    Est: $20,000 - $30,000

    GEORGE STUBBS (1724-1806). A Lion (A Lion resting on a Rock). Plate: 10 x 13 in. (254 x 330 mm.)Sheet: 12 5/8 x 16 in. (321 x 406 mm.).

    Christie's
  • GEORGE STUBBS (1724-1806). Two Tygers. Plate: 10 x 12 7/8 in. (254 x 327 mm
    Jun. 10, 2025

    GEORGE STUBBS (1724-1806). Two Tygers. Plate: 10 x 12 7/8 in. (254 x 327 mm

    Est: $30,000 - $50,000

    GEORGE STUBBS (1724-1806). Two Tygers. Plate: 10 x 12 7/8 in. (254 x 327 mm.) Sheet: 10 ¼ x 13 1/8 in. (259 x 333 mm.).

    Christie's
  • GEORGE STUBBS (1724-1806). A Lion Devouring a Horse. Plate: 10 7/8 x 13 7/8
    Jun. 10, 2025

    GEORGE STUBBS (1724-1806). A Lion Devouring a Horse. Plate: 10 7/8 x 13 7/8

    Est: $50,000 - $70,000

    GEORGE STUBBS (1724-1806). A Lion Devouring a Horse. Plate: 10 7/8 x 13 7/8 in. (276 x 352 mm.)Sheet: 12 3/8 x 16 ¼ in. (314 x 413 mm.).

    Christie's
  • George Stubbs
    May. 16, 2025

    George Stubbs

    Est: €15,000 - €30,000

    (1724 Liverpool - 1806 London) "The Anatomy of the Horse including a particular description of the bones, cartilages, muscles, fascias, ligaments, nerves, arteries, veins, and glands". Originaltitel Erschienen bei J. Purser, London, 1766, für den Verfasser und Illustrator George Stubbs. Entgegen dem Titelblatt, das 18 Tafeln angibt, handelt es sich um insgesamt 24 Kupferstichtafeln mit detaillierten anatomischen Darstellungen und korrespondierenden, ausführlichen Textbeschreibungen in Englisch. Roter, goldgeprägter Ledereinband. Nicht kollationiert. Rest., Ledereinband der Zeit mit Fehlstellen. 55,5 cm x 45,5 cm. Der englische Maler, Kupferstecher und Anatom George Stubbs gilt als einer der bedeutendsten europäischen Tiermaler und ist berühmt für seine äußerst feinen und naturgetreuen Pferdedarstellungen. Die Lebensechtheit seiner Motive basiert u. a. auf seiner detaillierten Kenntnis und anatomischen Genauigkeit, welche er sich über eine lange Zeit des Studiums und der Sektion von Pferden aneignete. Zwischen 1756 und 1759 arbeitete er an seinem Werk "The Anatomy of the Horse". Die dafür angefertigten Tafeln basieren auf zahlreichen Sektionen, die er selbst durchgeführt hatte. Dabei behielt er jeden Pferdekadaver mehrere Wochen in seinem Atelier und löste Schicht für Schicht des Gewebes ab, um die Morphologie der darunterliegenden Körperteile freizulegen und zu dokumentieren. Den Tierkörper positionierte er mithilfe von Seilwinden so, dass er ihn in verschiedenen Analysestadien aus mehreren Perspektiven skizzieren konnte. Nach Fertigstellung der Zeichnungen versuchte Stubbs vergeblich, einen Kupferstecher zu finden, sodass er die Tafeln in den folgenden sechs Jahren selbst gravieren musste. "The Anatomy of the Horse" gilt als ein bahnbrechendes Werk von künstlerischem und wissenschaftlichem Wert. Vgl. Metropolitan Museum, New York, Inv.-Nr. 53.599.1bis. Provenienz: aus dem Nachlass des berühmten Pferdemalers Klaus Philipp (1932-2023). "The Anatomy of the Horse" written and illustrated by George Stubbs with 24 finely engraved plates. Published by J. Purser in London, 1766. Restored. Leather binding with flaws.

    Kunstauktionshaus Schloss Ahlden
  • ATTRIBUTED TO GEORGE STUBBS (1724-1806) Grey horse with a saddle in a landscape setting with trees and chu
    Feb. 19, 2025

    ATTRIBUTED TO GEORGE STUBBS (1724-1806) Grey horse with a saddle in a landscape setting with trees and chu

    Est: £80,000 - £120,000

    ATTRIBUTED TO GEORGE STUBBS (1724-1806) Grey horse with a saddle in a landscape setting with trees and church steeple in the middle distance, Christies stencil number 532J to the reverse, 25.5" x 35" (65cm x 89cm) Nb. The horse bears a similarity to another in a painting by Stubbs of a gentleman on a grey horse, dated 1781, see p.122, George Stubbs 1724-1806, Tate Gallery catalogue 1984

    John Nicholson's Fine Art Auctioneers & Valuers
  • Bay Cob with a King Charles Spaniel on the Banks of the Serpentine in Hyde Park
    Feb. 06, 2025

    Bay Cob with a King Charles Spaniel on the Banks of the Serpentine in Hyde Park

    Est: $150,000 - $250,000

    Property from a Distinguished Pennsylvania Collection George Stubbs, A.R.A. Liverpool 1724 – 1806 London Bay Cob and a King Charles Spaniel on the Banks of the Serpentine in Hyde Park signed and dated: George Stubbs pinxit 1789 oil on panel panel: 23 ½ by 32 ½ in.; 59.7 by 82.6 cm framed: 29 ½ by 39 in.; 74.9 by 99.1 cm

    Sotheby's
  • The Spanish Pointer
    Dec. 04, 2024

    The Spanish Pointer

    Est: £1,500,000 - £2,000,000

    Property from a Distinguished Pennsylvania Collection George Stubbs, A.R.A. Liverpool 1724–1806 London The Spanish Pointer signed lower right: Geo. Stubbs / pinxit. oil on canvas 62.2 x 71.8 cm. 24½ x 28¼ in.

    Sotheby's
  • George Stubbs (1724-1806), A King Charles Spaniel in a landscape
    Nov. 29, 2024

    George Stubbs (1724-1806), A King Charles Spaniel in a landscape

    Est: £50,000 - £80,000

    George Stubbs (1724-1806) A King Charles Spaniel in a landscape Oil on canvas Signed lower right With labels verso Provenance: Arthur Ackermann & Sons, London; Major P G G Shuter, c. 1950; Arthur Ackermann & Sons, London; Lord Rootes; Sotheby's, London, 23 November 1966, Lot 84; Sotheby's, New York, 26 April 1967, Lot 52; R A McAlpine; Arthur Ackermann & Sons, London; Lewis Schott; Sotheby's, New York, 31 January, 2019, Lot 286; Dreweatts, 26 May 2022, Lot 61; Private Collection, United Kingdom. Literature: R. Fountain and A. Graves, Stubbs' Dogs, London 1984, p. 85, cat. no. 9, reproduced fig. 55 Dimensions: (Canvas) 23.75 in. (H) x 28 in. (W) (Frame) 37.25 in. (H) x 42.5 in. (W)

    Sloane Street Auctions
  • Stubbs (George, 1724 - 1806). The Spanish Ponter, Thomas Bradford, 1768 [or slightly later]
    Oct. 09, 2024

    Stubbs (George, 1724 - 1806). The Spanish Ponter, Thomas Bradford, 1768 [or slightly later]

    Est: £150 - £250

    Stubbs (George, 1724 - 1806). The Spanish Ponter, Thomas Bradford, 1768 [or slightly later] * Stubbs (George, 1724-1806). The Spanish Pointer, published by Thomas Bradford Jany. 1st 1768 [or slightly later], uncoloured engraving with etching by William Woollett, one small repair to the upper margin, 445 x 545 mm, framed and glazed QTY: (1) NOTE: Lennox-Boyd, Dixon & Clayton, George Stubbs The Complete Engraved Works, no.10 state IV.

    Dominic Winter Auctions
  • ATTR. GEORGE STUBBS - QUAIL HUNT
    Jul. 24, 2024

    ATTR. GEORGE STUBBS - QUAIL HUNT

    Est: $800 - $1,200

    Attributed to George Stubbs (English, 1724 - 1806). Quail Hunt, oil on canvas. Signed lower right G. Stubbs.

    Litchfield Auctions
  • GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON). Mares and Foals in an e
    Jul. 02, 2024

    GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON). Mares and Foals in an e

    Est: £7,000,000 - £10,000,000

    GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON). Mares and Foals in an extensive landscape. oil on canvas 72 5⁄8 x 107 7⁄8 in. (184.5 x 274 cm.).

    Christie's
  • George Stubbs (British, 1724-1806) Pair of Engravings
    Jun. 29, 2024

    George Stubbs (British, 1724-1806) Pair of Engravings

    Est: $400 - $800

    Original hand colored engravings by and after George Stubbs, published Sept. 1st, 1776, London. Lot includes "Marske" and "Duncannon", both hand colored engravings after the original paintings. Marske (1750 – July 1779) was a Thoroughbred racehorse, best known as siring the great Eclipse, having sired 154 winners in all. When he died, he was honored with this poem; " Ye sportsmen, for a while refrain your mirth; Old Marsk is dead! consigned to peaceful earth; The king of horses now, alas! is gone, Sire of Eclipse, who ne'er was beat by one....." Dungannon, (aka "Duncannon"), was a thoroughbred racehorse owned by the tobacco planter and horse breeder George Hume Steuart (1700–1784), who imported the horse from England to race against his rival, Charles Carroll of Annapolis (1703–1783). Sight size 7-1/4" x 9-3/4" each, overall in French mat, framed under glass in gilt wood frame, apprx 13" x 15" each. Purchased from Vixseboxse Galleries.  Condition: not examined out of framing, both look very good, Marske has some white spots on image in center, frames have small chips to gold.

    Neue Auctions
  • Fine 19th Century Oil Painting of A Horse in a Landscape
    Jun. 23, 2024

    Fine 19th Century Oil Painting of A Horse in a Landscape

    Est: -

    Fine 19th Century Oil Painting of A Horse in a Landscape Antique oil on board very much is the 18th Century style of England's most famed Sporting Artist George Stubbs (1724-1806). The painting is in excellent condition with no paint loses or inpainting and the frame is in excellent ready to hang condition as well. Not signed that we can find. The sight size of the oil is 8" x 10" and it is housed in a beautiful 19th Century antique wooden frame that measures 11 5/8" x 13 5/8"

    Caswell Prewitt Realty, INC
  • Rare Reverse-Glass Prints - Pferde und Reiten - Paar Reverse-Glass Prints mit Jockeys zu Pferd.
    Jun. 06, 2024

    Rare Reverse-Glass Prints - Pferde und Reiten - Paar Reverse-Glass Prints mit Jockeys zu Pferd.

    Est: €400 - €600

    Mezzotinto, Glas und Öl. Jeweils mit Titel, Drucker, Ort und Jahr am Unterrand des Bildes. Je ca. 36,8 x 52 cm. - Gerahmt (ungeöffnet; beschädigt). - I: STUBBS, GEORGE (1724-1806; nach), "Skyscraper by Highflyer". Laurie & Whittle, London, 1795.II: SARTORIUS, JOHN NOST (1759 - um 1830; nach), "Warter". Laurie & Whittle, London, 1802.Die Technik der Übertragung eines Mezzotinto auf Glas wurde in England im 17. Jahrhundert, kurz nach der Entwicklung des Mezzotinto, erfunden. Anlass war die Zufügung von Farbe zum Mezzotinto und der Anspruch, möglichst nah an den Eindruck eines Gemäldes zu kommen. Hierfür werden die Mezzotintos gründlich mit Wasser durchfeuchtet und anschließend zwischen Papier kurz getrocknet. Inzwischen wird die Glasplatte mit Firnis oder Terpentin versehen und dann der Mezzotinto darauf angedrückt. Vorsichtig, aber gründlich wird das Papier mit den Fingern heruntergerollt, sodass lediglich das Druckerschwarz und einige Papierreste auf dem Firnis stehen bleiben. Diese Oberfläche wird abermals gefirnisst, ehe die Ölfarbe dem Werk seine Farbigkeit verleiht. Um den gemäldehaften Charakter zu unterstreichen, wurden die Glasplatten anschließend gerahmt. Diese Technik erfordert einen erfahrenen Drucker, war aber so populär, dass sich auch Laien daran versuchten. Aufgrund der Fragilität des Bildträgers, sind heute jedoch nur noch selten Exemplare zu finden. Das hierzulande weitgehend unbekannte Druckverfahren wird gelegentlich mit Hinterglasmalerei verwechselt.

    Zisska & Lacher
  • George Stubbs "Portrait of a Large Dog, 1772" Painting
    May. 26, 2024

    George Stubbs "Portrait of a Large Dog, 1772" Painting

    Est: $600 - $900

    George Stubbs (1724-1806) was an English painter known for his remarkable depictions of horses, as well as other animals, sporting scenes, and portraits. He is considered one of the finest equestrian artists in the history of Western art. Here are some key points about George Stubbs and his contributions to art:1. **Early Life and Background**: George Stubbs was born in Liverpool, England. He was largely self-taught as an artist, with little formal training. He initially worked as a portrait painter and later developed a passion for anatomy and the study of horses.2. **Scientific Approach**: Stubbs was not only an artist but also a keen anatomist. He conducted in-depth studies of horse anatomy, which included dissections and careful observations of the skeletal and mcular structures of horses. His scientific approach to art made his horse paintings highly accurate and detailed.3. **Equestrian Art**: George Stubbs is best known for his equestrian art, particularly his horse portraits. His paintings of horses are characterized by their meticulo attention to anatomical detail and a keen understanding of the equine form. His ability to capture the majesty and grace of horses made him a sought-after artist in this genre.4. **"Whistlejacket"**: One of Stubbs' most famo works is "Whistlejacket," a life-sized portrait of a racehorse owned by the Marquess of Rockingham. The painting is known for its dramatic and dynamic portrayal of the horse in mid-gallop.5. **Portraits and Sporting Scenes**: In addition to horse portraits, Stubbs also painted portraits of racehorses and their owners. He frequently depicted sporting scenes, including hunting, shooting, and racing, often with great attention to the details of clothing, animals, and landscapes.6. **Recognition**: Stubbs gained recognition and patronage from British aristocrats and nobility who were passionate about horses and hunting. His artistic prowess and anatomical expertise earned him a respected place in the art world.7. **Later Career**: Later in his career, Stubbs expanded his subject matter to include other animals, such as dogs, lions, and exotic animals like kangaroos and zebras, which he painted from anatomical studies and from descriptions provided by travelers.8. **Legacy**: George Stubbs' contributions to equestrian art and his meticulo anatomical studies of horses have left a lasting legacy. His work continues to be admired by art enthiasts and is a valuable resource for those interested in the anatomy of animals.9. **Literary Contributions**: Stubbs also authored a book titled "The Anatomy of the Horse," which was published in 1766. The book, accompanied by detailed engravings, remains an important reference in the field of equine anatomy.George Stubbs' mastery of horse painting and his scientific approach to art made him a unique and influential figure in the world of 18th-century British art. His paintings are celebrated for their precision, accuracy, and the beauty they bring to the world of equestrian art. Measures 20 x 24. Oil on canvas. Sold "after" Stubbs.

    Morgan Auctions
  • GEORGE STUBBS (LIVERPOOL 1724-1806 LONDON) - A dark bay horse facing right, beside a large oak tree
    May. 23, 2024

    GEORGE STUBBS (LIVERPOOL 1724-1806 LONDON) - A dark bay horse facing right, beside a large oak tree

    Est: $120,000 - $180,000

    GEORGE STUBBS (LIVERPOOL 1724-1806 LONDON) A dark bay horse facing right, beside a large oak tree oil on panel, transferred to canvas 40 ¼ x 50 ¼ in. (102.3 x 127.7 cm.)

    Christie's
  • GEORGE STUBBS (LIVERPOOL 1724-1806 LONDON) - A dark bay horse facing left, with a golden spaniel scenting the ground
    May. 23, 2024

    GEORGE STUBBS (LIVERPOOL 1724-1806 LONDON) - A dark bay horse facing left, with a golden spaniel scenting the ground

    Est: $150,000 - $200,000

    GEORGE STUBBS (LIVERPOOL 1724-1806 LONDON) A dark bay horse facing left, with a golden spaniel scenting the ground oil on panel 39 3⁄8 x 49 ½ in. (99.7 x 126 cm.)

    Christie's
  • GEORGE STUBBS Tygers at Play.
    Apr. 18, 2024

    GEORGE STUBBS Tygers at Play.

    Est: $15,000 - $20,000

    GEORGE STUBBS Tygers at Play. Etching, 1780. 378x480 mm; 14⅞x189⅞ inches, wide margins. Third state (of 4). Partial eagle (?) watermark. Published by the artist, London. A very good, early impression with strong contrasts and little to no sign of wear. We have found only one other lifetime impression like the current work at auction in the past 30 years. Lennox-Boyd 60. Although Stubbs (1724-1806) is most well-known for his paintings of horses and portraiture, he was also an accomplished printmaker. According to Richard Godfrey, in his essay George Stubbs as a Printmaker published in Fearful Symmetry: George Stubbs, Stubbs taught himself etching early in his career, illustrating John Burton's An Essay Towards a Complete New System of Midwifery (1751) and his own The Anatomy of a Horse (1766). He realized that printmaking could be lucrative and raise his profile as an artist. Later, while Stubbs had not exhibited a painting from 1782 to 1786, he was occupied by twelve plates which reinterpreted scenes or details of his earlier paintings, which were ultimately published in May 1788. After experimenting in the techniques of stipple, aquatint, and soft-ground etching, all of which were introduced to British printmakers in the 1760s and 1770s, Stubbs' printed works became remarkable in their gentle tonality and meticulous anatomical details present in his painted ouevre. The demand for Stubbs' printed works during the artist's lifetime were such that only a few impressions were printed, contributing to the scarcity of his prints found on the market today. Although the subjects of Tygers at Play are leopards, and Stubbs would have been familiar with the distinctions between the species, historian Leslie Parris, in George Stubbs A.R.A. 'Leopards at Play' and 'The Spanish Pointer', concluded, "An explanation of Stubbs' indiscriminate use of the word 'tyger', which he seems to have employed in some generic sense, is still needed." Other scholars posit that the word "tiger" was commonly used as late as 1785 as a blanket term for large cats classified under the genus Felis tigris.

    Swann Auction Galleries
  • GEORGE STUBBS (COPIA DA) (1724 - 1806) GHEPARDO
    Apr. 18, 2024

    GEORGE STUBBS (COPIA DA) (1724 - 1806) GHEPARDO

    Est: €1,000 - €2,000

    olio su tela In cornice.  Lotto da ritirarsi presso la villa in via Giustiniana nelle date indicate tra le condizioni di vendita, previo appuntamento.

    DAMS Casa d'Aste
  • Stubbs, George (1724 Liverpool - 1806 London) (1724 Liverpool - 1806 London) Follower,
    Feb. 24, 2024

    Stubbs, George (1724 Liverpool - 1806 London) (1724 Liverpool - 1806 London) Follower,

    Est: -

    Stubbs, George (1724 Liverpool - 1806 London) (1724 Liverpool - 1806 London) Follower, "Jagdpferd mit Welsh Springer Spaniel", oil on canvas, mounted, inscribed and dated Harriet L G... on the reverse, barely legible. 1861, 81 x 98.5 cm, old restoration, trimmed on all sides Stubbs, George (1724 Liverpool - 1806 London) Nachfolger, "Jagdpferd mit Welsh Springer Spaniel", Öl auf Leinwand doubliert, rückseitig schwer leserlich bezeichnet und datiert Harriet L G... 1861, 81 x 98.5 cm, altrestauriert, an allen Seiten beschnitten

    Auktionshaus Plückbaum
  • GEORGE STUBBS (BRITISH 1724 - 1806), TYGERS AT PLAY
    Jan. 31, 2024

    GEORGE STUBBS (BRITISH 1724 - 1806), TYGERS AT PLAY

    Est: £800 - £1,200

    GEORGE STUBBS (BRITISH 1724 - 1806)TYGERS AT PLAYEtching, 1780Plate: 37.6 x 47.7cm (14¾ x 18¾ in.)

    Dreweatts 1759 Fine Sales
  • GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON) - Eclipse at Newmarket with a groom and jockey, 1770
    Dec. 07, 2023

    GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON) - Eclipse at Newmarket with a groom and jockey, 1770

    Est: £350,000 - £500,000

    GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON) Eclipse at Newmarket with a groom and jockey, 1770 oil on canvas 40 ¼ x 50 ¼ in. (102.1 x 127.6 cm.)

    Christie's
  • - Rare Reverse-Glass Prints - Pferde und Reiten - Paar Reverse-Glass Prints mit Jockeys zu Pferd.
    Nov. 30, 2023

    - Rare Reverse-Glass Prints - Pferde und Reiten - Paar Reverse-Glass Prints mit Jockeys zu Pferd.

    Est: €600 - €900

    Mezzotinto, Glas und Öl. Jeweils mit Titel, Drucker, Ort und Jahr am Unterrand des Bildes. Je ca. 36,8 x 52 cm. - - Gerahmt (beschädigt, ungeöffnet). - I: STUBBS, GEORGE (1724-1806; nach), "Skyscraper by Highflyer". Laurie & Whittle, London, 1795. - II: SARTORIUS, JOHN NOST (1759 - um 1830; nach), "Warter". Laurie & Whittle, London, 1802. - Die Technik der Übertragung eines Mezzotinto auf Glas wurde in England im 17. Jahrhundert, kurz nach der Entwicklung des Mezzotinto, erfunden. Anlaß war die Zufügung von Farbe zum Mezzotinto und der Anspruch, möglichst nah an den Eindruck eines Gemäldes zu kommen. Hierfür werden die Mezzotintos gründlich mit Wasser durchfeuchtet und anschließend zwischen Papier kurz getrocknet. Inzwischen wird die Glasplatte mit Firnis oder Terpentin versehen und dann der Mezzotinto darauf angedrückt. Vorsichtig, aber gründlich wird das Papier mit den Fingern heruntergerollt, sodaß lediglich das Druckerschwarz und einige Papierreste auf dem Firnis stehen bleiben. Diese Oberfläche wird abermals gefirnißt, ehe die Ölfarbe dem Werk seine Farbigkeit verleiht. Um den gemäldehaften Charakter zu unterstreichen, wurden die Glasplatten anschließend gerahmt. Diese Technik erfordert einen erfahrenen Drucker, war aber so populär, daß sich auch Laien daran versuchten. Aufgrund der Fragilität des Bildträgers, sind heute jedoch nur noch selten Exemplare zu finden. Das hierzulande weitgehend unbekannte Druckverfahren wird gelegentlich mit Hinterglasmalerei verwechselt.

    Zisska & Lacher
  • After George Stubbs, engraved by William Woollett (British, 1735-1785) The Spanish Pointer plate 44.5 x 56cm (17 1/2 x 22 1/16in). (a 20th century impression)
    Nov. 08, 2023

    After George Stubbs, engraved by William Woollett (British, 1735-1785) The Spanish Pointer plate 44.5 x 56cm (17 1/2 x 22 1/16in). (a 20th century impression)

    Est: £250 - £350

    After George Stubbs, engraved by William Woollett (British, 1735-1785) The Spanish Pointer numbered '126/225' (lower left) engraving plate 44.5 x 56cm (17 1/2 x 22 1/16in). a 20th century impression

    Bonhams
  • George Stubbs, The Anatomy of the Horse, fourth edition published in 1938 by G. Heywood Hill, bound in board a
    Oct. 25, 2023

    George Stubbs, The Anatomy of the Horse, fourth edition published in 1938 by G. Heywood Hill, bound in board a

    Est: £150 - £250

    George Stubbs, The Anatomy of the Horse, fourth edition published in 1938 by G. Heywood Hill, bound in board and cloth, 18" (46cm).

    John Nicholson's Fine Art Auctioneers & Valuers
  • Group Of Wedgwood Medallions
    Dec. 17, 2022

    Group Of Wedgwood Medallions

    Est: $400 - $500

    Group Of Wedgwood Medallions. Consists of Sir Winston Churchill. Number in a limited edition of 1000. Comes in Wedgwood box. George Stubbs 1724-1806 A Self Portrait. No of 1000 Medallions issued to commemorate the 250th Anniversary of his Birth. Comes in Wedgwood box. Richard M. Nixon 37th Of The United States Of America. limited Edition Of One Thousand Number 748. Comes in Wedgwood box. John F. Kennedy Framed Medallion.

    Gulfcoast Coin and Jewelry
  • After STUBBS George (1724-1806) (British School), A Pointer in a Landscape, Oil on Canvas, 44.5x59.5cm
    Dec. 04, 2022

    After STUBBS George (1724-1806) (British School), A Pointer in a Landscape, Oil on Canvas, 44.5x59.5cm

    Est: $300 - $500

    After STUBBS, George (1724-1806) (British School) A Pointer in a Landscape Winsor & Newton stamp to canvas verso. Oil on Canvas 44.5x59.5cm

    Davidson Auctions
  • George Stubbs 1724 - 1806 book. For Paul Mellon
    Oct. 25, 2022

    George Stubbs 1724 - 1806 book. For Paul Mellon

    Est: $10 - $20

    George Stubbs 1724 - 1806 book. For Paul Mellon

    Vickers & Hoad
  • Stubbs (George, 1724-1806). Tygers at Play, 1780, later 20th century printing
    Oct. 19, 2022

    Stubbs (George, 1724-1806). Tygers at Play, 1780, later 20th century printing

    Est: £300 - £500

    Stubbs (George, 1724-1806). Tygers at Play, 1780, later 20th century printing * Stubbs (George, 1724-1806). Tygers at Play, 1780, etching on pale cream wove paper, watermarked F.J. Head, a later 20th century printing from the original plate, plate size 37.7 x 47.7 cm (14 7/8 x 18 3/4 ins), sheet size 58.7 x 64.8 cm QTY: (1) NOTE: Lennox-Boyd, Dixon & Clayton 60.

    Dominic Winter Auctions
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