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Hiroshi Sugimoto (after) (b.1948) Opticks 020 Offset lithograph printed in colours, 2018, published by Kyoto City Kyocera Museum of Art, Kyoto, on wove paper, with full margins, sheet 823 x 698mm (32 3/8 x 27 1/2)
Forum Auctions - UKHiroshi Sugimoto (Japanese, b. 1948), "North Sea, Berriedale 1990", tritone offset lithograph mounted on mat, blind stamped with title lower margin and "336" lower right, printed in 1991 by Kyoto Shoin Co., Japan, framed under plexiglass, 9.5"h x 12"w (sheet), 15"h x 19.5"w (frame)
Millea Bros LtdHIROSHI SUGIMOTO (born 1948) Time exposed, 1991 Lithographie offset issue du portfolio. Timbre sec du titre, de la date et du numéro 370 au recto sur le support Offset lithografie uit de portfolio. Droogstempel van titel, datum en nummer 370 op de voorzijde van de drager Offset lithograph from the portfolio. Dry stamp of title, date and number 370 on the front of the print24 x 31 cm (image) 35 x 46,5 cm (support) Framed
Cornette de Saint-Cyr-BruxellesLeporello book with polished aluminum covers was printed by Dai Nippon Printing Co. Ltd. and published by Sonnabend Sundell Editions, New York, New York. The slip cover and original numbered paper wrapping are included.
Palm Beach Modern AuctionsHiroshi Sugimoto B. 1948 Colors of Shadow C1031 pigment print, mounted, framed, signed in pencil on the photographer's studio label and a Fraenkel Gallery label, on the reverse, 2006, no. 3 in an edition of 5 image: 53⅛ by 41¾ in. (134.9 by 106 cm.) frame: 66¾ by 55 ¼ in. (169.5 by 140.3 cm.)
Sotheby'sHiroshi Sugimoto B. 1948 'Mediterranean Sea, Cassis' gelatin silver print, title, edition '7/25,' and number '322' blindstamped in the margin, mounted, signed, titled, editioned '7/25' and numbered '322' in pencil on the mount, framed, a Fraenkel Gallery label on the reverse, 1989 image: 16¾ by 21⅜ in. (42.5 by 79.7 cm.) frame: 29¼ by 33⅛ in. (74.3 by 84.1 cm.)
Sotheby'sHiroshi Sugimoto B. 1948 Bay of Sagami, Atami gelatin silver print, title, date, edition '8/25,' and number '407' blindstamped in the margin, mounted, signed in pencil on the mount, framed, a Fraenkel Gallery label on the reverse, 1997 image: 16¾ by 21½ in. (42.5 by 54.6 cm.) frame: 29¼ by 33 in. (74.3 by 83.8 cm.)
Sotheby'sHiroshi Sugimoto B. 1948 Ionian Sea IV, Santa Cesarea gelatin silver print, with title, date, edition '4/25,' and number '857' blindstamped in the margin, mounted, signed in pencil on the mount, framed, Sonnabend and David Zwirner gallery labels on the reverse, 1990 image: 16⅝ by 21½ in. (42.2 by 54.8 cm.) frame: 25⅞ by 32⅞ in. (65.8 by 83.6 cm.)
Sotheby'sHiroshi Sugimoto B. 1948 North Pacific Ocean, Iwate gelatin silver print, with title, date, edition '11/25,' and number '302' blindstamped in the margin, mounted, signed in pencil on the mount, framed, a Fraenkel Gallery label on the reverse, 1986 image: 16¾ by 21½ in. (42.5 by 54.6 cm.) frame: 29¼ by 33 in. (74.3 by 83.8 cm.)
Sotheby'sHiroshi Sugimoto B. 1948 World Trade Center gelatin silver print, edition '15/25' and number '906' blindstamped in the margin, mounted, signed in pencil on the mount, framed, 1997 image: 23⅛ by 18½ in. (58.7 by 47 cm.) frame: 33⅛ by 27⅛ in. (83.8 by 68.9 cm.)
Sotheby'sHiroshi Sugimoto B. 1948 The Music Lesson pigment print, framed, the photographer's signed label on the reverse, 1999, printed in 2004, no. 2 in an edition of 5 image: 53⅜ by 413/4 in. (135.5 by 106 cm.) frame: 67 by 56 in. (170 by 142.2 cm.)
Sotheby'sHiroshi Sugimoto Sea of Okhotsk, Hokkaido (from the Time Exposed portfolio) 1989 / printed 1991 offset lithograph on Mitsubishi Real Art Both Sides and mounted to Peach Kent image: 9.375 h x 12.125 w in (24 x 31 cm) mount: 13.875 h x 18.25 w in (35 x 46 cm) Embossed title, date and number to support 'Sea of Okhotsk Hokkaido 1989 325'. This work is from the unnumbered edition of 500 printed by Mitsumura Printing Company, Ltd., Tokyo on the occasion of the artist's retrospective exhibitions at IBM, Tokyo and Carnegie International, Pittsburgh. Provenance: Private Collection, New York This work will ship from Los Angeles, California.
Los Angeles Modern AuctionsHiroshi Sugimoto Black Sea, Oakbayir (from the Time Exposed portfolio) 1991 / 1991 offset lithograph on Mitsubishi Real Art Both Sides and mounted to Peach Kent image: 9.375 h x 12.125 w in (24 x 31 cm) mount: 13.875 h x 18.25 w in (35 x 46 cm) Embossed title, date and number to support 'Black Sea, Oakbayir 1991 368'. This work is from the unnumbered edition of 500 printed by Mitsumura Printing Company, Ltd., Japan on the occasion of the artist's retrospective exhibitions at IBM, Tokyo and Carnegie International, Pittsburgh. Provenance: Private Collection, New York This work will ship from Los Angeles, California.
Los Angeles Modern AuctionsPhotographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long-exposure photography, the artist provides insight into how the medium can both obscure and alter reality. Influenced by Dadaist and Surrealist theory, Sugimoto Seascapes, Dioramas, and Theaters craft mysterious scenes from the vernacular subject matter. Title: Sea of Japan, Rebun Island with a cut hand signature Date Of Negative: 1996 Type Of Print: Fine Duotone Photo Engraving Date Of Print: 2005 Paper: Medium weight - satin/matte finish. Print/Platemaker: Hatje Cantz Verlag Print Origin: Japan Approximate Image Size: 9 x 7 inches Framed Size: 26 x 16.5 inches Print Border: No - full bleed print. Condition Grade: Extra Fine ++ Verso: Professionally Framed
White Knight AuctionsPhotographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long-exposure photography, the artist provides insight into how the medium can both obscure and alter reality. Influenced by Dadaist and Surrealist theory, Sugimoto Seascapes, Dioramas, and Theaters craft mysterious scenes from the vernacular subject matter. Title: Sea of Japan, Rebun Island with a cut hand signature Date Of Negative: 1996 Type Of Print: Fine Duotone Photo Engraving Date Of Print: 2005 Paper: Medium weight - satin/matte finish. Print/Platemaker: Hatje Cantz Verlag Print Origin: Japan Approximate Image Size: 9 x 7 inches Framed Size: 26 x 16.5 inches Print Border: No - full bleed print. Condition Grade: Extra Fine ++ Verso: Professionally Framed
White Knight AuctionsPhotographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long exposure photography, the artist provides insight into how the medium can both obscure and alter reality. Influenced by Dadaist and Surrealist theory, Sugimoto Seascapes, Dioramas, and Theaters craft mysterious scenes from the vernacular subject matter. Title: Sea of Japan, Hokkaido Portfolio Title: Ionian Sea, Santa Cesarea Edition: From the rare edition of 360, signed and numbered on the justification page by Sugimoto (copy of the justification page is mounted to the back of the mat) Date Of Negative: 1991 Type Of Print: Lithograph printing on Phoenix Motion Xantur 115 g/sm paper Date Of Print: 2014 Paper: Medium weight - satin/matte finish. Publisher: Damiani and Matsumoto Editions Print Origin: NY, USA Approximate Image Size: 9 x 7 inches Mount Board Size Approx.: 16 x 14 inches Print Border: No - full bleed print. Condition Grade: Mint Verso: Professionally mounted with archival materials on 4ply museum mat board.
White Knight AuctionsHIROSHI SUGIMOTO (JAPANESE B. 1948)CARRIBEAN SEA, JAMAICA, 1980Photograph Signed and numbered 119/25016 x 20.2cm (6¼ x 7¾ in.)Provenance:Sale, Christie's, London, Photographs (5167), 21 November 2007, lot 607 Please note measurements do not include the frame unless otherwise stated.
Dreweatts 1759 Fine SalesPhotographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long-exposure photography, the artist provides insight into how the medium can both obscure and alter reality. Influenced by Dadaist and Surrealist theory, Sugimoto Seascapes, Dioramas, and Theaters craft mysterious scenes from the vernacular subject matter. Title: Sea of Japan, Rebun Island with a cut hand signature Date Of Negative: 1996 Type Of Print: Fine Duotone Photo Engraving Date Of Print: 2005 Paper: Medium weight - satin/matte finish. Print/Platemaker: Hatje Cantz Verlag Print Origin: Japan Approximate Image Size: 9 x 7 inches Framed Size: 26 x 16.5 inches Print Border: No - full bleed print. Condition Grade: Extra Fine ++ Verso: Professionally Framed
White Knight AuctionsPhotographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long exposure photography, the artist provides insight into how the medium can both obscure and alter reality. Influenced by Dadaist and Surrealist theory, Sugimoto Seascapes, Dioramas, and Theaters craft mysterious scenes from the vernacular subject matter. Title: Sea of Japan, Hokkaido Portfolio Title: Ionian Sea, Santa Cesarea Edition: From the rare edition of 360, signed and numbered on the justification page by Sugimoto (copy of the justification page is mounted to the back of the mat) Date Of Negative: 1991 Type Of Print: Lithograph printing on Phoenix Motion Xantur 115 g/sm paper Date Of Print: 2014 Paper: Medium weight - satin/matte finish. Publisher: Damiani and Matsumoto Editions Print Origin: NY, USA Approximate Image Size: 9 x 7 inches Mount Board Size Approx.: 16 x 14 inches Print Border: No - full bleed print. Condition Grade: Mint Verso: Professionally mounted with archival materials on 4ply museum mat board.
White Knight AuctionsPhotographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long-exposure photography, the artist provides insight into how the medium can both obscure and alter reality. Influenced by Dadaist and Surrealist theory, Sugimoto Seascapes, Dioramas, and Theaters craft mysterious scenes from the vernacular subject matter. Title: Sea of Japan, Rebun Island with a cut hand signature Date Of Negative: 1996 Type Of Print: Fine Duotone Photo Engraving Date Of Print: 2005 Paper: Medium weight - satin/matte finish. Print/Platemaker: Hatje Cantz Verlag Print Origin: Japan Approximate Image Size: 9 x 7 inches Framed Size: 26 x 16.5 inches Print Border: No - full bleed print. Condition Grade: Extra Fine ++ Verso: Professionally Framed
White Knight AuctionsPhotographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long-exposure photography, the artist provides insight into how the medium can both obscure and alter reality. Influenced by Dadaist and Surrealist theory, Sugimoto Seascapes, Dioramas, and Theaters craft mysterious scenes from the vernacular subject matter. Title: Sea of Japan, Rebun Island with a cut hand signature Date Of Negative: 1996 Type Of Print: Fine Duotone Photo Engraving Date Of Print: 2005 Paper: Medium weight - satin/matte finish. Print/Platemaker: Hatje Cantz Verlag Print Origin: Japan Approximate Image Size: 9 x 7 inches Framed Size: 26 x 16.5 inches Print Border: No - full bleed print. Condition Grade: Extra Fine ++ Verso: Professionally Framed
White Knight AuctionsPhotographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long exposure photography, the artist provides insight into how the medium can both obscure and alter reality. Influenced by Dadaist and Surrealist theory, Sugimoto Seascapes, Dioramas, and Theaters craft mysterious scenes from the vernacular subject matter. Title: Sea of Japan, Hokkaido Portfolio Title: Ionian Sea, Santa Cesarea Edition: From the rare edition of 360, signed and numbered on the justification page by Sugimoto (copy of the justification page is mounted to the back of the mat) Date Of Negative: 1991 Type Of Print: Lithograph printing on Phoenix Motion Xantur 115 g/sm paper Date Of Print: 2014 Paper: Medium weight - satin/matte finish. Publisher: Damiani and Matsumoto Editions Print Origin: NY, USA Approximate Image Size: 9 x 7 inches Mount Board Size Approx.: 16 x 14 inches Print Border: No - full bleed print. Condition Grade: Mint Verso: Professionally mounted with archival materials on 4ply museum mat board.
White Knight AuctionsHiroshi Sugimoto, Japanese b.1946- In Praise of Shadows, 2003; lithograph on wove, signed and numbered 33/225 in silver marker, published by the Serpentine Gallery, London, sheet: 46.5 x 28.5 cm (unframed) Hiroshi Sugimoto, Japanese b.1946- In Praise of Shadows, 2003; lithograph on wove, signed and numbered 33/225 in silver marker, published by the Serpentine Gallery, London, sheet: 46.5 x 28.5 cm (unframed)
RoseberysPhotographer: Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long exposure photography, the artist provides insight into how the medium can both obscure and alter reality. Influenced by Dadaist and Surrealist theory, Sugimoto Seascapes, Dioramas, and Theaters craft mysterious scenes from the vernacular subject matter. Title: PPTRD 040 Portfolio Title: The Long Never Edition: From the rare edition of 360, signed and numbered on the justification page by Sugimoto (copy of the justification page is mounted to the back of the mat) Date Of Negative: 2008 Type Of Print: Lithograph printing on Phoenix Motion Xantur 115 g/sm paper Date Of Print: 2014 Paper: Medium weight - satin/matte finish. Publisher: Damiani and Matsumoto Editions Print Origin: NY, USA Approximate Image Size: 9 x 7 inches Mount Board Size Approx.: 14 x 11 inches Print Border: No - full bleed print. Condition Grade: Extra Fine ++ Verso: Professionally mounted with archival materials on 4ply museum mat board.
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