Adolph Tidemand Sold at Auction Prices

Illustrator, Painter, b. 1814 - d. 1876

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      • Adolph Tidemand Antique Man Portrait Oil Paintingsold
        Jan. 14, 2023

        Adolph Tidemand Antique Man Portrait Oil Painting

        Est: $5,000 - $15,000

        Title: Adolph Tidemand Antique Man Portrait Oil Painting Description: Adolph Tidemand Antique Man Portrait Oil Painting Signature: Lower right Condition of piece: Dirty and darkened, displays craquelure, frame displays a little wear Stretcher Size: 17.25 x 13 inches Frame Size 23 x 18.75 inches Estimated size of packaging: 30x24x5, 33 lbs, this weight is dimensional Other Shipping Info: Zip Code 33701 CALCULATE SHIPPING COSTS HERE Important Info: Commonly Asked Questions Described By: Michelle CNX 1360 6043

        Hess Fine Art
      • Adolph Tidemand, A message of Sorrow 1851sold
        Nov. 29, 2022

        Adolph Tidemand, A message of Sorrow 1851

        Est: NOK300,000 -

        Signed and dated lower right: A Tidemand Df 51

        Grev Wedels Plass Auksjoner
      • ADOLPH TIDEMAND DRAWINGsold
        Apr. 26, 2022

        ADOLPH TIDEMAND DRAWING

        Est: €130 - €300

        TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, Norwegian painter of the Düsseldorf School), pencil drawing: "Grape Harvest", signed "Tidemand" at the bottom center. Landscape with distant mountain ranges, grapevines, workers and wickerworkers; in the foreground a young woman carrying a basket on her head. Pencil study on brownish paper. Dimensions in the mount cut-out 50.5 x 37.5 cm. TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, norwegischer Maler der Düsseldorfer Schule), Bleistiftzeichnung: "Weinlese", unten mittig signiert "Tidemand". Landschaft mit fernen Höhenzügen, Weinstöcken, Arbeitern und Korbtägern; im Vordergrund eine junge Frau, einen Korb auf dem Kopf tragend. Bleistiftstudie auf bräunlichem Papier. Maße im Passepartoutausschnitt 50,5 x 37,5 cm.

        Auktionshaus Rheine
      • ADOLPH TIDEMAND DRAWINGsold
        Mar. 08, 2022

        ADOLPH TIDEMAND DRAWING

        Est: €150 - €300

        TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, Norwegian painter of the Düsseldorf School), pencil drawing: "Grape Harvest", signed "Tidemand" at the bottom center. Landscape with distant mountain ranges, grapevines, workers and wickerworkers; in the foreground a young woman carrying a basket on her head. Pencil study on brownish paper. Dimensions in the mount cut-out 50.5 x 37.5 cm. TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, norwegischer Maler der Düsseldorfer Schule), Bleistiftzeichnung: "Weinlese", unten mittig signiert "Tidemand". Landschaft mit fernen Höhenzügen, Weinstöcken, Arbeitern und Korbtägern; im Vordergrund eine junge Frau, einen Korb auf dem Kopf tragend. Bleistiftstudie auf bräunlichem Papier. Maße im Passepartoutausschnitt 50,5 x 37,5 cm.

        Auktionshaus Rheine
      • ADOLPH TIDEMAND DRAWINGsold
        Jan. 11, 2022

        ADOLPH TIDEMAND DRAWING

        Est: €150 - €300

        TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, Norwegian painter of the Düsseldorf School), pencil drawing: "Grape Harvest", signed "Tidemand" at the bottom center. Landscape with distant mountain ranges, grapevines, workers and wickerworkers; in the foreground a young woman carrying a basket on her head. Pencil study on brownish paper. Dimensions in the mount cut-out 50.5 x 37.5 cm. TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, norwegischer Maler der Düsseldorfer Schule), Bleistiftzeichnung: "Weinlese", unten mittig signiert "Tidemand". Landschaft mit fernen Höhenzügen, Weinstöcken, Arbeitern und Korbtägern; im Vordergrund eine junge Frau, einen Korb auf dem Kopf tragend. Bleistiftstudie auf bräunlichem Papier. Maße im Passepartoutausschnitt 50,5 x 37,5 cm.

        Auktionshaus Rheine
      • ADOLPH TIDEMAND DRAWINGsold
        Dec. 07, 2021

        ADOLPH TIDEMAND DRAWING

        Est: €150 - €300

        TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, Norwegian painter of the Düsseldorf School), pencil drawing: "Grape Harvest", signed "Timand" at the bottom center. Landscape with distant mountain ranges, grapevines, workers and wickerworkers; in the foreground a young woman carrying a basket on her head. Pencil study on brownish paper. Dimensions in the mount cut-out 50.5 x 37.5 cm. TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, norwegischer Maler der Düsseldorfer Schule), Bleistiftzeichnung: "Weinlese", unten mittig signiert "Timand". Landschaft mit fernen Höhenzügen, Weinstöcken, Arbeitern und Korbtägern; im Vordergrund eine junge Frau, einen Korb auf dem Kopf tragend. Bleistiftstudie auf bräunlichem Papier. Maße im Passepartoutausschnitt 50,5 x 37,5 cm.

        Auktionshaus Rheine
      • Adolph Tidemand, Velgjørenhet 1852sold
        Nov. 24, 2021

        Adolph Tidemand, Velgjørenhet 1852

        Est: NOK300,000 - NOK400,000

        Signert og datert nede t.v.: Ad. Tidemand 1852.

        Grev Wedels Plass Auksjoner
      • Adolph Tidemand (1814-1876), A Mother Teaching 1856sold
        Nov. 25, 2020

        Adolph Tidemand (1814-1876), A Mother Teaching 1856

        Est: NOK700,000 -

        Signed and dated lower left: A. Tidemand 1856.

        Grev Wedels Plass Auksjoner
      • Adolph Tidemand (1814-1876), A Message of Sorrow 1851sold
        Nov. 27, 2019

        Adolph Tidemand (1814-1876), A Message of Sorrow 1851

        Est: NOK300,000 - NOK400,000

        Oil on canvas 31x38 Signed and dated lower right: A Tidemand Df 51

        Grev Wedels Plass Auksjoner
      • Tidemand, Adolf 1814 Mandal - 1876 Kristiania Bad News.sold
        May. 17, 2018

        Tidemand, Adolf 1814 Mandal - 1876 Kristiania Bad News.

        Est: €18,000 - €24,000

        Tidemand, Adolf 1814 Mandal - 1876 Kristiania Bad News. Reading a Letter. Oil on canvas. 31 x 38cm. Signed and dated lower right: A. Tidemand / Df 51. Framed. Beginning in the 1840s Tidemand dealt with this pictorial invention in different variations and versions. Presumably it is a first model in oil for an executed painting from 1861, that can be found in the museum in Bergen. We would like to thank Mrs. Dr. Bettina Baumgärtel, Museum Kunstpalast Düsseldorf, for the kind scientific support. Tidemand, Adolf 1814 Mandal - 1876 Kristiania Schlechte Nachrichten Der Briefleser. Öl auf Leinwand. 31 x 38cm. Signiert und datiert unten rechts: A. Tidemand / Df 51. Rahmen. Ab den 1840er Jahren setzt sich Tidemand mit dieser Bildfindung in verschiedenen Variationen und Fassungen auseinander. Es handelt sich hier vermutlich um einen ersten Ölmodello zum ausgeführten Gemälde von 1861, das sich in Bergen im Museum befindet. Wir danken Frau Dr. Bettina Baumgärtel, Museum Kunstpalast Düsseldorf, für die freundliche wissenschaftliche Unterstützung.

        Van Ham Kunstauktionen
      • Adolph Tidemand (1814-1876), Family Scene, Oil, 1859sold
        Sep. 23, 2015

        Adolph Tidemand (1814-1876), Family Scene, Oil, 1859

        Est: €40,000 - €52,000

        Oil on canvas Germany/Norway, 1859 Adolph Tidemand (1814-1876) – Norwegian painter, draftsman, graphic artist and illustrator; important international representative of the Düsseldorf School Signed and dated lower left ‘A. TIDEMAND. 59’ Catalogue raisonné: Not listed at Dietrichson Dimensions: 50 x 43.5 cm Frame: 61 x 55 cm Good condition Provenance: Private collection, Magdeburg (bought in Düsseldorf in 1970) Characteristic family scene by Adolph Tidemand, who followed the tradition of realism and national romanticism; the last achieved hammer prices of similar motifs fetched up to €187,000 at international auctions Estimate by Auctionata Expert: 80,000 Euro Adolph Tidemand was a great national romantic representative in Norwegian art, especially in genre painting of the 1840/50s. With his works he inspired not only Norwegian, Swedish and German painters, but also famous writers like Ibsen and Bjørnson. The offered genre scene shows a domestic family scene with mother reading a story to her children. The work is painted in earthy tones and captivates through the animated nature of the sitters. Condition: The painting is in good condition, consistent with age. The edges show faint marks, where the frame has rubbed, as well as a number of chippings especially along the lower end. The paint surface is a bit craquelured and shows a fine horizontal scratch of c. 10 cm at the height of the girl. Inspection under UV light reveals a few retouchings to the faces and the clothes. The stretcher measures 50 x 43,5 cm. Adolph Tidemand (1814-1876) Born in the southern Norwegian town of Mandal, Adolph Tidemand studied under Johan Ludvig Lund (1777-1867) at the Art Academy in Copenhagen, from 1832 to 1837. He then moved to Düsseldorf, where he was further trained by Theodor Hildebrandt (1804-1874) and Friedrich Wilhelm Schadow (1788-1862). In 1841/42 he traveled via Munich to Rome. Tidemend finally settled in Düsseldorf in 1845, but regularly traveled to Norway, where he found a great source of inspiration for his rural genre scenes. Tidemand was an international follower of the Düsseldorf School and one of the most popular representatives of Norwegian national romanticism. In 1867 Tidemand was represented at the World Exhibition in Paris. One year later he was appointed honorary professor at the Düsseldorf Kunstakademie. Tidemand occasionally also painted portraits and history paintings that he usually planned in sketches and studies, of which many are still preserved today. The National Gallery in Oslo keeps a great selection of his works today, as well as the National Museum in Stockholm and the Trøndelag Art Museum in Trondheim. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

        Auctionata Paddle8 AG
      • Adolph Tidemand (1814-1876), Family Scene, Oil, 1859sold
        Jun. 23, 2015

        Adolph Tidemand (1814-1876), Family Scene, Oil, 1859

        Est: €45,000 - €58,500

        Oil on canvas Germany/Norway, 1859 Adolph Tidemand (1814-1876) – Norwegian painter, draftsman, graphic artist and illustrator; important international representative of the Düsseldorf School Signed and dated lower left ‘A. TIDEMAND. 59’ Catalogue raisonné: Not listed at Dietrichson Dimensions: 50 x 43.5 cm Frame: 61 x 55 cm Good condition Provenance: Private collection, Magdeburg (bought in Düsseldorf in 1970) Characteristic family scene by Adolph Tidemand, who followed the tradition of realism and national romanticism; the last achieved hammer prices of similar motifs fetched up to €187,000 at international auctions Estimate by Auctionata Expert: 90,000 Euro Adolph Tidemand was a great national romantic representative in Norwegian art, especially in genre painting of the 1840/50s. With his works he inspired not only Norwegian, Swedish and German painters, but also famous writers like Ibsen and Bjørnson. The offered genre scene shows a domestic family scene with mother reading a story to her children. The work is painted in earthy tones and captivates through the animated nature of the sitters. Condition: The painting is in good condition, consistent with age. The edges show faint marks, where the frame has rubbed, as well as a number of chippings especially along the lower end. The paint surface is a bit craquelured and shows a fine horizontal scratch of c. 10 cm at the height of the girl. Inspection under UV light reveals a few retouchings to the faces and the clothes. The stretcher measures 50 x 43,5 cm. Adolph Tidemand (1814-1876) Born in the southern Norwegian town of Mandal, Adolph Tidemand studied under Johan Ludvig Lund (1777-1867) at the Art Academy in Copenhagen, from 1832 to 1837. He then moved to Düsseldorf, where he was further trained by Theodor Hildebrandt (1804-1874) and Friedrich Wilhelm Schadow (1788-1862). In 1841/42 he traveled via Munich to Rome. Tidemend finally settled in Düsseldorf in 1845, but regularly traveled to Norway, where he found a great source of inspiration for his rural genre scenes. Tidemand was an international follower of the Düsseldorf School and one of the most popular representatives of Norwegian national romanticism. In 1867 Tidemand was represented at the World Exhibition in Paris. One year later he was appointed honorary professor at the Düsseldorf Kunstakademie. Tidemand occasionally also painted portraits and history paintings that he usually planned in sketches and studies, of which many are still preserved today. The National Gallery in Oslo keeps a great selection of his works today, as well as the National Museum in Stockholm and the Trøndelag Art Museum in Trondheim. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

        Auctionata Paddle8 AG
      • Tidemand, Adolph: Brief-Fragmentsold
        Oct. 16, 2014

        Tidemand, Adolph: Brief-Fragment

        Est: €80 - €120

        Tidemand, Adolph, bedeutender norweg. Maler, Schüler der Düsseldorfer Akademie, war lange in Düsseldorf ansässig (1814-1876). Eigh. Brief (Fragment) m. U. "Adolph Tidemand" und Adresse. In deutscher Sprache. 1 S. 4to. Düsseldorf o. J. An Mademoiselle F. Bruus in 's Gravenhage (Holland). Schluß eines Briefes, von dem nur 2 längere Postscripta vollständig sind: "Das Bild wird heute Abend den 31sten Märtz von hier abgeschickt mit einem Düsseldorfer Schiff über Rotterdam ... Das Bild wird erst, wenn es firnissirt worden, seine volle Wirkung erhalten. Doch darf es nicht in 1 Jahre mit Firniß überzogen werden. - Hr. Professor Mücke läßt fragen, ob Sie nicht seinen letzten Brief mit den neuen Vorschlägen erhalten haben? Wenn Sie nichts dagegen haben, sähe ich es wohl gerne daß das Bild im Haag exponiert wird ...". - Beiliegend ein Holzstich nach einem Gemälde von Tidemand.

        Galerie Bassenge
      • ADOLPH TIDEMANDsold
        May. 23, 2013

        ADOLPH TIDEMAND

        Est: £50,000 - £70,000

        PROPERTY  FROM  AN  ENGLISH  PRIVATE  COLLECTION NORWEGIAN 1814  -  1876 A  HARDANGER  INTERIOR,  YOUNG  GIRL  KNITTING signed  and  dated  A.  Tidemand  74  lower  left oil  on  canvas 93  by  73cm.,  36  by  28in.

        Sotheby's
      • Adolph Tidemand: The priest visiting an old man to give him the Holy Communion.sold
        Nov. 27, 2012

        Adolph Tidemand: The priest visiting an old man to give him the Holy Communion.

        Est: DKK4,000,000 - DKK6,000,000

        Sognebud. Norwegian peasant's hut with a priest visiting an old man to give him the Holy Communion. Signed and dated A. Tidemand Df. (Düsseldorf) 1850. The year of execution of the painting is 1860. It has wrongly been dated 1850 by a restorer. Oil on canvas. 102 x 127 cm.

        Bruun Rasmussen Auctioneers
      • ADOLPH TIDEMANDsold
        Nov. 22, 2011

        ADOLPH TIDEMAND

        Est: £25,000 - £35,000

        PROPERTY OF A GERMAN PRIVATE COLLECTOR NORWEGIAN 1814 - 1876 THE READER (JAN TANNE) signed and dated Tidemand / 74 lower right oil on canvas 60 by 43.5cm., 23¾ by 17¼in.

        Sotheby's
      • Adolph Tidemand (1814-1876). A view in Mandab,sold
        Apr. 19, 2011

        Adolph Tidemand (1814-1876). A view in Mandab,

        Est: £300 - £500

        Adolph Tidemand (1814-1876). A view in Mandab, traditionally identified as the artists home. Pen and ink. Signed lower left, Inscribed and dated 1829 lower right, 9 x 14.5cm (31/2 x 53/4 in). Provenance: by descent from the artist. Mandal was the birth place of Tidemand, this drawing was executed when he was 15 years old.

        Dreweatts 1759
      • Adolph Tidemand: Interior with a young girl holding a book.sold
        Sep. 27, 2010

        Adolph Tidemand: Interior with a young girl holding a book.

        Est: DKK75,000 - DKK90,000

        Interior with a young girl holding a book. Signed and dated A. Tidemand 1871. Oil on panel. 42 x 31 cm. Unframed.

        Bruun Rasmussen Auctioneers
      • Adolph Tidemand: Interior with a child on his grandfather's knee.sold
        May. 31, 2010

        Adolph Tidemand: Interior with a child on his grandfather's knee.

        Est: DKK50,000 - DKK60,000

        Interior with a child on his grandfather's knee. Signed and dated A. T. 1868. Oil on panel. 17 x 20 cm.

        Bruun Rasmussen Auctioneers
      • ADOLPH TIDEMAND1814 Mandal - 1876 Kristiana (Oslo)sold
        May. 17, 2008

        ADOLPH TIDEMAND1814 Mandal - 1876 Kristiana (Oslo)

        Est: -

        ADOLPH TIDEMAND1814 Mandal - 1876 Kristiana (Oslo) LESENDE ALTE FRAU. Signiert unten rechts: A. Tidemand Df. l auf Holz. 26,5 x 23,5 cm. Der norwegische Maler A. Tidemand studierte von 1837 bis 1841 an der Dsseldorfer Kunstakademie bei Hildebrandt, Lessing und Schadow. Nach kurzem Italie

        Kunsthaus Lempertz KG
      • Adolph Tidemand , Norwegian 1814-1876 Portrait of a Young Girl oil on canvassold
        Apr. 18, 2008

        Adolph Tidemand , Norwegian 1814-1876 Portrait of a Young Girl oil on canvas

        Est: $15,000 - $20,000

        signed A. Tidemand , inscribed Erkrath , and dated 1851 (lower right) oil on canvas

        Sotheby's
      • Circle of Adolphe Tidemand (Norwegian, 1814-1876)sold
        Jan. 30, 2007

        Circle of Adolphe Tidemand (Norwegian, 1814-1876)

        Est: €2,500 - €3,500

        Reading from the story book with signature 'Ad. Tidemand' (lower right) oil on canvas 26 x 32.5 cm.

        Christie's
      • ADOLPH TIDEMANDsold
        Oct. 24, 2006

        ADOLPH TIDEMAND

        Est: $400,000 - $600,000

        PROPERTY FROM A PRIVATE COLLECTION, MASSACHUSETTS NORWEGIAN, 1814-1876 BESTEMORS BRUDEKRONE measurements 46 1/2 by 40 1/2 in. alternate measurements 118.1 by 102.8 cm signed A. Tidemand and dated 1867 (lower left) oil on canvas PROVENANCE Possibly, Schow, New York Private Collection, Pennsylvania (since circa 1900) Thence by descent to the present owner NOTE The present work is one of a series of paintings by Tidemand, in which a grandmother reveals her brudekrone (bridal crown) to her granddaughter. Decorated with brudabonne (long, colorful ribbons), and noisy, jangling silver ornaments, the crown was an essential element of the Norwegian wedding ritual and was believed to ward off evil spirits. This powerful talisman was passed through generations to ensure a successful marriage. The tender scene is replete with objects that honor familial traditions, as children gather in a room filled with such heirlooms as richly woven wall hangings, precious silver and pewter objects on a high shelf, and a trunk filled with mementos. More then decorative, these items reveal the folk traditions of woodcarving, weaving, embroidery and costume-making of Norway's remote farming communities. In this comfortable room, woven coverlets, crucial in the country's long winters, were also hung as colorful wall hangings, their intricate designs the handiwork of talented farmwives. Like the brudekrone, these textiles followed a woman through her life, used to cover the marriage bed, to wrap a baby at christenings, and drape over coffins. Such materials were stored in linen chests decorated with the rosemaling (rose-painting) of large floral scrolls. Here, Tidemand further embellishes one trunk with the date "1779," suggesting the chest's long legacy, while the other has been opened to reveal a print of King Oscar I and the treasured bunad, woolen red and black traditional clothing, its geometric embroidery specific to the region of this family. Tidemand's work testifies to his training at the Düsseldorf Academy, which promoted paintings of peasant life and landscape characterized by finely nuanced, first person observation. Though eventually settling in the German city, Tidemand often returned to his homeland. In 1843 the artist undertook an extensive tour of Gudbrandsdalen, Sogn and Hardanger, in part inspired by the Norwegian National Romantic movement led by artists, writers, and ethnographers, who promoted the region's unique scenery, society, and history (Magne Malmanger, "The Flight of Time and the Unique Event: Adolph Tidemand in Search of the Norwegian People", trans. Joan Fuglesang, in Der aander en tindrende sommerluft varmt over hardangerfjords vande, Tidemand & Gude, exh. cat., Nasjonalgalleriet, Oslo, September - December 2003, pp. 197-98). These travels were so powerfully memorable that Tidemand explained that they led him "irresistibly" in the direction that determined the remainder of his artistic production. Having completed a large number of precise studies in watercolor and oil, Tidemand found supporting material for his paintings completed in the following decades (Malmanger, p. 198). Many of these sketches informed Bestemors Brudekrone's production. Yet, while the work's numerous details serve as a lasting record of rural Norwegians and their traditions, its appeal extends well beyond ethnographic record. In the soft spilling sunlight illuminating the intimate arrangement of the children eagerly grouped around the smiling grandmother, Tidemand demonstrates his interests in the sentiments of the people as well as their arts and possessions. The foreshortened composition creates an intimate pictorial space, inviting the viewer to closely observe the scene: a portrait of family life easily appreciated beyond Norway's borders. Similar in affect to Jules Breton (see lot 158) and other painters of "peasant life," Tidemand's models memorialize traditions and a way of life that was quickly disappearing. The Norwegian philosopher Marcus Jacob Monrad believed Tidemand's work perfectly illustrated that "the purpose of art is exactly to raise the spirit above the narrow sphere of everyday life, to liberate it, if only for a moment, from the stress and strain of the moment" (Malmagner, p. 194). It is thus easy to understand how Tidemand became one of the first Norwegian painters to gain worldwide fame in the late nineteenth century. The artist's reputation grew to such a degree that his work was found in numerous collections throughout Europe and, as with Bestemors Brudekrone, as far away as Pennsylvania. Pittsburgh was home to Andrew Carnegie and Henry Clay Frick, whose reputations as powerful magnates of industry were matched only by their support of the arts. The city and the surrounding area boasted a community of renowned collectors that eagerly sought after realist works and anecdotal genre scenes, and particularly favored artists with international reputations. Especially appealing to them was the rich detail and understandable narrative of Tidemand's work, which so carefully combined a fine sense of aesthetic value with a comforting message about the importance of family--a universally appealing sentiment despite the artist's specific vision.

        Sotheby's
      • ADOLPH TIDEMAND NORWEGIAN, 1814-1876sold
        Jun. 15, 2004

        ADOLPH TIDEMAND NORWEGIAN, 1814-1876

        Est: £60,000 - £80,000

        signed, dated and inscribed A. Tidemand 1853 / Df. l.l. oil on canvas

        Sotheby's
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