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James Jacques Joseph Tissot French, 1836-1902 Berthe, 1883 Etching and drypoint, signed and dated in the plate A young woman in hat and dress, posed with hand against her cheek; set behind glass and framed.
Selkirk Auctioneers & AppraisersJames Jacques Joseph Tissot (France, 1836-1902). Mezzotint etching, Le Matin. Titled, signed and dated 1886 in the plate, with artist's monogram ink stamped in red lower right. 20" x 11" (with frame 30" x 21"). Crease lower left corner.
Willow Auction HouseJames Jacques Tissot (France, 1836-1902) Ramsgate, 1876 (W. 22) drypoint, etching on cream laid paper The bon à tirer impression, before the edition of 25. Initialed and inscribed Bon à tirerin pencil, lower margin; from Ten Etchings.
Andrew Jones AuctionsJAMES JACQUES JOSEPH TISSOT (FRENCH 1836-1902) LE FOYER DE LA COMÉDIE-FRANÇAISE PENDANT LE SIÈGE DE PARIS - 1877 Etching, from the edition of c. 100, signed in plate (plate size 38cm x 27.5cm (15in x 10.75in))
Lyon & TurnbullJames Tissot, France (1836-1902). 'Le Journal' (The newspaper), etching and drypoint on laid paper, signed and dated lower right,1883, by the artist in the stone. Mounted in chrome and black frame. Measures 28"H x 21"W framed; 16.5"H x 13"W visual paper. Condition report: good condition, no issues, please see all photos. Contact AAG for more detailed information if needed. AAG is not responsible for any errors or omissions to any lots. All sales are final and sold as is. This lot cannot be shipped in house. For an instant guaranteed third party shipping quote through Quality Packing and Shipping visit: https://www.qualitypackship.com/abington-copy-1 or contact our other third party shippers.
Abington Auction GallerySecond state (of two), Edition of 650, signed and titled in the plate, with margins. Frame Measurements H 30.25" W 22" Provenance: From the Estate of Prominent Collector, Leon Zielinski, Macomb County, MI
DuMouchellesTISSOT JAMES: (1836-1902) French painter and illustrator. A.L.S., James Tissot, two pages, 8vo, Avenue du Bois de Boulogne (Paris), 20th May 1883, to a gentleman, in French. Tissot writes 'Quelqu'un qui connait bien l'editeur en question m'a forterment engage d'aller moi-meme demander l'autorisation, on m'a bien explique le pour & le contre de la demarche necessaire et je crois en effet que j'aurais des chances de reussite, tandis que.......dans les affaires les chances seraient contraires. Je crois donc qu'il serait bien que ce soit moi qui commence la campagne. Qu'en pensez-vous' (Translation: 'Someone who knows the publisher in question well urged me to go and ask for permission myself, they explained the to me the pros and cons of the necessary steps and I believe indeed that I would have chances of success, while…..in the business the chances would be opposite. So, I think it would be good if I started the campaign. What do you think?'). With blank integral leaf. VG
International Autograph Auctions Europe, S.L.In the style of James Tissot (1836-1902) Jeune femme au chien Oil on canvas 55 x 45,5 cm Dans le goût de James Tissot (1836-1902) Jeune femme au chien Huile sur toile 55 x 45,5 cm
PiasaJames Jacques Tissot (France, 1836-1902) Ramsgate, 1876 (W. 22) drypoint, etching on cream laid paper The bon à tirer impression, before the edition of 25. Initialed and inscribed Bon à tirerin pencil, lower margin; from Ten Etchings.
Andrew Jones AuctionsJAMES JOSEPH TISSOT (FRENCH, 1836-1902) Mélancolie oil on panel 19 1/2 x 14 3/4 in. (49.5 cm. x 37.5 cm.)
Christie'sJames Jacques Joseph Tissot (French, 1836-1902) Le dimanche matin (Wentworth 72) Etching and drypoint, 1883, on laid paper, from the edition of circa 200 impressions, printed by Delâtre, Paris, with wide margins, framed Plate 400 x 190mm (15 3/4 x 7 1/2in) Sheet 560 x 375mm (22 x 14 3/4in)
BonhamsEtching on cream Van Gelder Zonen laid paper with watermark inscription. (1881).
Karl & FaberJames Jacques Joseph Tissot (French, 1836-1902) 'Promenade Dans La Niege' Drypoint Etching 1880, signed and red monogram stamp within plate lower right, wove paper, depicting Kathleen Newton in the garden, part of the series of seasons, behind glass in gilt wood frame Property from: a Private Collector, Roselle, Illinois Category: Fine Art > Prints Estimated Sale Time: 11:29 am CST Shipping Status: Leonard Auction, Inc. will provide direct shipping for this lot. Please visit our website for a shipping estimate. Sales Tax: California, Florida, Georgia, Kansas, New Jersey, New Mexico, New York, Pennsylvania, Washington, Wisconsin Download High Resolution Photographs: Photograph #1 Photograph #2 Photograph #3 Photograph #4 Photograph #5 Last modified: May 9, 2023, 1:59 pm
Leonard AuctionJames Jacques Joseph Tissot (1836-1906): Printemps Etching in black on laid paper, 1878, unsigned. 21 1/2 x 9 1/2 in. (sheet), 23 3/4 x 11 1/2 in. (frame). Literature: Wentworth 54.
StairJAMES JACQUES TISSOT L'enfant prodigue. Set of 4 etchings and etched title page with drypoint on cream laid paper, 1882. Each 310x375 mm; 12 1/4x14 3/4 inches, full margins. Each in the second state (of 2), with the texts lower margin. Edition of 100. Very good, richly-inked impressions. Wentworth 57-61.
Swann Auction GalleriesJAMES JACQUES TISSOT Renée Mauperin. Set of 10 etchings printed in black on Japan, 1882. Each avant la lettre. Each signed in pencil, lower margin * Set of 10 etchings printed in black on cream laid paper, 1882. Each avec la lettre. Each with the artist's red ink stamp, lower margin. 286x195 mm; 11 1/2x7 3/4 inches (sheets), full margins. Edition of 550. Published by G. Charpentier et Cie., Paris. Very good impressions with strong contrasts. With the linen slipcase. Wentworth 62-71.
Swann Auction GalleriesJAMES JACQUES TISSOT La Tamise. Drypoint and etching, 1876. 225x360 mm; 9 3/4x14 1/4 inches, full margins. Edition of approximately 100. With the artist's red ink stamp (Lugt 1545, lower left recto). A superb, richly-inked impression. Wentworth 20.
Swann Auction GalleriesJAMES JACQUES TISSOT La plus jolie Femme de Paris. Etching and drypoint, 1885. 400x255 mm; 15 3/4x10 inches, full margins. A superb, richly-inked impression of this very scarce etching. Though Wentworth notes that Tissot (1836-1902) announced this etching to be issued in an edition of 500, it seems that much fewer than the entire edition were actually printed. We have found only 7 other impressions at auction in the past 30 years. This etching is based on Tissot's same titled oil painting from 1883-85 now in the collection of the Musée d'art et d'histoire, Geneva. According to Paquette, "Immediately after Tissot's mistress and muse Kathleen Newton died of tuberculosis in November, 1882, he abandoned his St. John's Wood [London] home and moved back to Paris, which he had left following the bloody aftermath of the Franco-Prussian War in 1871. During his eleven years in London, he had declined Edgar Degas' invitation to show his work with the artists who became known as the Impressionists. Tissot exerted himself to re-establish his reputation in Paris with a series of fifteen large-scale pictures called La Femme à Paris (The Parisian Woman). Painted between 1883 and 1885, they portrayed the fashionable parisienne in various incarnations using brighter, modern colors than he had in his previous work. The pictures were exhibited at the Galerie Sedelmeyer, Paris, from April 19 to June 15, 1885, as "Quinze Tableaux sur la Femme à Paris," and at Arthur Tooth and Sons, London, in 1886 as "Pictures of Parisian Life by J.J. Tissot." La Femme à Paris was poorly received. A critic for La Vie Parisienne complained that the women in the series were "always the same Englishwoman"—some say the faces all resembled Kathleen Newton. Another reviewer dismissed Tissot's modern urban women as "gracious puppets." Some found both the poses and compositions awkward and disconcerting. Tissot made etchings only of the first five of the paintings in the series, L'Ambitieuse, Ces dames des chars, Sans dot, La Mystérieuse and La Plus jolie Femme de Paris, planning to sell sets to collectors, but they never were published. La Plus jolie Femme de Paris, was to be written about by Edgar Degas' old schoolmate, the playwright and novelist Ludovic Halévy. In a story with that title later published, translated into English, the wife of a Parisian lawyer is determined to be the most beautiful woman in Paris-—until the next day, when a musical comedy actress becomes the focus of the fickle public's attention," (Paquette, "Tissot's La Femme à Paris series," The Hammock, 2013). Wentworth 81.
Swann Auction GalleriesJames Jacques Tissot (1836-1902) PORTRAIT OF MISS L..., OU IL FAUT QU'UNE PORTE SOIT OUVERTE OU FERMEE; MAVOUREEN (WENTWORTH 23; 31) A drypoint and an etching and drypoint, 1876 and 1877, on laid paper, the second signed in pencil and with artist's red ink stamp (Lugt 1545), with good margins, framed. Plate (second) 14 3/8 x 8 inches; 365 x 203 mm. Sheet (second) 18 5/8 x 12 3/8 inches; 473 x 314 mm. Frames 22 3/8 x 16 inches; 568 x 406 mm. Provenance (first): William Weston Gallery, London C Property Formerly in the Collection of Jayne Wrightsman Bequeathed to the Present Owner
Doyle New YorkJAMES JACQUES JOSEPH TISSOT (FRENCH, 1836-1902) "REVERIE" ETCHING, pencil signed in margin lower left. Housed in a modern frame. Circa 1881. 9" x 4 1/2" plate, 17 3/4" x 12 3/4" OA.
Jeffrey S. Evans & AssociatesJAMES TISSOT (FRENCH 1836-1902) An Uninteresting Story, 1878 etching and drypoint on paper 31.5 ◊ 20.3 cm (12 3/8 ◊ 8 in.) [plate] 40.2 ◊ 27.2 cm (15 13/16 ◊ 10 11/16 in.) [sheet] framed dimensions: 57 x 45 cm (22 1/2 x 18 1/2 in.) signed and dated in plate, upper right; signed, and dated in graphite lower left. Inscribed: En souvenir des dejeuners / le(?) Dimanche et de la musique / avant Vepres /†Juin 1891 James Tissot† LOT NOTES A similar item can be found at the MET Museum. https://www.metmuseum.org/art/collection/search/825542
Shapiro Auctions LLCJAMES JACQUES TISSOT Dimanche Matin. Etching and drypoint on Japan paper, 1883. 400x190 mm; 15 3/4x7 1/2 inches, wide margins. Signed in pencil, lower left, and with the artist's red ink stamp (Lugt 1545, lower right recto). A superb, richly-inked impression with velvety burr and very strong contrasts. Wentworth 72.
Swann Auction GalleriesJAMES JACQUES TISSOT Émigrants. Etching and drypoint, 1880. 345x160 mm; 13 1/2x6 1/4 inches, wide margins. Edition of 100. A very good, richly-inked impression. With—Another impression of the same subject from the cancelled plate. 345x160 mm; 13 1/2x6 1/4 inches, wide margins. Tissot (1836-1902) based this etching on his same-titled oil on canvas, first exhibited in London in 1879, and formerly in the collection of the Montreal Museum of Fine Arts, Canada (the painting was damaged and cut down in the 20th century and is now in a private collection). Wentworth 45.
Swann Auction GalleriesJAMES JACQUES JOSEPH TISSOT France/England, 1836-1902 Trafalgar Tavern, 1878. Edition of approx. 100.
Eldred's