Joseph Mallord William Turner Paintings & Artwork for Sale | Joseph Mallord William Turner Art Value Price Guide

Aug. 30, 2026
RARE JOSEPH WILLIAM MALLORD TURNER [BRITISH] 1775-1851 [ATTR.] 1810 SKETCH BOOK #11 CONTAINING 10 PENCIL, INK, INKWASH AND WATERCOLOUR SKETCHES, EACH INSCRIBED [NOT SIGNED] & DATED. COVER SIZE 20X14CMS, CONDITION FINE. PRIVATE COLLECTION.
Est: -
rare JOSEPH WILLIAM MALLORD TURNER [British] 1775-1851 [attr.] 1810 Sketch Book #11 containing 10 pencil, ink, inkwash and watercolour sketches, each inscribed [not signed] & dated. Cover size 20x14cms, condition fine. Private Collection. Please read the Terms & Conditions of Auction before placing a bid. These T&C's are applicable to each lot in this Auction. Any available provenance or documentation will be included with the description, if not included, assume it to be unknown or missing. Most lots are either ex estate or storage, have not been submitted for authentication, verification or expertising and for this reason, are offered UNRESERVED. It is the responsibility of intending buyers to do their own research and due diligence before submitting an offer. We do not offer returns or refunds - ALL SALES ARE FINAL.
WA Art Auctions
Jul. 02, 2026
JOSEPH MALLORD WILLIAM TURNER, R.A. (1775-1851). The Lauerzersee with the R
Est: £400,000 - £600,000
JOSEPH MALLORD WILLIAM TURNER, R.A. (1775-1851). The Lauerzersee with the Ruins of Schwanau and the Mythen, Switzerland. pencil, pen and grey ink and watercolour, with scratching out on paper8 7/8 x 11 ¼ in. (22.7 x 28.7 cm.).
Christie's
Jul. 01, 2026
Joseph Mallord William Turner RA (London 1775-1851) Schloss Rhäzüns, Near View, the Domleschg Valley, Switzerland
Est: £300,000 - £500,000
Joseph Mallord William Turner RA (London 1775-1851) Schloss Rhäzüns, Near View, the Domleschg Valley, Switzerland pencil and watercolour with scratching out on wove paper watermarked 'J.WHATMAN TURKEY MILL / 1840', a pencil drawing verso of the Domleschg Valley, inscribed 'Fausenburg' 22.8 x 29cm (9 x 11 7/16in).
Bonhams
Jul. 01, 2026
Joseph Mallord William Turner RA (London 1775-1851) Schloss Rhäzüns, Distant View, the Domleschg Valley, Switzerland
Est: £350,000 - £550,000
Joseph Mallord William Turner RA (London 1775-1851) Schloss Rhäzüns, Distant View, the Domleschg Valley, Switzerland pencil and watercolour with scratching out on wove paper watermarked 'J.WHATMAN TURKEY MILL / 1840' 22.8 x 29cm (9 x 11 7/16in).
Bonhams
Jul. 01, 2026
Joseph Mallord William Turner RA (London 1775-1851) Sidon
Est: £40,000 - £60,000
Joseph Mallord William Turner RA (London 1775-1851) Sidon watercolour on paper 12.4 x 19.8cm (4 7/8 x 7 13/16in).
Bonhams
Jul. 01, 2026
JOSEPH MALLORD WILLIAM TURNER, R.A. (LONDON 1775-1851). Vesuvius seen from
Est: £25,000 - £40,000
JOSEPH MALLORD WILLIAM TURNER, R.A. (LONDON 1775-1851). Vesuvius seen from Naples, Morning. pencil and watercolour, with scratching out with fragmentary watermark 'TURKEY MIL / J WHATMA'11 ½ X 16 (29.3 x 40.6 cm)..
Christie's
Jul. 01, 2026
A countryman reclining beside a pond, a cart shed and farm buildings beyond
Est: £20,000 - £30,000
Joseph Mallord William Turner, R.A. (London 1775 - 1851) A countryman reclining beside a pond, a cart shed and farm buildings beyond Watercolour over pencil 298 by 216 mm
Sotheby's
Jul. 01, 2026
Beech Trees at Cassiobury Park, Hertfordshire
Est: £50,000 - £80,000
The property of an important European collector Joseph Mallord William Turner, R.A. (London 1775 - 1851) Beech Trees at Cassiobury Park, Hertfordshire Brown and grey washes over pencil 235 by 374 mm
Sotheby's
Jul. 01, 2026
The glasshouse with armorial window, Farnley Hall, Yorkshire
Est: £25,000 - £35,000
Property from a Prestigious Private Collection Joseph Mallord William Turner, R.A. (London 1775 - 1851) The glasshouse with armorial window, Farnley Hall, Yorkshire Watercolour over traces of pencil, heightened with pen and black ink and bodycolour 78 by 116 mm
Sotheby's
Jun. 25, 2026
Joseph Mallord William Turner, 1775 London – 1851 ebenda, Kreis/ Nachfolge des
Est: €3,000 - €5,000
VENEDIG, VOM CANALE DELLA GIUDECCA Öl auf Leinwand. 61 x 91,5 cm. In vergoldetem Rahmen. Blick auf den Canal Grande mit ruhig treibenden, vollbesetzten Booten und Gondeln, die sich teils malerisch im Wasser widerspiegeln. Links die Basilika Santa Maria della Salute mit ihren hohen Kuppeln in Rückansicht, nach rechts die Silhouette von Venedig mit der Piazzetta, dem Dogenpalast und dem Campanile in diffusem Licht. Stimmungsvolle Darstellung in hellen weichen Farbtönen. Anmerkung: Das 1840 entstandene, 61 x 91,5 cm große Originalgemälde des Künstlers, befindet sich im Victoria and Albert Museum in London. (1481772) (18)
Hampel Fine Art Auctions
Jun. 24, 2026
Attributed to Joseph Mallord William Turner RA (British, 1775-1851)
Est: £1,000 - £2,000
Attributed to Joseph Mallord William Turner RA (British, 1775-1851) A mountainous landscape with a rustic cottage by a stream pen and ink and wash 24 x 34cm According to a Lyon & Turnbull insurance valuation dated 2009, an attribution to Turner was purportedly proposed by Andrew Wilton. The present work, executed in pen and ink and monochrome wash, is stylistically reminiscent of works of the Monro School, an informal 'academy' attended by Turner circa 1794-98, as well as by Thomas Girtin and other artists, at the house of the amateur artist and physician, Dr Thomas Monro (1759-1833) who became one of Turner's early patrons. There, artists were encouraged to study as well as copy the works of established topographical draughtsmen such as Robert Cozens, Edward Dayes and Thomas Hearne. Consequently, the drawings produced within this artistic milieu show a certain stylistic uniformity as the very act of copying tends to disguise the individual trademark characteristics of the artist, which makes it difficult to corroborate a full attribution. However, this drawing exhibits hallmarks of Turner's own early style, known as his 'Monro School' manner, particularly in the handling of the trees which can be compared to his drawing of Lakeside Road in the Fitzwilliam Museum (no. 957).
Cheffins
Jun. 12, 2026
Joseph Mallord William Turner (ambito di) Paesaggio tempestoso
Est: €500 - €800
Il dipinto raffigura un ampio paesaggio attraversato da una luce atmosferica mutevole, costruito attraverso una materia pittorica libera e vaporosa che conferisce alla scena un forte carattere evocativo. La composizione si sviluppa lungo una vasta distesa attraversata da corsi d’acqua e terreni brulli, mentre il cielo, dominato da dense nubi in movimento, assume un ruolo centrale nella definizione emotiva dell’immagine.L’opera mostra evidenti affinità con la pittura di paesaggio inglese dei primi decenni dell’Ottocento e in particolare con la cultura figurativa sviluppata attorno a J. M. W. Turner. La costruzione atmosferica del cielo, la dissoluzione luminosa delle forme e la resa quasi visionaria del paesaggio richiamano infatti quella sensibilità romantica che poneva l’accento sugli effetti naturali, sulla mutevolezza climatica e sulla percezione emotiva dello spazio.La pennellata densa, vorticosa e sfumata, unita alla riduzione descrittiva degli elementi naturali, suggerisce un interesse rivolto più alla resa della luce e dell’atmosfera che alla definizione topografica del luogo. Particolarmente significativa appare la gradazione tonale costruita su terre calde e bruni profondi, interrotti dai bagliori luminosi che emergono all’orizzonte e accentuano il senso di vastità e solitudine della scena.Per caratteri stilistici e qualità pittorica, il dipinto appare riferibile all’ambito della scuola inglese romantica del primo Ottocento, entro una cultura figurativa prossima ai modi turneriani nella quale il paesaggio assume un valore profondamente poetico e atmosferico.
DAMS Casa d'Aste
Jun. 10, 2026
JOSEPH MALLORD WILLIAM TURNER (BRITISH 1775-1851), CAMBRIDGE WITH KING'S COLLEGE CHAPEL
Est: £4,000 - £6,000
JOSEPH MALLORD WILLIAM TURNER (BRITISH 1775-1851)CAMBRIDGE WITH KING'S COLLEGE CHAPELBlue and grey wash over pencil on paperWith early inscription Cambridge/Turner (on the reverse)10 x 15cm (3¾ x 5¾in.) Together with the engraved image by T. Tagg, published 1 June 1795 (Rawlinson 19) (2)Literature:A. Wilton, J.M.W. Turner: His Life and Work, London and Fribourg, 1979, no. 106.The present drawing is a rediscovery, dateable to circa 1794, and is one of Turner's earliest engraved watercolours. Seventeen engravings after Turner, seven by T. Tagg, were published by Harrison & Co., London for The Pocket Magazine, The Ladies Pocket Magazine and Pocket Print Magazine between 1795 and 1796. The engravings depict views in Wales, London, Oxford, Windsor, Bath, Guildford, Northampton and Bristol. The preparatory pencil drawing in the Turner Bequest TB XXI-Z has an incised line that frames the drawing and may have been made in connection with the transfer of the subject to another sheet, probably the present watercolour. Turner executed two other views of King's College, Cambridge around this date, see Wilton, op.cit., nos .77 and 78.The view shows from left to right St Benet's Church, King's College Chapel and Great St Mary's Church, from the South-East with a game of cricket being played in the foreground.We are grateful to Ian Warrell for his help in cataloguing this watercolour.
Dreweatts 1759 Fine Sales
Jun. 10, 2026
JOSEPH MALLORD WILLIAM TURNER (BRITISH 1775-1851), TRAVELLERS PASSING A RUINED ABBEY
Est: £12,000 - £18,000
JOSEPH MALLORD WILLIAM TURNER (BRITISH 1775-1851)TRAVELLERS PASSING A RUINED ABBEY IN SQUALLY WEATHERWatercolour on paper18.5 x 26cm (7¼ x 10in.)Executed circa 1791Provenance:The collection of N. H. HindeHis Sale, Christie's, London, Fine English Drawings and Watercolours, 12 July 1988, lot 65Exhibited:London, Tate Britain, Turner & Constable: Rivals and Originals, 27 November 2025 - 12 April 2026, no. 5Literature:A. Concannon, ed., et al., Turner & Constable: Rivals and Originals, London, 2025, p. 71. ill., no. 5The present watercolour, which was included in the recent exhibition at the Tate Gallery, London 2026, no. 5, Turner and Constable, Rivals and Originals, was executed circa 1791 when Turner was around sixteen years old. A precocious talent, Turner was admitted to the Royal Academy Schools aged fourteen and while still a student became a regular exhibitor, exhibiting his first watercolour there in 1790 and his first oil painting in 1793.The subject of the ruined abbey may be an early attempt at a capriccio view, perhaps inspired by a subject Turner came across when staying with the Narraway Family, friends of his father's, in Bristol or inspired by his visits to Margate, Kent where he attended Coleman's school. Turner has contrasted the crumbling ruins of the Abbey with a gleaming new church glimpsed through the archway, the foliage of the tree on the left-hand side are typical of his early watercolours. The group of figures buffeted by a gust of wind, whilst endeavouring to restrain a misbehaving dog, are reminiscent of those executed by the humorous artist Thomas Rowlandson (1757-1827). Interestingly in 1791, Turner's master Thomas Malton (1748-1804) was engaged in reproducing images after Rowlandson. Stylistically it is similar to Windy Day, Lullingstone Park, Kent, see A. Wilton, The Life and Works of J.M.W. Turner, London, 1979, no. 22.
Dreweatts 1759 Fine Sales
May. 20, 2026
Turner (Joseph Mallord William, 1775-1851). Turner's Liber Studiorum..., 1861
Est: £100 - £150
Turner (Joseph Mallord William, 1775-1851). Turner's Liber Studiorum..., 1861 Turner (Joseph Mallord William, 1775-1851). Turner's Liber Studiorum. Photographs from the Thirty Original Drawings … in the South Kensington Museum. Published under the authority of the Department of Science and Art, London: Cundall, Downes, 1861, 2 preliminary leaves (title and contents), 30 mounted albumen prints, images 18 x 26 cm, imprint details to lower margins of mounts and small printed caption labels applied lower left, all loosely contained in original quarter morocco portfolio with printed boards, rubbed and soiled, some wear, folio QTY: (1) NOTE: An early Victorian experiment of reproducing works on paper through photography, and an attempt to help the public understand Turner’s working methods. The photographs had been taken by Charles Thurston Thompson (1816-1868). A second series with 21 albumen print photographs was published the following year.
Dominic Winter Auctions
May. 17, 2026
1846 J.M.W. TURNER (1775-1851) DRAWING
Est: $1,000 - $2,000
J.M.W. Turner (London 1775-1851) watercolor with provenance. Titled "Shin Bridge 1846". Watercolor, pencil and ink on paper. From Hammer Galleries New York. Not an etching or print. Original from the J.M.W. Turner Collection of the late John Anderson Jr. who was the author of the Unknown Turner. 6 1/2 inches x 10 inches. Some foxing and faded. Titled upper right corner. Matted but not framed. Laid down. Gimbals Brothers Broadway 33rd street Receipt stapled to matting. Envelope to Katherine Tilson 1947. The Estate of Nicholas Mitropouloa 1952-2025
White's Auctions
May. 16, 2026
Print, James Mallord William Turner
Est: $300 - $500
James Mallord William Turner (British, 1775-1851) "Rivaux Abbey, Yorkshire," etching and engraving with mezzotint, overall (with frame): 16.75"h x 20.75"w
Clars Auctions
May. 16, 2026
Print, Joseph Mallord William Turner
Est: $100 - $200
Joseph Mallord William Turner (British, 1775–1851), "Norney Castle, Yorkshire," engraving, overall (with frame): 15"h x 17"w.
Clars Auctions
May. 16, 2026
Print, James Mallord William Turner
Est: $300 - $500
James Mallord William Turner (British, 1775-1851) "Temple of Minerva Medica," etching and engraving with mezzotint, overall (with frame): 16.75"h x 20.75"w
Clars Auctions
May. 16, 2026
Print, James Mallord William Turner
Est: $300 - $500
James Mallord William Turner (British, 1775-1851) "Norham Castle on the Tweed," etching and engraving with mezzotint, overall (with frame): 17"h x 21"w
Clars Auctions
May. 16, 2026
Print, James Mallord William Turner
Est: $300 - $500
James Mallord William Turner (British, 1775-1851) "Rivaux Abbey," etching, overall (with frame): 17"h x 21"w. Note: The certificate of authenticity from Pasquale Iannetti Art Galleries, Inc. accompanies this lot.
Clars Auctions
May. 13, 2026
Two British engravings: J.M.W. Turner (1775-1871) and W.B. Cooke: Torbay from Brixham (hand-colored; London, probably mid 19th c.) and by John Constable (1776-1837) and C. Cousen: The Wheat Field (London, 19th c.) 15"H x
Est: $160 - $300
Two British engravings: J.M.W. Turner (1775-1871) and W.B. Cooke: Torbay from Brixham (hand-colored; London, probably mid 19th c.) and by John Constable (1776-1837) and C. Cousen: The Wheat Field (London, 19th c.)
Ripley Auctions
Apr. 30, 2026
Attributed to Joseph Mallord William Turner (1775-1851): Boulogne Sketchbook
Est: $15,000 - $20,000
Bound sketchbook with twenty-seven watercolor sketches, 1827-28, variously inscribed with location and date on the reverse, the last sketch with text in French on the reverse, dated 1827 on the cover, variously inscribed on the inside cover, with label from John Ilderton Burn. All 4 1/2 x 6 in. (sheet), bound. Note: This sketchbook was made during one of Turner's visits to Boulogne on the coast of France. It was previously in the collection of John Ilderton Burn (1774-1848), an attorney with a specialization in the law of marine insurances who argued on behalf of the Earl of Stirling and Dovan in 1833 for the territorial title to Nova Scotia and other possessions in North America. A similar sketchbook of images in Boulogne is in the collection of the Tate, London which was the recipient of the Turner Bequest in 1910.
STAIR
Apr. 30, 2026
Attributed to Joseph Mallord William Turner (1775-1851): Amiens Cathedral
Est: $20,000 - $30,000
Watercolor on paper on a card mount, unsigned, titled and inscribed 'When I was with Ruskin' on the mount, with label from Spink & Son Ltd., London. 4 3/8 x 7 1/2 in. (sheet), 9 x 12 in. (mount), 12 1/4 x 14 3/4 in. (frame). Note: Joseph Mallord William Turner (1775-1851) was one of the most successful Romantic landscape painters of nineteenth-century England. Turner was a versatile innovator whose subject matter ranged from peaceful, local landscapes to dramatic marine storms and atmospheric renderings of sky and seascapes. Turner's work is also seen as an early harbinger of the abstraction that was to come later in the nineteenth century, eliciting strong critical responses from colleagues and the London art world elite. While generally respected by fellow artists, Turner was often criticized by conservative art historians for being too bold and progressive in his handling of the paint, and too interested in expressing the emotions of everyday life in his choice of subject. In 1836, following a particularly negative review, critic and art historian John Ruskin (1819-1900) took up Turner's defense, arguing for Turner's genius and his "colossal power." The subject of this watercolor attributed to Joseph Mallord William Turner is Amiens Cathedral in France. The cathedral was the central subject in John Ruskin's critical writing about traditional architecture and art history in The Bible of Amiens, written in 1882 after many years visiting Amiens and studying the cathedral. This drawing, though not signed nor dated, is inscribed 'When I was with Ruskin', linking the artist and the critic through a wonderfully rendered depiction of the cathedral that meant so much to Ruskin.
STAIR
Apr. 28, 2026
JMW TURNER ETCHING ALDBOROUGH SUFFOLK
Est: $100 - $200
Joseph Mallord William Turner (England 1775-1851). A etching from the Picturesque Views in England and Wales titled, "Aldborough, Suffolk" (1827). See Rawlinson 219. Printed on laid paper. Engraved by Edward Goodall. A good impression. Provenance: From a distinguished private collection of a Westchester county collector/dealer. Measures: 13 1/2" x 18 3/4" Plate: 10" x 12"
Austin York LLC
Apr. 28, 2026
JMW TURNER ETCHING MALMSBURY WILTSHIRE
Est: $100 - $200
Joseph Mallord William Turner (England 1775-1851). A etching from the Picturesque Views in England and Wales titled, "Malmsbury, Wiltshire" (1828). Printed on laid paper. Engraved by John Charles Varrall. See Rawlinson 229. Provenance: From a distinguished private collection of a Westchester county collector/dealer. Measures: 14 1/4" x 19 1/4" Plate: 9 1/4" x 12 1/4"
Austin York LLC
Apr. 28, 2026
JMW TURNER ETCHING KNARESBOROUGH YORKSHIRE
Est: $80 - $150
Joseph Mallord William Turner (England 1775-1851). A etching from the Pictureque Views in England and Wales titled, "Knaresborough Yorkshire" (1828). See Rawlinson 228. Printed on laid paper. Provenance: From a distinguished private collection of a Westchester county collector/dealer. Measures: 13 3/4" x 9 1/4" Plate: 10" x 12"
Austin York LLC
Apr. 28, 2026
JMW TURNER ENGRAVING STAMFORD LINCOLNSHIRE
Est: $80 - $150
Joseph Mallord William Turner (England 1775-1851). An steel engraving titled, "Stamford Lincolnshire" engraved by William Miller. (See Rawlinson 241) Printed on laid paper. Collector blindstamp at margin edge LR. From the Picturesque Views in England and Wales. Provenance: From a distinguished private collection of a Westchester county collector/dealer. Measures: 12 3/4" x 15 1/4" Plate: 9 1/2" x 11 3/4"
Austin York LLC
Apr. 28, 2026
JMW TURNER ENGRAVING GLAUCUS AND SCYLLA
Est: $100 - $150
Joseph Mallord William Turner (England 1775-1851). An engraving and mezzotint titled, "Glaucus and Scylla" engraved by William Say. Turner created the work around 1810-1815 and the plate is from his "Liber Studiorum". Printed on laid paper in brown ink. Provenance: From a distinguished private collection of a Westchester county collector/dealer. Measures: 11 3/4" x 17 1/2" Plate: 8 1/4" x 11 1/4"
Austin York LLC
Apr. 28, 2026
JMW TURNER ENGRAVING DARTMOUTH COVE
Est: $50 - $150
Joseph Mallord William Turner (England 1775-1851). A steel engraving titled, "Dartmouth Cove" engraved by W R Smith. Printed on laid paper. Provenance: From a distinguished private collection of a Westchester county collector/dealer. Measures: 11 1/4" x 15" Plate: 9 3/4" x 12"
Austin York LLC
Apr. 27, 2026
Joseph Mallord William Turner (1775–1851) Giudecca Canal, Venice, 1840 Signed and attributed
Est: $150,000 - $200,000
Watercolor on paper 1840 Signed lower left Dimensions (including frame): 51 x 45 cm Dimensions (excluding frame): 22.3 × 28.1 cm Provenance: Private collection, London, England. Collection of the artist Yossel Bergner, Tel Aviv Israel, Private collection, Tel Aviv, Israel. Purchased from the artist's estate Condition: For a detailed condition report, please contact: info@hammersite.com
Hammersite
Apr. 16, 2026
Joseph Mallord William Turner (1775-1851), Ship and Cutter, circa 1820-1826.
Est: $1,000 - $1,500
Joseph Mallord William Turner (1775-1851) Ship and Cutter. Mezzotint, circa 1820-1826. Rawlinson 808.
Swann Auction Galleries
Apr. 15, 2026
JOSEPH MALLORD WILLIAM TURNER, R.A. (1775-1851). Lebanon in a Thunderstorm
Est: €200,000 - €300,000
JOSEPH MALLORD WILLIAM TURNER, R.A. (1775-1851). Lebanon in a Thunderstorm (The Cedars of Lebanon). graphite et aquarelle, rehaussé de touches de gouaches et grattage13.6 x 20.6 cm..
Christie's
Apr. 15, 2026
JOSEPH MALLORD WILLIAM TURNER, R.A. (1775-1851). The Brenva Glacier from No
Est: €200,000 - €300,000
JOSEPH MALLORD WILLIAM TURNER, R.A. (1775-1851). The Brenva Glacier from Notre Dame de la Guérison, above Courmayeur, Val....
Christie's
Apr. 15, 2026
JOSEPH MALLORD WILLIAM TURNER, R.A. (1775-1851). Jerusalem from the Latin C
Est: €250,000 - €350,000
JOSEPH MALLORD WILLIAM TURNER, R.A. (1775-1851). Jerusalem from the Latin Convent. graphite et aquarelle, rehaussé avec des touches de gouaches et grattage14 x 20.3 cm..
Christie's
Mar. 25, 2026
Mallord Turner ( 1775-1851)- follower
Est: €100 - €200
Mallord Turner ( 1775-1851)- follower , Venice , oil on canvas, 62 x 78 cm , framed
Deutsch Auktionen
Mar. 20, 2026
Joseph Mallord William Turner (British, 1775-1851) John Singer Sargent (AMERICAN); Various Artists Art Books 'Turner in the South; Turner: the Great Watercolors;', 5 PCS
Est: $50 - $100
The Great Age of British Watercolours 1750-1880; John Singer Sargent Tate Gallery Publishing; The Metropolitan Museum of Art: Corot; Turner: The Great Watercolours; Turner in the South Provenance: Collection of Dr. Graham Smith, Professor of Art History, University of Michigan, Ann Arbor, Michigan 1970s-1990s. Former Director of the Museum of Art for the University of Michigan. Professor of Art History, Head of School, University of St. Andrews, Scotland 1990's - 2000's. Emeritus Professor and Fellow of the Royal Society of Edinburgh. Dimensions: 5 PCS
DuMouchelles
Mar. 13, 2026
JOSEPH MALLORD WILLIAM TURNER (ATTR./UMKREIS) | NEAPOLITANISCHE FISCHERINNEN BEIM BADEN IM MONDLICHT
Est: €8,000 - €16,000
JOSEPH MALLORD WILLIAM TURNER (ATTR./UMKREIS) 1775 London - 1851 Ebenda NEAPOLITANISCHE FISCHERINNEN BEIM BADEN IM MONDLICHT ÜBERRASCHT Öl auf Holz. 73 x 90 cm (R. 84 x 102 cm). Restaurierung einer horizontalen durchgehenden Rissbildung. Rahmen. Die Komposition wiederholt in vergrößertem Maßstab das kompositorische Schema, das von zwei Fassungen Turners zu demselben Sujet bekannt ist: der auf Leinwand ausgeführten Version (Catalogue raisonné Butlin/Joll, Nr. 388) sowie der kleinformatigeren Fassung auf Holz (Nr. 389). Wie in diesen Werken entfaltet sich die Szene am Ufer; dargestellt sind eine Gruppe weiblicher Figuren am Wasserrand sowie der Kontrast zwischen den dunklen Massen des Laubwerks und dem Mondlicht. Die Historiographie dieses Motivs ist im Catalogue raisonné dokumentiert. Dort wird dargelegt, dass bereits im 19. Jahrhundert eine Verwechslung zwischen der Leinwand- und der Tafelversion bestand, bedingt durch das Fehlen von Angaben zum Bildträger in frühen Ausstellungs- und Auktionskatalogen sowie durch die Verflechtung ihrer Provenienzen in den 1850er und 1860er Jahren. Das Wiederauftauchen der Leinwandfassung im Jahr 1974 bestätigte die Existenz von mindestens zwei zeitlich und konzeptionell eng verwandten Werken, wobei die Frage der Identifizierung des 1840 in der Royal Academy ausgestellten Bildes weiterhin Gegenstand wissenschaftlicher Diskussion ist. Literatur: Butlin, Martin; Joll, Evelyn. The Paintings of J. M. W. Turner. Revised and enlarged edition. New Haven and London: Yale University Press, 1977. Provenienz: Privatsammlung. JOSEPH MALLORD WILLIAM TURNER (ATTR./UMKREIS) 1775 London - 1851 Ebenda NEAPOLITANISCHE FISCHERINNEN BEIM BADEN IM MONDLICHT ÜBERRASCHT
Hargesheimer Kunstauktionen Düsseldorf
Mar. 12, 2026
Follower of Joseph Mallord William Turner (British, 1775–1851), View of Venice
Est: £500 - £800
Follower of Joseph Mallord William Turner (British, 1775–1851) View of Venice Oil on canvas With old label to the canvas verso Dimensions: (Frame) 24.25 in. (H) x 32.5 in. (W) (Canvas) 19 in. (H) x 28 in. (W)
Sloane Street Auctions
Mar. 10, 2026
After Joseph Mallord William Turner, RA, British 1775-1851-
Est: £200 - £300
After Joseph Mallord William Turner, RA, British 1775-1851- View of the Dogana, Venice; watercolour heightened with white on paper, bears signature 'J.M.W. Turner' (lower right), 13.4 x 23.3 cm. Provenance: Private Collection, UK. Note: The present work is a copy after Turner's composition, which was reproduced in an etching by James Tibbetts Willmore (1800-1863).
Roseberys
Mar. 08, 2026
JOSEPH WILLIAM MALLORD TURNER [BRITISH] 1775-1851 [ATTR.] "KIRKSTALL ABBEY" PENCIL SKETCH ON CARD, INSCIBED [NOT SIGNED], 15.5X22CMS, FRAMED. CONDITION FINE, CHISWICK IVORY PAPER BLINDSTAMP UPPER LEFT. PRIVATE COLLECTION.
Est: -
JOSEPH WILLIAM MALLORD TURNER [British] 1775-1851 [attr.] "Kirkstall Abbey" pencil sketch on card, inscibed [not signed], 15.5x22cms, framed. Condition fine, Chiswick Ivory Paper blindstamp upper left. Private Collection. Please read the Terms & Conditions of Auction before placing a bid. These T&C's are applicable to each lot in this Auction. Any available provenance or documentation will be included with the description, if not included, assume it to be unknown or missing. Most lots are either ex estate or storage, have not been submitted for authentication, verification or expertising and for this reason, are offered UNRESERVED. It is the responsibility of intending buyers to do their own research and due diligence before submitting an offer. We do not offer returns or refunds - ALL SALES ARE FINAL.
WA Art Auctions
Mar. 08, 2026
JOSEPH WILLIAM MALLORD TURNER [BRITISH] 1775-1851 [ATTR.] "KIRKTHORPE CHURCH" PENCIL DRAWING , NOT SIGNED, INSCRIBED & DATED 1846 VERSO, 18X26CMS, FRAMED. CONDITION FOR AGE IS GOOD, DAMGE TO UPPER RIGHT HAND CORNER. PRIVATE COLLECTION.
Est: -
JOSEPH WILLIAM MALLORD TURNER [British] 1775-1851 [attr.] "Kirkthorpe Church" pencil drawing, not signed, inscribed & dated 1846 verso, 18x26cms, framed. Condition for age is good, damge to upper right hand corner. Private Collection. Please read the Terms & Conditions of Auction before placing a bid. These T&C's are applicable to each lot in this Auction. Any available provenance or documentation will be included with the description, if not included, assume it to be unknown or missing. Most lots are either ex estate or storage, have not been submitted for authentication, verification or expertising and for this reason, are offered UNRESERVED. It is the responsibility of intending buyers to do their own research and due diligence before submitting an offer. We do not offer returns or refunds - ALL SALES ARE FINAL.
WA Art Auctions
Mar. 08, 2026
RARE JOSEPH WILLIAM MALLORD TURNER [BRITISH] 1775-1851 [ATTR.] 1810 SKETCH BOOK #11 CONTAINING 10 PENCIL, INK, INKWASH AND WATERCOLOUR SKETCHES, EACH INSCRIBED [NOT SIGNED] & DATED. COVER SIZE 20X14CMS, CONDITION FINE. PRIVATE COLLECTION.
Est: -
rare JOSEPH WILLIAM MALLORD TURNER [British] 1775-1851 [attr.] 1810 Sketch Book #11 containing 10 pencil, ink, inkwash and watercolour sketches, each inscribed [not signed] & dated. Cover size 20x14cms, condition fine. Private Collection. Please read the Terms & Conditions of Auction before placing a bid. These T&C's are applicable to each lot in this Auction. Any available provenance or documentation will be included with the description, if not included, assume it to be unknown or missing. Most lots are either ex estate or storage, have not been submitted for authentication, verification or expertising and for this reason, are offered UNRESERVED. It is the responsibility of intending buyers to do their own research and due diligence before submitting an offer. We do not offer returns or refunds - ALL SALES ARE FINAL.
WA Art Auctions
Mar. 08, 2026
JOSEPH MALLORD WILLIAM TURNER [BRITISH] 1775-1851 [ATTR.] "VIEW OF VENICE FROM THE LAGOON" C1840, OIL ON CANVAS, SIGNED LOWER RIGHT, 55X80CMS, PERIOD FRAME. PRIVATE COLLECTION.
Est: -
JOSEPH MALLORD WILLIAM TURNER [British] 1775-1851 [attr.] "View of Venice from the Lagoon" C1840, oil on canvas, a distinct & conforming signature lower right, 55x80cms, period frame 85x108cms. Private Collection. Condition: Fine overall, restored, cleaned & relined 1984 by Stacy-Marks Ltd., Sussex. Frame is original to the painting. Provenance: Mrs. Waller, Highbrook House, Sussex. Stacy-Marks Ltd, Eastbourne, Sussex. Please read the Terms & Conditions of Auction before placing a bid. These T&C's are applicable to each lot in this Auction. Any available provenance or documentation will be included with the description, if not included, assume it to be unknown or missing. Most lots are either ex estate or storage, have not been submitted for authentication, verification or expertising and for this reason, are offered UNRESERVED. It is the responsibility of intending buyers to do their own research and due diligence before submitting an offer. We do not offer returns or refunds - ALL SALES ARE FINAL.
WA Art Auctions
Feb. 12, 2026
Group of (6) Engravings Depicting British and European landscapes, mostly by J. M. W. Turner (1775 - 1851). Some mounted, all unframed. Largest dimensions: 36 x 42 cm.
Est: $30 - $50
Group of (6) Engravings Depicting British and European landscapes, mostly by J. M. W. Turner (1775 - 1851). Some mounted, all unframed. Largest dimensions: 36 x 42 cm.
Lawsons
Feb. 05, 2026
JOSEPH MALLORD WILLIAM TURNER, R.A. (LONDON 1775-1851). View down the Mont
Est: $400,000 - $600,000
JOSEPH MALLORD WILLIAM TURNER, R.A. (LONDON 1775-1851). View down the Mont Cenis. pencil, watercolor and bodycolor with scratching out on paper9 ½ x 11 7/8 in. (24 x 30 cm).
Christie's
Feb. 04, 2026
Cottages at Rosthwaite, Borrowdale
Est: $10,000 - $15,000
Joseph Mallord William Turner, R.A. and Thomas Girtin (London 1775 - 1851 and London 1775 - 1802) Cottages at Rosthwaite, Borrowdale Point of the brush and gray wash over pencil 162 by 245 mm; 6⅜ by 9⅝ in.
Sotheby's
Jan. 26, 2026
Attributed to Joseph Mallord William Turner (1775-1851), "Sunset over the Sea", Great Britain
Est: $25,000 - $35,000
Oil on canvas, laid down on panel Dimensions: 18.2 × 10 cm Provenance: Private collection of Jean-Philippe Ghaen, France Condition: For a detailed condition report, please contact: info@hammersite.com
Hammersite