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Le notti di Cabiria engraving, ex. 73/100, cm. 49.5x68 TOGETHER WITH Ennio Calabria (Tripoli 1937) La dolce vita engraving, ex. 73/100, cm. 68.5x49 TOGETHER WITH Sergio Vacchi (Castenaso 1925 - Siena 2016) Perr Amarcord color lithograph, ex. 73/100, cm. 49x68 TOGETHER WITH Giovanni Stradone (Nola 1911 - Rome 1981) I Vitelloni color lithograph, ex. 73/100, cm. 49x68
Bolli & Romiti s.r.lHand-Signed and numbered in pencil by the artist. Sergio Vacchi (1 April 1925 – 14 January 2016) was an Italian painter. Born in Castenaso, Bologna, Vacchi abandoned his studies in law to pursue his passion for painting. A self-taught artist, in 1951 he held his first solo exhibition in Milan at the prestigious Galleria del Milione. After a period close to post-cubism, between 1956 and 1962 he embraced the informalism. In the early 1960s, Vacchi moved to Rome, and there he started a cycle of gouaches and paintings collectively known as Il Concilio (i.e. "The Council"), which raised large controversities with the Roman Catholic Church because of their grotesque and sometimes blasphemous representation of the church. When in 1964 Vacchi was invited to the Venice Biennale, the patriarch of Venice forbade Catholics to visit his room. Following some cues present in Il Concilio, Vacchi embraced a new art movement, known as Nuova Figurazione ("New Figuration"), of which the first significant example was Morte di Federico II di Hohenstaufen. In the following years the painting cycles Galileo Galilei semper... and Pianeta followed. In the 1990s Vacchi devoted himself to cycles of portraits and self-portraits, and particularly to Greta Garbo's portraits. In 1997 he moved to Siena, where he founded the foundation Fondazione Vacchi. He stopped painting in the late 2000s, because of the Parkinson's disease that had affected him.
Art AtelierHand-Signed and numbered in pencil by the artist. Sergio Vacchi (1 April 1925 – 14 January 2016) was an Italian painter. Born in Castenaso, Bologna, Vacchi abandoned his studies in law to pursue his passion for painting. A self-taught artist, in 1951 he held his first solo exhibition in Milan at the prestigious Galleria del Milione. After a period close to post-cubism, between 1956 and 1962 he embraced the informalism. In the early 1960s, Vacchi moved to Rome, and there he started a cycle of gouaches and paintings collectively known as Il Concilio (i.e. "The Council"), which raised large controversities with the Roman Catholic Church because of their grotesque and sometimes blasphemous representation of the church. When in 1964 Vacchi was invited to the Venice Biennale, the patriarch of Venice forbade Catholics to visit his room. Following some cues present in Il Concilio, Vacchi embraced a new art movement, known as Nuova Figurazione ("New Figuration"), of which the first significant example was Morte di Federico II di Hohenstaufen. In the following years the painting cycles Galileo Galilei semper... and Pianeta followed. In the 1990s Vacchi devoted himself to cycles of portraits and self-portraits, and particularly to Greta Garbo's portraits. In 1997 he moved to Siena, where he founded the foundation Fondazione Vacchi. He stopped painting in the late 2000s, because of the Parkinson's disease that had affected him.
Art AtelierHand retouched lithograph eg. 19/100. Signed lower right.
ArtLaRosaSERGIO VACCHI (Castenaso 1925 - Siena 2016) La spiaggia del pechinese, 1969 Olio su tela, cm. 68 x 100 Firma, data e titolo al retro Firma e data in basso a sinistra In cornice PUBBLICAZIONI Catalogo Ragionato dei dipinti di Sergio Vacchi 1948-2008, II volume, Skira Editore, Milano 2011, p. 875, n. 8/1969/42
Casa d'Aste BabuinoSERGIO VACCHI (Castenaso 1925 - Siena 2016) Donna seduta, 1972 Acquarello, matita e acrilico su carta, cm. 50 x 70 Firma e data in basso a destra In cornice
Casa d'Aste BabuinoHand-Signed and numbered in pencil by the artist. Sergio Vacchi (1 April 1925 – 14 January 2016) was an Italian painter. Born in Castenaso, Bologna, Vacchi abandoned his studies in law to pursue his passion for painting. A self-taught artist, in 1951 he held his first solo exhibition in Milan at the prestigious Galleria del Milione. After a period close to post-cubism, between 1956 and 1962 he embraced the informalism. In the early 1960s, Vacchi moved to Rome, and there he started a cycle of gouaches and paintings collectively known as Il Concilio (i.e. "The Council"), which raised large controversities with the Roman Catholic Church because of their grotesque and sometimes blasphemous representation of the church. When in 1964 Vacchi was invited to the Venice Biennale, the patriarch of Venice forbade Catholics to visit his room. Following some cues present in Il Concilio, Vacchi embraced a new art movement, known as Nuova Figurazione ("New Figuration"), of which the first significant example was Morte di Federico II di Hohenstaufen. In the following years the painting cycles Galileo Galilei semper... and Pianeta followed. In the 1990s Vacchi devoted himself to cycles of portraits and self-portraits, and particularly to Greta Garbo's portraits. In 1997 he moved to Siena, where he founded the foundation Fondazione Vacchi. He stopped painting in the late 2000s, because of the Parkinson's disease that had affected him.
Art Ateliersignature, date and title at the bottom
Fidesarte Italia SRLHand-Signed and numbered in pencil by the artist. Sergio Vacchi (1 April 1925 – 14 January 2016) was an Italian painter. Born in Castenaso, Bologna, Vacchi abandoned his studies in law to pursue his passion for painting. A self-taught artist, in 1951 he held his first solo exhibition in Milan at the prestigious Galleria del Milione. After a period close to post-cubism, between 1956 and 1962 he embraced the informalism. In the early 1960s, Vacchi moved to Rome, and there he started a cycle of gouaches and paintings collectively known as Il Concilio (i.e. "The Council"), which raised large controversities with the Roman Catholic Church because of their grotesque and sometimes blasphemous representation of the church. When in 1964 Vacchi was invited to the Venice Biennale, the patriarch of Venice forbade Catholics to visit his room. Following some cues present in Il Concilio, Vacchi embraced a new art movement, known as Nuova Figurazione ("New Figuration"), of which the first significant example was Morte di Federico II di Hohenstaufen. In the following years the painting cycles Galileo Galilei semper... and Pianeta followed. In the 1990s Vacchi devoted himself to cycles of portraits and self-portraits, and particularly to Greta Garbo's portraits. In 1997 he moved to Siena, where he founded the foundation Fondazione Vacchi. He stopped painting in the late 2000s, because of the Parkinson's disease that had affected him.
Art AtelierSERGIO VACCHI (Castenaso, 1925 - Siena, 2016) La sposa infinita, 1990 Oil on canvas, 60 x 40 cm Signed and dated lower centre: Vacchi, 1990; on the back titled, signed and dated: La sposa infinita, Vacchi, 1990 Excellent cpnditions, framed without glass
Bertolami Fine ArtSERGIO VACCHI (Castenaso, 1925 - Siena, 2016) Surrealist Landscape, 1968 Lithography painted with aluminium, 70 x 100 cm Signed and dated lower right: Vacchi, '68, dedication lower left: Prova mia dipinta con alluminio da me medesimo, dedicata a Michele Good conditions, framed with glass
Bertolami Fine ArtHand-Signed and numbered in pencil by the artist. Sergio Vacchi (1 April 1925 – 14 January 2016) was an Italian painter. Born in Castenaso, Bologna, Vacchi abandoned his studies in law to pursue his passion for painting. A self-taught artist, in 1951 he held his first solo exhibition in Milan at the prestigious Galleria del Milione. After a period close to post-cubism, between 1956 and 1962 he embraced the informalism. In the early 1960s, Vacchi moved to Rome, and there he started a cycle of gouaches and paintings collectively known as Il Concilio (i.e. "The Council"), which raised large controversities with the Roman Catholic Church because of their grotesque and sometimes blasphemous representation of the church. When in 1964 Vacchi was invited to the Venice Biennale, the patriarch of Venice forbade Catholics to visit his room. Following some cues present in Il Concilio, Vacchi embraced a new art movement, known as Nuova Figurazione ("New Figuration"), of which the first significant example was Morte di Federico II di Hohenstaufen. In the following years the painting cycles Galileo Galilei semper... and Pianeta followed. In the 1990s Vacchi devoted himself to cycles of portraits and self-portraits, and particularly to Greta Garbo's portraits. In 1997 he moved to Siena, where he founded the foundation Fondazione Vacchi. He stopped painting in the late 2000s, because of the Parkinson's disease that had affected him.
Art AtelierHand-Signed and numbered in pencil by the artist. Sergio Vacchi (1 April 1925 – 14 January 2016) was an Italian painter. Born in Castenaso, Bologna, Vacchi abandoned his studies in law to pursue his passion for painting. A self-taught artist, in 1951 he held his first solo exhibition in Milan at the prestigious Galleria del Milione. After a period close to post-cubism, between 1956 and 1962 he embraced the informalism. In the early 1960s, Vacchi moved to Rome, and there he started a cycle of gouaches and paintings collectively known as Il Concilio (i.e. "The Council"), which raised large controversities with the Roman Catholic Church because of their grotesque and sometimes blasphemous representation of the church. When in 1964 Vacchi was invited to the Venice Biennale, the patriarch of Venice forbade Catholics to visit his room. Following some cues present in Il Concilio, Vacchi embraced a new art movement, known as Nuova Figurazione ("New Figuration"), of which the first significant example was Morte di Federico II di Hohenstaufen. In the following years the painting cycles Galileo Galilei semper... and Pianeta followed. In the 1990s Vacchi devoted himself to cycles of portraits and self-portraits, and particularly to Greta Garbo's portraits. In 1997 he moved to Siena, where he founded the foundation Fondazione Vacchi. He stopped painting in the late 2000s, because of the Parkinson's disease that had affected him.
Art AtelierOLIO SU COMPENSATO Indicazione Della Bambola h cm 60 x 60
Trionfante Antiques s.r.lTecnica mista su cartoncino, cm. 55x75. Firma e data in basso a destra; titolo in basso al centro
Pananti Casa D'Aste SRLSergio Vacchi ( Castenaso, 1925 - Siena, 2016) La notte di Grotti 2000 Olio su tela cm 70x50; con cornice cm 96x76 Firmato in basso a destra Al retro titolo e firma
Gliubich Casa d'AsteSergio Vacchi ( Castenaso, 1925 - Siena, 2016) Piscine lustrali con girasole Litografia cm 50x70 Firmato in basso a destra Esemplare 75/200 ritoccata a mano
Gliubich Casa d'AsteHand-Signed and numbered in pencil by the artist. Sergio Vacchi (1 April 1925 – 14 January 2016) was an Italian painter. Born in Castenaso, Bologna, Vacchi abandoned his studies in law to pursue his passion for painting. A self-taught artist, in 1951 he held his first solo exhibition in Milan at the prestigious Galleria del Milione. After a period close to post-cubism, between 1956 and 1962 he embraced the informalism. In the early 1960s, Vacchi moved to Rome, and there he started a cycle of gouaches and paintings collectively known as Il Concilio (i.e. "The Council"), which raised large controversities with the Roman Catholic Church because of their grotesque and sometimes blasphemous representation of the church. When in 1964 Vacchi was invited to the Venice Biennale, the patriarch of Venice forbade Catholics to visit his room. Following some cues present in Il Concilio, Vacchi embraced a new art movement, known as Nuova Figurazione ("New Figuration"), of which the first significant example was Morte di Federico II di Hohenstaufen. In the following years the painting cycles Galileo Galilei semper... and Pianeta followed. In the 1990s Vacchi devoted himself to cycles of portraits and self-portraits, and particularly to Greta Garbo's portraits. In 1997 he moved to Siena, where he founded the foundation Fondazione Vacchi. He stopped painting in the late 2000s, because of the Parkinson's disease that had affected him.
Art AtelierVacchi Sergio (Castenaso 1925 - Siena 2016) ROME OF GOODBYE Engraving 97.5x70 cm; signature lower right, title lower center, edition 32/50 lower left. Undeciphered signature, Composition with tiger, 1997, drypoint 35x50 cm, signature and year lower right, edition II / XII lower left. Da Norcia Paolo (1954) MEETING Screen printing 40x70 cm Signature bottom right and left edition I / L
Aste BrinaHand-Signed and numbered in pencil by the artist. Sergio Vacchi (1 April 1925 – 14 January 2016) was an Italian painter. Born in Castenaso, Bologna, Vacchi abandoned his studies in law to pursue his passion for painting. A self-taught artist, in 1951 he held his first solo exhibition in Milan at the prestigious Galleria del Milione. After a period close to post-cubism, between 1956 and 1962 he embraced the informalism. In the early 1960s, Vacchi moved to Rome, and there he started a cycle of gouaches and paintings collectively known as Il Concilio (i.e. "The Council"), which raised large controversities with the Roman Catholic Church because of their grotesque and sometimes blasphemous representation of the church. When in 1964 Vacchi was invited to the Venice Biennale, the patriarch of Venice forbade Catholics to visit his room. Following some cues present in Il Concilio, Vacchi embraced a new art movement, known as Nuova Figurazione ("New Figuration"), of which the first significant example was Morte di Federico II di Hohenstaufen. In the following years the painting cycles Galileo Galilei semper... and Pianeta followed. In the 1990s Vacchi devoted himself to cycles of portraits and self-portraits, and particularly to Greta Garbo's portraits. In 1997 he moved to Siena, where he founded the foundation Fondazione Vacchi. He stopped painting in the late 2000s, because of the Parkinson's disease that had affected him.
Art AtelierSERGIO VACCHI (Castenaso 1925 - Siena 2016) “Piccoli corpi sul prato”, 1959. Olio su tela. Cm 35x45. Opera firmata e datata in basso a destra Vacchi 59. Al retro opera intitolata, firmata e datata Piccoli corpi nel prato Vacchi 1959. Opera donata dall’artista all’attuale proprietà.
Art International Auction HouseIn-8° carré (mm 246x260). 99, [5] con 12 tavole a colori nel testo corredate di velina protettiva. Perfette condizioni. Es. n. 233 su una tiratura di 500 esemplari. Brossura originale in carta giapponese. Volume contenuto entro cofanetto realizzato in legno di faggio con impressioni a secco e cordoncini di cuoio realizzato dalla Legatoria Castrignanò di Bologna. (1)
Gonnelli Casa d'AsteHand-Signed and numbered in pencil by the artist. Sergio Vacchi (1 April 1925 – 14 January 2016) was an Italian painter. Born in Castenaso, Bologna, Vacchi abandoned his studies in law to pursue his passion for painting. A self-taught artist, in 1951 he held his first solo exhibition in Milan at the prestigious Galleria del Milione. After a period close to post-cubism, between 1956 and 1962 he embraced the informalism. In the early 1960s, Vacchi moved to Rome, and there he started a cycle of gouaches and paintings collectively known as Il Concilio (i.e. "The Council"), which raised large controversities with the Roman Catholic Church because of their grotesque and sometimes blasphemous representation of the church. When in 1964 Vacchi was invited to the Venice Biennale, the patriarch of Venice forbade Catholics to visit his room. Following some cues present in Il Concilio, Vacchi embraced a new art movement, known as Nuova Figurazione ("New Figuration"), of which the first significant example was Morte di Federico II di Hohenstaufen. In the following years the painting cycles Galileo Galilei semper... and Pianeta followed. In the 1990s Vacchi devoted himself to cycles of portraits and self-portraits, and particularly to Greta Garbo's portraits. In 1997 he moved to Siena, where he founded the foundation Fondazione Vacchi. He stopped painting in the late 2000s, because of the Parkinson's disease that had affected him.
Art AtelierOlio su cartone telato, cm. 10x15. Firma e data in basso a sinistra. Sul verso: firma, data e titolo. Bibliografia: 2006, i 10x15 di Gianfranco Pancani, Una collezione particolare di arte italiana del Novecento, C. Caneva, Edifir, p. 46, tav. LI, n p. 131, n. 289.
Pananti Casa D'Aste SRL