Pieter van Bloemen Paintings & Artwork for Sale | Pieter van Bloemen Art Value Price Guide

Sep. 15, 2026
Pieter van Bloemen (1657-1721) - Minstrels before a tavern, oil on canvas, signed verso, 67 x 84cm
Est: £800 - £1,200
Pieter van Bloemen (1657-1721) - Minstrels before a tavern, oil on canvas, signed verso, 67 x 84cm
Lacy Scott & Knight
Jul. 15, 2026
PIETER VAN BLOEMEN (attr. a)
Est: €1,700 - €2,600
(Anversa, 1657 - 1720) Scena di mercato con rovine Olio su tela, cm 83X117,2 Pieter Van Bloemen compie il proprio apprendistato nella bottega di Simon van Douw (Anversa, circa 1630 ; dopo 1677): pittore di battaglie e di cacce, quasi sicuramente si perfeziona studiando le opere di Philips Wouwerman, un caposcuola indiscusso di soggetti equestri. In effetti, lo Stendardo, cosÃ¬ fu soprannominato dalle drappelle o bandiere che spesso inseriva nei suoi quadri, raggiunse una particolare abilitÃ nella rappresentazione di cavalli fermi o in movimento, facendone risaltare con sicure pennellate, dai caratteristici riflessi, le anatomie, i mantelli e i piÃ¹ tipici tratti vitali. Queste sue capacitÃ furono sfruttate anche nei soggetti di battaglia, per i quali non gli mancarono committenti sia a Roma, ove trascorse un ventennio a partire dall'inizio degli anni '70 e sia ad Anversa, dove fece ritorno nel 1694, aprendo una scuola di pittura. Opere che manifestano la medesima ariositÃ , cromaticamente brillanti, con una accurata descrizione dei cavalli e delle figure che riscontriamo nella tela in esame, nella quale spicca, come un motivo-firma, un cavallo bianco, elemento caratterizzante e captante. La sciolta stesura della pellicola pittorica ed il largo respiro compositivo ribadiscono il pregio della tela, che costituisce una interessante aggiunta al catalogo delle opere del maestro fiammingo. Bibliografia di riferimento: L. Salerno, Pittori di paesaggio nel '600 a Roma, Roma 1977-1978, p. 157 A. Busiri Vici, Aggiunte per lo Stendardo, in Scritti d'arte, Roma 1990, pp. 80-90 La superficie pittorica si presenta in patina, sporca e lievemente ingiallita con svelature e restauri. Forniamo foto in HD, del verso e a luce di Wood per documentare lo stato di conservazione. The pictorial surface is in patina, dirty and slightly yellowed with restorations. We provide HD, back and UV photos to document the state of conservation.
Wannenes Art Auctions
Jun. 20, 2026
BLOEMEN, Pieter van (1657 Antwerpen - 1720). Landschaft mit Tieren und Paar.
Est: -
BLOEMEN, Pieter van (1657 Antwerpen - 1720) Landschaft mit Tieren und Paar Öl/Leinwand. Rechts monogrammiert. 40 x 58 cm. gerahmt : 59 x 79 cm (Goldstuckrahmen). Personen an einem Tisch vor einem Stall mit den Pferden und Ziegen. Leinwand doubliert. Flämischer Maler, Schüler von Simon van Douw, ging nach Rom, später Dekan der Lukasgilde in Antwerpen. Literatur : Thieme/Becker. Aufrufzeit 20. Juni | voraussichtlich 12:34 Uhr (CET) BLOEMEN, Pieter van (1657 Antwerp - 1720) Landscape with animals and couple Oil/canvas. Monogrammed on the right. 40 x 58 cm. Framed : 59 x 79 cm (gold stucco frame). People at a table in front of a stable with horses and goats. Doubled canvas. Flemish painter, pupil of Simon van Douw, went to Rome, later dean of the Guild of St. Luke in Antwerp. Literature : Thieme/Becker. Aufrufzeit 20. | June 2026 | probably 12:34 pm (CET) *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Auktionshaus Wendl
Mar. 31, 2026
PIETER VAN BLOEMEN (attr. a)
Est: €1,700 - €2,600
(Anversa, 1657 - 1720) Scena di mercato con rovine Olio su tela, cm 83X117,2 Pieter Van Bloemen compie il proprio apprendistato nella bottega di Simon van Douw (Anversa, circa 1630 ; dopo 1677): pittore di battaglie e di cacce, quasi sicuramente si perfeziona studiando le opere di Philips Wouwerman, un caposcuola indiscusso di soggetti equestri. In effetti, lo Stendardo, così fu soprannominato dalle drappelle o bandiere che spesso inseriva nei suoi quadri, raggiunse una particolare abilità nella rappresentazione di cavalli fermi o in movimento, facendone risaltare con sicure pennellate, dai caratteristici riflessi, le anatomie, i mantelli e i più tipici tratti vitali. Queste sue capacità furono sfruttate anche nei soggetti di battaglia, per i quali non gli mancarono committenti sia a Roma, ove trascorse un ventennio a partire dall'inizio degli anni '70 e sia ad Anversa, dove fece ritorno nel 1694, aprendo una scuola di pittura. Opere che manifestano la medesima ariosità, cromaticamente brillanti, con una accurata descrizione dei cavalli e delle figure che riscontriamo nella tela in esame, nella quale spicca, come un motivo-firma, un cavallo bianco, elemento caratterizzante e captante. La sciolta stesura della pellicola pittorica ed il largo respiro compositivo ribadiscono il pregio della tela, che costituisce una interessante aggiunta al catalogo delle opere del maestro fiammingo. Bibliografia di riferimento: L. Salerno, Pittori di paesaggio nel '600 a Roma, Roma 1977-1978, p. 157 A. Busiri Vici, Aggiunte per lo Stendardo, in Scritti d'arte, Roma 1990, pp. 80-90
Wannenes Art Auctions
Mar. 26, 2026
Pieter van Bloemen, gennant „Lo Stendardo“, 1657 Antwerpen – 1720 ebenda
Est: €5,000 - €7,000
ABENDLICHE LANDSCHAFT MIT SECHS PRACHTVOLLEN PFERDEN Öl auf Leinwand. Doubliert. 48 x 87 cm. Auf dem Hinterteil des linken Pferdes monogrammiert „PB“, leicht verblasst. In vergoldetem Rahmen. Auf einer flachen Koppel die stehenden Pferde, darunter drei Schimmel, sowie zwei Burschen, die die Tiere satteln und auch das Fell ausbürsten. Der Gruppe gesellt sich am linken Bildrand eine kleine Ziege dazu. In der Mitte des Bildes, im Vordergrund, ein am Boden liegender Ledersattel. Qualitätvolle feine Darstellung der Tiere, unter hohem Himmel im Licht der linksseitig erkennbaren untergegangenen Sonne. Als Schüler des Schlachtenmalers Simon Johannes van Douw (um 1630-um 1680) erlangte er 1674 das Meisterrecht. 1685 bis 1694 wirkte er in Rom und schloss sich der italienischen Malweise an. Dort wurde er wegen seiner häufigen Fahnendarstellungen in seinen Schlachtenbildern „Lo Stendardo“ genannt. 1699 wurde er zum Dekan der St. Lukas-Gilde in Antwerpen ernannt. Die Gemäldesammlung der Münchner Alten Pinakothek verfügt über acht seiner Werke, zu seinen Hauptthemen gehören Schilderungen des Soldatenlebens, v. a. mit Pferden in Landschaft und Architektur. (14717516) (1) (18)
Hampel Fine Art Auctions
Mar. 23, 2026
PIETER VAN BLOEMEN (Amberes 1657 - 1720). Principios del si
Est: €9,000 -
PIETER VAN BLOEMEN (Amberes 1657 - 1720). Principios del siglo XVIII "Pareja de escenas campestres con aldeanos descansando ". Óleo sobre lienzo Procedencia: - Marqueses de Linlithgow, Londres (etiqueta al dorso). - Colección particular, Madrid. Medidas: 73 x 98 cm.
Magna Art Auctions
Feb. 07, 2026
Bloemen, Pieter van (1657 Antwerp - 1720, artist active in Antwerp, whose style is characterised by a southern atmosphere after a long stay in Italy. Landscapes with depictions of horses play a major role in the artist's oeuvre) inscribed,
Est: -
Bloemen, Pieter van (1657 Antwerp - 1720, artist active in Antwerp, whose style is characterised by a southern atmosphere after a long stay in Italy. Landscapes with depictions of horses play a major role in the artist's oeuvre) inscribed, "Southern Landscape with Mould and Staffage of People", oil on canvas (mounted), monogrammed lower left PB, 42 x 34 cm, canvas probably trimmed on the right, heavily soiled varnish Bloemen, Pieter van (1657 Antwerpen - 1720, in Antwerpen tätiger Künstler, dessen Stil nach langem Italienaufenthalt von einer südlichen Atmosphäre geprägt ist. Landschaften mit Pferdedarstellungen spielen einen großen Teil im Oeuvre des Künstlers) zugeschrieben, "Südliche Landschaft mit Schimmel und Personenstaffage", Öl auf Leinwand (doubliert), monogrammiert unten links PB, 42 x 34 cm, Leinwand wohl rechts beschnitten, stark verschmutzter Firnis
Auktionshaus Plückbaum
Feb. 03, 2026
Pieter Van Bloemen (1657-1720) (Attr.) 'Village Scene with Horsemen and Cattle', oil on canvas, 17th C.
Est: €2,000 - €3,000
Pieter Van Bloemen (1657-1720) (Attr.) 'Village Scene with Horsemen and Cattle', oil on canvas, 17th century. Oil on canvas.Unsigned.Attributed to Pieter Van Bloemen based on a comparable work signed with his monogram. (62 x 102cm)
Flanders Auctions
Jan. 28, 2026
Master of the Bentvueghels ; Possibly PIETER VAN BLOEMEN (Antwerp, 1657- 1720 ). "Roman popular characters by the basilica of St. John and St. Paul". Oil on canvas. Relined.
Est: €7,000 - €9,000
Master of the Bentvueghels; Possibly PIETER VAN BLOEMEN (Antwerp, 1657- 1720 ). "Roman popular characters by the basilica of St. John and St. Paul". Oil on canvas. Relined. Measurements: 71 x 55 cm. The painting shows a scene set in Baroque Rome, with a narrative and academic approach that combines the interest in classical architecture with the costumbrista representation. In the left margin of the composition we can recognize the basilica of St. John and St. Paul, an early Christian building whose severe forms and dark volumes dominate the background. The basilica serves as a solemn frame for a lively scene of food distribution, probably a monastic almsgiving, involving a heterogeneous group of popular characters: soldiers, beggars, musicians and women, all organized in an almost theatrical arrangement. The scene is carefully choreographed, with emphatic gestures and postures that guide the viewer's gaze in a circular path. The academic style is evident in the firm drawing, the balanced composition and the clear narrative approach, which seeks not only to describe an episode, but also to convey a moral or religious message. The treatment of light and color, although somewhat obscured by the passage of time, preserves a clear scenographic intention, emphasizing the monumentality of the temple as opposed to the humility of the characters. Both the aesthetics of the work and the subject matter indicate that it is a work of the circle of the Bentvueghels, a group of artists from Holland and the Netherlands, who traveled to Rome for academic training, although detached from the Academy of St. Luke. Among them was Pieter van Bloemen, also known by his nickname Standaart or Stendardo, was a prominent Flemish painter of the Baroque period, specializing in Italianate landscapes animated with equestrian scenes, within a late Baroque sensibility. The elder brother of the painters Jan Frans and Norbert van Bloemen, he was the most outstanding member of this prolific family of artists. He began his training in Antwerp as a disciple of Simon Johannes van Douw in 1667, and in 1673 he was already a registered master in the guild of St. Luke in his native city. However, his career soon took a decisive turn: attracted by Italian culture and the Roman landscape tradition, he moved to Rome in 1674, where he would remain, except for brief interruptions, until 1693. During his stay in the Eternal City, he joined the well-known group of Nordic artists the Bentvueghels, among whom he was known by the nickname Standaart. In 1684 he interrupted his Roman residence to travel to Lyon, in the company of other Dutch painters, returning shortly afterwards to Italy. On his definitive return to Antwerp in 1694, Pieter was appointed dean of the guild of St. Luke in 1699, confirming the prestige he had achieved in his native city. His artistic production, very prolific, focused on animated landscapes, both rural and urban, in which he included popular scenes, classical ruins and, with special emphasis, horses and riders, elements that often occupy a principal place in the composition. His skill in equestrian representation links him directly to the tradition of Philips Wouwerman and Peter van der Lint, who also exalted horsemanship as an autonomous pictorial motif, apart from the traditional battle scenes. Unlike his brother Jan Frans, more attached to classical idealism, Pieter showed a preference for a more earthly and dramatic vision, incorporating a typically late-baroque pathos. He also engaged in collaborations, especially with Jan Frans, in whose landscapes he often took charge of the human and animal figures, integrating them with great ease into the natural surroundings. Two of his most representative works, Caravan and Roman Landscape (the Campo Vacino in Rome), are currently preserved in the Prado Museum, as part of the former royal collections. Both were acquired by Charles IV and were originally located in the Casita del Príncipe in El Escorial.
Setdart Auction House
Jan. 28, 2026
Master of the Bentuvghels; Possibly PIETER VAN BLOEMEN (Antwerp, 1657- 1720). "Roman popular characters next to the temple of Hercules Victor". Oil on canvas. Relined.
Est: €7,000 - €8,000
Master of the Bentuvghels; Possibly PIETER VAN BLOEMEN (Antwerp, 1657- 1720). "Roman popular characters next to the temple of Hercules Victor". Oil on canvas. Relined. Measurements: 69 x 61,5 cm. In this scene located in Rome, the author presents us a pictorial approximation of the daily life of a great baroque city. In the center of the scene a group of personages receives food from two religious, emphasizing one of them by the shells of its plume, that indicate that it is a pilgrim. Behind them, the temple of Hercules Victor, formerly known as the Temple of Vesta, rises imposingly. In short, the author confronts us, through the costumbrismo, to the reality of Rome. However, being the city of sanctity, the author provides a second reading of moral character that confronts misery to power, poverty to the baroque splendor of the church. Both the aesthetics of the work and the subject matter indicate that it is a work of the circle of the Bentvueghels, a group of artists from Holland and the Low Countries, who traveled to Rome for academic training, although detached from the Academy of St. Luke. Among them was Pieter van Bloemen, also known by his nickname Standaart or Stendardo, was a prominent Flemish painter of the Baroque period, specializing in Italianate landscapes animated with equestrian scenes, within a late Baroque sensibility. The elder brother of the painters Jan Frans and Norbert van Bloemen, he was the most outstanding member of this prolific family of artists. He began his training in Antwerp as a disciple of Simon Johannes van Douw in 1667, and in 1673 he was already a registered master in the guild of St. Luke in his native city. However, his career soon took a decisive turn: attracted by Italian culture and the Roman landscape tradition, he moved to Rome in 1674, where he would remain, except for brief interruptions, until 1693. During his stay in the Eternal City, he joined the well-known group of Nordic artists the Bentvueghels, among whom he was known by the nickname Standaart. In 1684 he interrupted his Roman residence to travel to Lyon, in the company of other Dutch painters, returning soon after to Italy. On his definitive return to Antwerp in 1694, Pieter was appointed dean of the guild of St. Luke in 1699, confirming the prestige he had achieved in his native city. His artistic production, very prolific, focused on animated landscapes, both rural and urban, in which he included popular scenes, classical ruins and, with special emphasis, horses and riders, elements that often occupy a principal place in the composition. His skill in equestrian representation links him directly to the tradition of Philips Wouwerman and Peter van der Lint, who also exalted horsemanship as an autonomous pictorial motif, apart from the traditional battle scenes. Unlike his brother Jan Frans, more attached to classical idealism, Pieter showed a preference for a more earthly and dramatic vision, incorporating a typically late-baroque pathos. He also engaged in collaborations, especially with Jan Frans, in whose landscapes he often took charge of the human and animal figures, integrating them with great ease into the natural surroundings. Two of his most representative works, Caravan and Roman Landscape (the Campo Vacino in Rome), are currently preserved in the Prado Museum, as part of the former royal collections. Both were acquired by Charles IV and were originally located in the Casita del Príncipe in El Escorial.
Setdart Auction House
Dec. 04, 2025
Pieter van Bloemen, attribution, Military Encampment Scene
Est: $1,500 - $2,000
Pieter van Bloemen, attribution Military Encampment Scene oil on wood panel 11 h x 13.75 w in (28 x 35 cm) Inscribed to verso. This work will ship from Lambertville, New Jersey.
Rago Arts and Auction Center
Dec. 04, 2025
Jan Frans van Bloemen (1662 – 1749) und Pieter van Bloemen (1657 – 1720), zug.
Est: €15,000 - €20,000
FLUSSLANDSCHAFT Öl auf Leinwand. 100 x 192 cm. In marmoriertem Rahmen. Beigegeben ein Gutachten von Prof. Giancarlo Sestieri, in Kopie. Weite hügelige Landschaft, die nach rechts in schroffe Felsen übergeht und von einem Bach durchzogen wird, der von einer Holzbrücke überspannt ist. Links ein Repoussoirbaum und teils tanzende, teils mit dem Vieh lagernde Figuren. Literatur: Vgl. Andrea Busiri Vici, Jan Frans Van Bloemen „Orizzonte“ e L’origine del paesaggio romano settecentesco, Rom 1974. (1450246) (13) Jan Frans van Bloemen (1662 – 1749) and Pieter van Bloemen (1657 – 1720), attributed RIVERSCAPE Oil on canvas. 100 x 192 cm. Accompanied by an expert’s report Professor by Giancarlo Sestieri, in copy. Literature: cf. Andrea Busiri Vici, Jan Frans Van Bloemen “Orizzonte” e L’origine del paesaggio romano settecentesco, Rome 1974.
Hampel Fine Art Auctions
Dec. 03, 2025
Pieter van Bloemen, gen. Stendardo, Art des Peasants resting with cattle in front of a tavern
Est: €4,000 - €6,000
Pieter van Bloemen, gen. Stendardo, Art des 1657 Antwerpen - 1720 ebenda Peasants resting with cattle in front of a tavern Old adhesive label with handwritten inscription "Hans Best" on the stretcher. Oil on canvas. 73.5 x 98 cm. Relined. Restored. Damaged. Minor damage to frame (92 x 117 cm). Provenienz: Collection of Hans Best (1874-1942), Munich.- Private owner.
Neumeister
Sep. 30, 2025
Scena agreste
Est: €2,000 - €3,000
Questa bel dipinto inquadrato davanti al declivio di una collina e a un'apertura paesaggistica sulla sinistra, con una capanna circolare, incentrata su due mucche, delle capre, un cane e un asinello in primo piano, dietro a cui un ragazzo è intento a caricare la soma di un cavallo, è una tipica testimonianza di Pieter van Bloemen detto lo Stendardo.Una paternità del resto direttamente indicata dalle sue caratteristiche iniziali 'PVB', accompagnate dalla data '1713' apposte sul masso in basso al centro; e che è pienamente confermata dall'esame dell'usuale brillante tavolozza, intrisa di un penetrante luminismo.Entro cornice dorata.Al retro etichette dell'asta Christie's 2005.Perizia scritta del prof. Giancarlo Sestieri del 13 marzo 2006.
DAMS Casa d'Aste
Sep. 24, 2025
Pieter van Bloemen detto Stendardo (Anversa 1657 - 1720)
Est: €1,000 - €1,500
Pieter van Bloemen detto Stendardo (Anversa 1657 - 1720) Accampamento militare Olio su tavola 35 x 46 cm Pieter van Bloemen fece il proprio apprendistato nella bottega di Simon van Douw, pittore specializzato in battaglie e scene di caccia, e in seguito si perfezionò sulla scia di Philips Wouwerman. Grazie a questo excursus, fu molto abile nella rappresentazione di cavalli fermi o in movimento, nell’esecuzione di battaglie, accampamenti o scene di genere ove comparivano equini. Ebbe successo sia a Roma, dove trascorse un ventennio a partire dall'inizio degli anni '70, sia ad Anversa, dove fece ritorno nel 1694. Il nomignolo "Stendardo" derivò dalle bandiere che spesso inseriva nei suoi quadri di battaglia. Pieter van Bloemen, also called Stendardo (Antwerp 1657 - 1720) Military Camp Oil on panel 35 x 46 cm
Lucas Aste
Jul. 16, 2025
Pieter van Bloemen (Flemish, 1657-1720) Driving the Herd
Est: $4,000 - $6,000
Pieter van Bloemen (Flemish, 1657-1720) Driving the Herd oil on canvas signed V. Bloemen and dated **81 (lower right) 29 x 38 inches. Property of a California Collector This lot is located in Chicago.
Freeman’s | Hindman
Jul. 10, 2025
Master of the Bentvueghels ; Possibly PIETER VAN BLOEMEN (Antwerp, 1657- 1720 ). "Roman popular characters by the basilica of St. John and St. Paul". Oil on canvas. Relined.
Est: €7,000 - €9,000
Master of the Bentvueghels; Possibly PIETER VAN BLOEMEN (Antwerp, 1657- 1720 ). "Roman popular characters by the basilica of St. John and St. Paul". Oil on canvas. Relined. Measurements: 71 x 55 cm. The painting shows a scene set in Baroque Rome, with a narrative and academic approach that combines the interest in classical architecture with the costumbrista representation. In the left margin of the composition we can recognize the basilica of St. John and St. Paul, an early Christian building whose severe forms and dark volumes dominate the background. The basilica serves as a solemn frame for a lively scene of food distribution, probably a monastic almsgiving, involving a heterogeneous group of popular characters: soldiers, beggars, musicians and women, all organized in an almost theatrical arrangement. The scene is carefully choreographed, with emphatic gestures and postures that guide the viewer's gaze in a circular path. The academic style is evident in the firm drawing, the balanced composition and the clear narrative approach, which seeks not only to describe an episode, but also to convey a moral or religious message. The treatment of light and color, although somewhat obscured by the passage of time, preserves a clear scenographic intention, emphasizing the monumentality of the temple as opposed to the humility of the characters. Both the aesthetics of the work and the subject matter indicate that it is a work of the circle of the Bentvueghels, a group of artists from Holland and the Netherlands, who traveled to Rome for academic training, although detached from the Academy of St. Luke. Among them was Pieter van Bloemen, also known by his nickname Standaart or Stendardo, was a prominent Flemish painter of the Baroque period, specializing in Italianate landscapes animated with equestrian scenes, within a late Baroque sensibility. The elder brother of the painters Jan Frans and Norbert van Bloemen, he was the most outstanding member of this prolific family of artists. He began his training in Antwerp as a disciple of Simon Johannes van Douw in 1667, and in 1673 he was already a registered master in the guild of St. Luke in his native city. However, his career soon took a decisive turn: attracted by Italian culture and the Roman landscape tradition, he moved to Rome in 1674, where he would remain, except for brief interruptions, until 1693. During his stay in the Eternal City, he joined the well-known group of Nordic artists the Bentvueghels, among whom he was known by the nickname Standaart. In 1684 he interrupted his Roman residence to travel to Lyon, in the company of other Dutch painters, returning shortly afterwards to Italy. On his definitive return to Antwerp in 1694, Pieter was appointed dean of the guild of St. Luke in 1699, confirming the prestige he had achieved in his native city. His artistic production, very prolific, focused on animated landscapes, both rural and urban, in which he included popular scenes, classical ruins and, with special emphasis, horses and riders, elements that often occupy a principal place in the composition. His skill in equestrian representation links him directly to the tradition of Philips Wouwerman and Peter van der Lint, who also exalted horsemanship as an autonomous pictorial motif, apart from the traditional battle scenes. Unlike his brother Jan Frans, more attached to classical idealism, Pieter showed a preference for a more earthly and dramatic vision, incorporating a typically late-baroque pathos. He also engaged in collaborations, especially with Jan Frans, in whose landscapes he often took charge of the human and animal figures, integrating them with great ease into the natural surroundings. Two of his most representative works, Caravan and Roman Landscape (the Campo Vacino in Rome), are currently preserved in the Prado Museum, as part of the former royal collections. Both were acquired by Charles IV and were originally located in the Casita del Príncipe in El Escorial.
Setdart Auction House
Jul. 10, 2025
Master of the Bentuvghels; Possibly PIETER VAN BLOEMEN (Antwerp, 1657- 1720). "Roman popular characters next to the temple of Hercules Victor". Oil on canvas. Relined.
Est: €7,000 - €8,000
Master of the Bentuvghels; Possibly PIETER VAN BLOEMEN (Antwerp, 1657- 1720). "Roman popular characters next to the temple of Hercules Victor". Oil on canvas. Relined. Measurements: 69 x 61,5 cm. In this scene located in Rome, the author presents us a pictorial approximation of the daily life of a great baroque city. In the center of the scene a group of personages receives food from two religious, emphasizing one of them by the shells of its plume, that indicate that it is a pilgrim. Behind them, the temple of Hercules Victor, formerly known as the Temple of Vesta, rises imposingly. In short, the author confronts us, through the costumbrismo, to the reality of Rome. However, being the city of sanctity, the author provides a second reading of moral character that confronts misery to power, poverty to the baroque splendor of the church. Both the aesthetics of the work and the subject matter indicate that it is a work of the circle of the Bentvueghels, a group of artists from Holland and the Low Countries, who traveled to Rome for academic training, although detached from the Academy of St. Luke. Among them was Pieter van Bloemen, also known by his nickname Standaart or Stendardo, was a prominent Flemish painter of the Baroque period, specializing in Italianate landscapes animated with equestrian scenes, within a late Baroque sensibility. The elder brother of the painters Jan Frans and Norbert van Bloemen, he was the most outstanding member of this prolific family of artists. He began his training in Antwerp as a disciple of Simon Johannes van Douw in 1667, and in 1673 he was already a registered master in the guild of St. Luke in his native city. However, his career soon took a decisive turn: attracted by Italian culture and the Roman landscape tradition, he moved to Rome in 1674, where he would remain, except for brief interruptions, until 1693. During his stay in the Eternal City, he joined the well-known group of Nordic artists the Bentvueghels, among whom he was known by the nickname Standaart. In 1684 he interrupted his Roman residence to travel to Lyon, in the company of other Dutch painters, returning soon after to Italy. On his definitive return to Antwerp in 1694, Pieter was appointed dean of the guild of St. Luke in 1699, confirming the prestige he had achieved in his native city. His artistic production, very prolific, focused on animated landscapes, both rural and urban, in which he included popular scenes, classical ruins and, with special emphasis, horses and riders, elements that often occupy a principal place in the composition. His skill in equestrian representation links him directly to the tradition of Philips Wouwerman and Peter van der Lint, who also exalted horsemanship as an autonomous pictorial motif, apart from the traditional battle scenes. Unlike his brother Jan Frans, more attached to classical idealism, Pieter showed a preference for a more earthly and dramatic vision, incorporating a typically late-baroque pathos. He also engaged in collaborations, especially with Jan Frans, in whose landscapes he often took charge of the human and animal figures, integrating them with great ease into the natural surroundings. Two of his most representative works, Caravan and Roman Landscape (the Campo Vacino in Rome), are currently preserved in the Prado Museum, as part of the former royal collections. Both were acquired by Charles IV and were originally located in the Casita del Príncipe in El Escorial.
Setdart Auction House
Jun. 26, 2025
Pieter van Bloemen, genannt „Stendardo“, 1657 Antwerpen – 1720, zugeschrieben
Est: €6,000 - €8,000
GemäldepaarLANDSCHAFT MIT ZIEGEN UND PFERDEN AN EINEM BRUNNEN SOWIE BEIM HUFSCHMIED Öl auf Leinwand. Doubliert. Je 38 x 48 cm. In dekorativen Rahmen. Vor idyllischer bergiger Landschaft mit Flusslauf ein Hirtenpaar, das mit seinen Tieren Rast an einem steinernen Brunnen gemacht hat. Zu den Tieren gehört mittig ein prachtvoller Schimmel, zwei Ziegen am unteren linken Bildrand, sowie ein sitzender Stier, ein Rappe, am rechten Bildrand vor einem Felsvorsprung ein Esel sowie zwei Stiere am Brunnen. Das andere Gemälde zeigt in sommerlicher Landschaft mit hohem blauem Himmel vor den Mauern eines Gebäudes mehrere bereitstehende Pferde, darunter ein aufbockender Schimmel mit nach oben gestreckten Läufen, der sich vor dem Anlegen neuer Hufeisen zu wehren versucht. Links geht der Blick durch eine Tür in den Innenraum des Gebäudes, in dem der Schmied vor einem offenen Feuer zu sehen ist. Stimmungsvolle Darstellungen in harmonischer Farbgebung, dabei die Tiere besonders hervorgehoben. (1442173) (1) (18)
Hampel Fine Art Auctions
Jun. 11, 2025
CIRCLE OF PIETER VAN BLOEMEN (FLEMISH 1657 - 1720), A DROVER AND HIS CATTLE WITH ROMAN RUINS
Est: £600 - £800
CIRCLE OF PIETER VAN BLOEMEN (FLEMISH 1657 - 1720)A DROVER AND HIS CATTLE WITH ROMAN RUINS IN THE BACKGROUNDOil on canvas53.5 x 70cm (21 x 27½ in.)
Dreweatts 1759 Fine Sales
Jun. 04, 2025
PIETER VAN BLOEMEN (attr. a)
Est: €700 - €1,200
(Anversa, 1657 - 1720) Cavalieri Monogramma VB a sinistra Olio su tela, cm 72,5X93 Pieter Van Bloemen compie il proprio apprendistato nella bottega di Simon van Douw (Anversa, circa 1630 ; dopo 1677), pittore di battaglie e di cacce, quasi sicuramente si perfeziona studiando le opere di Philips Wouwerman, un caposcuola indiscusso di soggetti equestri. In effetti, lo Stendardo così fu soprannominato dalle drappelle o bandiere che spesso inseriva nei suoi quadri, raggiunse una particolare abilità nella rappresentazione di cavalli fermi o in movimento, facendone risaltare con sicure pennellate, dai caratteristici riflessi, le anatomie, i mantelli e i più tipici tratti vitali. Queste sue capacità furono sfruttate anche nei soggetti di battaglia, per i quali non gli mancarono committenti sia a Roma, ove trascorse un ventennio a partire dall'inizio degli anni '70 e sia ad Anversa, dove fece ritorno nel 1694, aprendo una scuola di pittura. Opere che manifestano la medesima ariosità cromaticamente brillanti, con una accurata descrizione dei cavalli e delle figure che riscontriamo nella tela in esame, nella quale spicca, come un motivo-firma, un cavallo bianco, elemento caratterizzante e captante. Bibliografia di riferimento: A. Busiri Vici, Aggiunte per lo Stendardo, in Scritti d'arte, Roma 1990, pp. 80-90 L. Salerno, Pittori di paesaggio nel '600 a Roma, Roma 1977-1978, p. 157
Wannenes Art Auctions
Jun. 04, 2025
PIETER VAN BLOEMEN (attr. a)
Est: €500 - €800
(Anversa, 1657 - 1720) Paesaggio pastorale Olio su tela, cm 58,3X82,5 Pieter Van Bloemen compie il proprio apprendistato nella bottega di Simon van Douw (Anversa, circa 1630 ; dopo 1677), pittore di battaglie e di cacce, quasi sicuramente si perfeziona studiando le opere di Philips Wouwerman, un caposcuola indiscusso di soggetti equestri. In effetti, lo Stendardo, così fu soprannominato dalle drappelle o bandiere che spesso inseriva nei suoi quadri, raggiunse una particolare abilità nella rappresentazione di cavalli fermi o in movimento, facendone risaltare con sicure pennellate, dai caratteristici riflessi, le anatomie, i mantelli e i più tipici tratti vitali. Queste sue capacità furono sfruttate anche nei soggetti di battaglia, per i quali non gli mancarono committenti sia a Roma, ove trascorse un ventennio a partire dall'inizio degli anni '70 e sia ad Anversa, dove fece ritorno nel 1694, aprendo una scuola di pittura. Opere che manifestano la medesima ariosità cromaticamente brillanti, con una accurata descrizione dei cavalli e delle figure che riscontriamo nella tela in esame, nella quale spicca, come un motivo-firma, un cavallo bianco, elemento caratterizzante e captante. Bibliografia di riferimento: A. Busiri Vici, Aggiunte per lo Stendardo, in Scritti d'arte, Roma 1990, pp. 80-90 L. Salerno, Pittori di paesaggio nel '600 a Roma, Roma 1977-1978, p. 157
Wannenes Art Auctions
May. 24, 2025
Bloemen, Pieter van...
Est: -
Bloemen, Pieter van 1657 Antwerpen - 1720 Antwerpen Italienische Landschaft mit Hirtenvolk. Monogrammiert. Öl/Lwd./doubl., 40 x 57 cm.
Dusseldorfer Auktionshaus
Mar. 26, 2025
PIETER VAN BLOEMEN (ANVERS 1657-1720). Étude de cheval harnaché d'une selle
Est: €1,500 - €2,000
PIETER VAN BLOEMEN (ANVERS 1657-1720). Étude de cheval harnaché d'une selle. pinceau, lavis gris16,7 x 21,5 cm (6 ½ x 8 in.).
Christie's
Mar. 25, 2025
PIETER VAN BLOEMEN - Pastoral Scene
Est: -
PIETER VAN BLOEMEN Antwerp 1657 - 1720 Pastoral scene Oil on canvas Dimensions 97 x 133 cm Provenance: - Collection of Infante don Sebastián Gabriel de Borbón, Madrid (see mark on the back). - Private collection, Madrid. We would like to thank Ellis Dullaart, curator of Flemish and Dutch painting at the RKD (Netherlands Institute for Art History), for her help in cataloguing this work (The Hague, 21 January 2025).
Subastas Segre
Feb. 25, 2025
Pieter van Bloemen detto Stendardo (Anversa 1657 - 1720)
Est: €2,000 - €3,000
Pieter van Bloemen detto Stendardo (Anversa 1657 - 1720) Cavallo con maniscalco - Sosta nei pressi di una antica fontana Olio su tela 38 x 48,3 cm Pieter van Bloemen fece il proprio apprendistato nella bottega di Simon van Douw, pittore specializzato in battaglie e scene di caccia, e in seguito si perfezionò sulla scia di Philips Wouwerman. Grazie a questo excursus, fu molto abile nella rappresentazione di cavalli fermi o in movimento, nell’esecuzione di battaglie, accampamenti o scene di genere ove comparivano equini. Ebbe successo sia a Roma, dove trascorse un ventennio a partire dall'inizio degli anni ’70, sia ad Anversa, dove fece ritorno nel 1694. Il nomignolo "Stendardo" derivò dalle bandiere che spesso inseriva nei suoi quadri di battaglia. Pieter van Bloemen also called Stendardo (Antwerp 1657 - 1720) Horse with Farrier - Stop Near an Ancient Fountain Oil on canvas 38 x 48,3 cm
Lucas Aste
Feb. 25, 2025
PIETER VAN BLOEMEN (1657-1720) (GENRE)
Est: €2,000 - €3,000
Southern landscape with shepherds and cattle resting amidst ruins. Oil on canvas. Restorations and retouchings. Description FR Paysage méditerranéen animé de bergers et du bétail se reposant près de ruines. Huile sur toile. Restaurations et rentoilage. Beschrijving NL Zuiders landschap met herders en vee rustend bij ruïnes. Olie op doek. Restauraties en verdoeking.
Bernaerts Auctioneers
Dec. 12, 2024
Pieter Van Bloemen 1657 Anversa-1720 Anversa Veduta invernale di città con popolani
Est: €4,000 - €6,000
olio su tela
Cambi Casa d'Aste
Dec. 03, 2024
PIETER VAN BLOEMEN DETTO STENDARDO (ANVERSA 1657 - 1720)
Est: €3,000 - €5,000
Pieter van Bloemen detto Stendardo (Anversa 1657 - 1720) Battaglia Olio su tela 60,5 x 86,5 cm Provenienza: asta Cambi del 15 aprile 2014. Pieter van Bloemen fece il proprio apprendistato nella bottega di Simon van Douw, pittore specializzato in battaglie e scene di caccia, e in seguito si perfezionò sulla scia di Philips Wouwerman. Grazie a questo excursus, fu molto abile nella rappresentazione di cavalli fermi o in movimento, nell’esecuzione di battaglie, accampamenti o scene di genere ove comparivano equini. Ebbe successo sia a Roma, dove trascorse un ventennio a partire dall'inizio degli anni ’70, sia ad Anversa, dove fece ritorno nel 1694. Il nomignolo “Stendardo” derivò dalle bandiere che spesso inseriva nei suoi quadri di battaglia. Pieter van Bloemen also called Stendardo (Antwerp 1657 - 1720) Battle Oil on canvas 60,5 x 86,5 cm Provenance: Cambi auction of 15 April 2014.
Lucas Aste
Nov. 28, 2024
Pieter van Bloemen, detto lo Stendardo (Anversa 1657-1720) - Landscape with ford
Est: €700 - €1,400
oil on canvas 70 x 78 cm
Finarte
Nov. 07, 2024
Pieter van Bloemen (attr.)
Est: €1,500 - €2,000
The blacksmith oil on canvas, cm. 26.5x21
Bolli & Romiti s.r.l
Oct. 24, 2024
Accampamento militare
Est: €2,500 - €3,500
Pieter van Bloemen Lo Stendardo (attribuito a) (Anversa 1657-Anversa 1720) Military camp Oil on canvas cm. 52x41,5. Framed
Bertolami Fine Art s.r.l.
Oct. 05, 2024
VAN BLOEMEN, PIETER, 1657-1720 "A caravan crosses a ford"
Est: €800 - €1,000
VAN BLOEMEN, PIETER, 1657-1720 "A Caravan Crossing a Ford" Oil on canvas, monogrammed at the base of the column, HxW: 39/57 cm. Remainder, retouched and relined. Frame, hxw: 54/70 cm.
Auktionshaus Eppli
Sep. 18, 2024
ATRIBUIDO A PIETER VAN BLOEMEN (Amberes, 1657 - 1720), Pareja de escenas con aldeanos
Est: €12,000 - €14,000
Procedencia: - Marqueses de Linlithgow, Londres (etiqueta en el reverso). - Colección particular, Madrid.
Isbilya Subastas
Sep. 08, 2024
Pieter von Bloemen
Est: €180 - €360
(1657 Antwerpen - 1720 ebenda) Reitergruppe mit Hufschmied beim Beschlagen eines Pferdes Altkolorierter Kupferstich J. L. Zentners (1761-1802) nach P. van Bloemen, um 1784. Unterhalb Legende mit Künstler-Bez.; 19,5 cm x 16,3 cm. Rahmen. Hand-coloured copper engraving by J. L. Zentner (1761-1802) after P. van Bloemen, ca. 1784.
Kunstauktionshaus Schloss Ahlden
Jul. 09, 2024
Pieter Van Bloemen Landscape, Oil on Canvas
Est: $1,000 - $1,500
Pieter Van Bloemen (Belgium, 1657 - 1720) Landscape with farm scene Oil on canvas, measuring H 15 W 17.5 On a carved wood and gilt frame, measuring H 18 W 20.5 D 2 in Marked on verso Peter Van Bloemen Antwerp Original Some darkening and discoloration to the canvas Provenance: Private Dallas Collector
Dallas Auction Gallery
Jun. 26, 2024
Bloemen, Pieter van (attr.)
Est: €1,000 - €3,000
Bloemen, Pieter van (attr.) Antwerpen (vor) 1657 - 1720 84 x 120 cm Horsemen resting at a blacksmith's shop. Oil/canvas, relined. Southern German private collection. Bloemen, Pieter van (attr.) Antwerpen (vor) 1657 - 1720 84 x 120 cm Reiter machen Halt bei einem Hufschmied. Öl/Lwd., doubl. Süddeutsche Privatsammlung
Nagel Auction
May. 28, 2024
Pieter van Bloemen, known as Stendardo (Anversa 1657-1720) - Frightened horse
Est: €3,000 - €5,000
oil on canvas 73.5 x 61.5 cm inscription on the back G.M. No. 7
Finarte
May. 28, 2024
Pieter van Bloemen, known as Stendardo (Anversa 1657-1720) - Landscape with ford
Est: €1,200 - €1,800
oil on board cm 57,5 x 48
Finarte
Apr. 25, 2024
Possibly PETER VAN BLOEMEN (STANDARD), FLEMISH 1657-1720, PORTRAIT OF A GENTLEMAN, Oil on canvas, 38 x 24 in. (96.5 x 61 cm.), Frame: 45 1/4 x 31 1/2 in. (114.9 x 80 cm.)
Est: $1,000 - $1,200
Possibly PETER VAN BLOEMEN (STANDARD) FLEMISH, 1657-1720 PORTRAIT OF A GENTLEMAN Oil on canvas Inscribed on card: Standard (Peter Van Bloemen's pen name)
Potomack Company
Apr. 18, 2024
Pieter van Bloemen Lo Stendardo (attribuito a) a) Landscape with shepherdess, horses and herds; b) The farrier's workshop. Pair of paintings
Est: €5,000 - €7,000
Oil on canvas Canvas cm. 38x48 each. Framed
Bertolami Fine Art s.r.l.
Apr. 17, 2024
Pieter Van Bloemen (attributed to)(Antwerp 1657-Antwerp 1720)The horses' rest
Est: €2,200 - €4,400
Pieter Van Bloemen (attributed to) (Antwerp 1657-Antwerp 1720) The horses' rest oil on canvas 33x40 cm Pieter van Bloemen, brother of the better-known Frans, was renowned for his great skill in painting horses. Proof of this is this small oil painting, where three horses of three different colors stand in front of a small arch. In the background the Roman countryside opens up, with its clear skies and the walls of the buildings reddened by the setting sun.
Casa d'aste ARCADIA
Mar. 21, 2024
Attribué à Pieter VAN BLOEMEN Anvers, 1657 - 1720 Cheval couché
Est: €300 - €400
Attribué à Pieter VAN BLOEMEN Anvers, 1657 - 1720 Cheval couché Plume, encre noire et lavis gris 19 x 26,5 cm - 7 1/2 x 10 7/16 in. Lying Horse, pen, black ink and grey wash
Aguttes
Dec. 12, 2023
PIETER VAN BLOEMEN Antwerp 1657 - 1720 Pair of country scenes with villagers Oil
Est: -
PIETER VAN BLOEMEN Antwerp 1657 - 1720 Pair of country scenes with villagers Oil on canvas (two) Measurements 73 x 98 cm each Origin: br> - Marquises of Linlithgow, London (label on verso). - Private collection, Madrid.
Subastas Segre
Dec. 07, 2023
Pieter van Bloemen Rider camp
Est: €2,000 - €2,500
Pieter van Bloemen 1657 Antwerpen - 1720 ebenda Rider camp Monogrammed and dated 1701 on the roof of the tent on the front right. Restoration note (1951) and a Dutch transcript relating to another monogrammed work by van Bloemen verso. Oil on canvas mounted on plywood. 58 x 69 cm. Restored. Minor damage. Minor damage to frame (69.5 x 80 cm).
Neumeister
Nov. 30, 2023
Pieter Van Bloemen 1657 Anversa-1720 Anversa Viandanti a riposo
Est: €3,000 - €4,000
siglato sulla parete in alto a sinistra
Cambi Casa d'Aste
Nov. 30, 2023
Pieter Van Bloemen 1657 Anversa-1720 Anversa Il riposo dei viandanti
Est: €3,500 - €4,500
firmato in basso a destra
Cambi Casa d'Aste
Nov. 24, 2023
Bloemen, Pieter van (1657-1720) (attrib.). (Farriers working with a fierce horse).
Est: €200 - €300
Bloemen, Pieter van (1657-1720) (attrib.). (Farriers working with a fierce horse). Drawing, pen/ brush and brown and black ink, 16,7x22,3 cm. - Vague grease(?) stain in right part. = On paper with a watermark showing the coat of arms of Amsterdam. The Rijksmuseum holds what appears to be a preliminary drawing (RP-T-1993-89).
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