Anton van Dyck Paintings & Artwork for Sale | Anton van Dyck Art Value Price Guide

Sep. 13, 2026
SIR ANTHONY VAN DYCK (AFTER) (1599-1641)[2 WORKS].
Est: $1,000 - $1,500
Two Works: (i) Portrait of Countess Amalia of Solms-Braunfels (1602–1675). Oil on canvas; (ii) Portrait of Jean de Montfort (1567-1648). Oil on canvas. Property of a Larchmont, NY collection. Dimensions: (i) 21.625"; h x 16.875"; w. (ii) 22"; h x 17"; w. Frame (i) 28"; h x 23.50"; w. (ii 0 28.50"; h x 23.75"; w.
Clarke Auction Gallery
Jul. 09, 2026
Anthony van Dyck (1599-1641)-studio or workshop
Est: €600 - €1,200
Anthony van Dyck (1599-1641)-studio or workshop, portrait of King Charles I (1600-1649). In half armor. Oil on canvas. 112 x 72 cm.
Deutsch Auktionen
Jun. 25, 2026
Dyck, Anthonis van (Antwerpen, London 1599-1641) , Nachfolge
Est: €1,000 - €1,200
Brustbildnis eines Apostels mit Buch und Stock Lwd. (doubl.). 62×46 cm. R. (50350)
Leo Spik
Jun. 20, 2026
Pierre Lombart
Est: €100 - €200
Pierre Lombart (1613 Paris - 1682 Paris) Anthonis van Dyck (1599 Antwerp - 1641 London) - Rachel Middlesexiae Comitissa - Engraving/paper. 34 x 24 cm (mat opening), 49.5 x 39 cm (dimensions with frame). In the print inscribed lower left and lower middle: Antonius Van Dyck / P. Lombart. Mat. Framed under glass. Minimal signs of aging. - Lit.: Th.-B. XXIII, p. 340.
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
Jun. 10, 2026
Antoon van Dyck 1599 Anversa-1641 Londra, copia da Madonna con Bambino
Est: €15,000 - €18,000
olio su tela
Cambi Casa d'Aste
Jun. 03, 2026
Dyck, Anthony van: Bildnis des Jan Snellinck
Est: €260 - €350
Bildnis des Jan Snellinck. Radierung. 24,4 x 15,4 cm. Hollstein 10, Turner (New Hollstein) 9 VI (von VII). Wz. undeutlich. Vor den finalen Änderungen. Prachtvoller Druck mit breitem Rand. Etwas fleckig und angeschmutzt, sehr kleiner Randeinriss unten, vereinzelte Fleckchen und Quetschfältchen, kleine Montierungsreste verso, geringfügige Handhabungsspuren, sonst schön. Beigegeben von demselben die Bildnisse von Frans Snyders (Turner 10) und Jan van den Wouwer (Turner 47), sowie nach van Dyck von Pieter de Jode das Bildnis Jan Snellinck (Turner 92), und von Wenzel Hollar das Bildnis der Maria Stuart (Turner 161). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 28, 2026
ANTOON VAN DYCK (seguace del XVII-XVIII secolo)
Est: €550 - €750
(Anversa, 1599 - Londra, 1641) Madonna con il Bambino Olio su tela, cm 112X83 Questa tipologia illustrativa sarà elaborata da Van Dyck durante gli ultimi anni italiani e ne osserviamo l'evoluzione nella Madonna col Bambino della Dulwich Picture Gallery a Londra e del Fitzwilliam Museum di Cambridge e, per quanto riguarda la nostra composizione, nella più composita Madonna con il Bambino e San Giovannino custodita all'Alte Pinakothek di Monaco. Questo dipinto trova altresì stretta affinità con quello recentemente scoperto da Simon Dickinson in una collezione privata inglese, databile al 1627 circa, che denota la fortuna iconografica e commerciale di queste opere. È indubbio che nel concepire queste immagini l'artista si ispiri ai modelli di Tiziano, guardando in particolare la celebre Sacra Conversazione Balbi oggi alla Fondazione Magnani Rocca, ma lo studio grafico del Gesù Bambino stante conservato al Museum Boijmans Van Beuningen di Rotterdam attesta una riflessione profonda nel modo in cui Van Dyck studiava le opere del veneziano, dimostrando l'inquieta ricerca per giungere al migliore assetto da conferire alle figure. Una volta giunto al miglior equilibrio e soddisfatte le pretese della committenza più prestigiosa, il pittore dava licenza a una produzione destinata a un commercio più ampio, spesso realizzata dai suoi allievi migliori e nel nostro caso colpisce altresì la sensazione di non finito o di abbozzo che presentano alcuni brani, quasi a suggerire un'opera in divenire.
Wannenes Art Auctions
May. 27, 2026
PETIOT (AURELIE), THE PRE-RAPHAELITES, first edition, Abbe Ville Press, 2019; BROWN (CHRISTOPHER), ANTHONY VAN DYCK (1599-1641), Rizzoli, 1999; ARTHUS-BERTRAND (YANN), HORSES; and other art books (16).
Est: £30 - £50
PETIOT (AURELIE), THE PRE-RAPHAELITES, first edition, Abbe Ville Press, 2019; BROWN (CHRISTOPHER), ANTHONY VAN DYCK (1599-1641), Rizzoli, 1999; ARTHUS-BERTRAND (YANN), HORSES; and other art books (16).
Adam Partridge Auctioneers
May. 26, 2026
Follower of Anthony van Dyck (Antwerp, 1599 - 1641) “Virgin with Child”
Est: €6,000 - €8,000
Follower of Anthony van Dyck (Antwerp, 1599 - 1641) “Virgin with Child” Oil on canvas Restorations 142 x 128 cm 6.000 - 8.000 € Based on the original located at the Fitzwilliam Museum, University of Cambridge, a copy of which is held at the Royal Academy of San Fernando.
Greco Subastas
May. 22, 2026
Dyck, Anthony van (1599-1641). (Portraits of the artists Adam van Noort and Frans Francken).
Est: €150 - €250
Dyck, Anthony van (1599-1641). (Portraits of the artists Adam van Noort and Frans Francken). Two etchings, 24x15,3 and 24,5x15,5 cm. (platemark), both "Ant. van Dyck fecit aqua forti" in the plate. - First print sl. dustsoiled; both trimmed ±5 mm. outside the platemark. = Both with the collector's mark of A. Samana (20th cent.) (Lugt 3454). New Hollstein 7 and 5, 6th state.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
May. 22, 2026
Dyck, Anthony van (1599-1641). Portrait of Jan Breughel.
Est: €80 - €100
Dyck, Anthony van (1599-1641). Portrait of Jan Breughel. Etching, 24,8x16 cm. (plate mark), w. "Ant. van Dyck fecit aqua forti" in the plate. = New Hollstein 1, 6th state of 6. AND 1 other engr. portrait of Arnoldus Cornelisz. by Willem Jacobsz. DELFF after Miechiel van MIEREVELT (Hollstein 22).
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
May. 21, 2026
India.- Early voyages.- van Dyck (Anthony) After. William Feilding, Earl of Denbigh, engraving, [1843]
Est: £200 - £300
India.- Early voyages.- van Dyck (Anthony) After. William Feilding, Earl of Denbigh, engraving, unlettered impression on laid paper without watermark, sheet 668 x 430 mm (26 1/4 x 16 7/8 in), spotting and surface dirt, marginal nicks and tears, trimmed within the platemark, unframed, [1843] ⁂ After Van Dyck's portrait of William Feilding, Earl of Denbigh, depicted together with an Indian servant. The painting is in the National Gallery, London (NG5633). Van Dyck's portrait, with Earl’s relaxed clothing, a mix of contemporary Indian and European fashion, is likely a commemorative artwork created following the Earl's return from his 1631 voyage to India "to see those countries"
Forum Auctions - UK
May. 19, 2026
after Anthonis van Dyck: Portrait of Queen Henrietta Maria, consort of Charles I of England
Est: €500 - €1,000
after Anthonis van Dyck Portrait of Queen Henrietta Maria, consort of Charles I of England Watercolor on ivory; framed 7,5 x 6 cm (oval) Inscribed on the left above the shoulder: nach van Dyck Daff(inger) Private collection, Austria
Auction House im Kinsky
May. 19, 2026
Antoon van Dyck [da], Icones Principum Virorum doctorum Pictorum, Chalcographorum, Statuariorum nec non amatorum pictoriae artis numero centum, ab Antonio Van Dyck pictore ad vivum expressae, ejusque sumptibus aeri incisae. 1645.
Est: €1,500 - €3,000
Acquaforte e bulino. mm 230/245x152/185. Foglio: mm 345x248 ca. Grande cartella in pelle rossa con impressioni in oro contenente n. 102 ritratti entro passepartout moderno in cartoncino leggero. Al contropiatto anteriore exlibris del Maresciallo di campo Sir William Maynard Gomm (Barbados, 1784 – Brighton, 1875) e altro riferito a Ph. Goldsworthy. Il progetto di questa imponente opera della ritrattistica prese forma dopo il ritorno di Van Dyck dall'Italia (1626) e prima della sua partenza per l'Inghilterra (1632). Realizzò accurati disegni preparatori, diresse e revisionò il lavoro degli incisori, i migliori della cerchia di Rubens; incise personalmente per lo più ritratti di artisti. La prima edizione fu pubblicata ad Anversa nel 1635-1636. Tuttavia non era completa e il frontespizio non apparve prima dell'edizione di Gillis Hendricx del 1645. (103) Tutte le tavole inserite per due punti in alto entro passepartout in cartoncino leggero. Conservazione ottima. Lievi punti d'usura alla cartella in pelle.
GONNELLI CASA D'ASTE srl
May. 13, 2026
Dyck, Anthonis van (nach)
Est: €1,800 - €2,500
Dyck, Anthonis van (nach) Antwerpen 1599 - London 1641 43 x 35,5 cm Portrait of a young gentleman wearing a ruff (Philip Rubens?). Oil/canvas, relined, on the reverse of the stretcher, two old lacquer seals: ‘Haupt-Steueramt Liegnitz’ and a coat of arms with a count’s crown. Based on the painting in the Old Masters Picture Gallery in Dresden (cat. no. 1036). Both the authorship and the subject of the Dresden painting have been the subject of controversy in the past. The painting is now regarded as a copy of a lost original by Van Dyck. Dyck, Anthonis van (nach) Antwerpen 1599 - London 1641 43 x 35,5 cm Bildnis eines jungen Herrn mit Halskrause (Philip Rubens?). Öl/Lwd., doubl., rückseitig auf dem Keilrahmen zwei alte Lacksiegel: "Haupt-Steueramt Liegnitz" und Wappen mit Grafenkrone. Nach dem Gemälde in der Gemäldegalerie Alte Meister in Dresden (Gal. -Nr. 1036). Die Autorenschaft als auch der Dargestellte des Dresdener Gemäldes sind in der Vergangenheit kontrovers diskutiert worden. Inzwischen gilt das Gemälde als Kopie nach einem verlorenen Original van Dycks.
Nagel Auction
May. 13, 2026
Dyck, Anthonis van (Nachahmer/Imitator)
Est: €1,000 - €1,800
Dyck, Anthonis van (Nachahmer/Imitator) Antwerpen 1599 - London 1641 72 x 57 cm Portrait of Jan Brueghel the Elder (?). Oil/canvas, relined, verso on the canvas an undistinct lacquer seal, on reverse of the frame a fragmentary label from the auction house J.M. Heberle (H. Lempertz Söhne) with numbering 40. Southern German private collection. The portrait probably derives from the well-known copper engraving after A. v. Dyck, which depicts the elder Jan Brueghel in half-length, with his cloak drawn across his chest. Dyck, Anthonis van (Nachahmer/Imitator) Antwerpen 1599 - London 1641 72 x 57 cm Bildnis des Jan Brueghel d.Ä. (?). Öl/Lwd., doubl., rückseitig auf der Leinwand undeutliches Lacksiegel, rückseitig auf dem Rahmen fragmentarisch erhaltenes Etikett des Auktionshauses J. M. Heberle (H. Lempertz Söhne) mit Nummerierung 40. Süddeutsche Privatsammlung. Das Bildnis geht wahrscheinlich auf den bekannten Kupferstich nach A.v.Dyck zurück, den älteren Jan Brueghel als Halbfigur, mit vor den Leib gezogenen Mantel zeigend.
Nagel Auction
May. 03, 2026
"Portrait of the artist Peter Paul Rubens"
Est: €30 - €40
Etching "Portrait of the Artist Pieter Paul Rubens", 1800 The author of the original: Anthonis van Dyck (1599 Antwerp - 1641 London), whose creative heyday came in the first half of the 17th century, art critics are often called the most talented and beloved student of Rubens. Fame came to him after a series of picturesque ceremonial portraits, thanks to which he was appointed court painter and won the patronage of the English king Charles I. Van Dyck wrote more than nine hundred works. And when he and his teacher decided to try to replicate these works and transferred them to metal, unprecedented popularity came to the master. Anthony van Dijk achieved perfection in the creation of engravings. He created his etchings on sheets of copper. The plate was covered with a special composition, and then a drawing was scratched on it with special tools. This made it possible to obtain prints of excellent quality - the ink applied to the finished etching was retained only in the etched depressions and was transferred to the paper during printing. Original author engraver: Paulus Pontius (May 1603 Antwerp - January 16, 1658 in Antwerp) Flemish engraver and painter. He was one of the leading engravers associated with Rubens `workshop and worked after Rubens` death for other leading Antwerp painters such as Anthony van Dyck, Jacob Jordaens and others. Width: 24cm, Height: 33cm, Depth: 5cm, Weight: 2kg, Condition: Good, Material: Engraving, ID: ID-ANTQ-852
Antiqon
May. 03, 2026
"Portrait of the artist Sebastian Vranckx"
Est: €30 - €40
Etching "Portrait of the Artist Sebastian Vranckx" mounted in a frame under glass, 1800.The author of the original: Anthonis van Dyck (1599 Antwerp - 1641 London), whose creative heyday came in the first half of the 17th century, art critics are often called the most talented and beloved student of Rubens. Fame came to him after a series of picturesque ceremonial portraits, thanks to which he was appointed court painter and won the patronage of the English king Charles I. Van Dyck wrote more than nine hundred works. And when he and his teacher decided to try to replicate these works and transferred them to metal, unprecedented popularity came to the master. Anthony van Dijk achieved perfection in the creation of engravings. He created his etchings on sheets of copper. The plate was covered with a special composition, and then a drawing was scratched on it with special tools. This made it possible to obtain prints of excellent quality - the ink applied to the finished etching was retained only in the etched depressions and was transferred to the paper during printing. Width: 24cm, Height: 33cm, Depth: 3cm, Weight: 2kg, Condition: Good, Material: Engraving, ID: ID-ANTQ-851
Antiqon
May. 03, 2026
"Portrait of the artist Robert Van Voerst"
Est: €30 - €40
Etching "Portrait of the Artist Robert Van Voerst" mounted in a frame under glass, 1800.Original author: Anthonis van Dyck (1599 Antwerp - 1641 London), whose artistic heyday came in the first half of the 17th century, art critics are often called the most talented and beloved student of Rubens. Fame came to him after a series of picturesque ceremonial portraits, thanks to which he was appointed court painter and won the patronage of the English king Charles I. Van Dyck wrote more than nine hundred works. And when he and his teacher decided to try to replicate these works and transferred them to metal, unprecedented popularity came to the master. Anthony van Dijk achieved perfection in the creation of engravings. He created his etchings on sheets of copper. The plate was covered with a special composition, and then a drawing was scratched on it with special tools. This made it possible to obtain prints of excellent quality - the ink applied to the finished etching was retained only in the etched depressions and was transferred to the paper during printing. Width: 24cm, Height: 33cm, Depth: 5cm, Weight: 2kg, Condition: Good, Material: Engraving, ID: ID-ANTQ-850
Antiqon
Apr. 25, 2026
Dyck, Anthonis van (1599 Antwerpen - 1641 London, Nachfolge) - Christus am Kreuz, Öl auf Leinwand, auf Karton aufgezogen, Kreuzigungsszene mit Maria,
Est: €300 - €600
Dyck, Anthonis van (1599 Antwerpen - 1641 London, Nachfolge) - Christus am Kreuz, Öl auf Leinwand, auf Karton aufgezogen, Kreuzigungsszene mit Maria, Johannes und kniender Maria Magdalena, kleine Retuschen, ca. 24 x 17,5 cm, auf dem Rahmen verso rotes Wappensiegel, Goldstuckrahmen mit kleinen Fehlstellen, Gesamtmaße ca. 37 x 30,5 cm
Auktionshaus Blank
Apr. 22, 2026
SCHOOL OF ANTHONY VAN DYCK (FLEMISH 1599- 1641)
Est: $8,000 - $10,000
School of Anthony van Dyck (Flemish 1599- 1641) The Three Eldest Children of Charles I, Oil on canvas, Unsigned, plaque on frame. Differing from the original this painting has an abbreviated painted inscription on the left column which reads as: Regis M. Brit. Proles Prin Car Nati 29 May 1630 IACO, DV. Encis N. 14 1633 et Filia Pr. Mari N. 4 1631. It has a silhouette of a garden ornament on far left, a landscape upper right, and a pattern of window panes behind the children. H: 60 W: 70 1/2 in. Purchased by current owner from Sotheby's/Parke Bernet, Sale #4567, lot 124 (March 19, 1981, Old Master Paintings)
Gray's Auctioneers
Apr. 16, 2026
Anthony Van Dyck, Pieter De Jode II, Portrait of Hendrick Liberti
Est: €320 - €440
Portrait of Hendrick Liberti, engraving after the painting/drawing of Anthony van Dyck. engraving made by Pieter de Jode II (1606-1670-74) ca 1630-1645. From the series: Icons Principum Virorum. References: New Hollstein 144 IV. Engraving in excellent condition. Very good dark strong impression with all the details. Printed on laid paper with large margins and a good watermark.
Old Master Print
Apr. 16, 2026
Anthony van Dyck, John Raphael Smith - Portrait of Maerten Rÿckaert - 1779
Est: €160 - €240
Portrait of Maerten Rÿckaert seen seated half-length to front, wearing fur-lined cloak over satin coat, and bearded; early scratched-letter state. 1779. Mezzotint made by John Raphael Smith (1751-1812) After the 1627-1632 painting by Van Dyck, now kept in the Museo Nacional del Prado.
Old Master Print
Apr. 16, 2026
Sir Van Dyck, by Paulus Pontius - Aubert Le Mire - 1645
Est: €220 - €280
Portrait of Antwerp Aubert Le Mire, Latin name Aubertus Miraeus, dean of the Antwerp Cathedral and before chaplain and librarian to Archduke Albert of Austria, then ruler of the Spanish Netherlands. This is an early state (Mauquoy-Hendrickx II/V) in the original sheet of an early large folio binding. It is an early impression of the first available state as the previous first state before the text is known froml one impression only. It has the address of the first publisher 'Martinus vanden Enden'. A work from Principum Virorum, a series of portraits designed by Anthony van Dyck (1599-1641) who prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink. The engraver is Paulus pontius (1603-1685), one of the leading engravers connected with the workshop of Peter Paul Rubens and after his death working for Van Dyck.
Old Master Print
Apr. 16, 2026
Anthony Van Dyck, Jacques Jordaens, Pieter De Jode II, Portrait of Jacques Jordaens
Est: €320 - €440
Portrait of Jacques Jordaens, engraving after the painting/drawing of Anthony van Dyck. engraving made by Pieter de Jode II (1606-1670-74) ca 1630-1645. From the series: Icons Principum Virorum. References: New Hollstein 71 IV. Engraving in excellent condition. Very good dark strong impression with all the details. Printed on laid paper with large margins and a good watermark.
Old Master Print
Apr. 16, 2026
Anthony Van Dyck, Michael Natalis, Portrait of Ernestine de Ligne
Est: €240 - €440
Portrait of Ernestine de Ligne, after a painting of Anthony van Dyck (1599-1641). Engraved by Michiel Natalis (1610-1668) ca 1645-1655. Published in Antwerp. References: New Hollstein 145 II. Good dark impression on thin laid paper with 8-12 mm margins. In good condition.
Old Master Print
Apr. 16, 2026
Anthony van Dyck - Judocus de Momper, etched by Van dyck
Est: €240 - €360
One of the few etchings of Icones Principum Virorum etched entirely by Van Dyck himself. Portrait of Joos de Momper, half-length in front of a rocky overhang, turned to the right but looking towards the viewer; with short hair, moustache and beard, wearing a collar, buttoned doublet and cloak, his gloved right hand gesturing behind him at the level of his chest. Etching and engraving. The precise state can not be established due to the lacking if the text line. Probably IV or V state but on a dense laid paper that suites a rather early edition.
Old Master Print
Mar. 25, 2026
Sir Anthonis van Dyck ( 1599-1641) – follower,
Est: €180 - €360
Sir Anthonis van Dyck ( 1599-1641) – follower, Oil study of two princes, paper or canvas, laid down on black board. Framed under glas. 15 x 16,7 cm
Deutsch Auktionen
Mar. 14, 2026
SIR ANTHONIS VAN DYCK (WOHL WERKSTATT) | PORTRAIT VON KARL II. ALS KIND
Est: €3,500 - €7,000
SIR ANTHONIS VAN DYCK (PROBABLY WORKSHOP) 22 March 1599 Antwerp - 9 December 1641 London PORTRAIT OF CHARLES II AS A CHILD Oil on canvas (old relined). 85 x 66 cm (F. 93.5 x 80 cm). Part. old rest., min. old retouching. Frame. Provenance: Private collection, North Rhine-Westphalia. SIR ANTHONIS VAN DYCK (WOHL WERKSTATT) 22 März 1599 Antwerpen - 9. Dezember 1641 London PORTRAIT VON KARL II. ALS KIND Öl auf Leinwand (altdoubl.). 85 x 66 cm (R. 93,5 x 80 cm). Part. altrest., min. Altretuschen. Rahmen. Provenienz: Privatsammlung, Nordrhein-Westfalen.
Hargesheimer Kunstauktionen Düsseldorf
Mar. 14, 2026
SIR ANTHONIS VAN DYCK (SCHULE) | DIE BEWEINUNG CHRISTI
Est: €500 - €1,000
SIR ANTHONIS VAN DYCK (SCHOOL) 22 March 1599 Antwerp - 9 December 1641 London THE LAMENTATION OF CHRIST Oil on copper plate. 28 x 32 cm (F. 39.5 x 44 cm). Part. min. old rest., part. min. old retouching. Frame. Provenance: South German private collection. SIR ANTHONIS VAN DYCK (SCHULE) 22. März 1599 Antwerpen - 9. Dezember 1641 London DIE BEWEINUNG CHRISTI Öl auf Kupfertafel. 28 x 32 cm (R. 39,5 x 44 cm). Part. min. altrest., part min. Altretuschen. Rahmen. Provenienz: Süddeutsche Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Mar. 13, 2026
VAN DYCK, Anthonius (1599-1641)
Est: €140 - €200
Portrait of Paulus Pontius Etching (20.8 x 15.4 cm) by A. Van Dyck, without margins, no loss of image, proofprint (?) Wurzbach 6; Hollstein 9 ii/vi. Prov.: 'Grossherzogl. Museums zu Weimar', stamp on v° (Lugt 2558)
Auctions Van de Wiele
Mar. 12, 2026
Circle of Anthony van Dyck (Flemish, 1599-1641), Portrait of a Saint
Est: £3,000 - £5,000
Circle of Anthony van Dyck (Flemish, 1599-1641) Portrait of a Saint Oil on canvas With Christie's stencil verso, '78SHP' Dimensions: (Frame) 32 in. (H) x 26 in. (W) (Canvas) 22 in. (H) x 16 in. (W)
Sloane Street Auctions
Mar. 10, 2026
Follower of Sir Anthony van Dyck, Flemish 1599-1641- Chri
Est: £300 - £500
Follower of Sir Anthony van Dyck, Flemish 1599-1641- Christ on the Cross; oil on canvas, 82.7 x 58.5 cm. Note: The present composition was likely informed by van Dyck's treatment of the same subject, of which he produced a number of versions, including a painting in the Carmen Thyssen Collection in Madrid [CTB.1995.26], another in the collection of the Royal Museum of Fine Arts in Antwerp [406], and one in the Church of San Zaccaria in Venice.
Roseberys
Feb. 28, 2026
van Dyck Antoon (follower) - Study of the hands of Wolfgang William of Palatinate-Neuburg
Est: €3,000 - €4,000
Oil on canvas
De Vuyst
Feb. 19, 2026
Early voyages to India.- van Dyck (Anthony) after. William Feilding, Earl of Denbigh, engraving, 1843
Est: £400 - £600
Early voyages to India.- van Dyck (Anthony) after. William Feilding, Earl of Denbigh, engraving, 650 x 410 mm (25 1/2 x 16 1/4 in), under glass, some signs of marginal nicks and tears, light surface dirt, unexamined out of frame, framed, 1843 ⁂ After Van Dyck's portrait of William Feilding, Earl of Denbigh, depicted together with an Indian servant. The painting is in the National Gallery, London (NG5633). Van Dyck's portrait, with Earl’s relaxed clothing, a mix of contemporary Indian and European fashion, is likely a commemorative artwork created following the Earl's return from his 1631 voyage to India "to see those countries".
Forum Auctions - UK
Feb. 17, 2026
VAN DYCK ANTOON (1599 - 1641) - Circle of.. The Rest on the Flight into Egypt
Est: €8,000 - €10,000
VAN DYCK ANTOON (1599 - 1641). Circle of.. The Rest on the Flight into Egypt. 170,50 x 128 cm.
Capitolium Art
Feb. 11, 2026
SIR ANTHONY VAN DYCK (ANTWERP 1599-1641 LONDON). Portrait of a Genoese offi
Est: $300,000 - $500,000
SIR ANTHONY VAN DYCK (ANTWERP 1599-1641 LONDON). Portrait of a Genoese officer, three-quarter length, in armor. oil on canvas45 5/8 x 38 ¾ in. (115.9 x 98.4 cm.).
Christie's
Feb. 04, 2026
Recto: An old bearded man holding a bundle beneath his arm; Verso: Various composition studies
Est: $300,000 - $400,000
Sir Anthony van Dyck (Antwerp 1599 - 1641 London) Recto: An old bearded man holding a bundle beneath his arm Verso: Various composition studies Black, red and white chalk (recto); pen and brown ink (verso); bears numbering in brown ink, verso: No 129. 367 by 231 mm; 14½ by 9⅛ in.
Sotheby's
Jan. 31, 2026
Anthony van Dyck, Flemish/British (1599-1641), Erasmus Rotterdamus, etching
Est: $400 - $600
Anthony van Dyck Flemish/British, (1599-1641) Erasmus Rotterdamus etching framed.
Link Auction Galleries
Jan. 31, 2026
Anthonius VAN DYCK (1599-1641), after
Est: CHF1,800 - CHF3,600
The Victorious Cupid Very large painting, oil on canvas, relined, probably 18th century. 115 x 98 cm, frame: 141 x 124 cm
Galerie Moenius
Jan. 14, 2026
ANTHONY VAN DYCK (1599-1641) Follower - The Encounter of the Child Jesus with Saint John / Flemish School of the 17th Century
Est: €4,000 - €5,000
Oil on panel. Dimensions: 74 x 61 cm; 92 x 82 cm. In the lower right corner, the cataloging mark, probably from Buen Retiro, bears the number "456". Two full-length child figures dominate the scene: one of them, with a halo and cross, identified as Saint John, embraces and holds the other child, who allegorically represents the redeemed soul or a fallen angel. The composition, of great gestural and expressive intensity, combines an idealized canon with a symbolic charge linked to redemption and the struggle between good and evil. The dramatic chiaroscuro, the volumetric force of the bodies, and the use of contrasting light allow it to be related to models derived from the late Italian and Spanish Baroque. The scene is framed in a veiled architectural setting.
Templum Fine Art Auctions
Jan. 05, 2026
Antique c. 1900 Signed Small Bronze Bust of Sir Anthony Van Dyck (1599-1642)
Est: -
There is a signature on the back of the bust that starts with a K, possibly Kunz (See photos). Affixed to a metal base. Please ask specific questions on details, condition, and shipping prior to bidding, ALL ITEMS ARE SOLD AS IS, and the bidder will be responsible for payment. We box and ship what we can to keep costs low, and use USPS and UPS. Large items, extremely fragile, and high value items will be packed by UPS. Quotes available on request
One Source Auctions
Jan. 01, 2026
K.P.M. Porcelain Plaque After Sir Anthony van Dyck (Flemish 1599-1641) Portrait of Mary Ruthven Finely painted K.P.M. porcelain plaque depicting Mary Ruthven, the wife of Sir Anthony van Dyck, shown seated beside a ce...
Est: $800 - $1,200
K.P.M. Porcelain Plaque After Sir Anthony van Dyck (Flemish 1599-1641) Portrait of Mary Ruthven Finely painted K.P.M. porcelain plaque depicting Mary Ruthven, the wife of Sir Anthony van Dyck, shown seated beside a cello and bow, wearing a flowing white gown and pearl-adorned coiffure; his composition follows Van Dyck's elegant portrayal of his wife, capturing the refinement and grace of 17th-century court portraiture Stamped on the verso K.P.M. and numbered S.237 9" x 6 1/2" Provenance: Property from a Prominent New York City Collector
Nadeau's Auction Gallery
Jan. 01, 2026
K.P.M. Porcelain Plaque After Sir Anthony van Dyck (Flemish 1599-1641) Portrait of Sir Anthony van Dyck Finely painted porcelain plaque, depicting the Flemish Baroque painter Anthony van Dyck in three-quarter profile,...
Est: $500 - $1,000
K.P.M. Porcelain Plaque After Sir Anthony van Dyck (Flemish 1599-1641) Portrait of Sir Anthony van Dyck Finely painted porcelain plaque, depicting the Flemish Baroque painter Anthony van Dyck in three-quarter profile, dressed in a dark coat with white collar, rendered with exceptional smoothness and subtle tonal transitions typical of high-quality 19th-century German porcelain painting Stamped K.P.M. on the verso 10" x 7 1/2" Provenance: Property from a Prominent New York City Collector
Nadeau's Auction Gallery
Dec. 29, 2025
CÍRCULO DE ANTON VAN DYCK (Amberes,1599-Londres, 1641) . D
Est: €2,750 -
CÍRCULO DE ANTON VAN DYCK (Amberes,1599-Londres, 1641) . Después de 1620 "Calvario". Óleo sobre cobre Medidas:57 x 74 cm.
Magna Art Auctions
Dec. 14, 2025
after Anthony VAN DIJCK [1599-1641]
Est: €300 - €500
Painting oil on canvas marouflaged on panel after Anthony VAN DIJCK [1599-1641] "Holy Family" dim. 25 x 30 cm. with frame 40 x 44 cm.
Cnock Auctions
Dec. 12, 2025
SPANISH SCHOOL (17th century) "The coronation of Saint Rosalia of Palermo"
Est: €6,000 - €8,000
Oil on canvas. Signed in the lower left corner: “Bº, Ast nº, Faciebat.” Composition taken, with some variations, from the engraving by Paul Pontius (1603-1658) based on the work of the same name by Anton Van Dyck (1599-1641) kept at the Kunsthistorisches Museum in Dimensions: 49 x 62.5 cmVienna.
Ansorena
Dec. 12, 2025
ANONYMOUS (Fles. 19th century - 19th century) "Portrait of Cardinal Guido Bentivoglio"
Est: €2,100 - €2,800
Oil on canvas Copy of the original by Anton van Dyck (1599-1641) held in the Pitti Palace in Florence Dimensions: 154 x 110 cm
Ansorena