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JOAQUIN VAQUERO PALACIOS Oviedo 1900-Segovia 1987 Portrait of José Luis Gallego Oil on canvas Signed and dedicated Measurements 100 x 80 cm
Subastas SegreGraphite on paper. Located, dated and signed in the upper right corner . Reproduced in Gaya Nuño, JA, "Contemporary Masters of Drawing. Jo here cowboy Palacios”, Editorial Iberico Europea de Ediciones, Madrid, 1973. Measurements: 25 x 32.5 cm
AnsorenaOil on table. Signed and dated (62) in the lower right corner.
Duran Arte y SubastasJOAQUIN VAQUERO PALACIOS Oviedo 1900-Segovia 1987 Wind Oil on canvas Signed Back signed and titled on frame Size 79 x 65 cm
Subastas SegreJOAQUIN VAQUERO TURCIOS - Sin título
Arte Subastas BilbaoJOAQUIN VAQUERO PALACIOS Oviedo 1900-Segovia 1987 Yellow landscape Oil on cardboard Signed Back signed Size 21 x 26 cm
Subastas SegreJOAQUIN VAQUERO PALACIOS Oviedo 1900-Segovia 1987 Town Oil on canvas Signed Size 61 x 50 cm
Subastas SegreJoaquin Vaquero, Attrib. (1900-1998) Landscape Oil on canvas 56x66,5 cm
Veritas Art AuctioneersOil on panel. Signed in the lower left corner.
Duran Arte y SubastasJOAQUIN VAQUERO TURCIOS Madrid 1933-Santander 2010 Segovia, stormy sunset Oil on cardboard Signed Size 30 x 30 cm
Subastas SegreLithograph on paper. Signed, numbered (112/140) and dedicated in the upper right corner.
Duran Arte y SubastasMixed technique on paper. Signed in the lower right corner.
Duran Arte y SubastasLatex-based paint on canvas. Provenance: - D'Arcy galleries, New York (label on the back) - Private Collection, Spain.
Duran Arte y SubastasOil on canvas. Signed in the lower left corner.
Duran Arte y SubastasOil on canvas Signed in the lower right corner Measurements: 20.5 x 30 cm
AnsorenaOil on paper mounted on board. Signed in the lower left corner.
Duran Arte y SubastasJOAQUIN COWBOY PALACIOS Oviedo 1900-Segovia 1987 castile with moon Oil on canvas Signed Measures 81 x 100 cm EXHIBITIONS 1990, "Vallecas School and the new vision of the landscape", Cultural Center of the Villa, Madrid 1992, "Joaquin Vaquero Palacios", South Gallery, Santander BIBLIOGRAPHY Antonio Manuel Campoy, "Critical Dictionary of Spanish Art", Ed. Iberian European Editions, Madrid 1973, reprod. Carlos Arean, "Expressionist painting in Spain", Ed. Iberian European Editions, Madrid 1984, reprod. p. 13 VVAA, "Vallecas School and the new vision of the landscape", Ed. Ayuntamiento de Madrid, Madrid reprod. cat. experience p. 403
Subastas SegreJOAQUÍN VAQUERO PALACIOS (Oviedo, 1900 - Madrid, 1998). "Landscape". Oil on panel. Signed in the lower right corner. Size: 17 x 23 cm; 33 x 39 cm (frame). Joaquín Vaquero Palacios showed a vocation and outstanding gifts in the field of painting since he was a child, which he never abandoned completely (he himself considered himself a painter rather than an architect), leaving his brushes only a short time before his death. He studied architecture at university in Madrid, and a scholarship enabled him to complete his training in this field in Paris and New York. He collaborated on the set designs for the well-known La Barraca, restored the Monastery of Sobrado as an architect, in the 1950s was elected deputy director of the Spanish School in Rome (of which he would become director) and designed various monumental spaces (Plaza del Descubrimiento in Madrid), He restored the Clock Tower of Santiago de Compostela Cathedral and the Palace of Fonseca in the 1940s (among other buildings in the city), worked in the Office of Architectural Details of the General Directorate of Devastated Regions as its chief architect, etc. Among his awards, it is worth mentioning a few: First Medal for Architecture at the National Exhibition of 1930, First Medal for Fine Arts at the National Exhibition of 1952, from 1969 he was a member of the Royal Academy of Fine Arts of San Fernando in Madrid, member of the RIDEA since 1970, Gold Medal at the 1st Santander Art Fair in 1992, "Asturias Prize" in 1992, etc.It is worth mentioning, already in his painting, a clear change of style that took place from around 1980: he stopped showing clearly naturalistic references to move towards more urban forms and landscapes. He also worked in the field of sculpture with several free-standing works and others in the decoration of buildings (in which the effigy of Policarpo Herrero and the reliefs of the Grandas de Salime Hydroelectric Power Station should be highlighted). His work has been shown in numerous exhibitions all over the world (Venice, Milan, Madrid, Rome, New Orleans (United States), etc.) and is preserved in the buildings he made, in some public spaces, in private collections and in important institutions such as the Museo Centro de Arte Reina Sofía in Madrid, the Museo de las Termas (Italy), the Museo de Arte Contemporáneo Vicente Aguilera Cerni in Vilafamés, etc.
Setdart Auction HouseAttributed to Joaquin Vaquero Palacios (Spanish, 1900-1998), "Tierra de Segovia", inscribed "Per Ziuta, Carinosamente, De Vaquero" on stretcher verso, unframed, 25.5"h x 31.5"w (canvas)
Millea Bros LtdOil on board. Signed in the lower right corner.
Duran Arte y SubastasJOAQUÍN VAQUERO PALACIOS. (Oviedo, 1900 - Madrid, 1998). "Landscape". Oil on board. Signed in the lower left corner. Measurements: 38 x 42 cm; 58 x 66 cm (frame). Joaquín Vaquero Palacios showed since childhood vocation and outstanding gifts in the field of painting, which he never abandoned completely (he himself considered himself a painter rather than an architect), leaving the brushes only a short time before his death. He studied architecture at university in Madrid, and a scholarship allowed him to complete his training in this field in Paris and New York. He collaborated in the stage designs for the well-known La Barraca, restored the Sobrado Monastery as an architect, in the 1950s he was elected assistant director of the Spanish School in Rome (of which he would become director) and designed several monumental spaces (Plaza del Descubrimiento in Madrid), He restored the Clock Tower of the Cathedral of Santiago de Compostela and the Palace of Fonseca in the forties (among other buildings in the city), worked in the Office of Architectural Details of the General Directorate of Devastated Regions as chief architect of the same, etc.. Among his recognitions it is necessary to remember some of them: First Medal of Architecture at the National Exhibition of 1930, First Medal of Fine Arts at the National Exhibition of 1952, since 1969 he was a member of the Royal Academy of Fine Arts of San Fernando in Madrid, member of the RIDEA since 1970, Gold Medal at the First Artistic Fair of Santander in 1992, "Asturias Award" in 1992, etc.It should be noted, already in his painting, a clear change of style that took place from around 1980: he stopped showing clearly naturalistic references to move towards more urban forms and landscapes. He also worked in the field of sculpture with several free-standing works and others in decoration of buildings (in which it is necessary to highlight the effigy of Policarpo Herrero and the reliefs of the Hydroelectric Power Plant of Grandas de Salime). His work has been seen in numerous exhibitions around the world (Venice, Milan, Madrid, Rome, New Orleans (USA), etc.) and is preserved in the buildings he made, in some public spaces, in private collections and in important institutions such as the Museo Centro de Arte Reina Sofía in Madrid, the Museo de las Termas (Italy), the Museo de Arte Contemporáneo Vicente Aguilera Cerni in Vilafamés, etc.
Setdart Auction HouseJOAQUIN VAQUERO PALACIOS Oviedo 1900-Segovia 1987 Landscape Oil on panel Signed size 60 x 73 cm
Subastas SegreEscultura realizada en bronce patinado. Firmada en la base.
Duran Arte Y SubastasJOAQUÍN VAQUERO PALACIOS (Oviedo, 1900 - Madrid, 1998). "Burnt stubble". Oil on canvas. Signed in the lower left corner. Signed and titled on the back. Measurements: 66 x 80 cm; 91 x 106 cm (frame). Joaquín Vaquero Palacios showed since he was a child a vocation and outstanding gifts in the field of painting, which he never abandoned completely (he himself considered himself a painter rather than an architect), leaving the brushes only a short time before his death. He studied architecture at university in Madrid, and a scholarship allowed him to complete his training in this field in Paris and New York. He collaborated in the stage designs for the well-known La Barraca, restored the Sobrado Monastery as an architect, in the 1950s he was elected assistant director of the Spanish School in Rome (of which he would become director) and designed several monumental spaces (Plaza del Descubrimiento in Madrid), He restored the Clock Tower of the Cathedral of Santiago de Compostela and the Palace of Fonseca in the forties (among other buildings in the city), worked in the Office of Architectural Details of the General Directorate of Devastated Regions as chief architect of the same, etc.. Among his recognitions it is necessary to remember some of them: First Medal of Architecture at the National Exhibition of 1930, First Medal of Fine Arts at the National Exhibition of 1952, since 1969 he was a member of the Royal Academy of Fine Arts of San Fernando in Madrid, member of the RIDEA since 1970, Gold Medal at the First Artistic Fair of Santander in 1992, "Asturias Award" in 1992, etc.It should be noted, already in his painting, a clear change of style that took place from around 1980: he stopped showing clearly naturalistic references to move towards more urban forms and landscapes. He also worked in the field of sculpture with several free-standing works and others in decoration of buildings (in which it is necessary to highlight the effigy of Policarpo Herrero and the reliefs of the Hydroelectric Power Plant of Grandas de Salime). His work has been seen in numerous exhibitions around the world (Venice, Milan, Madrid, Rome, New Orleans (USA), etc.) and is preserved in the buildings he made, in some public spaces, in private collections and in important institutions such as the Museo Centro de Arte Reina Sofía in Madrid, the Museo de las Termas (Italy), the Museo de Arte Contemporáneo Vicente Aguilera Cerni in Vilafamés, etc.
Setdart Auction House