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Diego (1599) Velázquez Sold at Auction Prices

Painter, Still life painter, b. 1599 - d. 1660

(b Seville, 1599; d Madrid, 1660) Spanish Painter. Diego Valasquez was the greatest painter of Philip IV’s court, a master portraitist and brilliant example of the Baroque style. Diego Rodríguez de Silva y Velázquez was born to a family of minor nobility in Seville. As his artistic talent became apparent, he was apprenticed first to Herrera the elder and then to Francisco Pacheco. In 1622 he traveled to Madrid on commission, and there, in 1622, he was given the opportunity to sketch the likeness of King Philip IV of Spain. The king was impressed and Valazquez was appointed his official court painter. Valazquez traveled to Italy in 1629 to study the works of the great Italian masters; Titian especially impressed and inspired him. Once back in Spain, Velazquez continued to complete portraits of the Spanish Royalty and to rise up the ranks of the Spanish court; acquiring new titles and responsibilities. It was relatively late into his career, in 1656 that he created his masterpiece Las Meninas. Velazquez’s work had a profound impact on many other artists and his influence can be seen even in the modern works of Pablo Picasso, Francis Bacon and Salvador Dali.

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  • DIEGO VELÁZQUEZ (1599–1660), COPY AFTER “T
    Sep. 01, 2026

    DIEGO VELÁZQUEZ (1599–1660), COPY AFTER “T

    Est: -

    Diego Velázquez (1599–1660), copy after “The Drunkards,” anonymous 20th-century copy after the original in the Prado. Three Peasants Enjoying Wine Against an Evening Landscape, detail copy after the painting created ca. 1639–42, oil on canvas mounted on cardboard, unsigned, 19 x 26 cm

    Historia Auctionata
  • DIEGO VELÁZQUEZ (1599–1660), COPY AFTER, I
    Sep. 01, 2026

    DIEGO VELÁZQUEZ (1599–1660), COPY AFTER, I

    Est: -

    Diego Velázquez (1599–1660), copy after, Infanta Margarita Teresa in a Pink Dress, anonymous 20th-century copy after the original in Vienna, oil on canvas, unsigned, retouched, 80 x 60 cm

    Historia Auctionata
  • DIEGO VELAZQUEZ (copia del XX secolo)
    Jul. 15, 2026

    DIEGO VELAZQUEZ (copia del XX secolo)

    Est: €50 - €70

    (Siviglia, 1599 - Madrid, 1660) La resa di Breda Iscrizione in basso a destra: G. Aprea da Velazques 1906 Olio su cartone, cm 56,6X74 La resa di Breda è uno dei dipinti più famosi realizzati da Velázquez (olio su tela, cm 307x367), eseguito tra il 1634 ed il 1635 e oggi conservato al Museo del Prado. In origine, l'opera si trovava insieme ad altre undici nella cosiddetta Sala dei Regni del Buen Retiro, residenza suburbana eretta per ordine di Filippo IV di Spagna. Bibliografia di riferimento: J. López-Rey, Velázquez: la obra completa, Colonia 2020, p. 362 n. 71 La superficie pittorica presenta una vernice sporca e ossidata con lievi svelature e restauri. Forniamo foto in HD, del verso e a luce di Wood per documentare lo stato di conservazione. The pictorial surface shows a dirty and oxidised varnish with restorations. We provide HD, back and UV photos to document the state of conservation.

    Wannenes Art Auctions
  • DIEGO VELÁZQUEZ (1599–1660), COPY A
    Jun. 24, 2026

    DIEGO VELÁZQUEZ (1599–1660), COPY A

    Est: -

    Diego Velázquez (1599–1660), copy after “The Drunkards,” anonymous 20th-century copy after the original in the Prado. Three peasants enjoying wine against an evening landscape, detail copy after the painting created ca. 1639–42, oil on canvas mounted on cardboard, unsigned, 19 x 26 cm

    Historia Auctionata
  • Follower of DIEGO RODRÍGUEZ DE SILVA Y VELÁZQUEZ (Seville, 1599 - Madrid,1660); XIX century. "Portrait jester with dog". Oil on canvas. Relined.
    Jun. 18, 2026

    Follower of DIEGO RODRÍGUEZ DE SILVA Y VELÁZQUEZ (Seville, 1599 - Madrid,1660); XIX century. "Portrait jester with dog". Oil on canvas. Relined.

    Est: €2,000 - €2,500

    Follower of DIEGO RODRÍGUEZ DE SILVA Y VELÁZQUEZ (Seville, 1599 - Madrid,1660); XIX century. "Portrait jester with dog". Oil on canvas. Relined. Measurements: 140 x 105 cm; 156 x 121 cm (frame). Work done by a follower of Diego Rodriguez de Silva y Velazquez in the nineteenth century, revealing example of the persistence and admiration that Velazquez's painting aroused in the later Spanish artistic tradition. Directly inspired by the model preserved in the Museo Nacional del Prado, known as Bufón con perro (inv. P001203), the work should not be understood simply as an academic copy, but as part of a broader cultural phenomenon: the recovery and study of Velázquez during the 19th century, when his painting was definitively elevated to the category of paradigm of the Spanish school. Throughout the 19th century, numerous artists came to the Prado Museum to copy the great masterpieces of the royal collection. This practice, fundamental in academic training, allowed direct study of the technique, composition and pictorial psychology of masters such as Velázquez. In this context, it is likely that the author of this painting was one of those "Prado copyists" who found in Velázquez's work an unsurpassed model of naturalism and human depth. Beyond formal fidelity, these reinterpretations sought to appropriate the sober and penetrating language of the Sevillian master, whose influence was decisive for modern painting. The composition reproduces one of Velázquez's most innovative aspects: the pictorial dignification of marginal court characters, such as jesters, dwarfs or servants. Far from treating them as simple courtly curiosities, the painter gave them a complex, silent and deeply individualized human presence. The portrayed character appears accompanied by a dog, an element that introduces a dimension of intimacy and affective closeness, reinforcing the model's humanity. The austere atmosphere, the chromatic economy and the attention to psychological expression reveal the desire to maintain the spirit of the original Velázquez. The identity of the sitter has been the subject of historiographical debate. During the 19th century, Pedro de Madrazo identified the figure with Don Antonio "the Englishman", supposed court jester of Philip III. However, later, José Moreno Villa pointed out the chronological error of this hypothesis, when he verified that this character had died before the dates compatible with the original work. Moreno Villa then proposed other possible identities, among them Nicolás Hodson, or Bodson, a character who arrived from Flanders in the service of the Duke of Villahermosa, or Antonio Mascarelli, a Genoese resident in the Alcázar of Madrid during the last decades of the 17th century. These uncertainties reflect precisely one of the most fascinating aspects of Baroque painting: the presence of figures whose existence was partially erased by history, although immortalized by art.

    Setdart Auction House
  • DIEGO VELÁZQUEZ (1599-1660), SPAIN’S, ATTRIBUTED TO ,OIL ON CANVAS, original period frame
    Jun. 14, 2026

    DIEGO VELÁZQUEZ (1599-1660), SPAIN’S, ATTRIBUTED TO ,OIL ON CANVAS, original period frame

    Est: $4,500 - $6,500

    L 50.0cm (19.69 in); L 41.0cm (16.14 in); W 40.0cm (15.75 in); W 32.0cm (12.6 in)ARCHIVAL RECORD & PROVENANCE MEMORANDUM File No.: ART-969258 This official memorandum, recorded at Paris in the year 1870, certifies that the settled sum of fifteen hundred French livres, previously accounted for in earlier household settlement documents of the estate, was applied to the direct purchase of an antique European oil painting. The work, entitled Portrait of a Man in Black, is executed in oil upon canvas by Frans Hals (circa 1582 – 29 August 1666), measures 32 X 41 centimetres, and depicts a seventeenth-century gentleman in dark formal attire. Parties concerned in the transaction: - Purchaser: Robert Harrington, 14 Cavendish Square, London, England, acting for the Bodin family private collection, linked to the aforesaid financial settlement records. - Vendor: Jean-Baptiste Grenier, 38 Rue de Richelieu, Paris France. This record was typed by the gallery's appointed notarial typist, in conformity with standard archival practice of 1870, and serves to link the earlier financial documents to the provenance of the painting. Registered at Paris France, 1870. Official Notarial Typist Archive Witness (Original signature retained in gallery archives) Date: Paris, 1870The work retains original canvas and period frame with natural signs of age. The painting surface is clean and stable, without visible tear, hole, heavy craquelure or restoration. The overall preservation is consistent with its historical period.All images are taken from the actual lot, fully representing the current condition.No further official archived provenance or exhibition records available. Attributed based on stylistic characteristics of the artist.

    Hotspot Auctions
  • Diego Velazquez Chromolithograph Infanta Margarita Teresa
    Apr. 22, 2026

    Diego Velazquez Chromolithograph Infanta Margarita Teresa

    Est: $90 - $200

    A chromolithograph after Diego Velázquez (Spanish, 1599-1660) depicting the Infanta Margarita Teresa (known here as Marguerite) in formal 17th-century Spanish court attire, seated next to a red velvet chair against a dark background. The original painting is a celebrated work of the Spanish Baroque master. Dimensions15.75"L x 21"H

    Lion and Unicorn
  • Attributed to Henri Lebasque (1865–1937), Girl on the Beach
    Mar. 09, 2026

    Attributed to Henri Lebasque (1865–1937), Girl on the Beach

    Est: $2,000 - $3,000

    Pencil and colored pencil on paper Signed on the reverse Dimensions: 23 x 13.5 cm Provenance: Private collection of Jean-Philippe Gueant, France Condition: For a detailed condition report, please email info@hammersite.com

    Hammersite
  • Diego Velazquez Chromolithograph Infanta Margarita Teresa
    Feb. 08, 2026

    Diego Velazquez Chromolithograph Infanta Margarita Teresa

    Est: $90 - $200

    A chromolithograph after Diego Velo¡zquez (Spanish, 1599-1660) depicting the Infanta Margarita Teresa (known here as Marguerite) in formal 17th-century Spanish court attire, seated next to a red velvet chair against a dark background. The original painting is a celebrated work of the Spanish Baroque master. Dimensions: 15.75"L x 21"H

    Lion and Unicorn
  • Diego VELASQUEZ (1599-1660), attributed to
    Jan. 31, 2026

    Diego VELASQUEZ (1599-1660), attributed to

    Est: CHF500 - CHF1,000

    Portrait of a Boy Oil on copper, 17th century, the reverse is engraved like a copperplate with a religious scene, a sticker on the reverse of the frame indicates that the copper plate is by Marti...., probably Martin Martini (1565/66-1610). 5 x 5 cm, frame: 10.5 x 11 cm

    Galerie Moenius
  • 19th C. French Porcelain Plaque after Velasquez - Monk
    Dec. 12, 2025

    19th C. French Porcelain Plaque after Velasquez - Monk

    Est: $1,600 - $2,500

    19th c. French after Diego Velazquez (Spanish, 1599-1660). Inscription at lower left reads "Diego Velazquez" followed by an illegible signature or inscription. A beautiful French porcelain plaque featuring a composition after Diego Velazquez (Spanish, 1599-1660) that depicts an elderly monk reading a book. Diego Rodriguez de Silva y Velazquez, the court painter to King Philip IV of Spain and Portugal, was among the masters of the Baroque period, admired for his ability to simultaneously achieve impressive realism and almost theatrical sense of drama via chiaroscuro.The artist's veristic delineation of the rabbi's visage boasts lines and wrinkles that tell of his age and wisdom, resolves in a flowing white beard, and is framed by the soft cascading fabric of his hooded robe. All is mounted in an attractive silvered frame (inner molding contains 60%-70% silver) with a golden finish. Size: 12.25" L x 8.875" W (31.1 cm x 22.5 cm) Size (frame): 19.25" L x 16" W (48.9 cm x 40.6 cm) Of Note: The frame was tested via x-ray florescence. Inner molding contains a high silver content (60%-70%). Outer more decorative moldings have high copper content. In addition, an inscription handwritten in pencil on the verso of the plaque reads "Vieillard" and "Velazquez" accompanied by an impressed stamp that reads "France". Viellard was a French porcelain maker who was active in 19th century. Provenance: private Sheffield, Massachusetts, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. SHIPPING EXCEPTIONS: Due to customs clearance issues, we are unable to ship to Germany, Switzerland and Australia. If you live in Germany, Switzerland or Australia, you will need to provide an alternate shipping destination, or we will not be able to complete your purchase. In addition, please note that we are unable to ship ancient items back to the original country of origin (Egyptian to Egypt, Greek to Greece, etc.) PAYMENT EXCEPTION: Unless a known customer of Artemis, payment for all gold / precious metal / gem lots must be made via Bank Wire Transfer or Certified Bank Check/Money Order, no exceptions. #199419

    Artemis Fine Arts
  • Diego Velázquez 1599 Siviglia-1660 Madrid, copia da Ritratti di Filippo IV di Spagna e consorte
    Dec. 11, 2025

    Diego Velázquez 1599 Siviglia-1660 Madrid, copia da Ritratti di Filippo IV di Spagna e consorte

    Est: €10,000 - €15,000

    coppia di dipinti olio su tela

    Cambi Casa d'Aste
  • DIEGO VELÁZQUEZ, SEVILLE 1599 - 1660 MADRID, SCHOOL
    Nov. 24, 2025

    DIEGO VELÁZQUEZ, SEVILLE 1599 - 1660 MADRID, SCHOOL

    Est: €800 - €1,600

    Diego Velázquez Seville 1599 - 1660 Madrid, school Portrait of Don Antonio, el Inglés Oil on canvas, relined 40 x 38.5 cm, with frame 57 x 55.5 cm

    Tiberius Auctions
  • Circle of DIEGO DE VELAZQUEZ Y SILVA (Seville, 1599 - Madrid, 1660). "Bust of a lady". Oil on canvas. Relined. It presents restorations on the pictorial surface. It has faults in the frame.
    Nov. 20, 2025

    Circle of DIEGO DE VELAZQUEZ Y SILVA (Seville, 1599 - Madrid, 1660). "Bust of a lady". Oil on canvas. Relined. It presents restorations on the pictorial surface. It has faults in the frame.

    Est: €2,000 - €2,500

    Circle of DIEGO DE VELAZQUEZ Y SILVA (Seville, 1599 - Madrid, 1660). "Bust of a lady". Oil on canvas. Relined. It presents restorations on the pictorial surface. It has faults in the frame. Measurements: 43 x 32 cm; 51 x 41 cm (frame). In this work we see a scene framed within the costumbrismo of the XVII century, worked with a realistic language where a composition stands out, balanced and well settled. This composition and the theme treated by the author, typical of the scenes of the reality of the Spain of the Golden Century and the picaresque literature of the time, bring the piece closer to the naturalist current. It is a genre in which popular types and attitudes, behaviors, values and habits common to a specific group of the population, region or class are described by means of a satirical, nostalgic or narrative description of the environments, customs, clothes, parties and entertainments, traditions, trades and representative types of a society. The idea of costumbrismo arose from an attempt to understand reality, or more precisely, reality understood in a particular way, from a specific point of view. Both the subject matter and the technical precision of this portrait gave rise to an artistic attribution linked to the circle of Velázquez. It is canonical to divide Velázquez's career by his two visits to Italy. He rarely signed his paintings, and the royal archives only give the dates of his most important works. Internal evidence and the history of his portraits provide the rest to some extent. Although he knew all the Italian schools and was a friend of the leading painters of his day, Velázquez was strong enough to resist outside influences and to develop for himself his own nature and his own artistic principles. He rejected the pomp that characterized the portraiture of other European courts and instead brought an even greater reserve to the sober formula of Habsburg portraiture established by Titian, Antonio Mor and Alonso Sánchez Coello. He is known for using a rather limited palette, but he mixed the available paints with great skill to achieve varied shades. His pigments did not differ significantly from those of his contemporaries and he mainly used azurite, enamel, vermilion, red lacquer, lead yellow and ochers. His early works were painted on canvases prepared with a reddish-brown ground. During his first trip to Italy, he adopted the use of light gray backgrounds, which he maintained for the rest of his life. The change resulted in paintings with greater luminosity and a generally cool, silvery range of colors. It presents restorations on the pictorial surface.

    Setdart Auction House
  • Lot Withdrawn.
    Nov. 12, 2025

    Lot Withdrawn.

    Est: £2,000 - £3,000

    Lot withdrawn.

    Roseberys
  • Circle of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660); First half of the XVII century. "Portrait of Isabel de Borbón. Oil on canvas. Relined.
    Nov. 05, 2025

    Circle of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660); First half of the XVII century. "Portrait of Isabel de Borbón. Oil on canvas. Relined.

    Est: €2,800 - €3,000

    Circle of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660); First half of the XVII century. "Portrait of Isabel de Borbón. Oil on canvas. Relined. Measurements: 70 x 56 cm. Portrait of three quarters on neutral background in completely dark tone that makes the figure a lady with black hair that frames her snowy face that is framed in the darkness of the background and the great vaporous gola that gives way to a magnificent whose details are sketched. The face of the lady is clearly identifiable, it is the effigy of Queen Isabella of Bourbon, daughter of Henry IV of France and Marie de Medici and wife of the future Philip IV. The present work has been made in the style of the Spanish baroque court. In fact, a certain resemblance to the works of Velázquez can be appreciated, his aesthetics having served as a model for the creation of this work. Both the subject matter and the technical precision of this portrait gave rise to an artistic attribution linked to Velázquez's circle. It is canonical to divide Velázquez's career by his two visits to Italy. He rarely signed his paintings, and the royal archives only give the dates of his most important works. Internal evidence and the history of his portraits provide the rest to some extent. Although he knew all the Italian schools and was a friend of the leading painters of his day, Velázquez was strong enough to resist outside influences and to develop for himself his own nature and his own artistic principles. He rejected the pomp that characterized the portraiture of other European courts and instead brought an even greater reserve to the sober formula of Habsburg portraiture established by Titian, Antonio Mor and Alonso Sánchez Coello. He is known for using a rather limited palette, but he mixed the available paints with great skill to achieve varied shades.

    Setdart Auction House
  • Following the models of Diego Velázquez (1599-1660) - Jester with books, 19th century
    Oct. 22, 2025

    Following the models of Diego Velázquez (1599-1660) - Jester with books, 19th century

    Est: €1,000 - €2,000

    Dimensions: 120 × 96 cm. Oil on canvas. The figure of the jester, with a serene but thoughtful expression, holds an open book, surrounded by objects typical of a scholar. The work imitates the style of Velázquez, particularly his psychological treatment of portraits of jesters and marginal figures. The dark palette and directed light create a dramatic contrast that highlights the melancholic nature of the subject. The 19th century, with its admiration for the great masters of Spain's Golden Age, produced numerous reinterpretations of Velázquez figures, and this work exemplifies that trend, capturing the dignified and reflective atmosphere of the Sevillian master's originals.

    Templum Fine Art Auctions
  • VELAZQUEZ DIEGO (1599 - 1660) - After. Portrait of Pope Innocenzo X Pamphilj
    Oct. 14, 2025

    VELAZQUEZ DIEGO (1599 - 1660) - After. Portrait of Pope Innocenzo X Pamphilj

    Est: €1,800 - €2,200

    VELAZQUEZ DIEGO (1599 - 1660). After. Portrait of Pope Innocenzo X Pamphilj. 62 x 75 cm.

    Capitolium Art
  • DIEGO RODRÍGUEZ DE SILVA Y VELÁSQUEZ (WAHRSCHEINLICH WERKSTATT) | HALBFIGURENBILDNIS DES APOLLO AUS
    Sep. 13, 2025

    DIEGO RODRÍGUEZ DE SILVA Y VELÁSQUEZ (WAHRSCHEINLICH WERKSTATT) | HALBFIGURENBILDNIS DES APOLLO AUS

    Est: €3,000 - €6,000

    PROBABLY WORKSHOP OF DIEGO RODRÍGUEZ DE SILVA Y VELÁSQUEZ Baptised 1599 Seville - 1660 Madrid HALF-FIGURE PORTRAIT OF APOLLO FROM THE PAINTING ''THE FORGERY OF VULCAN'' Oil on canvas on massive cardboard. 57 x 43 cm (F. 80.5 x 68 cm). Partially slightly old rest. Frame. Provenance: South German private collection.DIEGO RODRÍGUEZ DE SILVA Y VELÁSQUEZ (WAHRSCHEINLICH WERKSTATT) Getauft 1599 Sevilla - 1660 Madrid HALBFIGURENBILDNIS DES APOLLO AUS DEM GEMÄLDE 'DIE SCHMIEDE DES VULKAN' Öl auf Leinwand auf massive Pappe. 57 x 43 cm (R. 80,5 x 68 cm). Part. min. altrest. Rahmen. Provenienz: Süddeutsche Privatsammlung.

    Hargesheimer Kunstauktionen Düsseldorf
  • Spanish school of the 19th century. Follower of DIEGO RODRIGUEZ DE SILVA Y VELÁZQUEZ (Seville, 1599 - Madrid, 1660). "Jester Don Sebastian de Morra". Oil on canvas. With inscription on the back "Juan Millou". Frame of the 19th century.
    May. 28, 2025

    Spanish school of the 19th century. Follower of DIEGO RODRIGUEZ DE SILVA Y VELÁZQUEZ (Seville, 1599 - Madrid, 1660). "Jester Don Sebastian de Morra". Oil on canvas. With inscription on the back "Juan Millou". Frame of the 19th century.

    Est: €400 - €450

    Spanish school of the 19th century. Follower of DIEGO RODRIGUEZ DE SILVA Y VELÁZQUEZ (Seville, 1599 - Madrid, 1660). "Jester Don Sebastian de Morra". Oil on canvas. With inscription on the back "Juan Millou". Frame of the 19th century. Measurements: 24.5 x 18 cm; 44 x 37 x 5 cm (frame). The canvas in tender is a copy made in the 19th century of "The Jester Don Sebastian de Morra", an oil painting by Velázquez kept in the Prado Museum, which shows a court jester with achondroplasia, Don Sebastian de Morra. It is one of Velázquez's most famous portraits of court jesters, where the artist shows the dignity and humanity of this character, who was a common figure in the courts of the time. Diego Rodríguez de Silva y Velázquez (1599 -1660) was the leading artist of the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He began painting in a precise tenebrist style, later developing a freer form characterized by bold brushwork. In addition to numerous interpretations of scenes of historical and cultural importance, he painted dozens of portraits of the Spanish royal family and commoners, culminating in his masterpiece Las Meninas (1656). Velázquez's work became a model for 19th century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí and Francis Bacon paid homage to Velázquez by reinterpreting some of his most iconic images.

    Setdart Auction House
  • Diego Velazquez - Les Menines - 1975 Etching 35.5" x 29"
    Apr. 16, 2025

    Diego Velazquez - Les Menines - 1975 Etching 35.5" x 29"

    Est: $125 - $175

    "Les Menines" by Diego Velazquez, 1975 Unsigned Etching. Paper size is 35.5 x 29 inches, with an image size of 27 x 22 inches. The Etching is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: This etching of Velázquez’s Las Meninas was produced by the Louvre Museum using the calcolgraphie technique on fine Lana paper. It faithfully reproduces the iconic 1656 masterpiece, known for its rich complexity and masterful use of perspective. The scene depicts Infanta Margarita with her ladies-in-waiting, courtiers, and a pair of dwarfs, all set in a grand chamber. Velázquez appears in the background painting on a large canvas, while a distant mirror reflects the king and queen. This etching captures the depth, light, and intrigue that make Las Meninas one of the most studied and celebrated works in Western art history.

    DUMBO Auctions
  • DIEGO VELAZQUEZ, VELAZQUEZ EXHIBITION, POSTER MOUNTED ON BOARD
    Apr. 12, 2025

    DIEGO VELAZQUEZ, VELAZQUEZ EXHIBITION, POSTER MOUNTED ON BOARD

    Est: $100 - $125

    Artist: Diego Velazquez, Spanish (1599 - 1660) Title: Velazquez Exhibition Medium: Poster mounted on board Size: 22.5 x 16.25 in. (57.15 x 41.28 cm)

    RoGallery
  • Follower of DIEGO RODRIGUEZ DE SILVA Y VELÁZQUEZ (Seville, 1599 - Madrid, 1660), Spanish school; XVIII century. Spanish school; XIX century. "Buffoon". Oil on canvas. Presents restorations and faults.
    Feb. 25, 2025

    Follower of DIEGO RODRIGUEZ DE SILVA Y VELÁZQUEZ (Seville, 1599 - Madrid, 1660), Spanish school; XVIII century. Spanish school; XIX century. "Buffoon". Oil on canvas. Presents restorations and faults.

    Est: €1,500 - €1,600

    Follower of DIEGO RODRIGUEZ DE SILVA Y VELÁZQUEZ (Seville, 1599 - Madrid, 1660), Spanish school; 18th century. Spanish school; XIX century. "Buffoon". Oil on canvas. Presents restorations and faults. Measurements: 139 x 98,5 cm. The work belongs to a series of portraits that Velázquez made, with the intention of decorating the secondary or transitional rooms of the palace (corridors, stairs, etc.). It is a reproduction of the work known as "Enano con un perro o Retrato de ufón con perro" (Dwarf with a dog or Portrait of a dog), which currently belongs to the collection of the Prado Museum. This set of portraits has generated great interest throughout the history of art, and therefore has been widely debated, providing theories such as that these works were made by Velázquez, with the intention of dignifying their protagonists, and to make a criticism of the society of the time. Diego Rodríguez de Silva y Velázquez (1599 -1660) was the main artist of the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He began painting in a precise tenebrist style, later developing a freer form characterized by bold brushwork. In addition to numerous interpretations of scenes of historical and cultural importance, he painted dozens of portraits of the Spanish royal family and commoners, culminating in his masterpiece Las Meninas (1656). Velázquez's work became a model for 19th century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí and Francis Bacon paid homage to Velázquez by reinterpreting some of his most iconic images. It presents restorations and faults.

    Setdart Auction House
  • KAREL SVOBODA (Plánice, 1824 - Vienna, 1870) "Menipo", Copy of DIEGO VELÁZQUEZ (Seville, 1599-1660) Oil on canvas. Relined. Signed in the lower left corner. It has three patches on the back. Some faults in the golden frame.
    Feb. 19, 2025

    KAREL SVOBODA (Plánice, 1824 - Vienna, 1870) "Menipo", Copy of DIEGO VELÁZQUEZ (Seville, 1599-1660) Oil on canvas. Relined. Signed in the lower left corner. It has three patches on the back. Some faults in the golden frame.

    Est: €10,000 - €12,000

    KAREL SVOBODA (Plexiglas, 1824 - Vienna, 1870) "Menipo", Copy of DIEGO VELÁZQUEZ (Seville, 1599-1660) Oil on canvas. Relined. Signed in the lower left corner. It has three patches on the back. Some faults in the golden frame. Measurements: 180 x 94 cm; 194 x 109 cm (frame). Excellent copy of the "Menipo" by Velázquez (Museo del Prado); Karel Svoboda was a renowned painter who became famous for his virtuosity. His ability to delve into the genius of Velázquez is proof of his worth. Velázquez portrays Menipo as a thinker who defies social norms and pretensions. His humble appearance contrasts with the sharpness of his mind and his ability to criticize and satirize society. The psychological characterization and the rendering of the garments, with their coarse textures, are impeccable. Menippus of Gadara was a 3rd century B.C. Greek cynic philosopher known for his biting satire and his criticism of pretentiousness and hypocrisy. As a cynic, Menippus despised social conventions and material concerns, promoting a simple and austere life. Karel Svoboda was a Czech-Austrian painter, mainly of historical scenes, noted for the precision of their details. He worked in Prague and Vienna. He was orphaned at an early age and went to live with his uncle Václav, who was a teacher at the Gymnasium in Prague. Under his tutelage, Karel learned philosophy and drawing. His talent caught the attention of Count Franz von Thun, who helped him enter the Academy of Fine Arts, where he studied with Christian Ruben. His painting of the second Defenestration of Prague was much admired and led the writer Ljudevit Gaj to invite him to Zagreb, where he lived for several months painting local characters and scenes from the history of Illyria. In the same year he married the daughter of the composer Alois Jelen and, in 1851, moved with her to Vienna. Despite the move, he accepted a commission to paint historical murals in the Summer Palace of Queen Anne (Le Belvédère), back in Prague. In the following years he carried out several important commissions, among them the posters for the 500th anniversary of Vienna in 1865. He also worked as a drawing teacher at the Schottenfeld Gymnasium (Neubau) and made illustrations for several poetry books, among them the "Rukopis Královédvorský" (Königinhofer Handschrift).

    Setdart Auction House
  • LOUIS CROUTELLE - The Calabacillas Jester (The Fool of Coria)
    Feb. 11, 2025

    LOUIS CROUTELLE - The Calabacillas Jester (The Fool of Coria)

    Est: -

    LOUIS CROUTELLE sculpture Paris 1765 - 1829 JOSÉ CAMARÓN Y MELIA del Segorbe, Castellón 1760 - Madrid 1819 DIEGO DE VELÁZQUEZ pinxit Seville 1599 - Madrid 1660 The jester Calabacillas (El Fobo de Coria) Engraving Signed and titled Dimensions 565 x 407 mm

    Subastas Segre
  • BARTOLOMÉ VÁZQUEZ - The Boy from Vallecas
    Feb. 11, 2025

    BARTOLOMÉ VÁZQUEZ - The Boy from Vallecas

    Est: -

    BARTOLOMÉ VÁZQUEZ sculpted Córdoba 1749 - Madrid 1802 ANTONIO VÁZQUEZ delin Active in Madrid between 1800 and 1836 DIEGO VELÁZQUEZ pinxit Seville 1599 - Madrid 1660 The Child of Vallecas. 1792 Engraving Signed, titled and dated Dimensions 450 x 355 mm

    Subastas Segre
  • Dutch & Flemish. Ralph Warner
    Dec. 19, 2024

    Dutch & Flemish. Ralph Warner

    Est: €150 - €200

    Dutch & Flemish. Fruit and flower painters of the XVII and XVIIIth Centuries by Ralph Warner. The introduction has been written by Thomas Rohan. Contains 280 illustrations by 104 masters. Printed by Mills & Boon, limited in London in 1928. Text in English.

    Templum Fine Art Auctions
  • Diego VELASQUEZ (1599-1660) Kopie, Porträt der achtjährigen Infantin Margarita Teresa in blauem Kleid.
    Dec. 06, 2024

    Diego VELASQUEZ (1599-1660) Kopie, Porträt der achtjährigen Infantin Margarita Teresa in blauem Kleid.

    Est: -

    Diego VELASQUEZ (1599-1660) Kopie, Porträt der achtjährigen Infantin Margarita Teresa in blauem Kleid, 1659, auf Leinwand/Holzplatte, das Original befindet sich im Kunsthistorischen Museum in Wien., Kopie ca. 73 x 54 cm, ohne weitere Angabe. Üppiger Holzrahmen.

    Auktionshaus Königstein GmbH
  • Three female portrait prints: Diego Velazquez, George Romney, Thomas Lawrence 25 1/2”h x 20”w (sheet largest)
    Oct. 09, 2024

    Three female portrait prints: Diego Velazquez, George Romney, Thomas Lawrence 25 1/2”h x 20”w (sheet largest)

    Est: $50 - $100

    Three female portrait prints: Diego Velazquez, George Romney, Thomas Lawrence L'Infante Da Margarita Maria d'Autriche, lithograph, after Diego Rodriguez de Silva y Velazquez (Spanish, 1599 - 1660). Mrs. Davies Davenport, etching, 1926, after George Romney (British, 1734 - 1802). Pinkie (Sarah Barrett Moulton), lithograph, 1927, after Sir Thomas Lawrence (British, 1769 - 1830).

    Ripley Auctions
  • Scene from "Triumph of Bacchus," O/C.
    Sep. 20, 2024

    Scene from "Triumph of Bacchus," O/C.

    Est: $200 - $400

    A copy of a scene from Diego Velazquez (1599-1660) "The Triumph of Bacchus," also known as "The Drinkers." Oil on canvas. Late 19th century. Unsigned. Sight: 28 1/2" x 40 1/2". Frame: 35 1/2" x 47 1/2". Provenance: Diego Velazquez "The Triumph of Bacchus," (1628-1629) is currently held at the Museo del Prado, Madrid.

    Quinn's Auction Galleries
  • Diego VELASQUEZ (1599-1660) Kopie, Porträt der achtjährigen Infantin Margarita Teresa in blauem Kleid.
    Sep. 20, 2024

    Diego VELASQUEZ (1599-1660) Kopie, Porträt der achtjährigen Infantin Margarita Teresa in blauem Kleid.

    Est: -

    Diego VELASQUEZ (1599-1660) Kopie, Porträt der achtjährigen Infantin Margarita Teresa in blauem Kleid, 1659, auf Leinwand/Holzplatte, das Original befindet sich im Kunsthistorischen Museum in Wien., Kopie ca. 73 x 54 cm, ohne weitere Angabe. Üppiger Holzrahmen.

    Auktionshaus Königstein GmbH
  • Three female portrait prints: Diego Velazquez, George Romney, Thomas Lawrence 25 1/2”h x 20”w (sheet largest)
    Sep. 18, 2024

    Three female portrait prints: Diego Velazquez, George Romney, Thomas Lawrence 25 1/2”h x 20”w (sheet largest)

    Est: $80 - $120

    Three female portrait prints: Diego Velazquez, George Romney, Thomas Lawrence L'Infante Da Margarita Maria d'Autriche, lithograph, after Diego Rodriguez de Silva y Velazquez (Spanish, 1599 - 1660). Mrs. Davies Davenport, etching, 1926, after George Romney (British, 1734 - 1802). Pinkie (Sarah Barrett Moulton), lithograph, 1927, after Sir Thomas Lawrence (British, 1769 - 1830).

    Ripley Auctions
  • DIEGO VELÁZQUEZ (1599-1660), COPY AFTE
    Sep. 03, 2024

    DIEGO VELÁZQUEZ (1599-1660), COPY AFTE

    Est: -

    Diego Velázquez (1599-1660), copy after, ''Infanta Margarita Teresa (1651-1673) in a Pink Dress'', anonymous copy from around 1900 after the original in the Kunsthistorisches Museum Vienna, oil on canvas, unsigned, 112 x 86 cm, framed 128 x 103 cm

    Historia Auctionata
  • Diego Velázquez (Seville 1599 - Madrid 1660) (circle of) of Portrait of a Gentleman 17th
    Jul. 25, 2024

    Diego Velázquez (Seville 1599 - Madrid 1660) (circle of) of Portrait of a Gentleman 17th

    Est: €14,000 - €15,000

    Oil on canvas 99 x 73.5 cm The painting shows significant elements of 17th century Spanish portraiture and its greatest representative, Diego Rodríguez de Silva y Velázquez. Our canvas was born in the circle of artists who grew up under his influence, among them the most important students: Juan Bautista Martínez del Mazo, Juan de Pareja and Juan Carreño de Miranda. At the age of twelve he entered Francisco Pacheco's workshop, immediately demonstrating his talent. In 1618 he was already an independent artist, he worked in the city painting with a strong influence of Caravaggio. He moved to Madrid and became official painter to Philip IV. He thus had the opportunity to explore the court collection and cultivate a particular interest in the Venetian school and Titian in particular. Probably following the advice of the Rubens, he traveled twice to Italy, an opportunity to closely study the different schools of painting and the great masters, refining his style and concentrating on the pictorial and environmental interpretation of light. Loved and respected by his colleagues from his time, thanks to Alonso Cano y Zurbarán he was granted the title of Knight of Santiago. His painting of excellent quality and realism was experienced after his death thanks to his students, among them: Juan Bautista Martínez del Mazo, Juan de Pareja and Juan Carreño de Miranda. Diego Velázquez (Seville 1599 - Madrid 1660) circle of Portrait of a leader Oil on canvas 99 x 73.5 cm

    Templum Fine Art Auctions
  • Diego Velazquez - Infanta Margarita - 1989 Offset Lithograph 49" x 38"
    Jul. 18, 2024

    Diego Velazquez - Infanta Margarita - 1989 Offset Lithograph 49" x 38"

    Est: $625 - $775

    "Infanta Margarita" by Diego Velazquez, 1989 Unsigned Offset Lithograph. Paper size is 49 x 38 inches, with an image size of 49 x 38 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated B-: Good Condition, Signs of Handling and Age. Additional details:

    DUMBO Auctions
  • After Diego Velázquez,  Spanish 1599-1660-  Detail from 'Philip IV hunting
    Jul. 09, 2024

    After Diego Velázquez,  Spanish 1599-1660-  Detail from 'Philip IV hunting

    Est: £200 - £300

    After Diego Velázquez,  Spanish 1599-1660-  Detail from 'Philip IV hunting Wild Boar' (La Tela Real);  oil on canvas, signed with initials 'MP' (lower right), bears inscribed label attached to the reverse, 45.4 x 36 cm.  Provenance:  Private Collection, UK.  Note:  Velázquez's 'Philip IV hunting Wild Boar' was probably painted around 1632-37, as a commission for the King’s hunting lodge, Torre de la Parada, on the outskirts of Madrid. The work is now in the collection of the National Gallery in London [NG197]. The present interpretation of Velázquez's renowned composition illustrates a detail from the central foreground of the painting, depicting three noblemen in rich costumes conversing, somewhat ignoring the spectacle of the hunt, whilst a mounted figure with a weapon rides past them in the background. 

    Roseberys
  • CIRCLE OF DIEGO VELÁZQUEZ (SEVILLE 1599-1660 MADRID). Three figures at a ta
    Jul. 03, 2024

    CIRCLE OF DIEGO VELÁZQUEZ (SEVILLE 1599-1660 MADRID). Three figures at a ta

    Est: £80,000 - £100,000

    CIRCLE OF DIEGO VELÁZQUEZ (SEVILLE 1599-1660 MADRID). Three figures at a table. oil on canvas 36 ¼ x 45 ¾ in. (92.1 x 116.3 cm.).

    Christie's
  • Following models of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660), XIX century. "Puttis". Oil on canvas. Relined.
    May. 29, 2024

    Following models of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660), XIX century. "Puttis". Oil on canvas. Relined.

    Est: €600 - €700

    Following models of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660), XIX century. "Puttis". Oil on canvas. Relined. Measurements. 25 x 20 cm; 43,5 x 37 cm (frame). Pair of cherub heads. The work presents a scene of unfinished aesthetics with a loose, fast and vibrant brushstroke in such a way that it seems to be a sketch, a study of a larger work. The presence of angels in the art world is a constant, with juvenile or childish features, they usually appear with curly or looped hair, always with their characteristic wings. However, given their iconographic importance, the variety is indefinable, and depending on the period, we can see a different aesthetic conception adapted to the style of the time, a multitude of poses, features, sizes, musical angels, praying or accompanying the faith, etc.

    Setdart Auction House
  • Circle of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660), 17th century ‘Infanta Maria Teresa of Austria. Oil on canvas. Relined. Frame from the 19th century, with faults. It conserves remains of a label of the Junta Incautación.
    May. 29, 2024

    Circle of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660), 17th century ‘Infanta Maria Teresa of Austria. Oil on canvas. Relined. Frame from the 19th century, with faults. It conserves remains of a label of the Junta Incautación.

    Est: €12,000 - €16,000

    Circle of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660), 17th century ‘Infanta Maria Teresa of Austria. Oil on canvas. Relined. Frame from the 19th century, with faults. It conserves remains of a label of the Junta Incautación. Measurements: 152 x 105 cm; 183 x 135 x 8 cm (frame). This oil painting from the Golden Age of Spanish art has been executed with an exquisite technique, which can be seen in the rendering of each of the qualities: The silk of the puffed sleeves, the brocades of the chest in gold thread, the floral trimmings of the voluminous dress... The artist undoubtedly belonged to the circle of Velázquez, who also left us an excellent portrait of the Infanta Maria Theresa (now in the Museum of Art History in Vienna), although showing her much younger, practically as a child. Therese of Austria (1638-1683) was Infanta of Spain and Queen Consort of France after her marriage to Louis XIV (The Sun King), a cousin on her father's (Philip IV of Spain) and mother's (Isabella of France) side. The use of drapery, the posture of the Infanta (holding a handkerchief in Velázquez's painting and a closed fan in the present one) and the use of a goldsmith's technique in the depiction of the sumptuousness of the dress are elements that this anonymous artist emulates from the master. The Infanta looks at us with an intelligent gaze (in keeping with her age, in each case). In our painting, the more adult gaze also becomes more suspicious. The rosy glow illuminates the whiteness of the skin. A pocket watch rests on the opening of the peephole. It gleams with its patina of gold and silver, as do the earrings and brooches that adorn the majestic young lady. The subject matter, the technical refinement, and the psychological capture make the author of this painting a worthy follower of Velázquez. The work also has similarities with another portrait of the Infanta by a painter close to Rubens, but also close to Velázquez.

    Setdart Auction House
  • Circle of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660), 17th century ‘Infanta Margarita Teresa of Austria". Oil on canvas. Relined. Frame from the 19th century, with faults and damage due to xylophagous.
    May. 29, 2024

    Circle of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660), 17th century ‘Infanta Margarita Teresa of Austria". Oil on canvas. Relined. Frame from the 19th century, with faults and damage due to xylophagous.

    Est: €12,000 - €16,000

    Circle of DIEGO DE VELÁZQUEZ (Seville, 1599 - Madrid, 1660), 17th century ‘Infanta Margarita Teresa of Austria". Oil on canvas. Relined. Frame from the 19th century, with faults and damage due to xylophagous. It conserves remains of a label of the Board of Seizure. Measurements: 152 x 105 cm; 183 x 135 x 8 cm (frame). Margaret Theresa of Austria is depicted as an adolescent in this magnificent painting from the Spanish Golden Age. In its composition, in the type of framing (with the use of the curtain with a cordon) and, above all, in the virtuoso work of goldsmithing to define the qualities and psychology of the character, the oil painting belongs to the courtly circle of Velázquez, whose teachings it inherited with great mastery. Velázquez immortalised the young Margarita Teresa in ‘Las Meninas’, where the Infanta is no more than seven or eight years old. Here Margarita is somewhat older, and her defiant gaze denotes a haughtiness that is not typical of maturity, but rather subtly conveys a certain nonconformity characteristic of puberty. When our anonymous artist portrayed Marguerite, daughter of Philip IV and Mariana of Austria, she was engaged to Emperor Leopold of Austria, whom she would marry in 1666. Perhaps one of the rings she is wearing is a wedding ring. In her right hand she holds a closed fan and in her left a compass, an instrument of undeniable symbolic value (linked, in this case, to her expected ability to command). A frothy ruff enhances her aristocratic bearing, and silver brocades sparkle on her brown velvet dress. A diamond-studded brooch adorns her bosom and a lush headdress covers her golden hair. Her mother-of-pearl skin is illuminated by the faint redness of the crimson lips.An audacious play of glazes manages to extract an unusual depth from the clear gaze.

    Setdart Auction House
  • DIEGO VELAZQUEZ (copia del XX secolo)
    May. 27, 2024

    DIEGO VELAZQUEZ (copia del XX secolo)

    Est: €50 - €70

    (Siviglia, 1599 - Madrid, 1660) La resa di Breda Iscrizione in basso a destra: G. Aprea da Velazques 1906 Olio su cartone, cm 56,6X74 La resa di Breda è uno dei dipinti più famosi realizzati da Velázquez (olio su tela, cm 307x367), eseguito tra il 1634 ed il 1635 e oggi conservato al Museo del Prado. In origine, l'opera si trovava insieme ad altre undici nella cosiddetta Sala dei Regni del Buen Retiro, residenza suburbana eretta per ordine di Filippo IV di Spagna. Bibliografia di riferimento: J. López-Rey, Velázquez: la obra completa, Colonia 2020, p. 362 n. 71

    Wannenes Art Auctions
  • Berlin (K.P.M.) Porcelain Plaque, "Portrait of a Knight"
    May. 19, 2024

    Berlin (K.P.M.) Porcelain Plaque, "Portrait of a Knight"

    Est: $500 - $750

    Berlin (K.P.M.) Porcelain Plaque, "Portrait of a Knight" late 19th century painted after Diego Velázquez (Spanish, 1599-1660), impressed "K.P.M." with scepter mark 10 1/4 x 7 1/2 inches (plaque) 15 1/2 x 13 inches (frame)

    Fontaine's Auction Gallery
  • Diego Velázquez (Siviglia 1599 - Madrid 1660) cerchia di
    May. 14, 2024

    Diego Velázquez (Siviglia 1599 - Madrid 1660) cerchia di

    Est: €1,000 - €1,500

    Diego Velázquez (Siviglia 1599 - Madrid 1660) cerchia di Ritratto di condottiero Olio su tela 99 x 73,5 cm Il dipinto mostra significativi elementi della ritrattistica spagnola del Seicento e del suo massimo rappresentante, ovvero Diego Rodríguez de Silva y Velázquez. La nostra tela nasce nella cerchia di artisti cresciuti sotto la sua influenza, tra questi i più importanti allievi: Juan Bautista Martínez del Mazo, Juan de Pareja e Juan Carreño de Miranda. Dodicenne entrò nella bottega di Francisco Pacheco, mostrando da subito il suo talento. Nel 1618 era già artista indipendente, operò nella sua città dipingendo con una forte influenza di Caravaggio. Si trasferì a Madrid e divenne pittore ufficiale di Filippo IV. Ebbe così modo di esplorare la raccolta di corte e di coltivare un interesse particolare per la scuola veneziana e per Tiziano in particolare. Probabilmente, su indicazione dei Rubens viaggiò due volte in Italia, occasione per studiare da vicino le varie scuole pittoriche e i grandi maestri, affinando il suo stile e concentrandosi sulla resa pittorica e ambientale della luce. Amato e considerato dai colleghi del suo tempo, grazie ad Alonso Cano e Zurbaràn fu insignito del titolo di Cavaliere di Santiago. La sua pittura di eccelsa qualità e realismo fu vissuta dopo la sua dipartita grazie ai suoi allievi, tra questi: Juan Bautista Martínez del Mazo, Juan de Pareja e Juan Carreño de Miranda. Diego Velázquez (Seville 1599 - Madrid 1660) circle of Portrait of a Leader Oil on canvas 99 x 73,5 cm The painting shows significant elements of 17th-century Spanish portraiture and its greatest representative, Diego Rodríguez de Silva y Velázquez. Our canvas was born in the circle of artists who grew up under his influence, among these the most important students: Juan Bautista Martínez del Mazo, Juan de Pareja and Juan Carreño de Miranda.

    Lucas Aste
  • Velázquez, Diego
    May. 04, 2024

    Velázquez, Diego

    Est: -

    Velázquez, Diego 1599 Sevilla - 1660 Madrid (nach) Philipp IV. von Spanien. Öl/Lwd./doubl., 68 x 56 cm. Leihrahmen.

    Dusseldorfer Auktionshaus
  • AFTER DIEGO VELAZQUEZ 17TH C SPANISH SCHOOL OIL PAINTING
    Apr. 21, 2024

    AFTER DIEGO VELAZQUEZ 17TH C SPANISH SCHOOL OIL PAINTING

    Est: $100 - $150

    Oil on board painting. Spanish school, mid to late 17th century. After the ca. 1620 painting titled The Waterseller of Seville by Diego Velazquez, 1599 to 1660, a Spanish Golden Age painter, the leading artist in the court of King Philip IV. The artwork depicts a waterseller surrounded with jugs, a young boy, and a bystander in the background. The original piece exists in two versions, in collections of Apsley House, London and Uffizi Gallery, Florence. Unsigned. There are wax seals on the backside. Golden frame with name plaque. Collectible European Fine Art, Genre Painting.

    Antique Arena Inc
  • Diego Velazquez - Infanta Margarita - 1989 Offset Lithograph 49" x 38"
    Mar. 19, 2024

    Diego Velazquez - Infanta Margarita - 1989 Offset Lithograph 49" x 38"

    Est: $125 - $175

    "Infanta Margarita" by Diego Velazquez, 1989 Unsigned Offset Lithograph. Paper size is 49 x 38 inches, with an image size of 49 x 38 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated B-: Good Condition, Signs of Handling and Age. Additional details:

    DUMBO Auctions
  • AFTER DIEGO VELAZQUEZ 17TH C SPANISH SCHOOL OIL PAINTING
    Mar. 16, 2024

    AFTER DIEGO VELAZQUEZ 17TH C SPANISH SCHOOL OIL PAINTING

    Est: $100 - $150

    Oil on board painting. Spanish school, mid to late 17th century. After the ca. 1620 painting titled The Waterseller of Seville by Diego Velazquez, 1599 to 1660, a Spanish Golden Age painter, the leading artist in the court of King Philip IV. The artwork depicts a waterseller surrounded with jugs, a young boy, and a bystander in the background. The original piece exists in two versions, in collections of Apsley House, London and Uffizi Gallery, Florence. Unsigned. There are wax seals on the backside. Golden frame with name plaque. Collectible European Fine Art, Genre Painting.

    Antique Arena Inc
  • Velazquez. Mercury and Argos
    Dec. 27, 2023

    Velazquez. Mercury and Argos

    Est: -

    Etched by J. Vallejo.

    Duran Arte y Subastas
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