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François Venant Sold at Auction Prices

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    • Attr. to F. Venant, The Crucifixion of the Thieves, oak panel, reinforced
      Oct. 27, 2017

      Attr. to F. Venant, The Crucifixion of the Thieves, oak panel, reinforced

      Est: €6,000 - €8,000

      Attr. to F. Venant, The Crucifixion of the Thieves, oak panel, reinforced 34 13/16 X 47 5/8 IN. ATTRIBUÉ A FRANÇOIS VENANT (1591-1636) LA CRUCIFIXION ENTRE LES LARRONS Panneau de chêne, renforcé Restaurations anciennes et fente 88,5 X 121 CM.

      Tajan
    • The Baptism of the Eunuch
      Dec. 10, 2014

      The Baptism of the Eunuch

      Est: €4,000 - €6,000

      Attributed to François Venant (Middelburg circa 1591-1636 Amsterdam) The Baptism of the Eunuch black chalk, pen and brown ink, brown wash, watermark eagle 8½ x 11 in. (20.5 x 27.8 cm.)

      Christie's
    • François Venant (Middelburg 1591-1636 Amsterdam) Pyramus and Thisbe
      Apr. 28, 2010

      François Venant (Middelburg 1591-1636 Amsterdam) Pyramus and Thisbe

      Est: £2,000 - £3,000

      Pyramus and Thisbe oil on panel, possibly trimmed 29.8 x 38.8cm (11 3/4 x 15 1/4in).

      Bonhams
    • François Venant , Middelburg circa 1591 - 1636 Amsterdam Pyramus and Thisbe oil on panel, unframed
      Oct. 30, 2008

      François Venant , Middelburg circa 1591 - 1636 Amsterdam Pyramus and Thisbe oil on panel, unframed

      Est: £3,000 - £5,000

      oil on panel, unframed

      Sotheby's
    • Attributed to François Venant Middelburg circa 1591 - 1636 Amsterdam , the adoration of the magi oil on canvas
      Nov. 13, 2007

      Attributed to François Venant Middelburg circa 1591 - 1636 Amsterdam , the adoration of the magi oil on canvas

      Est: €10,000 - €15,000

      oil on canvas

      Sotheby's
    • FRANÇOIS VENANT 1591/92 - 1636
      Nov. 14, 2006

      FRANÇOIS VENANT 1591/92 - 1636

      Est: €15,000 - €20,000

      THE ADORATION OF THE MAGI measurements note 109.8 by 142.4 cm. oil on canvas PROVENANCE Collection J. van Dam, Leiden; Collection Gevers, Noordwijk; With D. Katz, Dieren. LITERATURE E. Plietzsch, Jahrbuch der Königlichen Preußischen Kunstsammlungen, Vol. 37 (1916), p. 105, nr. 8 (as by P. Bor); V. Bloch,'Zur Malerei des Paulus Bor', Oud Holland, 45 (1928), p. 22 (as not by P. Bor); J.W. von Moltke, Die Gemälde des Paulus Bor von Amersfoort, Westfalen, 55, 1977, p. 147 (as not by P. Bor).20248202-1 NOTE François Venant, one of the youngest of the so-called Pre-Rembrandtists, was much inspired by the works of his brother-in-law Pieter Lastman (1583/4-1633). Only one monogrammed painting by him is known, which forms the basis for establishing his oeuvre. This is The Farewell of David and Jonathan in the Fondation Custodia, Paris. J.G. van Gelder was the first in 1937 to attribute some paintings to the artist, followed by J. Bruyn in 1997 (see J.G. van Gelder, 'François Venant, schilder' in: Oud Holland, 54, 1937, pp. 137-8 and J. Bruyn, 'François Venant, Enige aanvullingen' in: Oud Holland, 111, 1997, pp. 163-76 ). Offered with an expertise, dated 27th of June 2002, of Dr. P. Huys Janssen, attributing the present work to François Venant, on the basis of a photograph.

      Sotheby's
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